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These are the user uploaded subtitles that are being translated: 1 00:00:00,215 --> 00:00:04,307 The CMYK color model's probably familiar to you if you've ever used an inkjet 2 00:00:04,307 --> 00:00:06,421 printer at home or something like that. 3 00:00:06,421 --> 00:00:09,192 If you've ever had to buy ink for it, it comes in these cartridges. 4 00:00:09,192 --> 00:00:15,402 So C is cyan, M is magenta, Y is yellow, and K is kblack! 5 00:00:15,402 --> 00:00:16,944 No, it's not, I'm just joking. 6 00:00:16,944 --> 00:00:22,060 But it's not B for black, it's K for black, and I'll explain that in a second. 7 00:00:22,060 --> 00:00:24,760 So the idea here is that these are subtractive colors. 8 00:00:24,760 --> 00:00:27,870 It's all geared around the idea of printing with ink. 9 00:00:27,870 --> 00:00:31,768 And so you're starting with no ink, which is a white, or complete, bright, 10 00:00:31,768 --> 00:00:32,605 white surface. 11 00:00:32,605 --> 00:00:36,069 And that by adding ink to it, you're removing some of that white, or 12 00:00:36,069 --> 00:00:38,784 removing that brightness, and changing the color. 13 00:00:38,784 --> 00:00:42,203 And so if you add all three colors together as much as possible, 14 00:00:42,203 --> 00:00:46,090 sort of the total amount that you can, then you would end up with black. 15 00:00:46,090 --> 00:00:50,640 And so just to finish that little explanation is that to save 16 00:00:50,640 --> 00:00:53,188 ink with traditional printers, 17 00:00:53,188 --> 00:00:58,566 instead of having to dump all three inks on the page just to make black. 18 00:00:58,566 --> 00:00:59,606 They said, well, 19 00:00:59,606 --> 00:01:03,702 why don't we just have a fourth color that we'll add as a different plate or 20 00:01:03,702 --> 00:01:08,330 a different ink that we can put on the page, which will be nothing but black. 21 00:01:08,330 --> 00:01:12,665 And so that was often used for things like line work, text labeling, 22 00:01:12,665 --> 00:01:17,847 what they refer to as the key information, and so it became known as the key plate. 23 00:01:17,847 --> 00:01:19,934 And the K is for key. 24 00:01:19,934 --> 00:01:22,055 So there's a little trivia for you there. 25 00:01:22,055 --> 00:01:25,275 That's why there is a K on the end instead of a B. 26 00:01:25,275 --> 00:01:29,354 So it's CMYK, so K is black because it's the key plate. 27 00:01:29,354 --> 00:01:30,420 So now you know. 28 00:01:30,420 --> 00:01:33,609 So in a similar way to RGB, only kind of in reverse I suppose, 29 00:01:33,609 --> 00:01:36,237 is that you're able to take those three colors and 30 00:01:36,237 --> 00:01:39,325 mix them together in order to create all the other colors. 31 00:01:39,325 --> 00:01:43,021 But whereas RGB was additive, you're adding light together, 32 00:01:43,021 --> 00:01:44,802 think of this as subtractive, 33 00:01:44,802 --> 00:01:49,129 as that the ink is being used to subtract from white to create other colors. 34 00:01:50,580 --> 00:01:51,427 Well, we mix these together. 35 00:01:51,427 --> 00:01:54,130 So we have cyan and magenta create blue. 36 00:01:54,130 --> 00:01:55,720 Cyan and yellow create green. 37 00:01:55,720 --> 00:01:56,893 Magenta and yellow create red. 38 00:01:56,893 --> 00:01:58,343 And then all three of them together make black. 39 00:01:58,343 --> 00:02:00,780 And in a similar way as before, like I was saying, 40 00:02:00,780 --> 00:02:03,170 is that you can have gradations of each of these. 41 00:02:03,170 --> 00:02:06,360 So you can mix a little bit of this one with a lot more of that one to create 42 00:02:06,360 --> 00:02:08,680 all kinds of different colors and 43 00:02:08,680 --> 00:02:11,960 gradations of those colors based on just mixing those three inks together. 44 00:02:13,610 --> 00:02:18,140 If we look at how these are defined based on ArcGIS and the color models there, 45 00:02:18,140 --> 00:02:22,880 we can see that here we've got our CMYK, so that's what we're seeing. 46 00:02:22,880 --> 00:02:27,188 And so this cyan is 100% cyan there, so 47 00:02:27,188 --> 00:02:31,026 we're going from white to pure cyan. 48 00:02:31,026 --> 00:02:34,717 And then we could do the same thing with magenta, so that's 100% there. 49 00:02:34,717 --> 00:02:38,984 And so you'll notice that with RGB it goes from 0 to 255, 50 00:02:38,984 --> 00:02:41,672 with CMYK it goes from 0 to 100%. 51 00:02:41,672 --> 00:02:46,245 That's just the way they work, just go with it, that's how it works, okay? 52 00:02:46,245 --> 00:02:50,263 And so yellow, we've got yellow here up to 100%. 53 00:02:50,263 --> 00:02:52,588 So I hope you get the idea there. 54 00:02:52,588 --> 00:02:53,773 And really, that's all three is to it. 55 00:02:53,773 --> 00:02:57,622 If we wanted to find any of these colors, we can mix and match the CMY and 56 00:02:57,622 --> 00:03:00,311 K in order to create all these different colors. 57 00:03:00,311 --> 00:03:04,548 And if you're thinking about your final map output as being something that's going 58 00:03:04,548 --> 00:03:07,828 to be printed, especially if it's going to be printed using CMYK, 59 00:03:07,828 --> 00:03:09,101 which is pretty common. 60 00:03:09,101 --> 00:03:13,964 Then you may want to use the CMYK color model all the way through the process. 61 00:03:13,964 --> 00:03:17,240 And it's just the way I've been able to make sure that the way that 62 00:03:17,240 --> 00:03:21,176 the colors are being defined will be the way that it's described to the printer 63 00:03:21,176 --> 00:03:23,165 that's going to be doing it in the end. 64 00:03:23,165 --> 00:03:26,365 I don't know as much anymore, if this is a critical thing. 65 00:03:26,365 --> 00:03:28,994 I know many years ago, when I was first starting out, 66 00:03:28,994 --> 00:03:32,735 I was working with a professional publishing company, printing company, 67 00:03:32,735 --> 00:03:36,940 that was going to create a big poster for me I was creating for one of my clients. 68 00:03:36,940 --> 00:03:39,710 And it was really important, they said, to make sure 69 00:03:39,710 --> 00:03:44,130 that I was using CMYK in order that it would sort of translate in the most 70 00:03:45,350 --> 00:03:50,655 high fidelity way possible from my digital file to the actual printed page. 71 00:03:50,655 --> 00:03:54,040 So a little bit of advice there, and so that's our CMYK color model.6392

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