All language subtitles for 6. Curves Part 2 Color Tab Kolder Creative

Okay.

So I think that that's enough.

Of the custom. Curves over here.

I want to dive into. The other curves
options.

That we have within here as well.

So next to our custom curves,
we have hue versus hue.

So if we click on this, we are presented
with a similar kind of graph,

but it's different. Obviously,
our line is straight. Across. Here.

It no longer goes from bottom.

Left to top right, but that's okay.

And this is a very powerful tool,
something that I use all the time

to make very specific adjustments
to certain.

Hues within my image.

So just like before, we have a.

Histogram in the background
and this. Shows us a.

Little bit of information about our image.

So this histogram back here is basically
just showing us what colors are we seeing.

Most within our. Image.

So we have a huge spike
over here in this teal color over here.

We got a little bit of this blue
and we got.

A tiny bit of this green,
tiny bit of yellow.

I don't even know where that yellow.

Would be, but we can see that
it's primarily this color over here.

So if we wanted to make changes
to just this color over here,

you'd think that you would just create a.

Dot on the line here
and then you can. Make a change.

But you could see that
we are changing the overall line.

We're changing everything here,
and that's not what we want to do.

If we want to.

Create a very specific. Adjustment
to just this one.

Color over here, then we're going to want
to create those placeholders.

Right? So let's create a placeholder
over here to the left will.

Create one to the. Right over here.

Make sure that we're not moving that over.

So now, with both of those in place,
I can create another.

Point here in the middle
and start playing around with.

Only this specific hue
so I can bring it up to make it greener.

We can see how it's affecting.

My. Image and we can bring it down
to make it more purply.

And this is the hue versus hue graph
and it's

allowing us to change the hue of the hue
that we've selected.

So by moving the value up and down,
we are changing the value of the hue,

which basically allows us
to change the actual hue itself.

So by bringing it up,
we're making a. Greener, by.

Bringing it down or making it more purple,
and then it goes into pink and then red

up. We're going from green to.

Yellow to like a reddish.

So this is a very powerful tool to use.

Let's open up our eclipse
and actually just select a. Different.

Clip to play around with, because this
clip over here is it really only has.

Like one range. Of colors.

Let's find something else.

So this longboard clip over here,
let's fit this actually, let's.

Zoom in
so we can just focus on the. Wheels here.

So let's look at our hue versus hue
graph here and let's see what's going on.

As we can see, we have a lot of reds.

We got. A bunch of orange and.

Yellow colors.

No green.

We got no like teal,
but then we got some blue.

And that's. Probably what it's.

Seeing in the shadows. Here.

It's picking up those darker blue.

Hues from the shadows.

So we can see
we have a big spike of those blues here.

And then we also got a bit of reds too.

Which I'm assuming it's probably
picking up from somewhere in the wheels.

Now, if I want to make.

A change to just the wheels over
here, what. Can I do?

Well, I can create those three. Points
that I made on the.

Last clip.

But what I can also do
is use the eyedropper as well.

So if I go into my preview,
we could see that I have this eyedropper.

Now, quick note, if you're not seeing
this eyedropper, make sure to.

Go down to the bottom left. Over here.

It might be set on off.

So your cursor will just be a cursor.

So just make sure that you have this on
and you have qualifier selected.

And that way you can use this
Eyedropper tool or the qualifier to select

what color. Range you're trying to change.

So let's select this orange here
and we can see that

we have three dots created.

On our graph here.

And the middle point will.
Automatically be selected.

Because that's the one
that we want to be changing.

The points around are.

The placeholders, right?

So that we're not affecting
everything else.

So you want to think. Of this
as like one continuous line.

So this point here.

Is really like over here,
it just repeats over here to the right.

So with this color selected.

Let's bring it up. Let's bring it down.

And we can see what kind of.

Changes we're making to our image here.

Now. Okay, let's. Say we want to.

Make these wheels a bit more purple.

Cool,
But we're not really selecting all of.

That orange. Color.

It looks like
we're missing out on a bunch of it.

And that is probably because we want to
select this range over here as well.

So what we can do is add another point
here.

And let's play around
with this one here and.

Now we are covering a broader.

Spectrum of. That red orange color

and we are.

Affecting more of the image.

So before. This point. We were.

Looking like.

That, so it was a lot more precise.

And by adding another point over here.

We can actually add a point here
and just delete this point here

so that the placeholder
is a little bit further away.

And this point is now affecting a broader
spectrum of color.

We can even move this over to the right.

To broaden that even more.

We can move this over to the left.

Now that point is affecting
more of a range.

Of that orange color.

And I'm going to click this.

Reset button up here in the top right
to. Reset.

One thing to know is we have some presets
down here available to us.

So let's say we wanted to select Reds.

We can just click on that
and it's going to automatically.

Create this point over here
that will allow us to change all the.

Red values in our image.

Same thing goes
for all these other colors.

Next to it as well right here.

And this button in the bottom left.

Over here
allows us to create editable. Spines.

So if we click on this with a point
selected.

It gives us these little handles over here
that we can use to kind of make

that transition.

From one point to another.

A bit smoother.

And this is something that we.

Can actually access
back in our custom curves as well.

If we go back to custom curves,
I'm going to reset this

and we go here, top right corner,
we click the three dots.

