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These are the user uploaded subtitles that are being translated: 1 00:00:34,268 --> 00:00:36,469 (SOFT PIANO MUSIC PLAYING) 2 00:00:46,314 --> 00:00:47,681 JOAN: There's nothing like seeing 3 00:00:47,714 --> 00:00:49,549 a child on stage for the first time. 4 00:00:49,583 --> 00:00:54,354 They get up there, the lights hit, and suddenly, the whole world opens up. 5 00:00:54,387 --> 00:00:55,589 Theater for children, 6 00:00:55,622 --> 00:00:57,657 it's unbelievable what they learn. 7 00:00:57,691 --> 00:01:02,529 They learn to improvise, dance, sing, work with each other, 8 00:01:02,562 --> 00:01:05,632 and some of them really need it, they really do. 9 00:01:05,665 --> 00:01:07,400 That's why I built this camp. 10 00:01:07,434 --> 00:01:08,870 I wanted to make a place 11 00:01:08,903 --> 00:01:11,705 where anyone is free to be themselves. 12 00:01:11,738 --> 00:01:14,075 But keeping the camp open is a year-round job. 13 00:01:14,108 --> 00:01:17,510 That's why we spend the whole spring on the road, 14 00:01:17,544 --> 00:01:20,680 raising money, recruiting young talent. 15 00:01:20,714 --> 00:01:23,351 And, you know, we're theater people, so. (CHUCKLES) 16 00:01:23,383 --> 00:01:25,052 We know how to work a crowd. 17 00:01:30,291 --> 00:01:31,859 Being at camp for a whole summer, 18 00:01:31,893 --> 00:01:33,127 what it can do for a child. (UPBEAT MUSIC PLAYING) 19 00:01:33,160 --> 00:01:34,195 We don't have that much room left. 20 00:01:34,228 --> 00:01:35,462 We have not much room. 21 00:01:35,495 --> 00:01:37,064 No, we have a little bit of wiggle room at the camp. 22 00:01:37,098 --> 00:01:38,798 Maybe four more kids? 23 00:01:38,833 --> 00:01:40,902 We're almost full... JOAN: We are. 24 00:01:40,935 --> 00:01:43,204 ...so I think you should register early for your girl. 25 00:01:43,237 --> 00:01:44,504 JOAN: For sure. 26 00:01:44,537 --> 00:01:46,374 And Ronald, I'm so sorry to hear about your divorce. 27 00:01:46,406 --> 00:01:47,440 RITA: I know. 28 00:01:47,474 --> 00:01:48,608 I mean, she was just too young. 29 00:01:48,642 --> 00:01:50,610 But if your son needs a place to go, 30 00:01:50,644 --> 00:01:53,546 AdirondACTS is the perfect place for him to come. 31 00:01:53,580 --> 00:01:57,550 We found a lot of star campers at this school. 32 00:01:59,820 --> 00:02:01,488 I know Willow was freaked out by the bedbugs, 33 00:02:01,521 --> 00:02:02,722 tell her they're gone. 34 00:02:06,127 --> 00:02:07,661 Why are you smiling? 35 00:02:07,694 --> 00:02:10,064 (GROANS) He drives me crazy. He's practically drunk. 36 00:02:10,097 --> 00:02:11,132 RITA: I know. 37 00:02:11,165 --> 00:02:13,034 JOAN: But I think we got him to sign up his kid. 38 00:02:14,467 --> 00:02:16,636 (SIGHS) We're so behind this year. 39 00:02:16,670 --> 00:02:18,438 We need to raise more money. 40 00:02:18,471 --> 00:02:21,708 I know. I was thinking we could give Leo a lead. 41 00:02:21,741 --> 00:02:22,843 Leo? No. 42 00:02:22,877 --> 00:02:23,811 He's awful. 43 00:02:23,844 --> 00:02:25,445 I know he's awful and he's tone-deaf, 44 00:02:25,478 --> 00:02:27,181 but his parents are really rich. 45 00:02:27,214 --> 00:02:30,284 Oh, come on. You know we don't do things that way. 46 00:02:30,318 --> 00:02:31,953 It's always gotta be about the talent. 47 00:02:31,986 --> 00:02:33,553 How rich? So rich. 48 00:02:33,586 --> 00:02:34,688 (UPBEAT MUSIC PLAYING) 49 00:02:34,721 --> 00:02:36,523 ♪ If you're really sincere 50 00:02:36,556 --> 00:02:38,591 ♪ If you're really sincere 51 00:02:38,625 --> 00:02:40,593 ♪ If you feel it in here 52 00:02:40,627 --> 00:02:43,030 ♪ Then it's gotta be right Oh, baby 53 00:02:43,064 --> 00:02:44,365 Oh! Look at him. 54 00:02:44,398 --> 00:02:45,632 Sebastian? I know. 55 00:02:45,665 --> 00:02:48,169 JOAN: He is giving 110%. 56 00:02:48,202 --> 00:02:50,004 ♪ Suffer (JOAN CHEERING) 57 00:02:50,603 --> 00:02:53,007 (AUDIENCE CHEERING) 58 00:02:53,040 --> 00:02:56,944 ♪ Oh, oh, oh you gotta be sincere 59 00:02:56,978 --> 00:03:00,915 ♪ Oh, oh, oh You gotta feel it in here 60 00:03:00,948 --> 00:03:03,351 RITA: Oh, my God! Joan! ♪ Oh, my baby♪ 61 00:03:03,384 --> 00:03:04,684 RITA: Joan! 62 00:03:04,718 --> 00:03:06,653 This is... Somebody help me! Somebody help me. 63 00:03:06,686 --> 00:03:08,255 She's not breathing. 64 00:03:08,289 --> 00:03:10,358 This is not part of the show. 65 00:03:10,391 --> 00:03:12,026 I need help! (ECHOING) 66 00:03:21,568 --> 00:03:25,039 (GASPS) It's beautiful. 67 00:03:30,111 --> 00:03:31,611 (MELLOW MUSIC PLAYING) 68 00:03:46,193 --> 00:03:49,796 What's up, Troy-jans? It's your boy, Troy. 69 00:03:49,830 --> 00:03:51,999 Just right off the bat, wanna keep it real with you guys, 70 00:03:52,033 --> 00:03:54,001 feeling a little naked without my ring light. 71 00:03:54,035 --> 00:03:55,403 But you know what? 72 00:03:55,436 --> 00:03:56,569 We still out here. 73 00:03:56,603 --> 00:03:57,905 As you guys know, 74 00:03:57,938 --> 00:04:00,673 I don't usually like to talk about my... (CLEARS THROAT) 75 00:04:03,911 --> 00:04:05,046 To be honest, I've been going through 76 00:04:05,079 --> 00:04:06,579 some low-key personal stuff lately 77 00:04:06,613 --> 00:04:09,183 and I just feel obligated to let you guys know that. 78 00:04:09,216 --> 00:04:10,918 Long story short, 79 00:04:10,951 --> 00:04:12,719 theater gave my mom a coma. 80 00:04:13,454 --> 00:04:14,989 She's down for the count 81 00:04:15,022 --> 00:04:18,926 for... (INHALES DEEPLY) we really don't know how long. 82 00:04:18,959 --> 00:04:22,363 Unfortunately, that's just kinda how comas go. 83 00:04:22,396 --> 00:04:23,831 But fear not, fam. 84 00:04:23,864 --> 00:04:26,434 Even though I never really vibed with my mom's camp 85 00:04:26,467 --> 00:04:29,569 and spent my summers doing dope shit with my friends, 86 00:04:29,602 --> 00:04:31,604 I happen to be a financial guru 87 00:04:31,638 --> 00:04:35,176 and world-renowned business mentor. 88 00:04:35,209 --> 00:04:37,111 Yeah, I do that kind of stuff. 89 00:04:37,144 --> 00:04:38,946 Your boy has the BDE. 90 00:04:38,979 --> 00:04:42,917 That's right. The business development expertise 91 00:04:42,950 --> 00:04:45,286 to hold down the fort. (GASPS) 92 00:04:45,319 --> 00:04:47,121 Oh, my God, there's a person. 93 00:04:47,154 --> 00:04:48,688 I'm sorry. I'm so sorry. 94 00:04:48,721 --> 00:04:50,357 I was in here fixing the blinds, 95 00:04:50,391 --> 00:04:51,492 and then you came in 96 00:04:51,525 --> 00:04:53,127 and I panicked and stayed. 97 00:04:53,160 --> 00:04:54,028 (EXHALES DEEPLY) 98 00:04:54,061 --> 00:04:56,596 I'm Glenn. I'm the technical director. 99 00:04:58,598 --> 00:04:59,732 How you doing, man? 100 00:04:59,766 --> 00:05:01,302 Over the next three weeks, 101 00:05:01,335 --> 00:05:03,137 I'm gonna give you an inside look 102 00:05:03,170 --> 00:05:06,874 at how I can take a business from lame... to lit. 103 00:05:06,907 --> 00:05:08,275 Let's build. (MAKES WHOOSHING SOUND) 104 00:05:08,309 --> 00:05:10,144 The most pressing matters are in the main stage. 105 00:05:10,177 --> 00:05:11,812 Right now, the cyclorama is buckling. 106 00:05:11,846 --> 00:05:12,980 It needs to be re-anchored. 107 00:05:13,013 --> 00:05:14,614 Uh, we're gonna need to prioritize 108 00:05:14,647 --> 00:05:16,484 the remaining equipment for the musicals, 109 00:05:16,517 --> 00:05:20,821 which means the straight plays are gonna have to be acoustic. 110 00:05:20,855 --> 00:05:22,689 Uh, which is actually how they do it on Broadway. 111 00:05:22,722 --> 00:05:25,692 Can I just (CLICKS TONGUE) cut you off? Real quick. 112 00:05:25,725 --> 00:05:26,827 Um... It seems like you've got 113 00:05:26,861 --> 00:05:28,028 a pretty good handle on this... 114 00:05:28,062 --> 00:05:29,530 Yeah. ...so I'm just gonna take 115 00:05:29,563 --> 00:05:31,832 "understanding a word you're saying" 116 00:05:32,566 --> 00:05:33,666 off my list 117 00:05:33,700 --> 00:05:35,102 and let you take it from here, brother. 118 00:05:35,136 --> 00:05:36,103 Okay. 119 00:05:36,137 --> 00:05:38,372 Quick question, though, what's a straight play? 120 00:05:38,405 --> 00:05:39,874 Well, there are musicals, 121 00:05:39,907 --> 00:05:41,641 and then there are straight plays. 122 00:05:42,510 --> 00:05:44,211 So then what would be a gay play? 123 00:05:46,981 --> 00:05:49,150 I guess (STUTTERS) a musical. 124 00:05:50,317 --> 00:05:52,119 Oh, cool. (DRUMS BEATING) 125 00:05:52,153 --> 00:05:54,989 RITA: This one. Okay. Thanks. Okay. 126 00:05:56,323 --> 00:05:57,757 BOY: Yes. Yes! RITA: Oh, yes! 127 00:06:00,828 --> 00:06:02,662 GIRL 1: Wait, we have to bunk together. 128 00:06:02,695 --> 00:06:03,763 We have to. 129 00:06:03,796 --> 00:06:06,133 So, you're in bunk five, Ellen. 130 00:06:06,167 --> 00:06:08,068 Okay, 'kay, 'kay. That's good. That's good. 131 00:06:08,102 --> 00:06:11,472 Great, great. Great. What's he doing? Perfect. 132 00:06:11,505 --> 00:06:14,408 Okay. Hi, everybody. Welcome back. 133 00:06:14,441 --> 00:06:18,145 Mickey, Nicky. Nicky, Mickey, Mickey, Nicky. Who knows? 134 00:06:18,179 --> 00:06:21,248 Don't switch shirts. I'll get too confused. 135 00:06:21,282 --> 00:06:22,583 (UPBEAT MUSIC PLAYING) 136 00:06:22,616 --> 00:06:23,884 (GIGGLING) 137 00:06:27,687 --> 00:06:29,089 (BOTH LAUGHING EXCITEDLY) 138 00:06:29,990 --> 00:06:31,258 (HUMMING) 139 00:06:45,873 --> 00:06:46,907 AMOS: Beck, stop. (REBECCA-DIANE SCREAMS) 140 00:06:46,941 --> 00:06:48,775 Beck, stop the car. 141 00:06:48,809 --> 00:06:50,544 Let me in. I am letting you in. 142 00:06:50,578 --> 00:06:52,479 It's not opening. I'm letting you in. 143 00:06:52,513 --> 00:06:54,747 AMOS: Oh, God. (GROANS) 144 00:06:54,781 --> 00:06:56,283 I've been here 10 minutes and it's unbearable. 145 00:06:56,317 --> 00:06:57,351 REBECCA-DIANE: Oh, my God! 146 00:07:00,854 --> 00:07:02,323 (PERCUSSION MUSIC PLAYING) 147 00:07:13,968 --> 00:07:15,869 He's, like, wandering about. 148 00:07:15,903 --> 00:07:17,338 He has no idea where he is, what he's doing. 149 00:07:17,371 --> 00:07:18,205 He can't see? 150 00:07:18,239 --> 00:07:20,407 No, he only talks to his camera. 151 00:07:20,441 --> 00:07:21,342 Oh, my God. 152 00:07:21,375 --> 00:07:22,676 The least creative person I've ever met, 153 00:07:22,710 --> 00:07:23,944 and I've yet to speak to the man. 154 00:07:24,411 --> 00:07:25,879 TROY: Play ball. 155 00:07:26,746 --> 00:07:27,881 She's hot. 156 00:07:27,915 --> 00:07:29,016 And half the staff has been cut. 157 00:07:29,049 --> 00:07:30,317 They're not even coming back. 158 00:07:30,351 --> 00:07:31,652 We need a coup. 159 00:07:31,685 --> 00:07:33,621 Well, there's not even enough of us to have a coup now. 160 00:07:33,654 --> 00:07:35,122 Oh, my God. AMOS: Jesus. 161 00:07:35,155 --> 00:07:37,057 She wouldn't even want it. No. 162 00:07:37,091 --> 00:07:39,960 AMOS: We really have to hold this place down artistically. 163 00:07:39,994 --> 00:07:41,729 I can't believe that Joan's not here. 164 00:07:41,761 --> 00:07:43,297 I can't believe it. 165 00:07:43,330 --> 00:07:44,498 (INDISTINCT CHATTER) 166 00:07:49,236 --> 00:07:51,071 All I was doing was blowing the roof off 167 00:07:51,105 --> 00:07:52,806 of Honestly, Sincere in Bye Bye Birdie. 168 00:07:52,840 --> 00:07:54,108 Then I look over to my house seats 169 00:07:54,141 --> 00:07:56,443 and there's Joan, convulsing. 170 00:07:56,477 --> 00:07:58,012 CHRISTOPHER L: What? SEBASTIAN: It was frightening. 171 00:07:58,045 --> 00:08:00,047 I obviously stayed in character. 172 00:08:00,080 --> 00:08:02,049 CHRISTOPHER L: That's not real. 173 00:08:06,220 --> 00:08:07,621 (OVER MIC) All right. Let's take a knee 174 00:08:07,655 --> 00:08:08,889 with the talking, fam. 175 00:08:09,757 --> 00:08:11,025 Listen up! 176 00:08:12,660 --> 00:08:14,028 Keep it down. 177 00:08:14,061 --> 00:08:15,062 Fam? 178 00:08:15,763 --> 00:08:17,097 Squad? Gang? 179 00:08:18,632 --> 00:08:20,567 Maybe, uh, zip it? 180 00:08:21,235 --> 00:08:23,003 Everybody. 181 00:08:23,037 --> 00:08:24,571 Can we just get you guys to... 182 00:08:24,605 --> 00:08:27,474 ♪ Oh, what a beautiful 183 00:08:27,508 --> 00:08:30,144 CHILDREN: ♪ Morning♪ 184 00:08:31,545 --> 00:08:32,546 TROY: Dope. 185 00:08:35,282 --> 00:08:36,283 That was dope. 186 00:08:37,484 --> 00:08:40,954 Whaddup, AdirondACTS? 187 00:08:40,988 --> 00:08:43,924 (IMITATES FANFARE) 188 00:08:44,458 --> 00:08:45,793 Um... 189 00:08:45,826 --> 00:08:47,261 You guys know Joan, right? 190 00:08:47,294 --> 00:08:48,595 (CHILDREN CHEERING) 191 00:08:49,730 --> 00:08:51,398 (CHANTING) Joan, Joan, Joan! 192 00:08:51,432 --> 00:08:53,734 Joan, Joan, Joan! 193 00:08:53,767 --> 00:08:55,536 Joan, Joan, Joan! 194 00:08:55,569 --> 00:08:59,173 Yeah, um, so she's not here. 195 00:08:59,206 --> 00:09:02,609 Um, you know, which we're all very sad about. 196 00:09:02,643 --> 00:09:04,278 But don't worry. 197 00:09:04,311 --> 00:09:05,846 I'm her son. 198 00:09:05,879 --> 00:09:08,282 Troy! 199 00:09:13,354 --> 00:09:14,455 Um... 200 00:09:14,488 --> 00:09:15,723 Don't worry, guys. 201 00:09:15,756 --> 00:09:18,959 I just wanna reassure you this will be a normal summer. 202 00:09:18,992 --> 00:09:20,494 You can check out my website. 203 00:09:20,527 --> 00:09:22,262 Oh, yeah, go ahead. Yeah. We're good. Thanks so much. 204 00:09:22,296 --> 00:09:23,330 Hi, guys. 205 00:09:23,364 --> 00:09:25,566 (ALL CHEERING) 206 00:09:25,599 --> 00:09:27,401 We love you, Gigi! 207 00:09:29,838 --> 00:09:31,105 So a few reminders. 208 00:09:31,138 --> 00:09:33,006 I just need to know all of your updated sizes. 209 00:09:33,040 --> 00:09:34,541 Also, sad news, 210 00:09:34,575 --> 00:09:37,411 I will not be doing piercings any more in the hut. 211 00:09:37,444 --> 00:09:40,681 Yeah. Because there's a narc amongst us. 212 00:09:40,714 --> 00:09:42,149 Um, Cassie has narced. 213 00:09:42,182 --> 00:09:44,418 It's totally fine. Uh, yeah. 214 00:09:44,451 --> 00:09:45,619 Okay, I love you guys. 215 00:09:45,652 --> 00:09:47,621 Love you. (CHILDREN CHEERING) 216 00:09:49,123 --> 00:09:50,958 (CHEERING INTENSIFIES) 217 00:09:54,895 --> 00:09:55,929 As you all know, 218 00:09:55,963 --> 00:09:57,264 I'm Amos Klobuchar, head of drama. 219 00:09:57,297 --> 00:09:59,333 Rebecca-Diane, head of music theory. 220 00:09:59,366 --> 00:10:03,036 We are now going to announce, as we do every summer, 221 00:10:03,070 --> 00:10:04,505 this session's productions. 222 00:10:05,038 --> 00:10:06,907 Five, six, seven, eight. 223 00:10:06,940 --> 00:10:08,409 (BOTH STOMPING RHYTHMICALLY) 224 00:10:09,676 --> 00:10:10,911 ♪ There once was a story 225 00:10:10,944 --> 00:10:12,413 ♪ 'Bout a girl named Lisa 226 00:10:12,446 --> 00:10:15,416 ♪ She wanted to perform But she didn't have her visa 227 00:10:15,449 --> 00:10:17,017 BOTH: ♪ Sorry about your visa, Lisa 228 00:10:17,050 --> 00:10:18,218 ♪ Five, six, seven, eight ♪ 229 00:10:18,252 --> 00:10:19,520 Playing baseball with the devil 230 00:10:19,553 --> 00:10:20,822 in a baseball diamond. 231 00:10:20,855 --> 00:10:22,956 BOTH: Damn Yankees in the outdoor stage. 232 00:10:22,990 --> 00:10:24,091 (WHINING IN HIGH-PITCHED TONE) 233 00:10:24,124 --> 00:10:25,726 AMOS: Who goes there? (CONTINUES WHINING) 234 00:10:25,759 --> 00:10:26,994 Is it a ghost? 235 00:10:27,027 --> 00:10:28,162 Is it a witch? 236 00:10:28,195 --> 00:10:30,731 BOTH: The Crucible junior in the lobby. 237 00:10:30,764 --> 00:10:32,766 ♪ In the land of Andrew Lloyd 238 00:10:32,800 --> 00:10:35,302 ♪ Where the felines sing and dance 239 00:10:35,335 --> 00:10:37,906 ♪ Whisker faced in unitards 240 00:10:37,938 --> 00:10:40,307 ♪ You can join their feral prance ♪ 241 00:10:40,340 --> 00:10:41,942 Cats immersive. 242 00:10:41,975 --> 00:10:43,043 Well, I guess that's all, folks. 243 00:10:43,076 --> 00:10:44,378 I gotta start walking home. 244 00:10:44,411 --> 00:10:45,479 I'm taking a cab. 245 00:10:45,512 --> 00:10:47,047 BOTH: Whoa! 246 00:10:47,080 --> 00:10:48,182 ♪ An original piece 247 00:10:48,215 --> 00:10:49,750 ♪ And it's fully brand new 248 00:10:49,783 --> 00:10:51,618 ♪ And it's fresh from our hearts Written just for you 249 00:10:51,652 --> 00:10:53,888 ♪ But you've gotta be good, yeah You've gotta be great 250 00:10:53,922 --> 00:10:54,988 ♪ You've gotta be the creme de la creme 251 00:10:55,022 --> 00:10:56,223 ♪ Of the place ♪ 252 00:11:08,937 --> 00:11:10,704 This summer it's a story... 253 00:11:10,737 --> 00:11:12,841 About a woman in her glory. 254 00:11:12,874 --> 00:11:14,374 The founding of a space... 255 00:11:14,408 --> 00:11:17,044 That has become our favorite place. 256 00:11:17,077 --> 00:11:19,480 A woman who all in this room deeply love. 257 00:11:19,513 --> 00:11:22,917 And she's looking down, not quite from above. 258 00:11:22,951 --> 00:11:24,284 Joan can... 259 00:11:24,318 --> 00:11:26,520 Joan will... Joan here? 260 00:11:26,553 --> 00:11:27,688 (SNAPPING FINGERS) 261 00:11:29,189 --> 00:11:31,191 BOTH: Joan, Still! 262 00:11:33,760 --> 00:11:35,462 (ALL CHEERING) 263 00:11:44,806 --> 00:11:46,607 (FUNKY MUSIC PLAYING) 264 00:11:59,353 --> 00:12:01,856 TROY: Your resume is absolutely stacked. 