All language subtitles for Moonlighting s03e13.eng

DID YOU WATCH
MOONLIGHTING LAST WEEK? NO.

IT WAS A REPEAT AGAIN.

NO, I HAVE A CLASS
ON TUESDAY NIGHTS.

I USED TO WATCH IT
A LOT, BUT-

NO, WE-
OH, NO.

NO, I HAD BETTER THINGS TO DO.
I WAS WRITING LETTERS.

I'M SURE I DID, BUT I CAN'T
REMEMBER THAT FAR BACK.

WELL, TOM HARMON IS APPARENTLY
MAKING HIS PRESENCE

KNOWN ON THE SERIES.

THEY MET A LONG TIME AGO-

THAT HE WAS AN OLD
FRIEND OF HERS.

WHEN I GOT THERE,
THERE WAS A MESSAGE FROM AN OLD FRIEND.

WE GOT TOGETHER,
STAYED UP A LITTLE LATE.

I'M SORRY.
I WASN'T THINKING.

AN OLD FRIEND.

YEAH, I'VE KNOWN SAM
SINCE I WAS 6.

PROMISED HIM SOME LUNCH,
AND I'VE GOT A COUPLE OF THINGS I WANT TO DO.

BE BACK HERE ABOUT
2:30 AND GET STARTED ON THIS CASE?

YEAH, GREAT.

BYE.

SAM.

DAVID BEGINS TO GET
VERY JEALOUS.

AND, UH, HE WAS ON A CASE-

HOW MAY WE HELP YOU?

I THINK MY BOYFRIEND
IS IN LOVE WITH HIS WIFE.

I'D APPRECIATE IT
IF YOU COULD DO THIS ONE BY YOURSELF.

I SEE. WHY IS THAT?

I HAVE PLANS.

PLANS?
I'M HAVING DINNER.

OH, I'M SORRY.
I WASN'T CLEAR.

THIS IS THE DELUXE
STAKEOUT PACKAGE- DINNER'S INCLUDED.

I'M HAVING DINNER
WITH SOMEONE.

OH...

ANY SOMEONE I KNOW?

MY FRIEND.

SID?
SAM.

AHA.

MADDIE WAS GOING OUT ON
A DATE WITH MARK HARMON.

DAVID ADDISON HAD INVITED
HIMSELF TO JOIN THEM.

DAVID!

EVENING.

HI.

HI.

DAVID?

FORGIVE ME,
I'M SORRY.

SORRY TO INTERRUPT
YOUR DINNER.

IT'S JUST THAT
THERE'S, UH, KIND OF AN EMERGENCY.

THAT'S WHEN HE WANTED
TO TELL MADDIE HAYES

THAT HE LOVED HER.

I, UH...

KIND OF REALIZED
SOMETHING LAST NIGHT.

WHAT?

WELL...

I MADE A DECISION.

BIG DECISION.

GOD, MADDIE...

WHAT, DAVID?

LOOK, WHAT I'M
TRYING TO SAY IS-

HI.

BACK TOO SOON?

DAVID ADDISON GOT
JUST SMASHED.

SLOSHED.
DRUNK.

HE MADE A FOOL
OF HIMSELF.

WHOOSH...

HA HA HA HA!

YOU KNOW, PERSONALLY,
I THINK SPACE TRAVEL'S HIGHLY OVERRATED.

THEY GOT NO STEWARDESSES,
NO MOVIES.

NO DRINKING.

OOH, I'M SORRY.

I THOUGHT WE WERE
CELEBRATING.

AREN'T WE
CELEBRATING, SAMMY?

OH YEAH,
WE'RE DEFINITELY-

YOU BETCHA
WE'RE CELEBRATING.

I PREFER TERRA FIRMA.

AS A MATTER OF FACT,

THE FIRMA THE TERRA,
THE BETTER.

HOO!
HA HA HA HA HA HA!

MARK HARMON HAS TO
TAKE BRUCE HOME

AND PUT HIM TO BED.

TRY NOT TO FALL
OUT OF BED.

HEY, LUKE?

YEAH.

YOU'RE ALL RIGHT.

RAT BASTARD.

MARK HARMON ENDED UP
GOING BACK TO MADDIE,

AND THEY HAD A GOOD TIME.

* ALL THOSE
IN-BETWEEN YEARS *

* COME WHAT MAY *

THEY ENDED UP MAKING LOVE,

AND SHE LOOKED TO THE SIDE

LIKE SHE WAS
THINKING OF BRUCE.

I ENJOY
THE LOVE SCENES.

* SOME WALK BY NIGHT *

* SOME FLY BY DAY *

* NOTHING COULD CHANGE YOU *

* SET AND SURE OF THE WAY *

* THERE IS
THE SUN AND MOON *

* THEY SING THEIR
OWN SWEET TUNE *

* WATCH THEM
WHEN DAWN IS DUE *

* SHARING ONE SPACE *

* WE'LL WALK
BY NIGHT, BABE *

* WE'LL FLY BY DAY *

* MOONLIGHTING STRANGERS *

* WHO JUST MET ON THE WAY *

CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT

SLEEP GOOD?

YOU GOING TO BE OK?

YEAH.

I'M GOING TO BE OK.

EVERYTHING'S
GOING TO BE OK.

MORNING, MS. DIPESTO.

PLEASE HOLD.
MORNING, MISS HAYES.

DO YOU KNOW A WORD THAT
RHYMES WITH PERPENDICULAR?

THAT'S
EXTRACURRICULAR.

HE'S NOT IN YET.

GOOD.

COME IN!

I HAVE YOUR MESSAGES.

THANK YOU.

COME IN!

MORNING, MISS HAYES!
WELL, I PUT THIS BABY TO SLEEP.

IT'S OVER AND OUT.
THE FAT LADY SANG!

WHILE I'M ON THE SUBJECT,
DO WE HAVE ANY TOMATO JUICE?

HEY, HERBERT.

SO-HI.
SO, I'M IN THIS HOTEL ROOM, RIGHT,

AND IT'S ABOUT 5 A.M.,

AND YOU CAN'T BELIEVE
THE PLACES ON YOUR BODY THAT START ITCHING

BECAUSE YOU'VE BEEN
WEARING THE SAME CLOTHES, LIKE, ALL NIGHT LONG.

