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These are the user uploaded subtitles that are being translated: 1 00:00:00,233 --> 00:00:04,600 So far in this course, we've worked extensively with JPEG images. 2 00:00:04,700 --> 00:00:07,600 We introduced raw files earlier in this course. 3 00:00:07,600 --> 00:00:09,733 We know what they are, but we haven't discussed 4 00:00:09,733 --> 00:00:14,566 some of the important differences between working with JPEG and raw files. 5 00:00:14,666 --> 00:00:17,666 To begin, it's important to note that working with raw files 6 00:00:17,666 --> 00:00:21,333 or JPEG images in Lightroom is almost identical. 7 00:00:21,400 --> 00:00:25,000 The flow of the program remains the same, and everything we've done up 8 00:00:25,000 --> 00:00:29,733 to this point, including image adjustments, would all work the same way. 9 00:00:29,800 --> 00:00:32,333 That being said, raw files do offer 10 00:00:32,333 --> 00:00:35,766 some additional benefits over JPEG files. 11 00:00:35,833 --> 00:00:38,966 The first major difference between a raw file and JPEG 12 00:00:38,966 --> 00:00:43,500 is the additional options we have available for white balance adjustments. 13 00:00:43,566 --> 00:00:45,466 To explore this example further. 14 00:00:45,466 --> 00:00:49,600 Let's go ahead and open a raw file in our developed module. 15 00:00:49,700 --> 00:00:53,100 Open this image here, my raw dot any. 16 00:00:53,166 --> 00:00:56,433 Now, in case you're wondering, any F is the raw file format 17 00:00:56,500 --> 00:00:59,933 generated by a Nikon D15 100 camera. 18 00:01:00,000 --> 00:01:04,533 So with the image selected, expand the basic Adjustments panel over here. 19 00:01:04,700 --> 00:01:07,233 You'll notice that the White Balance menu. 20 00:01:07,233 --> 00:01:12,133 If you click on this menu here, it has a lot more options than we're used to. 21 00:01:12,233 --> 00:01:15,666 We've been working with JPEG images and the only options we had 22 00:01:15,700 --> 00:01:18,900 were auto as shot in custom. 23 00:01:18,966 --> 00:01:22,533 Well, now we have a full range of other white balance adjustments. 24 00:01:22,600 --> 00:01:26,033 We can now set the white balance the same way we could have when we were 25 00:01:26,033 --> 00:01:28,400 taking this photograph on our camera. 26 00:01:28,400 --> 00:01:30,933 The reason is because of the volume of data stored 27 00:01:30,933 --> 00:01:34,600 in a raw file that is not available in a JPEG file. 28 00:01:34,700 --> 00:01:37,600 This preservation of data allows for certain settings 29 00:01:37,600 --> 00:01:40,600 to be adjusted even after the image has been taken. 30 00:01:40,833 --> 00:01:41,833 Let's go ahead and flip 31 00:01:41,833 --> 00:01:46,066 through some of these adjustments just so you can see the difference. 32 00:01:46,166 --> 00:01:48,033 So this is daylight, 33 00:01:48,100 --> 00:01:50,300 cloudy, 34 00:01:50,300 --> 00:01:52,900 tungsten, 35 00:01:52,900 --> 00:01:54,966 fluorescent, 36 00:01:54,966 --> 00:01:57,233 and this is flash. 37 00:01:57,233 --> 00:02:00,233 So these are all the different options you would have had on your camera. 38 00:02:00,266 --> 00:02:03,566 And you can adjust the white balance now after the photo has been taken, 39 00:02:03,566 --> 00:02:06,533 which is one of the great advantages of working with Raphael's. 40 00:02:06,533 --> 00:02:10,900 Another advantage of shooting with Raw is that you can calibrate the colors 41 00:02:10,900 --> 00:02:14,933 that you see in Lightroom to match those you would see on your camera's 42 00:02:14,933 --> 00:02:16,033 LCD display. 43 00:02:16,033 --> 00:02:19,100 You may have noticed that when you take a photograph on your camera, 44 00:02:19,100 --> 00:02:22,866 the colors you see in your camera display, look entirely different. 