All language subtitles for 4. Raven Claw Davinci Shortcuts part 2 Shortcuts Kolder Creativ

Next up we have

option or alts up and down by holding

option and clicking up you can see that
I've moved the clip up one track.

If I press it again,
I'm able to move it up another track.

This is a great way

to isolate certain clips
or bring more important clips to one track

or take the more important clips
or the clips that stand out the most

and bring them to a separate track
so you can isolate them in that way.

Option Down allows us to go down a track.

So option up, bring it up, option down,
bring it back down.

Really important shortcut to know

because the alternative
is to click on the clip and drag up.

And honestly, that is not as efficient.

It takes more time,
especially when you're making selects.

You can just do them like this.

You can jump around in your timeline
by pressing up and down.

And then when there's a clip
that you like, you know,

you've gone through it, press
three to go forwards.

You may be isolated.

This part of the clip, let's say
we only like this waterfall reveal here.

That's where we'll cut the end of the clip

and then I'm going to hit
option are bringing up one track.

And now I know
that this is the best part of that clip

and this is how I essentially make
my selects.

I bring the best stuff
up, one track up ahead,

and then I use the shortcuts that we just
learned about Command C Copy that.

Bring it to the end. Command V Command.

Delete the gaps option down,
bring it down.

And now I have grouped all of my selects
from my timeline.

This is a process
we're going to be learning about later on.

We're going to go in
depth into my selects process,

but it's a very important process
and it's great to know all these shortcuts

because it's going to allow you to fly
through the timeline so much faster.

So next step we have shift.

Tilde If I press shift
and then the till the key, we can see that

we have this white border
that comes up around our image

and that basically just gives us

the option to transform our image
so we can scale it up like this.

We can also rotate it
by grabbing this handle here.

And essentially
what this shortcut is doing is

it's just enabling this button down here
in the bottom left corner of our preview.

If I press shift tilde again,
it'll disable it.

And by default, this button is set
to transform right here.

So when I enabled this
by pressing shift, Tilde,

we are given the ability to transform.

We can rotate, scale, change the position,
all that stuff.

But if we want to change
what this button enables us to do here

in the preview,

we can just click
this little dropdown arrow

and we can choose
from a bunch of different options.

Another one I use all the time is crop,
and just by changing it

like that,
it'll stay at this crop setting.

So now I can crop my image

and at any point if I want to disable
that, I'll just hit shift tilde

and I'm back to my normal preview
at any point if I want to enable it again.

Shift Tilde It's a quick one.

Allows me to enable it one more time.

So great shortcut to know.

So next step we have copy and paste.

Command C is used to copy,

so if I select both of these clips,
I hit command C, I've copied those clips.

I can head over here in my timeline,
hit command V to paste them,

and we have successfully copied
and pasted both of those clips.

Now Command C
is not just used to copy the clip itself,

but we can also use it to copy
the clip attributes as well.

So this is important
because a lot of the time

you're not going to want to select
the actual clip,

you're not going

want to copy the actual clip, You're going
to want to copy the clip attributes.

So maybe some of the effects,
some of these scale position

rotation changes, anything that's
been applied to this clip, sometimes

we're going to want to copy those clip
attributes and not the clip itself.

Well, for that, we're still going to use
the same shortcut command.

See, it's going to copy the clip
and all of those attributes.

But now if we just want to paste the
attributes from this clip to another clip,

we can use command shift.

V So if I hold command shift V,
we can see that we have this paste

attributes window that comes up
and this basically allows us to select

what attributes we want to paste
onto this new clip from the previous clip.

Now, in this case,
we didn't really have many attributes

to copy from the previous clip.

Maybe the position in scale.

So we can just select everything
here, really select apply,

and it will apply any of the attributes
that were on the previous clip

to this new one.

So let me show you a better
example of this.

Let's go over here to our effects.

Let's apply a random effect to this box.

Blur is my go to I'm going
to close off the effects window over here.

And now we can see there's
clearly this blur on this clip here.

So what I can do is hit command.

C Let's go to any other random clip
and let's hit command shift V

And now we can choose what attributes
we want to paste from the previous

clip to this one.