265 00:12:01,890 --> 00:12:03,992 Thank you. Yeah. 266 00:12:04,024 --> 00:12:06,059 How did you learn stage combat? 267 00:12:06,093 --> 00:12:07,561 Oh! Oh, man. 268 00:12:08,195 --> 00:12:09,831 It's hard to even say 269 00:12:09,864 --> 00:12:11,031 'cause I've been doing it for so long. 270 00:12:11,064 --> 00:12:12,099 Totally. Yeah. 271 00:12:12,132 --> 00:12:13,467 How about accent work? 272 00:12:13,500 --> 00:12:15,269 (IN AN ACCENT) Oh. You no worry. 273 00:12:15,302 --> 00:12:16,703 I can do it, don't worry. 274 00:12:17,906 --> 00:12:19,039 That's really neat. 275 00:12:19,072 --> 00:12:20,507 How about horseback riding? 276 00:12:20,541 --> 00:12:22,709 Jousting? Is that like with the...? (IN NORMAL VOICE) Yeah. 277 00:12:22,743 --> 00:12:25,112 That is with those. Yeah. 278 00:12:25,145 --> 00:12:26,713 And then when did you learn how to juggle? 279 00:12:26,747 --> 00:12:31,318 Well, um... Oh, there was a fire at my house. 280 00:12:31,351 --> 00:12:33,554 And that's sort of how I dealt with the trauma. 281 00:12:37,691 --> 00:12:39,760 Wow! 282 00:12:39,793 --> 00:12:41,094 BOBBY: Wow! 283 00:12:41,128 --> 00:12:42,864 Yes. Progressions across the floor. 284 00:12:42,897 --> 00:12:44,698 Very nice, both of you, yes. 285 00:12:44,731 --> 00:12:45,934 Front. 286 00:12:45,967 --> 00:12:47,634 Higher. Higher. 287 00:12:47,668 --> 00:12:49,136 Ah! Ah! 288 00:12:49,169 --> 00:12:52,205 Listen, these are some Cassie battements. 289 00:12:52,239 --> 00:12:54,174 You're doing a little cheater flick. 290 00:12:58,012 --> 00:12:59,379 (FAST TEMPO MUSIC PLAYING) 291 00:12:59,413 --> 00:13:01,849 I am running late for my niece's christening. 292 00:13:04,351 --> 00:13:07,220 I don't want to find another therapist, David. 293 00:13:07,254 --> 00:13:09,323 AMOS: Welcome, group two of auditioners. 294 00:13:09,356 --> 00:13:10,591 REBECCA-DIANE: I know it's been a long day 295 00:13:10,624 --> 00:13:11,692 for you guys, but... 296 00:13:11,725 --> 00:13:12,759 AMOS: If you drop a line, 297 00:13:12,793 --> 00:13:14,194 or a note is a little off-key, 298 00:13:14,227 --> 00:13:15,629 you crack or something, 299 00:13:15,662 --> 00:13:16,697 just, what does that 300 00:13:16,730 --> 00:13:17,865 say about you? Mmm-hmm. 301 00:13:22,502 --> 00:13:23,503 Yo. 302 00:13:24,237 --> 00:13:25,439 Sorry I'm late. 303 00:13:25,472 --> 00:13:28,642 I don't think you were... Oh. (GRUNTS) 304 00:13:28,675 --> 00:13:33,014 Emma, 10, has a goldfish named Johnny. 305 00:13:33,047 --> 00:13:34,181 And she's gonna kick us off 306 00:13:34,214 --> 00:13:37,018 with I Dreamed a Dream from Les Mis. 307 00:13:37,051 --> 00:13:38,118 Oh, you know what? 308 00:13:38,151 --> 00:13:39,286 That's a good song choice for her. 309 00:13:39,319 --> 00:13:41,555 I do believe her as a French prostitute. 310 00:13:41,588 --> 00:13:42,489 Amos. 311 00:13:42,522 --> 00:13:44,892 Oh, I'm sorry, I'm sorry. Sex worker. 312 00:13:44,926 --> 00:13:46,360 Thank you. 313 00:13:46,393 --> 00:13:48,395 (FRANTIC PIANO MUSIC PLAYING) 314 00:13:52,466 --> 00:13:53,500 ♪ There's a hole in the world 315 00:13:53,533 --> 00:13:54,969 ♪ Like a great black pit 316 00:13:55,003 --> 00:13:56,403 ♪ And it's filled with people Who are filled with shit 317 00:13:56,436 --> 00:13:58,438 ♪ And the vermin in the world inhabit it 318 00:14:00,008 --> 00:14:03,510 ♪ But not for long ♪ 319 00:14:03,543 --> 00:14:09,416 Darla, 15, is 2,073 on the IMDb Star Meter. 320 00:14:09,449 --> 00:14:11,953 ♪ What if when he sees me 321 00:14:11,986 --> 00:14:14,287 ♪ I like him and he knows it 322 00:14:14,321 --> 00:14:15,455 (WHISPERS) This is an example of a kid 323 00:14:15,489 --> 00:14:17,091 who started working way too young. 324 00:14:17,125 --> 00:14:19,760 ♪ And I can't close it?♪ 325 00:14:19,793 --> 00:14:22,596 You got snacks? No, I don't have anything. 326 00:14:22,629 --> 00:14:24,665 ♪ And even if Karen were hotter than Sharon 327 00:14:24,698 --> 00:14:26,800 ♪ I still would've filed for divorce ♪ 328 00:14:26,834 --> 00:14:29,070 Um, that rhythm was wrong. Can we do that again? 329 00:14:29,103 --> 00:14:30,170 ♪ That was the last time 330 00:14:30,203 --> 00:14:31,772 ♪ I laid eyes on 331 00:14:31,806 --> 00:14:33,540 (VOCALIZING) 332 00:14:49,189 --> 00:14:50,524 ♪ Margaret Thatcher♪ 333 00:14:50,557 --> 00:14:54,028 ♪ Though we all deserve to die 334 00:14:54,062 --> 00:14:59,399 ♪ Even you, Mrs. Lovett Even I ♪ 335 00:14:59,433 --> 00:15:03,303 It says you're allergic to polyester. Why? 336 00:15:03,336 --> 00:15:07,741 Devon, 13. He has a green belt in taekwondo. 337 00:15:12,212 --> 00:15:14,182 ♪ You know, I think that I'm better now 338 00:15:14,214 --> 00:15:15,549 ♪ Better now 339 00:15:15,582 --> 00:15:17,985 ♪ You only say that 'cause I'm not around 340 00:15:18,019 --> 00:15:19,286 ♪ Not around 341 00:15:19,319 --> 00:15:21,321 ♪ You know I never meant to let you down 342 00:15:21,354 --> 00:15:22,857 ♪ Let you down 343 00:15:22,890 --> 00:15:26,160 ♪ Would've gave you anything Would've gave you everything 344 00:15:26,194 --> 00:15:28,628 ♪ You know, I think that I am better now 345 00:15:28,662 --> 00:15:29,696 ♪ Better now 346 00:15:29,730 --> 00:15:31,966 ♪ You only say that 'cause I'm not around 347 00:15:31,999 --> 00:15:33,233 ♪ Not around 348 00:15:33,266 --> 00:15:35,435 ♪ You know I never meant to let you down 349 00:15:35,469 --> 00:15:36,603 ♪ Let you down 350 00:15:36,636 --> 00:15:38,438 BOTH: ♪ Would've gave you anything 351 00:15:38,472 --> 00:15:40,240 ♪ Would've gave you everything 352 00:15:40,273 --> 00:15:42,342 ♪ Whoa ♪ 353 00:15:43,177 --> 00:15:45,746 That's what's up, dawg. Finally. 354 00:15:45,779 --> 00:15:47,048 Can you clear now, please? Thank you. 355 00:15:47,081 --> 00:15:48,515 TROY: That was bussin'. 356 00:15:48,548 --> 00:15:49,349 AMOS: Inappropriate to give feedback during the audition. 357 00:15:49,382 --> 00:15:50,417 REBECCA-DIANE: Yeah. 358 00:15:50,450 --> 00:15:51,819 AMOS: Please don't internalize that. 359 00:15:51,853 --> 00:15:53,286 It's Devon? 360 00:15:53,320 --> 00:15:55,288 Yeah. Your first summer? 361 00:15:55,322 --> 00:15:56,656 Here? REBECCA-DIANE: Yeah. 362 00:15:56,690 --> 00:15:57,925 AMOS: Yes. Yeah. 363 00:15:57,959 --> 00:15:59,227 Do you know any other Post songs 364 00:15:59,259 --> 00:16:01,195 that you could like, rattle off the dome, 365 00:16:01,229 --> 00:16:03,430 like maybe "Wow" or "Congratulations," 366 00:16:03,463 --> 00:16:06,000 or the one from the Spider-Verse soundtrack? 367 00:16:06,033 --> 00:16:08,568 Abby, 11, chose this session 368 00:16:08,602 --> 00:16:11,205 over sitting shiva for her cousin. 369 00:16:11,239 --> 00:16:13,306 CLIVE: Putting the work first. 370 00:16:14,341 --> 00:16:15,442 WOMAN: Oh, uh, excuse me, I just need a second. 371 00:16:15,475 --> 00:16:16,777 RITA: Ma'am, you can't be back here. 372 00:16:16,811 --> 00:16:17,945 WOMAN: I'm sorry. Um... 373 00:16:19,613 --> 00:16:20,948 Hi. 374 00:16:23,650 --> 00:16:26,854 My name's Caroline Krauss. I'm a rep from Camp Lakeside. 375 00:16:34,061 --> 00:16:35,997 (BUS HONKING) RITA: Shut up! 376 00:16:36,030 --> 00:16:38,065 (MUSIC PLAYING ON SPEAKERS) Turn down your music! 377 00:16:38,099 --> 00:16:40,268 This is a bucolic setting! 378 00:16:40,300 --> 00:16:42,302 Okay, well, whatever it is you're selling, 379 00:16:42,335 --> 00:16:43,503 we don't want any. 380 00:16:43,537 --> 00:16:45,438 Oh, I was actually here to introduce myself 381 00:16:45,472 --> 00:16:47,474 to the, uh, new boss. 382 00:16:47,507 --> 00:16:49,743 Is there... Is Troy here? 383 00:16:49,776 --> 00:16:53,613 I am so sorry to hear about your mom. 384 00:16:55,016 --> 00:16:57,051 My entire team at Barnswell Capital 385 00:16:57,084 --> 00:16:58,451 is sending healing thoughts. 386 00:16:58,485 --> 00:17:02,089 Wait, Barnswell Capital? Like the Barnswell Capital? 387 00:17:02,123 --> 00:17:03,825 Yeah. Whoa. 388 00:17:04,892 --> 00:17:06,626 Your work is so inspiring. 389 00:17:06,660 --> 00:17:09,096 I mean, the Gentri-vacation Project. 390 00:17:09,130 --> 00:17:10,164 I have to say 391 00:17:10,198 --> 00:17:12,432 Gentri-vacation was my brainchild. 392 00:17:12,465 --> 00:17:14,302 Wow, you know, um... You know... 393 00:17:14,334 --> 00:17:16,003 I'm sorry. You go. 394 00:17:16,037 --> 00:17:16,904 I was just gonna say that 395 00:17:16,938 --> 00:17:18,538 you seem to know a lot about business. 396 00:17:18,572 --> 00:17:20,640 I'm a bit of a money man myself. 397 00:17:20,674 --> 00:17:22,076 You know, I've been trying to bring some of my 398 00:17:23,244 --> 00:17:26,247 en-Troy-preneurship to the AdirondACTS. 399 00:17:26,280 --> 00:17:29,083 That's funny. That's catchy, en-Troy. 400 00:17:29,116 --> 00:17:30,483 My name's Troy. I know. 401 00:17:30,517 --> 00:17:32,652 I understood it completely the first time I heard it. 402 00:17:32,686 --> 00:17:33,787 Yeah. 403 00:17:33,821 --> 00:17:35,289 That's kind of what we're doing with Lakeside. 404 00:17:35,323 --> 00:17:37,258 Yeah? Yeah, we recently acquired it 405 00:17:37,291 --> 00:17:39,327 so I'm doing kind of a complete overhaul 406 00:17:39,359 --> 00:17:41,229 of the management structure. Wow! 407 00:17:41,262 --> 00:17:42,296 CAROLINE: I think it's commendable 408 00:17:42,330 --> 00:17:43,563 what you're doing here. 409 00:17:43,597 --> 00:17:45,432 Taking on the burden of your mother's condition. 410 00:17:45,465 --> 00:17:48,568 Yeah. And her struggling business. 411 00:17:48,602 --> 00:17:50,770 That's gotta be so much weight on your shoulders. 412 00:17:50,805 --> 00:17:52,139 Yeah. It is. 413 00:17:53,040 --> 00:17:54,976 Excuse me. So sorry. 414 00:17:55,009 --> 00:17:57,577 This is an active work zone. 415 00:17:57,611 --> 00:17:59,280 I'm gonna need you to vacate the area. 416 00:17:59,313 --> 00:18:01,148 CAROLINE: Uh, just one moment. 417 00:18:01,182 --> 00:18:02,382 Troy, I think this could be 418 00:18:02,415 --> 00:18:04,185 an exciting opportunity for the both of us. 419 00:18:04,218 --> 00:18:06,453 Wow. Yeah. GLENN: You know what? 420 00:18:06,486 --> 00:18:08,222 I'm gonna need this exact space 421 00:18:08,256 --> 00:18:10,590 to get up really high for some work. 422 00:18:10,624 --> 00:18:12,894 Look, Troy, I don't need to tell you 423 00:18:12,927 --> 00:18:15,462 that the bank has filed a notice of default. 424 00:18:15,762 --> 00:18:16,663 What? 425 00:18:16,696 --> 00:18:18,765 And it's not news to you, of course, 426 00:18:18,798 --> 00:18:22,569 that they're weeks away from foreclosing on this place. 427 00:18:24,738 --> 00:18:27,875 No, that's definitely not news to me. 428 00:18:31,678 --> 00:18:35,548 Listen, I think I can help you get out of this jam. 429 00:18:35,582 --> 00:18:37,084 I know I speak on behalf 430 00:18:37,118 --> 00:18:38,785 of my entire board of directors 431 00:18:38,819 --> 00:18:41,421 when I say that Barnswell Capital 432 00:18:41,454 --> 00:18:44,392 would love to get into bed with AdirondACTS. 433 00:18:44,424 --> 00:18:50,697 ♪ Tell them how I am defying gravity 434 00:18:50,730 --> 00:18:56,370 ♪ I'm flying high defying gravity 435 00:18:56,404 --> 00:18:57,437 I'm so sorry. I didn't mean 436 00:18:57,470 --> 00:18:58,873 to interrupt that conversation. 437 00:18:58,906 --> 00:19:00,041 That was very out of character for me. 438 00:19:00,074 --> 00:19:01,608 A little brazen... Hey, you can't tell anyone 439 00:19:01,641 --> 00:19:04,345 about this foreclosure thing, okay? 440 00:19:04,378 --> 00:19:05,745 It's between me and you. 441 00:19:05,779 --> 00:19:09,250 Uh, yeah. Uh, our little secret. 442 00:19:09,283 --> 00:19:11,451 But I do think you should know, 443 00:19:11,484 --> 00:19:13,220 Barnswell Capital, they're not people 444 00:19:13,254 --> 00:19:15,323 that we should be getting into bed with. 445 00:19:15,356 --> 00:19:18,359 Lakeside is the enemy. 446 00:19:18,392 --> 00:19:19,927 They've been trying to get this land 447 00:19:19,961 --> 00:19:21,494 for a very long time, 448 00:19:21,528 --> 00:19:23,730 and I think Joan's success is, in large part, 449 00:19:23,763 --> 00:19:26,067 due to the fact that she has leaned on us, 450 00:19:26,100 --> 00:19:27,734 AdirondACTS family, 451 00:19:27,767 --> 00:19:30,104 and your mother used to say, 452 00:19:30,137 --> 00:19:31,339 "We're theater people. 453 00:19:31,372 --> 00:19:34,241 "We know how to turn cardboard into gold." 454 00:19:34,275 --> 00:19:38,045 ♪ Bring me down♪ 455 00:19:38,079 --> 00:19:39,546 (PIANO PLAYING) 456 00:19:41,215 --> 00:19:42,716 (POWER SHUTS DOWN) (PIANO STOPS) 457 00:19:42,749 --> 00:19:44,185 CHRISTOPHER L: What? REBECCA-DIANE: Oh, my God. 458 00:19:44,218 --> 00:19:45,419 Troy. 459 00:19:45,453 --> 00:19:47,922 Okay, you're not ruining my final note. (CHUCKLES) 460 00:19:47,955 --> 00:19:49,857 (VOCALIZING) 461 00:19:51,859 --> 00:19:53,660 Yeah. 462 00:19:53,693 --> 00:19:55,963 I really need to start reading the mail. 463 00:20:05,806 --> 00:20:08,109 (SOFTLY) ♪ Peters, Foster Streisand, LuPone 464 00:20:08,142 --> 00:20:10,643 ♪ Give us a role we can make our own 465 00:20:10,677 --> 00:20:13,214 ♪ Audra McDonald Idina Menzel 466 00:20:13,247 --> 00:20:15,816 ♪ We are gay witches and this is our spell ♪ 467 00:20:15,850 --> 00:20:17,184 RITA: Move on. We're gonna move on. AMOS: Okay. 468 00:20:17,218 --> 00:20:18,785 RITA: Okay. What about this? The Crucible or Cats? 469 00:20:18,819 --> 00:20:20,421 I think that she's in the running for Tituba. 470 00:20:20,454 --> 00:20:21,822 No. In the running. 471 00:20:21,856 --> 00:20:22,957 How are we gonna talk about Tituba 472 00:20:22,990 --> 00:20:24,291 when we haven't picked a Proctor? 473 00:20:24,325 --> 00:20:26,659 AMOS: Do you think you could channel her for us? 474 00:20:26,693 --> 00:20:28,595 Just try. I know you don't like to do it on command, 475 00:20:28,628 --> 00:20:31,232 but maybe Joan has some wisdom to offer in this moment. 476 00:20:31,265 --> 00:20:32,333 CLIVE: Here in this situation room. 477 00:20:32,366 --> 00:20:33,467 RITA: Oh, I would love to... 478 00:20:33,501 --> 00:20:35,036 Oh, I wanna talk to her. 479 00:20:35,069 --> 00:20:36,303 Please do it. 480 00:20:37,637 --> 00:20:39,539 I have so many things to tell her. 481 00:20:39,572 --> 00:20:40,640 CLIVE: Joan! RITA: Joan. 482 00:20:40,673 --> 00:20:41,842 Joan, are you there? 483 00:20:41,876 --> 00:20:43,077 RITA: Are you here, Joan? Guys, real quick. 484 00:20:43,110 --> 00:20:44,378 CLIVE: Joan, speak to us. TROY: I'm gonna head out 485 00:20:44,412 --> 00:20:46,280 just 'cause the candles and kids thing 486 00:20:46,313 --> 00:20:47,515 is making me feel a little bit weird. 487 00:20:47,547 --> 00:20:48,748 We don't have that much time to begin with. 488 00:20:48,782 --> 00:20:50,084 Thank you. That's fine. Please. 489 00:20:50,117 --> 00:20:51,052 AMOS: Oh, my God! 490 00:20:51,085 --> 00:20:52,685 CLIVE: Can we get back to the business at hand? 491 00:20:52,719 --> 00:20:54,055 AMOS: Can we open up the discussion in terms of Lolas? 492 00:20:54,088 --> 00:20:55,722 I'm just gonna throw a name out. Chantal. 493 00:20:55,755 --> 00:20:56,824 CLIVE: Chantal. Yes, Chantal. 494 00:20:56,857 --> 00:20:58,392 It's exactly what I was thinking. Chantal. 495 00:20:58,426 --> 00:21:01,228 Chantal. Chantal. Chantal. 496 00:21:01,262 --> 00:21:02,595 Which one... Okay. Chantal. 497 00:21:02,629 --> 00:21:03,696 CLIVE: Yes, yes. 498 00:21:03,730 --> 00:21:04,965 Okay, Chantal. She's going where? 499 00:21:04,999 --> 00:21:06,100 Damn Yankees. 500 00:21:06,133 --> 00:21:07,301 REBECCA-DIANE: I'm just worried she doesn't have... 501 00:21:07,334 --> 00:21:08,668 No, don't place her there! 502 00:21:08,701 --> 00:21:10,703 I'm worried she doesn't have the sexuality to play it. 503 00:21:10,737 --> 00:21:12,907 Obviously, everyone on this board is a virgin, 504 00:21:12,940 --> 00:21:14,241 but Chantal seems like a virgin... 505 00:21:14,275 --> 00:21:15,242 AMOS: I agree. 506 00:21:15,276 --> 00:21:16,811 ...the minute that she steps into a room. 507 00:21:16,844 --> 00:21:18,546 Her name. I don't wanna see Chantal in a feather. 508 00:21:18,578 --> 00:21:19,746 AMOS: I hate to admit that it's a great point. 509 00:21:19,779 --> 00:21:20,848 Okay, let's just table the virgins. 510 00:21:20,881 --> 00:21:21,982 CLIVE: Well, can't we get her there? 511 00:21:22,016 --> 00:21:23,184 GIGI: Get her there? How do we get her there? 512 00:21:23,217 --> 00:21:24,885 Get her there? What do you want us to do? 513 00:21:24,919 --> 00:21:26,220 I don't know how you get a virgin there. 514 00:21:26,253 --> 00:21:28,022 You get them there. 515 00:21:28,055 --> 00:21:30,958 Okay. Where do you think this one goes? 516 00:21:32,259 --> 00:21:35,229 Well, it looks like it was some kind of short. 517 00:21:35,262 --> 00:21:37,431 Did you check the... Breakers? 518 00:21:37,465 --> 00:21:38,731 Yeah, I killed them already. 519 00:21:40,034 --> 00:21:41,601 (ELECTRIC BEEPING) 520 00:21:42,702 --> 00:21:44,905 (GLENN VOCALIZING) 521 00:21:52,745 --> 00:21:54,915 Wow, that's really pretty, Glenn. 522 00:21:57,717 --> 00:21:59,587 Okay. Uh... 523 00:21:59,652 --> 00:22:00,955 You want him and Sebastian in Joan? 524 00:22:00,988 --> 00:22:02,223 AMOS: Listen. Hey, how about... 