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These are the user uploaded subtitles that are being translated: 1 00:00:14,701 --> 00:00:19,200 * SOME WALK BY NIGHT * 2 00:00:19,267 --> 00:00:24,100 * SOME FLY BY DAY * 3 00:00:24,167 --> 00:00:28,234 * SOMETHING IS SWEETER * 4 00:00:28,300 --> 00:00:32,901 * 'CAUSE WE MET ON THE WAY * 5 00:00:32,968 --> 00:00:36,701 * 'CAUSE WE MET ON THE WAY * 6 00:00:39,067 --> 00:00:40,400 GIMME A BEAT! 7 00:01:16,634 --> 00:01:18,934 * SITTIN' IN THE MOVIE SHOW * 8 00:01:19,000 --> 00:01:21,100 * THINKIN' NASTY THOUGHTS * 9 00:01:25,534 --> 00:01:27,634 * BETTER BE A GENTLEMAN * 10 00:01:27,701 --> 00:01:30,133 * OR YOU TURN ME OFF * 11 00:01:32,701 --> 00:01:34,567 * THAT'S RIGHT, A- LET ME TELL IT * 12 00:01:34,634 --> 00:01:37,033 * NASTY, NASTY BOYS * 13 00:01:37,100 --> 00:01:38,734 * DON'T MEAN A THING * 14 00:01:41,501 --> 00:01:43,300 * OH, YOU NASTY BOYS * 15 00:01:43,367 --> 00:01:46,234 * NASTY, NASTY BOYS * 16 00:01:46,300 --> 00:01:47,767 * DON'T EVER CHANGE * 17 00:01:50,701 --> 00:01:52,334 * OH, YOU NASTY BOYS * 18 00:01:52,400 --> 00:01:54,601 * I DON'T LIKE NO NASTY CAR * 19 00:01:54,667 --> 00:01:56,834 * I DON'T LIKE NASTY FOOD * 20 00:01:58,100 --> 00:02:00,267 * OH, OH, YEAH * 21 00:02:01,467 --> 00:02:04,067 * THE ONLY NASTY THING I LIKE * 22 00:02:04,133 --> 00:02:07,167 * IS A NASTY GROOVE * 23 00:02:07,234 --> 00:02:08,734 WILL THIS ONE DO? 24 00:02:08,801 --> 00:02:11,033 UH-HUH, I KNOW. SING. 25 00:02:11,100 --> 00:02:13,334 * NASTY, NASTY BOYS * 26 00:02:13,400 --> 00:02:15,234 * DON'T MEAN A THING * 27 00:02:17,868 --> 00:02:19,901 * OH, YOU NASTY BOYS * 28 00:02:19,968 --> 00:02:22,801 * NASTY, NASTY BOYS * 29 00:02:22,868 --> 00:02:25,100 * DON'T EVER CHANGE * 30 00:02:26,300 --> 00:02:28,567 * OH, YOU NASTY BOYS * 31 00:02:28,634 --> 00:02:30,467 * NASTY * 32 00:02:30,534 --> 00:02:32,267 BLUE MOON INVESTIGATIONS. 33 00:02:32,334 --> 00:02:34,767 WE'D LOVE TO SPEAK TO YOU, THAT WOULD BE KEEN, 34 00:02:34,834 --> 00:02:37,300 BUT SINCE WE'RE NOT HERE, TALK TO THIS MACHINE. 35 00:02:37,367 --> 00:02:39,934 WHEN YOU HEAR THE BEEP, LEAVE YOUR NAME AND NUMBER. 36 00:02:40,000 --> 00:02:42,667 DON'T HANG UP, THAT WOULD BE A BUMMER. 37 00:02:44,100 --> 00:02:45,667 HI, THIS IS MADDIE. 38 00:02:45,734 --> 00:02:47,767 I WON'T BE COMING IN TODAY. 39 00:02:47,834 --> 00:02:49,934 I'M... 40 00:02:50,000 --> 00:02:51,667 SICK. 41 00:03:06,367 --> 00:03:09,501 AND THE DEALER WILL TURN OVER HIS LAST CARD. 42 00:03:09,567 --> 00:03:11,467 OH, MY. 43 00:03:11,534 --> 00:03:15,133 A BLACK 9 AND A RED 5 IN THE SAME HAND. 44 00:03:15,200 --> 00:03:17,634 WELL, I GUESS THAT BEATS YOUR STRAIGHT FLUSH, 45 00:03:17,701 --> 00:03:19,901 HUH, BOYS? YEAH, YEAH. 46 00:03:23,801 --> 00:03:26,400 SO, UH, THANK YOU FOR YOUR COOPERATION, 47 00:03:26,467 --> 00:03:28,334 AND IN THE FUTURE, ANY SIGNS OF BODY LICE 48 00:03:28,400 --> 00:03:30,300 SHOULD BE REPORTED DIRECTLY TO YOUR PHYSICIAN. 49 00:03:30,367 --> 00:03:32,467 HI, BOSS. SPEEDY RECOVERY. 50 00:03:32,534 --> 00:03:34,634 I GUESS YOU'RE WONDERING WHAT WE'RE DOING HERE. 51 00:03:34,701 --> 00:03:35,801 NO. 52 00:03:35,868 --> 00:03:37,868 YOUR MAIL, MISS HAYES. 53 00:03:37,934 --> 00:03:39,968 ALMOST DRESSED, MISS HAYES. 54 00:03:47,601 --> 00:03:49,434 LET'S NOT ALL PANIC. 55 00:03:49,501 --> 00:03:52,267 I'M SURE SHE MEANT TO SCREAM AT US. 56 00:03:54,701 --> 00:03:56,501 A MINOR HEALTH HAZARD. 