AND I'M LOOKING THROUGH
THIS STATE-OF-THE-ART TELEPHOTO LENS,

AND I'M THINKING TO MYSELF,
"MY GOSH!

IT JUST DOESN'T GET
ANY BETTER THAN THIS!"

MR. VIOLA, MAYBE
IF YOU CALM DOWN-

OH, YEAH. RIGHT. SORRY!

ARTIFICIAL STIMULANTS.

HAVE YOU EVER DONE, LIKE,
7 POTS OF YUBAN AT A SITTING?

ANYWAY, LIKE I WAS SAYING,

UH-AAH!
WHAT WAS I SAYING?

UH-OH, YES!

AN ENTIRE NIGHT OF
BETROTHED BLISS, YOU KNOW?

NO, I DON'T.
THE McCLAFFERTY CASE!

HUSBAND AND WIFE
SHACKED UP IN A HOTEL.

THE MISTRESS IS SURE
HE'S CHEATING ON HER.

I CAPTURED THE ENTIRE THING
ON FILM!

DO WE HAVE
TO DO THIS NOW?

I'VE KIND OF ARRANGED
THESE IN CHRONOLOGICAL ORDER

SO AS TO COINCIDE
WITH THE ACTUAL PROGRESSION OF THE-

MR. VIOLA.

UH, THIS GETS
A LITTLE HEADY

ABOUT HALFWAY
THROUGH THE STACK.

THIS ONE'S LIKE
A 3-ALARM FIRE.

NOT THE KIND OF THING
THAT YOU WANT A LADY TO SEE.

THANK YOU,
HERBERT.

NOT THAT YOU'RE NOT
A LADY, MISS HAYES.

ISN'T THAT ONE
UPSIDE DOWN?

THANK YOU, MR. VIOLA,
THAT'S VERY PROFESSIONAL.

NOW, IF I COULD
JUST TAKE SOME TIME AND LOOK AT THESE FOR MYSELF.

OH, YOU WANT ME
TO LEAVE, DON'T YOU?

UH-HUH.

UH-HUH.

IF YOU NEED ANY OF THOSE
BLOWN UP, I CAN-

EXCUSE ME, MISS HAYES.
MR. ADDISON IS HERE.

THANK YOU.

BOY, IT'S AMAZING
WHAT PEOPLE CAN DO IN A DARKROOM.

NOT TO MENTION
A DARK ROOM.

OOH! NOW HERE'S ONE
WE'RE PARTICULARLY PROUD OF.

NOTE THE 3-D EFFECT.

EXCUSE ME!

CAN WE TALK?
I KNOW I CAN.

BOYS?

OH, MISS HAYES!
I TOOK THE LIBERTY OF MAKING COPIES

OF THE PHOTOS
FOR MR. ADDISON.

WE WERE JUST-
YOU KNOW, BUSINESS.

LOOK FOR
THE SLIDE SHOW, BOYS,

COMING TO A BATHROOM
NEAR YOU SOON.

OH, AND HERBERT,
BY THE WAY,

FROM THE BOTTOM
OF MY HEART,

THANKS FOR
THE MAMMARIES.

HIYA, BOSS.
MORNING.

IT IS TILL 12:00.

THEN IT BECOMES
AFTERNOON.

DID YOU COP A GANDER
AT THE GOODS?

KIND OF.
KIND OF?

MR. VIOLA LEFT
A SET ON MY DESK.

WITH OR WITHOUT
A FIRE EXTINGUISHER?

AS A MATTER OF FACT,
I WAS JUST MAKING MY WAY DOWN TO YOUR OFFICE.

BUSINESS
OR PLEASURE?

HARD TO TELL.

WITH YOU, BUSINESS
IS ALWAYS A PLEASURE.

GEE, AND ME WITHOUT
MY HIP BOOTS.

THE WAY I FIGURE,
WE PUT ON ASBESTOS GLOVES,

RUN THESE SNAPSHOTS
OVER TO THE CLIENT,

OR LARRY FLYNT, DEPENDING ON
WHO'LL PAY US MORE MONEY.

I SAY WE TRY
THE CLIENT FIRST.

WHO WOULD HAVE
GUESSED IT?

SO, WHAT BRINGS YOU TO
THIS NECK OF THE WOODS?

WELL, I-I-GUESS
I JUST WANTED TO SEE HOW YOU WERE DOING.

HOW I'M DOING WHAT?

FINE! YOU DON'T WANT
TO TALK ABOUT IT, THAT'S FINE.

I'LL BE GLAD
TO TALK ABOUT IT.

I JUST DON'T KNOW
WHAT IT IS.

WELL, LET'S START
WITH YOU!

FOR OPENERS, YOU
CONSUMED A GREAT DEAL OF ALCOHOL LAST NIGHT.

ARE YOU FEELING
ALL RIGHT?

NOTHING A LIVER TRANSPLANT
WOULDN'T FIX.

DAVID,
ABOUT LAST NIGHT-

YEAH, A GOOD TIME WAS HAD
BY ALL ON HAND, HUH?

OK.
OK.

ANYTHING ELSE?

BY THE WAY, THANK SAM
FOR THE LIMO SERVICE.

I GUESS I WAS A LITTLE
WHACKED OUT LAST NIGHT.

SURE.
I'LL TELL HIM.

HE'S A NICE GUY.

YEAH.

MR. ADDISON?
THERE'S A CALL FOR YOU ON LINE ONE.

MONIQUE.

MONIQUE!

BETTER TAKE THIS.
MONIQUE'S GOT A SHORT ATTENTION SPAN.

HI, EEKY!

WHAT'S SHAKING, BABY?

AND WILL YOU
SHAKE IT FOR ME?

MM-HMM. SURE, NO,
WE'RE STILL ON FOR TONIGHT.

HUH? HEH!

NO, NO,
I CAN'T REALLY TALK NOW.

YEAH, RIGHT.
MM-HMM, 7-7, BABY.

AU RESERVOIR TO YOU, TOO.

SORRY. TOLD HER
NEVER TO CALL ME HERE.

WHAT WERE YOU SAYING?

I WAS SAYING?

OH, YES.

WELL, WHEN YOU CAME
TO THE RESTAURANT LAST NIGHT,

YOU SAID YOU HAD
SOMETHING TO TELL ME.