So in this case,
we can just select everything

because there's really only one effect
on the other clip.

If we didn't want to copy over
certain attributes,

then we would have to make sure
that we deselect those in here.

But in this case
we could just leave everything selected.

Let's click apply
and we can see that the same scale

and the blur effect
have been applied to this clip.

So really important shortcuts.

No Command C allows you to copy the clip
itself, but also the clip attributes

Command V to paste the clip
command shift V to paste clip attribute.

And next step we have Command X.

This is another pretty basic one.

It's pretty standard among any software
you use, and it allows us to cut

whatever we have selected.

So if I hit Command X on this clip,
all of a sudden that clip is gone.

But we've also copied the clip
that's important to remember.

So if I go over here to my timeline,
I hit Command V, it's pasted that clip.

So it's kind of like copying,
but you're also deleting the clip as well.

And that's cut.

Now, let's say we don't like
the attributes that we applied

to this previous clip over here.

Let's say that we no longer
want this blur or this resize.

So what we can do is hit command shift X,

and that allows us

to bring up the remove attributes
window over here.

So in here we can select

what attributes we want to basically reset
to the standard.

So if we have all of these selected,
this clip

should go back to its original state.

So if we click apply, we can see that
we are back to normal here.

So this could be another great way
to just reset the clip

or reset certain parameters of the clip
instead of having to go to your inspector

over here in the top.

Right, and having to reset things up here
like this, we can very quickly

just hit a command shift and select
what it is that we want to reset.

So next step, we have control shift
V, which is paste insert.

So let me show you what this does.

If I zoom in on this clip,
if I select this clip,

I hit Command C, so I've copied it

and I go over to a different part
of my timeline.

Let's say here, for example,
and I hit Control shift.

V We can see that we've pasted that clip
into this section of the timeline,

but it didn't overwrite
the clips that were already sitting there.

It basically inserted the clip
and it moved everything over to the side.

So let's hit
Command Z and let's see what happens.

If I hit Command V instead of control
shift V, So I'm going to just paste it in.

Normally we can see that it overwrites
the clips that are in that position,

in the timeline,

it kind of writes over them
and those clips disappear

and a lot of the time
you're not going to want that.

So it's great to have the ability
to paste insert, which is control shift V

And just like that,
we've inserted that clip

into this section of the timeline,
but we've also pushed everything over

next step we have D, which
allows us to enable and disable clips.

So with this clip selected, I select D It
basically makes this clip like disappear.

It disables the clip.

The clip is still there
in the timeline, though, which is great

because enabling and disabling
clips can be very useful,

especially in situations where, let's say
you have two clips in a certain area

and you don't know which one
you should use.

At that specific point in the timeline,
you feel like maybe you have two options.

You can basically put one on top
of the other, like this

and you can just disable one, enable
the other one

and switch between them like that
without having to delete them or move them

to different parts of the timeline,

because then that would require you
to undo that step that you did later on.

And just remember where things are.

It's great to be able to leave clips
at certain points of your timeline

and then just disable them.

If you don't want them to be present,

but have them at that certain point
in the timeline

so that you can enable them there
if you need to.

So next up we have T, which allows us
to change our cursor to the trim.

Edit mode tool.

We can see this is what the trim
edit mode tool looks like right now.

My mouse is glitching a little bit.

I don't know why that is,
but if we zoom in on this clip over here

and I use this tool

to move this clip left and right, first
I'm going to have to trim the ends of it.

This allows us to basically slip
the clip left and right

so we can see
when I click and drag on this clip,

we are presented
with that full extent of the actual clip

that in little gray area
that shows me the full length of the clip

and I'm able to slip the clip left
and right to different parts of the clip.

So the actual duration of the clip
stays the same, but the content within

that duration, I can change what content
shows up in that duration of the clip.

So that gray area over there
represents the entire clip.

And by clicking

and dragging like this, I'm able to move
to different points of the clip.

And if we look at the preview,

we can see in the top left,
we have the start frame of the clip.

And then in the top right
we have the end frame.

