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1
00:00:04,501 --> 00:00:06,299
THIS IS MOVIETONE NEWS
2
00:00:06,334 --> 00:00:09,000
BRINGING YOU THE IMPORTANT NEWS EVENTS OF THE DAY.
3
00:00:11,534 --> 00:00:13,234
WHILE CITIZENSALL ACROSS THE WORLD
4
00:00:13,269 --> 00:00:14,566
SETTLED INTO EASY CHAIRS
5
00:00:14,601 --> 00:00:17,634
HOPING TO SEE ANOTHER NEWEPISODE OF MOONLIGHTING,
6
00:00:17,669 --> 00:00:19,484
NEWS BROKEOF ONE STAR'S PREGNANCY
7
00:00:19,519 --> 00:00:21,300
AND THE OTHER'SUNFORTUNATE LUCK
8
00:00:21,335 --> 00:00:23,367
ON THE ICY SLOPESOF IDAHO.
9
00:00:23,402 --> 00:00:24,866
HERE, FOR THE FIRST TIME,
10
00:00:24,901 --> 00:00:27,801
EXCLUSIVE FOOTAGEOF THAT TRAGIC ACCIDENT.
11
00:00:31,434 --> 00:00:33,534
MEANWHILE,ANXIOUS ABC EXECUTIVES
12
00:00:33,569 --> 00:00:35,634
DEALT WITH THE NEWSIN THEIR OWN WAY.
13
00:00:37,133 --> 00:00:40,200
AAH!
14
00:00:42,868 --> 00:00:44,834
WITH NOTHING ELSETO DO TUESDAY NIGHTS,
15
00:00:44,869 --> 00:00:45,998
FRUSTRATION MOUNTS.
16
00:00:46,033 --> 00:00:49,200
AND THE COUNTRY FINDSNEW WAYS TO KILL TIME.
17
00:00:49,235 --> 00:00:50,833
*...LA BAMBA *
18
00:00:50,868 --> 00:00:54,299
ROOFTOP LA BAMBA
CONTESTS ABOUND.
19
00:00:54,334 --> 00:00:57,667
* QUE NECESITO,UNA POCA DE GRACIA... **
20
00:01:00,067 --> 00:01:03,634
AND THEN, JUST IN TIME,WORD THAT A NEW EPISODEWAS READY.
21
00:01:03,669 --> 00:01:04,998
THE COUNTRY REJOICES.
22
00:01:05,033 --> 00:01:06,532
PEOPLE RUSHTO THEIR SETS.
23
00:01:06,567 --> 00:01:09,601
BUT A NAGGING FEARBEGINS TO SURFACE...
24
00:01:13,367 --> 00:01:16,000
THIS REPORTER'S ANSWER-"OF COURSE THEY WILL."
25
00:01:17,400 --> 00:01:18,866
YO! MADDIE!
26
00:01:18,901 --> 00:01:20,032
YOU REMEMBER.
27
00:01:20,067 --> 00:01:21,265
DAVID, FINALLY PREPARED
28
00:01:21,300 --> 00:01:22,666
TO CONFESSHIS LOVE TO MADDIE,
29
00:01:22,701 --> 00:01:25,100
RUSHES TO HER DOORIN THE MIDDLE OF THE NIGHT.
30
00:01:25,135 --> 00:01:26,701
MADDIE, I GOT
SOMETHING TO TELL YOU!
31
00:01:30,501 --> 00:01:34,601
NOW LISTEN, I KNOW IT'S
4:00 IN THE MORNING.
32
00:01:37,701 --> 00:01:39,000
CAN I HELP YOU?
33
00:01:45,000 --> 00:01:46,984
HI.
34
00:01:47,019 --> 00:01:48,968
HI.
35
00:01:52,367 --> 00:01:54,299
KNOWING WHATHE MUST DO,
36
00:01:54,334 --> 00:01:56,334
DAVID INTERRUPTS A DINNERDATE BETWEEN MADDIE
37
00:01:56,369 --> 00:01:59,033
AND HER NEW BOYFRIEND SAM.
38
00:01:59,068 --> 00:02:00,634
DAVID?
39
00:02:00,669 --> 00:02:02,200
EVENING.
40
00:02:02,235 --> 00:02:03,467
HI.
41
00:02:06,033 --> 00:02:07,334
HI.
42
00:02:08,634 --> 00:02:10,032
DAVID?
43
00:02:10,067 --> 00:02:12,217
FORGIVE ME.
I'M, UH, SORRY.
44
00:02:12,252 --> 00:02:14,332
SORRY TO INTERRUPT
YOUR DINNER.
45
00:02:14,367 --> 00:02:17,234
IT'S JUST THAT THERE'S
KIND OF AN EMERGENCY.
46
00:02:18,701 --> 00:02:20,617
TOO HAMMEREDTO DRIVE HOME ALONE,
47
00:02:20,652 --> 00:02:22,534
DAVID FINDS HIMSELFESCORTED THERE
48
00:02:22,569 --> 00:02:25,167
BY NONE OTHER THAN SAM.
49
00:02:27,100 --> 00:02:29,801
* ALL THOSEIN-BETWEEN YEARS *
50
00:02:31,400 --> 00:02:34,501
* COME WHAT MAY *
51
00:02:36,067 --> 00:02:41,901
* WHO KNOWS WHERETHE ROAD WILL LEAD US *
52
00:02:41,936 --> 00:02:43,667
* ONLY A FOOL... **
53
00:03:03,834 --> 00:03:05,399
MEANWHILE...
54
00:03:05,434 --> 00:03:07,767
OH, HELL.YOU CAN READ THE CARD.
55
00:03:07,802 --> 00:03:08,732
COME ON, MADDIE,
56
00:03:08,767 --> 00:03:11,534
WHAT DO YOU SAY,
WE MAKE IT OFFICIAL?
57
00:03:11,569 --> 00:03:13,118
YOU AND ME.
58
00:03:13,153 --> 00:03:14,667
WIFE AND WIFE.
59
00:03:14,702 --> 00:03:16,899
SAM...
60
00:03:16,934 --> 00:03:19,100
WHERE DID THIS
COME FROM?
61
00:03:19,135 --> 00:03:20,534
I DON'T KNOW.
62
00:03:22,100 --> 00:03:25,100
I'VE BEEN LAYING HERE
WAITING FOR YOU...
63
00:03:25,135 --> 00:03:26,998
DOING THINGS.
64
00:03:27,033 --> 00:03:29,534
LISTENING FOR
THE SOUND OF A CAR.
65
00:03:31,100 --> 00:03:34,100
HMM, 2:30
IN THE MORNING, RIGHT?
66
00:03:34,135 --> 00:03:36,184
ENOUGH
TO MAKE YOU CRAZY.
67
00:03:36,219 --> 00:03:38,234
IT DIDN'T
MAKE ME CRAZY.
68
00:03:39,634 --> 00:03:42,133
IT MADE ME
KIND OF HAPPY.
69
00:03:42,168 --> 00:03:43,933
YEAH...
70
00:03:43,968 --> 00:03:45,984
YEAH,
PERFECTLY HAPPY.
71
00:03:46,019 --> 00:03:47,965
JUST SITTING HERE...
72
00:03:48,000 --> 00:03:50,968
KNOWING THAT
YOU'D BE COMING HOME...
73
00:03:51,003 --> 00:03:52,434
SOMETIME...
74
00:03:54,467 --> 00:03:55,767
TO ME.
75
00:03:58,234 --> 00:04:00,650
YOU JUST
LEFT HIM THERE, HUH?
76
00:04:00,685 --> 00:04:03,067
HE'S PERFECT
FOR ME, YOU KNOW?
77
00:04:09,133 --> 00:04:11,100
BUT YOU AND ME...
78
00:04:14,334 --> 00:04:15,601
WE...
79
00:04:18,934 --> 00:04:20,267
WE...
80
00:04:36,734 --> 00:04:39,367
ENEMY TARGET IN SIGHT,
OPEN BOMB BAY DOORS.
81
00:04:39,402 --> 00:04:40,767
ROGER!
82
00:04:42,167 --> 00:04:43,683
BOMB BAY DOORS OPEN!
83
00:04:43,718 --> 00:04:45,165
THEN FIRE AT WILL!
84
00:04:45,200 --> 00:04:47,133
OR AL AND WHOEVER
HELL ELSE YOU CAN HIT!
85
00:04:51,901 --> 00:04:54,067
AAH!
86
00:04:56,834 --> 00:04:57,866
HA HA!
87
00:04:57,901 --> 00:05:00,301
AND THE NEXT THINGYOU KNOW,
88
00:05:00,336 --> 00:05:02,701
NIGHT HAS TURNEDINTO MORNING.
89
00:05:02,736 --> 00:05:04,718
WELL, SUN'S UP.
90
00:05:04,753 --> 00:05:06,666
I DID WHAT I COULD.
91
00:05:06,701 --> 00:05:08,950
COULDN'T STOP IT,
THOUGH.
92
00:05:08,985 --> 00:05:10,843
WANT TO GET
SOMETHING TO EAT?
93
00:05:10,878 --> 00:05:12,339
WHAT, THE WAY
I'M DRESSED?
94
00:05:12,374 --> 00:05:13,801
I THINK
YOU LOOK GREAT.
95
00:05:13,836 --> 00:05:14,933
I FEEL GREAT.
96
00:05:14,968 --> 00:05:16,133
YOU WANNA KNOW
SOMETHIN' DUMB?
97
00:05:16,168 --> 00:05:17,667
I HAD A GREAT TIME.
98
00:05:17,702 --> 00:05:19,199
YEAH. ME, TOO.
99
00:05:19,234 --> 00:05:20,799
MUST BE
THE LACK OF SLEEP.
100
00:05:20,834 --> 00:05:22,167
THAT'S WHAT
I SHOULD DO, SLEEP.
101
00:05:22,202 --> 00:05:23,434
GO HOME,
GET IN BED...
102
00:05:26,501 --> 00:05:28,434
SHE WAS HERE
JUST A MINUTE AGO.
103
00:05:29,834 --> 00:05:31,200
MADDIE?
104
00:05:34,234 --> 00:05:35,767
SAM.
105
00:05:44,734 --> 00:05:45,834
MADDIE?
106
00:05:46,901 --> 00:05:48,434
WHICH BRINGS US TO...
107
00:05:48,469 --> 00:05:49,699
TONIGHT.
108
00:05:49,734 --> 00:05:52,701
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
109
00:06:03,367 --> 00:06:07,500
* SOME WALK BY NIGHT *
110
00:06:07,535 --> 00:06:11,599
* SOME FLY BY DAY *
111
00:06:11,634 --> 00:06:15,332
* SOMETHING IS SWEETER *
112
00:06:15,367 --> 00:06:20,017
* 'CAUSE WE MET
ON THE WAY *
113
00:06:20,052 --> 00:06:24,667
* 'CAUSE WE MET
ON THE WAY **
114
00:06:40,567 --> 00:06:45,098
* WHEN A MAN
LOVES A WOMAN *
115
00:06:45,133 --> 00:06:49,901
* CAN'T KEEP HIS MIND
ON NOTHIN' ELSE *
116
00:06:49,936 --> 00:06:51,699
* HE'D CHANGE THE WORLD *
117
00:06:51,734 --> 00:06:56,417
* FOR THE GOOD THING
HE'S FOUND *
118
00:06:56,452 --> 00:07:01,100
* IF SHE IS BAD,
HE CAN'T SEE IT *
119
00:07:01,135 --> 00:07:04,833
* SHE CAN DO NO WRONG *
120
00:07:04,868 --> 00:07:07,267
* TURN HIS BACK
ON HIS BEST FRIEND *
121
00:07:07,302 --> 00:07:10,532
* IF HE PUT HER DOWN *
122
00:07:10,567 --> 00:07:15,934
* WHEN A MAN
LOVES A WOMAN... **
123
00:07:15,969 --> 00:07:17,868
WELCOME HOME.