SOME BIG DECISION
YOU MADE.

I GOT THE FEELING
IT WAS IMPORTANT.

WAS THIS BEFORE
THE WINE?

WHAT AM I DOING?

OH, THAT.

YEAH, I WANTED TO TALK TO YOU
ABOUT OUR BOY VIOLA.

OH...

YOU HAVE ANY IDEA
WHAT KIND OF HUMP

THAT BOY'S BEEN BUSTING
FOR US SINCE HE'S BEEN HERE?

LAST NIGHT IT HIT ME-
IT'S HIGH TIME WE PROMOTED THAT BOY

TO FULL-FLEDGED
BLUE MOON FLATFOOT.

MAYBE FLATFOOT FIRST CLASS.
WHAT DO YOU THINK?

I HAVEN'T
GIVEN IT A THOUGHT.

YEAH, MADDIE,
OLD BERT'S BEEN DOING

THE WORK OF 3 SHORT MEN
IN THIS OFFICE.

NOW WE EITHER THROW
A NET OVER HIM P.D.Q.,

OR WE WATCH HIS BOOT HEELS
WANDER TO ANOTHER AGENCY

THAT RECOGNIZES
UNTAPPED POTENTIAL.

I'LL THINK
ABOUT IT, DAVID.

THAT'S ALL IT WAS?

THAT'S ALL IT WAS.

I'LL SEE YOU LATER.

BLUE MOON
DETECTIVE AGENCY.

MISS HAYES!

IT'S ELAINE JOHNSON,

WONDERING HOW WE'RE
DOING WITH HER...

CASE.

I'M SORRY, BUT SHE'S
BEHIND CLOSED DOORS RIGHT NOW.

FINE.

A FINE TIME
WAS HAD BY ALL.

A FINE TIME
WAS HAD BY ALL.

HERBERT VIOLA.

NOW HE WANTS ME TO BELIEVE
HE INTERRUPTED MY DINNER

TO TALK TO ME
ABOUT HERBERT VIOLA.

FINE.

FINE.

MISS HAYES?
IT'S ME. CAN I COME IN?

FINE.

THAT WAS ELAINE
JOHNSON ON THE PHONE.

YOU HAD NOTHING
IN YOUR BOOK FOR 2:30,

SO I MADE AN APPOINTMENT
FOR YOU AND MR. ADDISON

TO TAKE THE PICTURES
TO HER THEN.

FINE.

MISS HAYES?

HUH?

NO...

FORGET IT.

NEVER MIND.

MISS DIPESTO?

I'M SORRY. YOU'VE GOT
A LOT ON YOUR MIND.

WHAT?

WELL...

WHAT'S GOING ON?

I'M SORRY.

WHAT'S GOING ON
WITH WHAT?

WITH YOU AND MR. ADDISON.

ME AND MR. ADDISON?

NOTHING.

NOTHING IS GOING ON
WITH ME AND MR. ADDISON.

IS THERE ANYTHING ELSE?

YOU SHOULD HAVE
SEEN HIM THIS MORNING.

DAVID? I JUST
LEFT HIS OFFICE.

NO...

WHEN HE GOT IN,

HE WAS ALL DRESSED
AND SHAVED,

LIKE HE WANTED TO MAKE
A GREAT IMPRESSION.

BUT HE WAS
HOLDING HIS HEAD,

HOLDING HIS STOMACH.

I'VE KNOWN HIM FOR
A LONG TIME, MISS HAYES,

AND HE'S PUTTING ON
A GREAT ACT FOR YOU.

BUT SOMETHING'S
MAKING HIM CRAZY.

MAYBE IT'S MONIQUE.

MMM, I DON'T THINK SO.

DON'T TELL HIM I TOLD YOU-

THERE'S NO MONIQUE.

I'M MONIQUE!

IS THERE REALLY A SAM?

YEAH, THERE'S
REALLY A SAM.

IS HE REALLY TERRIFIC?

THE TRUTH IS,
MISS DIPESTO...

THEY'RE BOTH
REALLY TERRIFIC.

SOMEONE'S MAKING
YOU CRAZY, TOO, HUH?

I'LL JUST LET
MR. ADDISON KNOW 2:30, HUH?

SURE.

WHAT?

NOTHING.

THIS MUST BE A FIRST.

WHAT'S THAT?

YOU AWAKE WITHOUT
YOUR MOUTH ENGAGED.

YOU SPOKE TOO SOON.
MY MOUTH IS ENGAGED.

IT'S JUST THE REST
OF MY BODY THAT'S STILL UNSPOKEN FOR.

SO?
SO?

WHERE ARE YOU TAKING
MONIQUE TONIGHT?

MONIQUE?
MONIQUE.

WHY? WANT TO
DOUBLE-DATE?

HE WAS WITH RITA,
ALL RIGHT.

YOU RECOGNIZE
MRS. McCLAFFERTY?

FROM THE PHOTOGRAPH
IN HIS WALLET.

SHE'S LOST SOME WEIGHT.

MAYBE IT'S AS
SIMPLE AS THAT, HUH?

I DON'T UNDERSTAND.
WHY DOES A MAN RUN OFF TO A HOTEL

FOR AN ILLICIT AFFAIR
WITH HIS WIFE?

ALAN'S A ROMANTIC.

YESTERDAY WAS
HIS ANNIVERSARY.

HIS TENTH, I THINK.

YOU SEEM TO KNOW
A LOT ABOUT THEIR MARRIAGE.

THE OTHER WOMAN
ALWAYS DOES.

YOU HEAR ABOUT
EVERYTHING-

THE KIDS, THE DOG,
THE OFFICE.

I'M THE SECRET
IN ALAN'S LIFE,

SO THERE'S NO NEED FOR HIM
TO KEEP SECRETS FROM ME.

AT LEAST THERE WASN'T.

HE ALWAYS TOLD ME MAKING LOVE
TO HIS WIFE WAS A CHORE.

WELL, HE SEEMS
TO BE GETTING HIS CHORES DONE.

WELL...

THAT'S THAT.

NOW CAN I HEAR THE TAPES?

THE TAPES?
THE TAPES?

THE TAPES.