57 00:03:56,567 --> 00:03:58,167 I FIGURED A SPOT CHECK WOULD BE EASIER 58 00:03:58,234 --> 00:03:59,701 THAN EVACUATING THE WHOLE OFFICE. 59 00:04:01,901 --> 00:04:03,501 OK, YOU CAUGHT ME. 60 00:04:03,567 --> 00:04:05,167 IT WASN'T A LICE CHECK. 61 00:04:05,234 --> 00:04:07,834 IT WAS AN AIR CONDITIONING DRILL. 62 00:04:07,901 --> 00:04:09,334 KIND OF LIKE A FIRE DRILL, 63 00:04:09,400 --> 00:04:11,300 ONLY THIS IS IN CASE THE AIR CONDITIONER DOESN'T WORK. 64 00:04:11,367 --> 00:04:13,334 GOOD IDEA. GOOD IDEA? 65 00:04:13,400 --> 00:04:14,968 DAVID, WOULD YOU EXCUSE ME, PLEASE? 66 00:04:15,033 --> 00:04:16,701 NOT UNTIL YOU TELL ME WHAT'S BOTHERING YOU. 67 00:04:16,767 --> 00:04:18,334 WHAT MAKES YOU THINK SOMETHING'S BOTHERING ME? 68 00:04:18,400 --> 00:04:19,801 YOUR ATTITUDE. WHAT ATTITUDE? 69 00:04:19,868 --> 00:04:22,868 MADDIE, YOU JUST WITNESSED A MAJOR BREACH IN OFFICE DECORUM. 70 00:04:22,934 --> 00:04:25,667 AND THEN I WALK IN HERE AND LIE TO YOU ABOUT WHAT WE WERE DOING. 71 00:04:25,734 --> 00:04:27,701 YOU KNOW THE RULES. YOU WATCH THE SHOW EVERY TUESDAY NIGHT. 72 00:04:27,767 --> 00:04:29,300 YOU'RE SUPPOSED TO YELL AND GET ANGRY NOW. 73 00:04:29,367 --> 00:04:30,534 I'M NOT GOING TO GET ANGRY. 74 00:04:30,601 --> 00:04:32,467 YOU'RE NOT GOING TO GET ANGRY? 75 00:04:32,534 --> 00:04:34,434 IF YOU'RE NOT GOING TO GET ANGRY, HOW ARE WE GOING TO HAVE AN ARGUMENT? 76 00:04:34,501 --> 00:04:36,701 WE'RE NOT. WE'RE NOT? WE HAVE TO. 77 00:04:36,767 --> 00:04:38,868 DON'T TELL ME YOU HAVEN'T CONSIDERED THE CONSEQUENCES 78 00:04:38,934 --> 00:04:41,901 OF A DAY GOING BY WITHOUT A LITTLE ANGRY BANTER BETWEEN US. 79 00:04:41,968 --> 00:04:44,601 WE'RE TALKING SERIOUS DAMAGE TO OUR RELATIONSHIP, 80 00:04:44,667 --> 00:04:46,667 TO OFFICE MORALE, TO FEBRUARY SWEEPS. 81 00:04:46,734 --> 00:04:47,834 GO AWAY, DAVID. 82 00:04:47,901 --> 00:04:50,734 COME ON, MADDIE! CIRCLE THE WAGONS. 83 00:04:50,801 --> 00:04:52,467 PUT THEM UP! PUT ON THE GLOVES! 84 00:04:52,534 --> 00:04:54,801 THE MONEY'S ON THE TABLE, AND THE PEOPLE WANT TO SEE BLOOD. 85 00:04:54,868 --> 00:04:56,634 I DON'T FEEL LIKE ARGUING. 86 00:05:02,467 --> 00:05:03,901 SO... 87 00:05:03,968 --> 00:05:06,334 JUST BECAUSE YOU DON'T FEEL LIKE ARGUING, 88 00:05:06,400 --> 00:05:08,400 YOU'RE GOING TO RUIN EVERYBODY ELSE'S DAY. 89 00:05:08,467 --> 00:05:10,367 WELL, THAT'S A LITTLE SELFISH, DON'T YOU THINK? 90 00:05:10,434 --> 00:05:12,133 YOU'RE RAINING ON OUR CLOUD, MADDIE. 91 00:05:12,200 --> 00:05:14,634 DAVID, NOT ARGUING IS GOOD. 92 00:05:14,701 --> 00:05:16,400 I LIKE NOT ARGUING. 93 00:05:16,467 --> 00:05:19,334 NOT ARGUING IS SOMETHING A LOT OF PEOPLE ASPIRE TO. 94 00:05:19,400 --> 00:05:22,534 BUT ARGUING IS WHAT WE DO! IT'S OUR THING! 95 00:05:22,601 --> 00:05:24,968 LOOK, ASTAIRE AND ROGERS DANCE. 96 00:05:25,033 --> 00:05:27,634 SEARS AND ROEBUCK SELLS. MASTERS AND JOHNSON- 97 00:05:27,701 --> 00:05:30,367 KNOCK IT OFF. EXACTLY. 98 00:05:30,434 --> 00:05:32,367 COME ON. 99 00:05:32,434 --> 00:05:35,734 NO AXES TO GRIND? NO BONES TO PICK? 100 00:05:35,801 --> 00:05:38,901 NONE. IT'S A BONELESS DAY, AND I'M IN NO MOOD. 101 00:05:38,968 --> 00:05:40,334 SO WOULD YOU MIND? 102 00:05:40,400 --> 00:05:41,868 AS A MATTER OF FACT, I DO MIND. 103 00:05:41,934 --> 00:05:43,234 I WANT YOU TO TELL ME WHAT'S WRONG. 104 00:05:46,601 --> 00:05:47,934 YOU ARE SICK. STAND UP. 105 00:05:48,000 --> 00:05:49,100 I WANT TO TAKE YOUR TEMPERATURE. 