124
00:07:19,367 --> 00:07:20,800
YOU SCARED ME.
125
00:07:20,835 --> 00:07:22,234
DIDN'T MEAN TO.
126
00:07:23,300 --> 00:07:24,968
AHH...
127
00:07:26,934 --> 00:07:29,232
MORNING.
128
00:07:29,267 --> 00:07:32,067
YEAH...
IT SURE IS.
129
00:07:33,467 --> 00:07:35,133
YOU'RE PROBABLY
WONDERING...
130
00:07:35,168 --> 00:07:36,534
YOU'RE PROBABLY RIGHT.
131
00:07:37,801 --> 00:07:39,167
I WAS ON A CASE.
132
00:07:39,202 --> 00:07:40,799
CASE?
133
00:07:40,834 --> 00:07:42,098
THE JOHNSON CASE.
134
00:07:42,133 --> 00:07:43,432
THERE WAS
A NEW DEVELOPMENT.
135
00:07:43,467 --> 00:07:44,701
THE PHONE RANG
IN THE MIDDLE OF THE NIGHT.
136
00:07:44,736 --> 00:07:46,067
YOU WERE ASLEEP.
137
00:07:47,801 --> 00:07:49,467
IT WAS
JUST THIS CASE.
138
00:07:49,502 --> 00:07:50,734
I HAD TO GO.
139
00:07:55,100 --> 00:07:58,167
I KNOW I SHOULD
HAVE LEFT A NOTE,
140
00:07:58,202 --> 00:08:01,234
BUT IT WAS, UM,
SORT OF UNEXPECTED.
141
00:08:01,269 --> 00:08:04,299
DID YOU, UH...
142
00:08:04,334 --> 00:08:05,801
GO ON THIS CASE
BY YOURSELF?
143
00:08:05,836 --> 00:08:07,466
BY MYSELF?
144
00:08:07,501 --> 00:08:11,334
NO. I WOULDN'T
GO OUT IN THE MIDDLE OF THE NIGHT BY MYSELF.
145
00:08:11,369 --> 00:08:14,167
NO. THERE WAS
SOMEONE ELSE, UH...
146
00:08:14,202 --> 00:08:15,267
OTHER THAN ME.
147
00:08:21,501 --> 00:08:22,767
OK...
148
00:08:25,167 --> 00:08:27,801
HEY, UH...FEEL LIKE
SOME BREAKFAST?
149
00:08:27,836 --> 00:08:28,734
BREAKFAST?
150
00:08:29,834 --> 00:08:31,434
YOU MEAN BREAKFAST?
151
00:08:31,469 --> 00:08:32,933
YEAH.
152
00:08:32,968 --> 00:08:36,000
I WAS JUST SHOWING OFF.
153
00:08:41,367 --> 00:08:44,300
I JUST WANTED TO SHOW YOU
I MAKE A MEAN BOWL OF CORN FLAKES.
154
00:08:45,868 --> 00:08:47,534
I'D HAVE WAITED,
BUT I DIDN'T KNOW
155
00:08:47,569 --> 00:08:49,200
WHEN YOU
WERE COMING BACK.
156
00:08:49,235 --> 00:08:51,301
SO...
157
00:08:51,336 --> 00:08:53,102
HUNGRY?
158
00:08:53,137 --> 00:08:54,833
HUNGRY?
159
00:08:54,868 --> 00:08:56,634
YOU DID THIS?
160
00:08:57,868 --> 00:08:58,868
I DID THIS.
161
00:09:03,667 --> 00:09:04,667
COME ON.
162
00:09:04,702 --> 00:09:05,684
WHERE?
163
00:09:05,719 --> 00:09:06,632
TO BED.
164
00:09:06,667 --> 00:09:07,666
SAM, I DON'T
THINK-
165
00:09:07,701 --> 00:09:09,499
NO, NOT US. YOU.
YOU NEED TO SLEEP.
166
00:09:09,534 --> 00:09:11,567
I DON'T NEED
TO SLEEP, WE HAVE A LOT TO TALK ABOUT.
167
00:09:11,602 --> 00:09:13,100
WE'LL TALK LATER,
OK? COME ON.
168
00:09:47,601 --> 00:09:50,601
HELLO.
SAM, WAIT.
169
00:09:50,636 --> 00:09:52,899
HI, MOM.
170
00:09:52,934 --> 00:09:56,901
NO, NO, I WASN'T
ACTUALLY DOING ANYTHING.
171
00:09:56,936 --> 00:09:58,199
I WORKED ALL NIGHT,
172
00:09:58,234 --> 00:10:00,784
AND I WAS ABOUT
TO GET SOME SLEEP.
173
00:10:00,819 --> 00:10:03,334
NO, THERE'S
NOTHING TO REPORT.
174
00:10:03,369 --> 00:10:05,368
NOTHING SPECIAL GOING ON.
175
00:10:05,403 --> 00:10:07,367
JUST THE USUAL ROUTINE.
176
00:10:08,934 --> 00:10:10,165
UH-HUH.
177
00:10:10,200 --> 00:10:12,933
NO, I-I'LL
CALL YOU LATER.
178
00:10:12,968 --> 00:10:15,667
I LOVE YOU, TOO,
MOM. BYE.
179
00:10:20,634 --> 00:10:22,466
SAM...
180
00:10:22,501 --> 00:10:25,100
I DON'T WANT YOU TO THINK
I HAVEN'T THOUGHT ABOUT IT,
181
00:10:25,135 --> 00:10:27,234
ABOUT WHAT YOU
SAID LAST NIGHT.
182
00:10:28,601 --> 00:10:32,300
I DON'T WANT YOU
TO THINK I TOOK IT...
183
00:10:32,335 --> 00:10:33,834
CASUALLY.
184
00:10:36,968 --> 00:10:38,666
GET SOME SLEEP.
185
00:10:38,701 --> 00:10:40,167
WE'LL TALK ABOUT IT
WHEN YOU WAKE UP.
186
00:11:04,000 --> 00:11:05,968
GETTING TO BE
A FAMILIAR SIGHT-
187
00:11:06,003 --> 00:11:07,300
YOU FLAT ON YOUR BACK.
188
00:11:15,834 --> 00:11:17,434
GUESS YOU DIDN'T
HEAR ME KNOCK, HUH?
189
00:11:23,167 --> 00:11:25,998
YOUR KEYS
FROM THE OTHER NIGHT.
190
00:11:26,033 --> 00:11:27,634
I THINK IT'S TIME
YOU AND ME TALKED.
191
00:11:35,868 --> 00:11:37,467
THE WAY I SEE IT...
192
00:11:38,701 --> 00:11:40,634
THE SITUATION IS...
193
00:11:42,834 --> 00:11:44,483
WE HAVE SOMETHING
IN COMMON.
194
00:11:44,518 --> 00:11:46,133
SOMEONE IN COMMON.
195
00:11:48,701 --> 00:11:50,133
YOU FOLLOWING ME
SO FAR?
196
00:11:52,200 --> 00:11:54,200
KIND OF A SHAME IT HAD
TO COME DOWN TO THIS.
197
00:11:54,235 --> 00:11:56,998
YOU SEE,
198
00:11:57,033 --> 00:11:59,199
I LIKE YOU, DAVID.
199
00:11:59,234 --> 00:12:01,699
I MEAN, YOU'RE
HARD NOT TO LIKE.
200
00:12:01,734 --> 00:12:04,367
BUT THE FACT REMAINS,
WE GOT A PROBLEM.
201
00:12:10,067 --> 00:12:12,199
SEE...
202
00:12:12,234 --> 00:12:15,866
SHE'S REAL CONFUSED.
203
00:12:15,901 --> 00:12:17,868
WHICH IS KIND
OF FUNNY 'CAUSE, UH...
204
00:12:19,400 --> 00:12:21,901
I DON'T THINK
THERE'S ANYTHING TO BE CONFUSED ABOUT.
205
00:12:21,936 --> 00:12:23,251
I MEAN...
206
00:12:23,286 --> 00:12:24,793
LOOK AT YOU.
207
00:12:24,828 --> 00:12:26,265
YOU'RE A MESS.
208
00:12:26,300 --> 00:12:28,000
LOOK AT THE WAY YOU LIVE-
LOOK AT THIS PLACE.
209
00:12:29,901 --> 00:12:30,866
HEY, DON'T GET ME WRONG.
210
00:12:30,901 --> 00:12:32,301
I MEAN, IT'S
KIND OF ENDEARING,
211
00:12:32,336 --> 00:12:33,701
AND I KNOW
THAT YOU LIKE IT,
212
00:12:33,736 --> 00:12:35,399
BUT...
213
00:12:35,434 --> 00:12:39,601
I HAPPEN TO THINK
THAT MADDIE DESERVES BETTER.
214
00:12:39,636 --> 00:12:41,418
YOU DO, HUH?
YEP.
215
00:12:41,453 --> 00:12:43,200
YEAH, I SURE DO.
216
00:12:45,267 --> 00:12:47,200
SEE, I'VE KNOWN HER
FOR A LONG TIME.
217
00:12:50,267 --> 00:12:51,567
I KNOW WHAT SHE NEEDS.
218
00:12:51,602 --> 00:12:52,868
I KNOW
WHAT SHE WANTS.
219
00:12:55,434 --> 00:12:56,868
YOU'RE NOT EVEN CLOSE.
220
00:12:59,100 --> 00:13:00,900
IT'S LIKE I SAID,
221
00:13:00,935 --> 00:13:02,701
SHE'S REAL CONFUSED.
222
00:13:05,467 --> 00:13:07,067
IT'S KIND OF UNFORTUNATE.
223
00:13:09,133 --> 00:13:10,098
LAST NIGHT,
224
00:13:10,133 --> 00:13:12,550
I MADE HER
A PROPOSITION-
225
00:13:12,585 --> 00:13:14,968
A REAL SERIOUS
PROPOSITION.
226
00:13:15,003 --> 00:13:16,265
ONE THAT I THINK,
227
00:13:16,300 --> 00:13:18,234
UNDER ANY OTHER
CIRCUMSTANCES,
228
00:13:18,269 --> 00:13:19,567
SHE WOULD HAVE
JUMPED AT.
229
00:13:21,334 --> 00:13:24,400
SEE, WHAT
I'M TRYING TO SAY...
230
00:13:25,801 --> 00:13:28,801
IS IF YOU DON'T
REALLY CARE ABOUT HER,
231
00:13:28,836 --> 00:13:31,599
YOU SHOULD TELL HER.
232
00:13:31,634 --> 00:13:33,701
AND IF YOU DO
CARE ABOUT HER, WELL...
233
00:13:33,736 --> 00:13:35,534
SHE SHOULD KNOW THAT, TOO.
234
00:13:38,701 --> 00:13:40,884
IT'S JUST THAT
IT'S REAL OBVIOUS
235
00:13:40,919 --> 00:13:43,067
WHO AND WHAT'S
BEST FOR HER.
236
00:13:51,501 --> 00:13:53,534
IT'S REAL SIMPLE, DAVID.
237
00:13:55,400 --> 00:13:57,000
WHY DON'T YOU
DO EVERYBODY A FAVOR
238
00:13:57,035 --> 00:13:58,100
AND JUST BACK OFF.
239
00:14:39,701 --> 00:14:40,834
GOOD MORNING,
MISS DIPESTO.
