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So I just want to show you guys
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a real example of how I would clear
grade this clip specifically.
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So what I would want to do with
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this clip here is make this part darker.
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Leave this middle part alone, but then
make this brighter part even brighter.
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And I can do that
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by framing masks or windows
within the keyframes window over here.
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So with my first note selected, I'm
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going to create a window
to cover this area over here.
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And I'm going to keyframe it.
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So I'm going to go to my windows
over here.
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I'm going to create a polygon over here.
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I'm going to move this down.
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Can I just add a point over here?
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At a point over here,
I'm going to hit shift A
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to turn off that highlight
and I probably want it to be about there.
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I'm going to change the softness so
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inside, outside
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I'm going to turn that highlight back on
so I can see what I'm doing.
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That looks good to me.
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And what I'm going to do
is just turn on automatic key
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framing right here,
and I'm going to move this
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so that I created a keyframe
and I'm going to go back to the beginning.
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I'm going to turn highlight off,
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move this to about here, probably.
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So we could see we got things moving now.
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So probably go about here
28
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now. Looks good
29
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and we'll bring it out of the shot now.
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So this will be too dark
in that part of my image.
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So now that I've created this window,
let's go into the curves here
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and just darken things, make them darker
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dope.
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I like that.
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The vision with this is to go from, like,
dark to this middle ground.
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I love this color over here.
37
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And then I want to go
to, like, extra bright over here.
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I want things to look super bright.
39
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So what I'm going to do at this point,
I'm going to create a new node.
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And this one will be for the highlights.
41
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So with the second node selected over
here, let's create a new window.
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Same thing.
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We'll create a polygon over here,
move it over this way, grab these points.
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Let's, uh,
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bring it over here,
46
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and I'm going to feather this out.
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Hit shift a so I can see
48
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what's going on here.
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I want to feather the inside.
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Feather the outside a bit more.
51
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Looks pretty good to me.
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I'll probably move it down about here,
and I'm
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going to turn on
automatic framing over here.
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Just move it a little bit.
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We can see
we've added that keyframe over here.
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And now I'm going to turn highlight off
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and just move this mask or window
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to that point over there
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to follow the white part of the water
here.
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There we go.
61
00:03:09,416 --> 00:03:11,541
It looks pretty good to me.
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Let's see if this follows.
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Yeah, it's good.
64
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And we'll just want to move this
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all the way out here.
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Cool.
67
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So now I can go into my node here
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and brighten up this area over here.
69
00:03:43,500 --> 00:03:47,458
So let's go on to Curves and let's
bring it up,
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make it even brighter.
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So that's really good to me.
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Just like that,
we've made this a bit more dynamic.
73
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We've added a bit more depth to it
just by framing windows
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to brighten
and darken certain parts of our image.
5688
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