525 00:22:02,256 --> 00:22:03,390 I have no one. 526 00:22:03,424 --> 00:22:04,458 You take Sean, we'll take Sebastian. 527 00:22:04,492 --> 00:22:05,692 Hmm? RITA: All right. 528 00:22:05,725 --> 00:22:06,827 GIGI: Now we have a deal. All right. All right. 529 00:22:06,861 --> 00:22:08,162 He can be Mr. Mistoffelees. Okay. Okay. 530 00:22:08,195 --> 00:22:10,431 CLIVE: Put him in there. Okay. Sean is Mistoffelees. 531 00:22:10,464 --> 00:22:13,934 If we can have Darla for Joan, Still. 532 00:22:13,968 --> 00:22:15,102 CLIVE: You can have Darla. 533 00:22:15,136 --> 00:22:17,770 I'm sorry. For what in Joan, Still? 534 00:22:17,805 --> 00:22:19,340 To play Joan. Old Joan. 535 00:22:19,373 --> 00:22:20,740 AMOS: She's not even on my list. 536 00:22:20,773 --> 00:22:22,709 She's obviously the best one. Joan is the most organic 537 00:22:22,742 --> 00:22:23,844 and warm person that I know. 538 00:22:23,878 --> 00:22:25,246 It emanates from her 539 00:22:25,279 --> 00:22:26,646 and Darla, it's sort of like, put on and then another layer, 540 00:22:26,679 --> 00:22:28,048 put on and then another layer, put on... 541 00:22:28,082 --> 00:22:29,316 Like all of the work she's done... 542 00:22:29,350 --> 00:22:30,717 I find her so free. All the sets 543 00:22:30,750 --> 00:22:32,453 she's been on just reek on her. 544 00:22:32,486 --> 00:22:33,888 Just sit with it for a second. 545 00:22:33,921 --> 00:22:35,389 (POWER SWITCHES ON) 546 00:22:35,422 --> 00:22:37,657 (CHILDREN CHEERING) 547 00:22:39,792 --> 00:22:41,896 (INTRIGUING MUSIC PLAYING) 548 00:22:51,704 --> 00:22:54,575 AMOS: Please don't disappoint Joan. 549 00:22:54,608 --> 00:22:56,443 (MICROPHONE FEEDBACK) 550 00:22:58,579 --> 00:22:59,779 (SIGHS) 551 00:23:01,315 --> 00:23:02,316 Campers, 552 00:23:02,883 --> 00:23:04,852 the cast lists are up. 553 00:23:04,885 --> 00:23:07,388 (ALL CLAMORING EXCITEDLY) 554 00:23:17,965 --> 00:23:19,500 Oh, my God! Oh, my God! Oh, my God! 555 00:23:19,533 --> 00:23:21,001 SEBASTIAN: Out of the way! 556 00:23:23,871 --> 00:23:25,472 (CHILDREN SQUEALING) 557 00:23:27,107 --> 00:23:28,741 GIRL: Am I going to be a cat? 558 00:23:30,010 --> 00:23:32,246 ALICE: Little person coming through. 559 00:23:32,779 --> 00:23:35,015 (CHILDREN CHATTERING) 560 00:23:42,590 --> 00:23:44,258 (ALL CHEERING) 561 00:23:45,392 --> 00:23:46,827 ALICE: I'm so proud of you. 562 00:23:54,168 --> 00:23:55,135 (LAUGHS) 563 00:23:55,169 --> 00:23:56,971 ALAN: You've got to hear her sing, Marty. 564 00:23:57,004 --> 00:24:00,007 She just booked the title role in Joan, Still... 565 00:24:00,040 --> 00:24:01,809 ...and I'm this close to signing her. 566 00:24:01,842 --> 00:24:03,210 She's the whole package. 567 00:24:03,244 --> 00:24:04,545 WOMAN: (ON PHONE) My daughter is a genius. 568 00:24:04,578 --> 00:24:06,213 I hear you loud and clear. Believe me, you're not the 569 00:24:06,247 --> 00:24:07,881 only one who's upset. I've been getting a lot of calls. 570 00:24:07,915 --> 00:24:09,149 How dare you do this to my daughter? 571 00:24:09,183 --> 00:24:10,750 I'm seriously going to do something 572 00:24:10,783 --> 00:24:12,219 if my daughter is not the lead by tomorrow. 573 00:24:12,253 --> 00:24:13,621 Ma'am, again, I was not involved 574 00:24:13,654 --> 00:24:14,822 in the casting decision. 575 00:24:14,855 --> 00:24:16,257 I will be sure to pass that on. 576 00:24:16,290 --> 00:24:18,025 But in the meantime, if you wanna bribe me, 577 00:24:18,058 --> 00:24:19,759 I am very open to... DARLA: Troy, right? 578 00:24:19,792 --> 00:24:21,061 Are you listening to me? Hold on one second. 579 00:24:21,095 --> 00:24:21,929 Hi, yes. 580 00:24:21,962 --> 00:24:23,230 Hi. I'm Darla. Hi, Darla. 581 00:24:23,264 --> 00:24:24,764 I just wanna thank you for entrusting me 582 00:24:24,797 --> 00:24:27,134 to inhabit your mother in Joan, Still. 583 00:24:27,167 --> 00:24:29,870 Wasn't me who made the decision, but of course. 584 00:24:29,903 --> 00:24:31,205 I'd love to have a sit-down. 585 00:24:31,238 --> 00:24:33,140 Go over her mannerisms, tics, 586 00:24:33,173 --> 00:24:34,575 favorite foods and traumas. 587 00:24:34,608 --> 00:24:35,709 Right on. Um... 588 00:24:35,743 --> 00:24:37,344 Do you happen to have her dream journal? 589 00:24:37,378 --> 00:24:39,413 Dream journal. Um, you might have to come back. 590 00:24:39,446 --> 00:24:40,981 Troy, all the freezers were out last night, 591 00:24:41,015 --> 00:24:43,017 so the meat turned. So what do we serve for lunch? 592 00:24:43,050 --> 00:24:45,386 DARLA: I'll come back later. (FLAPPING LIPS) 593 00:24:45,919 --> 00:24:47,187 Have a big breakfast. 594 00:24:48,188 --> 00:24:49,523 (SIGHS) Rita. 595 00:24:50,591 --> 00:24:51,791 CLIVE: Class, 596 00:24:52,792 --> 00:24:55,896 to dance is the highest expression 597 00:24:55,929 --> 00:24:57,731 of human existence. 598 00:24:57,765 --> 00:25:01,168 Acting is remembering and then choosing to forget. 599 00:25:01,201 --> 00:25:05,172 Music is the closest thing we have to the other side. 600 00:25:05,205 --> 00:25:07,541 (SYNTH MUSIC PLAYING ON SPEAKER) 601 00:25:10,678 --> 00:25:12,479 (MAKING SQUEAKING SOUND) 602 00:25:14,214 --> 00:25:16,183 (FEET STOMPING) 603 00:25:17,384 --> 00:25:18,552 Mask work. 604 00:25:18,585 --> 00:25:19,820 Who's next? 605 00:25:19,853 --> 00:25:20,921 So, I'm gonna be teaching you guys 606 00:25:20,954 --> 00:25:22,156 a little fashion history 607 00:25:22,189 --> 00:25:23,590 and we're gonna really look closely 608 00:25:23,624 --> 00:25:25,526 at the period costuming. 609 00:25:25,559 --> 00:25:26,660 I see... 610 00:25:26,694 --> 00:25:27,728 clavicle realness. 611 00:25:27,761 --> 00:25:29,830 Showing off the clav. 612 00:25:29,863 --> 00:25:31,999 You need to know when to use a clavicle. 613 00:25:32,032 --> 00:25:34,501 Right. It's once a week. 614 00:25:34,535 --> 00:25:36,403 This is me at Coachella. 615 00:25:36,437 --> 00:25:38,739 Kind of cross-faded. I'm looking for my friend, Chad. 616 00:25:38,772 --> 00:25:40,341 I was running. "Chad!" 617 00:25:40,374 --> 00:25:42,843 I'm hating everything about this except for the 618 00:25:43,444 --> 00:25:44,578 peekaboo vaginal sleeve. 619 00:25:46,347 --> 00:25:47,581 Characterization. 620 00:25:47,614 --> 00:25:48,749 Let's say it. 621 00:25:48,782 --> 00:25:50,918 Characterization. ALL: Characterization. 622 00:25:50,951 --> 00:25:52,953 It's time to dive in to our first exercise. 623 00:25:52,986 --> 00:25:55,589 Somebody wants to maybe give it a shot? 624 00:25:55,622 --> 00:25:56,990 Anybody. 625 00:25:57,458 --> 00:25:58,459 Nobody? 626 00:25:59,727 --> 00:26:02,496 Darla, why don't you come up here and demonstrate with me? 627 00:26:02,529 --> 00:26:06,066 So Darla is going to say just a basic fact about me, 628 00:26:06,100 --> 00:26:08,068 anything that she observes. 629 00:26:08,102 --> 00:26:09,804 Just anything that comes to mind when you look at me. 630 00:26:09,838 --> 00:26:11,739 No wrong answers. Just throw something out. 631 00:26:11,772 --> 00:26:13,073 You're an acting teacher. 632 00:26:13,107 --> 00:26:14,241 Okay. I'm gonna stop you right there. 633 00:26:14,274 --> 00:26:17,211 So that's actually wildly opinionated. 634 00:26:17,244 --> 00:26:19,413 That was a really simplistic way of looking at it. 635 00:26:19,446 --> 00:26:22,716 I am a performer who works full time 636 00:26:22,750 --> 00:26:24,051 as an acting teacher, right? 637 00:26:25,119 --> 00:26:27,287 (PLAYING PEACEFUL TUNE ON FLUTE) 638 00:26:34,928 --> 00:26:36,363 Sing that back to me. 639 00:26:37,598 --> 00:26:39,433 (CHILDREN VOCALIZING TUNE) 640 00:26:39,466 --> 00:26:41,602 Now we're gonna do a little bit of an exercise 641 00:26:41,635 --> 00:26:43,036 to just strengthen our mouths. 642 00:26:43,070 --> 00:26:44,638 ALL: ♪ I was with Al Gore 643 00:26:44,671 --> 00:26:46,140 ♪ By the old cheese store 644 00:26:46,173 --> 00:26:48,675 ♪ And he brought his own bag From the ocean floor ♪ 645 00:26:48,709 --> 00:26:52,579 ALL: Wolf Blitzer has a blister on his upper lip. 646 00:26:52,613 --> 00:26:54,248 You are a family... 647 00:26:55,482 --> 00:26:56,750 of influencers. 648 00:26:56,784 --> 00:26:58,619 The mom is the manager. 649 00:26:58,652 --> 00:27:01,155 You're dating a basketball player, 650 00:27:01,188 --> 00:27:03,457 but he's constantly cheating on you. 651 00:27:03,490 --> 00:27:04,826 And if that isn't enough, 652 00:27:04,859 --> 00:27:07,060 all your names start with the same letter. 653 00:27:09,296 --> 00:27:10,297 Oh, nice. 654 00:27:11,265 --> 00:27:13,567 Your show's canceled! Your show's canceled! 655 00:27:14,468 --> 00:27:15,669 It's back. 656 00:27:16,670 --> 00:27:17,704 Whoa. 657 00:27:17,738 --> 00:27:20,174 Wanting to learn about stagecraft 658 00:27:20,207 --> 00:27:22,443 is an act of nobility. 659 00:27:22,476 --> 00:27:26,280 You know, even if it's just because dance was full. 660 00:27:26,313 --> 00:27:29,583 Something that we like to dig into here 661 00:27:29,616 --> 00:27:32,486 is the art of the spotlight. 662 00:27:39,159 --> 00:27:42,864 No offense, but this is really easy. 663 00:27:42,897 --> 00:27:45,032 Can you make it harder? 664 00:27:46,567 --> 00:27:47,568 Okay. 665 00:27:52,239 --> 00:27:55,108 (UPBEAT PIANO MUSIC PLAYING) 666 00:28:14,896 --> 00:28:17,030 (UPBEAT INSTRUMENTAL MUSIC PLAYING) 667 00:28:32,814 --> 00:28:34,381 (PANTING) 668 00:28:37,551 --> 00:28:39,921 You know, if there was a real dancer on stage, 669 00:28:39,954 --> 00:28:41,154 that would be... 670 00:28:42,089 --> 00:28:43,624 that would be different. 671 00:28:43,657 --> 00:28:44,893 Better, probably. 672 00:28:44,926 --> 00:28:46,293 Whoa, that was amazing. 673 00:28:46,326 --> 00:28:48,228 GLENN: (STAMMERS) Let's take a break. 674 00:28:49,363 --> 00:28:50,731 AMOS: So we have like... (PLAYING PIANO) 675 00:28:50,764 --> 00:28:52,834 ♪ You never 676 00:28:52,867 --> 00:28:55,068 ♪ Listen to me Yeah. 677 00:28:55,102 --> 00:28:56,136 And then... 678 00:28:56,169 --> 00:28:57,704 ♪ Daddy♪ Yeah. 679 00:28:57,738 --> 00:28:59,841 I want her to say that loudly. 680 00:28:59,874 --> 00:29:01,475 Write that down. Mmm-hmm. Like guttural. 681 00:29:01,508 --> 00:29:03,210 That's very Joan. A guttural "Daddy." 682 00:29:03,243 --> 00:29:05,379 It would be great to go into the first rehearsal 683 00:29:05,412 --> 00:29:07,447 with like, three or four songs. 684 00:29:07,481 --> 00:29:10,317 For Joan's song at Studio 54, I've been thinking... 685 00:29:10,350 --> 00:29:11,685 (SCATTING) 686 00:29:13,153 --> 00:29:14,488 ♪ Lower now♪ 687 00:29:14,521 --> 00:29:16,089 (BOTH SCATTING) 688 00:29:17,025 --> 00:29:18,191 Okay. That's good. 689 00:29:18,225 --> 00:29:21,228 What are we doing for, in the Wall Street piece? 690 00:29:21,261 --> 00:29:23,530 ♪ Selling the stock Buying the stock♪ 691 00:29:24,531 --> 00:29:25,632 It's tap. 692 00:29:25,666 --> 00:29:27,701 It's tap. It's tap. 693 00:29:27,734 --> 00:29:30,070 Like, stocks and bonds. ♪ Stocks things 694 00:29:30,103 --> 00:29:31,605 ♪ Bonds and selling Stocks. 695 00:29:31,638 --> 00:29:33,273 ♪ I work on Wall Street♪ Stocks. 696 00:29:33,307 --> 00:29:34,608 I don't know when I'm gonna be able 697 00:29:34,641 --> 00:29:37,477 to really get to the finale. Yeah, yeah, I got it. 698 00:29:37,511 --> 00:29:38,880 You can take that? Yeah, I got it. 699 00:29:38,913 --> 00:29:41,081 So, I'm writing, Rebecca-Diane... 700 00:29:41,448 --> 00:29:42,449 finale. 701 00:29:43,317 --> 00:29:44,919 It's for her. It's all for her. 702 00:29:44,953 --> 00:29:46,453 It's for her. (TURNS PAGE) 703 00:29:47,654 --> 00:29:50,058 DARLA: Well, it makes sense. I've been taking tap 704 00:29:50,090 --> 00:29:51,358 since I was two. CHRISTOPHER L: Oh, my gosh. 705 00:29:51,391 --> 00:29:52,192 DARLA: So, I'm like... That's why I, like, have it. 706 00:29:52,225 --> 00:29:53,694 Performers, attention. 707 00:29:54,896 --> 00:29:56,763 Welcome to the first rehearsal of Joan, Still. 708 00:29:57,431 --> 00:29:59,132 I'm not gonna sugarcoat it. 709 00:29:59,166 --> 00:30:00,701 Emotionally, physically and spiritually, 710 00:30:00,734 --> 00:30:02,904 this is our most complicated piece we've ever tried to do. 711 00:30:02,937 --> 00:30:04,271 Most ambitious. 712 00:30:04,304 --> 00:30:08,042 Now, we only have three weeks to create a masterpiece. 713 00:30:08,076 --> 00:30:09,743 It's on you now. It's up to you. 714 00:30:09,776 --> 00:30:10,878 So that's on your shoulders 715 00:30:10,912 --> 00:30:13,948 as well as Joan's well-being and her legacy. All on you. 716 00:30:13,982 --> 00:30:15,950 But you so deserve it on every level. 717 00:30:15,984 --> 00:30:18,218 You guys are so talented, so unbelievable. 718 00:30:18,251 --> 00:30:19,453 This will break you. 719 00:30:20,220 --> 00:30:21,889 This will fully destroy you. 720 00:30:21,923 --> 00:30:24,224 Congratulations on being the most talented kids at camp. 721 00:30:24,257 --> 00:30:26,627 (JAUNTY MUSIC PLAYING) 722 00:30:26,660 --> 00:30:28,328 (INAUDIBLE CONVERSATIONS) 723 00:30:31,933 --> 00:30:33,935 On a "mi," go. 724 00:30:33,968 --> 00:30:35,302 ALL: ♪ Mi, mi, mi♪ 725 00:30:38,305 --> 00:30:39,874 Um, I'm just gonna go and see if there's 726 00:30:39,907 --> 00:30:41,274 any alcohol that's been confiscated. 727 00:30:41,308 --> 00:30:42,609 I'll just grab it and I'll meet you at the fire pit? 728 00:30:42,643 --> 00:30:44,411 You know what? I just can't. I can't come tonight. 729 00:30:44,444 --> 00:30:46,346 I'm having insane creative inspiration. 730 00:30:46,380 --> 00:30:47,882 It's just coming out of me at all ends. 731 00:30:47,915 --> 00:30:49,149 No. Rebecca, Rebecca. 732 00:30:49,182 --> 00:30:50,350 I'm not going to the staff hang without you. 733 00:30:50,384 --> 00:30:52,020 I'm gonna get stuck listening to a story 734 00:30:52,053 --> 00:30:54,956 about how Clive was nude for the entire '80s. 735 00:30:54,989 --> 00:30:56,991 And the dancers start applauding for me. 736 00:30:57,025 --> 00:30:58,725 And I had no idea why. 737 00:30:58,759 --> 00:31:01,561 But, of course, I obliged them with a deep curtsy. 738 00:31:01,595 --> 00:31:05,833 And as I'm bowing, I realize I'm still nude. 739 00:31:06,901 --> 00:31:08,301 (BOTH LAUGHING) 740 00:31:08,870 --> 00:31:11,772 CLIVE: Oh, still nude. 741 00:31:13,707 --> 00:31:15,275 Um, let's do a toast. 742 00:31:15,308 --> 00:31:17,544 Shall we, a toast to Joan? CLIVE: Praise be. 743 00:31:17,577 --> 00:31:19,780 Right? A little toast. Let me top everyone off. 744 00:31:19,814 --> 00:31:22,582 I can feel that her spirit is with us right now. 745 00:31:22,616 --> 00:31:23,517 GIGI: Yes. 746 00:31:23,550 --> 00:31:24,886 She's here. She's here. She's here. 747 00:31:24,919 --> 00:31:26,453 I have a little story for us. 748 00:31:26,486 --> 00:31:30,190 So I was a camper here and Joan said to me, 749 00:31:30,223 --> 00:31:31,893 she looked me in the eyes, she said, 750 00:31:33,027 --> 00:31:34,294 "You're untalented. 751 00:31:35,495 --> 00:31:37,330 "You can't dance. You can't sing. 752 00:31:38,132 --> 00:31:39,332 "You can't act. 753 00:31:40,068 --> 00:31:41,803 "You're very bad at this. 754 00:31:41,836 --> 00:31:43,403 "But you look amazing. 755 00:31:43,437 --> 00:31:46,640 "Your skin is glowing and your outfit is unbelievable." 756 00:31:48,775 --> 00:31:50,343 And she was right. 757 00:31:50,377 --> 00:31:51,846 RITA: At camp, we have a tradition. 758 00:31:51,879 --> 00:31:54,214 Every night, a staff member or counselor 759 00:31:54,247 --> 00:31:56,349 is gonna come in here and do a show for you. 760 00:31:56,383 --> 00:31:59,187 Tonight was supposed to be Joan's night, 761 00:31:59,219 --> 00:32:00,387 but Joan isn't here. 762 00:32:00,420 --> 00:32:03,457 So tonight, I am going to take her place 763 00:32:03,490 --> 00:32:06,793 and read you a special bedtime story. 764 00:32:06,828 --> 00:32:10,497 ♪ My friends By the fire with my friends 765 00:32:10,530 --> 00:32:14,735 ♪ Having fun with my friends ♪ 766 00:32:14,768 --> 00:32:16,470 (VOCALIZING) 767 00:32:18,405 --> 00:32:20,240 Gorgeous. Thank you, Rebecca. 768 00:32:20,273 --> 00:32:21,976 Sorry. Sorry. 769 00:32:22,009 --> 00:32:25,779 I just feel like this mood is getting kind of like, sad. 770 00:32:25,813 --> 00:32:27,681 You know what I mean? Let's get crunk a little. 771 00:32:27,714 --> 00:32:28,715 Janet. 772 00:32:30,283 --> 00:32:32,019 What are you doing here at the camp? 773 00:32:32,053 --> 00:32:34,321 Oh, I mean, like, what are any of us doing here 774 00:32:34,354 --> 00:32:35,789 at the camp? No, no, no. 775 00:32:35,823 --> 00:32:36,891 What are you doing? 776 00:32:36,924 --> 00:32:40,393 I just wanna say your energy is so chaotic. 777 00:32:40,427 --> 00:32:41,495 I don't think so. 778 00:32:41,528 --> 00:32:43,064 And I actually do some energy healing 779 00:32:43,097 --> 00:32:44,731 and any time you wanna talk outside class, 780 00:32:44,765 --> 00:32:46,834 I'm really happy to sit down with you. 781 00:32:46,868 --> 00:32:47,835 I'm chilling. 782 00:32:47,869 --> 00:32:49,003 You know what I mean? REBECCA-DIANE: Mmm-hmm. 783 00:32:49,036 --> 00:32:50,637 I don't like this type of, um, 784 00:32:50,670 --> 00:32:52,073 voice. 