I HIRED YOU TO PUT ALAN
UNDER SURVEILLANCE.

AND WE DID.
THESE PHOTOGRAPHS GIVE A PRETTY GRAPHIC PICTURE.

ALL THOSE PICTURES TELL ME

IS THAT HE WAS TOGETHER
WITH HER IN A HOTEL ROOM.

WELL, THEY ALSO SUGGEST
THAT THEY WEREN'T THERE FOR CONVERSATION.

MR. ADDISON,

I'VE BEEN TO BED WITH
PLENTY OF MEN IN MY LIFE.

AND I CAN ASSURE YOU THAT
LOVE WAS THE FURTHEST THING

FROM MOST OF THEIR MINDS.

I NEED TO HEAR HIS VOICE.

NOT SO MUCH
WHAT HE SAYS TO HER,

BUT HOW HE SAYS IT.

I'M SURE YOU UNDERSTAND.

MEN ARE CAPABLE
OF MAKING LOVE WITH THEIR BODIES;

WE MAKE LOVE
WITH OUR HEARTS.

IT'S IMPORTANT FOR ME
TO KNOW WHAT'S IN HIS.

I WANT TO KNOW IF
THERE'S ANY HOPE FOR US,

OR IF I'VE LOST HIM
TO HIS WIFE FOREVER.

TAPES!
TAKE IT EASY.

I'LL 86 MONIQUE
AND TAKE CARE OF IT MYSELF.

OH, NO.
OH, NO?

OH, NO.

WHO KNOWS WHAT
SAM HAS IN MIND TONIGHT, BUT WHATEVER IT IS,

I CAN'T BEAR
THE THOUGHT THAT WE'LL BE IN THE MIDDLE OF IT,

AND IN YOU'LL WALK
WITH ANOTHER EMERGENCY

ABOUT SOME EMPLOYEE
WHO NEEDS A PARKING PLACE CLOSER TO THE ELEVATOR

OR A SPEAKERPHONE
ON HIS DESK-

THAT'S NOT GOING
TO HAPPEN.

YOU'RE RIGHT,
BECAUSE I'M GOING WITH YOU.

DON'T DO ME
ANY FAVORS, MADDIE.

I'M NOT DOING YOU
ANY FAVORS.

I'M DOING ME A FAVOR.

HE'S A NICE GUY, DAVID.
I KNOW HE'S A NICE GUY.

HE DESERVES BETTER THAN THIS.
IDESERVE BETTER THAN THIS.

I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

YOU KNOW WHAT I'M-
I DO NOT KNOW WHAT-

YOU KNOW WHAT I'M-
NO, I DON'T!

YES, YOU DO!
YES, YOU DO! NO, I DON'T!

YES, YOU DO.
I DO NOT!

YOU DO, TOO! YOU'RE JUST
JEALOUS, JEALOUS, JEALOUS!

JEALOUS,
JEALOUS, JEALOUS? OF WHO, OF WHAT?

OF HIM, OF ME, OF US!

US?

US? YOU'RE AN US NOW?

YES. NO. I DON'T KNOW.

I DON'T KNOW WHAT WE ARE,

BUT I'M HAVING
A DAMN HARD TIME TRYING TO FIGURE IT OUT

BECAUSE EVERY TIME
I TURN AROUND, THERE YOU ARE.

AND WHAT THE HELL BUSINESS
IS IT OF YOURS IF I AM AN US?

I WORK WITH YOU.

I'VE WORKED WITH YOU
FOR 21/2 YEARS.

YEAH, FOR 21/2 YEARS
YOU'VE WORKED-

NO, LET'S SAY SLAVED-

TO TAKE NOTHING ABOUT ME,
MY LIFE, OR MY BUSINESS SERIOUSLY.

AND NOW, ALL OF A SUDDEN,
THERE'S SAM.

LOOK, I LIKE SAM.

AND THAT'S
ANOTHER THING.

I DON'T GIVE A DAMN
IF YOU DO LIKE SAM!

SAM LIKES YOU,
YOU LIKE SAM.

WHO CARES WHO
YOU AND SAM LIKE?

WELL, FOR WHAT
IT'S WORTH-

IT'S WORTH NOTHING!

OK.

OK, OK,OK!
WHAT'S OK?

I DON'T KNOW.
YOU'RE THE ONE THAT'S DOING ALL THE YELLING.

LOOK, IF IT'S
ANY CONSOLATION,

THIS JOB'S
A PIECE OF CAKE.

WE CAN DO IT WITH
OUR EARS TIED BEHIND OUR BACK.

YOU TIE YOUR EARS
BEHIND YOUR BACK.

I LIKE WHERE
EVERYTHING IS ON ME.

YOU'RE RIGHT.
IF IT AIN'T BROKE, DON'T FIX IT.

HI!

OH, HI!

JUST LEAVING
YOU A NOTE.

LOOK AT YOU-
STANDING, BREATHING.

INCREDIBLE!
A WALKING MIRACLE OF MODERN SCIENCE!

MISS DIPESTO?

MISS DIPESTO,
THE PHONE!

IT'S RIGHT THERE.

EXCUSE ME,
EXCUSE ME, I'M SORRY.

BLUE MOON DETECTIVE AGENCY.

UH, IF YOU WANT A RHYME,
CALL ANOTHER TIME.

EXCUSE ME.

SO, UH...

HOW ARE YOU FEELING?

HEH HEH!
BETTER THAN YOU LOOK.

YEAH, TURNS OUT
HE CAUGHT ME PRETTY GOOD.

YEAH, WELL,
DON'T SWEAT IT.

GOLIATH WAS BARELY
ABLE TO CRAWL OUT OF THERE HIMSELF.

HEY, WE DID OK.

I'M SURPRISED
YOU COULD SEE HIM, MUCH LESS LAND A PUNCH.

WELL, I WAS LUCKY.

HE WAS TOO BIG TO MISS.

I HAD A NICE
TIME, TOO!

NO VISIBLE SCARS,
BUT A NICE TIME.

WELL, UM...

MAYBE WE
SHOULD TALK. SURE, SURE!

EXCUSE US, DAVID.

LATER.

HUNK CITY.

THIS IS THE KIND
OF TALK I LIKE.

JUST HAPPENED TO BE
IN THE SAME STATE.