So by moving this around,
I'm able to see what start frame I'm

starting out and what end frame
I'm ending in really, really powerful.

Use this all the time.

Now if I take the cursor and I move it
to the left of the clip over here,

when I see that little icon,
I can click and drag to shorten the clip.

But I'm now only trimming the clip
like this.

You can see everything to the right of me
is also kind of rippling over as well.

This can be very useful
in a lot of situations

when you're trying
to change the duration of a clip,

but you also want everything else
to ripple over as well.

So let's say, you know,
we're working in this area over here

and I want to change the size
of this clip.

I want to change the duration of it.

I can click and drag from over there
on the left to the right,

and we can see
the duration of the clip is decreasing.

But we're also moving everything else
to the right over here with it.

So we're not left with any gap over there.

The alternative, when you're
in the regular selection mode over here,

the shortcut for this is a by
the way, is just to shorten the clip here.

If we have our mouse over to the left,
we're going to be shortening the clip,

but we're not repealing anything.

We can bring our normal selection

mode cursor over here
to the left and trim the size of it.

But we could see that we are left
with this gap over here.

So Trim edit mode allows us to bypass that

and to trim our clips like this
without leaving any gap.

So this can save us a lot of time
and we can obviously do the same thing

to the right side of the clip
over here as well.

Now another cool thing
we can do with the Trim edit mode tool

as well is
I can go between two clips over here.

So I see that icon and I'm basically able
to push the end

point of one of the clips
and the start point of the other clip.

The endpoint and the out point
just like that.

So I'm able to simultaneously change
the output of this clip

over here while changing the endpoint
of this clip over here.

So the clips are still basically attached
to each other

side by side, but I'm just moving
those in and out points just like this.

And that gray area shows me the extent
of how far I can push this before I get to

the actual endpoint of the second clip
or the output of the first clip.

Very powerful tool.

You'll find this to be a huge time saver
in a lot of situations, especially

if you're just trying to change where
the cut point lies within your timeline.

So maybe you'll be in situations where
maybe this is a little bit offbeat,

maybe the drop happens over here
and the alternative would be to, you know,

drag this clip over here,
extend this one over here,

which is two steps,
or you can just enable trim edit mode,

bring the cursor between the two clips
and you can just drag that cut point

to wherever you want so that maybe
it will be more in line with the music.

Next up we have M, which allows us
to create a marker in the timeline.

This is a shortcut
I love and use all the time.

If you hit them once, you can see we've
created this little marker over here.

If I press m twice, then I'm presented
with this markers window over here

and in here I can give the marker a name
so I can call it maybe

waterfall clip in this case.

And I can also leave some notes
in here as well.

And this is very useful for situations
where you might want

to leave notes to your future self
or to other editors.

Maybe you have an idea for a transition
or this or that, whatever it may be.

You can leave notes
here, and notes are very important.

You can also add key words
or change the color of it as well.

And if you want to delete it,
what you can do is select

remove marker over here
or what you can do is select option M.

So when the cursor is over
top of the marker,

you can just hit option and then M
and it will delete it just like that.

Now let's say we have a bunch of markers

in our timeline,
so I'll just make one over there.

I'll make one here, I'll make one up here
and I'll add one to this clip

and one more to this clip.

Now, a lot of the time
you're going to want to be able to jump

between markers quickly.

And the shortcut to do that is to
hold shift and the up and down arrow keys.

So just like this, by pressing up,
I'm jumping to the previous marker.

By pressing down, I'm
jumping to the next marker.

And this can be a very useful tool,
especially if you're into markers

just like I am
to jump around your timeline to key points

or maybe special areas
that you want to focus on.

Shift up
and down is going to be your best friend

to quickly navigate
between all those markers.

And again,

just like I said before, we can hit option
M to delete the marker as well

so we can just jump around to all of these
and just delete them just like that.

So next up we have F or MN

and is basically the default for turning,
snapping on and off.

So when I select
and we can see this icon right here, it

basically enables and disables
and that is the snapping icon.