785 00:32:52,106 --> 00:32:53,340 This is my voice. 786 00:32:53,373 --> 00:32:56,010 No, I think it sounded different three seconds ago. 787 00:32:56,043 --> 00:32:57,410 No, that's how I talk. 788 00:32:57,444 --> 00:33:00,882 "She was so excited to be at this Equity open call. 789 00:33:00,915 --> 00:33:03,650 "But she'd been waiting for hours and hours. 790 00:33:03,683 --> 00:33:07,487 "She could hear people singing on the other side of the door. 791 00:33:07,521 --> 00:33:10,657 "And then finally, it was her turn. 792 00:33:10,690 --> 00:33:13,094 "But when she walked in the room, 793 00:33:13,127 --> 00:33:15,196 "the men turned her away 794 00:33:15,229 --> 00:33:19,100 "because she was non-union." 795 00:33:19,133 --> 00:33:20,333 The end. 796 00:33:21,434 --> 00:33:22,970 AMOS: We at one time were going to pursue 797 00:33:23,004 --> 00:33:25,106 an education in the theater 798 00:33:25,139 --> 00:33:26,673 and we both actually auditioned together 799 00:33:26,706 --> 00:33:29,676 for a little-known institution called Juilliard. 800 00:33:29,709 --> 00:33:31,045 We were in the waiting room, you know. 801 00:33:31,078 --> 00:33:32,412 I had my monologue all prepared. 802 00:33:32,445 --> 00:33:34,949 I was doing "Gallop Apace," Juliet. 803 00:33:34,982 --> 00:33:36,851 She had Romeo in the tomb. 804 00:33:36,884 --> 00:33:37,885 And then... 805 00:33:37,919 --> 00:33:40,288 Gerald walked into the waiting room. Gerald '08. 806 00:33:40,320 --> 00:33:41,388 REBECCA-DIANE: Gerald '08 walked in. 807 00:33:41,421 --> 00:33:42,556 AMOS: Just to catch you up, Janet, 808 00:33:42,589 --> 00:33:43,858 we had a torrid affair. 809 00:33:43,891 --> 00:33:45,392 Lot of, like, will they, won't they. 810 00:33:45,425 --> 00:33:46,828 The camp was all abuzz about it. 811 00:33:46,861 --> 00:33:49,462 We never really spoke or touched or kissed, but it... 812 00:33:49,496 --> 00:33:51,631 You know, it was on everybody's lips. 813 00:33:51,665 --> 00:33:54,634 And so he really threw my pH balance, like, way off. 814 00:33:54,668 --> 00:33:56,570 And Rebecca could feel it, too, 815 00:33:56,603 --> 00:33:58,638 because we kind of share a soul. 816 00:33:58,672 --> 00:34:01,242 And we are linked artistically, emotionally... 817 00:34:01,275 --> 00:34:03,610 Completely. We are one. You're codependent? 818 00:34:03,643 --> 00:34:05,880 Well, no, I would say that we're dependent on each other. 819 00:34:05,913 --> 00:34:06,981 So, anyways, 820 00:34:07,014 --> 00:34:08,049 we were inches from a callback, 821 00:34:08,082 --> 00:34:09,250 slipped from our hands. 822 00:34:09,283 --> 00:34:10,852 It didn't happen. It didn't go our way. 823 00:34:10,885 --> 00:34:12,019 We both bombed. No. 824 00:34:12,053 --> 00:34:13,054 Bombed. 825 00:34:13,087 --> 00:34:14,322 REBECCA-DIANE: Yeah, we've always wanted to do 826 00:34:14,354 --> 00:34:15,555 a gender-reversed production 827 00:34:15,589 --> 00:34:17,024 of Romeo and Juliet. Mmm-hmm. 828 00:34:18,926 --> 00:34:19,927 Why don't you do it? 829 00:34:21,195 --> 00:34:22,897 Well, I would love to do it with you. 830 00:34:22,930 --> 00:34:24,798 And I've been working really hard and taking... 831 00:34:24,832 --> 00:34:28,368 I mean, you know, the absolute goal at the end of the day 832 00:34:28,401 --> 00:34:29,636 is, of course, to perform, 833 00:34:29,669 --> 00:34:32,139 but I don't think we're quite at that place. 834 00:34:34,976 --> 00:34:36,643 (HIP-HOP MUSIC PLAYING) 835 00:34:48,256 --> 00:34:49,789 (CELL PHONE BUZZING) TROY: Ay, yikes. 836 00:34:49,824 --> 00:34:51,125 MAN: (ON PHONE) Hi, Mr. Rubinsky, 837 00:34:51,158 --> 00:34:53,094 this is Carl from Warwick Bank. 838 00:34:53,127 --> 00:34:55,329 If you do not make a payment on your mortgage this week, 839 00:34:55,363 --> 00:34:57,198 we will initiate foreclosure proceedings. 840 00:34:57,231 --> 00:35:00,767 Please take action to avoid repossession of your camp. 841 00:35:01,269 --> 00:35:02,336 (CELL PHONE BEEPS) 842 00:35:02,370 --> 00:35:03,637 AUTOMATED VOICE: "Repossession" means 843 00:35:03,670 --> 00:35:05,206 the action of retaking possession of something. 844 00:35:05,239 --> 00:35:07,909 In particular, when a buyer defaults on payments. 845 00:35:07,942 --> 00:35:09,277 Whoa. 846 00:35:09,310 --> 00:35:10,744 (HIP-HOP MUSIC CONTINUES) 847 00:35:13,814 --> 00:35:17,952 (CLEARS THROAT) Oh, what a beautiful... 848 00:35:17,985 --> 00:35:19,186 ALL: Morning! 849 00:35:19,220 --> 00:35:22,722 (ON MIC) All right. First up, minor housekeeping issue. 850 00:35:22,756 --> 00:35:25,960 Whoever stole my CBD gummies, please return them. 851 00:35:25,993 --> 00:35:27,594 No questions asked. 852 00:35:27,627 --> 00:35:29,763 I'm pretty sure I know who it was, 853 00:35:29,796 --> 00:35:31,631 so just go ahead and cough that up. 854 00:35:31,665 --> 00:35:33,134 I can't sleep without them. 855 00:35:33,167 --> 00:35:34,534 GIRL: CisHet bitch. 856 00:35:34,567 --> 00:35:36,103 (CHILDREN LAUGHING) 857 00:35:36,137 --> 00:35:37,604 Okay. Thank you for that. 858 00:35:40,740 --> 00:35:41,574 Thank you. 859 00:35:41,608 --> 00:35:43,476 Food has been so good. Keep it up. 860 00:35:46,479 --> 00:35:47,514 (CHAIR SLIDES) 861 00:35:47,547 --> 00:35:49,250 GLENN: Ow! TROY: Oh. 862 00:35:49,283 --> 00:35:50,885 Hey, sorry. Are you... Sorry. 863 00:35:50,918 --> 00:35:53,187 No, it was completely my fault. You're fine. 864 00:35:56,456 --> 00:35:59,126 Hey, uh, do you wanna have lunch with me? 865 00:36:02,462 --> 00:36:05,132 By the way, thanks for not telling anyone 866 00:36:05,166 --> 00:36:06,566 about the foreclosure. 867 00:36:06,599 --> 00:36:08,069 I really appreciate that. 868 00:36:09,469 --> 00:36:11,638 I don't know if I can do this, man. 869 00:36:11,671 --> 00:36:14,541 I have no idea how my mom kept this place afloat. 870 00:36:14,574 --> 00:36:17,078 I mean, the bank's way up my ass. 871 00:36:17,111 --> 00:36:18,578 Plus, Tim keeps complaining 872 00:36:18,611 --> 00:36:20,480 about being woken up by the kids' singing. 873 00:36:20,513 --> 00:36:22,249 Who's Tim? 874 00:36:23,184 --> 00:36:24,584 My Airbnb bunkie. 875 00:36:24,617 --> 00:36:26,153 This guy named Tim. That guy. 876 00:36:28,122 --> 00:36:29,390 Hey! I really can't afford 877 00:36:29,423 --> 00:36:31,158 a bad review right now. 878 00:36:31,192 --> 00:36:33,693 I swear, dude, I can usually get down with any vibe. 879 00:36:33,727 --> 00:36:35,229 But these kids, man. 880 00:36:35,262 --> 00:36:36,563 They just don't wanna meet me halfway. 881 00:36:36,596 --> 00:36:37,664 Every time I come up with a plan, 882 00:36:37,697 --> 00:36:38,798 they call me the Music Man . 883 00:36:38,833 --> 00:36:40,067 I don't even know what that is. 884 00:36:41,202 --> 00:36:42,403 Well, it's a musical. 885 00:36:42,436 --> 00:36:44,138 Everything's a goddamn musical here, man. 886 00:36:44,171 --> 00:36:45,505 GLENN: Well, yeah, it is. 887 00:36:45,538 --> 00:36:47,942 'Cause it's sort of their entire lives. 888 00:36:47,975 --> 00:36:49,343 Like those kids. 889 00:36:49,377 --> 00:36:51,678 That's actually last year's cast of Rent. 890 00:36:51,711 --> 00:36:53,546 It was a very formative production. 891 00:36:53,580 --> 00:36:56,083 It's all about family. It's all about community. 892 00:36:56,117 --> 00:36:58,052 Okay, see, that's... 893 00:36:58,085 --> 00:36:59,487 that's helpful. Good. 894 00:36:59,519 --> 00:37:00,620 What about them? 895 00:37:00,653 --> 00:37:02,655 GLENN: Those are Fosse kids. 896 00:37:02,689 --> 00:37:03,958 If they snap at you, 897 00:37:03,991 --> 00:37:05,692 just know that they're not trying to be demanding. 898 00:37:05,725 --> 00:37:07,527 It's just part of the vocabulary. 899 00:37:07,560 --> 00:37:08,695 These kids are smart. 900 00:37:08,728 --> 00:37:09,964 If you need their help, you just have to 901 00:37:09,997 --> 00:37:11,899 sort of meet them on their level. 902 00:37:11,932 --> 00:37:14,268 CLIVE: And starfish, starfish, 903 00:37:14,301 --> 00:37:16,270 starfish, and starfish. 904 00:37:16,303 --> 00:37:17,604 Jiggle like a jackal. 905 00:37:17,637 --> 00:37:18,873 Jiggle like a jackal. 906 00:37:18,906 --> 00:37:21,641 You need to know that only 3% of people make it. 907 00:37:21,674 --> 00:37:24,644 The rest of them end up in a mental facility 908 00:37:24,677 --> 00:37:26,981 or on a go-go box in Hell's Kitchen. 909 00:37:27,014 --> 00:37:28,883 AMOS: Let's just get a few more selections today 910 00:37:28,916 --> 00:37:31,285 from my collected original works, 911 00:37:31,318 --> 00:37:32,420 as we do every year. 912 00:37:32,453 --> 00:37:33,686 That's a low blow, Eileen. 913 00:37:33,720 --> 00:37:34,889 And don't pretend my IBS 914 00:37:34,922 --> 00:37:36,190 isn't part of why you haven't wanted 915 00:37:36,223 --> 00:37:37,624 to touch me in almost a decade. 916 00:37:37,657 --> 00:37:40,094 It's got nothing to do with your IBS, Roger. 917 00:37:40,127 --> 00:37:41,529 I want you to live a little bit more 918 00:37:41,561 --> 00:37:42,830 with the reality of having IBS 919 00:37:42,863 --> 00:37:44,198 and what that might do to your character. 920 00:37:44,231 --> 00:37:47,134 Because I'm not really feeling the detail of the IBS. 921 00:37:47,168 --> 00:37:48,502 I wanna live, Mother. 922 00:37:48,536 --> 00:37:51,072 Let's just try to throw some different spices in there. 923 00:37:51,105 --> 00:37:53,841 A little bit of pain, a little bit of stepfather. 924 00:37:53,874 --> 00:37:57,178 Got it. So hand me my goddamn lipstick. 925 00:37:58,145 --> 00:38:00,314 And let me live. Good. 926 00:38:00,347 --> 00:38:01,614 Mostly a lot better. 927 00:38:01,648 --> 00:38:02,682 Thank you, Darla. Take a seat. 928 00:38:02,715 --> 00:38:04,085 JANET: Okay. Today's a new thing. 929 00:38:04,118 --> 00:38:06,554 I'm teaching, um, 930 00:38:06,586 --> 00:38:08,022 stage combat. 931 00:38:09,190 --> 00:38:10,257 What is it? 932 00:38:11,559 --> 00:38:12,659 What is it? 933 00:38:12,692 --> 00:38:13,894 It's the art of surprise. 934 00:38:13,928 --> 00:38:16,363 It pushes the envelope of what theater can be. 935 00:38:16,397 --> 00:38:17,797 Absolutely. 936 00:38:19,066 --> 00:38:21,402 But also what do we think it is? 937 00:38:21,435 --> 00:38:24,872 It causes our heart to skip a beat, but safely. 938 00:38:24,905 --> 00:38:27,842 Does anybody have an answer that's like, not poetry? 939 00:38:27,875 --> 00:38:28,943 Maybe? You know what I mean? 940 00:38:28,976 --> 00:38:31,145 Like a legal definition of what it is. 941 00:38:31,178 --> 00:38:33,914 It's basically like teaching us how to fight. 942 00:38:34,281 --> 00:38:35,416 Oh. 943 00:38:35,449 --> 00:38:37,551 We are starting our past lives seminar. 944 00:38:37,585 --> 00:38:40,020 (ALL HUMMING) 945 00:38:41,455 --> 00:38:43,623 You were a nurse in World War II. 946 00:38:43,656 --> 00:38:45,860 You fell in love with one of your fellow nurses 947 00:38:45,893 --> 00:38:48,028 and you were the first lesbian nurse couple 948 00:38:48,062 --> 00:38:49,396 that had ever lived. 949 00:38:49,430 --> 00:38:50,797 Let that inform your singing. 950 00:38:50,831 --> 00:38:54,034 You were President William Howard Taft. 951 00:38:55,302 --> 00:38:56,570 (CHILDREN CHEERING) 952 00:38:56,604 --> 00:38:59,440 You are the oldest soul in this room. 953 00:38:59,473 --> 00:39:00,908 This is your last life. 954 00:39:01,774 --> 00:39:02,977 (CHIME DINGS) 955 00:39:05,412 --> 00:39:06,713 Wow, thank you all. 956 00:39:06,746 --> 00:39:08,315 Thank you all for that. 957 00:39:08,349 --> 00:39:09,782 All right, artists. 958 00:39:09,817 --> 00:39:11,252 Next, we're going to be doing some... 959 00:39:11,285 --> 00:39:12,286 (CELL PHONE BUZZING) 960 00:39:13,821 --> 00:39:16,423 Um... Uh... (CHUCKLES AWKWARDLY) 961 00:39:16,457 --> 00:39:18,826 I'm so sorry. (STUTTERS) 962 00:39:18,859 --> 00:39:20,194 I'll be back. I just have to take this. 963 00:39:21,462 --> 00:39:22,662 It's all good. 964 00:39:24,298 --> 00:39:25,432 Hello? 965 00:39:25,466 --> 00:39:28,369 Hi. Yes, I can be available tonight. 966 00:39:36,243 --> 00:39:37,478 (MOUTHING) 967 00:39:37,511 --> 00:39:38,846 (MOUTHING) 968 00:39:38,879 --> 00:39:40,247 (WHIMSICAL MUSIC PLAYING) 969 00:39:48,556 --> 00:39:50,457 (INAUDIBLE) 970 00:39:53,928 --> 00:39:56,397 All right, all-stars. 971 00:39:56,430 --> 00:39:57,932 Whoa! 972 00:39:58,499 --> 00:40:00,234 Look at this turnout. 973 00:40:00,501 --> 00:40:02,336 Um, yes? 974 00:40:02,369 --> 00:40:03,504 Are we doing a cabaret? 975 00:40:03,537 --> 00:40:04,638 A what? 976 00:40:04,672 --> 00:40:06,140 I think it's a night of scene work. 977 00:40:06,173 --> 00:40:09,577 That's totally what this is. It's a night of scene work. 978 00:40:09,610 --> 00:40:11,278 And here's the scene. 979 00:40:12,279 --> 00:40:14,781 You guys are the staff 980 00:40:14,815 --> 00:40:16,951 of a fine dining establishment. 981 00:40:16,984 --> 00:40:19,920 So anything those guys in there order, 982 00:40:19,954 --> 00:40:22,856 you say, "Yes," and then you bring it to them. 983 00:40:22,890 --> 00:40:24,791 Like an improv exercise. 984 00:40:24,825 --> 00:40:26,627 Can we make up our own characters? 985 00:40:26,660 --> 00:40:28,696 MACKENZIE: And do accents? Okay. 986 00:40:28,728 --> 00:40:30,898 Let's just get together here, Rotarians... 987 00:40:30,931 --> 00:40:33,968 ...and kick Oklahoma City's fundraising ass. 988 00:40:34,001 --> 00:40:35,768 Should we do that? Huh? Cheers! 989 00:40:35,803 --> 00:40:36,837 ROTARIANS: Cheers! MAN: Cheers, cheers! 990 00:40:36,870 --> 00:40:38,239 We're here thanks to Troy Rubinsky. 991 00:40:38,272 --> 00:40:39,607 We're happy to have you guys. BILL: Thanks so much. 992 00:40:39,640 --> 00:40:40,808 Thank you. Good. And I guess 993 00:40:40,841 --> 00:40:43,611 we're gonna get served by the campers here, 994 00:40:43,644 --> 00:40:45,279 which I was not aware of. 995 00:40:45,312 --> 00:40:47,047 (BILL CHUCKLES AWKWARDLY) 996 00:40:47,081 --> 00:40:48,682 BILL: Dressing? No. Is there... 997 00:40:48,716 --> 00:40:49,782 All right. Well... 998 00:40:49,817 --> 00:40:51,018 (LAUGHTER) 999 00:40:51,051 --> 00:40:53,354 Hey, just eat it dry, I guess, huh. 1000 00:40:54,421 --> 00:40:55,823 It's crazy that this is their 1001 00:40:55,856 --> 00:40:57,725 first immersive theater experience. 1002 00:40:57,757 --> 00:40:59,960 I know. We have a big responsibility. 1003 00:41:00,995 --> 00:41:02,830 Can I offer you a roll? 1004 00:41:02,863 --> 00:41:05,399 Or the chilling tale about how I lost my daughter? 1005 00:41:05,432 --> 00:41:07,901 (COUGHS) (MUSIC STOPS) 1006 00:41:10,304 --> 00:41:11,405 (HUMMING) 1007 00:41:15,576 --> 00:41:16,710 (CLICKS TONGUE) Ooh. 1008 00:41:16,744 --> 00:41:18,646 Reminder. Pay rent to mom. 1009 00:41:18,679 --> 00:41:21,415 Remember to check in with RD about the finale. 1010 00:41:21,949 --> 00:41:23,550 Papier-mache nose. 1011 00:41:24,652 --> 00:41:25,853 LAINY: Amos! 1012 00:41:26,487 --> 00:41:27,855 Amos! 1013 00:41:27,888 --> 00:41:31,892 Rebecca missed her nighttime performance. 1014 00:41:31,925 --> 00:41:34,061 That doesn't sound like Rebecca. 1015 00:41:34,094 --> 00:41:37,331 Okay, but I'm craving a performance. 1016 00:41:37,364 --> 00:41:40,167 (UPBEAT PIANO MUSIC PLAYING) (ROTARIANS MURMURING) 1017 00:41:41,869 --> 00:41:43,804 I think it's going pretty good. 1018 00:41:43,837 --> 00:41:46,240 The kids are getting real into it. 1019 00:41:46,273 --> 00:41:47,808 GLENN: Your mom knows what she's talking about. 1020 00:41:47,841 --> 00:41:49,109 We help our own. 1021 00:41:49,143 --> 00:41:51,779 Men! There's been an attack. 1022 00:41:51,812 --> 00:41:53,247 BOY: This is how we go. 1023 00:41:53,280 --> 00:41:54,748 It's been a pleasure serving with you. 1024 00:41:54,782 --> 00:41:55,916 My son! My son! 1025 00:41:55,949 --> 00:41:58,952 All of my children are dying in this war. 1026 00:41:58,986 --> 00:42:00,354 Are they getting too into it? 1027 00:42:00,387 --> 00:42:02,990 ALICE: Save yourselves! I just, um... 1028 00:42:03,023 --> 00:42:05,092 I just really wanna go home. 1029 00:42:05,125 --> 00:42:06,894 AMOS: Well, as we all know by now, 1030 00:42:06,927 --> 00:42:09,963 our bedtime performer is missing in action. 1031 00:42:09,997 --> 00:42:11,699 Uh, I really apologize. 1032 00:42:11,732 --> 00:42:13,567 Waiting for entertainment that's expected 1033 00:42:13,600 --> 00:42:14,768 is a painful experience. 1034 00:42:14,802 --> 00:42:16,070 This is very impromptu, 1035 00:42:16,103 --> 00:42:17,806 so I didn't really have anything prepared, but... 1036 00:42:17,838 --> 00:42:20,908 Peter Piper picked a peck of pickled peppers. Wait. 1037 00:42:21,909 --> 00:42:24,211 The peppers were pickled when he picked them? 1038 00:42:24,244 --> 00:42:26,146 Peter Piper picked a priority. 1039 00:42:26,180 --> 00:42:27,214 And what was that priority 1040 00:42:27,247 --> 00:42:29,116 that Peter Piper picked? Family. 1041 00:42:30,317 --> 00:42:32,386 Friends. Connection. 1042 00:42:33,587 --> 00:42:34,788 He picked a life. 1043 00:42:34,823 --> 00:42:35,923 These were triggers. 