106 00:05:49,167 --> 00:05:50,901 THERE'S NOTHING WRONG WITH ME! 107 00:05:50,968 --> 00:05:52,567 NOTHING AT ALL? 108 00:05:54,033 --> 00:05:55,968 AND THE PAPERS SAY I GOT A BIG EGO. 109 00:05:56,033 --> 00:05:57,701 WHAT IS IT? IT'S ME, RIGHT? 110 00:05:57,767 --> 00:05:58,801 WHAT DID I DO? 111 00:05:58,868 --> 00:06:01,133 NOTHING. YOU DIDN'T DO ANYTHING. 112 00:06:01,200 --> 00:06:03,100 THEN THAT'S THE PROBLEM, THEN. 113 00:06:03,167 --> 00:06:05,467 WHAT IS IT SPECIFICALLY THAT I DID NOT DO? 114 00:06:05,534 --> 00:06:06,968 DID I NOT MAKE A SEXIST COMMENT? 115 00:06:07,033 --> 00:06:08,367 DID I NOT ACT IMMATURE? 116 00:06:08,434 --> 00:06:10,133 DAVID, BELIEVE IT OR NOT, 117 00:06:10,200 --> 00:06:11,834 THERE ARE THINGS THAT HAPPEN IN THIS WORLD 118 00:06:11,901 --> 00:06:13,200 THAT HAVE NOTHING TO DO WITH YOU. 119 00:06:13,267 --> 00:06:14,567 YOU CAN'T PROVE THAT. 120 00:06:14,634 --> 00:06:16,467 YOU DON'T KNOW WHAT I DO WHEN I'M NOT IN THIS OFFICE. 121 00:06:16,534 --> 00:06:17,801 WHY AM I EVEN HERE? 122 00:06:17,868 --> 00:06:19,868 LOOK, EVERY MORNING IT'S THE SAME- 123 00:06:19,934 --> 00:06:21,834 FALL OUT OF BED, DROP IN THE VISINE, 124 00:06:21,901 --> 00:06:23,801 HAVE A KNOCK-DOWN DRAG-OUT WITH MADDIE HAYES. 125 00:06:23,868 --> 00:06:25,234 IT'S THE SHINE ON MY SHOES, 126 00:06:25,300 --> 00:06:26,667 IT'S THE SYRUP ON MY PANCAKE. 127 00:06:26,734 --> 00:06:28,000 KIND OF COMPLETES THE DAY. 128 00:06:28,067 --> 00:06:29,667 AND WHEN I DON'T GET IT, I GOT TO WONDER WHY. 129 00:06:29,734 --> 00:06:31,634 DAVID, OUR ARGUMENTS ARE A ROUTINE, 130 00:06:31,701 --> 00:06:33,167 A BAD HABIT, THAT'S ALL. 131 00:06:33,234 --> 00:06:34,334 DAMN RIGHT! 132 00:06:34,400 --> 00:06:35,667 WE CAN'T JUST QUIT, COLD TURKEY. 133 00:06:35,734 --> 00:06:37,367 WE HAVE TO WITHDRAW SLOWLY. 134 00:06:37,434 --> 00:06:39,100 WE NEED TO WEAN OFF GRADUALLY. 135 00:06:39,167 --> 00:06:42,100 A FEW VERBAL SLURS, AN OCCASIONAL OFFENSIVE REMARK. 136 00:06:42,167 --> 00:06:43,868 DAVID, I'D JUST LIKE TO BE ALONE. 137 00:06:43,934 --> 00:06:46,000 IT DOESN'T HAVE TO BE A BRAWL. IT COULD BE A TIFF. 138 00:06:46,067 --> 00:06:48,067 A SMALL TIFF, A TIFFETTE. DAVID- 139 00:06:48,133 --> 00:06:49,300 MADDIE? WHY ARE YOU DOING THIS? 140 00:06:49,367 --> 00:06:51,467 BECAUSE I KNOW WHEN SOMETHING'S BOTHERING YOU. 141 00:06:51,534 --> 00:06:53,000 I HEAR THE RUMBLING. 142 00:06:53,067 --> 00:06:54,501 ADMIT IT, YOU'RE BUBBLING UNDERNEATH THE SURFACE. 143 00:06:54,567 --> 00:06:56,033 MOUNT ST. MADDIE IS ABOUT TO BLOW, 144 00:06:56,100 --> 00:06:58,701 AND ALL IT TAKES IS THAT ONE EXTRA JOLT TO MAKE IT SPILL ON OUT. 145 00:06:58,767 --> 00:07:00,367 WHAT MAKES YOU THINK YOU KNOW ME SO WELL? 146 00:07:00,434 --> 00:07:02,701 JUST BECAUSE YOU THINK SOMETHING MEANS SOMETHING 147 00:07:02,767 --> 00:07:04,367 DOESN'T MEAN WHAT YOU THINK IT MEANS. 148 00:07:04,434 --> 00:07:06,200 WELL PUT. MAYBE SOMETHING IS BOTHERING ME. 149 00:07:06,267 --> 00:07:08,033 MAYBE I DO HAVE A FEW THINGS ON MY MIND, 150 00:07:08,100 --> 00:07:10,367 BUT DID IT EVER OCCUR TO YOU THAT I'D LIKE TO SORT IT OUT 151 00:07:10,434 --> 00:07:11,901 BY MYSELF, IN PRIVATE? 152 00:07:11,968 --> 00:07:14,868 I KNEW I SHOULDN'T HAVE COME IN. 153 00:07:14,934 --> 00:07:17,701 I DON'T KNOW WHY I DID. I'M LEAVING. 