When the snapping icon is enabled,
we can see that when we bring our cursor

close to the start or end of a clip,
it kind of snaps right there.

You see that? That's not me.

That's the computer just automatically
snapping the play head to that cut point.

And that can be very useful
in a lot of situations.

But in a lot of situations,
you're also going to want to turn that off

because it can be annoying for when you're
trying to do like specific things.

You're getting close
to a certain part of your clip

and all of a sudden
the play head snaps that can get annoying.

So it's great to know the shortcut to very
quickly turn that on and off by default.

That's RN, but we've also made it F
within the Ravenclaw

keyboard shortcut layout
because end is just too far to the right.

F is perfect and it allows you
to very quickly enable and disable that.

So next step we have G, which allows us
to enable and disable linked selection.

So that is the button right here

next to snapping when I hit G,
we can see that we've enabled it.

Now let's click on this clip
and see what happens.

We can see that

both the video and the audio attached to
that clip are both selected.

Now, if I deselect the clip
and I select G on my timeline,

we can see that we've disabled
link selection.

Let's
see what happens when I click the video.

Now I'm able to freely select
the video only

and move that around freely
without having to worry

about the connection
between the video and audio.

In a lot of situations,
this is going to be very helpful for you

because you're going to want to move
just the video

or maybe just the audio and reposition
that.

But by default,

you know, those two pieces of media
are going to be connected when G is on.

We can see that
the audio and video are connected.

They are linked together.

But if we select that,

we are able to very quickly
unlink these two and move them around.

Now, we can also see that
there is this little link icon

on the clips too, and that lets us know
that they are linked together.

So if I select G
and I select just the video,

also the audio is selected and that's
because we have that link icon there

letting us know that both
the audio and video are linked together.

Now if we want to unlink these
like permanently like we don't want them

to have that link connection anymore,
we can select the media and select C

now by pressing C, we've
unlink these clips so we can see that

that link icon is no longer there
and I can move the clips around freely,

even though the linked selection
is still selected over here.

Now you might be wondering
why is it that I used C in this situation

to unlink these clips instead of uncheck
linked selection over here

or disabling it?

Well, let's go back,
let's put these clips back together.

Let's let's link them again by pressing C,
So C also lets us link clips

so it's not just unlink and let's uncheck
linked selection over here.

So if I disable it
and I move this clip over,

we can see that we have this little red
box over here and it basically tells me

the time difference between
the start of this video and this audio.

So we've moved the audio plus 20 seconds
ahead of where the audio is found.

So if I push it even further forwards,
we can see

we're now 40 seconds
ahead of where our audio sits.

So this is kind of letting us know, hey,
these two clips are still linked, but

you move them over and they're separated
now by this 40 seconds of time.

So if I turn link selection back on now,
we can see that

both of these
are still linked to each other.

So if I select one and move it over,
the other,

one is also going to be selected.

So let's hit command Z and undo that.

Now if I select both of these
and I just had C,

I unlink them like this,
I'm able to freely move them around.

And now even if I'm turning link selection
on and off and I select the video,

it doesn't matter. They're unlinked now.

So now the audio is not automatically
going to be selected as well.

And move as I move the video too.

So these are both important

to understand how they work
because in a lot of situations

you're going to want to use
one over the other.

But it's really great

that we have both of these options
because they're both very important.

I'm going to rethink these clips here.

C And next up we have P.

If I select a clip and I press P,
it gives me the clip attributes.

Now, the reason I made that P
is because this is a shortcut

that I don't actually use that often,
but I still wanted to make it

a keyboard shortcut.

And an O P is all the way
on the right side of the keyboard, but

this is one that I don't use that often,
so I'm letting this one slide.

But P allows me to basically
check the clip attributes.

This is the clip attributes window.

And in here really
the only focus that I have

most of the time is just the video
frame rate.

So in this case, I can see that

the video frame rate is 59.94,
so 60 frames per second.

So I'm able to slow it down to 40% if
this is a 24 frames per second timeline.

So if I hit shift nine over here,
I can go to my master settings.

I can see that
this is a 24 frames per second timeline.

So I'm able to slow this down to 40%.