HEH HEH!
THOUGHT I'D STOP BY.

I HOPE YOU DON'T MIND.

WHY WOULD I MIND?

WELL, IT'S
WHERE YOU WORK,

SPEND MOST OF YOUR DAY.

THIS IS THE PLACE
MOST PEOPLE

PREFER TO KEEP THEIR
PRIVATE LIFE...

PRIVATE.

NOT ME.

I'M GLAD
YOU CAME BY.

I DON'T KNOW ABOUT YOU,
BUT I'VE BEEN SPENDING

A WHOLE LOT OF TIME
THINKING ABOUT LAST NIGHT.

ME, TOO.

GUESS WHAT I'VE BEEN
THINKING ABOUT MOST IS

HOW WE'RE GOING TO TOP IT.

GOT A FEW IDEAS
ABOUT THAT ONE.

ANYTHING
YOU CAN REPEAT?

I DON'T KNOW.

STARTS WITH YOU AND ME.

JUST YOU AND ME?

MM-HMM.

BOTTLE OF WINE.

MAYBE A SUNSET.

THEN...

WE CAN SKIP
THE BOTTLE OF WINE.

IT'S THE TONIGHT PART.
I'VE GOT TO WORK.

ALL NIGHT?

I DON'T KNOW.

NO PROBLEM.

HOW ABOUT
SAME TIME TOMORROW?

I HEAR THERE'S GOING
TO BE ANOTHER SUNSET.

MAYBE LATER TONIGHT,
IF YOU'RE STILL AWAKE.

OH...

I'LL STILL BE AWAKE.

YOU DIDN'T HAVE TO
DO THIS TONIGHT, YOU KNOW.

I KNOW.
I COULD HAVE HANDLED IT ALL BY MYSELF.

YOU COULD HAVE
DONE SOMETHING ELSE.

DAVID, DON'T.
DON'T WHAT?

I JUST WANT YOU
TO BE HAPPY.

DAVID, WE HAVE
A JOB TO DO.

THIS IS WHERE
I'M HAPPY TO BE.

FINE. AS LONG
AS YOUR HAPPY.

I'M HAPPY!
FINE.

END OF CONVERSATION.

FINE.

I COULD TURN AROUND
RIGHT NOW. JUST SAY THE W-

FINE.

GO AHEAD,
ASK ME A QUESTION.

I'M NOT GOING TO
ASK YOU A QUESTION.

HOW ARE WE GOING TO PLAY IF
YOU DON'T ASK ME A QUESTION?

ARE THESE PEOPLE EVER
GOING TO COME HOME?

OH, I'M SORRY.
THAT'S TOO BORING.

YOU'RE GOING TO HAVE
TO BE DISQUALIFIED.

BUT WE DO HAVE SOME
LOVELY PARTING GIFTS

AND OUR HOME VERSION
OF THE GAME.

NOW, LET'S BRING OUT
OUR NEXT BACHELORETTE.

* REE DA DA DO *
SHE'S A KINDERGARTEN TEACHER.

* REE DA DA DO *

SHE LOVES SKIING,
NEIL DIAMOND,

AND HER OWN
PERSONAL COLLECTION OF CERAMIC UNICORNS.

LET'S HEAR IT
FOR SUSAN LEAPER.

YAY! YAY! SUSAN!

WELL, SUSAN, WE HAVE
3 TERRIFIC GUYS BACK THERE FOR YOU,

AND THEY'RE JUST
HUNGRY FOR A DATE.

GOT YOUR QUESTIONS READY?

YES, JIM.

THEN FIRE AWAY.

OK.

BACHELOR NUMBER ONE,

I WANT YOU TO LOOK AT
BACHELOR NUMBER 2

AND TELL ME,
IF HE WERE A RIDE AT DISNEYLAND,

WHAT RIDE WOULD
HE BE AND WHY?

WELL, I'D HAVE TO SAY

BACHELOR NO.2 WOULD BE
"PIRATES OF THE CARIBBEAN."

AND WHY IS THAT?

BECAUSE OF HIS SUNKEN CHEST.

DAVID, THERE'S A CAR.
MAYBE THEY'RE HOME.

GREAT.

I'VE SEEN THESE TWO
IN ACTION.

YOU WON'T BE BORED
MUCH LONGER.

NAH, IT'S JUST HER.

GUESS WE'RE GOING
TO HAVE TO WAIT

FOR THE MAIN ATTRACTION.

GUESS WE OUGHT TO SEE
IF THIS STUFF WORKS.

DAVID, SHE'S CRYING.

WHY IS SHE CRYING?

WHAT IS SHE DOING?

UH, LOOKS LIKE SHE'S...

TYPING.

WELL, SO MUCH FOR FINDING OUT
WHAT THEY SAY TO EACH OTHER

AND HOW THEY SAY IT.

MAYBE THIS IS
ELAINE JOHNSON'S LUCKY NIGHT.

MAYBE HIS WIFE'S
WRITING HIM A LETTER THAT SHE'S LEAVING.

WELL, SO MUCH FOR
LONG GOOD-BYES.

WHAT'S SHE DOING?

SHE'S GOING THROUGH
THE DESK.

LOOKS LIKE SHE'S
LOOKING FOR SOMETHING.

MADDIE, IT'S A GUN!

OH, DAVID.
MAYBE SHE'S GOING TO KILL HIM.

WAIT, WAIT, WAIT, WAIT.

WHY WOULD A MURDERER
LEAVE A NOTE?

* BEFORE YOU LEAVE MY ARMS *

* AND RUSH OFF
TO HER CHARMS *

* THINK IT OVER... *

WHAT?

NO. DON'T LOOK.

WHAT?

DON'T LOOK AT HER.

Police investigator:
AHA, AND THEN WHAT HAPPENED?

SHE FINISHED
TYPING THE NOTE,

OPENED THE DRAWER,
TOOK THE GUN OUT.

THAT'S WHEN WE FIGURED OUT
WHAT SHE WAS DOING.

WE JUST DIDN'T FIGURE
IT OUT SOON ENOUGH.

THAT'S ANDY.

HE'S 10.

THE OTHER IS
HIS BROTHER PHILIP.

THEY'RE AT
MY MOTHER'S.

