Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,233 --> 00:00:04,600
So far in this course, we've worked
extensively with JPEG images.
2
00:00:04,700 --> 00:00:07,600
We introduced raw files earlier
in this course.
3
00:00:07,600 --> 00:00:09,733
We know what they are,
but we haven't discussed
4
00:00:09,733 --> 00:00:14,566
some of the important differences
between working with JPEG and raw files.
5
00:00:14,666 --> 00:00:17,666
To begin, it's important
to note that working with raw files
6
00:00:17,666 --> 00:00:21,333
or JPEG images in
Lightroom is almost identical.
7
00:00:21,400 --> 00:00:25,000
The flow of the program remains the same,
and everything we've done up
8
00:00:25,000 --> 00:00:29,733
to this point, including image
adjustments, would all work the same way.
9
00:00:29,800 --> 00:00:32,333
That being said, raw files do offer
10
00:00:32,333 --> 00:00:35,766
some additional benefits over JPEG files.
11
00:00:35,833 --> 00:00:38,966
The first major difference
between a raw file and JPEG
12
00:00:38,966 --> 00:00:43,500
is the additional options we have
available for white balance adjustments.
13
00:00:43,566 --> 00:00:45,466
To explore this example further.
14
00:00:45,466 --> 00:00:49,600
Let's go ahead and open a raw
file in our developed module.
15
00:00:49,700 --> 00:00:53,100
Open this image here, my raw dot any.
16
00:00:53,166 --> 00:00:56,433
Now, in case you're wondering,
any F is the raw file format
17
00:00:56,500 --> 00:00:59,933
generated by a Nikon D15 100 camera.
18
00:01:00,000 --> 00:01:04,533
So with the image selected, expand
the basic Adjustments panel over here.
19
00:01:04,700 --> 00:01:07,233
You'll notice that the White Balance menu.
20
00:01:07,233 --> 00:01:12,133
If you click on this menu here, it has
a lot more options than we're used to.
21
00:01:12,233 --> 00:01:15,666
We've been working with JPEG images
and the only options we had
22
00:01:15,700 --> 00:01:18,900
were auto as shot in custom.
23
00:01:18,966 --> 00:01:22,533
Well, now we have a full range of other
white balance adjustments.
24
00:01:22,600 --> 00:01:26,033
We can now set the white balance
the same way we could have when we were
25
00:01:26,033 --> 00:01:28,400
taking this photograph on our camera.
26
00:01:28,400 --> 00:01:30,933
The reason is because of the volume
of data stored
27
00:01:30,933 --> 00:01:34,600
in a raw file
that is not available in a JPEG file.
28
00:01:34,700 --> 00:01:37,600
This preservation of data
allows for certain settings
29
00:01:37,600 --> 00:01:40,600
to be adjusted
even after the image has been taken.
30
00:01:40,833 --> 00:01:41,833
Let's go ahead and flip
31
00:01:41,833 --> 00:01:46,066
through some of these adjustments
just so you can see the difference.
32
00:01:46,166 --> 00:01:48,033
So this is daylight,
33
00:01:48,100 --> 00:01:50,300
cloudy,
34
00:01:50,300 --> 00:01:52,900
tungsten,
35
00:01:52,900 --> 00:01:54,966
fluorescent,
36
00:01:54,966 --> 00:01:57,233
and this is flash.
37
00:01:57,233 --> 00:02:00,233
So these are all the different options
you would have had on your camera.
38
00:02:00,266 --> 00:02:03,566
And you can adjust the white balance
now after the photo has been taken,
39
00:02:03,566 --> 00:02:06,533
which is one of the great advantages
of working with Raphael's.
40
00:02:06,533 --> 00:02:10,900
Another advantage of shooting with Raw
is that you can calibrate the colors
41
00:02:10,900 --> 00:02:14,933
that you see in Lightroom to match those
you would see on your camera's
42
00:02:14,933 --> 00:02:16,033
LCD display.
43
00:02:16,033 --> 00:02:19,100
You may have noticed that
when you take a photograph on your camera,
44
00:02:19,100 --> 00:02:22,866
the colors you see in your camera display,
look entirely different.
45
00:02:22,866 --> 00:02:24,700
When you open the image in Lightroom.