1044 00:42:35,956 --> 00:42:37,826 This has lasting effects, okay? 1045 00:42:37,858 --> 00:42:40,127 One guy had sort of a Vietnam flashback 1046 00:42:40,160 --> 00:42:42,563 and you had kids serving liquor. 1047 00:42:42,596 --> 00:42:43,897 That's gotta be illegal. 1048 00:42:43,931 --> 00:42:45,499 It was interesting, but no. 1049 00:42:45,532 --> 00:42:46,567 It was a bit. She was doing... 1050 00:42:46,600 --> 00:42:47,735 No. But let's settle on 40 bucks. 1051 00:42:47,768 --> 00:42:49,269 Mmm-hmm. Troy, please. 1052 00:42:49,303 --> 00:42:50,637 You let me down. 1053 00:42:50,671 --> 00:42:52,005 This did not work out. 1054 00:42:52,039 --> 00:42:53,440 Yeah. Okay. Um... 1055 00:42:53,474 --> 00:42:56,510 (TENSE MUSIC PLAYING) (SIGHS HEAVILY) 1056 00:43:03,584 --> 00:43:04,785 (UPBEAT MUSIC PLAYING) 1057 00:43:04,819 --> 00:43:07,254 (INDISTINCT CONVERSATION) 1058 00:43:15,229 --> 00:43:17,297 (CHILDREN TALKING INDISTINCTLY) 1059 00:43:17,331 --> 00:43:20,534 Mikey. I'm still this close to signing Darla. 1060 00:43:21,502 --> 00:43:22,336 Alan? 1061 00:43:22,369 --> 00:43:24,271 I'm in a middle of a conversation. 1062 00:43:24,304 --> 00:43:25,639 You're supposed to be at dance class. Come on. Let's go. 1063 00:43:25,672 --> 00:43:27,074 Ugh, jeez. Fine. 1064 00:43:27,608 --> 00:43:29,777 (BUSY SIGNAL) 1065 00:43:29,811 --> 00:43:31,378 ALAN: I even told her... Alan! 1066 00:43:31,412 --> 00:43:32,780 ...that she would get top billing. 1067 00:43:32,814 --> 00:43:33,947 Off the phone! 1068 00:43:33,981 --> 00:43:35,649 (SIGHS) Just one second. 1069 00:43:35,682 --> 00:43:37,451 No seconds. Let's go. 1070 00:43:37,484 --> 00:43:39,353 (UPBEAT MUSIC CONTINUES) 1071 00:43:40,855 --> 00:43:42,790 Um... 1072 00:43:42,824 --> 00:43:44,691 How much for three bags? 1073 00:43:44,725 --> 00:43:46,260 That was never the rate. 1074 00:43:46,293 --> 00:43:48,095 It has always been five dollars. 1075 00:43:48,128 --> 00:43:50,097 These better be genuine Throat Coat. 1076 00:43:50,731 --> 00:43:52,332 (INHALES DEEPLY) 1077 00:43:52,366 --> 00:43:54,568 That's genuine Throat Coat. That's genuine. 1078 00:43:55,335 --> 00:43:57,204 I don't even recognize you. 1079 00:43:57,237 --> 00:43:58,939 Where is my little Joan gone? 1080 00:43:58,972 --> 00:44:00,741 I'm still me, Tata. 1081 00:44:00,774 --> 00:44:03,076 No, your face is a new face. 1082 00:44:03,110 --> 00:44:04,846 MACKENZIE: It's called rouge, Tata. 1083 00:44:04,879 --> 00:44:05,979 DEVON: The cheeks of a hussy. 1084 00:44:06,013 --> 00:44:08,048 Yeah, yeah. Let's hold. Let's hold. 1085 00:44:08,081 --> 00:44:09,249 Devon, you are on the stage, 1086 00:44:09,283 --> 00:44:11,218 but your partner is fully alone. 1087 00:44:11,251 --> 00:44:12,686 And I think you really need to... 1088 00:44:12,719 --> 00:44:14,588 I think that ultimately, Devon, you need to just 1089 00:44:14,621 --> 00:44:16,089 kind of let in the pain of being a father. 1090 00:44:16,123 --> 00:44:17,791 Like we need to feel that pain. 1091 00:44:17,826 --> 00:44:18,959 (CHUCKLES NERVOUSLY, STUTTERS) 1092 00:44:18,992 --> 00:44:20,327 But I'm not a father. 1093 00:44:20,360 --> 00:44:21,930 I don't know how to do that. 1094 00:44:21,962 --> 00:44:24,198 Did Julianne Moore really have dementia? (SCOFFS) 1095 00:44:24,231 --> 00:44:25,834 (WHISPERS) No. No. No. 1096 00:44:25,867 --> 00:44:27,100 AMOS: Do the connection exercise. 1097 00:44:27,902 --> 00:44:29,770 And then we'll try it again. 1098 00:44:29,804 --> 00:44:30,939 REBECCA-DIANE: Deliver. 1099 00:44:30,971 --> 00:44:32,005 Thank you for all you're doing. 1100 00:44:32,039 --> 00:44:33,240 Thank you. 1101 00:44:34,274 --> 00:44:35,576 Aren't you gonna say something? 1102 00:44:35,609 --> 00:44:36,443 Oh! 1103 00:44:36,477 --> 00:44:37,744 You missed your bedtime performance. 1104 00:44:37,778 --> 00:44:39,179 That's so unlike you. What happened? 1105 00:44:39,213 --> 00:44:40,314 I'm so sorry. I was just finishing 1106 00:44:40,347 --> 00:44:41,816 the finale and I got distracted... 1107 00:44:41,850 --> 00:44:44,985 Yeah, I'm sure... This finale, it's like this is repeated. 1108 00:44:45,018 --> 00:44:46,153 It's like, I love you, 1109 00:44:46,186 --> 00:44:47,387 but, we're getting towards crunch time, okay? 1110 00:44:47,421 --> 00:44:48,622 And you have other responsibilities 1111 00:44:48,655 --> 00:44:51,158 which I know you know. I'm just playing catch up. 1112 00:44:51,191 --> 00:44:53,060 Okay, but just I need my gal with me, so... 1113 00:44:53,093 --> 00:44:54,929 I got you. Okay. 1114 00:44:54,963 --> 00:44:56,563 I'm still me, Tata. 1115 00:44:56,597 --> 00:44:59,868 No. Using your little hands to write letters to the devil 1116 00:44:59,901 --> 00:45:02,002 and never once to shape pierogi. 1117 00:45:02,035 --> 00:45:04,771 Just because dumplings aren't my priority 1118 00:45:04,806 --> 00:45:06,173 anymore doesn't mean any... 1119 00:45:06,206 --> 00:45:08,408 You never once sent a suitor home to your dying Tata. 1120 00:45:09,376 --> 00:45:11,311 This is not the Joan that I know. 1121 00:45:13,547 --> 00:45:14,648 You know what, Tata? 1122 00:45:15,449 --> 00:45:16,683 You're right. 1123 00:45:16,717 --> 00:45:21,321 I decide who Joan is, and I may not be who Joan was, 1124 00:45:21,355 --> 00:45:24,658 but, Tata, I am Joan, still. 1125 00:45:28,662 --> 00:45:31,698 That got better. Better. 1126 00:45:31,732 --> 00:45:34,167 BOTH: (CHANTING) That got better. 1127 00:45:34,201 --> 00:45:35,435 Very good. Devon, the accent's 1128 00:45:35,469 --> 00:45:36,603 all over the place, but it's much better. 1129 00:45:36,637 --> 00:45:37,906 REBECCA-DIANE: Yeah. Mackenzie, extraordinary. 1130 00:45:37,939 --> 00:45:39,039 Mac. That was so good. 1131 00:45:39,072 --> 00:45:40,440 Thank you. SEBASTIAN: Amazing. 1132 00:45:40,474 --> 00:45:42,142 CHRISTOPHER L: She killed it. Stop! 1133 00:45:42,844 --> 00:45:44,378 (WHISPERS) She's using. 1134 00:45:54,721 --> 00:45:56,356 (SIGHS) Lift up your hands. 1135 00:45:59,861 --> 00:46:02,262 (BOTH SNIFFING) 1136 00:46:02,296 --> 00:46:03,664 (WHISPERS) She wouldn't. 1137 00:46:03,697 --> 00:46:05,332 Tear stick. 1138 00:46:05,365 --> 00:46:07,067 It's just Chapstick, I swear. 1139 00:46:07,100 --> 00:46:08,368 Give it to me. 1140 00:46:08,402 --> 00:46:10,103 REBECCA-DIANE: Oh, my God. 1141 00:46:10,137 --> 00:46:12,239 Mackenzie, I'm not mad. I'm just furious. 1142 00:46:12,272 --> 00:46:14,741 Your tears should come from within, from the story, 1143 00:46:14,775 --> 00:46:16,143 from the words on the page, 1144 00:46:16,176 --> 00:46:18,913 not from some emotional grenade that you smuggled in. 1145 00:46:18,947 --> 00:46:20,080 What's a tear stick? 1146 00:46:20,113 --> 00:46:21,648 AMOS: Insult to the material. Okay? 1147 00:46:21,682 --> 00:46:24,052 It's a mentholated eyeliner that helps you cry. 1148 00:46:24,084 --> 00:46:28,188 Joan is screaming and furious at you. 1149 00:46:28,221 --> 00:46:32,659 Because tear sticks are doping for actors. 1150 00:46:32,693 --> 00:46:35,696 Do you wanna be the Lance Armstrong of theater? 1151 00:46:35,729 --> 00:46:38,398 No. Get off the stick. 1152 00:46:39,901 --> 00:46:42,169 (SNIFFLES) Get off the stick. 1153 00:46:43,136 --> 00:46:44,338 (SNIFFLES) (TEAR STICK CLATTERS) 1154 00:46:44,371 --> 00:46:45,772 One day it's tear stick. 1155 00:46:45,807 --> 00:46:48,042 The next you're calling for line 1156 00:46:48,076 --> 00:46:49,309 and pretty soon your understudy's 1157 00:46:49,343 --> 00:46:50,477 on eight times a week 1158 00:46:50,510 --> 00:46:53,081 in Weehawken or God knows where. Okay? 1159 00:46:53,113 --> 00:46:55,582 It's a slip-ry, slip-ry slope. 1160 00:46:56,316 --> 00:46:57,651 Devon, I'm so sorry. 1161 00:46:58,752 --> 00:47:00,153 (CHUCKLES AWKWARDLY) 1162 00:47:00,687 --> 00:47:01,923 Really, it's fine. 1163 00:47:01,956 --> 00:47:03,223 Tell him you're sorry. 1164 00:47:03,958 --> 00:47:05,225 I'm sorry, Devon. 1165 00:47:05,258 --> 00:47:06,760 It's really fine. 1166 00:47:07,761 --> 00:47:09,030 I choose to forgive. 1167 00:47:09,063 --> 00:47:10,397 But we don't forget. 1168 00:47:10,430 --> 00:47:13,133 But until the end, the law can forgive. 1169 00:47:13,166 --> 00:47:14,902 (WHISPERS) But without ever forgetting. 1170 00:47:16,269 --> 00:47:17,905 (CALL ME BY YOUR NAME BY LIL NAS X PLAYING) 1171 00:47:56,878 --> 00:48:00,781 Hi! Welcome to AdirondACTS. You guys having fun? 1172 00:48:00,815 --> 00:48:02,182 Enjoying the party? Yeah. 1173 00:48:03,183 --> 00:48:04,384 (FRANNY GRUNTS) (ALL GASP) 1174 00:48:04,418 --> 00:48:07,088 FRANNY: Oh, my God, Lainy, why would you do that? 1175 00:48:07,121 --> 00:48:09,824 You piss me off, like, a lot. 1176 00:48:13,094 --> 00:48:14,728 JANET: (CLAPPING) Whoo! 1177 00:48:14,761 --> 00:48:15,863 Let's go. 1178 00:48:15,897 --> 00:48:17,631 Stage combat. 1179 00:48:17,664 --> 00:48:20,068 You think this is fun and games? Hitting? 1180 00:48:20,101 --> 00:48:21,468 It's not funny. You're right. It's art. 1181 00:48:21,501 --> 00:48:23,437 WENDY: No. It's not. Grow up. 1182 00:48:24,671 --> 00:48:26,941 Excuse me. Have you seen Rebecca-Diane? 1183 00:48:26,974 --> 00:48:28,442 Is she out there? No? 1184 00:48:29,776 --> 00:48:30,777 Enjoy. 1185 00:48:31,979 --> 00:48:33,413 Where is she? 1186 00:48:43,790 --> 00:48:45,960 TROY: (ON MIC) Yo, what up, AdirondACTS? 1187 00:48:45,993 --> 00:48:47,494 Welcome, Lakeside. 1188 00:48:47,527 --> 00:48:50,630 Just want you to know this is not a free event for you. 1189 00:48:50,664 --> 00:48:53,000 Okay? Unless you're verified. 1190 00:48:53,034 --> 00:48:54,202 Thanks for coming out. 1191 00:48:54,234 --> 00:48:56,436 Man, this is a dream show for me. 1192 00:48:56,470 --> 00:48:59,372 I know this one's a theater camp classic, so 1193 00:48:59,406 --> 00:49:02,944 thought I'd put a little twist on it. 1194 00:49:02,977 --> 00:49:06,114 MALE SINGER: (ON SPEAKERS) ♪ Give my regards to Broadway 1195 00:49:06,147 --> 00:49:08,381 ♪ Remember me to Herald Square 1196 00:49:08,415 --> 00:49:11,318 Send my regards to Broadway, bitch! 1197 00:49:12,452 --> 00:49:15,689 MALE SINGER: ♪ Whisper of how I'm yearning 1198 00:49:15,722 --> 00:49:16,958 ♪ To mingle with the old-time throng 1199 00:49:16,991 --> 00:49:18,592 TROY: ♪ Put 'em up! Put 'em up! Put 'em up! 1200 00:49:18,625 --> 00:49:19,827 (ALL CHEERING) 1201 00:49:19,861 --> 00:49:23,097 MALE SINGER: ♪ Give my regards to Old Broadway 1202 00:49:23,131 --> 00:49:25,532 ♪ And say I'll be there 'ere long 1203 00:49:25,565 --> 00:49:27,135 TROY: ♪ That's what's up!♪ 1204 00:49:27,168 --> 00:49:28,602 TROY: I know you're busy, so I don't wanna 1205 00:49:28,635 --> 00:49:29,871 take too much of your time, 1206 00:49:29,904 --> 00:49:32,073 but the vibes are pretty good in there, huh? 1207 00:49:32,106 --> 00:49:34,008 Uh, sure. That was me DJing. 1208 00:49:34,041 --> 00:49:35,176 But look. 1209 00:49:35,209 --> 00:49:37,310 So I know, you know, the Rotary Club thing 1210 00:49:37,344 --> 00:49:38,645 didn't really go to plan. 1211 00:49:38,678 --> 00:49:40,347 You took a lot of my kids out of rehearsal for that. 1212 00:49:40,380 --> 00:49:41,648 I get that and I'm sorry, 1213 00:49:41,681 --> 00:49:43,583 and I'm still perfecting the formula here, 1214 00:49:43,617 --> 00:49:46,921 but I've recently had, like, a surge of ideas, 1215 00:49:46,954 --> 00:49:48,856 you know, that would bring some additional revenue. 1216 00:49:48,890 --> 00:49:51,625 You know, one of 'em is, like, maybe we send the kids 1217 00:49:51,658 --> 00:49:55,263 into the city to do, like, singing telegrams. 1218 00:49:55,295 --> 00:49:56,730 Okay. Incredibly dangerous. 1219 00:49:56,763 --> 00:49:58,331 Maybe we do like remote students. 1220 00:49:58,365 --> 00:49:59,666 But, okay. I'm sorry. I'm sorry. I'm sorry. 1221 00:49:59,699 --> 00:50:00,767 Maybe, maybe... 1222 00:50:00,801 --> 00:50:02,435 We don't need any of these ideas, okay, Troy? 1223 00:50:02,469 --> 00:50:03,838 We don't need any of these ideas. 1224 00:50:03,871 --> 00:50:04,872 Yeah. 1225 00:50:04,906 --> 00:50:06,207 Your mother managed to keep this place running 1226 00:50:06,240 --> 00:50:08,142 in the face of a lot of financial trouble 1227 00:50:08,176 --> 00:50:09,342 and never once did she compromise 1228 00:50:09,376 --> 00:50:11,778 the artistic vision to save money. Okay? 1229 00:50:11,813 --> 00:50:13,780 Right. (STUTTERS) You know, that's kind of what 1230 00:50:13,815 --> 00:50:15,549 I'm trying to get after. 1231 00:50:15,582 --> 00:50:16,984 Yes. No, no, no. I understand. 1232 00:50:17,018 --> 00:50:18,820 I understand that. But what you don't understand 1233 00:50:18,853 --> 00:50:20,554 is the importance of what we do here, okay? 1234 00:50:20,587 --> 00:50:22,824 This place is for people who need it, okay? 1235 00:50:22,857 --> 00:50:24,491 People who aren't accepted anywhere else. 1236 00:50:24,524 --> 00:50:26,359 You are not one of those people, Troy. 1237 00:50:26,393 --> 00:50:28,095 You are not one of us. 1238 00:50:36,037 --> 00:50:37,872 (SIGHS) (SOFT MUSIC PLAYING) 1239 00:50:40,174 --> 00:50:41,474 Becks-Di? 1240 00:50:42,243 --> 00:50:44,377 Rebecca... Oh. Not her. 1241 00:50:48,082 --> 00:50:50,151 Be sure to cherish these relationships, okay? 1242 00:50:50,184 --> 00:50:51,618 'Cause they're gone in a flash. 1243 00:50:52,820 --> 00:50:54,222 Just wanted you to know that. 1244 00:50:54,255 --> 00:50:55,355 CAROLINE: Of course, she's gonna cry. 1245 00:50:55,388 --> 00:50:57,058 I'm laying her off 'cause she cries too much. 1246 00:50:57,091 --> 00:50:59,160 Mrs. Krauss. Oh. Hi. 1247 00:50:59,193 --> 00:51:00,862 Dope that you made it. 1248 00:51:00,895 --> 00:51:04,397 (CHUCKLES, STAMMERS) I'm happy to be here. 1249 00:51:04,431 --> 00:51:05,665 Yeah. Yeah. 1250 00:51:05,699 --> 00:51:08,870 So, um, things have taken a bit of a turn here 1251 00:51:08,903 --> 00:51:12,606 and I've been thinking about the offer. 1252 00:51:12,639 --> 00:51:13,640 Me too. 1253 00:51:14,075 --> 00:51:15,176 A lot. 1254 00:51:15,209 --> 00:51:16,878 Yeah. Um... 1255 00:51:17,744 --> 00:51:19,746 I just feel like it would be a, 1256 00:51:20,380 --> 00:51:21,481 you know, lucrative 1257 00:51:21,514 --> 00:51:23,550 and mutually beneficial partnership. 1258 00:51:24,252 --> 00:51:25,652 Like for the both of us though. 1259 00:51:27,154 --> 00:51:29,957 Wow. Well, that's great. (CHUCKLES) 1260 00:51:29,991 --> 00:51:32,960 So, like, does the offer still stand? 1261 00:51:32,994 --> 00:51:34,494 Yes, Troy. 1262 00:51:34,527 --> 00:51:36,163 Barnswell would love to work with you. 1263 00:51:36,197 --> 00:51:37,298 Wow! 1264 00:51:37,331 --> 00:51:38,698 Yeah. Nice. 1265 00:51:38,732 --> 00:51:40,667 I have to say I'm super excited to work with someone 1266 00:51:40,700 --> 00:51:43,371 who knows the TUVs of deal making. 1267 00:51:43,403 --> 00:51:45,639 Did you just say the TUVs? 1268 00:51:45,672 --> 00:51:47,574 Trust. You won't regret it. And vibes. 1269 00:51:47,607 --> 00:51:48,809 Trust. Won't regret it. Vibes. 1270 00:51:48,843 --> 00:51:50,644 You've been watching my vlogs? 1271 00:51:50,677 --> 00:51:52,679 (CHUCKLES) Religiously. 1272 00:51:52,712 --> 00:51:53,747 Stop. 1273 00:51:54,916 --> 00:51:56,050 The GoPro loves you. 1274 00:51:57,318 --> 00:51:58,551 Don't understand. SEBASTIAN: I'm here 1275 00:51:58,585 --> 00:52:00,520 having a wonderful time. CHRISTOPHER L: Devon! 1276 00:52:01,222 --> 00:52:02,256 SEBASTIAN: Where? 1277 00:52:02,290 --> 00:52:04,724 (CHRISTOPHER L AND SEBASTIAN GASP) 1278 00:52:04,758 --> 00:52:05,893 (STUTTERS) It's not what it looks like. 1279 00:52:05,927 --> 00:52:07,295 SEBASTIAN: What the hell is this? 1280 00:52:07,328 --> 00:52:10,331 We were supposed to be manifesting. It's a full moon. 1281 00:52:10,364 --> 00:52:11,399 They were saying no one at theater camp 1282 00:52:11,431 --> 00:52:12,465 could play football. 1283 00:52:12,499 --> 00:52:14,601 I'm just proving to them that I could. 1284 00:52:14,634 --> 00:52:16,304 (UPBEAT DANCE MUSIC PLAYING) 1285 00:52:16,337 --> 00:52:18,105 (ALL CHEERING) 1286 00:52:29,250 --> 00:52:30,284 (CAR HORN HONKS) 1287 00:52:30,318 --> 00:52:31,584 (REBECCA-DIANE GROANS) 1288 00:52:34,288 --> 00:52:35,522 Oh, my God. 1289 00:52:41,594 --> 00:52:43,630 Good morning, girlboss. 1290 00:52:43,663 --> 00:52:46,466 Coffee. You've gone crazy. 1291 00:52:46,499 --> 00:52:47,701 I'm wild. 1292 00:52:48,535 --> 00:52:50,137 Oh, man. Mmm. 1293 00:52:50,905 --> 00:52:51,906 Wow. 1294 00:52:52,306 --> 00:52:53,707 Thank you. 1295 00:52:53,740 --> 00:52:57,144 So, last night was pretty hot, huh? 1296 00:52:57,178 --> 00:52:58,545 (CHUCKLES) It was really hot. 1297 00:52:58,578 --> 00:53:00,381 You were so bussin'. 1298 00:53:00,414 --> 00:53:02,749 I came here just to do work 1299 00:53:02,782 --> 00:53:04,952 and I ended up meeting someone 1300 00:53:05,685 --> 00:53:07,455 who took my breath away. Same. 1301 00:53:07,487 --> 00:53:08,956 Then, like, shoved it back in my mouth. 1302 00:53:08,990 --> 00:53:11,691 God, I just feel like I can really, like, 1303 00:53:11,725 --> 00:53:14,128 reach my full potential here. You know. 1304 00:53:14,161 --> 00:53:15,695 Yeah. Me too. 1305 00:53:15,729 --> 00:53:20,234 With Barnswell's backing, like, I can finally, 1306 00:53:20,267 --> 00:53:21,601 you know, start to implement 1307 00:53:21,634 --> 00:53:23,204 some real change around this place. 