240
00:14:40,869 --> 00:14:41,968
GOOD MORNING,
MISS HAYES.
241
00:14:50,834 --> 00:14:52,367
WHY DIDN'T YOU TELL ME?
242
00:14:54,067 --> 00:14:56,150
MADDIE...
HEY, COME HERE!
243
00:14:56,185 --> 00:14:58,199
HE ASKED YOU,
DIDN'T HE?
244
00:14:58,234 --> 00:14:59,532
I DON'T WANT
TO TALK ABOUT IT!
245
00:14:59,567 --> 00:15:00,567
HE DID, DIDN'T HE?
I DON'T WANT TO TALK ABOUT IT.
246
00:15:00,602 --> 00:15:01,632
YOU SEE, I MEAN,
247
00:15:01,667 --> 00:15:03,450
I FIND THIS REALLY
INTERESTING, THAT'S ALL.
248
00:15:03,485 --> 00:15:05,234
ACCORDING TO HIM,
HE ASKED YOU LAST NIGHT.
249
00:15:05,269 --> 00:15:06,365
NOCHE LAST-AY.
250
00:15:06,400 --> 00:15:07,567
BEFORE YOU
CAME TO MY PLACE.
251
00:15:07,602 --> 00:15:08,699
BEFORE WE RAN
ALL OVER TOWN.
252
00:15:08,734 --> 00:15:10,534
HITHER AND YON,
YON AND HITHER. WELL, I DON'T RECALL
253
00:15:10,569 --> 00:15:12,098
YOU MENTIONING THAT.
YOU'RE RIGHT.
254
00:15:12,133 --> 00:15:13,683
I DIDN'T MENTION IT.
YOU WANT TO KNOW WHY I DIDN'T MENTION IT?
255
00:15:13,718 --> 00:15:15,234
I DIDN'T MENTION IT
BECAUSE IT'S NONE OF YOUR DAMN BUSINESS.
256
00:15:15,269 --> 00:15:16,199
NONE OF
MY DAMN BUSINESS?
257
00:15:16,234 --> 00:15:17,400
NONE OF
MY DAMN BUSINESS?
258
00:15:17,435 --> 00:15:18,400
NONE OF
YOUR DAMN BUSINESS!
259
00:15:22,434 --> 00:15:24,000
WELL...
260
00:15:24,035 --> 00:15:25,532
ALL RIGHT.
261
00:15:25,567 --> 00:15:28,267
MAYBE IT IS NONE
OF MY DAMN BUSINESS,
262
00:15:28,302 --> 00:15:29,299
BUT I GOT
A RIGHT TO KNOW.
263
00:15:29,334 --> 00:15:30,350
RIGHT TO KNOW?
WHAT RIGHT TO KNOW?
264
00:15:30,385 --> 00:15:31,367
YOU DON'T HAVE
ANY RIGHT TO KNOW!
265
00:15:31,402 --> 00:15:32,300
OH, NO?
NO.
266
00:15:33,434 --> 00:15:34,367
HE ASKED YOU,
DIDN'T HE?
267
00:15:35,601 --> 00:15:36,732
HE SAID IT, RIGHT?
STOP IT.
268
00:15:36,767 --> 00:15:38,067
NO, LOOK,
HE SAID IT. DIDN'T HE?
269
00:15:38,102 --> 00:15:39,567
GET OUT OF HERE!
270
00:15:39,602 --> 00:15:41,033
I WANT TO BE ALONE!
271
00:15:42,400 --> 00:15:43,583
SO, WHAT DID YOU SAY?
272
00:15:43,618 --> 00:15:44,732
I WANT TO BE ALONE!
273
00:15:44,767 --> 00:15:46,100
YOU SAID THAT?
I'M SAYING THAT.
274
00:15:46,135 --> 00:15:47,334
ARE YOU SAYING
YOU SAID THAT,
275
00:15:47,369 --> 00:15:48,534
OR THAT YOU'RE
SAYING THAT?
276
00:15:48,569 --> 00:15:49,965
I WANT TO DIE.
277
00:15:50,000 --> 00:15:51,767
WHOA, WHOA, WHOA.
WHO'D YOU SAY THAT TO?
278
00:15:51,802 --> 00:15:53,332
YOU'RE BACK!
279
00:15:53,367 --> 00:15:54,734
YOU'RE RIGHT.
YOU'RE SCUM!
280
00:16:01,701 --> 00:16:04,367
I JUST WANT TO TALK
TO YOU ABOUT THIS.
281
00:16:04,402 --> 00:16:06,384
WHY?
282
00:16:06,419 --> 00:16:08,332
WHY?
283
00:16:08,367 --> 00:16:09,399
WHY? MADDIE, I-
284
00:16:09,434 --> 00:16:10,450
DAVID, I ASKED YOU
A QUESTION.
285
00:16:10,485 --> 00:16:11,467
WHY SHOULD I TALK
TO YOU ABOUT IT?
286
00:16:11,502 --> 00:16:12,666
WHAT DIFFERENCE
WILL IT MAKE?
287
00:16:12,701 --> 00:16:13,701
IT'LL MAKE A LOT
OF DIFFERENCE. IT WON'T.
288
00:16:13,736 --> 00:16:14,732
IT WON'T MAKE
ANY DIFFERENCE.
289
00:16:14,767 --> 00:16:15,933
I DON'T BELIEVE
YOU'RE SAYING THIS.
290
00:16:15,968 --> 00:16:17,717
THE TWO OF YOU ACT LIKE
YOU'RE COMPETING FOR ME.
291
00:16:17,752 --> 00:16:19,467
MISS DIPESTO
COMES IN HERE AND MAKES SPEECHES
292
00:16:19,502 --> 00:16:20,666
ABOUT HOW YOU'RE
FALLING APART.
293
00:16:20,701 --> 00:16:22,367
YOU WALK AROUND
LIKE THE JILTED LOVER,
294
00:16:22,402 --> 00:16:23,998
LIKE THE WORLD
IS COMING TO AN END.
295
00:16:24,033 --> 00:16:25,868
WELL, YOU'RE
NOT THE JILTED ANYTHING, DAVID.
296
00:16:25,903 --> 00:16:28,801
YOU WON'T EVEN PUT
YOURSELF IN THE GAME.
297
00:16:28,836 --> 00:16:29,933
IT'S NOT FAIR.
298
00:16:29,968 --> 00:16:31,334
YOU WANT ME
TO TELL YOU EVERYTHING,
299
00:16:31,369 --> 00:16:32,701
BUT YOU TELL ME NOTHING.
300
00:16:32,736 --> 00:16:33,998
I DON'T KNOW
HOW YOU FEEL.
301
00:16:34,033 --> 00:16:36,500
AM I SUPPOSED TO THINK
BECAUSE YOU CHASED ME DOWN THE HALL
302
00:16:36,535 --> 00:16:38,968
THAT YOU CARE ABOUT ME?
THAT YOU DON'T WANT ME TO MARRY SAM?
303
00:16:42,167 --> 00:16:44,317
HOW ABOUT
WE DO IT ALL AGAIN?
304
00:16:44,352 --> 00:16:46,343
ONLY THIS TIME,
I'LL CHASE YOU.
305
00:16:46,378 --> 00:16:48,299
HOW DO YOU
FEEL ABOUT ME, DAVID?
306
00:16:48,334 --> 00:16:50,267
HOW DO YOU FEEL
ABOUT ALL THIS, DAVID?
307
00:16:50,302 --> 00:16:52,167
I HAVE A RIGHT
TO KNOW, DON'T I?
308
00:16:52,202 --> 00:16:53,133
DON'T I?
309
00:16:58,701 --> 00:17:01,901
YES, HE ASKED ME
TO MARRY HIM.
310
00:17:03,968 --> 00:17:06,834
NO, I HAVEN'T
SAID YES YET.
311
00:17:06,869 --> 00:17:09,666
BUT YES, I'M
THINKING ABOUT IT.
312
00:17:09,701 --> 00:17:12,200
HE'S WILLING TO MAKE
A COMMITMENT TO ME.
313
00:17:12,235 --> 00:17:13,367
HOW ABOUT YOU?
314
00:17:15,367 --> 00:17:16,700
IF YOU WANT
TO SAY SOMETHING,
315
00:17:16,735 --> 00:17:18,434
NOW'S THE TIME
TO SAY IT.
316
00:17:18,469 --> 00:17:20,133
IF YOU
WANT TO TALK, TALK.
317
00:17:22,200 --> 00:17:24,499
COME ON, DAVID.
318
00:17:24,534 --> 00:17:27,601
SPEAK NOW
OR FOREVER HOLD YOUR PEACE.
319
00:17:37,567 --> 00:17:38,534
RIGHT.
320
00:17:42,567 --> 00:17:44,132
ARE WE THROUGH?
321
00:17:44,167 --> 00:17:46,534
SURE SOUNDS LIKE IT.
322
00:17:46,569 --> 00:17:48,234
SURE DOES.
323
00:17:54,234 --> 00:17:58,866
* DON'T KNOW WHY *
324
00:17:58,901 --> 00:18:03,901
* THERE'S NO SUN
UP IN THE SKY *
325
00:18:03,936 --> 00:18:07,768
* STORMY WEATHER *
326
00:18:07,803 --> 00:18:11,802
* SINCE MY MAN AND I *
327
00:18:11,837 --> 00:18:15,766
* AIN'T TOGETHER *
328
00:18:15,801 --> 00:18:21,934
* KEEPS RAINING
ALL THE TIME **
329
00:18:21,969 --> 00:18:23,868
LIFE'S FUNNY,
ISN'T IT?
330
00:18:26,601 --> 00:18:28,534
I MEAN,
THE DELICATE BALANCE...
331
00:18:30,434 --> 00:18:32,899
THE FRAGILITY...
332
00:18:32,934 --> 00:18:36,367
THE PRECARIOUSNESS
OF ANY GIVEN MOMENT.
333
00:18:36,402 --> 00:18:38,766
DO YOU HAVE ANY 3s?
334
00:18:38,801 --> 00:18:40,834
TAKE OFFICE RELATIONSHIPS...
335
00:18:42,100 --> 00:18:45,434
JUST TO RANDOMLY
PICK SOMETHING
336
00:18:45,469 --> 00:18:46,400
OFF THE TOP OF MY HEAD.
337
00:18:47,634 --> 00:18:50,634
ONE MINUTE
THEY'RE SAFE AND SANE,
338
00:18:50,669 --> 00:18:52,400
ALL BARK AND NO BITE.
339
00:18:53,634 --> 00:18:55,500
THEN SUDDENLY...
340
00:18:55,535 --> 00:18:57,384
THEY CHANGE.
341
00:18:57,419 --> 00:18:59,199
THAT'S TRUE.
342
00:18:59,234 --> 00:19:01,501
TRICKY FIGURING OUT
HOW TO HANDLE IT.
343
00:19:01,536 --> 00:19:02,599
MMM.
344
00:19:02,634 --> 00:19:05,734
A LOT
OF CONFLICTING EMOTIONS.
345
00:19:07,601 --> 00:19:09,400
LIKE, UH...
346
00:19:10,634 --> 00:19:12,601
WILL YOU MISS
THE SEXUAL TENSION?
347
00:19:14,667 --> 00:19:20,334
DAY IN AND DAY OUT RUSH
OF ADRENALIN YOU GET FROM...
348
00:19:20,369 --> 00:19:23,567
BEING VERY CLOSE
TO SOMEBODY YOU'RE...
349
00:19:25,100 --> 00:19:27,767
WILDLY
EXCITED ABOUT, YET...
350
00:19:29,501 --> 00:19:32,567
YOU DON'T KNOW WHETHER
YOU REALLY SHOULD HAVE.