154 00:07:17,767 --> 00:07:19,100 I DON'T KNOW WHERE I'M GOING, 155 00:07:19,167 --> 00:07:22,133 AND I DON'T KNOW WHEN I'LL BE BACK, OK? 156 00:08:42,801 --> 00:08:45,434 WOULDN'T HAPPEN TO HAVE AN UNMARKED DECK OF CARDS, WOULD YOU? 157 00:08:45,501 --> 00:08:46,467 HI. 158 00:08:46,534 --> 00:08:48,934 I FIGURED YOU'D BE LONG GONE. 159 00:08:49,000 --> 00:08:50,634 YEAH? 160 00:08:50,701 --> 00:08:53,667 NO, I WAS JUST TEACHING VIOLA SOME BITTER LESSONS 161 00:08:53,734 --> 00:08:55,601 ABOUT HIGH-STAKES POKER, 162 00:08:55,667 --> 00:08:59,133 WHICH I WOULD GLADLY FOREGO 163 00:08:59,200 --> 00:09:01,033 IF YOU WOULD TALK TO ME. 164 00:09:01,100 --> 00:09:02,367 TALK TO YOU? 165 00:09:02,434 --> 00:09:04,601 YEAH, TALK TO ME. COME ON, MADDIE. 166 00:09:04,667 --> 00:09:06,634 IT'S NOT LIKE WE JUST MET YESTERDAY. 167 00:09:06,701 --> 00:09:09,133 I KNOW YOU. YOU'RE BLUE. 168 00:09:09,200 --> 00:09:12,234 YOU'RE BLUER THAN BLUE. YOU'RE DAMN NEAR PUCE. 169 00:09:12,300 --> 00:09:15,300 LOOK, IT'S NOT THAT I DON'T WANT TO TALK TO YOU, 170 00:09:15,367 --> 00:09:18,300 IT'S JUST THAT THERE'S REALLY NOTHING TO TALK ABOUT. 171 00:09:18,367 --> 00:09:20,601 WHAT'S BOTHERING ME IS SO... 172 00:09:20,667 --> 00:09:22,100 WHAT? 173 00:09:22,167 --> 00:09:24,667 IT'S NOTHING. IT'S JUST A MOOD. 174 00:09:24,734 --> 00:09:27,400 IT'LL BE GONE IN THE MORNING. IT'S NOTHING. 175 00:09:37,734 --> 00:09:40,501 GREAT. YOU'RE HURT. 176 00:09:41,767 --> 00:09:43,501 AM I BATTING 1,000 OR WHAT? 177 00:09:43,567 --> 00:09:45,467 I'M BLUE AND YOU'RE HURT. 178 00:09:46,934 --> 00:09:49,400 DAVID, IT'S GREAT THAT YOU WANT TO TALK. 179 00:09:49,467 --> 00:09:52,334 IT'S GREAT THAT YOU STAYED HERE LATE TO DO IT. 180 00:09:52,400 --> 00:09:53,834 I'M DOWN 30 BUCKS. 181 00:09:53,901 --> 00:09:55,467 I KNOW, AND I APPRECIATE IT. 182 00:09:55,534 --> 00:09:58,133 PROVE IT. SAVE THE FARM. CONFIDE IN ME. 183 00:09:58,200 --> 00:10:00,701 DAVID, WHAT'S BOTHERING ME IS NOT SOMETHING YOU DISCUSS. 184 00:10:00,767 --> 00:10:04,300 WHAT'S BOTHERING ME IS SOMETHING YOU GET THROUGH. 185 00:10:04,367 --> 00:10:06,167 MADDIE, THAT'S A LOT OF CRAP. 186 00:10:06,234 --> 00:10:07,300 WHAT'S A LOT OF CRAP? 187 00:10:07,367 --> 00:10:09,367 YOU NOT TALKING TO ME. COME ON, MADDIE. 188 00:10:09,434 --> 00:10:10,534 WE'RE FRIENDS. 189 00:10:10,601 --> 00:10:13,000 THE TWO MUSKETEERS. HAM AND LEGS. 190 00:10:13,067 --> 00:10:15,033 YES. WE ARE FRIENDS. 191 00:10:15,100 --> 00:10:17,033 BUT THIS IS NOT A FRIEND THING. 192 00:10:17,100 --> 00:10:20,067 WOULD YOU JUST TALK TO ME? 193 00:10:20,133 --> 00:10:21,400 TELL ME WHAT IT IS. 194 00:10:21,467 --> 00:10:22,868 YOU DON'T WANT TO HEAR THIS. 195 00:10:22,934 --> 00:10:25,834 WHAT ARE YOU TALKING ABOUT, I DON'T WANT TO HEAR THIS? 196 00:10:25,901 --> 00:10:27,400 THAT'S CRAZY. 197 00:10:27,467 --> 00:10:29,300 OF COURSE I WANT TO HEAR ABOUT IT. 198 00:10:29,367 --> 00:10:31,567 IF SOMETHING'S BOTHERING YOU OR CAUSING YOU PAIN, 199 00:10:31,634 --> 00:10:32,868 I WANT TO HEAR ABOUT IT. 200 00:10:32,934 --> 00:10:34,200 I ABSOLUTELY WANT TO HEAR ABOUT IT. 201 00:10:34,267 --> 00:10:35,601 NO, YOU DON'T WANT TO HEAR THIS. 202 00:10:35,667 --> 00:10:37,467 YES, I DO, OF COURSE I DO. 203 00:10:37,534 --> 00:10:38,467 NO, YOU DON'T WANT TO HEAR THIS. 204 00:10:38,534 --> 00:10:39,634 I REALLY WANT TO HEAR ABOUT IT. 205 00:10:39,701 --> 00:10:41,634 NO, YOU DON'T. YES, I DO! 206 00:10:43,267 --> 00:10:44,868 YES, I DO. 207 00:10:48,100 --> 00:10:50,067 YOU REALLY WANT TO KNOW HOW I FEEL? 208 00:10:50,133 --> 00:10:51,534 YEAH. 209 00:10:51,601 --> 00:10:54,167 I FEEL RECKLESS. 210 00:10:55,634 --> 00:10:58,000 NEVER MIND. DON'T "NEVER MIND" ME. 211 00:10:58,067 --> 00:10:59,901 I WANT TO HEAR ABOUT IT. 212 00:10:59,968 --> 00:11:03,234 ALL RIGHT, IF YOU REALLY WANT TO. 213 00:11:09,834 --> 00:11:12,267 DAVID, I FEEL ALONE... 