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1
00:00:03,300 --> 00:00:05,567
HI. I'M JEFF JARVIS,
TV CRITIC FOR PEOPLE MAGAZINE.
2
00:00:05,602 --> 00:00:07,667
LIKE MANY OF YOU,
I WAS DISAPPOINTED,
3
00:00:07,702 --> 00:00:09,132
NO, MAKE THAT FED UP,
4
00:00:09,167 --> 00:00:11,467
NO, ON THIRD THOUGHT,
MAKE THAT ENRAGED WITH MOONLIGHTING.
5
00:00:11,502 --> 00:00:13,701
RERUNS, RERUNS, RERUNS,
NOTHING BUT RERUNS.
6
00:00:13,736 --> 00:00:15,185
I MEAN, WITHOUT
MOONLIGHTING,
7
00:00:15,220 --> 00:00:16,634
WHAT WAS THERE TO DO
ON TUESDAY NIGHTS?
8
00:00:16,669 --> 00:00:18,067
WATCH THE HOME SHOPPING NETWORK?
9
00:00:18,102 --> 00:00:19,766
START A FAMILY? READ?
10
00:00:19,801 --> 00:00:22,634
WELL, THE CRISIS IS OVER.
MOONLIGHTING'S BACK.
11
00:00:22,669 --> 00:00:24,632
LAST WEEK, AT LONG LAST,
12
00:00:24,667 --> 00:00:26,065
THEY GAVE US
A FRESH EPISODE.
13
00:00:26,100 --> 00:00:28,734
AND TONIGHT THEY'RE GIVING US
ONE THAT'S EVEN FRESHER.
14
00:00:28,769 --> 00:00:31,067
BUT THERE'S A CATCH,
A HITCH, A CRUEL TRICK.
15
00:00:31,102 --> 00:00:32,833
IF YOU DIDN'T WATCH
LAST WEEK'S SHOW,
16
00:00:32,868 --> 00:00:35,734
AND YOU PROBABLY DIDN'T
BOTHER BECAUSE YOU FIGURED IT'S JUST ANOTHER RERUN,
17
00:00:35,769 --> 00:00:37,868
THEN YOU WON'T KNOW
WHAT THE HELL'S HAPPENING IN TONIGHT'S SHOW.
18
00:00:37,903 --> 00:00:39,065
BUT FEAR NOT, DON'T SWEAT.
19
00:00:39,100 --> 00:00:41,634
I HAVE RIGHT HERE A TAPE
OF LAST WEEK'S EPISODE,
20
00:00:41,669 --> 00:00:43,601
AND I'LL SHOW YOU
ALL THE GOOD PARTS.
21
00:00:43,636 --> 00:00:44,701
IT WON'T TAKE LONG.
22
00:00:45,868 --> 00:00:47,701
IT ALL STARTED WHEN
DAVID BEGAN TO SENSE
23
00:00:47,736 --> 00:00:49,534
THAT SOMETHING WAS
BOTHERING MADDIE.
24
00:00:49,569 --> 00:00:51,998
DAVID, I FEEL ALONE
25
00:00:52,033 --> 00:00:54,534
AND SURROUNDED
AT THE SAME TIME.
26
00:00:54,569 --> 00:00:57,332
OK.
27
00:00:57,367 --> 00:01:00,984
I FEEL RESTRAINED
BUT LIKE I'M ABOUT TO BURST FREE.
28
00:01:01,019 --> 00:01:04,601
OK. NOW, YOU SEE,
I FIGURED IT WAS SOMETHING LIKE THAT.
29
00:01:06,000 --> 00:01:07,399
YOU WANT TO KNOW WHAT
I REALLY WANT TO DO?
30
00:01:07,434 --> 00:01:09,067
DO YOU WANT TO KNOW
WHAT THIS IS REALLY ALL ABOUT?
31
00:01:12,934 --> 00:01:16,801
I'D LIKE TO GO OUT THERE
AND FIND SOME MAN-
32
00:01:16,836 --> 00:01:18,299
NOT EVEN ASK HIS NAME
33
00:01:18,334 --> 00:01:20,567
AND JUST GO TO A HOTEL
OR SOMETHING
34
00:01:20,602 --> 00:01:21,735
AND NOT EVEN KNOW
HIS NAME-
35
00:01:21,770 --> 00:01:23,319
I DON'T WANT
TO HEAR THIS.
36
00:01:23,354 --> 00:01:25,077
AND JUST BE BAD.
BE WONDERFUL.
37
00:01:25,112 --> 00:01:26,766
HEY, I DON'T WANT
TO HEAR THIS!
38
00:01:26,801 --> 00:01:29,899
CONCERNED THAT MADDIE
MIGHT ACTUALLY DO WHAT SHE THREATENED,
39
00:01:29,934 --> 00:01:33,434
DAVID DECIDED TO FOLLOW HER,
ONLY TO DISCOVER, AT 2:00 IN THE MORNING,
40
00:01:33,469 --> 00:01:35,301
HE'D BEEN FOLLOWING
THE WRONG WOMAN.
41
00:01:35,336 --> 00:01:37,098
I REALLY HATE TO BE
A WET BLANKET,
42
00:01:37,133 --> 00:01:38,634
BUT IF I DON'T GET SIS
HOME BY MIDNIGHT,
43
00:01:38,669 --> 00:01:40,601
POP'S GOING TO BE
REALLY P.O.'d.
44
00:01:40,636 --> 00:01:41,766
HEY!
45
00:01:41,801 --> 00:01:44,734
OH, GREAT. MADDIE,
MR. GOODBAR HAS A GUN.
46
00:01:44,769 --> 00:01:46,232
LOOK, I KNOW
HOW THIS LOOKS,
47
00:01:46,267 --> 00:01:47,532
BUT I REALLY
WASN'T FOLLOWING YOU.
48
00:01:47,567 --> 00:01:49,667
AS A MATTER OF FACT,
AS SOON AS I REALIZED IT WAS YOU,
49
00:01:49,702 --> 00:01:51,033
I STARTED MOVING
DOWN TO THE NEXT WIN-
50
00:01:52,534 --> 00:01:54,965
OH! YOU'RE NOT MADDIE!
51
00:01:55,000 --> 00:01:56,868
AS THEY OFTEN DO
ON MOONLIGHTING,
52
00:01:56,903 --> 00:01:58,566
ONE THING LED TO ANOTHER,
53
00:01:58,601 --> 00:02:02,367
AND BEFORE THE NIGHT WAS
OVER, OUR HERO ENDED UP BEHIND BARS.
54
00:02:02,402 --> 00:02:04,133
WHY WERE YOU
FOLLOWING THIS MADDIE?
55
00:02:19,501 --> 00:02:23,265
I WAS WORRIED ABOUT HER.
56
00:02:23,300 --> 00:02:26,100
SHE SAID SOME THINGS TO ME
THAT SHE NEVER SAID BEFORE.
57
00:02:29,234 --> 00:02:30,167
I DON'T KNOW.
58
00:02:33,100 --> 00:02:34,499
I DON'T KNOW.
59
00:02:34,534 --> 00:02:36,467
I GUESS I WAS JUST
TRYING TO MAKE SURE
60
00:02:36,502 --> 00:02:38,699
SHE DIDN'T GET
INTO ANY TROUBLE.
61
00:02:38,734 --> 00:02:40,734
THERE'S A LOT OF CRAZY
PEOPLE OUT THERE.
62
00:02:40,769 --> 00:02:42,851
YOU'RE TELLING ME!
63
00:02:42,886 --> 00:02:44,410
SO WHAT DID
SHE SAY?
64
00:02:44,445 --> 00:02:45,934
IT'S NOT IMPORTANT.
65
00:02:45,969 --> 00:02:47,801
REALLY?
66
00:02:49,534 --> 00:02:50,834
DOES SHE KNOW
YOU LOVE HER?
67
00:02:53,801 --> 00:02:54,766
WHAT?
68
00:02:54,801 --> 00:02:58,167
I'M SORRY. IT'S
JUST SO CLEAR.
69
00:03:01,334 --> 00:03:03,033
SHE DOESN'T
KNOW, DOES SHE?
70
00:03:06,467 --> 00:03:08,267
TELL HER.
71
00:03:08,302 --> 00:03:10,067
TELL HER?
72
00:03:11,133 --> 00:03:12,567
TELL HER WHAT?
I'M NOT-
73
00:03:12,602 --> 00:03:13,968
YES, YOU ARE.
74
00:03:15,234 --> 00:03:18,234
TELL HER.
JUST TELL HER.
75
00:03:20,901 --> 00:03:22,632
DAVID DECIDED
TO DO JUST THAT,
76
00:03:22,667 --> 00:03:24,701
AND RUSHED TO MADDIE'S HOUSE
AT 4:00 IN THE MORNING
77
00:03:24,736 --> 00:03:27,000
TO SHARE HIS STARTLING
REALIZATION WITH HER.
78
00:03:29,300 --> 00:03:32,634
NOW, LISTEN, I KNOW
IT'S 4:00 IN THE MOR-
79
00:03:35,767 --> 00:03:37,167
CAN I HELP YOU?
80
00:03:43,567 --> 00:03:44,667
HI.
81
00:03:45,734 --> 00:03:47,100
HI.
82
00:03:50,234 --> 00:03:51,534
MADDIE'S ASLEEP.
83
00:03:53,934 --> 00:03:55,666
WHICH BRINGS US TO TONIGHT.
84
00:03:55,701 --> 00:03:58,267
WHICH REMINDS ME, LET ME
MAKE IT ABSOLUTELY CLEAR
85
00:03:58,302 --> 00:04:00,799
THAT MY APPEARANCE HERE
ON MOONLIGHTING
86
00:04:00,834 --> 00:04:05,100
WILL IN NO WAY
COMPROMISE MY INTEGRITY AS A TELEVISION CRITIC.
87
00:04:05,135 --> 00:04:06,232
AHEM.
88
00:04:06,267 --> 00:04:08,534
I'M SURE IT'S JUST
A THANK-YOU NOTE.
89
00:04:13,467 --> 00:04:16,400
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
90
00:04:21,267 --> 00:04:26,017
* SOME WALK BY NIGHT *
91
00:04:26,052 --> 00:04:30,732
* SOME FLY BY DAY *
92
00:04:30,767 --> 00:04:34,998
* SOMETHING IS SWEETER *
93
00:04:35,033 --> 00:04:39,300
* 'CAUSE WE MET
ON THE WAY *
94
00:04:39,335 --> 00:04:43,567
* 'CAUSE WE MET
ON THE WAY *
95
00:04:53,667 --> 00:04:57,317
* OH, WHAT
A BEAUTIFUL MORNING *
96
00:04:57,352 --> 00:05:01,009
* OH, WHAT
A BEAUTIFUL DAY *
97
00:05:01,044 --> 00:05:04,222
* I'VE GOT
A WONDERFUL FEELING *
98
00:05:04,257 --> 00:05:07,400
* EVERYTHING'S GOING
MY WAY *
99
00:05:48,567 --> 00:05:50,150
BLUE MOON DETECTIVE AGENCY.
100
00:05:50,185 --> 00:05:51,734
HAS YOUR DOG JUMPED
THE FENCE?
101
00:05:51,769 --> 00:05:53,299
DID FIDO GET LOST?
102
00:05:53,334 --> 00:05:56,167
PUT US ON HIS SCENT,
AT OUR LOW DOG-FINDER COST.
103
00:05:56,202 --> 00:05:57,566
WE'LL HIT
THE GROUND RUNNING,
104
00:05:57,601 --> 00:06:00,400
GET TO THE POUND FAST,
AND RETRIEVE YOUR LOVED ONE,
105
00:06:00,435 --> 00:06:01,567
BEFORE HE GETS GA-
106
00:06:03,901 --> 00:06:06,034
HERBERT, IS THAT YOU?
107
00:06:06,069 --> 00:06:08,634
YOU SOUND TERRIBLE.
108
00:06:08,669 --> 00:06:11,165
WERE YOU OUT LATE, TOO?
109
00:06:11,200 --> 00:06:14,534
OH, YOU THINK YOU MIGHT BE
COMING DOWN WITH SOMETHING?
110
00:06:14,569 --> 00:06:15,732
SURE, I'LL TELL MISS HAYES.
111
00:06:15,767 --> 00:06:17,866
BUT SHE'S NOT HERE
YET, EITHER.
112
00:06:17,901 --> 00:06:22,365
MR. ADDISON'S HERE,
BUT HE LOOKS LIKE YOU SOUND.
113
00:06:22,400 --> 00:06:26,701
WAS THERE A PARTY LAST NIGHT
THAT NO ONE TOLD ME ABOUT?