351
00:19:32,602 --> 00:19:34,801
OR WILL IT
BE WONDERFUL
352
00:19:34,836 --> 00:19:37,000
GETTING TO KNOW
THAT PERSON
353
00:19:37,035 --> 00:19:40,299
IN A WHOLE NEW WAY?
354
00:19:40,334 --> 00:19:44,634
IS WHAT'S HAPPENING,
HYPOTHETICALLY SPEAKING,
355
00:19:44,669 --> 00:19:46,899
IS WHAT'S HAPPENING...
356
00:19:46,934 --> 00:19:51,499
A NATURAL HORMONAL
REACTION TO...
357
00:19:51,534 --> 00:19:53,434
SOMEBODY YOU SPEND
A LOT OF TIME WITH?
358
00:19:55,033 --> 00:19:57,767
OR IS IT
THE REAL McCOY?
359
00:19:57,802 --> 00:20:00,084
DO YOU...
360
00:20:00,119 --> 00:20:02,332
RISK...
361
00:20:02,367 --> 00:20:04,350
TELLING THAT PERSON...
362
00:20:04,385 --> 00:20:06,334
HOW YOU LONG FOR HER?
363
00:20:08,534 --> 00:20:09,634
HOW...
364
00:20:11,200 --> 00:20:14,100
HOW ALL
YOU CAN THINK ABOUT...
365
00:20:14,135 --> 00:20:16,965
IS PUTTING MATHIS
ON THE WALKMAN
366
00:20:17,000 --> 00:20:21,067
AND DANCING WITH HER
IN THE EXECUTIVE WASHROOM?
367
00:20:21,102 --> 00:20:25,100
OR DO YOU KEEP YOUR
FEELINGS TO YOURSELF
368
00:20:25,135 --> 00:20:27,032
AND JUST LET THAT PERSON
369
00:20:27,067 --> 00:20:29,532
FIND ANOTHER
PERSON TO LOVE?
370
00:20:29,567 --> 00:20:32,067
WHEN THE PERSON
EACH OF YOU REALLY WANTS
371
00:20:32,102 --> 00:20:35,132
IS RIGHT UNDER YOUR NOSES.
372
00:20:35,167 --> 00:20:38,767
WHEN THE PERSON EACH
OF YOU REALLY WANTS
373
00:20:38,802 --> 00:20:42,365
IS RIGHT
UNDER YOUR NOSES.
374
00:20:42,400 --> 00:20:46,400
BOY, YOU CAN
REALLY SEE THE PROBLEM
375
00:20:46,435 --> 00:20:48,717
MR. ADDISON
MUST BE HAVING.
376
00:20:48,752 --> 00:20:51,000
NOT TO MENTION
MISS HAYES.
377
00:20:55,434 --> 00:20:57,934
TAKE THE BELTWAY
AROUND THIS ONE, BUCKO.
378
00:20:57,969 --> 00:20:59,199
PARDON ME?
379
00:20:59,234 --> 00:21:01,332
THE SCENIC ROUTE IS OUT.
380
00:21:01,367 --> 00:21:04,534
MISS HAYES IS
EXPECTING YOU.
381
00:21:05,767 --> 00:21:07,534
THANKS.
382
00:21:31,801 --> 00:21:33,267
MR. ADDISON?
383
00:21:33,302 --> 00:21:34,734
EXCUSE THE MESS.
384
00:21:36,968 --> 00:21:38,884
I GOT
A LITTLE FRUSTRATED.
385
00:21:38,919 --> 00:21:40,360
COULDN'T FIND
ANY PAPER CLIPS.
386
00:21:40,395 --> 00:21:41,731
THAT-THAT
IS FRUSTRATING.
387
00:21:41,766 --> 00:21:43,032
I KNOW HOW
THAT CAN BE.
388
00:21:43,067 --> 00:21:45,701
YOU EVER NOTICE
HOW MANY BOBS
389
00:21:45,736 --> 00:21:47,234
WE GOT
ON DAYTIME TV?
390
00:21:48,968 --> 00:21:51,734
I MEAN, YOU GOT YOUR
OCCASIONAL OPRAH,
391
00:21:51,769 --> 00:21:54,100
MAYBE A VANNA
HERE AND THERE,
392
00:21:54,135 --> 00:21:56,401
BUT MOSTLY BOBS.
393
00:21:56,436 --> 00:21:58,632
MR. ADDISON...
394
00:21:58,667 --> 00:22:00,501
DID YOU EVER WATCH
DIVORCE COURT?
395
00:22:00,536 --> 00:22:03,299
IT'S PRETTY GOOD.
396
00:22:03,334 --> 00:22:06,332
HUSBAND WHINES,
WIFE WHINES,
397
00:22:06,367 --> 00:22:08,667
THE LAWYER DOES
HIS LITTLE DANCE.
398
00:22:08,702 --> 00:22:09,965
AND VOILA.
399
00:22:10,000 --> 00:22:11,934
SHE GOES HOME
WITH THE LOVELY PARTING GIFTS,
400
00:22:11,969 --> 00:22:13,267
AND HE GETS
THE ROOM AT THE Y.
401
00:22:14,634 --> 00:22:17,100
HA! MARRIAGE...
402
00:22:24,334 --> 00:22:26,767
SO, JUST
IN THE NEIGHBORHOOD, OR WHAT?
403
00:22:26,802 --> 00:22:28,632
SAM'S HERE.
404
00:22:28,667 --> 00:22:30,834
WELL, I GUESS HE'S
GOT TO BE SOMEWHERE.
405
00:22:30,869 --> 00:22:32,601
MAYBE
SATURN'S CLOSED.
406
00:22:32,636 --> 00:22:34,334
THEY'RE GOING
TO DINNER.
407
00:22:34,369 --> 00:22:35,599
OK.
408
00:22:35,634 --> 00:22:38,000
UH, WELL,
SIR, I...
409
00:22:38,035 --> 00:22:40,332
IT'S JUST THAT...
410
00:22:40,367 --> 00:22:42,267
WE JUST THOUGHT...
WE JUST THOUGHT...
411
00:22:43,801 --> 00:22:45,084
WE THOUGHT
412
00:22:45,119 --> 00:22:46,332
THAT THERE
413
00:22:46,367 --> 00:22:47,499
MIGHT
BE SOMETHING
414
00:22:47,534 --> 00:22:49,534
YOU MIGHT
WANT TO SAY...
415
00:22:49,569 --> 00:22:50,666
TO MISS HAYES...
416
00:22:50,701 --> 00:22:53,134
WHILE SHE STILL
IS MISS HAYES.
417
00:22:53,169 --> 00:22:55,532
YOUR HONOR, I OBJECT.
418
00:22:55,567 --> 00:22:57,701
THAT ANSWERIS NOT RESPONSIVE.
419
00:22:57,736 --> 00:23:00,332
I'LL STRIKE IT.
420
00:23:00,367 --> 00:23:01,499
DIDN'T SHE CATCH YOU
421
00:23:01,534 --> 00:23:03,467
FONDLING HER HUSBAND'SNAKED BODY?
422
00:23:23,567 --> 00:23:24,567
HEY!
423
00:23:25,734 --> 00:23:26,767
HEY!
424
00:23:37,601 --> 00:23:38,732
MADDIE...
425
00:23:38,767 --> 00:23:40,267
DAVID, COME ON.
426
00:23:40,302 --> 00:23:41,232
TIME-OUT.
427
00:23:41,267 --> 00:23:42,265
WHAT ARE YOU
TRYING TO DO?
428
00:23:42,300 --> 00:23:44,100
THIS HAS GOT NOTHIN'
TO DO WITH YOU.
429
00:23:44,135 --> 00:23:45,033
GET OUT OF THE CAR.
430
00:23:46,634 --> 00:23:48,867
GET YOUR HAND
OFF THE CAR, PLEASE.
431
00:23:48,902 --> 00:23:51,065
MADDIE, I WANT
TO TALK TO YOU.
432
00:23:51,100 --> 00:23:53,900
HEY, DIDN'T YOU HEAR ME?
I WANT TO TALK TO YOU.
433
00:23:53,935 --> 00:23:56,701
YEAH, BUT SEE,
SHE DOESN'T WANT TO TALK TO YOU.
434
00:23:56,736 --> 00:23:58,100
BUTT OUT, BUCK ROGERS!
435
00:23:59,934 --> 00:24:02,601
LOOK, I JUST WANT
TO TALK TO YOU. PLEASE?
436
00:24:02,636 --> 00:24:04,033
GO AWAY, DAVID.
437
00:24:10,734 --> 00:24:12,132
MADDIE?
438
00:24:12,167 --> 00:24:14,501
I CAN'T DEAL WITH THIS.
I CAN'T DEAL WITH THIS.
439
00:24:14,536 --> 00:24:15,601
MADDIE,
COME HERE.
440
00:24:15,636 --> 00:24:16,667
I WANT
TO TALK TO YOU.
441
00:24:16,702 --> 00:24:17,734
HEY!
442
00:24:18,968 --> 00:24:20,801
OH, GOD! OH, GOD!
OH, GOD! OH, GOD!
443
00:24:20,836 --> 00:24:22,901
LEAVE ME ALONE,
BOTH OF YOU!
444
00:24:24,467 --> 00:24:25,933
DAVID...
445
00:24:25,968 --> 00:24:27,267
WHY DON'T
WE JUST STOP?
446
00:24:27,302 --> 00:24:28,567
GET YOUR HANDS
OFF ME, PAL!
447
00:24:31,801 --> 00:24:33,300
HOW ABOUT ME
AND YOU TAKE A WALK
448
00:24:33,335 --> 00:24:34,434
AROUND THE BLOCK, HUH?
449
00:24:56,467 --> 00:24:58,534
YOU'RE AN ASS,
YOU KNOW THAT?
450
00:25:11,167 --> 00:25:12,667
I JUST WANTED
TO TALK TO HER.
451
00:25:14,100 --> 00:25:16,167
I WANT
THE TWO OF YOU-
452
00:25:16,202 --> 00:25:18,434
OH, MY GOD. DAVID.
453
00:25:24,701 --> 00:25:26,601
THAT'S ME.
454
00:25:28,868 --> 00:25:30,418
YOU MISSED IT,
MADDIE.
455
00:25:30,453 --> 00:25:32,376
THE FIGHT
OF THE CENTURY.
456
00:25:32,411 --> 00:25:34,300
THE BARRAGE
IN THE GARAGE.
457
00:25:34,335 --> 00:25:36,184
TKO...
458
00:25:36,219 --> 00:25:38,293
S.O.S...
459
00:25:38,328 --> 00:25:39,964
S.O.B...
460
00:25:39,999 --> 00:25:41,601
THAT'S ME.
461
00:25:46,601 --> 00:25:48,133
I'M FINE.
462
00:25:49,868 --> 00:25:50,968
I'M FINE.
463
00:25:53,067 --> 00:25:55,801
CAME DOWN HERE
'CAUSE I WANTED TO TALK TO YOU, TOO.
464
00:25:57,067 --> 00:25:58,567
I DIDN'T REALIZE
HOW BUSY YOU WERE.
465
00:25:58,602 --> 00:25:59,532
BUT NOW, OF COURSE,
466
00:25:59,567 --> 00:26:01,684
I REALIZE
HOW BUSY YOU ARE.
467
00:26:01,719 --> 00:26:03,801
I'M FINE.
I'M GREAT, REALLY.
468
00:26:03,836 --> 00:26:06,234
JUST WALKING ALONG...
469
00:26:06,269 --> 00:26:07,868
SINGING A SONG.