214 00:11:12,334 --> 00:11:14,601 AND SURROUNDED AT THE SAME TIME. 215 00:11:14,667 --> 00:11:16,100 OK. 216 00:11:17,667 --> 00:11:19,267 I FEEL RESTRAINED, 217 00:11:19,334 --> 00:11:21,767 BUT LIKE I'M ABOUT TO BURST FREE. 218 00:11:21,834 --> 00:11:23,234 OK, NOW YOU SEE? 219 00:11:23,300 --> 00:11:25,267 I FIGURED IT WAS SOMETHING LIKE THAT. 220 00:11:25,334 --> 00:11:27,467 YOU WANT TO KNOW WHAT I REALLY WANT TO DO? 221 00:11:27,534 --> 00:11:29,701 YOU WANT TO KNOW WHAT THIS IS REALLY ALL ABOUT? 222 00:11:33,200 --> 00:11:36,567 I'D LIKE TO GO OUT THERE AND FIND SOME MAN, 223 00:11:36,634 --> 00:11:39,968 NOT EVEN ASK HIS NAME, AND JUST GO TO A HOTEL OR SOMETHING, 224 00:11:40,033 --> 00:11:41,901 AND NOT EVEN KNOW HIS NAME- 225 00:11:41,968 --> 00:11:43,467 I DON'T WANT TO HEAR THIS. 226 00:11:43,534 --> 00:11:45,467 AND JUST BE BAD. HEY, I DON'T WANT TO HEAR THIS. 227 00:11:45,534 --> 00:11:47,300 I DON'T WANT TO HEAR THIS! 228 00:11:57,033 --> 00:11:59,868 WELL, IT'S NICE TO KNOW WE CAN CONFIDE IN OUR FRIENDS. 229 00:12:01,534 --> 00:12:03,834 WIPE THAT SHOCKED EXPRESSION OFF YOUR FACE. 230 00:12:03,901 --> 00:12:06,000 I'M SURE YOUR CHIN WOULDN'T BE ON THE FLOOR 231 00:12:06,067 --> 00:12:08,234 IF IT WAS McGILLICUDDY OR VIOLA 232 00:12:08,300 --> 00:12:09,968 YOU WERE HAVING THIS CONVERSATION WITH. 233 00:12:10,033 --> 00:12:11,367 YOU'RE DAMN RIGHT IT WOULDN'T BE. 234 00:12:13,300 --> 00:12:14,601 STUPID MADDIE. 235 00:12:14,667 --> 00:12:16,000 I'M ALWAYS FORGETTING- 236 00:12:16,067 --> 00:12:18,601 WHAT'S GOOD FOR THE GOOSE IS FORBIDDEN FOR THE GANDER. 237 00:12:18,667 --> 00:12:20,234 WHERE ARE YOU GOING? OUT. 238 00:12:20,300 --> 00:12:21,667 OUT? OUT WHERE? OUT, OUT THERE. 239 00:12:21,734 --> 00:12:22,834 MADDIE, LOOK, YOU'RE NOT GOING 240 00:12:22,901 --> 00:12:24,000 TO DO ANYTHING STUPID, ARE YOU? 241 00:12:24,067 --> 00:12:25,167 I'VE ALREADY DOME SOMETHING STUPID. 242 00:12:25,234 --> 00:12:26,501 I CAME BACK HERE AND TALKED TO YOU. 243 00:12:26,567 --> 00:12:28,067 MADDIE, THERE ARE A LOT OF CRAZY PEOPLE OUT THERE. 244 00:12:28,133 --> 00:12:29,434 THERE ARE A LOT OF CRAZY PEOPLE IN HERE. 245 00:12:32,767 --> 00:12:34,767 YOU'RE GOING HOME, AREN'T YOU? 246 00:12:36,767 --> 00:12:38,267 YOU'RE GOING RIGHT HOME. 247 00:12:40,234 --> 00:12:42,968 LOOK ME IN THE EYE AND TELL ME YOU'RE GOING RIGHT HOME. 248 00:12:44,934 --> 00:12:49,033 WHY ARE YOU LOOKING SO...UNHAPPY? 249 00:12:49,100 --> 00:12:50,868 MY CHASTITY BELT IS PINCHING ME. 250 00:12:50,934 --> 00:12:51,968 GOOD NIGHT. 251 00:12:57,567 --> 00:12:58,701 YO, BERT BABY! 252 00:12:58,767 --> 00:13:00,367 MR. ADDISON, I DIDN'T PEEK, I SWEAR! 253 00:13:00,434 --> 00:13:02,767 HOW WOULD YOU LIKE TO GET OUT OF THIS $14,000 DEBT? 254 00:13:02,834 --> 00:13:04,400 DOUBLE OR NOTHING AGAIN? I DON'T KNOW, MR. ADDISON. 255 00:13:04,467 --> 00:13:05,534 YOUR CAR KEYS. 256 00:13:05,601 --> 00:13:07,000 MY CAR? NOT FOREVER, JUST FOR TONIGHT. 257 00:13:07,067 --> 00:13:09,067 I NEED TO BORROW IT. NOW. 258 00:13:09,133 --> 00:13:10,467 PLEASE, BERT. IT'S AN EMERGENCY. 259 00:13:10,534 --> 00:13:11,968 IT'S URGENT. IT'S IMPORTANT. 260 00:13:12,033 --> 00:13:13,167 IT'S A CASE. 261 00:13:13,234 --> 00:13:14,734 I KNOW, BUT THE THING IS, IT'S BRAND-NEW. 262 00:13:14,801 --> 00:13:16,734 I JUST PICKED IT UP- YEAH, RIGHT, NEW. 263 00:13:16,801 --> 00:13:18,601 COME WITH ME. WORK WITH ME, BERT, 264 00:13:18,667 --> 00:13:20,734 ON THIS BIG, URGENT, EMERGENCY CASE. 265 00:13:20,801 --> 00:13:22,934 YOU AND ME, ON A CASE? TOGETHER? 