114
00:06:26,736 --> 00:06:28,200
MORNING,
MISS DIPESTO.
115
00:06:32,534 --> 00:06:33,965
YEAH?
116
00:06:34,000 --> 00:06:36,300
MR. ADDISON?
MISS HAYES JUST CAME IN.
117
00:06:36,335 --> 00:06:37,799
MORNING.
118
00:06:37,834 --> 00:06:39,165
MORNING.
SORRY I'M LATE.
119
00:06:39,200 --> 00:06:41,334
WERE YOU LATE?
I DIDN'T EVEN NOTICE, I WAS SO BUSY.
120
00:06:41,369 --> 00:06:42,466
BUSY DOING WHAT?
121
00:06:42,501 --> 00:06:44,617
SETTING UP MISS DIPESTO
WITH THE MONTHLY BILLING,
122
00:06:44,652 --> 00:06:46,699
REVIEWING THE STATUS
OF OUR ONGOING ACCOUNTS,
123
00:06:46,734 --> 00:06:48,934
REFILLING THE TOILET PAPER
IN THE EXECUTIVE WASHROOMS.
124
00:06:48,969 --> 00:06:50,132
REALLY.
125
00:06:50,167 --> 00:06:51,299
WE HAVE 4
PAST DUE ACCOUNTS,
126
00:06:51,334 --> 00:06:52,666
THE REDFIELD CASE
STILL NEEDS A FOLLOW-UP,
127
00:06:52,701 --> 00:06:55,267
AND THE WOMEN'S BATHROOM
HAS MUCH BETTER GRAFFITI.
128
00:06:55,302 --> 00:06:56,566
YOU DID ALL THAT
THIS MORNING?
129
00:06:56,601 --> 00:06:59,501
WELL, I HAD
THE MARKER WITH ME. THE WALL WAS THERE.
130
00:06:59,536 --> 00:07:01,200
WE ARE RUNNING
A BUSINESS HERE, AREN'T WE?
131
00:07:01,235 --> 00:07:03,133
THAT WE ARE.
SO?
132
00:07:03,168 --> 00:07:04,199
SO?
133
00:07:04,234 --> 00:07:06,632
SO, WHAT WAS IT?
134
00:07:06,667 --> 00:07:09,032
DOG BURIED
YOUR BRIEFCASE?
135
00:07:09,067 --> 00:07:11,634
JUST WASHED YOUR CAR
AND COULDN'T DO A THING WITH IT?
136
00:07:11,669 --> 00:07:12,868
RAN OFF WITH
A CIRCUS SIDESHOW
137
00:07:12,903 --> 00:07:14,218
BUT COULDN'T
GROW A BEARD?
138
00:07:14,253 --> 00:07:15,499
I'M SORRY?
YOU SHOULD BE.
139
00:07:15,534 --> 00:07:17,801
WHAT? DAVID,
I JUST OVERSLEPT.
140
00:07:17,836 --> 00:07:19,018
OVERSLEPT.
141
00:07:19,053 --> 00:07:20,165
OVERSLEPT.
142
00:07:20,200 --> 00:07:21,783
I TURNED OFF
THE ALARM AND WENT BACK TO SLEEP.
143
00:07:21,818 --> 00:07:23,367
WHEN I WOKE UP,
I NOTICED WHAT TIME IT WAS.
144
00:07:23,402 --> 00:07:25,301
I GOT HERE AS
QUICKLY AS I COULD.
145
00:07:25,336 --> 00:07:27,200
BESIDES, I THOUGHT
YOU DIDN'T NOTICE.
146
00:07:27,235 --> 00:07:28,901
HEY, YOU BROUGHT IT UP.
147
00:07:33,400 --> 00:07:36,300
OF COURSE, THERE ARE
2 ENTIRE HOURS UNACCOUNTED FOR.
148
00:07:36,335 --> 00:07:39,200
THIS FROM A MAN
WHO HAS ENTIRE WEEKENDS UNACCOUNTED FOR?
149
00:07:39,235 --> 00:07:40,918
NEVER WITHOUT
A GOOD EXCUSE
150
00:07:40,953 --> 00:07:42,566
OR, AT LEAST,
A BAD ONE.
151
00:07:42,601 --> 00:07:45,267
DAVID, I JUST GOT
A GOOD NIGHT'S SLEEP, THAT'S ALL.
152
00:07:45,302 --> 00:07:46,901
YOU SHOULD GIVE IT
A TRY SOMETIME.
153
00:07:46,936 --> 00:07:49,799
ME? I SLEPT
LIKE A BABE.
154
00:07:49,834 --> 00:07:52,232
STILL MADE IT IN
BY 9:00, THOUGH.
155
00:07:52,267 --> 00:07:55,400
I DON'T REMEMBER SEEING
HALL MONITOR UNDER YOUR JOB DESCRIPTION.
156
00:07:55,435 --> 00:07:56,584
YOU DON'T HAVE
TO ANSWER TO ME.
157
00:07:56,619 --> 00:07:57,734
I'M JUST YOUR
BUSINESS PARTNER.
158
00:07:57,769 --> 00:07:58,833
PARTNER?
159
00:07:58,868 --> 00:08:00,067
JUST DON'T BLAME ME
IF THEY DRAW
160
00:08:00,102 --> 00:08:01,199
THEIR OWN CONCLUSIONS.
161
00:08:01,234 --> 00:08:02,901
WHAT CONCLUSIONS,
AND WHO ARE "THEY"?
162
00:08:02,936 --> 00:08:04,666
"THEY" ARE THEM.
163
00:08:04,701 --> 00:08:06,417
AND THE KIND OF
CONCLUSIONS PEOPLE DRAW
164
00:08:06,452 --> 00:08:08,098
WHEN A CERTAIN SOMEONE
COMES TRAIPSING IN,
165
00:08:08,133 --> 00:08:11,100
SMILE ON HER FACE,
SPRING IN HER STEP, 2 HOURS LATE.
166
00:08:11,135 --> 00:08:13,601
WHAT ARE YOU
GETTING AT, DAVID? NOTHING.
167
00:08:13,636 --> 00:08:14,699
WHAT CONCLUSIONS?
168
00:08:14,734 --> 00:08:16,267
FORGET IT.
FORGET WHAT?
169
00:08:19,634 --> 00:08:21,534
EXCUSE ME.
THERE'S A WOMAN HERE TO SEE YOU.
170
00:08:21,569 --> 00:08:22,801
SEND HER IN.
171
00:08:30,534 --> 00:08:32,450
HELLO. PLEASE
COME IN, MS.-
172
00:08:32,485 --> 00:08:34,332
JOHNSON. ELAINE JOHNSON.
173
00:08:34,367 --> 00:08:36,968
I'M MADELYN HAYES.
THIS IS MY ASSOCIATE DAVID ADDISON.
174
00:08:37,003 --> 00:08:38,201
PLEASED TO
MEET YOU.
175
00:08:38,236 --> 00:08:39,400
WON'T YOU SIT DOWN?
176
00:08:40,834 --> 00:08:41,965
HOW MAY WE HELP YOU?
177
00:08:42,000 --> 00:08:44,501
I THINK MY BOYFRIEND
IS IN LOVE WITH HIS WIFE.
178
00:08:44,536 --> 00:08:45,866
WHAT?
179
00:08:45,901 --> 00:08:47,466
I'M THE OTHER WOMAN.
180
00:08:47,501 --> 00:08:50,267
WHICH, BY THE WAY,
IS JUST FINE WITH ME.
181
00:08:50,302 --> 00:08:51,632
I'VE KNOWN ALAN
FOR 3 YEARS,
182
00:08:51,667 --> 00:08:55,767
AND WE HAVE-HAD
THIS UNDERSTANDING.
183
00:08:55,802 --> 00:08:58,718
HIS MARRIAGE
WAS WANTING.
184
00:08:58,753 --> 00:09:01,599
MY LOVE LIFE
WAS WANTING.
185
00:09:01,634 --> 00:09:04,634
IT MADE SENSE.
IT MAKES SENSE.
186
00:09:04,669 --> 00:09:06,299
I HAVE A DEMANDING CAREER.
187
00:09:06,334 --> 00:09:08,300
I'M VERY COMFORTABLE
GIVING HIM 3 OR 4 HOURS
188
00:09:08,335 --> 00:09:09,567
A COUPLE
OF TIMES A WEEK.
189
00:09:09,602 --> 00:09:10,732
BUT?
190
00:09:10,767 --> 00:09:13,317
BUT HE'S ABRUPTLY
CANCELED PLANS
191
00:09:13,352 --> 00:09:15,833
SEVERAL TIMES
IN THE PAST MONTH,
192
00:09:15,868 --> 00:09:18,334
AND I HEAR THE GUILT
IN HIS VOICE WHEN HE TRIES TO EXPLAIN.
193
00:09:18,369 --> 00:09:20,632
HE WON'T LOOK ME
IN THE EYE ANYMORE,
194
00:09:20,667 --> 00:09:23,400
HE AVOIDS TALKING ABOUT US,
ABOUT OUR RELATIONSHIP.
195
00:09:24,501 --> 00:09:27,599
AND THEN, THE OTHER NIGHT,
HE FELL ASLEEP.
196
00:09:27,634 --> 00:09:30,868
HIS WALLET WAS
JUST SITTING THERE ON THE NIGHTSTAND.
197
00:09:30,903 --> 00:09:33,167
I FOUND
A PICTURE OF HIM...
198
00:09:33,202 --> 00:09:35,334
AND HER...
199
00:09:35,369 --> 00:09:37,432
AND THE KIDS.
200
00:09:37,467 --> 00:09:40,701
HE JUST DIDN'T
LOOK LIKE A GUY WHO WAS WANTING ANYMORE.
201
00:09:40,736 --> 00:09:43,067
I JUST WANT TO KNOW
WHAT'S GOING ON.
202
00:09:43,102 --> 00:09:44,535
IF HE'S PRICING
STATION WAGONS
203
00:09:44,570 --> 00:09:45,933
OR LOOKING AT
A BIGGER HOUSE,
204
00:09:45,968 --> 00:09:47,517
I DON'T WANT TO BE
THE LAST TO KNOW.
205
00:09:47,552 --> 00:09:49,067
WILL YOU EXCUSE US
FOR A MINUTE, PLEASE?
206
00:09:56,667 --> 00:09:57,965
ALL RIGHT
ALL RIGHT, ALL RIGHT.
207
00:09:58,000 --> 00:09:59,634
LET'S FLIP THE PAGE,
CUT TO THE MEAT OF THE SCENE.
208
00:09:59,669 --> 00:10:01,200
YOU'RE OUTRAGED.
YOU'RE DISGUSTED.
209
00:10:01,235 --> 00:10:02,432
IT'LL BE
A WARM DAY IN NOME
210
00:10:02,467 --> 00:10:04,117
BEFORE YOU'D EVEN CONSIDER
TAKING A CASE LIKE THIS.
211
00:10:04,152 --> 00:10:06,209
WELL, THAT'S JUST FINE.
I JUST WANT YOU TO KNOW
212
00:10:06,244 --> 00:10:08,267
THAT NOT TAKING
THIS CASE IS PEACHY KEEN WITH ME.
213
00:10:08,302 --> 00:10:10,000
FADE-OUT, AMEN,
END OF STORY.
214
00:10:10,035 --> 00:10:11,132
I DON'T KNOW.
215
00:10:11,167 --> 00:10:12,501
I THINK MAYBE WE
SHOULD TAKE IT. WHAT?
216
00:10:12,536 --> 00:10:13,601
I THINK WE SHOULD
TAKE IT. I MEAN,
217
00:10:13,636 --> 00:10:14,634
HELL, DAVID,
IT'S A CASE.
218
00:10:17,367 --> 00:10:18,667
I THINK WE GOT
A BAD CONNECTION.
219
00:10:18,702 --> 00:10:20,632
COME ON,
LIFE IS SHORT.
220
00:10:20,667 --> 00:10:23,067
DID THEY SWITCH
THE NAMES ON THE SCRIPT?
221
00:10:23,102 --> 00:10:24,332
MADDIE, WE'RE TALKING
ABOUT A WOMAN
222
00:10:24,367 --> 00:10:26,566
WHO'S FOUND A WHOLE NEW WAY
TO DEFINE BEING FAITHFUL.
223
00:10:26,601 --> 00:10:28,900
NOT THE SORT OF WOMAN
YOU'D NORMALLY INTRODUCE TO THE BRIDGE CLUB.
224
00:10:28,935 --> 00:10:31,200
MAYBE A THING LIKE
"BEING FAITHFUL" ISN'T THAT EASY TO DEFINE.