470
00:26:09,400 --> 00:26:13,266
* I'M SINGIN'
IN THE RAIN *
471
00:26:13,301 --> 00:26:17,234
* I'M SINGIN'
IN THE RAIN *
472
00:26:17,269 --> 00:26:20,834
* WHAT A GLORIOUS FEELIN' *
473
00:26:20,869 --> 00:26:24,400
* I'M HAP-HAPPY AGAIN **
474
00:26:34,934 --> 00:26:37,065
FOR WHAT
IT'S WORTH...
475
00:26:37,100 --> 00:26:38,267
I DIDN'T TAKE
THE FIRST SWING.
476
00:26:44,267 --> 00:26:47,032
OK.
477
00:26:47,067 --> 00:26:49,417
SAM, DOES IT
REALLY MATTER?
478
00:26:49,452 --> 00:26:51,459
YEAH. YEAH,
IT MATTERS TO ME.
479
00:26:51,494 --> 00:26:53,467
JUST TO SET THE
RECORD STRAIGHT,
480
00:26:53,502 --> 00:26:54,701
I DIDN'T START
ANY OF THAT.
481
00:26:54,736 --> 00:26:55,968
I DIDN'T SAY YOU DID.
482
00:26:56,003 --> 00:26:57,033
NO.
483
00:26:58,434 --> 00:27:00,167
NO, YOU DIDN'T.
YOU HAVEN'T SAID A THING.
484
00:27:02,300 --> 00:27:04,400
YOU KNOW, IT'S
KIND OF FUNNY, MADDIE.
485
00:27:06,133 --> 00:27:07,899
I COME TO PICK YOU
UP FOR DINNER.
486
00:27:07,934 --> 00:27:10,801
YOUR PARTNER, HE
THROWS A ROADBLOCK, ON THE WAY OUT,
487
00:27:10,836 --> 00:27:12,466
GRABS YOU
OUT OF THE CAR,
488
00:27:12,501 --> 00:27:15,634
TRIES TO SEPARATE
MY HEAD FROM MY SHOULDERS.
489
00:27:15,669 --> 00:27:19,065
SOMEHOW, I CAN'T
SHAKE THE FEELING
490
00:27:19,100 --> 00:27:21,067
THAT SOMEHOW
I'M BEING CAST AS THE BAD GUY.
491
00:27:21,102 --> 00:27:23,134
NOBODY'S CALLING YOU
THE BAD GUY.
492
00:27:23,169 --> 00:27:25,167
NOBODY'S CALLING YOU
ANYTHING.
493
00:27:29,667 --> 00:27:31,801
YOU KNOW WHAT ELSE
IS KINDA FUNNY?
494
00:27:34,834 --> 00:27:37,132
THE LAST TIME
I CHECKED MY WATCH,
495
00:27:37,167 --> 00:27:40,133
IT WAS 36 HOURS
SINCE I ASKED YOU WHAT I ASKED YOU,
496
00:27:40,168 --> 00:27:43,000
AND I HAVEN'T HEARD
THE SLIGHTEST RESPONSE,
497
00:27:43,035 --> 00:27:46,101
WHICH WOULDN'T
BE TOO BAD
498
00:27:46,136 --> 00:27:49,132
IF THE WOMAN
I HAD ASKED
499
00:27:49,167 --> 00:27:50,334
ON THE VERY SAME
NIGHT I ASKED HER,
500
00:27:50,369 --> 00:27:51,299
HADN'T LEFT OUR BED
501
00:27:51,334 --> 00:27:52,400
IN THE MIDDLE
OF THE NIGHT.
502
00:27:55,100 --> 00:27:57,501
HEY, BUT THAT'S NOT
WHAT STICKS IN MY CRAW THE MOST.
503
00:27:57,536 --> 00:27:59,132
MM-MMM.
504
00:27:59,167 --> 00:28:00,200
YOU WANNA KNOW
WHAT THAT IS?
505
00:28:02,734 --> 00:28:05,717
THAT'S WHEN THE WOMAN
I ASKED TO MARRY ME,
506
00:28:05,752 --> 00:28:08,666
THE MORNING AFTER I ASK
HER, TELLS HER MOTHER,
507
00:28:08,701 --> 00:28:11,367
WHO I'LL LAY ODDS
SHE HASN'T TALKED TO IN QUITE A WHILE,
508
00:28:11,402 --> 00:28:13,334
THAT THERE'S
NOTHING GOING ON.
509
00:28:13,369 --> 00:28:15,033
THAT IT'S JUST
THE, UH...
510
00:28:15,068 --> 00:28:16,801
"SAME OLD ROUTINE."
511
00:28:20,701 --> 00:28:22,133
I DON'T KNOW...
512
00:28:23,534 --> 00:28:25,133
IT'S REALLY
KIND OF FUNNY, MADDIE.
513
00:28:29,300 --> 00:28:31,701
I'M NOT SAYING YOU DON'T
WANT TO BE MARRIED.
514
00:28:31,736 --> 00:28:35,534
I'M JUST SAYING
MAYBE IT'S NOT TO ME.
515
00:28:41,567 --> 00:28:42,667
WELL...
516
00:28:44,567 --> 00:28:46,734
I DON'T THINK I FEEL MUCH
LIKE HAVING DINNER.
517
00:28:46,769 --> 00:28:49,666
FINE. LET'S GO HOME.
518
00:28:49,701 --> 00:28:51,184
YEAH, RIGHT. MY HOME.
519
00:28:51,219 --> 00:28:52,460
WHAT'S THAT
SUPPOSED TO MEAN?
520
00:28:52,495 --> 00:28:53,666
NOTHING.
IT MEANS NOTHING.
521
00:28:53,701 --> 00:28:55,234
IT MEANS SOMETHING.
IT MEANS...
522
00:28:55,269 --> 00:28:56,435
I NEED TIME!
523
00:28:56,470 --> 00:28:57,566
I NEED SPACE.
524
00:28:57,601 --> 00:28:59,634
I'M NOT GLIB.
IF YOU WANT GLIB, MARRY DAVID.
525
00:29:01,167 --> 00:29:02,500
I'VE GOT
TO THINK THIS THROUGH!
526
00:29:02,535 --> 00:29:03,851
THAT'S WHO I AM.
THAT'S WHAT I AM.
527
00:29:03,886 --> 00:29:05,132
AND WHILE WE'RE
ON THE SUBJECT-
528
00:29:05,167 --> 00:29:06,400
WILL YOU STOP YELLING?
WHO TOLD DAVID ADDISON
529
00:29:06,435 --> 00:29:07,701
ABOUT YOUR PROPOSAL?
530
00:29:07,736 --> 00:29:08,985
ME! ME.
531
00:29:09,020 --> 00:29:10,199
YOU?
532
00:29:10,234 --> 00:29:11,334
I DID. YES.
533
00:29:16,434 --> 00:29:17,367
THANK YOU.
534
00:29:19,267 --> 00:29:20,683
YOU GOT A PROBLEM?
535
00:29:20,718 --> 00:29:22,065
YEAH, I GOT A PROBLEM.
536
00:29:22,100 --> 00:29:23,334
IT'S NONE
OF YOUR DAMN BUSINESS.
537
00:29:23,369 --> 00:29:24,399
NONE OF MY DAMN-
538
00:29:24,434 --> 00:29:25,767
IT'S NONE
OF YOUR DAMN BUSINESS!
539
00:29:25,802 --> 00:29:27,065
IT'S MY BUSINESS
TO TELL HIM.
540
00:29:27,100 --> 00:29:29,100
IT'S MY BUSINESS
TO EVEN CHOOSE TO TELL HIM!
541
00:29:29,135 --> 00:29:31,200
MINE! MY BUSINESS,
MY CHOICE!
542
00:29:32,434 --> 00:29:33,934
MY GOD, THIS ISN'T
SOMETHING YOU SETTLE
543
00:29:33,969 --> 00:29:35,299
BETWEEN THE TWO OF YOU!
544
00:29:35,334 --> 00:29:37,434
THIS IS SOMETHING
I SETTLE BETWEEN THE TWO OF US!
545
00:29:37,469 --> 00:29:38,899
THE ONE OF ME.
546
00:29:38,934 --> 00:29:41,899
DON'T I HAVE SOMETHING
TO SAY ABOUT ALL THIS?
547
00:29:41,934 --> 00:29:44,167
YOU AND I MAY HAVE KNOWN
EACH OTHER 20 YEARS LONGER
548
00:29:44,202 --> 00:29:46,400
THAN ME AND DAVID,
WHO ISN'T THE ISSUE HERE.
549
00:29:46,435 --> 00:29:48,518
BUT THAT DOESN'T MEAN
YOU CAN WALTZ IN HERE,
550
00:29:48,553 --> 00:29:50,601
AFTER ALL THESE YEARS,
AND STAKE YOUR CLAIM
551
00:29:50,636 --> 00:29:52,218
LIKE I WAS A PIECE
OF REAL ESTATE.
552
00:29:52,253 --> 00:29:53,766
I DIDN'T THINK
THAT'S WHAT I DID.
553
00:29:53,801 --> 00:29:56,067
WELL, THAT SURE FEELS
LIKE WHAT YOU DID.
554
00:29:59,133 --> 00:30:00,699
I GUESS MAYBE...
555
00:30:00,734 --> 00:30:04,367
I'M JUST NOT USED
TO ASKING SOMEONE TO MARRY ME.
556
00:30:06,968 --> 00:30:09,400
AHH, I KNOW.
557
00:30:11,467 --> 00:30:13,567
I'M NOT USED
TO BEING ASKED.
558
00:30:28,167 --> 00:30:29,267
HOME.
559
00:30:30,734 --> 00:30:32,100
SORRY ABOUT DINNER.
560
00:30:34,167 --> 00:30:35,965
IT'S OK.
561
00:30:36,000 --> 00:30:37,934
I'LL TAKE
A RAIN CHECK.
562
00:30:40,000 --> 00:30:41,967
SAM, I THINK
MAYBE I'D LIKE
563
00:30:42,002 --> 00:30:43,934
TO BE BY MYSELF
FOR A WHILE.
564
00:30:48,334 --> 00:30:49,434
ME, TOO.
565
00:30:54,367 --> 00:30:55,899
YEAH, RIGHT-
NO, REALLY.
566
00:30:55,934 --> 00:30:57,434
IT'S EASIER IF I GO.
NO, IT'S EASIER IF I GO.
567
00:30:57,469 --> 00:30:58,833
YOU STAY HERE.
NO, YOU STAY HERE.
568
00:30:58,868 --> 00:31:00,566
THIS IS YOUR HOME.
YOU HAVE NO PLACE TO GO.
569
00:31:00,601 --> 00:31:02,467
I'LL GO TO SOMEBODY
ELSE'S HOME. I'LL GO TO A HOTEL.
570
00:31:02,502 --> 00:31:04,833
PLEASE. IT'S OK.
571
00:31:04,868 --> 00:31:07,501
I'LL TAKE THE CAR,
AND YOU TAKE THE HOUSE.
572
00:31:07,536 --> 00:31:09,467
WORK OUT
THE ALIMONY LATER?
573
00:31:12,934 --> 00:31:14,133
I'M SORRY.
574
00:31:15,868 --> 00:31:16,868
SEE YOU LATER?
575
00:31:18,634 --> 00:31:20,833
YEAH...
576
00:31:20,868 --> 00:31:21,968
SEE YOU LATER.
577
00:32:37,467 --> 00:32:38,734
DAVID...
578
00:33:13,334 --> 00:33:15,667
MISS HAYES. I THOUGHT
YOU WERE GOING TO DINNER.
579
00:33:15,702 --> 00:33:17,632
YEAH, I KNOW.