1308 00:53:24,972 --> 00:53:26,874 Troy, don't you remember the agreement 1309 00:53:26,907 --> 00:53:28,909 that you signed last night? 1310 00:53:28,943 --> 00:53:31,544 Yeah, it was to get us out of the foreclosure. 1311 00:53:31,578 --> 00:53:34,081 (FRANTIC MUSIC PLAYING) 1312 00:53:36,884 --> 00:53:38,352 Welcome to Tech Week, campers. 1313 00:53:38,386 --> 00:53:40,421 (ON SPEAKERS) Performances are just a few days away, 1314 00:53:40,454 --> 00:53:43,157 so let's stay focused on bringing those shows to life. 1315 00:53:43,190 --> 00:53:45,625 And if you have any issues, you look for Glenn. 1316 00:53:45,658 --> 00:53:46,726 I'm sure he'll have time to help you. 1317 00:53:46,760 --> 00:53:48,462 MAN 1: (ON RADIO) Glenn. Go for Glenn. 1318 00:53:48,496 --> 00:53:49,997 LAINY: Glenn, we need you in props. 1319 00:53:50,031 --> 00:53:51,198 MAN 1: Glenn, where's our bush? 1320 00:53:51,232 --> 00:53:53,533 MAN 2: Glenn, where's my damn wagon wheel? 1321 00:53:53,566 --> 00:53:54,601 MAN 1: Glenn? 1322 00:53:54,634 --> 00:53:55,668 WOMAN: Glenn, what's your 20? 1323 00:53:55,702 --> 00:53:56,904 There's a leak in the lobby. 1324 00:53:56,937 --> 00:53:59,273 MAN 1: Glenn, we're missing the king's cane. 1325 00:53:59,306 --> 00:54:00,540 (MUSIC STOPS) 1326 00:54:11,252 --> 00:54:12,420 (MUSIC RESUMES) 1327 00:54:12,453 --> 00:54:13,854 Oh, my God, Gigi, move it along. 1328 00:54:13,888 --> 00:54:15,089 I'm trying. This is not giving. 1329 00:54:15,122 --> 00:54:17,690 I'm trying, okay? My nails are gonna break. 1330 00:54:17,724 --> 00:54:19,759 RITA: (ON RADIO) Glenn, Glenn, 1331 00:54:19,793 --> 00:54:22,196 the smoke machine is out of control. 1332 00:54:23,630 --> 00:54:25,266 GLENN: Zeroing in on the source. 1333 00:54:25,299 --> 00:54:26,534 (CHILDREN COUGHING) 1334 00:54:26,566 --> 00:54:29,070 Oh, God, I'm dodging pilgrims left and right. 1335 00:54:34,375 --> 00:54:35,509 Nice. 1336 00:54:35,543 --> 00:54:37,511 Thank you. MAN 1: Glenn? 1337 00:54:37,545 --> 00:54:38,611 Go for Glenn. 1338 00:54:38,645 --> 00:54:39,679 AMOS: (ON MIC) Darla, can you just move 1339 00:54:39,712 --> 00:54:41,048 a little bit to your right? 1340 00:54:41,082 --> 00:54:43,284 Just scooch the... Yes, bring the bassinet. That's right. 1341 00:54:43,317 --> 00:54:44,852 REBECCA-DIANE: See? And I think it should just 1342 00:54:44,885 --> 00:54:46,854 be a little bit to the left. 1343 00:54:46,887 --> 00:54:48,755 I think it just doesn't make sense. 1344 00:54:49,390 --> 00:54:50,524 Darla, step to the right. 1345 00:54:50,558 --> 00:54:51,892 REBECCA-DIANE: No, I think we had discussed 1346 00:54:51,926 --> 00:54:52,960 that everything would be on the left 1347 00:54:52,993 --> 00:54:54,061 for this number, so let's just... 1348 00:54:54,095 --> 00:54:55,162 We're gonna go ahead and put it where we... 1349 00:54:55,196 --> 00:54:56,564 Darla, this is your director speaking. 1350 00:54:56,596 --> 00:54:57,764 You're gonna go ahead and move to the right 1351 00:54:57,797 --> 00:54:58,833 with the bassinet. Co-director here as well. 1352 00:54:58,866 --> 00:55:00,733 And just move on over to the left 1353 00:55:00,767 --> 00:55:02,635 and get too far on that side 1354 00:55:02,669 --> 00:55:04,038 so we can't quite bring you back. 1355 00:55:04,071 --> 00:55:06,073 Joan's whole world has been established stage right. 1356 00:55:06,107 --> 00:55:07,942 So you're gonna take two steps to the right. 1357 00:55:07,975 --> 00:55:09,810 That's where we always play her hero moments. 1358 00:55:09,844 --> 00:55:11,445 Now cheat out. Cheat out. 1359 00:55:11,479 --> 00:55:13,713 REBECCA-DIANE: (WHISPERING) Why are you acting like this? 1360 00:55:13,746 --> 00:55:16,616 I'm just a little bit tired of co-directing with a ghost. 1361 00:55:16,649 --> 00:55:17,784 Well, I'm not a ghost. 1362 00:55:17,818 --> 00:55:19,854 I am a human person that is alive. I am here. 1363 00:55:19,887 --> 00:55:21,355 I care about this show. 1364 00:55:21,388 --> 00:55:23,991 Do you? I wouldn't have any idea. 1365 00:55:24,024 --> 00:55:25,893 You've been completely absent 1366 00:55:25,926 --> 00:55:27,128 since the beginning of the session, okay? 1367 00:55:27,161 --> 00:55:29,130 And I need to run my rehearsal now. 1368 00:55:29,163 --> 00:55:30,030 So, thank you. 1369 00:55:30,064 --> 00:55:31,332 Darla, let's just run the song, okay? 1370 00:55:31,365 --> 00:55:32,699 You're fine right there. 1371 00:55:32,732 --> 00:55:33,968 Music, please. 1372 00:55:34,634 --> 00:55:36,437 (GENTLE PIANO MUSIC PLAYING) 1373 00:55:36,470 --> 00:55:37,905 (SIGHS DEEPLY) 1374 00:55:46,580 --> 00:55:49,583 ♪ Thought my dreaming was done 1375 00:55:49,617 --> 00:55:52,419 ♪ All I needed was one 1376 00:55:52,453 --> 00:55:56,789 ♪ Revelation to show me my boy 1377 00:55:56,824 --> 00:56:01,228 ♪ That my life had truly begun 1378 00:56:01,262 --> 00:56:03,998 ♪ So I offer the sun 1379 00:56:04,031 --> 00:56:08,569 ♪ Salutation Hello to my Troy 1380 00:56:08,602 --> 00:56:12,739 ♪ I will build this theatrical place 1381 00:56:14,108 --> 00:56:19,947 ♪ Giving children a safe, loving space 1382 00:56:19,980 --> 00:56:24,485 ♪ It will grow from the magic and grace 1383 00:56:24,518 --> 00:56:28,222 ♪ That I see in your face 1384 00:56:28,255 --> 00:56:29,423 Rebecca-Diane. 1385 00:56:29,456 --> 00:56:30,925 Rebecca-Diane, can I talk to you? 1386 00:56:30,958 --> 00:56:32,193 No, I'm in the middle of tech. 1387 00:56:32,226 --> 00:56:33,260 Just one sec. 1388 00:56:33,294 --> 00:56:34,261 Troy. Real quick. 1389 00:56:34,295 --> 00:56:36,063 DARLA: ♪ Know your dream's never done 1390 00:56:36,096 --> 00:56:38,832 ♪ You're my moon and my sun 1391 00:56:38,866 --> 00:56:42,735 ♪ My foundation My beautiful Troy ♪ 1392 00:56:42,769 --> 00:56:45,839 TROY: Hey. Look. I'm sorry for even asking. 1393 00:56:45,873 --> 00:56:50,244 I feel really weird even bringing this up. 1394 00:56:50,277 --> 00:56:52,213 I don't have time. We're in the middle of tech week. 1395 00:56:52,246 --> 00:56:54,148 No, I get that. So just tell me what's up. 1396 00:56:54,181 --> 00:56:55,182 I just, um... 1397 00:56:56,517 --> 00:56:58,686 Do you think you could give my mom a message from me? 1398 00:56:58,718 --> 00:56:59,954 Yeah, for sure. I'll give your mom a message. 1399 00:56:59,987 --> 00:57:01,288 TROY: No, no, no. Please. It's really important. 1400 00:57:01,322 --> 00:57:02,156 Troy. 1401 00:57:02,189 --> 00:57:03,557 I hear that. It's really important. 1402 00:57:03,591 --> 00:57:04,625 I just don't have time. 1403 00:57:04,658 --> 00:57:05,725 Just tell her I need her help. 1404 00:57:05,758 --> 00:57:07,461 Say, "Troy needs your help." 1405 00:57:07,494 --> 00:57:09,196 Five, six, seven, eight. 1406 00:57:09,230 --> 00:57:10,931 We're going towards the nose. 1407 00:57:11,565 --> 00:57:13,267 Live it up and step. 1408 00:57:13,300 --> 00:57:16,070 Step towards the nose. Head to the nose. 1409 00:57:16,103 --> 00:57:19,039 I don't choose when she comes inside of me. 1410 00:57:19,073 --> 00:57:20,641 Okay, but can you just try? 1411 00:57:20,674 --> 00:57:23,110 Mom, please! 1412 00:57:23,143 --> 00:57:25,246 What are you doing? You said she was in you. 1413 00:57:25,279 --> 00:57:26,746 She's not in my breasts. 1414 00:57:26,779 --> 00:57:29,016 I'm not that... I'm not... That's not... 1415 00:57:29,049 --> 00:57:30,451 Tell her it's important. Just tell her... 1416 00:57:30,484 --> 00:57:31,585 Please tell her it's important. 1417 00:57:31,619 --> 00:57:32,653 Tell her it's really important. 1418 00:57:32,686 --> 00:57:33,786 Okay. Okay, I'm gonna... All right. 1419 00:57:33,821 --> 00:57:35,155 I just need to talk to her. 1420 00:57:35,189 --> 00:57:36,257 Okay. Okay. 1421 00:57:40,427 --> 00:57:41,428 (IMITATES JOAN) Troy. 1422 00:57:42,263 --> 00:57:43,464 Mom? 1423 00:57:43,497 --> 00:57:44,797 It's your mom. 1424 00:57:45,065 --> 00:57:46,400 Mom. 1425 00:57:46,433 --> 00:57:48,969 Thank God. It's so good to hear your voice. 1426 00:57:49,003 --> 00:57:52,406 I know it's been a minute since we've chatted. 1427 00:57:53,374 --> 00:57:54,375 Um... 1428 00:57:57,278 --> 00:57:58,345 I miss you. 1429 00:57:59,346 --> 00:58:01,048 Kind of a lot. 1430 00:58:01,081 --> 00:58:03,884 You know, I'm sorry for not trying harder 1431 00:58:03,917 --> 00:58:06,687 to understand what you were doing here 1432 00:58:06,720 --> 00:58:08,589 with this place and this camp. 1433 00:58:08,622 --> 00:58:10,991 I was a kid, you know. I just wanted to 1434 00:58:11,025 --> 00:58:12,626 go to sleepovers at Dakota's house 1435 00:58:12,660 --> 00:58:14,194 and set cool away messages 1436 00:58:14,228 --> 00:58:15,596 and make my Sims have sex and... 1437 00:58:15,629 --> 00:58:16,796 (IN NORMAL VOICE) Troy, you said there was something 1438 00:58:16,830 --> 00:58:18,132 that you actually needed. 1439 00:58:18,165 --> 00:58:19,300 And it was urgent. You're right. I always do this. 1440 00:58:20,768 --> 00:58:22,002 Look, I should have tried harder 1441 00:58:22,036 --> 00:58:24,038 to understand what you were doing here. 1442 00:58:24,071 --> 00:58:26,940 Because, you know, I get it. 1443 00:58:26,974 --> 00:58:29,043 These people are really weird. 1444 00:58:29,076 --> 00:58:30,711 Especially Rebecca-Diane. 1445 00:58:30,744 --> 00:58:32,212 But they're wonderful. 1446 00:58:33,681 --> 00:58:36,917 Look, I messed up, Mom. Okay? 1447 00:58:36,950 --> 00:58:40,154 And I'm really sorry, and I hope you forgive me. 1448 00:58:40,187 --> 00:58:41,789 And I really need your advice right now, 1449 00:58:41,822 --> 00:58:43,257 but I'm sorry I sold the camp. 1450 00:58:45,793 --> 00:58:46,894 Hey. 1451 00:58:46,927 --> 00:58:48,462 AMOS: (ON MIC) Rebecca-Diane? 1452 00:58:48,495 --> 00:58:49,596 What'd my mom say? 1453 00:58:51,298 --> 00:58:52,299 What the... 1454 00:58:53,367 --> 00:58:54,368 (SIGHS) 1455 00:58:56,637 --> 00:58:58,172 (EXHALES DEEPLY) 1456 00:58:58,205 --> 00:59:00,874 Rebecca-Diane, we are at a standstill. 1457 00:59:00,908 --> 00:59:01,942 Good work, you guys. 1458 00:59:01,975 --> 00:59:03,177 REBECCA-DIANE: Yes? 1459 00:59:03,777 --> 00:59:05,713 Welcome back. 1460 00:59:05,746 --> 00:59:07,214 Uh, we need to see the finale now. 1461 00:59:07,247 --> 00:59:08,582 Yeah. We are out of time. 1462 00:59:08,615 --> 00:59:10,451 So we need to hear it. Let's do the finale tomorrow. 1463 00:59:10,484 --> 00:59:11,385 REBECCA-DIANE: Sounds good? 1464 00:59:11,418 --> 00:59:12,686 Okay, well, tomorrow's our only chance 1465 00:59:12,720 --> 00:59:13,822 to run the entire show. 1466 00:59:13,854 --> 00:59:15,456 So I at least need to hear it musically, 1467 00:59:15,489 --> 00:59:16,623 so I can block something, 1468 00:59:16,657 --> 00:59:17,758 and these kids can start to learn it. 1469 00:59:17,791 --> 00:59:18,959 (GROANS) Because tomorrow they have 1470 00:59:18,992 --> 00:59:20,327 to run it top to bottom and then perform it. 1471 00:59:20,361 --> 00:59:22,963 So let's hear the finale song, please. 1472 00:59:22,996 --> 00:59:24,031 It's just so unfortunate, 1473 00:59:24,064 --> 00:59:25,232 because we do not have the track, 1474 00:59:25,265 --> 00:59:26,600 so that we don't have any way to play the song. 1475 00:59:26,633 --> 00:59:28,435 So you can just sing it for us. 1476 00:59:28,469 --> 00:59:29,503 I've lost my voice. 1477 00:59:29,536 --> 00:59:31,739 Okay, well... You're gonna have to find it again. 1478 00:59:31,772 --> 00:59:34,141 And we have this. So you can just 1479 00:59:34,908 --> 00:59:36,643 play it yourself for us. Okay? 1480 00:59:37,578 --> 00:59:39,980 You love this. 1481 00:59:40,948 --> 00:59:42,883 There you go. 1482 00:59:42,916 --> 00:59:44,718 Who's excited to hear the finale? 1483 00:59:44,752 --> 00:59:46,220 (ALL CHEERING) 1484 00:59:49,590 --> 00:59:50,758 (AMOS CLEARS THROAT) 1485 00:59:50,791 --> 00:59:52,092 And what is it called? 1486 00:59:54,661 --> 00:59:56,163 It's called... 1487 00:59:57,832 --> 00:59:59,032 "Camp." 1488 01:00:00,534 --> 01:00:01,535 That's original. 1489 01:00:06,039 --> 01:00:08,242 (PLAYING ZITHER) 1490 01:00:08,275 --> 01:00:12,045 ♪ Girl with an open Snapple 1491 01:00:14,181 --> 01:00:18,185 ♪ A boy who's looking down 1492 01:00:18,887 --> 01:00:23,323 ♪ We all come here for 1493 01:00:23,357 --> 01:00:25,592 ♪ Summertime 1494 01:00:28,262 --> 01:00:29,263 ♪ Camp 1495 01:00:30,697 --> 01:00:32,466 ♪ Isn't home 1496 01:00:35,870 --> 01:00:37,171 ♪ But isn't it? 1497 01:00:38,038 --> 01:00:39,506 ♪ In a way 1498 01:00:40,741 --> 01:00:43,343 ♪ It kind of is 1499 01:00:43,377 --> 01:00:44,711 ♪ Oh, it 1500 01:00:46,079 --> 01:00:50,684 ♪ Kind of is 1501 01:00:51,652 --> 01:00:53,487 ♪ Let's raise a toast 1502 01:00:53,520 --> 01:00:55,756 ♪ But in the glass isn't alcohol 1503 01:00:55,789 --> 01:00:59,159 ♪ It's something more profound than alcohol It's truth 1504 01:00:59,193 --> 01:01:01,094 Drums, boom, boom, boom. 1505 01:01:01,128 --> 01:01:03,197 (IMITATES DRUMS PLAYING) 1506 01:01:03,597 --> 01:01:04,631 Flute. 1507 01:01:04,665 --> 01:01:06,066 (IMITATES FLUTE PLAYING) 1508 01:01:06,500 --> 01:01:07,634 Sustained. 1509 01:01:07,668 --> 01:01:09,770 (RESUMES FLUTE PLAYING) 1510 01:01:09,803 --> 01:01:12,439 ♪ All coming together for♪ 1511 01:01:13,908 --> 01:01:15,108 Boom. 1512 01:01:26,286 --> 01:01:27,688 What the fuck was that? 1513 01:01:28,923 --> 01:01:30,959 It was the finale. 1514 01:01:30,991 --> 01:01:32,059 You're telling me that's something 1515 01:01:32,092 --> 01:01:33,393 that you wrote before just now? 1516 01:01:34,628 --> 01:01:36,898 That's the song that you needed time away 1517 01:01:36,931 --> 01:01:38,232 from meaningful traditions, 1518 01:01:38,265 --> 01:01:40,467 missing time with the kids, 1519 01:01:40,501 --> 01:01:43,270 ruining the process of creating this piece together 1520 01:01:43,303 --> 01:01:45,639 because you've been running off working on the finale. 1521 01:01:45,672 --> 01:01:46,673 It was that? 1522 01:01:47,474 --> 01:01:48,810 Rebecca, I'm not an idiot, okay? 1523 01:01:48,843 --> 01:01:50,344 You made that up. 1524 01:01:50,377 --> 01:01:51,778 So I'm just trying to understand 1525 01:01:51,813 --> 01:01:53,347 what you thought we were gonna do today. 1526 01:01:53,380 --> 01:01:54,715 You were just gonna have these kids 1527 01:01:54,748 --> 01:01:56,116 have no ending to the show? 1528 01:01:56,149 --> 01:01:58,318 You said, "I got the finale. I can do it." 1529 01:01:58,352 --> 01:02:00,420 So I trusted you like I always do. 1530 01:02:00,454 --> 01:02:01,722 What have you been doing all this time? 1531 01:02:01,755 --> 01:02:03,624 I got a job, okay? 1532 01:02:05,259 --> 01:02:07,862 What, like you're tutoring kids in singing? 1533 01:02:07,896 --> 01:02:09,329 What are you talking about? 1534 01:02:09,363 --> 01:02:12,332 I just signed a two-year contract with Duchess Cruises. 1535 01:02:12,366 --> 01:02:15,202 I'm a featured soloist in Cole Porter on the Waves. 1536 01:02:15,235 --> 01:02:17,437 So yeah, I've been a little distracted. 1537 01:02:17,471 --> 01:02:19,606 AMOS: Sorry, you're taking a performance job? 1538 01:02:19,640 --> 01:02:21,108 Since when are you taking performance jobs? 1539 01:02:21,141 --> 01:02:22,743 Because I wanna be a performer! 1540 01:02:22,776 --> 01:02:23,878 Okay, I thought we were both 1541 01:02:23,912 --> 01:02:25,212 full-time teachers aspiring to be performers. 1542 01:02:25,245 --> 01:02:26,814 When is that gonna happen? 1543 01:02:26,848 --> 01:02:28,115 I wanna perform. 1544 01:02:28,148 --> 01:02:29,650 Well, that's great. I just wish maybe you'd told me. 1545 01:02:29,683 --> 01:02:31,585 I always thought maybe we'd make that decision together 1546 01:02:31,618 --> 01:02:32,954 like we do most things. It's impossible 1547 01:02:32,987 --> 01:02:34,022 to tell you anything because you interrupt 1548 01:02:34,054 --> 01:02:35,289 everything that I say. That's not true. 1549 01:02:35,322 --> 01:02:36,490 I do not interrupt everything that you say, Rebecca. 1550 01:02:36,523 --> 01:02:37,424 I'm just trying to share my feelings with you... 1551 01:02:37,457 --> 01:02:38,458 Every single thing that I... 1552 01:02:38,492 --> 01:02:39,726 ...the way that I have for 15 years. 1553 01:02:39,760 --> 01:02:42,195 Every single thing that I... That's not true, Rebecca. 1554 01:02:48,135 --> 01:02:49,269 Everything that I say. I am unable to... 1555 01:02:49,303 --> 01:02:50,404 That's not true, Rebecca. That is not true. 1556 01:02:50,437 --> 01:02:52,439 How could you do this to me? 1557 01:02:53,540 --> 01:02:55,108 You? 1558 01:02:55,142 --> 01:02:57,177 This has nothing to do with you. 1559 01:02:57,210 --> 01:02:58,445 Exactly. Why would you do something 1560 01:02:58,478 --> 01:02:59,847 that has nothing to do with me? 1561 01:03:01,049 --> 01:03:03,350 Let that statement just sit in the space. 