225
00:10:31,235 --> 00:10:32,968
MAYBE IT'S NOT
SO BLACK-AND-WHITE.
226
00:10:33,003 --> 00:10:34,568
THE FACT IS, WE'RE
A DETECTIVE AGENCY.
227
00:10:34,603 --> 00:10:36,133
AND SHE'S GOT A CASE
WE CAN HANDLE,
228
00:10:36,168 --> 00:10:37,699
SO I SAY WE HANDLE IT.
229
00:10:37,734 --> 00:10:40,634
GLAD TO SEE THINGS
ARE FINALLY LOOSENING UP AROUND HERE.
230
00:10:43,501 --> 00:10:44,632
MISS US?
231
00:10:44,667 --> 00:10:46,533
WE DECIDED
TO TAKE YOUR CASE.
232
00:10:46,568 --> 00:10:48,365
THAT'S WONDERFUL.
THANK YOU.
233
00:10:48,400 --> 00:10:50,799
I'VE HAD SUCH BAD LUCK
FINDING SOMEONE.
234
00:10:50,834 --> 00:10:53,634
AGENCIES TEND TO GET
JUDGMENTAL ABOUT THIS SORT OF THING.
235
00:10:53,669 --> 00:10:54,732
NOT HERE, WE DON'T.
236
00:10:54,767 --> 00:10:55,866
I'VE WRITTEN
EVERYTHING DOWN-
237
00:10:55,901 --> 00:10:58,033
ADDRESSES, HANGOUTS,
DAILY SCHEDULE.
238
00:10:58,068 --> 00:10:59,634
HIS NAME IS
ALAN McCLAUGHERTY.
239
00:10:59,669 --> 00:11:02,666
THANK YOU.
WELL...
240
00:11:02,701 --> 00:11:04,767
WE'LL BE
IN TOUCH AS SOON AS WE KNOW SOMETHING.
241
00:11:06,767 --> 00:11:10,234
OR SOONER, IF A BETTER
REASON COMES TO ME.
242
00:11:10,269 --> 00:11:12,634
I'LL BE LOOKING
FORWARD TO IT.
243
00:11:12,669 --> 00:11:15,000
IT WAS VERY NICE
TO MEET YOU.
244
00:11:16,534 --> 00:11:17,634
BYE.
245
00:11:24,367 --> 00:11:26,767
THIS IS ONE CASE
I'M GOING TO ENJOY STAYING ON TOP OF.
246
00:11:26,802 --> 00:11:29,067
WHY DO I FEEL LIKE
THIS IS ALL FOR MY BENEFIT?
247
00:11:29,102 --> 00:11:31,532
I GIVE UP. WHY?
248
00:11:31,567 --> 00:11:33,601
I DON'T APPROVE
OF FLIRTING WITH A TOTAL STRANGER.
249
00:11:33,636 --> 00:11:34,965
SO DON'T DO IT.
250
00:11:35,000 --> 00:11:37,167
AND WHEN'D
YOU CHANGE YOUR MIND ABOUT TOTAL STRANGERS?
251
00:11:37,202 --> 00:11:39,132
WHAT'S BOTHERING YOU?
252
00:11:39,167 --> 00:11:41,968
HEY, I'M JUST RESPONDING
TO AN ATTRACTIVE WOMAN.
253
00:11:45,133 --> 00:11:47,050
OK, IT'S WORKED.
I'M ANGRY.
254
00:11:47,085 --> 00:11:48,933
I HAVE NO IDEA
WHAT'S WRONG.
255
00:11:48,968 --> 00:11:50,301
BUT IF YOU'RE NOT
GOING TO TELL ME,
256
00:11:50,336 --> 00:11:51,634
I'D APPRECIATE
YOU LEAVING MY OFFICE.
257
00:12:04,200 --> 00:12:06,467
OK. MAYBE THERE IS
SOMETHING WRONG.
258
00:12:06,502 --> 00:12:08,734
MAYBE THERE IS
SOMETHING BOTHERING ME.
259
00:12:10,767 --> 00:12:12,617
YOU SKIPPED OUT OF HERE
LAST NIGHT RANTING
260
00:12:12,652 --> 00:12:14,467
ABOUT GETTING RECKLESS
WITH A TOTAL STRANGER.
261
00:12:14,502 --> 00:12:17,332
AND YOU SHOW UP HERE
AT 11:00.
262
00:12:17,367 --> 00:12:19,100
WELL, MAYBE
I WAS WORRIED ABOUT YOU.
263
00:12:20,834 --> 00:12:22,217
BUT I GUESS
IT WOULDN'T OCCUR TO YOU
264
00:12:22,252 --> 00:12:23,943
THAT I COULD BE
WORRIED ABOUT YOU,
265
00:12:23,978 --> 00:12:25,634
THAT JUST MAYBE
I'D ASSUME THE WORST.
266
00:12:25,669 --> 00:12:26,601
I'M SORRY.
267
00:12:28,300 --> 00:12:30,434
I JUST STOPPED AND
GOT SOME GROCERIES LAST NIGHT.
268
00:12:30,469 --> 00:12:31,799
GOT HOME EARLY.
269
00:12:31,834 --> 00:12:34,133
WHEN I GOT THERE,
THERE WAS A MESSAGE FROM AN OLD FRIEND.
270
00:12:34,168 --> 00:12:37,100
WE GOT TOGETHER,
STAYED UP A LITTLE LATE.
271
00:12:37,135 --> 00:12:38,968
I'M SORRY.
I WASN'T THINKING.
272
00:12:39,003 --> 00:12:40,332
AN OLD FRIEND.
273
00:12:40,367 --> 00:12:43,033
YEAH. I'VE KNOWN SAM
SINCE I WAS 6.
274
00:12:43,068 --> 00:12:45,032
I PROMISED HIM
SOME LUNCH,
275
00:12:45,067 --> 00:12:47,799
AND I'VE GOT
A COUPLE OF THINGS I WANT TO DO.
276
00:12:47,834 --> 00:12:51,033
MEET BACK HERE ABOUT
2:30 AND GET STARTED ON THIS CASE?
277
00:12:51,068 --> 00:12:52,200
YEAH. GREAT.
278
00:12:52,235 --> 00:12:53,300
BYE.
279
00:13:02,000 --> 00:13:03,400
SAM.
280
00:13:16,634 --> 00:13:18,301
HERBERT!
MORNING, AGNES.
281
00:13:18,336 --> 00:13:19,851
WHAT ARE YOU
DOING HERE?
282
00:13:19,886 --> 00:13:21,332
I WORK HERE,
REMEMBER?
283
00:13:21,367 --> 00:13:23,167
I'M THE LITTLE GUY,
SIT AT THE DESK OVER THERE.
284
00:13:23,202 --> 00:13:24,998
YES.
285
00:13:25,033 --> 00:13:26,367
BUT SHOULDN'T
YOU BE IN BED?
286
00:13:26,402 --> 00:13:28,566
OH, THE FLU?
287
00:13:28,601 --> 00:13:30,651
DO YOU KNOW,
I'M FEELING SO MUCH BETTER,
288
00:13:30,686 --> 00:13:32,701
I'D ALMOST FORGOTTEN
THAT I WAS SICK.
289
00:13:32,736 --> 00:13:33,799
THAT'S TERRIFIC.
290
00:13:33,834 --> 00:13:35,767
BUT YOU KNOW,
YOU COULD HAVE A RELAPSE
291
00:13:35,802 --> 00:13:36,901
IF YOU'RE NOT CAREFUL.
292
00:13:38,601 --> 00:13:40,367
WHAT DID YOU HAVE
FOR DINNER LAST NIGHT?
293
00:13:40,402 --> 00:13:44,100
UH, NACHOS AND
A JELLY DOUGHNUT.
294
00:13:44,135 --> 00:13:45,399
OR WAS IT
A BEAR CLAW?
295
00:13:45,434 --> 00:13:47,267
WELL, I'M COMING OVER
TO YOUR HOUSE,
296
00:13:47,302 --> 00:13:49,100
AND I'M MAKING YOU
A DECENT MEAL.
297
00:13:49,135 --> 00:13:50,998
AGNES, THAT'S
NOT NECESSARY.
298
00:13:51,033 --> 00:13:52,799
NECESSARY HAS NOTHING
TO DO WITH IT.
299
00:13:52,834 --> 00:13:56,234
YOU REALLY ARE
WORRIED ABOUT ME, AREN'T YOU?
300
00:14:06,234 --> 00:14:08,332
YEAH.
301
00:14:08,367 --> 00:14:10,299
EXCUSE ME FOR BARGING
IN ON YOU LIKE THIS, MR. ADDISON,
302
00:14:10,334 --> 00:14:13,634
BUT I JUST HAD TO TELL
YOU WHAT A TERRIFIC TIME I HAD LAST NIGHT.
303
00:14:15,501 --> 00:14:18,232
YOU KNOW,
YOU AND ME...
304
00:14:18,267 --> 00:14:20,767
OUT IN THE FIELD,
ONE-ON-ONE.
305
00:14:20,802 --> 00:14:23,234
WHAT TIME YOU GOT?
306
00:14:23,269 --> 00:14:24,501
3:03.
307
00:14:25,801 --> 00:14:27,234
3 HOURS.
308
00:14:28,534 --> 00:14:29,634
WHAT?
309
00:14:31,534 --> 00:14:32,801
WHO? MISS HAYES?
310
00:14:34,667 --> 00:14:36,200
I WOULDN'T WORRY
ABOUT THAT, MR. ADDISON.
311
00:14:36,235 --> 00:14:38,068
I MEAN, SHE PROBABLY
JUST HAD LUNCH,
312
00:14:38,103 --> 00:14:39,901
AND THEN, YOU KNOW
HOW WOMEN ARE,
313
00:14:39,936 --> 00:14:41,000
ONE THING LEADS
TO ANOTHER.
314
00:14:42,634 --> 00:14:45,367
ACTUALLY, THAT WAS-
THAT WAS WHAT I WANTED TO TALK TO YOU ABOUT.
315
00:14:45,402 --> 00:14:47,499
MADDIE?
WELL, NO, NOT HER.
316
00:14:47,534 --> 00:14:50,334
NOT HER, SPECIFICALLY,
BUT WOMEN,
317
00:14:50,369 --> 00:14:51,965
IN GENERAL.
318
00:14:52,000 --> 00:14:53,367
DESIREE,
IN PARTICULAR.
319
00:14:53,402 --> 00:14:55,632
DESIREE?
320
00:14:55,667 --> 00:14:57,883
THE COCKTAIL WAITRESS
AT THE BAR LAST NIGHT?
321
00:14:57,918 --> 00:15:00,100
I BROUGHT THE CAR AROUND,
LIKE YOU ASKED.
322
00:15:00,135 --> 00:15:02,267
AND I WAITED.
I REALLY DID.
323
00:15:02,302 --> 00:15:04,568
BUT WHEN
YOU DIDN'T SHOW UP,
324
00:15:04,603 --> 00:15:06,799
I WENT BACK
INTO THE BAR.
325
00:15:06,834 --> 00:15:08,701
I DROPPED SOME DOUGH
INTO THE JUKEBOX,
326
00:15:08,736 --> 00:15:12,365
AND, AS FATE
WOULD HAVE IT,
327
00:15:12,400 --> 00:15:14,000
DESIREE AND I BOTH
TURN OUT TO BE
328
00:15:14,035 --> 00:15:16,334
THESE HUGE
GRASS ROOTS FANS.
329
00:15:17,567 --> 00:15:20,234
AND SO,
I TOOK HER HOME.
330
00:15:20,269 --> 00:15:22,365
SHE OWES YOU ONE.
331
00:15:22,400 --> 00:15:24,667
IT'S A KILLER TRYING
TO GET A CAB AFTER 2 A.M.
332
00:15:24,702 --> 00:15:27,032
NO. NO.
333
00:15:27,067 --> 00:15:30,634
NOT HER HOME,
MR. ADDISON, MINE.
334
00:15:32,000 --> 00:15:34,767
YOU KNOW THE MATTERHORN
AT DISNEYLAND, SIR?
335
00:15:36,367 --> 00:15:38,334
AND THERE WAS NO LINE-
336
00:15:38,369 --> 00:15:39,933
JUST...
337
00:15:39,968 --> 00:15:42,918
WAVE AFTER WAVE
OF PLEASURE
338
00:15:42,953 --> 00:15:45,868
BREAKING OVER
OUR NAKED BODIES.
339
00:15:45,903 --> 00:15:47,968
2 HEARTS BEATING AS ONE.
340
00:15:49,267 --> 00:15:50,399
ALL NIGHT LONG.