We can select editable. Lines.

And once we select any of our points,
we have this handle over here.

And this handle is very useful

because it

changes the way that we are actually.

Transitioning from one point to another.

It can make it smoother

and it does actually change the way
if we compare using the editable.

Spines versus just using points.

We can see that it actually does
change the way that the curve flows here.

So that's something to consider.

A lot of professionals say

that it makes the roll off a lot
smoother between highlights and shadows.

And basically what that means
is it's just.

Like that contrast transition from,

you know, your midtown's, your shadows,
your mid tones.

To your highlights.

It can make it a lot smoother.

By using editable spines versus going
the route of

just creating points
and not using editable spines.

So I'm going to reset that.

And really
that's like a personal preference thing.

Play around with editable. Spines.

You know, compare the two in my opinion,
like I do think it's a bit subjective.

Figure out what works. For you
and stick with that.

But recently I have.

Been finding myself using editable slides.

I do enjoy playing with these handles
over.

Here in order to create my curves, but
really at the end of the day, you can do

whatever works for you now, next to you
versus you, we have hue versus saturation.

So same kind of thing,
except now we're changing the.

Saturation of each.

Hue so we can go up to our image,
We can use our qualifier to select.

What range we want to. Work with.

So we've selected this.

Orange range and now if we bring.

This up, we are changing the saturation.

So we are now making
those orange is way more saturated.

We bring this down,
we are. Saturating them.

And obviously we have that very specific.

Range.

We can broaden the range over here
by moving this point over here to the.

Left, this point over here to the right.

And now we have a broader range.

Now we're going to be affecting
more of the.

Overall wheels
and we are able to change the.

Saturation of just.
The wheels just like that.

Really cool tool or something.

I use all the time in combination with.

Hue versus. Hue and all these other ones.

So that's awesome.

Next we have hue versus luminance.

So in here we are able to change.

The luminance or brightness of. Each hue.

So again.

Let's select. Our orange. Color here.

But instead of clicking the wheels
because it's too specific, by doing that,

we can just press this red value here.

And let's start playing
with the luminance here.

So now we.

Just have the wheels selected.

We're making them a lot. Brighter.

Increasing that luminance

and we're decreasing that luminance
value by bringing it down.

In a reset.

Next, we have. Luminance
versus saturation.

So now.

In here we can change how saturated each.

Range of luminance is within our image.

So we can choose how saturated
do we want the shadows to be?

How saturated do.
We want the mid tones to be?

How saturated do we want
the bright parts of our image to be?

So let me just head up here
and use the qualifier to select what area

I want to change the saturation.

Of what luminance of my image.

Do I want to start
manipulating the saturation of?

So let's play around
with the darker parts of our image.

So I'm just going to click in. Here

and we can see that.
We are given a point here.

Now let's play around with this
and see what's happening.

To our image.

So we can see if I bring this
all the way up.

We are making those shadows way more blue.

That looks pretty blue,
way too blue for me.

If we bring this down,

we can see that we are saturating
just that.

Range of luminance within our. Image.

So the darker parts over here
now, this is pretty tight over here.

Let's delete these points around it.

Let's extend it over here.

So we are affecting more of the shadows,
more of the darker parts.

Of our image.

And now let's move this point up and down.

We could see that we're affecting a wider.

Spectrum of the shadows
within our image here.

Which is pretty awesome.

This is a pretty cool tool.

And when you're working with footage
that has.

A lot more information in it, you.

Can make very specific. Adjustments
and make.

Drastic changes to the look of your. Image
by doing things.

Like this.

These different graphs

allow us to make very specific changes
to very specific parts of our image,

which is really cool.

And in combination with the qualifier,
we could do some pretty crazy things

with these.

Now next to luminance versus saturation,
we have saturation versus.

Saturation and then we have saturation
versus luminance, which.

All do similar types of things.

They allow us to select very specific
parts of our image, whether that's.

Saturation or luminance, and just.

Manipulate those aspects of our image.

So all of these are very powerful tools.

And I definitely recommend.

That you go in, play around with.

Each one of these

individually and experiment,
get experimental, drop in some footage.

Use some of the footage provided to you
from this course and play around with it.

Get a better understanding

of how these tools work
so that you have a deeper understanding.

Of the.

Power of these tools
and what you can do to your images.

Once you understand how you can use
all of these,

the possibilities are endless.

You can do some very cool stylistic stuff
with all of these features

and you'll see how I use these.

Later on within this module.

Now, just like our scopes over here,
we have this button here

that allows us to pop this out.

So if we're using multiple displays,
we could take this over,

drag it over to a different display,
and then always have this available to us.

And it also just frees up this area
so that.

We can look at other things.

So in this case,
we're seeing the qualifier.

So right now I have the.

Curves on my other monitor over here.

So I'm seeing my curves, my log.

Wheels and my qualifier
all at once, which is pretty cool.

And if you ever want to bring this back.

Into its place,
just hit that X and it will pop.

Back into its spot. Over here.

So that is the overall
look into our scopes over here.

Super powerful feature.

Like I said before, get into Da

Vinci, play around with this yourselves
experiment, get our first hand

understanding on how to use these tools
by experimenting.

That's it for this video.

I hope you guys enjoyed hope you learn
something new and I'll catch you.

In the next one.