1562 01:03:04,217 --> 01:03:05,853 It looks great. I stand by it. 1563 01:03:05,887 --> 01:03:07,321 I mean... (STUTTERS) What? 1564 01:03:07,354 --> 01:03:08,589 I don't understand what you're getting at. 1565 01:03:08,622 --> 01:03:10,123 I just want something else. That should be okay. 1566 01:03:10,157 --> 01:03:11,625 That's really nice for you, Rebecca, but you shouldn't 1567 01:03:11,658 --> 01:03:13,126 leave the best kids in the camp in the lurch 1568 01:03:13,160 --> 01:03:14,294 with no show to perform. 1569 01:03:14,328 --> 01:03:15,796 Okay, I've... That was selfish. 1570 01:03:15,830 --> 01:03:17,130 I make sacrifices for them. 1571 01:03:17,164 --> 01:03:19,466 Because they're talented and they deserve it. 1572 01:03:19,499 --> 01:03:21,401 I sacrifice everything else in my life 1573 01:03:21,435 --> 01:03:23,270 for this job and for them. What do you sacrifice? 1574 01:03:23,303 --> 01:03:25,539 I got a callback for Juilliard. 1575 01:03:29,776 --> 01:03:33,815 And I didn't go because I wanted to be here with you. 1576 01:03:33,848 --> 01:03:36,350 You've just kinda been lying to me for like, 10 years. 1577 01:03:41,321 --> 01:03:42,623 I'm happy for you, Rebecca. 1578 01:03:42,656 --> 01:03:44,291 I'm thrilled for you. 1579 01:03:44,324 --> 01:03:46,861 I think it's great that you've left these kids 1580 01:03:46,894 --> 01:03:48,295 with no show 1581 01:03:48,328 --> 01:03:49,864 and all for a cruise. 1582 01:03:50,965 --> 01:03:52,834 A non-narrative piece on a cruise. 1583 01:03:57,105 --> 01:03:58,538 (DOOR OPENS) 1584 01:04:00,041 --> 01:04:01,541 (FOOTSTEPS APPROACHING) 1585 01:04:02,944 --> 01:04:04,478 Excuse me. Hi. 1586 01:04:04,511 --> 01:04:07,481 Um... Guys, this is a teardown. 1587 01:04:07,514 --> 01:04:09,583 Um, can we get this up? Can we see what's under here? 1588 01:04:09,616 --> 01:04:11,284 Yeah, we're gonna tear the... 1589 01:04:11,318 --> 01:04:12,719 TROY: Maybe don't. Maybe... Tear this up. 1590 01:04:12,753 --> 01:04:14,922 Let's see what's under here. TROY: Do we need to do this? 1591 01:04:14,956 --> 01:04:16,323 Let's talk this out first. 1592 01:04:16,356 --> 01:04:17,524 I don't think we need to do that. 1593 01:04:17,557 --> 01:04:18,826 Sorry, we're in the middle of rehearsal. 1594 01:04:18,860 --> 01:04:21,161 Hi. We're in the middle of something too. Hi. 1595 01:04:21,194 --> 01:04:22,964 Troy, what's going on? 1596 01:04:22,997 --> 01:04:24,197 No, it... Everything's fine, guys. 1597 01:04:24,231 --> 01:04:26,034 Everything is gonna be okay. 1598 01:04:26,067 --> 01:04:28,168 It doesn't look okay. ALICE: No, it's not. 1599 01:04:28,201 --> 01:04:29,436 No, it's not. What are they doing? 1600 01:04:29,469 --> 01:04:32,040 Listen, I know this place meant a lot to you. 1601 01:04:32,073 --> 01:04:33,507 But I do hope you'll consider 1602 01:04:33,540 --> 01:04:36,077 joining the Lakeside family next summer. 1603 01:04:36,110 --> 01:04:37,310 ALICE: No. 1604 01:04:37,344 --> 01:04:39,080 What does that mean? Not happening, lady. 1605 01:04:39,113 --> 01:04:41,149 Troy, you sold the camp to Lakeside? 1606 01:04:41,181 --> 01:04:42,850 It's more of a partnership. 1607 01:04:42,884 --> 01:04:45,652 Demolition is next week. Just stop. Please, stop. 1608 01:04:45,686 --> 01:04:46,520 Next week? Tell them... 1609 01:04:46,553 --> 01:04:47,955 CHRISTOPHER L: Can she be gone now? 1610 01:04:47,989 --> 01:04:50,992 Please. Nobody wants you here. 1611 01:04:51,025 --> 01:04:52,160 CHRISTOPHER S: Get her and her 1612 01:04:52,225 --> 01:04:54,028 knockoff Chanel bag out of here. 1613 01:04:54,062 --> 01:04:55,863 TROY: It will be okay. 1614 01:04:58,231 --> 01:05:00,701 (JAZZ MUSIC PLAYING) 1615 01:05:40,808 --> 01:05:43,111 CLIVE: Cheer up, kids. 1616 01:05:43,144 --> 01:05:44,912 (JAZZ MUSIC PLAYING OVER SPEAKERS) 1617 01:05:51,585 --> 01:05:52,954 MACKENZIE: This is like, my first time sneaking out. 1618 01:05:52,987 --> 01:05:54,155 SEBASTIAN: Shh! Guys. 1619 01:05:54,188 --> 01:05:55,455 ALICE: Shush! 1620 01:05:55,489 --> 01:05:57,091 DARLA: I know we're all scared right now 1621 01:05:57,125 --> 01:05:58,458 and we don't know if the show's happening. 1622 01:05:58,492 --> 01:06:00,061 I heard that the Lakeside kids 1623 01:06:00,094 --> 01:06:01,428 get to be in all the shows now, too. 1624 01:06:01,461 --> 01:06:04,098 Lainy told me that Troy smokes drugs. 1625 01:06:04,132 --> 01:06:05,900 I heard, that they're cutting all of the tone-deaf kids. 1626 01:06:05,933 --> 01:06:07,034 SEBASTIAN: Hey, guys. 1627 01:06:07,068 --> 01:06:08,936 Rumors are rumors. 1628 01:06:08,970 --> 01:06:11,638 This could be our last week here. Maybe ever. 1629 01:06:11,671 --> 01:06:14,041 So let's make our mark while we can. 1630 01:06:14,075 --> 01:06:15,509 We don't know what's gonna happen. 1631 01:06:15,542 --> 01:06:17,444 But as Joan always says, 1632 01:06:17,477 --> 01:06:19,113 summers come and go. 1633 01:06:19,147 --> 01:06:21,581 But what happens on this stage, 1634 01:06:22,415 --> 01:06:23,818 that's eternal. 1635 01:06:36,197 --> 01:06:37,330 Jesus. 1636 01:06:37,364 --> 01:06:39,399 Hey, sorry to bother you, 1637 01:06:39,432 --> 01:06:41,434 but are we planning on rehearsing later? 1638 01:06:41,468 --> 01:06:43,370 Let's see. Our composer has deserted us 1639 01:06:43,403 --> 01:06:46,140 and I refuse to tell a slapdash, 1640 01:06:46,174 --> 01:06:47,909 trainwreck version of Joan's story, 1641 01:06:47,942 --> 01:06:49,409 so, no. 1642 01:06:49,442 --> 01:06:50,777 The show is dead in the water. 1643 01:06:50,812 --> 01:06:54,115 Okay, well, I have this Zoom director's session 1644 01:06:54,148 --> 01:06:55,715 for a movie about a pregnant gymnast. 1645 01:06:55,749 --> 01:06:58,318 They're already filming, and someone dropped out. 1646 01:06:58,351 --> 01:07:00,054 And I was wondering if you could help me? 1647 01:07:01,088 --> 01:07:02,824 I... 1648 01:07:02,857 --> 01:07:05,358 I can't stomach industry sides right now. 1649 01:07:05,392 --> 01:07:07,794 So just let me hang my shirts in peace. 1650 01:07:12,465 --> 01:07:15,970 I could really use your help with the characterization. 1651 01:07:19,173 --> 01:07:20,707 What are the character's allergies? 1652 01:07:21,142 --> 01:07:22,243 What? 1653 01:07:22,276 --> 01:07:23,710 Oh, God, we have a lot of work to do. 1654 01:07:23,743 --> 01:07:25,612 Let's get a notebook, and let's start taking some notes. 1655 01:07:26,580 --> 01:07:27,681 Wow, "one of," I'd love to know 1656 01:07:27,714 --> 01:07:29,050 who these other teachers are. 1657 01:07:33,453 --> 01:07:35,355 (LIVELY MUSIC PLAYING) 1658 01:07:35,388 --> 01:07:36,924 (INDISTINCT CONVERSATION) 1659 01:07:37,524 --> 01:07:38,725 DEVON'S DAD: Here he comes. 1660 01:07:39,126 --> 01:07:40,895 Hi, baby! 1661 01:07:40,928 --> 01:07:42,362 (DEVON'S DAD CHUCKLES) 1662 01:07:42,395 --> 01:07:43,463 DEVON: Hey, Dads. 1663 01:07:43,496 --> 01:07:45,099 DEVON'S DAD: Oh, God, I missed you. 1664 01:07:45,132 --> 01:07:46,934 (INDISTINCT CONVERSATION) 1665 01:07:49,636 --> 01:07:53,373 (KNOCK AT DOOR) TROY: My guy, massive news. 1666 01:07:53,406 --> 01:07:55,009 I think I figured out how to save the camp. 1667 01:07:55,042 --> 01:07:56,210 How? 1668 01:07:56,244 --> 01:07:57,744 So I was going over the Barnswell deal that I signed, 1669 01:07:57,777 --> 01:07:59,646 like all last night and this morning 1670 01:07:59,679 --> 01:08:02,917 and I noticed they only take possession of the camp 1671 01:08:02,950 --> 01:08:05,019 if the bank forecloses. 1672 01:08:05,052 --> 01:08:07,922 Caroline just assumed that we would fail. But the truth is 1673 01:08:07,955 --> 01:08:10,825 we still can come up with the money to hold off the bank. 1674 01:08:10,858 --> 01:08:13,060 And how do you expect us to find this money, Troy? 1675 01:08:13,094 --> 01:08:16,230 That is where the en-Troy-preneurship comes in. 1676 01:08:16,264 --> 01:08:17,932 Right. I sent out an email blast 1677 01:08:17,965 --> 01:08:19,166 to my ride or dies, 1678 01:08:19,200 --> 01:08:20,400 the Founding Ballers, 1679 01:08:20,433 --> 01:08:22,169 and I invited them to the show. 1680 01:08:22,203 --> 01:08:23,637 Right? These guys are like 1681 01:08:23,670 --> 01:08:26,173 primo business influencers, Glenn. 1682 01:08:26,207 --> 01:08:27,375 So if they come here, 1683 01:08:27,407 --> 01:08:29,476 and they see our little freaky-deakies 1684 01:08:29,509 --> 01:08:32,179 in action, crushing Joan, Still, 1685 01:08:32,213 --> 01:08:33,413 they'll have to invest. 1686 01:08:33,446 --> 01:08:34,648 They'll be emptying their pockets. 1687 01:08:34,681 --> 01:08:37,784 Yeah, no, they sound, uh, extremely legit. 1688 01:08:37,818 --> 01:08:39,020 Yeah. 1689 01:08:39,053 --> 01:08:40,821 Um, and I think it's nice that you wanna do this for the camp 1690 01:08:40,855 --> 01:08:42,489 and for your mom, 1691 01:08:42,522 --> 01:08:45,458 but we don't have any creative visionaries left. Okay? 1692 01:08:45,492 --> 01:08:47,128 What are you talking about? Yes, we do. 1693 01:08:48,396 --> 01:08:49,663 We have you, Glenn. 1694 01:08:50,965 --> 01:08:52,066 Show everyone how much 1695 01:08:52,099 --> 01:08:53,533 they've been underestimating you. 1696 01:08:54,001 --> 01:08:55,136 Finish the job. 1697 01:08:55,169 --> 01:08:57,504 CHILDREN: Yes! SEBASTIAN: Totally, Glenn. Come on, Glenn. 1698 01:08:57,537 --> 01:08:58,839 Glenn, you got this. 1699 01:08:58,873 --> 01:09:00,308 Come on, Glenn. 1700 01:09:00,341 --> 01:09:01,775 What do you say, man? 1701 01:09:10,051 --> 01:09:11,551 (LIVELY MUSIC CONTINUES) 1702 01:09:18,725 --> 01:09:20,560 What's up, my little dollar ballers? 1703 01:09:20,593 --> 01:09:21,695 It's your boy Salem here 1704 01:09:21,728 --> 01:09:24,131 with my other Founding Ballers out here. 1705 01:09:24,165 --> 01:09:25,333 And we're out here checking 1706 01:09:25,366 --> 01:09:27,034 on a potential investment opportunity. 1707 01:09:27,068 --> 01:09:29,703 Things are a little crazy, and your boy, Salem... 1708 01:09:29,736 --> 01:09:31,339 I'm feeling a little volatile. 1709 01:09:31,372 --> 01:09:32,672 So I'm gonna take a chance, 1710 01:09:32,706 --> 01:09:34,442 and we're gonna see some little kids... 1711 01:09:34,474 --> 01:09:35,642 Ballers. Wow, the whole squad. What's up, Salem? 1712 01:09:35,675 --> 01:09:36,844 Given the current ecosystem of the crypto... 1713 01:09:36,877 --> 01:09:38,346 Yeah, give me a second here. Yeah, I'm just gonna 1714 01:09:38,379 --> 01:09:39,413 finish this one quick. Yeah, yeah, totally. 1715 01:09:39,447 --> 01:09:41,015 What's bussin'? What's bussin'? 1716 01:09:41,048 --> 01:09:42,283 Hey. What's bussin', guys? 1717 01:09:42,316 --> 01:09:43,351 I can't believe you guys came. 1718 01:09:43,384 --> 01:09:44,584 Yeah, man. Thanks for having us. 1719 01:09:44,617 --> 01:09:46,020 I've seen like every vlog. Oh, yeah? Yeah. Yeah. 1720 01:09:46,053 --> 01:09:47,554 I got your merch. I have that shirt. 1721 01:09:48,422 --> 01:09:49,924 (INDISTINCT CHATTER) 1722 01:09:49,957 --> 01:09:52,460 TROY: I just wanna say thank you all for all your hard work 1723 01:09:52,525 --> 01:09:53,660 in the last 24 hours. 1724 01:09:53,693 --> 01:09:56,063 I look around and I see a lot of prepared faces. 1725 01:09:56,097 --> 01:09:58,299 I'd say no pressure, but... 1726 01:09:58,332 --> 01:10:00,001 it's a little bit of pressure. 1727 01:10:00,034 --> 01:10:02,602 You know? Gigi, you got anything? 1728 01:10:02,635 --> 01:10:04,738 Um, I would like to say that I was very angry 1729 01:10:04,771 --> 01:10:06,673 with you guys a couple hours ago. 1730 01:10:06,706 --> 01:10:08,608 Uh, but I'm over it. 1731 01:10:08,641 --> 01:10:10,011 All right, guys. Put your hands in. Come on. 1732 01:10:10,044 --> 01:10:12,947 One, two, three! ALL: Joan, Still! 1733 01:10:12,980 --> 01:10:14,982 (ALL CHEERING) 1734 01:10:16,017 --> 01:10:17,018 BOY: Let's do this! 1735 01:10:19,987 --> 01:10:22,423 Sorry. Uh, can someone just tell me 1736 01:10:22,456 --> 01:10:24,724 like, the status on this woman? 1737 01:10:24,758 --> 01:10:27,194 Is she alive or dead? 1738 01:10:30,931 --> 01:10:31,932 You're a liar. 1739 01:10:35,403 --> 01:10:36,603 Excuse me? 1740 01:10:37,271 --> 01:10:38,272 A very good one. 1741 01:10:39,807 --> 01:10:42,209 I think you'd make a fantastic agent. 1742 01:10:42,243 --> 01:10:44,311 I'm trying to get my company off the ground. 1743 01:10:44,945 --> 01:10:46,113 Think about it. 1744 01:10:47,248 --> 01:10:48,249 I'm always here. 1745 01:10:51,352 --> 01:10:52,552 Excuse me. 1746 01:10:59,659 --> 01:11:01,929 (INTRIGUING MUSIC PLAYING) 1747 01:11:06,400 --> 01:11:08,169 (FRANTIC MUSIC PLAYING) 1748 01:11:09,837 --> 01:11:12,672 AMOS: Kids. Kids, have you seen Darla? Darla anywhere? 1749 01:11:15,309 --> 01:11:16,343 Darla! 1750 01:11:17,011 --> 01:11:18,012 Darla! 1751 01:11:20,780 --> 01:11:22,049 Darla, you have to go on. 1752 01:11:22,083 --> 01:11:23,716 (PANTING) You see what they're doing? 1753 01:11:23,750 --> 01:11:25,086 They're ruining our show. 1754 01:11:25,119 --> 01:11:26,420 Why are you leaving? 1755 01:11:26,454 --> 01:11:28,255 I'm sorry. I'm sorry, Amos, okay? 1756 01:11:29,023 --> 01:11:30,925 You must be Amos. 1757 01:11:30,958 --> 01:11:33,760 Oh, my granddaughter has had 1758 01:11:33,793 --> 01:11:35,996 the best time with you this summer. 1759 01:11:36,030 --> 01:11:38,399 We have got the most gushing letters. 1760 01:11:38,432 --> 01:11:41,035 Well, she said you were a little tough on her, but... 1761 01:11:41,068 --> 01:11:42,970 her craft has never been better. 1762 01:11:43,504 --> 01:11:44,572 Oh, um... 1763 01:11:44,604 --> 01:11:46,006 Hurry up and say your goodbyes, honey. 1764 01:11:46,040 --> 01:11:48,075 Quickly, because we don't wanna catch traffic. (KISSES) 1765 01:11:53,646 --> 01:11:55,516 You always told me that I needed 1766 01:11:55,549 --> 01:11:57,485 to open myself up to character roles, 1767 01:11:57,518 --> 01:12:00,254 that ingenue isn't everything. 1768 01:12:01,021 --> 01:12:04,291 I listened, and I booked the job. 1769 01:12:17,704 --> 01:12:19,273 Maybe I'll see you next summer. 1770 01:12:30,783 --> 01:12:32,052 (ENGINE STARTS) 1771 01:12:36,924 --> 01:12:39,560 Good evening, AdirondACTS. 1772 01:12:39,593 --> 01:12:41,362 (AUDIENCE CHEERING) 1773 01:12:43,497 --> 01:12:46,333 Special shout-out to my crew, Founding Ballers. 1774 01:12:46,367 --> 01:12:47,601 Thanks for coming out. 1775 01:12:47,635 --> 01:12:49,802 As most of you know, 1776 01:12:49,837 --> 01:12:51,305 my name is Troy, 1777 01:12:51,338 --> 01:12:55,276 and I've been blessed with having an amazing mother. 1778 01:12:55,309 --> 01:12:56,844 A woman... Oh, my God. 1779 01:12:56,877 --> 01:12:58,479 ...all of you know and love. 1780 01:12:58,512 --> 01:13:02,316 Unfortunately, she is unable to be with us tonight. 1781 01:13:03,150 --> 01:13:04,751 So we've decided 1782 01:13:04,784 --> 01:13:07,955 to bring the show to her via a live feed. 1783 01:13:07,988 --> 01:13:10,057 Give it up for Joan! 1784 01:13:17,764 --> 01:13:19,799 She really looks good. 1785 01:13:19,833 --> 01:13:21,302 I think she's lost weight. 1786 01:13:21,734 --> 01:13:23,204 I think so, too. 1787 01:13:23,237 --> 01:13:25,506 Our kids have worked their little butts off all summer 1788 01:13:25,539 --> 01:13:29,076 to do my mom's story justice and to hopefully bring you 1789 01:13:29,109 --> 01:13:31,812 the best night of your lives. Are you ready? 1790 01:13:31,845 --> 01:13:33,847 (ALL CHEERING) 1791 01:13:33,881 --> 01:13:35,516 This one's for you, Mom. 1792 01:13:35,549 --> 01:13:38,986 Let's blow the roof off that ICU! 1793 01:13:42,923 --> 01:13:46,460 CHORUS: ♪ Joan then 1794 01:13:46,493 --> 01:13:49,830 ♪ Joan now 1795 01:13:49,863 --> 01:13:53,334 ♪ Joan does 1796 01:13:53,367 --> 01:13:56,637 ♪ Somehow 1797 01:13:56,670 --> 01:13:59,306 Troy, it's me. Troy, it's me. 1798 01:13:59,340 --> 01:14:01,208 You know, I don't think this show is gonna work out. 1799 01:14:01,242 --> 01:14:02,775 Shh. ♪ Joan will 1800 01:14:02,810 --> 01:14:04,111 Shh. Are you playing a game? 1801 01:14:04,144 --> 01:14:07,248 ♪ Joan can 1802 01:14:07,281 --> 01:14:12,820 ♪ Joan still ♪ 1803 01:14:12,853 --> 01:14:14,288 Tonight we take you to the start 1804 01:14:14,321 --> 01:14:16,624 of our great founder's beating heart. 1805 01:14:16,657 --> 01:14:18,626 Our tale begins in '63. 1806 01:14:18,659 --> 01:14:20,894 A young girl and her father flee. 1807 01:14:20,928 --> 01:14:23,564 Though planes could fly and girls could vote, 1808 01:14:23,597 --> 01:14:25,933 for some reason, they took a boat. 1809 01:14:30,004 --> 01:14:32,606 CHORUS: ♪ America 1810 01:14:32,640 --> 01:14:35,142 ♪ America 1811 01:14:35,175 --> 01:14:37,845 ♪ We're sailing to America 1812 01:14:37,878 --> 01:14:42,116 ♪ In 1963 ♪ 1813 01:14:43,550 --> 01:14:45,686 Oh, my little Joan, come. 1814 01:14:45,719 --> 01:14:47,421 Look at the horizon. 