341
00:15:50,434 --> 00:15:51,566
LISTEN, HERBERT,
I'M TICKLED
342
00:15:51,601 --> 00:15:52,934
THAT YOU'RE
BEING TICKLED, BUT I-
343
00:15:52,969 --> 00:15:54,267
MR. ADDISON,
I NEED SOME ADVICE.
344
00:15:54,302 --> 00:15:55,532
TRY THE KAMA SUTRA.
345
00:15:55,567 --> 00:15:58,400
NO. NO. NOT THAT KIND
OF ADVICE. I'M CONFUSED.
346
00:15:58,435 --> 00:16:00,118
YOU KNOW HOW IT IS
WITH SOME WOMEN-
347
00:16:00,153 --> 00:16:01,766
YOU JUST WANT
TO THROW THEM DOWN
348
00:16:01,801 --> 00:16:03,868
ON THE POSTUREPEDIC
AND LICK THEIR MAKEUP OFF.
349
00:16:03,903 --> 00:16:06,265
AND THEN THERE'S THE KIND
350
00:16:06,300 --> 00:16:08,000
THAT YOU THINK ABOUT
MAKING A LIFE WITH.
351
00:16:09,133 --> 00:16:12,601
SOMEONE WARM.
CONSIDERATE.
352
00:16:12,636 --> 00:16:14,033
SOMEONE LIKE AGNES.
353
00:16:15,400 --> 00:16:16,532
AGNES?
354
00:16:16,567 --> 00:16:17,933
SHE WANTED TO COOK
ME A DINNER,
355
00:16:17,968 --> 00:16:19,199
JUST 'CAUSE
SHE THOUGHT I WAS SICK.
356
00:16:19,234 --> 00:16:22,000
WITHOUT ANY REGARD
TO HER OWN HEALTH, THIS WOMAN-
357
00:16:22,035 --> 00:16:24,799
THIS SAINT-
358
00:16:24,834 --> 00:16:26,732
WAS WILLING TO RISK
359
00:16:26,767 --> 00:16:28,400
WHO KNOWS WHAT KIND
OF CONTAGION
360
00:16:28,435 --> 00:16:30,098
JUST TO TAKE CARE OF ME.
361
00:16:30,133 --> 00:16:31,868
I HATE IT WHEN
SHE DOES STUFF LIKE THAT.
362
00:16:31,903 --> 00:16:33,467
SMART.
SMART?
363
00:16:33,502 --> 00:16:34,998
SMART.
364
00:16:35,033 --> 00:16:38,100
YOU SEE
MISS DIPESTO'S GROCERIES FOR WHAT THEY ARE.
365
00:16:38,135 --> 00:16:39,232
I DO?
366
00:16:39,267 --> 00:16:42,499
YEAH. YOU DO.
367
00:16:42,534 --> 00:16:44,901
OH. WHAT ARE THEY?
368
00:16:44,936 --> 00:16:46,167
A PLOY.
369
00:16:48,567 --> 00:16:50,365
YEAH.
370
00:16:50,400 --> 00:16:51,783
ONCE THESE BABES
GET INSIDE THE WIRE,
371
00:16:51,818 --> 00:16:53,167
THEY'LL STICK IT
TO YOU EVERY TIME.
372
00:16:53,202 --> 00:16:54,532
THEY WILL?
373
00:16:54,567 --> 00:16:56,232
WHY DO YOU THINK
I TRAVEL LIGHT?
374
00:16:56,267 --> 00:16:58,734
GO WITH THE SLAP
AND TICKLE, MR. VIOLA.
375
00:16:58,769 --> 00:17:00,265
IT MAY NOT BE DEEP,
376
00:17:00,300 --> 00:17:01,567
BUT IT'S BETTER
THAN INVITING SOMEBODY
377
00:17:01,602 --> 00:17:03,734
TO PLAY STICKBALL
WITH YOUR GUTS.
378
00:17:07,200 --> 00:17:08,532
EXCUSE ME FOR
SAYING SO, SIR,
379
00:17:08,567 --> 00:17:11,550
BUT DOESN'T THAT SOUND
EVER-SO-SLIGHTLY BITTER?
380
00:17:11,585 --> 00:17:13,876
BITTER? HA HA!
BITTER? NOTHING OF THE KIND.
381
00:17:13,911 --> 00:17:15,955
YOU STRIP AWAY
THE HEARTS AND THE FLOWERS,
382
00:17:15,990 --> 00:17:18,328
AND THE BATTLE
OF THE SEXES IS NOTHING MORE
383
00:17:18,363 --> 00:17:20,667
THAN A VICIOUS,
NASTY GUERRILLA CAMPAIGN.
384
00:17:21,701 --> 00:17:23,133
MISS HAYES
JUST CAME IN.
385
00:17:29,067 --> 00:17:31,434
ONE MINUTE,
CHARLIE'S YOUR BEST FRIEND.
386
00:17:31,469 --> 00:17:32,933
THE NEXT MINUTE,
SHE'S STICKING
387
00:17:32,968 --> 00:17:35,868
BAMBOO STALKS UNDER
YOUR FINGERNAILS.
388
00:17:35,903 --> 00:17:37,133
THINK ABOUT IT.
389
00:17:38,200 --> 00:17:39,167
YIPES.
390
00:17:44,334 --> 00:17:45,934
CARAMBA.
391
00:17:45,969 --> 00:17:47,184
EXCUSE ME?
392
00:17:47,219 --> 00:17:48,400
NOTHING.
393
00:18:02,300 --> 00:18:04,000
SO, WHAT'S
THE OCCASION?
394
00:18:04,035 --> 00:18:05,065
WHAT DO YOU MEAN?
395
00:18:05,100 --> 00:18:06,499
I MEAN,
YOU'VE BEEN GONE FOR 3 HOURS,
396
00:18:06,534 --> 00:18:08,701
AND YOU COME BACK
LOOKING LIKE AN AD FOR WALLY'S WIG WORLD.
397
00:18:08,736 --> 00:18:09,833
I HAD MY HAIR DONE.
398
00:18:09,868 --> 00:18:11,334
THANK GOD. I THOUGHT
YOUR HEAD WAS SHRINKING.
399
00:18:11,369 --> 00:18:12,667
ARE YOU THROUGH?
400
00:18:14,067 --> 00:18:15,167
GUESS NOT.
401
00:18:15,202 --> 00:18:16,468
NICE.
402
00:18:16,503 --> 00:18:17,699
DAVID!
403
00:18:17,734 --> 00:18:19,467
LITTLE SOMETHING
FOR KNOCKING AROUND THE BORDELLO?
404
00:18:19,502 --> 00:18:21,134
THE STORE
WAS HAVING A SALE.
405
00:18:21,169 --> 00:18:22,732
I JUST NEEDED
A DINNER DRESS.
406
00:18:22,767 --> 00:18:25,033
DID YOU NEED TO GET
ONE THAT WAS CUT DOWN TO SOUTH AMERICA?
407
00:18:25,068 --> 00:18:27,434
DAVID, DID
YOU COME IN HERE FOR A SPECIFIC REASON,
408
00:18:27,469 --> 00:18:29,535
OR IS THIS JUST
MADDIE-BASHING DAY?
409
00:18:29,570 --> 00:18:31,601
ACTUALLY, I CAME
IN HERE ON BUSINESS.
410
00:18:31,636 --> 00:18:33,899
YOU REMEMBER...
BUSINESS?
411
00:18:33,934 --> 00:18:37,334
AS IT TURNS OUT,
I SPENT MY LUNCH HOUR MAKING PHONE CALLS-
412
00:18:37,369 --> 00:18:38,632
RUNNING DOWN LEADS,
413
00:18:38,667 --> 00:18:40,700
DIGGING UP SOME DISH
ON MR. McCLAUGHERTY,
414
00:18:40,735 --> 00:18:42,699
WHO SPENT HIS LUNCH HOUR,
AMONG OTHER THINGS,
415
00:18:42,734 --> 00:18:44,967
RENTING A ROOM FOR TONIGHT
AT THE WILSHIRE ARMS. SO?
416
00:18:45,002 --> 00:18:47,200
SO, I DON'T THINK
HE'S HAVING HIS HOUSE FUMIGATED.
417
00:18:47,235 --> 00:18:49,351
MAYBE THE ROOM
IS FOR HIM AND MISS JOHNSON.
418
00:18:49,386 --> 00:18:51,467
I MADE THAT CALL.
I HAVE DONE THIS BEFORE.
419
00:18:51,502 --> 00:18:52,766
AND?
AND,
420
00:18:52,801 --> 00:18:55,367
SHE'S NOT SUPPOSED
TO MEET HIM UNTIL SATURDAY NIGHT,
421
00:18:55,402 --> 00:18:57,701
WHICH MEANS HE'S MEETING
SOMEONE ELSE TONIGHT,
422
00:18:57,736 --> 00:18:59,400
WHICH MEANS ALL
WEGOT TO DO IS GO OVER,
423
00:18:59,435 --> 00:19:01,199
SNAP A COUPLE
8x10 GLOSSIES,
424
00:19:01,234 --> 00:19:03,833
AND DECIDE HOW
TO SPEND THE MONEY.
425
00:19:03,868 --> 00:19:05,901
THIS IS THE PART WHERE
YOU'RE SUPPOSED TO GO,
426
00:19:05,936 --> 00:19:07,799
"WOW, DAVID,
YOU DID A GREAT JOB."
427
00:19:07,834 --> 00:19:11,501
OH, I'M SORRY. IT WAS?
I MEAN, YOU DID?
428
00:19:11,536 --> 00:19:13,100
DON'T GUSH.
I GET THE DRIFT.
429
00:19:14,167 --> 00:19:16,098
SO, WHAT I THOUGHT
WAS I'D GO HOME,
430
00:19:16,133 --> 00:19:17,400
GET A COUPLE HOURS SLEEP,
AND PICK YOU UP
431
00:19:17,435 --> 00:19:18,567
AT YOUR HOUSE
AROUND 7:00.
432
00:19:18,602 --> 00:19:19,834
FOR WHAT?
433
00:19:22,434 --> 00:19:25,799
I DON'T KNOW.
UH, I JUST THOUGHT
434
00:19:25,834 --> 00:19:28,567
MAYBE THIS WAS
SOMETHING YOU COULD DO BY YOURSELF.
435
00:19:28,602 --> 00:19:29,566
EXCUSE ME?
436
00:19:29,601 --> 00:19:31,133
I'D APPRECIATE IT
IF YOU COULD DO
437
00:19:31,168 --> 00:19:32,817
THIS ONE BY YOURSELF.
438
00:19:32,852 --> 00:19:34,467
I SEE. WHY IS THAT?
439
00:19:36,334 --> 00:19:37,632
I HAVE PLANS.
440
00:19:37,667 --> 00:19:39,566
PLANS?
I'M HAVING DINNER.
441
00:19:39,601 --> 00:19:41,998
OH, I'M SORRY.
I WASN'T CLEAR.
442
00:19:42,033 --> 00:19:45,400
THIS IS THE DELUXE
STAKEOUT PACKAGE. DINNER'S INCLUDED.
443
00:19:45,435 --> 00:19:47,133
I'M HAVING DINNER
WITH SOMEONE.
444
00:19:47,168 --> 00:19:50,067
OH. ANY SOMEONE I KNOW?
445
00:19:50,102 --> 00:19:51,168
MY FRIEND.
446
00:19:51,203 --> 00:19:52,234
SID?
SAM.
447
00:19:52,269 --> 00:19:53,532
AHA.
448
00:19:53,567 --> 00:19:54,998
I'M SORRY.
WHEN I MADE PLANS,
449
00:19:55,033 --> 00:19:56,701
I DIDN'T KNOW
WE WERE GOING TO WORK TONIGHT.
450
00:19:56,736 --> 00:19:57,833
WELL, I'M SURE
YOUR FRIEND
451
00:19:57,868 --> 00:19:59,133
WILL UNDERSTAND
WHY YOU HAVE TO CANCEL.
452
00:20:02,501 --> 00:20:04,968
DAVID, I'M NOT
GOING TO CANCEL.
453
00:20:05,003 --> 00:20:06,968
I SEE.
454
00:20:08,200 --> 00:20:11,801
WELL, I GUESS
THAT'S THAT.
455
00:20:13,767 --> 00:20:14,899
DAVID?
456
00:20:14,934 --> 00:20:16,467
WOULD YOU PLEASE
TELL ME WHAT'S WRONG?
457
00:20:16,502 --> 00:20:19,899
WRONG?
WHAT COULD BE WRONG?