580
00:33:17,667 --> 00:33:19,983
I DIDN'T FEEL MUCH
LIKE DINNER.
581
00:33:20,018 --> 00:33:22,300
I DIDN'T FEEL MUCH
LIKE ANYTHING.
582
00:33:22,335 --> 00:33:24,567
MR. ADDISON'S FAVORITE.
583
00:33:26,133 --> 00:33:28,467
HE MUST'VE BEEN
PRETTY UPSET.
584
00:33:33,000 --> 00:33:34,834
WHAT ARE YOU DOING HERE,
MISS DIPESTO?
585
00:33:34,869 --> 00:33:36,268
IT'S LATE.
586
00:33:36,303 --> 00:33:37,632
I DON'T KNOW,
587
00:33:37,667 --> 00:33:39,701
JUST DIDN'T WANT HIM
TO COME IN HERE TOMORROW
588
00:33:39,736 --> 00:33:41,033
AND FIND THIS MESS.
589
00:33:41,068 --> 00:33:42,151
HE'S SO-
590
00:33:42,186 --> 00:33:43,234
I KNOW.
591
00:33:44,801 --> 00:33:46,968
YOU'RE
A GOOD PERSON, AGNES.
592
00:34:00,033 --> 00:34:03,534
I KNOW THIS IS NONE
OF MY BUSINESS, MISS HAYES,
593
00:34:03,569 --> 00:34:05,499
BUT IT SEEMS LIKE
MR. ADDISON
594
00:34:05,534 --> 00:34:06,901
ISN'T THE ONLY ONE
WHO'S UPSET AROUND HERE.
595
00:34:08,367 --> 00:34:09,767
I'M FINE.
596
00:34:20,434 --> 00:34:22,400
IF THERE'S
ANYTHING I CAN DO...
597
00:34:22,435 --> 00:34:23,699
NO.
598
00:34:23,734 --> 00:34:25,601
I DON'T THINK SO.
599
00:34:33,734 --> 00:34:34,734
WANT TO GET WRECKED?
600
00:34:34,769 --> 00:34:35,699
EXCUSE ME?
601
00:34:35,734 --> 00:34:37,000
YOU KNOW, BOMBED?
602
00:34:37,035 --> 00:34:38,267
PICKLED? POLLUTED?
603
00:34:40,033 --> 00:34:41,868
ALL THE BOY
DETECTIVES DO IT.
604
00:34:43,567 --> 00:34:45,000
IT'S BETTER
AT THE END OF THE BAR.
605
00:34:45,035 --> 00:34:46,434
PEOPLE DON'T TRY
TO PICK YOU UP,
606
00:34:46,469 --> 00:34:47,566
AND IT'S EASIER TO GET
607
00:34:47,601 --> 00:34:48,868
THE BARTENDER'S
ATTENTION.
608
00:34:50,767 --> 00:34:52,100
WHAT'LL IT BE, LADIES?
609
00:34:52,135 --> 00:34:53,399
WHITE WINE, PLEASE.
610
00:34:53,434 --> 00:34:55,133
WINE GIVES ME
A HEADACHE.
611
00:34:55,168 --> 00:34:56,518
I THINK I'LL HAVE...
612
00:34:56,553 --> 00:34:57,868
A DOUBLE KAMIKAZE.
613
00:35:02,267 --> 00:35:03,517
SO...
614
00:35:03,552 --> 00:35:04,732
SO?
615
00:35:04,767 --> 00:35:06,100
I DON'T KNOW.
OH...
616
00:35:06,135 --> 00:35:07,399
NOT ONLY DO
I NOT KNOW,
617
00:35:07,434 --> 00:35:08,567
I DON'T EVEN KNOW
WHY I DON'T KNOW,
618
00:35:08,602 --> 00:35:09,934
YOU KNOW?
I THINK SO.
619
00:35:19,467 --> 00:35:20,532
YOU KNOW,
620
00:35:20,567 --> 00:35:22,599
WHEN I HAVE
A BIG PROBLEM
621
00:35:22,634 --> 00:35:24,634
AND I NEED SOMEONE
TO TALK TO,
622
00:35:24,669 --> 00:35:26,432
I TALK TO MR. ADDISON.
623
00:35:26,467 --> 00:35:27,968
I'M NOT SAYING THAT'S
WHAT YOU SHOULD DO.
624
00:35:28,003 --> 00:35:29,032
GOOD.
625
00:35:29,067 --> 00:35:30,466
BUT HE USUALLY
HAS GOOD ADVICE,
626
00:35:30,501 --> 00:35:32,133
AND HE SAYS ONE OF THOSE
CUTE LITTLE THINGS
627
00:35:32,168 --> 00:35:33,300
THAT ONLY MR. ADDISON
CAN SAY-
628
00:35:33,335 --> 00:35:34,399
MISS DIPESTO...
629
00:35:34,434 --> 00:35:35,567
OR TELLS ME ONE OF THOSE
CUTE LITTLE STORIES
630
00:35:35,602 --> 00:35:36,934
THAT ONLY MR. ADDISON
CAN TELL.
631
00:35:36,969 --> 00:35:37,899
MISS DIPESTO-
632
00:35:37,934 --> 00:35:39,801
AND THEN SUDDENLY,
I FEEL ALL CHEERED UP,
633
00:35:39,836 --> 00:35:41,432
LIKE MAGIC,
634
00:35:41,467 --> 00:35:44,084
LIKE JIFFY POP
WITHOUT THE GREASE.
635
00:35:44,119 --> 00:35:46,259
MISS DIPESTO,
THIS IS NOT A PROBLEM
636
00:35:46,294 --> 00:35:48,400
I CARE TO DISCUSS
WITH MR. ADDISON.
637
00:35:48,435 --> 00:35:49,968
OH.
638
00:35:52,133 --> 00:35:53,234
HEY.
639
00:35:54,300 --> 00:35:55,934
PEOPLE ARE THIRSTY
DOWN HERE.
640
00:36:00,834 --> 00:36:02,334
MAYBE THIS IS
NOT SOMETHING
641
00:36:02,369 --> 00:36:03,799
YOU CAN DISCUSS
WITH ANYONE.
642
00:36:03,834 --> 00:36:05,801
'CAUSE NO ONE ELSE
KNOWS WHAT'S IN YOUR HEART.
643
00:36:05,836 --> 00:36:07,332
LIKE MR. ADDISON SAYS,
644
00:36:07,367 --> 00:36:09,134
"YOU CAN LEAD
A HORSE TO WATER,
645
00:36:09,169 --> 00:36:10,901
BUT THAT DOESN'T
MAKE HIM A DUCK."
646
00:36:10,936 --> 00:36:11,965
WHAT DOES THAT MEAN?
647
00:36:12,000 --> 00:36:14,899
I- I DON'T KNOW.
648
00:36:14,934 --> 00:36:16,284
IT JUST ALWAYS
SOUNDS SO CUTE
649
00:36:16,319 --> 00:36:17,599
WHEN MR. ADDISON
SAYS IT.
650
00:36:17,634 --> 00:36:19,267
I DON'T CARE WHAT
MR. ADDISON SAYS.
651
00:36:19,302 --> 00:36:20,801
THIS IS NOT ABOUT
MR. ADDISON.
652
00:36:20,836 --> 00:36:21,868
IT ISN'T?
653
00:36:21,903 --> 00:36:22,901
IT ISN'T!
654
00:36:24,000 --> 00:36:24,934
OH.
655
00:36:31,367 --> 00:36:32,833
BARTENDER.
656
00:36:32,868 --> 00:36:35,467
WHAT IS THIS,
THE SELF-SERVE AISLE?
657
00:36:37,033 --> 00:36:38,365
I'M SORRY.
658
00:36:38,400 --> 00:36:39,667
I DIDN'T MEAN
TO SNAP.
659
00:36:39,702 --> 00:36:40,833
I'M CONFUSED.
660
00:36:40,868 --> 00:36:43,151
IT'S JUST THAT
MARRIAGE IS SUCH A HUGE THING
661
00:36:43,186 --> 00:36:45,399
THAT MAYBE
YOU NEVER KNOW IF YOU'RE READY.
662
00:36:45,434 --> 00:36:47,734
MAYBE IT ISN'T
POSSIBLE TO BE SURE YOU'RE READY.
663
00:36:47,769 --> 00:36:49,601
AHH...
664
00:36:52,367 --> 00:36:54,968
MAYBE IT'S ONLY
POSSIBLE TO BE SURE YOU'RE NOT READY.
665
00:36:56,868 --> 00:36:59,667
SAM WAS RIGHT.
I OWE HIM AN ANSWER.
666
00:37:01,067 --> 00:37:02,265
I OWE HIM
AN ANSWER,
667
00:37:02,300 --> 00:37:04,365
AND I'M GOING HOME
TO GIVE HIM AN ANSWER.
668
00:37:04,400 --> 00:37:06,501
THIS IS
THE HARDEST THING I'VE EVER HAD TO DO.
669
00:37:08,901 --> 00:37:10,100
MISS DIPESTO?
670
00:38:25,300 --> 00:38:26,334
SAM.
671
00:38:27,634 --> 00:38:29,265
DON'T.
672
00:38:29,300 --> 00:38:30,350
DON'T MOVE,
DON'T SPEAK,
673
00:38:30,385 --> 00:38:31,400
DON'T EVEN LOOK AT ME.
674
00:38:35,467 --> 00:38:36,567
THIS IS SO HARD.
675
00:38:39,167 --> 00:38:40,965
YOU'RE SO WONDERFUL.
676
00:38:41,000 --> 00:38:42,833
I DON'T WANT YOU
TO THINK FOR A MINUTE
677
00:38:42,868 --> 00:38:46,567
THAT I DIDN'T TAKE
YOUR PROPOSAL SERIOUSLY.
678
00:38:46,602 --> 00:38:50,299
IT'S THE MOST WONDERFUL,
679
00:38:50,334 --> 00:38:53,100
THE MOST IMPORTANT THING
ANYONE'S EVER ASKED ME.
680
00:38:55,834 --> 00:38:57,967
THE THOUGHT
OF MARRYING YOU,
681
00:38:58,002 --> 00:39:00,100
OF HAVING A FAMILY
WITH YOU...
682
00:39:05,501 --> 00:39:08,100
I MAY HATE MYSELF
FOR THE REST OF MY LIFE.
683
00:39:10,167 --> 00:39:11,767
BUT THE CRUEL TRICK
IN ALL THIS IS
684
00:39:11,802 --> 00:39:13,268
IF YOU'D ASKED ME
5 OR 10 YEARS AGO,
685
00:39:13,303 --> 00:39:14,734
THE ANSWER WOULD'VE
BEEN DIFFERENT...
686
00:39:18,200 --> 00:39:19,634
BUT RIGHT NOW...
687
00:39:25,534 --> 00:39:26,801
I'M SORRY.
688
00:39:31,200 --> 00:39:32,467
I KNOW YOU THINK
YOU KNOW WHY,
689
00:39:32,502 --> 00:39:33,467
BUT YOU'RE WRONG.
690
00:39:36,367 --> 00:39:38,333
I CARE
ABOUT YOU SO MUCH.
691
00:39:38,368 --> 00:39:40,265
I SPEND EVERY
WAKING MINUTE
692
00:39:40,300 --> 00:39:42,701
TRYING TO FIGURE OUT
HOW WE CAN MAKE IT WORK,
693
00:39:42,736 --> 00:39:45,035
BUT I DON'T SEE
HOW WE CAN.
694
00:39:45,070 --> 00:39:47,334
NOT RIGHT NOW,
NOT WITH...