266 00:13:23,000 --> 00:13:24,868 THE 3 OF US. YOU, ME, AND YOUR CAR. 267 00:13:24,934 --> 00:13:26,567 IT'LL BE GREAT. IT'LL BE TERRIFIC. 268 00:13:26,634 --> 00:13:28,300 IT'LL BE BETTER THAN SEX. 269 00:13:28,367 --> 00:13:30,300 GOT ANY MONEY FOR GAS? 270 00:13:34,767 --> 00:13:36,367 THIS IS GREAT, MR. ADDISON. 271 00:13:36,434 --> 00:13:37,734 YOU HAVE NO IDEA WHAT A DREAM COME TRUE 272 00:13:37,801 --> 00:13:38,868 THIS IS FOR ME. 273 00:13:38,934 --> 00:13:40,634 DAY AFTER DAY I SIT IN THE OFFICE, 274 00:13:40,701 --> 00:13:42,100 I WATCH YOU WORK, AND I WONDER, 275 00:13:42,167 --> 00:13:43,667 WHAT WOULD IT BE LIKE TO BE OUT THERE? 276 00:13:43,734 --> 00:13:46,167 YOU KNOW? DETECTING. WITH YOU. 277 00:13:46,234 --> 00:13:47,934 AND NOW, WELL... 278 00:13:48,000 --> 00:13:50,801 DON'T GET ME WRONG, I LIKE WORKING IN THE OFFICE. 279 00:13:50,868 --> 00:13:54,067 IT'S JUST SOMETIMES I CAN'T HELP BUT FEEL A LITTLE... 280 00:13:54,133 --> 00:13:55,834 UNFULFILLED, YOU KNOW? 281 00:13:55,901 --> 00:13:58,367 LIKE MY POTENTIALS ARE NOT BEING FULLY REALIZED. 282 00:13:58,434 --> 00:14:00,501 NOT THAT I'M COMPLAINING. 283 00:14:00,567 --> 00:14:01,767 I'M JUST LETTING YOU KNOW HOW MUCH 284 00:14:01,834 --> 00:14:03,100 I APPRECIATE THIS OPPORTUNITY. 285 00:14:03,167 --> 00:14:04,601 I MEAN, SURVEILLANCE, 286 00:14:04,667 --> 00:14:06,367 REAL DETECTIVE WORK, 287 00:14:06,434 --> 00:14:08,934 A CHANCE TO CONTRIBUTE AS A VALUABLE MEMBER 288 00:14:09,000 --> 00:14:11,133 OF THE TEAM... 289 00:14:11,200 --> 00:14:12,734 AM I TALKING TOO MUCH? 290 00:14:12,801 --> 00:14:14,133 HUH? 291 00:14:16,501 --> 00:14:17,467 HERE, MAKE A LEFT HERE. 292 00:14:17,534 --> 00:14:18,734 LEFT? NOW! 293 00:14:23,667 --> 00:14:24,767 WOW. 294 00:14:24,834 --> 00:14:26,167 WHY DIDN'T YOU MAKE THE TURN? 295 00:14:26,234 --> 00:14:29,133 I FORGOT WHERE THE TURN SIGNAL IS. 296 00:14:29,200 --> 00:14:31,133 WELL, IT'S THE LAW. 297 00:14:39,133 --> 00:14:41,100 WHY DON'T YOU HIT THE WIPERS? I CAN'T SEE A THING. 298 00:14:41,167 --> 00:14:43,133 I- I...HAND ME THE OWNER'S MANUAL. 299 00:14:43,200 --> 00:14:44,667 I THINK IT'S IN THE GLOVE COMPARTMENT. 300 00:14:44,734 --> 00:14:46,667 YOU DON'T KNOW WHERE THE WI-LOOK OUT! 301 00:14:46,734 --> 00:14:47,901 AAH! 302 00:14:49,300 --> 00:14:51,167 MY CAR! MY CAR! 303 00:14:51,234 --> 00:14:52,834 KEEP DRIVING. JUST KEEP DRIVING. 304 00:14:59,667 --> 00:15:01,000 THERE IT IS. 305 00:15:31,701 --> 00:15:33,400 Herbert: THAT'S MISS HAYES! 306 00:15:33,467 --> 00:15:35,667 BY GOLLY, IT IS MISS HAYES. 307 00:15:35,734 --> 00:15:37,701 WE'RE FOLLOWING MISS HAYES! 308 00:15:40,167 --> 00:15:42,434 YOU WAIT HERE. I'LL SEE WHAT THIS IS ALL ABOUT. 309 00:16:11,234 --> 00:16:12,901 YOU KNEW ALL ALONG WE WERE FOLLOWING MISS HAYES, 310 00:16:12,968 --> 00:16:14,601 DIDN'T YOU, MR. ADDISON? 311 00:16:17,367 --> 00:16:18,801 LOOK, MR. ADDISON, 312 00:16:18,868 --> 00:16:21,000 I KNOW I'VE ONLY BEEN WITH BLUE MOON FOR A COUPLE OF MONTHS, 313 00:16:21,067 --> 00:16:23,934 AND MAYBE THIS IS NONE OF MY BUSINESS... 314 00:16:24,000 --> 00:16:27,200 PROBABLY IT IS NONE OF MY BUSINESS, BUT... 315 00:16:27,267 --> 00:16:29,434 WELL... 316 00:16:29,501 --> 00:16:32,601 THERE ARE SOME PEOPLE IN THE OFFICE... 