46
00:02:24,700 --> 00:02:27,666
To calibrate Lightroom with your camera,
we'll need to expand
47
00:02:27,666 --> 00:02:30,666
the camera calibration panel.
48
00:02:30,700 --> 00:02:36,366
Now, before I do, I'm just going to take
my white balance back to as shot.
49
00:02:36,433 --> 00:02:38,433
And here's the camera calibration panel.
50
00:02:38,433 --> 00:02:41,466
So just go ahead and expand
that under the profile menu.
51
00:02:41,700 --> 00:02:45,733
You'll find a list of options that match
the options available in your camera.
52
00:02:45,966 --> 00:02:51,700
So that means what you see in my menu
will likely be different from yours.
53
00:02:51,766 --> 00:02:54,600
This is unless you use an icon. 5100.
54
00:02:54,600 --> 00:02:58,600
One other point worth
mentioning is if this was a JPEG image,
55
00:02:58,700 --> 00:03:02,666
we would only see the option embedded
under the profile menu.
56
00:03:02,700 --> 00:03:04,700
So here's an example.
57
00:03:04,700 --> 00:03:06,766
This is a JPEG image.
58
00:03:06,766 --> 00:03:09,066
Now first,
let's look at the white balance.
59
00:03:09,066 --> 00:03:10,700
We only have three options.
60
00:03:10,700 --> 00:03:13,200
I shot auto and custom.
61
00:03:13,200 --> 00:03:15,000
That was the first difference.
62
00:03:15,000 --> 00:03:18,333
Now, under calibration,
the only profile we have
63
00:03:18,333 --> 00:03:21,333
available
is the one embedded already in this image.
64
00:03:21,533 --> 00:03:26,100
We can't change it
as we can with the raw file.
65
00:03:26,166 --> 00:03:29,200
Now, if you aren't
shooting using any special color profiles,
66
00:03:29,200 --> 00:03:33,000
you can just go ahead and select
the camera Standard profile
67
00:03:33,066 --> 00:03:35,100
and this will match the color profile.
68
00:03:35,100 --> 00:03:36,900
Most cameras use by default.
69
00:03:36,900 --> 00:03:39,900
In addition
to selecting an accurate camera profile,
70
00:03:39,900 --> 00:03:42,900
you can also do
several basic color adjustments
71
00:03:43,066 --> 00:03:46,500
using these sliders below.
72
00:03:46,566 --> 00:03:48,933
The shadow slider can be used to correct
green
73
00:03:48,933 --> 00:03:51,966
and magenta tints
in the shadow areas of your image.
74
00:03:52,200 --> 00:03:54,600
So go left for more green.
75
00:03:54,600 --> 00:03:58,833
Go right for more magenta.
76
00:03:58,900 --> 00:04:02,200
The remaining hue saturation sliders
77
00:04:02,266 --> 00:04:05,200
will target red, green and blue,
78
00:04:05,200 --> 00:04:12,400
depending on which shades
you choose to adjust.
79
00:04:12,466 --> 00:04:14,966
So you can see
we can make dramatic color shifts
80
00:04:14,966 --> 00:04:21,266
in each one of these color channels.
81
00:04:21,333 --> 00:04:23,733
Keep in mind that these settings here
82
00:04:23,733 --> 00:04:27,466
are available for JPEG images
as well as raw files.
83
00:04:27,566 --> 00:04:29,333
But the profile.
84
00:04:29,333 --> 00:04:33,033
So say for example, we wanted to change it
from camera standard
85
00:04:33,100 --> 00:04:36,166
to camera landscape.
86
00:04:36,266 --> 00:04:36,866
You can see how
87
00:04:36,866 --> 00:04:40,600
the colors are displayed
completely differently
88
00:04:40,666 --> 00:04:44,600
with each different profile.
89
00:04:44,700 --> 00:04:46,500
So just go ahead and select
90
00:04:46,500 --> 00:04:51,900
the profile
that you have configured on your camera.
91
00:04:51,966 --> 00:04:53,533
And that's how you calibrate colors
92
00:04:53,533 --> 00:04:58,133
between your monitor and the LCD
display on the back of your camera.
7902
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.