695
00:39:54,234 --> 00:39:57,067
SAM, YOU DESERVE
SOMEONE WHO LOVES YOU,
696
00:39:57,102 --> 00:39:59,399
ONLY YOU,
697
00:39:59,434 --> 00:40:01,584
AND I DO LOVE YOU,
698
00:40:01,619 --> 00:40:03,699
BUT NOT ONLY YOU.
699
00:40:03,734 --> 00:40:06,732
I KNOW
HOW DIFFICULT THIS IS FOR YOU TO HEAR.
700
00:40:06,767 --> 00:40:09,167
YOU CAN'T IMAGINE
HOW DIFFICULT IT IS FOR ME TO SAY.
701
00:40:15,000 --> 00:40:17,334
I LOVE YOU, SAM.
702
00:40:18,901 --> 00:40:21,601
YOU HAVE TO KNOW THAT,
703
00:40:21,636 --> 00:40:23,367
BUT...
704
00:40:24,434 --> 00:40:26,033
I LOVE HIM, TOO...
705
00:40:28,434 --> 00:40:31,033
AND I KNOW THAT'S NOT
GOOD ENOUGH FOR YOU.
706
00:40:33,267 --> 00:40:37,567
I KNOW IT MEANS
YOU'LL WANT TO LEAVE
707
00:40:37,602 --> 00:40:39,033
AND MAYBE NEVER
SEE ME AGAIN...
708
00:40:44,267 --> 00:40:45,868
BUT DO ME A FAVOR.
709
00:40:50,100 --> 00:40:51,367
DON'T.
710
00:40:52,601 --> 00:40:54,567
AT LEAST NOT RIGHT NOW.
711
00:40:56,634 --> 00:40:58,267
GIVE ME TONIGHT.
712
00:40:58,302 --> 00:40:59,901
GIVE US TONIGHT.
713
00:41:03,100 --> 00:41:05,300
WE'LL HOLD EACH OTHER.
714
00:41:05,335 --> 00:41:07,451
WE'LL MAKE LOVE.
715
00:41:07,486 --> 00:41:09,567
WE'LL SLEEP.
716
00:41:12,634 --> 00:41:15,367
AND IF I WAKE UP
AND YOU'RE NOT HERE,
717
00:41:15,402 --> 00:41:16,400
I'LL UNDERSTAND.
718
00:41:21,801 --> 00:41:23,767
JUST HOLD ME, PLEASE.
719
00:41:23,802 --> 00:41:24,885
OH, SAM.
720
00:41:24,920 --> 00:41:25,933
OH, MADDIE.
721
00:41:25,968 --> 00:41:27,300
OOH, I LIKE THAT.
722
00:41:27,335 --> 00:41:28,568
AAH!
723
00:41:28,603 --> 00:41:29,801
AAH!
724
00:41:31,667 --> 00:41:33,550
WHAT ARE YOU
DOING HERE?
725
00:41:33,585 --> 00:41:35,326
I WAS GETTING LUCKY.
726
00:41:35,361 --> 00:41:37,032
YOU ARE THE MOST
LOATHSOME,
727
00:41:37,067 --> 00:41:38,501
THE MOST DISGUSTING,
THE MOST VILE-
728
00:41:38,536 --> 00:41:39,466
COME ON.
729
00:41:39,501 --> 00:41:40,701
HOW YOU GONNA KNOW
TILL YOU TRY?
730
00:41:40,736 --> 00:41:41,852
WHERE'S SAM?
731
00:41:41,887 --> 00:41:43,077
WHERE'S SAM?
732
00:41:43,112 --> 00:41:44,232
WHERE'S SAM?
733
00:41:44,267 --> 00:41:46,634
THAT KINDA QUESTION
IS DEFINITELY GONNA KILL THE MOOD.
734
00:41:46,669 --> 00:41:47,634
WHERE?
735
00:41:52,501 --> 00:41:53,933
SAM'S GONE.
736
00:41:53,968 --> 00:41:55,334
WHAT DO YOU MEAN GONE?
737
00:41:55,369 --> 00:41:56,332
GONE.
738
00:41:56,367 --> 00:41:57,933
AS IN GOING, GOING...
739
00:41:57,968 --> 00:41:59,384
I KNOW WHAT
THE WORD MEANS, DAVID.
740
00:41:59,419 --> 00:42:00,766
WHERE DID HE GO?
WHEN WILL HE-
741
00:42:00,801 --> 00:42:02,501
WHEN I GOT HERE,
HIS BAGS WERE PACKED.
742
00:42:09,868 --> 00:42:11,833
THAT'S IT?
743
00:42:11,868 --> 00:42:14,100
NO EXPLANATIONS,
NO GOOD-BYES,
744
00:42:14,135 --> 00:42:15,067
NO ANYTHING?
745
00:42:37,300 --> 00:42:41,032
YEAH...I WAS
KIND OF SURPRISED, TOO.
746
00:42:41,067 --> 00:42:43,868
I GUESS SPELLING
DOESN'T COUNT FOR MUCH IN OUTER SPACE.
747
00:42:45,634 --> 00:42:48,133
BREEZE CAME UP,
BLEW IT INTO MY LAP.
748
00:42:55,901 --> 00:42:58,199
LOOK...
749
00:42:58,234 --> 00:43:00,400
I CAME OVER HERE
BECAUSE I WANTED TO TALK.
750
00:43:01,734 --> 00:43:04,250
FIGURED I OWED
HIM AN APOLOGY
751
00:43:04,285 --> 00:43:06,767
AND THAT I OWED
YOU AN APOLOGY.
752
00:43:06,802 --> 00:43:09,232
AND WHEN I GOT HERE,
753
00:43:09,267 --> 00:43:10,934
HE WAS ON HIS WAY
OUT THE DOOR.
754
00:43:10,969 --> 00:43:13,699
HE SAID, HE DIDN'T SEE
755
00:43:13,734 --> 00:43:16,584
HOW YOU AND HIM
COULD MAKE IT WORK,
756
00:43:16,619 --> 00:43:19,434
THAT HE THOUGHT
THAT YOU HAD...
757
00:43:19,469 --> 00:43:20,399
SOME OTHER THINGS
758
00:43:20,434 --> 00:43:22,200
THAT YOU NEEDED
TO TAKE CARE OF.
759
00:43:22,235 --> 00:43:24,534
I FIGURED
I'D STICK AROUND.
760
00:43:28,767 --> 00:43:30,232
I'VE BEEN, EH...
761
00:43:30,267 --> 00:43:32,566
TAKING THESE PAIN PILLS.
762
00:43:32,601 --> 00:43:37,100
YOUR BOY SAMMY GAVE ME
A PRETTY GOOD SHOT IN THE WING HERE.
763
00:43:37,135 --> 00:43:39,100
SO I CAME UP HERE
AND LAID DOWN,
764
00:43:39,135 --> 00:43:41,133
AND THE REST,
AS THEY SAY,
765
00:43:41,168 --> 00:43:42,234
IS KISMET.
766
00:43:45,434 --> 00:43:47,000
GO HOME, DAVID.
767
00:43:52,634 --> 00:43:54,567
YOU SURE YOU REALLY
WANT ME TO DO THAT?
768
00:43:54,602 --> 00:43:55,532
WHAT?
769
00:43:55,567 --> 00:43:58,467
MADDIE, SAM'S GONE...
770
00:43:58,502 --> 00:43:59,734
AND WE'RE HERE.
771
00:43:59,769 --> 00:44:00,785
SO?
772
00:44:00,820 --> 00:44:01,766
SO...
773
00:44:01,801 --> 00:44:04,133
SO WHAT, DAVID?
WHAT ARE YOU SAYING?
774
00:44:04,168 --> 00:44:06,467
WHAT I'M SAYING IS...
775
00:44:06,502 --> 00:44:08,235
WE...ARE HERE.
776
00:44:08,270 --> 00:44:09,968
THE TWO OF US.
777
00:44:10,003 --> 00:44:11,232
TOGETHER.
778
00:44:11,267 --> 00:44:13,700
ISN'T THAT WHAT THIS
IS ALL ABOUT?
779
00:44:13,735 --> 00:44:16,133
NO, THAT'S NOT WHAT
THIS IS ALL ABOUT.
780
00:44:16,168 --> 00:44:17,532
THIS IS ABOUT ME.
781
00:44:17,567 --> 00:44:19,434
THIS IS SUPPOSED TO BE
ABOUT WHAT I WANT.
782
00:44:19,469 --> 00:44:21,965
I WAS THE ONE
PROPOSED TO.
783
00:44:22,000 --> 00:44:23,634
I WAS THE ONE WHO
HAD A CHOICE TO MAKE,
784
00:44:23,669 --> 00:44:24,866
NOT A CHOICE
BETWEEN TWO MEN,
785
00:44:24,901 --> 00:44:28,834
BUT A CHOICE
FOR MY FUTURE, MY LIFE,
786
00:44:28,869 --> 00:44:30,300
BUT I'M NOT GONNA
GET A CHANCE
787
00:44:30,335 --> 00:44:31,632
TO MAKE THAT CHOICE
788
00:44:31,667 --> 00:44:34,567
BECAUSE AT LEAST
TWO PEOPLE, AND WHO KNOWS HOW MANY OTHERS,
789
00:44:34,602 --> 00:44:36,000
HAVE BEEN CONSPIRING
TO MAKE IT FOR ME.
790
00:44:36,035 --> 00:44:37,098
THAT'S NOT TRUE.
791
00:44:37,133 --> 00:44:38,965
YOU INTERRUPT
OUR DINNER.
792
00:44:39,000 --> 00:44:41,750
HE GOES
TO YOUR APARTMENT TO DISCUSS THE PROPOSAL.
793
00:44:41,785 --> 00:44:44,501
THE TWO OF YOU
PLAY POPEYE AND BLUTO IN THE GARAGE.
794
00:44:44,536 --> 00:44:47,165
THEN HE LEAVES,
AND YOU'RE HERE.
795
00:44:47,200 --> 00:44:49,534
I DON'T KNOW WHY
I BOTHER SHOWING UP.
796
00:44:49,569 --> 00:44:50,768
EVERYTHING SEEMS
TO GET DONE
797
00:44:50,803 --> 00:44:51,933
PERFECTLY WELL
WITHOUT ME.
798
00:44:51,968 --> 00:44:53,801
THE TWO OF YOU DID
JUST FINE BY YOURSELVES.
799
00:44:53,836 --> 00:44:55,434
WHAT ABOUT JUST NOW?
800
00:44:55,469 --> 00:44:56,998
WHAT ABOUT JUST NOW?
801
00:44:57,033 --> 00:44:58,834
I THOUGHT THAT
WAS HIM, I DIDN'T KNOW IT WAS YOU.
802
00:44:58,869 --> 00:45:01,534
MADDIE, YOU SAID
SOME THINGS THAT-
803
00:45:01,569 --> 00:45:02,701
AND YOU DIDN'T.
804
00:45:02,736 --> 00:45:05,098
NOTHING.
805
00:45:05,133 --> 00:45:06,901
NOT DURING
THE WHOLE THING, DAVID.
806
00:45:06,936 --> 00:45:08,267
YOU HAVEN'T
SAID A WORD.
807
00:45:09,868 --> 00:45:11,432
I DON'T HAVE
TO SAY ANYTHING.
808
00:45:11,467 --> 00:45:13,400
WHAT DO YOU MEAN
YOU DON'T HAVE TO SAY ANYTHING?
809
00:45:14,868 --> 00:45:17,434
STOP SMILING.
WHY ARE YOU SMILING?
810
00:45:17,469 --> 00:45:19,218
HOW CAN YOU BE SO SMUG?
811
00:45:19,253 --> 00:45:20,968
I'M NOT BEING SMUG.