317 00:16:32,667 --> 00:16:36,067 WHO THINK THAT MAYBE THERE'S A... 318 00:16:36,133 --> 00:16:38,567 PERSONAL THING BETWEEN YOU AND MISS HAYES. 319 00:16:38,634 --> 00:16:41,200 BETWEEN ME AND MISS HAYES? A PERSONAL THING? 320 00:16:43,000 --> 00:16:46,367 YOU HAVE BEEN LABORING UNDER A SEVERE DELUSION, MY FRIEND. 321 00:16:46,434 --> 00:16:49,501 WHAT WE ARE DOING HERE IS SIMPLY COVERING FOR A FELLOW OPERATIVE 322 00:16:49,567 --> 00:16:53,133 WITHOUT SAID OPERATIVE KNOWING WHAT WE'RE DOING HERE. 323 00:16:54,901 --> 00:16:56,567 BACK TO THE CAR. BACK TO THE CAR? 324 00:16:56,634 --> 00:16:58,133 BACK TO THE CAR. 325 00:17:00,267 --> 00:17:02,968 3 WEEKS AGO, ONE OF THE WORLD'S 10 MOST WANTED TERRORISTS 326 00:17:03,033 --> 00:17:04,300 ESCAPED FROM JAIL IN CAIRO. 327 00:17:04,367 --> 00:17:06,300 LAST WEEK, NATO GIVES ME A JINGLE- 328 00:17:06,367 --> 00:17:07,934 "DAVE, THE GUY'S HEADED FOR LA-LA LAND." 329 00:17:08,000 --> 00:17:10,200 SO WHAT DOES MADDIE SAY? "I WANT TO NAB HIM." 330 00:17:10,267 --> 00:17:12,200 INSISTS ON DOING IT BY HERSELF. 331 00:17:12,267 --> 00:17:13,934 SHE'S HERE TONIGHT HOPING TO CATCH HIM. 332 00:17:14,000 --> 00:17:16,133 IF SHE SPOTS US, SHE'LL THINK I DON'T TRUST HER. 333 00:17:16,200 --> 00:17:17,968 BUT WHY IS SHE BUYING GROCERIES? 334 00:17:22,000 --> 00:17:23,634 OOPS, HERE SHE COMES. 335 00:17:46,567 --> 00:17:48,667 FOLLOW THAT BLONDE. 336 00:17:59,834 --> 00:18:01,167 SO... 337 00:18:01,234 --> 00:18:03,300 THIS ISN'T ABOUT YOU AND MISS HAYES. 338 00:18:03,367 --> 00:18:06,033 OTHER THAN MAKING SURE THE OLD BIDDY DOESN'T GET HERSELF KILLED, 339 00:18:06,100 --> 00:18:07,834 NEGATIVE. 340 00:18:10,033 --> 00:18:12,501 SHE'S PULLING IN OVER THERE. 341 00:18:17,200 --> 00:18:19,234 METROPOLIS. 342 00:18:19,300 --> 00:18:21,501 THIS IS THE HOTTEST PLACE IN TOWN. 343 00:18:21,567 --> 00:18:23,100 SHE'S GOING TO CATCH THE GUY HERE? 344 00:18:23,167 --> 00:18:24,834 YEAH, SHE'S ONE PLUCKY GIRL. 345 00:18:24,901 --> 00:18:26,467 I'VE HEARD ABOUT THIS PLACE. 346 00:18:26,534 --> 00:18:28,534 YOU CAN'T WALK IN THERE WITHOUT GETTING HIT ON. 347 00:18:28,601 --> 00:18:30,968 A REAL FACE PLACE. 348 00:18:31,033 --> 00:18:32,868 I'M TELLING YOU, IF YOU'RE EVER IN THE MOOD 349 00:18:32,934 --> 00:18:34,300 TO MEET SOMEBODY JUST FOR A NIGHT, 350 00:18:34,367 --> 00:18:36,634 THIS IS THE PLACE TO GO. HERBERT. 351 00:18:36,701 --> 00:18:39,534 REMEMBER WHEN YOU ASKED IF YOU WERE TALKING TOO MUCH? 352 00:18:39,601 --> 00:18:40,534 YEAH? 353 00:18:43,634 --> 00:18:44,868 OH. 354 00:19:30,567 --> 00:19:32,400 HI. WHAT CAN I GET FOR YOU? 355 00:19:32,467 --> 00:19:34,767 CLUB SODA AND LIME, PLEASE. 356 00:19:36,501 --> 00:19:39,267 ON SECOND THOUGHT, WHITE WINE SPRITZER. 357 00:19:44,767 --> 00:19:46,968 MAKE THAT A BOILERMAKER. 358 00:19:55,200 --> 00:19:56,667 WHAT DID I TELL YOU? 359 00:19:56,734 --> 00:19:59,334 ROOMFUL OF PRIME CUT, OR WHAT? 360 00:19:59,400 --> 00:20:01,534 HOPE YOU BROUGHT YOUR BRANDING IRON. 361 00:20:24,234 --> 00:20:25,767 THERE SHE IS. 362 00:20:25,834 --> 00:20:27,334 AT THE BAR. 363 00:20:36,100 --> 00:20:37,667 SO... 364 00:20:37,734 --> 00:20:39,434 WHO ARE WE LOOKING FOR? 365 00:20:39,501 --> 00:20:41,801 I DON'T KNOW. COULD BE ANYONE. 366 00:20:41,868 --> 00:20:44,267 TALL, FAT, SHORT, THIN. 367 00:20:44,334 --> 00:20:46,000 MAYBE 2 GUYS, MAYBE EVEN 3. 368 00:20:46,067 --> 00:20:47,634 DEPENDS ON HER MOOD. HER WHAT? 369 00:20:47,701 --> 00:20:49,234 JUST KEEP YOUR EYES PEELED. 370 00:20:49,300 --> 00:20:51,000 IMAGINE... 