458
00:20:19,934 --> 00:20:21,384
YOU WANT TO ACT
TOTALLY IRRESPONSIBLE
459
00:20:21,419 --> 00:20:22,834
AND THROW 21/2 YEARS
OF HARD WORK DOWN-
460
00:20:22,869 --> 00:20:24,499
IRRESPONSIBLE?
461
00:20:24,534 --> 00:20:25,699
IS THAT WHAT
YOU'RE CALLING ME?
462
00:20:25,734 --> 00:20:27,667
IS THAT WHAT YOU'RE
ACCUSING ME OF? TELL ME!
463
00:20:27,702 --> 00:20:28,851
DID YOU GIVE THIS
A LOT OF THOUGHT,
464
00:20:28,886 --> 00:20:29,965
OR DID IT JUST POP
INTO YOUR HEAD
465
00:20:30,000 --> 00:20:31,501
WHEN YOU WERE
PLANNING THE NEXT LIMBO LESSON?
466
00:20:31,536 --> 00:20:32,632
IT'S NOT
THE SAME THING!
467
00:20:32,667 --> 00:20:35,200
YEAH, RIGHT! IT'S
NOT THE SAME THING.
468
00:20:35,235 --> 00:20:36,634
BEING IRRESPONSIBLE
IS SOMETHING
469
00:20:36,669 --> 00:20:37,933
THAT I DO ONCE
IN A DECADE
470
00:20:37,968 --> 00:20:39,767
AND SOMETHING
THAT YOU'VE TURNED INTO AN ART FORM.
471
00:20:39,802 --> 00:20:40,835
FINE. WHEN WAS
THE LAST TIME
472
00:20:40,870 --> 00:20:41,833
I SENT YOU OUT
ON A STAKEOUT
473
00:20:41,868 --> 00:20:42,934
ONLY BECAUSE I WANTED
TO GO OUT AND GET-
474
00:20:42,969 --> 00:20:44,300
WANTED TO WHAT?
475
00:20:47,000 --> 00:20:48,532
NOTHING.
476
00:20:48,567 --> 00:20:50,333
I'M NOT SENDING
YOU OUT ALONE.
477
00:20:50,368 --> 00:20:52,100
IF YOU DON'T
WANT TO GO ALONE,
478
00:20:52,135 --> 00:20:53,332
TAKE SOMEBODY
WITH YOU.
479
00:20:53,367 --> 00:20:55,167
THAT'S NOT THE POINT!
TAKE MR. VIOLA!
480
00:20:55,202 --> 00:20:56,267
YAY!
481
00:21:04,667 --> 00:21:07,767
OK. FINE.
482
00:21:13,167 --> 00:21:14,334
EXCUSE ME.
I COULDN'T HELP
483
00:21:14,369 --> 00:21:15,518
BUT OVERHEAR,
MR. ADDISON.
484
00:21:15,553 --> 00:21:16,693
I'M REALLY PLEASED
ABOUT THIS.
485
00:21:16,728 --> 00:21:17,799
WHAT TIME
WOULD YOU LIKE ME
486
00:21:17,834 --> 00:21:19,968
TO BE AVAILABLE
FOR THE THING TONIGHT?
487
00:21:24,634 --> 00:21:26,365
OK.
HERE GOES.
488
00:21:26,400 --> 00:21:27,632
BLUE MOON
INVESTIGATIONS.
489
00:21:27,667 --> 00:21:30,534
FIELD NOTES
OF THE SURVEILLANCE ON THE JOHNSON CASE.
490
00:21:30,569 --> 00:21:34,567
INVESTIGATING
AGENTS, D. ADDISON AND H. VIOLA.
491
00:21:34,602 --> 00:21:37,235
TIME...
492
00:21:37,270 --> 00:21:39,833
7:35 P.M.
493
00:21:39,868 --> 00:21:43,351
SURVEILLING
THE WILSHIRE ARMS HOTEL.
494
00:21:43,386 --> 00:21:46,834
SUBJECTS OBSERVED
ENGAGED IN, UH...
495
00:21:48,000 --> 00:21:50,567
I DON'T QUITE KNOW HOW
TO DESCRIBE THIS.
496
00:21:50,602 --> 00:21:51,667
WHAT DO YOU SEE?
497
00:21:56,267 --> 00:21:58,965
LOTS OF LIPS.
LOTS OF TONGUES.
498
00:21:59,000 --> 00:22:03,133
MUTUAL ORAL
EXPLORATIONS CONFINED TO AREAS ABOUT THE FACE.
499
00:22:03,168 --> 00:22:04,234
WOW.
500
00:22:06,234 --> 00:22:08,866
MUTUAL ORAL
EXPLORATIONS
501
00:22:08,901 --> 00:22:11,734
CONFINED TO AREAS
ABOUT THE FACE.
502
00:22:11,769 --> 00:22:13,901
McCLAUGHERTY.
503
00:22:13,936 --> 00:22:15,618
CAUCASIAN MALE.
504
00:22:15,653 --> 00:22:17,265
SUBJECT "B":
505
00:22:17,300 --> 00:22:20,399
UNKNOWN FEMALE
OF BLOND ORIGIN.
506
00:22:20,434 --> 00:22:22,534
HOW OLD WOULD
YOU ESTIMATE SHE IS, MR. ADDISON?
507
00:22:22,569 --> 00:22:25,265
ABOUT MADDIE'S AGE, 35.
508
00:22:25,300 --> 00:22:29,216
SUBJECT "B"
APPROXIMATELY 35.
509
00:22:29,251 --> 00:22:33,133
SO, THE BOSS LADY'S
CHOWING DOWN
510
00:22:33,168 --> 00:22:35,599
AT CHEZ BRE, EH?
511
00:22:35,634 --> 00:22:38,534
I HEAR THAT PLACE
IS VERY EXPENSIVE.
512
00:22:38,569 --> 00:22:39,818
WHAT DID YOU SAY?
513
00:22:39,853 --> 00:22:41,032
CHEZ BRE.
514
00:22:41,067 --> 00:22:43,634
AGNES MADE
THE RESERVATION THIS AFTERNOON.
515
00:22:43,669 --> 00:22:44,801
HEIGH-HO, SILVER.
516
00:22:46,567 --> 00:22:49,434
SUBJECT "A"
HAS JUST REMOVED SUBJECT B's-
517
00:22:49,469 --> 00:22:51,766
UH, UM,
WHAT DO YOU CALL THAT THING?
518
00:22:51,801 --> 00:22:54,301
BLACK EVENING DRESS
CUT DOWN TO SOUTH AMERICA.
519
00:22:54,336 --> 00:22:56,801
SUBJECT "A"
HAS JUST PLACED HIS ORAL CAVITY
520
00:22:56,836 --> 00:22:58,735
IN CLOSE PHYSICAL
PROXIMITY
521
00:22:58,770 --> 00:23:00,352
TO SUBJECT B's
UPPER TORSO
522
00:23:00,387 --> 00:23:01,934
AND LEFT CLAVICLE
REGION.
523
00:23:01,969 --> 00:23:04,299
WHOA,
524
00:23:04,334 --> 00:23:06,933
SMACK-DAB
ON THE MAMBOS.
525
00:23:06,968 --> 00:23:10,400
SUBJECT "A"
IS CARRYING SUBJECT "B" TO BED.
526
00:23:10,435 --> 00:23:13,799
MAYDAY! MAYDAY!
527
00:23:13,834 --> 00:23:17,501
SUBJECTS ARE PRONE!
SUBJECTS ARE PRONE!
528
00:23:17,536 --> 00:23:19,667
BOY, I HOPE
THAT'S HIS WIFE.
529
00:23:21,801 --> 00:23:23,968
HAVE YOU EVER SEEN
2 PEOPLE MAKE LOVE
530
00:23:24,003 --> 00:23:25,634
LIKE THAT BEFORE,
MR. ADDISON?
531
00:23:27,033 --> 00:23:28,968
THIS IS-THIS IS
RELIGIOUS.
532
00:23:33,601 --> 00:23:37,667
I HAVE NEVER SEEN
2 PEOPLE MAKE LOVE LIKE THIS BEFORE.
533
00:23:37,702 --> 00:23:39,718
HAVE YOU,
MR. ADDISON?
534
00:23:39,753 --> 00:23:41,734
MR. ADDISON?
535
00:23:43,033 --> 00:23:44,467
MR. ADDISON?
536
00:23:47,801 --> 00:23:49,299
SIR?
537
00:23:49,334 --> 00:23:51,499
EXCUSE ME.
I AM SORRY, SIR,
538
00:23:51,534 --> 00:23:53,534
BUT I'M AFRAID
YOU WON'T BE ABLE TO DINE HERE.
539
00:23:53,569 --> 00:23:55,535
SURE I WILL. LOOK,
OPPOSABLE THUMBS.
540
00:23:55,570 --> 00:23:57,418
BEEN USING
SILVERWARE SINCE COLLEGE.
541
00:23:57,453 --> 00:23:59,267
GENTLEMEN ARE REQUIRED
TO WEAR A JACKET.
542
00:23:59,302 --> 00:24:00,666
LOOK, MY MAN,
I'M JUST HERE
543
00:24:00,701 --> 00:24:02,267
LOOKING FOR
SOMEBODY, ALL RIGHT?
544
00:24:02,302 --> 00:24:03,399
IS THIS
THE WHOLE SPREAD,
545
00:24:03,434 --> 00:24:04,534
OR YOU GOT A PARTY
ROOM IN BACK?
546
00:24:07,434 --> 00:24:11,367
YOU HAVEN'T SEEN
MR. JACKSON ANYWHERE TONIGHT, HAVE YOU?
547
00:24:11,402 --> 00:24:12,799
I DON'T BELIEVE SO, SIR,
548
00:24:12,834 --> 00:24:14,234
BUT PERHAPS WE COULD
FIND YOU A JACKET
549
00:24:14,269 --> 00:24:15,567
AND YOU COULD LOOK
FOR YOURSELF.
550
00:24:15,602 --> 00:24:16,667
SPLENDID.
551
00:24:19,300 --> 00:24:20,766
THIS IS ALL WE HAVE.
552
00:24:20,801 --> 00:24:22,734
I HOPE YOU ARE
COMFORTABLE WITH IT.
553
00:24:28,667 --> 00:24:29,934
MARVELOUS FIT.
554
00:24:44,934 --> 00:24:47,567
NICE SPREAD.
HOPE YOU GET LUCKY.
555
00:25:06,067 --> 00:25:07,550
DAVID.
556
00:25:07,585 --> 00:25:09,033
EVENING.
557
00:25:09,068 --> 00:25:10,133
HI.
558
00:25:12,868 --> 00:25:13,968
HI.
559
00:25:15,367 --> 00:25:16,699
DAVID?
560
00:25:16,734 --> 00:25:19,599
FORGIVE ME.
I'M SORRY.
561
00:25:19,634 --> 00:25:21,466
SORRY TO INTERRUPT
YOUR DINNER.
562
00:25:21,501 --> 00:25:24,000
IT'S JUST THAT
THERE'S KIND OF AN EMERGENCY.
563
00:25:24,035 --> 00:25:26,000
EMERGENCY?
WHAT KIND OF EMERGENCY?
564
00:25:26,035 --> 00:25:27,232
WELL...
565
00:25:27,267 --> 00:25:28,833
OH, I'M SORRY.
566
00:25:28,868 --> 00:25:31,033
SAM, THIS IS DAVID.
DAVID ADDISON, MY ASSOCIATE.
567
00:25:31,068 --> 00:25:32,567
DAVID, THIS IS
SAM CRAWFORD.
568
00:25:32,602 --> 00:25:33,599
YEAH, WE'VE-
569
00:25:33,634 --> 00:25:35,866
NICE TO MEET YOU.
570
00:25:35,901 --> 00:25:37,599
NICE TO MEET
YOU, TOO.
571
00:25:37,634 --> 00:25:39,684
UH, LISTEN, WHY DON'T
I EXCUSE MYSELF
572
00:25:39,719 --> 00:25:41,734
AND LET YOU TWO DISCUSS
WHATEVER IT IS-
573
00:25:41,769 --> 00:25:43,834
OH, NO. THAT'S
NOT NECESSARY.
574
00:25:43,869 --> 00:25:44,934
HAVE A SEAT.
575
00:25:47,000 --> 00:25:48,801
I'LL BE BACK
IN A FEW MINUTES.
576
00:26:07,100 --> 00:26:08,550
WELL.
577
00:26:08,585 --> 00:26:09,965
WELL.
578
00:26:10,000 --> 00:26:11,850
SO, THAT'S YOUR
OLD FRIEND SAM.