1815 01:14:47,454 --> 01:14:50,658 Think of all the possibilities that await you. 1816 01:14:50,691 --> 01:14:53,527 ♪ In America 1817 01:14:53,560 --> 01:14:55,496 ♪ Enlightened nation 1818 01:14:55,529 --> 01:14:59,099 ♪ Where even women get education 1819 01:14:59,133 --> 01:15:02,069 ♪ From clean to cook Every skill you need 1820 01:15:02,102 --> 01:15:04,571 ♪ Don't fret I'll tell the recipes 1821 01:15:04,605 --> 01:15:06,106 ♪ 'Cause women cannot read 1822 01:15:06,140 --> 01:15:08,542 ♪ Hey! Women cannot read 1823 01:15:08,575 --> 01:15:10,377 ♪ Women cannot read 1824 01:15:10,411 --> 01:15:13,447 ♪ A, B, C, D, she don't know 'Cause women cannot read 1825 01:15:13,480 --> 01:15:14,815 MACKENZIE: ♪ Okay, I know there's something better 1826 01:15:14,848 --> 01:15:16,183 DEVON: ♪ America 1827 01:15:16,216 --> 01:15:17,151 MACKENZIE: ♪ Than to cook and do the cleaning 1828 01:15:17,184 --> 01:15:18,619 DEVON: ♪ Enlightened nation 1829 01:15:18,652 --> 01:15:20,287 ♪ But I look at every letter ♪ Where even women 1830 01:15:20,321 --> 01:15:21,722 ♪ And I wanna know its meaning ♪ Get education 1831 01:15:21,755 --> 01:15:22,856 ♪ I'm wrestling with these words 1832 01:15:22,890 --> 01:15:24,024 DEVON: ♪ From clean to cook 1833 01:15:24,058 --> 01:15:25,092 ♪ And I'm an inch away from knowing 1834 01:15:25,125 --> 01:15:26,260 DEVON: ♪ Every skill you need 1835 01:15:26,293 --> 01:15:27,661 ♪ My eyes are moving back and forth 1836 01:15:27,695 --> 01:15:30,931 ♪ The sense of it is growing 1837 01:15:31,732 --> 01:15:34,068 (STUTTERS) 1838 01:15:34,101 --> 01:15:37,905 Jifka was shot! (CHORUS GASP) 1839 01:15:37,938 --> 01:15:39,039 CHORUS: ♪ Maybe she can read 1840 01:15:39,073 --> 01:15:41,008 ♪ No way! ♪ Maybe she can read 1841 01:15:41,041 --> 01:15:43,444 DEVON: ♪ That's luck A, B, C, D, she can't know! 1842 01:15:43,477 --> 01:15:45,612 CHORUS: ♪ Or maybe she can read!♪ 1843 01:15:45,646 --> 01:15:47,748 (AUDIENCE CLAPPING IN DISTANCE) 1844 01:15:47,781 --> 01:15:49,216 So Joan ended the affair 1845 01:15:49,249 --> 01:15:50,918 with her astrology professor 1846 01:15:50,951 --> 01:15:51,985 and she used her diploma 1847 01:15:52,019 --> 01:15:53,187 to get a job as a mailroom clerk 1848 01:15:53,220 --> 01:15:55,923 at the New York Stock Exchange. 1849 01:15:55,956 --> 01:15:58,759 (INDISTINCT, OVERLAPPING CHATTER) 1850 01:15:58,792 --> 01:15:59,893 SEBASTIAN: If I'm not making money, 1851 01:15:59,927 --> 01:16:01,028 then I'm losing money. 1852 01:16:01,061 --> 01:16:03,397 If I'm losing money, you're losing your job 1853 01:16:03,430 --> 01:16:04,631 and you're all fired! 1854 01:16:07,067 --> 01:16:08,869 ♪ From my corner in the mailroom 1855 01:16:08,902 --> 01:16:10,104 ♪ Under the ground I hear 1856 01:16:10,137 --> 01:16:11,472 CHORUS: ♪ The Wall Street noise! 1857 01:16:11,505 --> 01:16:13,640 ♪ It's a beautiful sound Sorting letters, getting older 1858 01:16:13,674 --> 01:16:16,710 ♪ Makin' minimum pay While the brokers get richer 1859 01:16:16,744 --> 01:16:18,379 ♪ I could listen all day 1860 01:16:18,412 --> 01:16:21,115 ♪ When you buy It's the feeling Of a-jumpin' to the ceiling 1861 01:16:21,148 --> 01:16:23,884 CHORUS: ♪ Buy the stock Buy the stock 1862 01:16:23,917 --> 01:16:24,952 ♪ Buy the stock 1863 01:16:24,985 --> 01:16:26,220 Then martini time, boys 1864 01:16:26,253 --> 01:16:29,690 ♪ Will I ever be part of the Wall Street noise? 1865 01:16:29,723 --> 01:16:31,692 (BROADWAY MUSIC PLAYING) 1866 01:16:31,725 --> 01:16:33,160 ♪ It's a shimmy in the shoulders 1867 01:16:33,193 --> 01:16:34,795 ♪ When you talk to the shareholders 1868 01:16:34,829 --> 01:16:37,097 ♪ Guiltless greed is one of life's great joys 1869 01:16:37,131 --> 01:16:40,367 ♪ Maybe someday I'll stomp In the Wall Street 1870 01:16:40,401 --> 01:16:43,203 ♪ Noise 1871 01:16:44,438 --> 01:16:47,441 They messed up one little turn, but it's okay. 1872 01:16:47,474 --> 01:16:48,308 I didn't see it. 1873 01:16:48,342 --> 01:16:49,443 I think we should just move forward. 1874 01:16:49,476 --> 01:16:50,944 ♪ Sell the stocks Shareholders buy 1875 01:16:50,978 --> 01:16:52,045 ♪ Sell the stocks Shareholders buy 1876 01:16:52,079 --> 01:16:53,514 ♪ Buy, sell, stock 1877 01:16:53,547 --> 01:16:55,884 And as Joan rose through the ranks of the company 1878 01:16:55,916 --> 01:16:58,552 and her profits grew and grew, 1879 01:16:58,585 --> 01:17:00,988 so did she! 1880 01:17:02,556 --> 01:17:04,158 (SCATTERED CLAPPING) 1881 01:17:10,631 --> 01:17:12,132 Is that the tech guy? 1882 01:17:13,868 --> 01:17:16,503 Somebody get me portfolios on line four. 1883 01:17:17,906 --> 01:17:20,140 I'll be in my corner office. 1884 01:17:20,174 --> 01:17:22,409 Sure thing, boss. Let's do this. 1885 01:17:22,443 --> 01:17:24,044 ♪ You do this You do that 1886 01:17:24,077 --> 01:17:25,914 ♪ Fix that graph and get me stats 1887 01:17:25,946 --> 01:17:28,917 CHORUS: ♪ She's a stock broker Deep down and dirty dealing 1888 01:17:28,949 --> 01:17:30,451 ♪ Got the checks Got the cash 1889 01:17:30,484 --> 01:17:32,219 ♪ And I'm smashing that glass ceiling 1890 01:17:32,252 --> 01:17:34,021 CHORUS: ♪ Now she's part of this sound 1891 01:17:34,054 --> 01:17:35,622 ♪ And I found my voice 1892 01:17:35,656 --> 01:17:37,724 CHORUS: ♪ As she's making people millions 1893 01:17:37,758 --> 01:17:39,259 ♪ Screwing innocent civilians 1894 01:17:39,293 --> 01:17:42,129 ♪ With her fab flap and brilliance In the Wall Street 1895 01:17:43,430 --> 01:17:44,431 ♪ Noise! ♪ 1896 01:17:44,965 --> 01:17:46,500 (AUDIENCE CHEERING) 1897 01:17:55,108 --> 01:17:57,277 (DISCO MUSIC PLAYING) 1898 01:17:59,079 --> 01:18:01,048 CHORUS: ♪ Studio 54! 1899 01:18:01,081 --> 01:18:03,016 ♪ Dark room Bright lights 1900 01:18:03,050 --> 01:18:04,953 ♪ Debbie Harry wearing tights 1901 01:18:04,985 --> 01:18:06,987 CHORUS: ♪ Stiff drink High heels 1902 01:18:07,020 --> 01:18:08,689 ♪ David Geffen doing deals 1903 01:18:08,722 --> 01:18:12,659 CHORUS: ♪ Lovers and strangers and big chandeliers 1904 01:18:12,693 --> 01:18:14,695 ♪ Got no home to go to 1905 01:18:14,728 --> 01:18:16,563 ♪ So I'm staying here 1906 01:18:16,597 --> 01:18:18,933 CHORUS: ♪ Live it up ♪ Like there's no tomorrow 1907 01:18:18,967 --> 01:18:21,301 CHORUS: ♪ Tomorrow, give it up 1908 01:18:21,335 --> 01:18:22,769 GLENN: ♪ To the groovy 1909 01:18:22,803 --> 01:18:24,705 CHORUS: ♪ Disco glittery light Disco glittery light 1910 01:18:24,738 --> 01:18:25,840 CHORUS: ♪ Live it up 1911 01:18:25,874 --> 01:18:28,877 ♪ 'Cause if there's no tomorrow 1912 01:18:28,910 --> 01:18:30,244 ♪ Nothing matters to me 1913 01:18:30,277 --> 01:18:33,247 ♪ So get lost inside the boogie tonight 1914 01:18:35,549 --> 01:18:36,818 And cue cocaine. 1915 01:18:36,851 --> 01:18:37,919 CHORUS: ♪ Live it up 1916 01:18:37,952 --> 01:18:40,020 ♪ Don't you have school tomorrow? 1917 01:18:40,053 --> 01:18:41,255 CHORUS: ♪ Give it up 1918 01:18:41,288 --> 01:18:43,490 ♪ Suddenly, the disco doesn't feel right 1919 01:18:43,524 --> 01:18:47,060 CHORUS: ♪ Clears away The troubles and the sorrow 1920 01:18:47,094 --> 01:18:48,195 ♪ Someone's gotta save ya 1921 01:18:48,228 --> 01:18:50,497 ♪ From degenerate behavior tonight 1922 01:18:50,531 --> 01:18:52,666 Quick. Give me your hand, little girl. 1923 01:18:52,699 --> 01:18:53,868 I'll save you. 1924 01:18:53,902 --> 01:18:55,102 I'm an artiste, 1925 01:18:55,135 --> 01:18:57,170 and artistes don't need saving. 1926 01:18:57,204 --> 01:19:00,808 Sometimes they do! 1927 01:19:04,846 --> 01:19:06,747 Wow, Joan. You were right. 1928 01:19:06,780 --> 01:19:09,116 I guess I did need your help. 1929 01:19:09,149 --> 01:19:11,051 Have you ever considered becoming... 1930 01:19:11,853 --> 01:19:13,353 a teacher? 1931 01:19:15,055 --> 01:19:19,626 GLENN: ♪ I'll make it through tomorrow 1932 01:19:19,660 --> 01:19:23,096 ♪ Only gonna have three cocktails a week 1933 01:19:24,231 --> 01:19:27,734 ♪ I'll quit my job tomorrow 1934 01:19:28,468 --> 01:19:32,040 ♪ These children matter to me 1935 01:19:32,072 --> 01:19:36,010 ♪ So I'll apply to SUNY 1936 01:19:36,044 --> 01:19:40,547 ♪ Tonight ♪ 1937 01:19:41,114 --> 01:19:42,382 Jesus, he's good. 1938 01:19:43,250 --> 01:19:46,353 ♪ Thought my dreaming was done 1939 01:19:46,386 --> 01:19:49,222 ♪ All I needed was one 1940 01:19:49,256 --> 01:19:53,760 ♪ Revelation to show me my boy 1941 01:19:53,794 --> 01:19:55,029 (WHISPERING) That kid's good. 1942 01:19:55,063 --> 01:19:56,263 I'm gonna make him a star. 1943 01:19:56,296 --> 01:19:58,066 I was actually just thinking the same thing. 1944 01:19:58,098 --> 01:20:02,937 GLENN: ♪ Now I offer this sun Salutation 1945 01:20:02,971 --> 01:20:05,405 ♪ Hello to my Troy ♪ 1946 01:20:05,439 --> 01:20:07,942 ♪ I will build this theatrical place 1947 01:20:07,976 --> 01:20:09,176 Hey. 1948 01:20:09,844 --> 01:20:12,179 Hey, do you like this? 1949 01:20:12,212 --> 01:20:14,348 I'm over here, I'm like... (SNORES, CHUCKLES) 1950 01:20:15,782 --> 01:20:17,117 CHRISTOPHER S: And finally, 1951 01:20:17,150 --> 01:20:19,821 after selling her father's beloved pierogi recipe 1952 01:20:19,854 --> 01:20:21,188 for a small fortune, 1953 01:20:21,221 --> 01:20:23,523 Joan purchased a beautiful plot of land 1954 01:20:23,557 --> 01:20:26,393 located right in the middle of the Adirondack Mountains. 1955 01:20:29,931 --> 01:20:33,166 This land is beautiful. 1956 01:20:33,200 --> 01:20:36,570 And the stage could go here. 1957 01:20:36,603 --> 01:20:39,874 And all the children looking for somewhere to belong. 1958 01:20:40,674 --> 01:20:42,810 I can almost see them. 1959 01:20:44,511 --> 01:20:48,082 ♪ A girl with an open Snapple 1960 01:20:48,116 --> 01:20:51,418 ♪ A boy who's looking down 1961 01:20:51,451 --> 01:20:54,956 ♪ The faces and the memories 1962 01:20:54,989 --> 01:20:59,326 ♪ That we have from right now 1963 01:20:59,359 --> 01:21:02,629 ♪ Raise a glass for everyone 1964 01:21:02,663 --> 01:21:06,400 ♪ That will come through these halls 1965 01:21:06,433 --> 01:21:09,003 ♪ But in the glass isn't alcohol 1966 01:21:09,037 --> 01:21:11,471 ♪ It's something more profound 1967 01:21:11,505 --> 01:21:13,206 ♪ And the halls aren't halls at all 1968 01:21:13,240 --> 01:21:15,076 ♪ Of course, they're trees 1969 01:21:15,109 --> 01:21:16,376 ♪ And lakes 1970 01:21:16,777 --> 01:21:21,115 ♪ And birds 1971 01:21:21,149 --> 01:21:23,084 CHORUS: ♪ We all fly 1972 01:21:23,117 --> 01:21:27,688 ♪ To find a place we can belong 1973 01:21:27,721 --> 01:21:29,256 ♪ We all fly 1974 01:21:29,289 --> 01:21:34,327 ♪ To find a place we can call home 1975 01:21:35,696 --> 01:21:38,532 ♪ Camp isn't home 1976 01:21:39,934 --> 01:21:43,137 ♪ But is it kind of? 1977 01:21:43,171 --> 01:21:45,305 ♪ Kind of it is 1978 01:21:45,338 --> 01:21:48,475 ♪ I think it kind of is 1979 01:21:48,508 --> 01:21:51,278 BOTH: ♪ Camp isn't home 1980 01:21:52,779 --> 01:21:55,883 ♪ But is it kind of? 1981 01:21:55,917 --> 01:22:00,520 ♪ I think it kind of is 1982 01:22:01,755 --> 01:22:05,258 ♪ Where every kid picked last in gym 1983 01:22:05,292 --> 01:22:07,794 ♪ Finally makes the team 1984 01:22:07,829 --> 01:22:10,731 BOTH: ♪ Where square pegs find their holes 1985 01:22:10,764 --> 01:22:13,734 ♪ And outcasts find their dreams 1986 01:22:13,767 --> 01:22:16,938 BOTH: ♪ It's a melting pot for belting girls 1987 01:22:16,971 --> 01:22:19,639 ♪ And boys in tiny shorts 1988 01:22:19,673 --> 01:22:22,275 CHORUS: ♪ Come to find forever friendships 1989 01:22:22,309 --> 01:22:25,312 ♪ Just four hours from New York 1990 01:22:25,345 --> 01:22:26,646 ♪ We all fly 1991 01:22:26,680 --> 01:22:31,085 ♪ To find a place we can belong 1992 01:22:31,119 --> 01:22:32,519 ♪ We all fly 1993 01:22:32,552 --> 01:22:37,624 ♪ To find a place we can call home 1994 01:22:37,657 --> 01:22:39,861 ♪ A place we can call Joan 1995 01:22:39,894 --> 01:22:42,329 ♪ Camp isn't home 1996 01:22:43,430 --> 01:22:46,767 ♪ But is it kind of? 1997 01:22:46,800 --> 01:22:48,568 ♪ Kind of it is 1998 01:22:48,602 --> 01:22:51,738 ♪ I think it kind of is It kind of is 1999 01:22:51,772 --> 01:22:53,406 ♪ Camp isn't home 2000 01:22:53,440 --> 01:22:55,475 ♪ Camp isn't home 2001 01:22:55,509 --> 01:22:58,311 ♪ But is it kind of? 2002 01:22:58,345 --> 01:23:02,716 ♪ I think it kind of is 2003 01:23:03,985 --> 01:23:07,354 ♪ We all fly 2004 01:23:07,387 --> 01:23:09,456 Camp taught me that my words are powerful. 2005 01:23:09,489 --> 01:23:11,658 Without camp, I would've never known 2006 01:23:11,691 --> 01:23:13,727 I could sing a high F above middle C. 2007 01:23:14,427 --> 01:23:15,662 At camp, I learned that 2008 01:23:15,695 --> 01:23:17,198 you don't have to be pretty to be talented. 2009 01:23:17,231 --> 01:23:18,465 It's just a bonus. 2010 01:23:20,500 --> 01:23:21,568 (WHISPERING) I'm sorry. 2011 01:23:21,601 --> 01:23:23,770 I'm sorry. You finished the song. 2012 01:23:24,371 --> 01:23:25,873 It's so beautiful. 2013 01:23:25,907 --> 01:23:27,641 I did it for you. 2014 01:23:27,674 --> 01:23:30,410 You should do whatever you wanna do 2015 01:23:30,443 --> 01:23:31,979 and pursue your dreams, okay? 2016 01:23:32,546 --> 01:23:33,815 I'm going to stay here. 2017 01:23:33,848 --> 01:23:36,650 If there is a here, I belong here. 2018 01:23:36,683 --> 01:23:38,418 Well, I'll come back all the time. 2019 01:23:38,451 --> 01:23:39,619 Promise? I promise. 2020 01:23:39,653 --> 01:23:41,454 You're not getting rid of me. 2021 01:23:41,488 --> 01:23:43,224 At camp, I learned to live in my truth 2022 01:23:43,257 --> 01:23:44,758 as a heterosexual man. 2023 01:23:46,160 --> 01:23:47,460 We knew. (SOBBING) 2024 01:23:47,494 --> 01:23:49,596 We always knew, buddy. Good job. 2025 01:23:50,430 --> 01:23:51,631 Glenn is amazing. 2026 01:23:51,665 --> 01:23:53,167 Glenn is so good, it makes me upset. 2027 01:23:53,201 --> 01:23:55,236 It's insane. It makes me upset. 2028 01:23:55,269 --> 01:23:57,337 (VOCALIZING) 2029 01:23:57,370 --> 01:23:59,673 CHORUS: ♪ We all fly 2030 01:24:02,642 --> 01:24:04,678 ♪ Camp isn't home Camp isn't home 2031 01:24:06,746 --> 01:24:11,618 ♪ But is it kind of? Kind of it is 2032 01:24:11,651 --> 01:24:14,421 ♪ I think it kind of is 2033 01:24:14,454 --> 01:24:18,125 ♪ Camp isn't home 2034 01:24:18,159 --> 01:24:24,664 ♪ But is it kind of? I think it kind of is 2035 01:24:26,433 --> 01:24:30,470 ♪ Camp isn't home But is it kind of? 2036 01:24:30,503 --> 01:24:35,309 ♪ Kind of it is I think it kind of is 2037 01:24:35,343 --> 01:24:37,111 ♪ Camp isn't home 2038 01:24:39,313 --> 01:24:42,083 ♪ But is it kind of? 2039 01:24:42,116 --> 01:24:46,553 ♪ I think it kind of is 2040 01:24:47,520 --> 01:24:49,123 I hope I see you next summer. 2041 01:24:50,157 --> 01:24:51,591 Thanks for being so hard on me. 2042 01:24:51,625 --> 01:24:53,060 I know it was for a good reason. 2043 01:24:53,094 --> 01:24:55,528 Harness this pain and use it in the future, okay? 2044 01:24:58,099 --> 01:25:00,001 CHORUS: ♪ Camp isn't home 2045 01:25:00,034 --> 01:25:02,702 ♪ But is it kind of? 2046 01:25:02,736 --> 01:25:07,540 ♪ I think it kind of is 2047 01:25:09,310 --> 01:25:12,579 ♪ Joan, Still ♪ 2048 01:25:17,784 --> 01:25:19,753 (MUSIC ENDS) (ALL CHEERING) 2049 01:25:24,859 --> 01:25:25,860 Yeah! 2050 01:25:27,128 --> 01:25:28,528 AMOS: That's lit! 2051 01:25:44,078 --> 01:25:45,645 (AUDIENCE CHEERING) 2052 01:25:49,850 --> 01:25:52,086 WOMAN: Bravo! Bravo! She's awake! 2053 01:25:53,321 --> 01:25:55,522 I have no idea what this was, 2054 01:25:55,555 --> 01:25:58,326 who set this up, why I'm watching this, 2055 01:25:58,359 --> 01:25:59,492 but what a pleasure! 2056 01:25:59,526 --> 01:26:01,761 What a thrill! What talent! 2057 01:26:01,795 --> 01:26:02,930 Uh, must have set it up in the wrong room. 2058 01:26:02,964 --> 01:26:04,332 You lifted my spirits, kids. 2059 01:26:04,365 --> 01:26:05,532 Yeah, that was my bad. 2060 01:26:05,565 --> 01:26:08,202 And Joan, what a woman she is. 2061 01:26:08,235 --> 01:26:09,937 But Joan, Still, right? 2062 01:26:09,971 --> 01:26:11,571 That is something to celebrate. 2063 01:26:11,604 --> 01:26:14,241 I can't wait to see you on Broadway. 2064 01:26:14,275 --> 01:26:15,977 You kids are wonderful. 2065 01:26:16,010 --> 01:26:18,545 You're all going to be big, big stars! 2066 01:26:19,646 --> 01:26:21,581 (BETTER NOW BY POST MALONE PLAYING) 2067 01:26:29,457 --> 01:26:30,858 (GASPS) 2068 01:26:30,891 --> 01:26:32,827 Don't let Troy run the camp! 2069 01:26:33,327 --> 01:26:35,528 Oh, you're up, huh? 2070 01:26:35,562 --> 01:26:37,431 I just saw a whole show about your life. 2071 01:26:37,465 --> 01:26:39,166 The kids did an amazing job. 2072 01:26:39,200 --> 01:26:41,168 ♪ Camp isn't home ♪ 2073 01:26:41,202 --> 01:26:42,635 Oh, what a song. 2074 01:26:42,669 --> 01:26:44,704 You slept through it. I watched it. 2075 01:26:44,738 --> 01:26:46,807 Well, um, do you know why I'm here? 2076 01:26:47,975 --> 01:26:49,010 No. 2077 01:26:49,043 --> 01:26:50,811 (BETTER NOW CONTINUES) 2078 01:28:23,270 --> 01:28:25,672 (FRANTIC JAZZ MUSIC PLAYING) 2079 01:31:46,874 --> 01:31:48,909 REBECCA-DIANE: ♪ Bye class 2080 01:31:48,942 --> 01:31:50,944 ♪ We're done 2081 01:31:52,479 --> 01:31:57,151 ♪ The ghosts of our past selves are done 2082 01:31:57,184 --> 01:32:00,888 ♪ We are gone, we are gone 2083 01:32:00,921 --> 01:32:03,657 ♪ We are now new people 2084 01:32:03,691 --> 01:32:06,226 ♪ We are now new people 2085 01:32:06,260 --> 01:32:11,265 ♪ We are now the children of the plants ♪ 2086 01:32:13,801 --> 01:32:15,903 REBECCA-DIANE: Thank you guys so much. 2087 01:32:15,936 --> 01:32:18,005 I'll see you next week. 2088 01:32:18,038 --> 01:32:20,207 Or tomorrow. I don't remember. 155514