812
00:45:24,901 --> 00:45:28,199
I'M BEING HONEST.
813
00:45:28,234 --> 00:45:30,150
I DON'T HAVE
TO SAY ANYTHING.
814
00:45:30,185 --> 00:45:32,359
YOU KNOW IT,
AND I KNOW IT.
815
00:45:32,394 --> 00:45:34,534
YOU FEEL IT,
AND I FEEL IT.
816
00:45:34,569 --> 00:45:36,133
STAY AWAY FROM ME.
817
00:45:36,168 --> 00:45:37,632
HERE I COME.
818
00:45:37,667 --> 00:45:40,167
BUT I DON'T WANT YOU.
I NEVER WANTED YOU.
819
00:45:40,202 --> 00:45:41,532
YEAH, RIGHT.
820
00:45:41,567 --> 00:45:43,801
I HEARD THE SPEECH ABOUT
THE GOOD-BYE GROPE.
821
00:45:43,836 --> 00:45:45,367
BUT THAT WAS FOR HIM,
NOT FOR YOU.
822
00:45:45,402 --> 00:45:46,499
WAKE UP.
823
00:45:46,534 --> 00:45:47,567
I'M NOT LEAVING HIM
FOR YOU,
824
00:45:47,602 --> 00:45:49,532
I'M LEAVING HIM
FOR ME.
825
00:45:49,567 --> 00:45:51,433
ME. ME, ME, ME.
IS THAT CLEAR?
826
00:45:51,468 --> 00:45:53,300
WHY DON'T YOU
TRY IT IN C-FLAT.
827
00:45:54,767 --> 00:45:55,899
GET BACK.
828
00:45:55,934 --> 00:45:57,901
PUT THAT DOWN,
MADDIE.
829
00:45:57,936 --> 00:45:59,501
NO.
PUT IT DOWN.
830
00:45:59,536 --> 00:46:00,701
NO.
831
00:46:02,734 --> 00:46:05,217
I'M NOT GOING
TO FORCE MYSELF ON YOU.
832
00:46:05,252 --> 00:46:07,701
I DON'T WANT
TO FORCE MYSELF ON YOU.
833
00:46:08,934 --> 00:46:10,834
TO TELL YOU THE TRUTH,
YOU'RE NOT WORTH IT.
834
00:46:10,869 --> 00:46:12,332
WHAT?
YOU HEARD ME.
835
00:46:12,367 --> 00:46:13,650
WHAT DO YOU MEAN,
NOT WORTH IT?
836
00:46:13,685 --> 00:46:14,899
NOT WORTH IT!
NOT WORTH IT!
837
00:46:14,934 --> 00:46:16,434
NO WOMAN IS
WORTH THIS, ALL RIGHT?
838
00:46:19,934 --> 00:46:21,267
LOOK, NEVER MIND.
ALL RIGHT? JUST FORGET ABOUT IT.
839
00:46:21,302 --> 00:46:22,701
THIS WAS NEVER
MEANT TO BE.
840
00:46:26,100 --> 00:46:27,265
I'M NOT WORTH IT?
841
00:46:27,300 --> 00:46:28,265
I'M NOT WORTH IT?
842
00:46:28,300 --> 00:46:29,801
LOOK WHO'S TALKING
ABOUT WORTH!
843
00:46:29,836 --> 00:46:30,933
MR. BARGAIN BASEMENT.
844
00:46:30,968 --> 00:46:33,000
IF THERE WAS
A CLOSE-OUT SALE ON HUMAN BEINGS,
845
00:46:33,035 --> 00:46:34,251
YOU'D BE THE LAST
ONE TO SELL.
846
00:46:34,286 --> 00:46:35,467
YEAH, YOU OUGHT
TO KNOW, HONEY.
847
00:46:35,502 --> 00:46:36,599
WHAT DOES THAT MEAN?
848
00:46:36,634 --> 00:46:37,998
I'LL TELL YOU
WHAT IT MEANS.
849
00:46:38,033 --> 00:46:39,467
IT MEANS, YOU'RE
THE KIND OF PERSON THAT GOES THROUGH LIFE
850
00:46:39,502 --> 00:46:41,567
LOOKING AT THE PRICE TAGS
INSTEAD OF THE MERCHANDISE.
851
00:46:41,602 --> 00:46:43,601
YOU WANT SOME GUY
WENT TO A GREAT SCHOOL,
852
00:46:43,636 --> 00:46:44,998
GREAT MUG, NICE MANNERS.
853
00:46:45,033 --> 00:46:46,967
WELL, THAT'S FINE.
JUST FINE.
854
00:46:47,002 --> 00:46:48,866
MAKES SENSE.
LOOK AT YOU.
855
00:46:48,901 --> 00:46:50,667
YOU'RE NOT A PERSON,
YOU'RE A P�STER.
856
00:46:50,702 --> 00:46:52,532
YOU DESERVE
ANOTHER P�STER.
857
00:46:52,567 --> 00:46:54,265
YOU'RE GOING
OVER THE LINE, DAVID.
858
00:46:54,300 --> 00:46:56,599
YOU SPEND MORE TIME DRESSING
THAN YOU DO SMILING!
859
00:46:56,634 --> 00:46:58,133
YOU SPEND MORE TIME
WITH BUSINESS THAN YOU DO WITH PLEASURE.
860
00:46:58,168 --> 00:46:59,432
AND YOUR WAY'S BETTER?
861
00:46:59,467 --> 00:47:00,566
MORE TIME SINGING
THAN WORKING?
862
00:47:00,601 --> 00:47:01,933
MORE TIME SCREWING UP
THAN MOVING UP?
863
00:47:01,968 --> 00:47:03,601
MOVING UP? IS THAT
WHAT YOU BELIEVE IN? SPARE ME.
864
00:47:03,636 --> 00:47:04,818
IS THAT WHAT
YOU BELIEVE IN, HUH?
865
00:47:04,853 --> 00:47:06,010
WHAT DO YOU BELIEVE IN?
A GOOD PARTY.
866
00:47:06,045 --> 00:47:07,106
I'LL TELL YOU WHAT
I DON'T BELIEVE IN,
867
00:47:07,141 --> 00:47:08,167
I DON'T BELIEVE
IN WASTING ANYMORE TIME.
868
00:47:08,202 --> 00:47:09,265
I'M SICK OF THIS.
869
00:47:09,300 --> 00:47:11,067
TWO YEARS OF "IS YOU IS,
OR IS YOU AIN'T?"
870
00:47:11,102 --> 00:47:12,799
TWO YEARS OF BEES BEEING
AND DUCKS DUCKING.
871
00:47:12,834 --> 00:47:14,968
AND A MAN WHO
THINKS THAT CULTURE IS DARK BEER.
872
00:47:15,003 --> 00:47:16,834
I- THIS IS RIDICULOUS!
I'M MISERABLE!
873
00:47:16,869 --> 00:47:17,799
SO AM I.
874
00:47:17,834 --> 00:47:19,132
YEAH, WELL...
875
00:47:19,167 --> 00:47:20,183
I MAY HAVE JUST LET
THE BEST THING
876
00:47:20,218 --> 00:47:21,200
THAT EVER HAPPENED
TO ME GET AWAY,
877
00:47:21,235 --> 00:47:22,334
AND LOOK AT ME,
HERE I AM,
878
00:47:22,369 --> 00:47:23,466
SPENDING THE EVENING
879
00:47:23,501 --> 00:47:25,000
HAVING ANOTHER POINTLESS
ARGUMENT WITH YOU!
880
00:47:28,033 --> 00:47:29,333
FINE.
FINE.
881
00:47:29,368 --> 00:47:30,634
GOOD.
GOOD.
882
00:47:30,669 --> 00:47:31,668
BITCH.
883
00:47:31,703 --> 00:47:32,667
BASTARD.
884
00:47:34,234 --> 00:47:35,267
GET OUT.
885
00:47:38,367 --> 00:47:39,300
GET OUT!
886
00:47:50,868 --> 00:47:54,200
* THE NIGHT WE MET,
I KNEW I *
887
00:47:54,235 --> 00:47:56,467
* NEEDED YOU SO *
888
00:47:58,033 --> 00:48:01,400
* AND IF I HAD
THE CHANCE, I'D *
889
00:48:01,435 --> 00:48:03,634
* NEVER LET YOU GO *
890
00:48:05,534 --> 00:48:08,967
* SO WON'T YOU SAY
YOU LOVE ME *
891
00:48:09,002 --> 00:48:12,485
* I'LL MAKE YOU
SO, SO PROUD OF ME *
892
00:48:12,520 --> 00:48:15,968
* WE'LL MAKE THEM
TURN THEIR HEADS *
893
00:48:16,003 --> 00:48:17,785
* EVERY PLACE WE GO *
894
00:48:17,820 --> 00:48:20,043
* SO WON'T YOU BE *
895
00:48:20,078 --> 00:48:22,072
* BE MY, BE MY BABY *
896
00:48:22,107 --> 00:48:24,087
* BE MY LITTLE BABY *
897
00:48:24,122 --> 00:48:26,094
* MY ONE AND ONLY BABY *
898
00:48:26,129 --> 00:48:28,067
* SAY YOU'LL BE MY DARLIN' *
899
00:48:28,102 --> 00:48:30,418
* BE MY, BE MY BABY *
900
00:48:30,453 --> 00:48:32,760
* BE MY BABY NOW *
901
00:48:32,795 --> 00:48:35,032
* WHOA OH OH OH *
902
00:48:35,067 --> 00:48:38,467
* I'LL MAKE YOU
HAPPY, BABY *
903
00:48:38,502 --> 00:48:41,899
* JUST WAIT AND SEE *
904
00:48:41,934 --> 00:48:45,934
* FOR EVERY KISS
YOU GIVE ME *
905
00:48:45,969 --> 00:48:49,432
* I'LL GIVE YOU THREE *
906
00:48:49,467 --> 00:48:53,567
* OH, SINCE THE DAY
I SAW YOU *
907
00:48:53,602 --> 00:48:57,268
* I HAVE BEEN
WAITING FOR YOU *
908
00:48:57,303 --> 00:49:00,934
* YOU KNOW
I WILL ADORE YOU *
909
00:49:00,969 --> 00:49:02,768
* TILL ETERNITY *
910
00:49:02,803 --> 00:49:05,035
* SO WON'T YOU BE *
911
00:49:05,070 --> 00:49:06,985
* BE MY, BE MY BABY *
912
00:49:07,020 --> 00:49:09,010
* BE MY LITTLE BABY *
913
00:49:09,045 --> 00:49:11,056
* MY ONE AND ONLY BABY *
914
00:49:11,091 --> 00:49:13,067
* SAY YOU'LL BE MY DARLIN' *
915
00:49:13,102 --> 00:49:15,218
* BE MY, BE MY BABY *
916
00:49:15,253 --> 00:49:17,377
* BE MY BABY NOW *
917
00:49:17,412 --> 00:49:19,501
* WHOA OH OH OH **
918
00:49:21,033 --> 00:49:23,998
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
919
00:49:24,033 --> 00:49:26,968
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-
920
00:49:35,968 --> 00:49:40,634
* SOME WALK BY NIGHT *
921
00:49:40,669 --> 00:49:45,265
* SOME FLY BY DAY *
922
00:49:45,300 --> 00:49:49,466
* SOMETHING IS SWEETER *
923
00:49:49,501 --> 00:49:54,134
* 'CAUSE WE MET
ON THE WAY *
924
00:49:54,169 --> 00:49:58,767
* 'CAUSE WE MET
ON THE WAY **
925
00:49:58,817 --> 00:50:03,367
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