THEY GO THERE EVERY
THURSDAY BECAUSE RITA HAS HER ART CLASS.

I DON'T KNOW HOW...

I'M GOING TO EXPLAIN
THIS TO THEM.

MR. McCLAFFERTY,
IF THERE IS ANYTHING WE CAN DO-

NO.

VERY KIND OF YOU
TO OFFER,

BUT I DON'T DESERVE
ANYONE'S KINDNESS.

I- I DON'T KNOW
WHAT HAPPENED TODAY.

I MEAN...

HOW SHE FOUND OUT,
IF YOU DIDN'T TELL HER.

IT COULD HAVE BEEN
ANYTHING, I GUESS.

BRUNETTE HAIR, A STRAY
LIPSTICK MARK...

GOD KNOWS SHE KNEW
WHAT TO LOOK FOR BY NOW.

THIS ISN'T EXACTLY
MY FIRST...

OFFENSE.

BUT YOU WANT TO KNOW
THE STUPID PART?

I WAS ABOUT
TO BREAK IT OFF.

IT'S BEEN A SHAM,
FOR MONTHS.

I'VE JUST BEEN GOING
THROUGH THE MOTIONS

BECAUSE I DIDN'T HAVE
THE GUTS TO END IT.

WE WENT OUT TO
CELEBRATE LAST NIGHT.

OUR TENTH ANNIVERSARY.

I THOUGHT
EVERYTHING WAS FINE.

BUT I GUESS
IT WASN'T OR...

SHE WOULD HAVE
DISCHARGED YOU.

BUT SHE COULDN'T
DO THAT.

WE DIDN'T WORK
FOR YOUR WIFE.

WE WORKED
FOR MISS JOHNSON.

ELAINE HIRED YOU?

TO FOLLOW ME?

BUT WHY?

SHE SAID YOU HAD BEEN
ACTING STRANGELY.

SHE THOUGHT MAYBE
YOU HAD FALLEN BACK IN LOVE WITH YOUR WIFE.

SHE WAS RIGHT.

WHAT A WASTE.

I MEAN, I KNOW WHAT PEOPLE
SAY WHEN SOMEONE DOES THIS-

"SHE HAD SO MUCH
TO LIVE FOR."

BUT DAVID, SHE DID.

IF ONLY FOR ALL THE TIME
THEY SPENT TOGETHER.

I MEAN, TO JUST DENY
10 YEARS AND KILL HERSELF.

MADDIE, THE WOMAN DIDN'T
GET UP THIS MORNING,

TAKE A SHOT OF O.J.,
HAVE A TENNIS LESSON, BLOW HERSELF AWAY.

SHE HAD A LITTLE BIT
OF HELP FROM HER HUSBAND

WHEN SHE FOUND OUT
HE WAS MUSSING SHEETS ACROSS TOWN.

DAVID, LIKE IT OR NOT,
SOMETIMES PEOPLE GROW APART.

THEY BECOME ATTRACTED
TO OTHER PEOPLE.

THEY DON'T ALWAYS KNOW
WHY THEY DO WHAT THEY DO.

TALK AROUND IT
ALL YOU WANT.

IT'S STILL
A CUT-AND-DRIED,

BOTTOM-LINE,
EVERYDAY BETRAYAL.

SINCE WHEN ARE YOU
SO JUDGMENTAL ABOUT SLEEPING AROUND?

MAYBE SHE JUST KNEW
IT WAS OVER.

* THERE'S A SAYING OLD *

* SAYS THAT LOVE IS BLIND *

* STILL WE'RE OFTEN TOLD *

* SEEK AND YE SHALL FIND *

* SO I'M GOING TO SEEK *

* THIS CERTAIN LAD I HAVE *

* IN MIND *

* LOOKING EVERYWHERE *

* HAVEN'T FOUND HIM YET *

* HE'S THE BIGGEST BET *

* I CANNOT FORGET *

* ONLY MAN I EVER THINK OF *

* WILL BE THERE... *

HI.

HI.

IT'S AFTER 2:00.

I DIDN'T EXPECT YOU
TO STILL BE UP.

WE HAD A DATE,
REMEMBER?

OH.

I'M NOT MUCH IN THE MOOD
FOR A DATE, I'M AFRAID.

HMM.

HOW ABOUT, UH, LAMB?

LAMB?

YOU IN THE MOOD
FOR LAMB?

LAMB?

YEAH, IT SHOULD BE READY
IN ABOUT 10 MINUTES.

FIGURED MAYBE YOU DIDN'T
HAVE A CHANCE TO EAT.

YOU MADE LAMB?

HOW ABOUT I RUN YOU
A HOT BATH?

BATH?

LAMB? SAM!

YOU'RE IN SUCH
A GOOD MOOD.

WHAT DID YOU TAKE?
AND DID YOU PUT IT IN THE FOOD?

YOU'RE GOING TO MAKE
SOMEBODY A GOOD WIFE SOMEDAY.

YEAH, SO ARE YOU.

YOU DON'T KNOW ME
AS WELL AS YOU THINK.

I KNOW YOU BETTER
THAN YOU THINK I DO.

COME ON, MADDIE.

WHAT DO YOU SAY
WE MAKE IT OFFICIAL?

YOU AND ME?

WIFE AND WIFE.

SAM!

WHERE DID THIS
COME FROM?

I DON'T KNOW.

BEEN LAYING HERE,
WAITING FOR YOU...

DOING THINGS.

LISTENING FOR
THE SOUND OF A CAR.

HMM, 2:30 IN
THE MORNING, RIGHT?

ENOUGH TO MAKE YOU CRAZY.

DIDN'T MAKE ME CRAZY.

MADE ME KIND OF HAPPY.

YEAH.

YEAH, PERFECTLY HAPPY.

JUST SITTING HERE,

KNOWING THAT YOU'D
BE COMING HOME...

SOMETIME...

TO ME.

WHAT ARE YOU THINKING?

I'M THINKING MY HEAD
IS GOING TO EXPLODE.

OH, MADDIE.

YOU GOT TO HELP
ME MORE THAN THAT.

IT'S NOTHING.

BUT...

MAYBE IT'S NOT
NOTHING.

MAYBE IT IS
SOMETHING.

I'M CONFUSED.

I'M SO CONFUSED.