579
00:26:11,885 --> 00:26:13,666
YES, THAT'S
MY OLD FRIEND SAM.
580
00:26:13,701 --> 00:26:16,567
YEAH, I HAD
AN OLD FRIEND SAM ONCE.
581
00:26:16,602 --> 00:26:18,599
KIND OF LOOKED LIKE HIM.
582
00:26:18,634 --> 00:26:21,700
NICE ENOUGH GUY,
DIDN'T REALLY DESERVE JAIL.
583
00:26:21,735 --> 00:26:24,767
I GUESS THAT RAINCOAT
JUST SORT OF...FELL OPEN.
584
00:26:24,802 --> 00:26:26,200
WHAT'S THE EMERGENCY,
DAVID?
585
00:26:32,300 --> 00:26:34,234
YOU GUYS KNOW
ANY BLACK SABBATH?
586
00:26:40,133 --> 00:26:41,599
THERE IS NO EMERGENCY,
IS THERE?
587
00:26:41,634 --> 00:26:44,534
YES-YES, THERE IS.
THERE IS AN EMERGENCY.
588
00:26:44,569 --> 00:26:46,133
ALL RIGHT.
589
00:27:00,667 --> 00:27:02,784
WELL,
590
00:27:02,819 --> 00:27:04,901
I, UH...
591
00:27:07,067 --> 00:27:09,167
KIND OF REALIZED
SOMETHING LAST NIGHT.
592
00:27:11,267 --> 00:27:12,367
WHAT?
593
00:27:13,601 --> 00:27:16,534
WELL, I MADE
A DECISION.
594
00:27:18,300 --> 00:27:20,300
A BIG DECISION.
595
00:27:21,968 --> 00:27:24,384
OH, GOD, MADDIE.
596
00:27:24,419 --> 00:27:26,766
WHAT, DAVID?
597
00:27:26,801 --> 00:27:29,501
LOOK, WHAT
I'M TRYING TO SAY IS-
598
00:27:29,536 --> 00:27:30,601
HI.
599
00:27:31,901 --> 00:27:33,065
BACK TOO SOON?
600
00:27:33,100 --> 00:27:34,334
NO. UH-HUH.
NO. NO.
601
00:27:34,369 --> 00:27:36,167
MM-MMM.
602
00:27:37,701 --> 00:27:39,868
AS A MATTER OF FACT,
THE MEETING'S OVER.
603
00:27:41,434 --> 00:27:42,667
EVERYTHING'S
STRAIGHTENED OUT.
604
00:27:48,133 --> 00:27:49,234
SAM, SIT.
605
00:27:53,400 --> 00:27:56,901
WELL, THANK YOU
FOR UPDATING ME ON THE SITUATION, DAVID.
606
00:27:58,767 --> 00:27:59,868
RIGHT.
607
00:28:03,033 --> 00:28:04,534
MAYBE YOU WANT
TO JOIN US FOR A GLASS OF WINE?
608
00:28:04,569 --> 00:28:05,834
HUH?
609
00:28:06,968 --> 00:28:09,232
WINE. YOU KNOW,
THIS STUFF.
610
00:28:09,267 --> 00:28:11,599
I'M REALLY NOT MUCH
OF A DRINKER.
611
00:28:11,634 --> 00:28:14,501
MAYBE YOU'D LIKE
TO GIVE US A HAND PUTTING THIS AWAY.
612
00:28:14,536 --> 00:28:17,467
UH, THAT IS,
IF THE EMERGENCY IS TAKEN CARE OF.
613
00:28:21,634 --> 00:28:23,284
SURE.
614
00:28:23,319 --> 00:28:24,934
SURE.
615
00:28:26,133 --> 00:28:27,234
GREAT.
616
00:28:35,567 --> 00:28:37,766
WELL, THIS IS NICE.
617
00:28:37,801 --> 00:28:39,365
I WANTED
YOU TWO TO MEET.
618
00:28:39,400 --> 00:28:43,000
WHO WOULD'VE KNOWN
IT'D BE TONIGHT, HERE, NOW.
619
00:28:46,300 --> 00:28:47,817
TO OLD FRIENDS.
620
00:28:47,852 --> 00:28:49,334
OLD FRIENDS.
621
00:28:50,834 --> 00:28:52,100
OLD FRIENDS.
622
00:29:05,000 --> 00:29:07,234
SO, YOU 2 KIDS WENT
TO MODELING SCHOOL TOGETHER, HUH?
623
00:29:07,269 --> 00:29:08,634
SAM WENT TO YALE.
624
00:29:10,300 --> 00:29:12,332
YALE.
625
00:29:12,367 --> 00:29:14,968
MUST'VE PUT QUITE
A DENT IN THE OLD MAN'S POCKETBOOK, HUH?
626
00:29:15,003 --> 00:29:17,599
YEAH. WELL, I KIND OF
627
00:29:17,634 --> 00:29:19,367
WORKED MY WAY
THROUGH SCHOOL.
628
00:29:19,402 --> 00:29:21,766
NO KIDDING. ME, TOO.
629
00:29:21,801 --> 00:29:26,100
I SPENT A FEW SHIFTS
BEHIND THE BAR.
630
00:29:26,135 --> 00:29:29,232
STILL, I GUESS TIPS
631
00:29:29,267 --> 00:29:32,067
REALLY DON'T PAY
FOR A COUNTRY CLUB LIKE YALE, HUH?
632
00:29:33,467 --> 00:29:35,165
I HAD A STREAK
OF GOOD LUCK.
633
00:29:35,200 --> 00:29:37,000
YOU WORKED
YOUR FINGERS TO THE BONE.
634
00:29:37,035 --> 00:29:38,599
RIGHT PLACE,
RIGHT TIME.
635
00:29:38,634 --> 00:29:41,701
SAM, THEY DON'T GO AROUND
GIVING OUT PATENTS TO COLLEGE SOPHOMORES.
636
00:29:41,736 --> 00:29:43,032
PATENT?
637
00:29:43,067 --> 00:29:45,265
IT'S NO BIG DEAL.
638
00:29:45,300 --> 00:29:46,501
IF I HADN'T STUMBLED
ONTO IT,
639
00:29:46,536 --> 00:29:47,601
SOMEONE ELSE
WOULD'VE.
640
00:29:49,100 --> 00:29:52,466
AN INVENTOR, HUH?
LET ME GUESS.
641
00:29:52,501 --> 00:29:54,534
YOU'RE THE GUY
THAT INVENTED EDIBLE UNDERWEAR.
642
00:29:54,569 --> 00:29:56,267
HA HA HA!
643
00:29:57,734 --> 00:29:59,499
HA HA HA!
644
00:29:59,534 --> 00:30:02,367
NO. IT'S NOTHING
THAT INTERESTING.
645
00:30:02,402 --> 00:30:04,199
I WAS
NOODLING AROUND
646
00:30:04,234 --> 00:30:06,167
WITH LOW-DENSITY
POLYMERS.
647
00:30:06,202 --> 00:30:08,100
ONE THING LED
TO THE OTHER.
648
00:30:09,234 --> 00:30:10,667
LONG TIME AGO.
649
00:30:13,534 --> 00:30:14,699
WHERE'D YOU GO
TO SCHOOL, DAVE?
650
00:30:14,734 --> 00:30:17,567
I WENT TO A COUPLE
OF DIFFERENT PLACES, ACTUALLY.
651
00:30:17,602 --> 00:30:19,699
UM...
652
00:30:19,734 --> 00:30:21,998
COUPLE OF
DIFFERENT PLACES.
653
00:30:22,033 --> 00:30:24,400
I PLAN ON GOING BACK
SOMEDAY AND FINISHING UP.
654
00:30:30,534 --> 00:30:33,400
SO, WHAT ARE YOU UP TO
THESE DAYS, SAM?
655
00:30:33,435 --> 00:30:34,467
SET FOR LIFE?
656
00:30:34,502 --> 00:30:36,466
I WISH.
657
00:30:36,501 --> 00:30:39,365
NO. NO, IN FACT,
658
00:30:39,400 --> 00:30:42,634
RIGHT NOW,
I'M IN-BETWEEN JOBS.
659
00:30:42,669 --> 00:30:45,833
NO KIDDING.
WHIZ KID LIKE YOU, HUH?
660
00:30:45,868 --> 00:30:48,901
WELL, I'M SURE
SOMETHING'S BOUND TO TURN UP.
661
00:30:48,936 --> 00:30:50,200
I KNOW.
662
00:30:52,234 --> 00:30:54,666
LOOK, I, UH,
I KNOW A FEW PEOPLE.
663
00:30:54,701 --> 00:30:57,400
I'D BE HAPPY TO MAKE
A FEW PHONE CALLS FOR YOU, IF YOU LIKE.
664
00:30:57,435 --> 00:30:58,365
DAVID.
665
00:30:58,400 --> 00:30:59,399
GEE, THANKS, DAVE,
666
00:30:59,434 --> 00:31:00,867
BUT YOU REALLY
DON'T HAVE TO.
667
00:31:00,902 --> 00:31:02,265
WELL,
DON'T THANK ME, NOW.
668
00:31:02,300 --> 00:31:04,434
YOU'RE A FRIEND
OF MADDIE'S, DOWN ON YOUR LUCK.
669
00:31:04,469 --> 00:31:06,300
I'D BE MORE THAN HAPPY
TO HELP OUT.
670
00:31:06,335 --> 00:31:07,799
DAVID, SAM DOESN'T
NEED HELP.
671
00:31:07,834 --> 00:31:10,534
MADDIE, THE MAN JUST
SAID HE WAS BETWEEN JOBS.
672
00:31:13,200 --> 00:31:14,300
TELL HIM, SAM.
673
00:31:18,267 --> 00:31:19,234
TELL ME WHAT?
674
00:31:23,400 --> 00:31:24,532
WHAT?
675
00:31:24,567 --> 00:31:26,067
SAM'S AN ASTRONAUT.
676
00:31:28,667 --> 00:31:31,067
HA HA HA!
677
00:31:33,234 --> 00:31:34,232
HA HA HA!
678
00:31:34,267 --> 00:31:35,901
I HATE THAT WORD.
679
00:31:40,634 --> 00:31:41,767
YOU'RE KIDDING ME,
RIGHT?
680
00:31:41,802 --> 00:31:44,432
NO. NO.
681
00:31:44,467 --> 00:31:46,365
THERE'S JUST
NOTHING MUCH TO TALK ABOUT.
682
00:31:46,400 --> 00:31:48,467
NOT UNTIL THEY GET
THE DARN O-RINGS STRAIGHTENED OUT.
683
00:31:48,502 --> 00:31:51,167
YEAH, THEM DAMN O-RINGS
ARE A BUMMER.
684
00:31:51,202 --> 00:31:52,799
YEAH.
685
00:31:52,834 --> 00:31:55,250
WELL, LOOK, I MEAN,
THEY JUST NEEDED
686
00:31:55,285 --> 00:31:57,726
A PARTICLE PHYSICS
GUY ON THE TEAM.
687
00:31:57,761 --> 00:32:00,167
JUST THREW MY NAME
INTO THE HAT.
688
00:32:01,534 --> 00:32:02,734
GOT LUCKY, I GUESS.
689
00:32:05,400 --> 00:32:08,065
YEAH.
690
00:32:08,100 --> 00:32:09,367
I GUESS SO.
691
00:32:11,467 --> 00:32:12,734
ANYBODY WANT TO ORDER?
692
00:32:19,434 --> 00:32:20,534
HA HA HA!
693
00:32:22,200 --> 00:32:23,466
David:
YOU KNOW, PERSONALLY,
694
00:32:23,501 --> 00:32:26,701
I THINK SPACE TRAVEL
IS HIGHLY OVERRATED.
695
00:32:26,736 --> 00:32:29,200
YOU GOT NO STEWARDESSES,
NO MOVIES-
696
00:32:29,235 --> 00:32:30,334
NO DRINKING.
697
00:32:33,334 --> 00:32:36,834
OH. I'M SORRY.
I THOUGHT WE WERE CELEBRATING.
698
00:32:36,869 --> 00:32:38,332
AREN'T WE
CELEBRATING, SAMMY?
699
00:32:38,367 --> 00:32:39,834
OH, YEAH,
WE'RE DEFINITELY CELEBRATING.
700
00:32:39,869 --> 00:32:41,567
YOU BETCHA,
WE'RE CELEBRATING.
701
00:32:43,234 --> 00:32:44,950
I PREFER TERRA FIRMA.
702
00:32:44,985 --> 00:32:46,632
AS A MATTER OF FACT,
703
00:32:46,667 --> 00:32:48,868
THE FIRMA THE TERRA,
THE BETTER.
