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The CMYK color model's probably familiar
to you if you've ever used an inkjet
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printer at home or something like that.
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If you've ever had to buy ink for
it, it comes in these cartridges.
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So C is cyan, M is magenta,
Y is yellow, and K is kblack!
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No, it's not, I'm just joking.
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But it's not B for black, it's K for
black, and I'll explain that in a second.
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So the idea here is that
these are subtractive colors.
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It's all geared around
the idea of printing with ink.
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And so you're starting with no ink,
which is a white, or complete, bright,
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white surface.
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And that by adding ink to it,
you're removing some of that white, or
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removing that brightness,
and changing the color.
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And so if you add all three colors
together as much as possible,
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sort of the total amount that you can,
then you would end up with black.
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And so just to finish that little
explanation is that to save
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ink with traditional printers,
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instead of having to dump all three
inks on the page just to make black.
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They said, well,
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why don't we just have a fourth color
that we'll add as a different plate or
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a different ink that we can put on
the page, which will be nothing but black.
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And so that was often used for
things like line work, text labeling,
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what they refer to as the key information,
and so it became known as the key plate.
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And the K is for key.
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So there's a little trivia for you there.
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That's why there is a K on
the end instead of a B.
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So it's CMYK, so
K is black because it's the key plate.
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So now you know.
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So in a similar way to RGB,
only kind of in reverse I suppose,
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is that you're able to take
those three colors and
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mix them together in order to
create all the other colors.
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But whereas RGB was additive,
you're adding light together,
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think of this as subtractive,
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as that the ink is being used to subtract
from white to create other colors.
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Well, we mix these together.
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So we have cyan and magenta create blue.
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Cyan and yellow create green.
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Magenta and yellow create red.
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And then all three of
them together make black.
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And in a similar way as before,
like I was saying,
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is that you can have
gradations of each of these.
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So you can mix a little bit of this one
with a lot more of that one to create
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all kinds of different colors and
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gradations of those colors based on
just mixing those three inks together.
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If we look at how these are defined based
on ArcGIS and the color models there,
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we can see that here we've got our CMYK,
so that's what we're seeing.
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And so this cyan is 100% cyan there, so
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we're going from white to pure cyan.
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And then we could do the same thing
with magenta, so that's 100% there.
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And so you'll notice that with
RGB it goes from 0 to 255,
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with CMYK it goes from 0 to 100%.
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That's just the way they work, just go
with it, that's how it works, okay?
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And so yellow,
we've got yellow here up to 100%.
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So I hope you get the idea there.
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And really, that's all three is to it.
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If we wanted to find any of these colors,
we can mix and match the CMY and
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K in order to create all
these different colors.
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And if you're thinking about your final
map output as being something that's going
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to be printed, especially if it's
going to be printed using CMYK,
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which is pretty common.
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Then you may want to use the CMYK color
model all the way through the process.
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And it's just the way I've been
able to make sure that the way that
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the colors are being defined will be
the way that it's described to the printer
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that's going to be doing it in the end.
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I don't know as much anymore,
if this is a critical thing.
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I know many years ago,
when I was first starting out,
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I was working with a professional
publishing company, printing company,
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that was going to create a big poster for
me I was creating for one of my clients.
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And it was really important,
they said, to make sure
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that I was using CMYK in order that it
would sort of translate in the most
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high fidelity way possible from my
digital file to the actual printed page.
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So a little bit of advice there,
and so that's our CMYK color model.6392
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