I JUST WISHED
SOMEONE WOULD TELL ME WHAT TO DO.

OK.

DO THIS...

MARRY ME.

I DIDN'T KNOW
IT WAS YOUR WIFE!

I DIDN'T KNOW
IT WAS ANYBODY'S WI-

WAIT! HANG ON.

WHAT DO YOU WANT?
TO WAKE UP THE MICE?

YEAH?

DAVID.

MADDIE?

THAT NIGHT
YOU INTERRUPTED MY DINNER WITH SAM,

WHAT WERE YOU
GOING TO TELL ME?

WHAT?

NO "WHAT". NO "HUH."

I WANT YOU TO TELL ME
WHAT WAS ON YOUR MIND.

WHAT WERE YOU GOING
TO TELL ME?

MADDIE, IT'S 4:00
IN THE MORNING, WHAT-

WHAT DID YOU WANT
TO TELL ME?

DAVID?

MADDIE.

WHERE ARE WE?
WHAT IS THIS ROOM?

UM, THIS IS
MY LIVING ROOM.

YOUR LIVING ROOM?
MM-HMM.

THERE'S NOTHING
IN IT.

YEAH.

PICKED UP
ON THAT, UH?

I DON'T UNDERSTAND.

THERE'S NO LAMPS,
NO CHAIRS...

DOESN'T ANYONE
EVER COME OVER?

DON'T YOU EVER
ENTERTAIN?

YEAH, I ENTERTAIN
A LOT.

I GENERALLY...

DO MOST OF
THE ENTERTAINING IN THE BEDROOM.

UM...

I DON'T KNOW.
I'M NOT HERE THAT MUCH.

WAIT, HANG ON
A MINUTE.

COME HERE, SIT.

UM, DO YOU WANT
SOMETHING? YOU-

YOU WANT SOMETHING
TO EAT?

I GOT SOME-
SOME FOOD I THINK.

UH, I THINK I GOT
SOME FOOD.

SIT! SIT DOWN.

SO...

SO...

WELL, THIS IS GREAT.

UH, I'M GLAD
YOU STOPPED BY.

I'VE BEEN MEANING
TO HAVE YOU OVER.

UM, CAN I GET YOU
SOMETHING? ARE YOU SURE?

SOME CHEESE,
PEANUT BUTTER?

DAVID, WHAT ARE WE
GOING TO DO?

I DON'T KNOW.

THERE'S ALWAYS
THE BEDROOM.

IT WAS A JOKE.
IT WAS A JOKE.

BAD JOKE.

HERE, LET ME
TAKE YOUR COAT.

NO, THAT'S OK.

I SNUCK OUT.

I DON'T HAVE ANYTHING
ON UNDER HERE,

EXCEPT FOR A NIGHTGOWN.

NICE, HUH?

SNEAKERS FOR SNEAKING.

I LIKE THAT.

YOU JUST
LEFT HIM THERE, HUH?

HE'S PERFECT FOR ME,
YOU KNOW.

BUT YOU AND ME...

WE...

WE...

I CAN'T BELIEVE YOU'RE
GOING TO SIT THERE

AND LET ME GO THROUGH
THIS BY MYSELF.

COME HERE.

IT'S OK.

I HATE YOU,
DAVID ADDISON.

I KNOW.

I HATE YOU, TOO,
MADDIE HAYES.

I'VE ALWAYS
HATED YOU.

YOU LOOK AWFUL.

YEAH, WELL,
YOU SMELL AWFUL.

THIS IS GREAT.

I'LL GET YOU
SOME TISSUES.

I KNOW I HAVE
SOME TISSUES HERE.

IN MY WHOLE LIFE,

EVERY MAJOR EVENT
SINCE I WAS 13,

YOU COULD COUNT
ON ME TO CRY,

COUNT ON MY MASCARA
TO RUN.

I'LL PROBABLY GO TO
MY GRAVE WITH RUNNING...

MASCARA.

NAH, I WAS WRONG.

DIDN'T REALLY HAVE
ANY TISSUES.

HERE.

DAVID,
MRS. McCLAFFERTY,

WHEN THEY CARRIED
HER OUT,

SHE LOOKED BEAUTIFUL,
DIDN'T SHE?

YEAH, I GUESS SO.

IF YOU GO FOR
THAT SORT OF THING.

NO, I MEAN WE HEARD
HER CRYING A LOT.

WE HEARD HER
CRYING A LOT.

WHEN THEY CARRIED
HER OUT,

SHE LOOKED PERFECT.

I MEAN, HER MAKEUP
LOOKED PERFECT.

YEAH, SO?

SO PUT SOME SHOES ON.

YEAH. I KNOW.

I THOUGHT WE WERE
HEADING FOR SOMETHING BIG, TOO.

DON'T YOU SEE?

WE HEARD RITA McCLAFFERTY
SOBBING HER EYES OUT.

BUT WHEN THEY
CARRIED HER OUT, HER MAKEUP WAS PERFECT.

DOESN'T THAT TELL
YOU ANYTHING?

YOU OUGHT TO CHANGE
TO HER BRAND?

NO, IT TELLS YOU
THAT THE WOMAN WE HEARD CRYING

AND THE WOMAN
WE SAW BEING CARRIED OUT WERE NOT THE SAME WOMAN.

MADDIE,
WE SAW RITA McCLAFFERTY SHOOT HERSELF.

NO, WE HEARD
RITA McCLAFFERTY SHOOT HERSELF.

WHAT I THINK WE SAW
WAS A WOMAN WHO LOOKED LIKE RITA McCLAFFERTY

TRYING TO CONVINCE US
SHE WAS SO DISTRAUGHT

THAT THE LIFE ABOUT
TO BE TAKEN WAS HER OWN.

BUT WHY?
I DON'T KNOW WHY.

THAT'S WHAT I WANT
TO ASK ELAINE JOHNSON.

SHE WAS THE ONE
WHO MADE SURE

WE WERE THERE TO SEE
THE WHOLE PERFORMANCE.

YOU'RE SAYING THAT
BECAUSE A DEAD WOMAN'S MAKEUP DIDN'T RUN,

THAT SHE DIDN'T
KILL HERSELF,

AND ELAINE JOHNSON
SET US UP?

THAT'S WHAT
I'M SAYING.