704
00:32:48,903 --> 00:32:50,400
OO-HOO!
HA HA HA!
705
00:32:51,734 --> 00:32:52,899
HOW ABOUT YOU,
MADDIE?
706
00:32:52,934 --> 00:32:53,968
YOU STILL AFRAID
OF FLYING?
707
00:32:54,003 --> 00:32:55,799
WHAT?
SAM.
708
00:32:55,834 --> 00:32:58,000
SHE USED TO BE SCARED
TO DEATH OF FLYING.
709
00:32:58,035 --> 00:32:59,584
WHEN WAS THAT?
710
00:32:59,619 --> 00:33:01,098
SUMMER OF '71?
711
00:33:01,133 --> 00:33:04,334
YEAH. I WAS UP
IN SCHOOL IN BOSTON,
712
00:33:04,369 --> 00:33:05,666
AND SHE CAME UP
TO VISIT.
713
00:33:05,701 --> 00:33:07,400
GOT OFF THE PLANE.
SHE WAS WHITE AS A GHOST.
714
00:33:07,435 --> 00:33:09,634
HUH. I DIDN'T
KNOW THAT.
715
00:33:09,669 --> 00:33:11,799
YOU TWO, IN COLLEGE...
716
00:33:11,834 --> 00:33:13,667
NO. NOT THEN.
LATER, I MEAN-
717
00:33:13,702 --> 00:33:15,165
SAM.
718
00:33:15,200 --> 00:33:16,934
NOTHING TO BE
EMBARRASSED ABOUT. YOU EMBARRASSED?
719
00:33:16,969 --> 00:33:18,232
YEAH,
DON'T BE EMBARRASSED.
720
00:33:18,267 --> 00:33:20,199
SHE COULDN'T EVEN
ENJOY THE TRIP,
721
00:33:20,234 --> 00:33:22,200
SHE WAS
SO WORRIED ABOUT THE FLIGHT BACK.
722
00:33:22,235 --> 00:33:24,299
I FELT SO SORRY
FOR HER,
723
00:33:24,334 --> 00:33:26,868
FINALLY BORROWED
A CAR FROM A FRIEND OF MINE
724
00:33:26,903 --> 00:33:28,466
AND DROVE HER
TO CHICAGO MYSELF.
725
00:33:28,501 --> 00:33:30,434
OH, THAT MUST'VE
TAKEN SOME TIME, HUH?
726
00:33:30,469 --> 00:33:32,968
IT DID. 2 DAYS,
2 NIGHTS. RIGHT?
727
00:33:34,334 --> 00:33:35,601
RIGHT.
728
00:33:38,200 --> 00:33:42,968
WELL, SHE SEEMS
TO BE JUST FINE ABOUT FLYING NOW.
729
00:33:43,003 --> 00:33:44,467
BUT THEN,
I AIN'T GOT A CAR.
730
00:33:44,502 --> 00:33:46,199
HMM?
SAM.
731
00:33:46,234 --> 00:33:49,767
OH, RIGHT.
YOU TWO GET AROUND, HUH?
732
00:33:49,802 --> 00:33:50,951
APPARENTLY.
733
00:33:50,986 --> 00:33:52,100
HA HA HA!
734
00:33:54,067 --> 00:33:57,133
DON'T EVEN THINK
ABOUT IT, PAL.
735
00:33:57,168 --> 00:33:58,499
I INSIST.
736
00:33:58,534 --> 00:33:59,801
HEY, COME HERE.
737
00:34:02,200 --> 00:34:04,400
YOU CAN GET
THE NEXT ONE, SPACE COWBOY.
738
00:34:04,435 --> 00:34:06,601
OK. I ONLY GOT
MARTIAN DOLLARS ANYWAY.
739
00:34:06,636 --> 00:34:07,767
HA HA HA!
740
00:34:09,434 --> 00:34:12,399
MARTIAN DOLLARS.
THAT'S GREAT.
741
00:34:12,434 --> 00:34:15,267
THAT'S GOOD.
YOU DIDN'T TELL ME LUKE SKYWALKER OVER HERE
742
00:34:15,302 --> 00:34:16,899
HAS GOT SUCH
A GREAT SENSE OF HUMOR.
743
00:34:16,934 --> 00:34:19,499
HEY, I GOT A GREAT IDEA.
IT'S NOT TOO LATE.
744
00:34:19,534 --> 00:34:22,934
I KNOW THIS GREAT CLUB.
WE CAN GO BY THERE. IT'S OPEN MIC NIGHT.
745
00:34:22,969 --> 00:34:24,601
YOU GET UP,
YOU TELL A COUPLE OF THESE MARTIAN JOKES.
746
00:34:24,636 --> 00:34:25,732
YOU'LL KILL THEM.
747
00:34:25,767 --> 00:34:26,933
DAVID.
WHAT DO YOU SAY?
748
00:34:26,968 --> 00:34:28,065
THAT'S NOT REALLY
MY STYLE.
749
00:34:28,100 --> 00:34:30,566
COME ON. WHERE'S
YOUR SENSE OF ADVENTURE?
750
00:34:30,601 --> 00:34:32,434
LOOK, IF YOU'RE WORRIED
ABOUT THE MONEY, DON'T WORRY ABOUT IT-
751
00:34:32,469 --> 00:34:33,901
I'M TERRIBLY SORRY,
MR. ADDISON.
752
00:34:33,936 --> 00:34:36,032
YOUR CARD WAS REFUSED.
753
00:34:36,067 --> 00:34:37,466
YOU'RE TERRIBLY
SORRY WHAT?
754
00:34:37,501 --> 00:34:39,651
LOOK, MY MAN,
I'M TRYING TO BUY A DINNER OVER HERE
755
00:34:39,686 --> 00:34:41,801
FOR A NATIONALLY
FAMOUS ASTRONAUT. WHY DON'T YOU GO-
756
00:34:41,836 --> 00:34:42,933
HEY, DAVID,
IT'S OK.
757
00:34:42,968 --> 00:34:44,634
NO, THAT'S ALL RIGHT,
BABE, I GOT IT.
758
00:34:44,669 --> 00:34:45,951
DAVID.
759
00:34:45,986 --> 00:34:47,234
IT'S OK.
760
00:34:51,100 --> 00:34:52,200
WELL...
761
00:34:54,968 --> 00:34:56,334
I'LL GET YOU BACK, LUKE.
762
00:34:56,369 --> 00:34:57,501
YEP.
763
00:34:58,734 --> 00:35:00,234
I KNOW YOU WILL.
764
00:35:11,033 --> 00:35:12,300
LOVELY EVENING.
765
00:35:14,501 --> 00:35:16,101
REALLY LOVELY
EVENING.
766
00:35:16,136 --> 00:35:17,666
GIVE ME THE TICKET,
767
00:35:17,701 --> 00:35:19,251
I'LL GIVE HIM
THE TICKET,
768
00:35:19,286 --> 00:35:20,801
AND I'LL DRIVE
YOU HOME.
769
00:35:20,836 --> 00:35:22,032
LOVELY EVENING.
770
00:35:22,067 --> 00:35:23,501
REALLY,
A LOVELY EVENING.
771
00:35:27,534 --> 00:35:29,834
OH,
YOU TWO GUYS CAME IN THE SAME CAR.
772
00:35:31,234 --> 00:35:32,699
WELL, LOOK,
THAT'S NO PROBLEM.
773
00:35:32,734 --> 00:35:34,234
GIVE ME THE TICKET,
I'LL GIVE HIM THE TICKET.
774
00:35:34,269 --> 00:35:36,934
SAM, UM, WE CAN
DROP YOU, RIGHT?
775
00:35:36,969 --> 00:35:38,367
WE CAN DROP HIM,
RIGHT?
776
00:35:41,734 --> 00:35:43,766
OH, YOU BROUGHT-
777
00:35:43,801 --> 00:35:46,899
BROUGHT
BOTH CARS. OK.
778
00:35:46,934 --> 00:35:48,667
WELL, THEN, THIS
IS GOOD-BYE, THEN.
779
00:35:48,702 --> 00:35:49,767
ALL RIGHT.
780
00:35:51,434 --> 00:35:53,617
MR. SKYWALKER,
IT HAS BEEN
781
00:35:53,652 --> 00:35:55,766
A REAL PLEASURE
MEETING YOU.
782
00:35:55,801 --> 00:35:58,267
I HOPE TO BE HEARING
ABOUT YOU SOON.
783
00:35:58,302 --> 00:36:00,699
I HOPE TO BE
READING ABOUT YOU SOON.
784
00:36:00,734 --> 00:36:04,701
AND I'M SURE
THAT THE BLASTOFF WILL BE A BLAST.
785
00:36:04,736 --> 00:36:05,833
UM,
786
00:36:05,868 --> 00:36:08,100
GIVE ME THE TICKET,
AND I'LL START THE CAR,
787
00:36:08,135 --> 00:36:10,634
AND YOU GUYS SAY
GOOD-BYE. OK?
788
00:36:10,669 --> 00:36:11,766
GIVE ME THE K-
789
00:36:11,801 --> 00:36:13,699
THE KEYS ARE
IN THE CAR.
790
00:36:13,734 --> 00:36:16,133
CAN'T START THE CAR
WITHOUT THE KEYS.
791
00:36:16,168 --> 00:36:17,933
DUMB, DAVID.
792
00:36:17,968 --> 00:36:19,234
KEYS ARE
IN THIS CAR.
793
00:36:20,901 --> 00:36:22,600
I'M SORRY.
794
00:36:22,635 --> 00:36:24,265
DON'T BE.
795
00:36:24,300 --> 00:36:26,834
HOW ABOUT, UH,
I DRIVE HIM HOME?
796
00:36:26,869 --> 00:36:29,067
MEET YOU BACK
AT THE HOUSE.
797
00:36:29,102 --> 00:36:31,599
HEY, COWBOY,
798
00:36:31,634 --> 00:36:33,032
I'M TAKING YOU HOME.
799
00:36:33,067 --> 00:36:34,767
YOU KNOW, A THOUGHT
JUST FLITTED THROUGH MY HEAD.
800
00:36:34,802 --> 00:36:36,868
YOU'RE NOT STAYING
AT A HOTEL, ARE YOU?
801
00:36:43,267 --> 00:36:45,084
THINK YOU CAN
WALK TO MY CAR?
802
00:36:45,119 --> 00:36:46,901
OF COURSE I CAN
WALK TO YOUR CAR.
803
00:36:48,901 --> 00:36:50,032
HERE WE GO.
804
00:36:50,067 --> 00:36:51,934
CAN I ASK YOU
SOMETHING? MM-HMM.
805
00:36:51,969 --> 00:36:53,065
LET ME ASK
YOU SOMETHING.
806
00:36:53,100 --> 00:36:54,400
NOW, YOU'RE
AN ASTRONAUT, RIGHT?
807
00:36:54,435 --> 00:36:55,365
MM-HMM.
808
00:36:55,400 --> 00:36:58,065
NOW, WELL, I-
YOU, YOU KNOW,
809
00:36:58,100 --> 00:36:59,433
I'M NOT SAYING
ANYTHING'S GOING ON,
810
00:36:59,468 --> 00:37:00,732
BUT YOU'RE
AN ASTRONAUT, RIGHT?
811
00:37:00,767 --> 00:37:03,267
YOU GOT A REPUTATION
TO THINK OF, RIGHT?
812
00:37:03,302 --> 00:37:04,399
HUH?
813
00:37:04,434 --> 00:37:05,917
I'M JUST TAKING
YOU HOME.
814
00:37:05,952 --> 00:37:07,365
THEN TAKE MADDIE HOME.
815
00:37:07,400 --> 00:37:09,334
NO. NO, NO,
I LIKE YOU BETTER.
816
00:37:10,968 --> 00:37:12,067
GET IN.
817
00:37:23,601 --> 00:37:24,701
MADDIE.
818
00:37:28,267 --> 00:37:30,033
THIS IS
A VERY NICE MAN.