45 00:02:22,866 --> 00:02:24,700 When you open the image in Lightroom. 46 00:02:24,700 --> 00:02:27,666 To calibrate Lightroom with your camera, we'll need to expand 47 00:02:27,666 --> 00:02:30,666 the camera calibration panel. 48 00:02:30,700 --> 00:02:36,366 Now, before I do, I'm just going to take my white balance back to as shot. 49 00:02:36,433 --> 00:02:38,433 And here's the camera calibration panel. 50 00:02:38,433 --> 00:02:41,466 So just go ahead and expand that under the profile menu. 51 00:02:41,700 --> 00:02:45,733 You'll find a list of options that match the options available in your camera. 52 00:02:45,966 --> 00:02:51,700 So that means what you see in my menu will likely be different from yours. 53 00:02:51,766 --> 00:02:54,600 This is unless you use an icon. 5100. 54 00:02:54,600 --> 00:02:58,600 One other point worth mentioning is if this was a JPEG image, 55 00:02:58,700 --> 00:03:02,666 we would only see the option embedded under the profile menu. 56 00:03:02,700 --> 00:03:04,700 So here's an example. 57 00:03:04,700 --> 00:03:06,766 This is a JPEG image. 58 00:03:06,766 --> 00:03:09,066 Now first, let's look at the white balance. 59 00:03:09,066 --> 00:03:10,700 We only have three options. 60 00:03:10,700 --> 00:03:13,200 I shot auto and custom. 61 00:03:13,200 --> 00:03:15,000 That was the first difference. 62 00:03:15,000 --> 00:03:18,333 Now, under calibration, the only profile we have 63 00:03:18,333 --> 00:03:21,333 available is the one embedded already in this image. 64 00:03:21,533 --> 00:03:26,100 We can't change it as we can with the raw file. 65 00:03:26,166 --> 00:03:29,200 Now, if you aren't shooting using any special color profiles, 66 00:03:29,200 --> 00:03:33,000 you can just go ahead and select the camera Standard profile 67 00:03:33,066 --> 00:03:35,100 and this will match the color profile. 68 00:03:35,100 --> 00:03:36,900 Most cameras use by default. 69 00:03:36,900 --> 00:03:39,900 In addition to selecting an accurate camera profile, 70 00:03:39,900 --> 00:03:42,900 you can also do several basic color adjustments 71 00:03:43,066 --> 00:03:46,500 using these sliders below. 72 00:03:46,566 --> 00:03:48,933 The shadow slider can be used to correct green 73 00:03:48,933 --> 00:03:51,966 and magenta tints in the shadow areas of your image. 74 00:03:52,200 --> 00:03:54,600 So go left for more green. 75 00:03:54,600 --> 00:03:58,833 Go right for more magenta. 76 00:03:58,900 --> 00:04:02,200 The remaining hue saturation sliders 77 00:04:02,266 --> 00:04:05,200 will target red, green and blue, 78 00:04:05,200 --> 00:04:12,400 depending on which shades you choose to adjust. 79 00:04:12,466 --> 00:04:14,966 So you can see we can make dramatic color shifts 80 00:04:14,966 --> 00:04:21,266 in each one of these color channels. 81 00:04:21,333 --> 00:04:23,733 Keep in mind that these settings here 82 00:04:23,733 --> 00:04:27,466 are available for JPEG images as well as raw files. 83 00:04:27,566 --> 00:04:29,333 But the profile. 84 00:04:29,333 --> 00:04:33,033 So say for example, we wanted to change it from camera standard 85 00:04:33,100 --> 00:04:36,166 to camera landscape. 86 00:04:36,266 --> 00:04:36,866 You can see how 87 00:04:36,866 --> 00:04:40,600 the colors are displayed completely differently 88 00:04:40,666 --> 00:04:44,600 with each different profile. 89 00:04:44,700 --> 00:04:46,500 So just go ahead and select 90 00:04:46,500 --> 00:04:51,900 the profile that you have configured on your camera. 91 00:04:51,966 --> 00:04:53,533 And that's how you calibrate colors 92 00:04:53,533 --> 00:04:58,133 between your monitor and the LCD display on the back of your camera. 7902

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