WHOA, ELAINE JOHNSON?

THIS VULNERABLE
DOORMAT OF A WOMAN

WHO THINKS HER
ADULTEROUS LOVER'S CHEATING ON HER?

THIS VICTIM,
THIS INNOCENT, THIS...

MR. ADDISON,
MISS HAYES?

LITTLE SEX-SHOOTER HERE.

SOMETHING
THE MATTER?

MR. McCLAFFERTY
DIDN'T TELL YOU?

HIS WIFE TOOK HER
OWN LIFE TONIGHT.

OH, MY GOD.

NICE TOUCH DROPPING
THE GLASS.

ENTERTAINING?

MISS HAYES!

4:30 IN THE MORNING!

CAN'T WHATEVER
YOU ARE DOING

WAIT UNTIL A MORE
DECENT HOUR?

WHAT, ARE YOU KIDDING?

WE DO OUR BEST WORK
AT INDECENT HOURS.

WOULD YOU PLEASE
DO SOMETHING ABOUT HER?

I DON'T KNOW.
LOOKS LIKE SHE'S DOING PRETTY GOOD BY HERSELF.

DO YOU MIND TELLING ME
WHAT YOU ARE LOOKING FOR?

THE DRESS AND THE WIG.

WHAT DRESS?
WHAT WIG?

MY, MY, MY, MY, MY.
IMAGINE THAT.

SOMEBODY COMING OUT
OF THE CLOSET ON OUR SHOW.

WHERE'S
THE NATIONAL ENQUIRER

WHEN YOU NEED THEM?

I KNOW WHAT THIS
LOOKS LIKE.

YOU DO?

I JUST-I DIDN'T,
DIDN'T WANT TO BE

ALONE...TONIGHT.

SO YOU CAME
OVER HERE.

SO I CAME OVER HERE.

OH, LET ME GUESS.

THE YOU HEARD
A PROWLER IN THE CLOSET.

NO, LIKE I SAID, I...

I KNOW WHAT THIS
LOOKS LIKE.

YOU DO?
IT LOOKS BAD.

LOOKS LIKE THE TWO
OF YOU CONSPIRED

TO GET RID
OF YOUR WIFE.

SAVE YOURSELF A MESSY,
NOT TO MENTION EXPENSIVE DIVORCE.

OK, I CAN UNDERSTAND
HOW YOU MIGHT JUMP

TO THAT CONCLUSION, BUT...

THE PROBLEM IS...

YOUR PROBLEM IS THAT,

YOU TWO, YOU DON'T
KNOW SOMETHING.

I MEAN, THERE'S SOMETHING

YOU'RE NOT TAKING
INTO ACCOUNT...

WHICH IS-

I WOULD HAVE BEEN GLAD
TO HAVE GIVEN THEM

A HEAD START
IF THEY HAD JUST ASKED.

COME ON!

I LOVE IT
WHEN YOU PLAY ROUGH.

FELLOWS, HURRY IT UP
A LITTLE BIT, WILL YOU?

WE GOT TO GO!

COME ON.

HEY!

HEY, COME BACK HERE!

NO USE CRYING
OVER SPILLED MILK!

GIVE ME A BREAK,
YOU WOULD HAVE SAID THE SAME THING.

DAVID, WE'RE LOSING THEM.

SAVE THAT STUFF FOR
THE ROMANTIC SCENES!

ENEMY TARGET IN SIGHT.
OPEN BOMB BAY DOORS.

ROGER!

BOMB BAY DOORS OPEN.

THEN FIRE AT WILL...

OR ALAN, OR WHOEVER
ELSE YOU CAN HIT.

AHA!

HIT 'EM WITH
THE COTTAGE CHEESE!

GO FOR THE LARGE CURD.
HA HA HA!

TAKE THAT!

WHOO!

NICE!

LOOKS LIKE
A FLOCK OF SEAGULLS ATE SOMETHING

THAT DIDN'T AGREE
WITH THEM. HA HA HA!

AAH! DAVID!

AAH!

STOP!

* NOWHERE TO HIDE *

* GOT NOWHERE
TO RUN TO, BABY *

* NOWHERE TO HIDE... *

WE'RE TRYING
TO BOWL HERE!

* IT'S NOT LOVE
I'M RUNNING FROM *

* IT'S THE HEARTACHE
I KNOW WILL COME *

* 'CAUSE I KNOW
YOU'RE NO GOOD FOR ME... *

WATCH OUT!

* EVERY STEP I TAKE *

* YOU TAKE WITH ME *

* YEAH *

* NOWHERE
TO RUN TO, BABY *

* NOWHERE TO HIDE *

* GOT NOWHERE
TO RUN TO, BABY... *

AAH!

* I KNOW YOU'RE
NO GOOD FOR ME *

* BUT FREE OF YOU
I'LL NEVER BE *

UNH!

AAH!

AH!

WHOA!

OH, STRIKE!

YOU KNOW,

I MAY HAVE A NATURAL TALENT
FOR THIS GAME.

WELL, THE SUN'S UP.

I DID WHAT I COULD.

COULDN'T STOP IT,
THOUGH.

WANT TO GET
SOMETHING TO EAT?

WHAT? THE WAY
I'M DRESSED?

I THINK YOU LOOK GREAT.

I FEEL GREAT.

YOU WANT TO KNOW
SOMETHING DUMB?

I HAD A GREAT TIME.

YEAH, ME TOO.

MUST BE
THE LACK OF SLEEP.

THAT'S WHAT
I SHOULD DO, SLEEP.

GO HOME AND GET
IN BED...

SHE WAS HERE JUST
A MINUTE AGO.

MADDIE?

SAM.

MADDIE?

CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT

CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-

* SOME WALK BY NIGHT *

* SOME FLY BY DAY *

* NOTHING COULD CHANGE YOU *

* SET AND SURE OF THE WAY *

* THERE IS
THE SUN AND MOON *

* THEY SING THEIR
OWN SWEET TUNE *

* WATCH THEM
WHEN DAWN IS DUE *

* SHARING ONE SPACE *

* WE'LL WALK
BY NIGHT, BABE *

* WE'LL FLY BY DAY *

* MOONLIGHTING STRANGERS *

* WHO JUST MET ON THE WAY *

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