819
00:37:44,534 --> 00:37:48,067
Frank Sinatra, on radio:
* WHEN SOMEBODY LOVES YOU *
820
00:37:48,102 --> 00:37:53,033
* IT'S NO GOOD
UNLESS HE LOVES YOU *
821
00:37:55,601 --> 00:37:58,667
Sinatra and Sam:
* ALL THE WAY *
822
00:37:59,734 --> 00:38:02,098
* HAPPY TO BE NEAR YOU *
823
00:38:02,133 --> 00:38:06,434
* WHEN YOU NEED
SOMEONE TO CHEER YOU *
824
00:38:06,469 --> 00:38:11,601
* ALL THE WAY *
825
00:38:12,667 --> 00:38:17,634
* TALLER THAN
THE TALLEST TREE IS *
826
00:38:17,669 --> 00:38:22,601
* THAT'S HOW
IT'S GOT TO FEEL *
827
00:38:25,133 --> 00:38:30,466
* DEEPER THAN
THE DEEP BLUE SEA IS *
828
00:38:30,501 --> 00:38:34,667
* THAT'S HOW DEEP IT GOES,
IF IT'S REAL *
829
00:38:37,300 --> 00:38:40,566
* WHEN SOMEBODY NEEDS YOU *
830
00:38:40,601 --> 00:38:44,167
* IT'S NO GOOD
UNLESS THEY NEED YOU *
831
00:38:45,567 --> 00:38:49,732
* ALL THE WAY *
832
00:38:49,767 --> 00:38:52,300
Sinatra:
* THROUGH THE GOOD OR LEAN YEARS *
833
00:38:52,335 --> 00:38:56,334
* AND FOR ALL
THOSE IN-BETWEEN YEARS *
834
00:38:56,369 --> 00:38:57,466
AHEM.
835
00:38:57,501 --> 00:38:59,634
* COME WHAT MAY *
836
00:39:02,701 --> 00:39:08,400
* WHO KNOWS WHERE
THE ROAD WILL LEAD US? *
837
00:39:08,435 --> 00:39:11,801
* ONLY A FOOL WOULD SAY *
838
00:39:13,901 --> 00:39:16,732
* BUT IF YOU
LET ME LOVE YOU *
839
00:39:16,767 --> 00:39:21,734
* IT'S FOR SURE
I'M GONNA LOVE YOU... *
840
00:39:23,000 --> 00:39:24,965
FEELING OK?
841
00:39:25,000 --> 00:39:26,601
A LITTLE QUEASY.
842
00:39:28,968 --> 00:39:30,367
ARE YOU GOING
TO SING AGAIN?
843
00:39:34,634 --> 00:39:36,234
GOT TO GET SOME GAS.
844
00:40:26,067 --> 00:40:27,634
WHOO.
845
00:40:29,567 --> 00:40:31,000
DON'T BE EMBARRASSED.
846
00:40:32,534 --> 00:40:33,701
DON'T BE EMBARRASSED.
847
00:40:33,736 --> 00:40:35,732
I UNDERSTAND.
848
00:40:35,767 --> 00:40:37,517
I UNDERSTAND
COMPLETELY.
849
00:40:37,552 --> 00:40:39,267
IT'S A GLANDULAR THING.
850
00:40:41,133 --> 00:40:44,599
LISTEN,
I'VE BEEN APPOINTED BY
851
00:40:44,634 --> 00:40:47,167
EVERY OTHER LIVING THING
ON THE PLANET
852
00:40:47,202 --> 00:40:50,100
TO EXPLAIN TO YOU
WHAT HAPPENS
853
00:40:50,135 --> 00:40:51,367
WHEN 2 SOLIDS MEET.
854
00:40:52,701 --> 00:40:56,234
CAN YOU SAY THAT?
SOLIDS.
855
00:40:58,567 --> 00:41:01,567
ALL RIGHT.
WE'LL START AT THE BEGINNING.
856
00:41:01,602 --> 00:41:04,567
YOU SEE WHAT
WE GOT HERE IS A BIG SOLID.
857
00:41:07,868 --> 00:41:09,599
WHOA, NELLIE.
858
00:41:09,634 --> 00:41:10,866
HEY, THERE'S SOME
GUY OUT THERE
859
00:41:10,901 --> 00:41:12,667
USING YOUR FRIEND
FOR A BUTTER CHURN.
860
00:41:12,702 --> 00:41:13,965
HEY!
861
00:41:14,000 --> 00:41:16,434
LET ME AT YOU.
OH!
862
00:41:16,469 --> 00:41:17,784
HEY!
863
00:41:17,819 --> 00:41:19,065
WAIT. WAIT.
864
00:41:19,100 --> 00:41:21,217
BACK OFF, OR
I'LL BREAK HIM IN HALF.
865
00:41:21,252 --> 00:41:23,334
NOW YOU'RE
IN TROUBLE, PAL.
866
00:41:23,369 --> 00:41:24,866
THAT GUY'S AN ASTRONAUT.
867
00:41:24,901 --> 00:41:27,634
I GUESS YOU NEVER MESSED
WITH AN ASTRONAUT BEFORE, HUH?
868
00:41:27,669 --> 00:41:29,651
HEY, PAL,
COME ON. COME ON.
869
00:41:29,686 --> 00:41:31,726
WHY NOT JUST
PUT HIM DOWN?
870
00:41:31,761 --> 00:41:33,732
GUY'S HAD
TOO MUCH TO DRINK.
871
00:41:33,767 --> 00:41:35,100
HE DOESN'T KNOW WHAT
HE'S TALKING ABOUT.
872
00:41:35,135 --> 00:41:36,934
OH, YOU BETTER LISTEN
TO HIM, MAN.
873
00:41:36,969 --> 00:41:38,365
I AIN'T FEELING
TOO GOOD.
874
00:41:38,400 --> 00:41:40,767
HE GOES DOWN
WHEN I GET READY,
875
00:41:40,802 --> 00:41:43,732
AND HE GOES DOWN HARD.
876
00:41:43,767 --> 00:41:46,601
OK. OK, I'M JUST
TRYING TO WARN YOU.
877
00:41:46,636 --> 00:41:48,218
HE'S NOT
LOOKING TOO GOOD.
878
00:41:48,253 --> 00:41:49,993
HE'S JUST
WARNING YOU.
879
00:41:50,028 --> 00:41:51,734
WARNING ME
ABOUT WHAT?
880
00:41:56,634 --> 00:41:58,434
UGH...
881
00:41:58,469 --> 00:42:00,234
AARGH!
882
00:42:09,000 --> 00:42:11,100
HEY.
883
00:42:22,167 --> 00:42:25,067
WE SHOW THOSE GUYS WHAT
WE WERE MADE OF TONIGHT, OR WHAT?
884
00:42:25,102 --> 00:42:28,232
YEAH.
885
00:42:28,267 --> 00:42:29,367
THERE WAS JUST
ONE GUY.
886
00:42:30,534 --> 00:42:32,267
WHAT DO YOU MEAN,
THERE WAS ONLY ONE GUY?
887
00:42:38,400 --> 00:42:40,467
HOW MANY FINGERS
AM I HOLDING UP?
888
00:42:40,502 --> 00:42:43,032
4.
889
00:42:43,067 --> 00:42:45,250
RIGHT. THERE WERE 4.
890
00:42:45,285 --> 00:42:47,434
COME ON.
COME ON.
891
00:42:47,469 --> 00:42:49,033
OOF!
UNH!
892
00:42:50,434 --> 00:42:51,767
YEAH.
ME AND YOU.
893
00:42:57,601 --> 00:42:58,767
WE GOT TO DO
THIS AGAIN SOMEDAY.
894
00:42:58,802 --> 00:42:59,899
YEAH.
895
00:42:59,934 --> 00:43:01,566
MAYBE I OUGHT
TO SCAB OVER FIRST.
896
00:43:01,601 --> 00:43:03,866
YOU KNOW,
THAT'S THE PROBLEM WITH DAMES.
897
00:43:03,901 --> 00:43:07,067
THEY NEVER KNOW
HOW TO ENJOY A GOOD STREET FIGHT.
898
00:43:07,102 --> 00:43:09,868
WHO NEEDS THEM?
ESPECIALLY MADDIE.
899
00:43:09,903 --> 00:43:11,232
OHH!
900
00:43:11,267 --> 00:43:13,667
NOW THERE'S UNO
UPTIGHT WHITE CHICK.
901
00:43:13,702 --> 00:43:14,899
KEYS.
902
00:43:14,934 --> 00:43:16,784
I MEAN, YOU NOTICE
WE DIDN'T START
903
00:43:16,819 --> 00:43:19,076
HAVING ANY FUN
TILL WE DITCHED HER?
904
00:43:19,111 --> 00:43:21,306
NEVER HAVE ANY
FUN WITH MADDIE.
905
00:43:21,341 --> 00:43:23,466
ALWAYS GOT TO BE
IN CONTROL, DAVID.
906
00:43:23,501 --> 00:43:26,000
SHOES ALWAYS GOT
TO MATCH THE BAG, DAVID.
907
00:43:30,334 --> 00:43:32,067
I DIDN'T MEAN
ANY OF THAT.
908
00:43:34,334 --> 00:43:35,968
I KNOW.
909
00:44:22,534 --> 00:44:24,434
TRY NOT TO FALL
OUT OF BED.
910
00:44:28,000 --> 00:44:29,901
HEY, LUKE.
911
00:44:29,936 --> 00:44:31,632
YEAH.
912
00:44:31,667 --> 00:44:32,767
YOU'RE ALL RIGHT.
913
00:44:38,400 --> 00:44:40,167
RAT BASTARD.
914
00:45:05,767 --> 00:45:07,334
MADDIE?
915
00:45:08,467 --> 00:45:10,367
UP HERE.
916
00:45:21,934 --> 00:45:23,399
NICE TUNE.
917
00:45:23,434 --> 00:45:24,766
STILL YOUR FAVORITE?
918
00:45:24,801 --> 00:45:27,634
YEAH. YEAH,
STILL MY FAVORITE.
919
00:45:33,067 --> 00:45:34,534
SOME NIGHT, HUH?
920
00:45:37,300 --> 00:45:38,400
SOME NIGHT.
921
00:45:43,601 --> 00:45:45,800
HE'S, UM,
922
00:45:45,835 --> 00:45:47,801
QUITE A GUY.
923
00:45:47,836 --> 00:45:49,732
SINATRA?
924
00:45:49,767 --> 00:45:52,065
YEAH.
925
00:45:52,100 --> 00:45:54,200
YEAH, SINATRA.
926
00:45:55,968 --> 00:45:57,265
COME HERE.
927
00:45:57,300 --> 00:45:59,267
* THROUGH THE GOOD
OR LEAN YEARS *
928
00:45:59,302 --> 00:46:03,968
* AND FOR ALL
THOSE IN-BETWEEN YEARS *
929
00:46:04,003 --> 00:46:06,400
* COME WHAT MAY *
930
00:46:09,634 --> 00:46:15,567
* WHO KNOWS WHERE THE ROAD
WILL LEAD US? *
931
00:46:15,602 --> 00:46:18,701
* ONLY A FOOL WOULD SAY *
932
00:46:20,634 --> 00:46:23,432
* BUT IF YOU
LET ME LOVE YOU *
933
00:46:23,467 --> 00:46:26,868
* IT'S FOR SURE
I'M GONNA LOVE YOU *
934
00:46:28,267 --> 00:46:32,817
* ALL THE WAY *
935
00:46:32,852 --> 00:46:37,367
* ALL THE WAY *
936
00:47:03,634 --> 00:47:07,165
* AND WHEN
SOMEBODY NEEDS YOU *
937
00:47:07,200 --> 00:47:11,901
* IT'S NO GOOD
UNLESS SHE NEEDS YOU *
938
00:47:11,936 --> 00:47:15,367
* ALL THE WAY *
939
00:47:16,434 --> 00:47:19,484
* THROUGH THE GOOD
OR LEAN YEARS *
940
00:47:19,519 --> 00:47:22,534
* AND FOR ALL THOSE
IN-BETWEEN YEARS *
941
00:47:23,968 --> 00:47:26,767
* COME WHAT MAY *
942
00:47:28,501 --> 00:47:34,534
* WHO KNOWS WHERE
THE ROAD WILL LEAD US? *
943
00:47:34,569 --> 00:47:36,300
* ONLY A FOOL... *
944
00:47:59,434 --> 00:48:02,399
CAPTIONING MADE POSSIBLE BY
LIONS GATE HOME ENTERTAINMENT
945
00:48:02,434 --> 00:48:05,367
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE - www.ncicap.org-
946
00:48:21,901 --> 00:48:23,834
* OOH *
947
00:48:28,067 --> 00:48:32,817
* SOME WALK BY NIGHT *
948
00:48:32,852 --> 00:48:37,532
* SOME FLY BY DAY *
949
00:48:37,567 --> 00:48:41,666
* SOMETHING IS SWEETER *
950
00:48:41,701 --> 00:48:46,050
* 'CAUSE WE MET
ON THE WAY *
951
00:48:46,085 --> 00:48:50,400
* 'CAUSE WE MET
ON THE WAY *
952
00:48:50,450 --> 00:48:55,000
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