371 00:20:51,067 --> 00:20:53,400 A GUY SPENDS HIS WHOLE DAY 372 00:20:53,467 --> 00:20:55,534 HIJACKING AIRPLANES IN TURKEY, 373 00:20:55,601 --> 00:20:58,467 WINDS UP AT THE METROPOLIS MEETING BABES. 374 00:20:58,534 --> 00:21:00,367 EXCUSE ME, MISS, UH... 375 00:21:00,434 --> 00:21:02,033 I'M SORRY TO BOTHER YOU, 376 00:21:02,100 --> 00:21:04,200 I JUST WANTED TO REACH IN FRONT OF YOU FOR THE PRETZELS. 377 00:21:04,267 --> 00:21:05,200 NO BOTHER. 378 00:21:05,267 --> 00:21:06,200 THANKS. 379 00:21:08,267 --> 00:21:10,100 IS THIS PLACE ALWAYS THIS CROWDED? 380 00:21:10,167 --> 00:21:11,267 IT'S MY FIRST TIME. 381 00:21:11,334 --> 00:21:13,868 MINE, TOO. 382 00:21:13,934 --> 00:21:16,868 FUNNY THING IS, I PASS BY THIS PLACE ALL THE TIME, 383 00:21:16,934 --> 00:21:18,701 BUT TONIGHT FOR SOME REASON 384 00:21:18,767 --> 00:21:21,200 I GOT UP THE NERVE TO TRY IT. 385 00:21:21,267 --> 00:21:24,367 I KNOW HOW THAT GOES. 386 00:21:24,434 --> 00:21:26,801 YEAH, MY NAME'S ROBERT. AND YOU'RE... 387 00:21:26,868 --> 00:21:28,234 MADDIE. 388 00:21:28,300 --> 00:21:30,667 JUST TAKE A LOOK AT THIS BUNCH, WILL YOU? 389 00:21:30,734 --> 00:21:32,567 AND WE THINK WE'VE EVOLVED? 390 00:21:32,634 --> 00:21:35,634 IT'S AMAZING HOW PEOPLE WILL FLOCK TO A PLACE LIKE THIS, 391 00:21:35,701 --> 00:21:38,767 ALL OF THEM LOOKING FOR THE SAME THING. 392 00:21:38,834 --> 00:21:41,868 HOPING FOR A MEANINGLESS, EMPTY COUPLING 393 00:21:41,934 --> 00:21:45,167 TO MAKE THEM FORGET THEIR MEANINGLESS, EMPTY LIVES. 394 00:21:45,234 --> 00:21:47,701 AS IF CHEAP SEX WITH A TOTAL STRANGER 395 00:21:47,767 --> 00:21:49,667 WILL EASE THE PAIN OF THEIR LONELINESS. 396 00:21:49,734 --> 00:21:52,300 HI, BERT. THE USUAL? 397 00:21:52,367 --> 00:21:55,234 UH... I CAN'T TONIGHT. 398 00:21:55,300 --> 00:21:57,067 I'M ON THE JOB. 399 00:21:57,133 --> 00:21:58,234 SIR? 400 00:22:00,133 --> 00:22:01,934 LOOK, THE FACT IS, 401 00:22:02,000 --> 00:22:04,334 THIS KIND OF PLACE REALLY ISN'T MY STYLE. 402 00:22:04,400 --> 00:22:08,701 MAYBE WE COULD GO SOMEPLACE QUIETER SOMETIME, 403 00:22:08,767 --> 00:22:10,100 GET TO KNOW EACH OTHER. 404 00:22:10,167 --> 00:22:12,267 SAY DINNER AFTER WORK SOME NIGHT? 405 00:22:12,334 --> 00:22:13,434 MAYBE WE CAN. 406 00:22:13,501 --> 00:22:15,067 WOULD YOU HAPPEN TO HAVE THE TIME? 407 00:22:15,133 --> 00:22:16,601 OH, SURE, IT'S- 408 00:22:16,667 --> 00:22:18,767 CLASS RING? 409 00:22:21,334 --> 00:22:22,767 LOOK, UH... 410 00:22:22,834 --> 00:22:25,601 JUST BECAUSE I'M MARRIED DOESN'T MEAN WE CAN'T... 411 00:22:25,667 --> 00:22:26,934 HAVE DINNER. 412 00:22:27,000 --> 00:22:29,934 YOU'RE RIGHT. CANDLELIGHT DINNER FOR 4. 413 00:22:30,000 --> 00:22:32,901 YOU, ME, YOUR WIFE, AND HER LAWYER. 414 00:22:32,968 --> 00:22:35,367 EXCUSE ME. 415 00:22:39,701 --> 00:22:41,133 I'LL BE RIGHT BACK. 416 00:22:56,901 --> 00:22:58,801 EXCUSE ME, BUT, UH... 417 00:22:58,868 --> 00:23:01,434 YOU'RE MADDIE HAYES, AREN'T YOU? 418 00:23:01,501 --> 00:23:02,767 I THOUGHT SO. 419 00:23:02,834 --> 00:23:04,567 I MEAN, I WASN'T SURE. 420 00:23:04,634 --> 00:23:07,067 I MEAN, SOMEONE LIKE YOU IN HERE... 421 00:23:07,133 --> 00:23:08,534 NOT THAT THAT'S BAD. 422 00:23:08,601 --> 00:23:10,334 IT'S JUST... 423 00:23:10,400 --> 00:23:12,834 IT'S JUST THAT I'VE HAD THIS CRUSH ON YOU 424 00:23:12,901 --> 00:23:15,534 EVER SINCE I SAW THE FIRST BLUE MOON SHAMPOO ADS. 425 00:23:15,601 --> 00:23:18,567 AND I HAD TO COME OVER AND SEE IF IT WAS REALLY YOU, 426 00:23:18,634 --> 00:23:20,000 AND IT WAS. 427 00:23:20,067 --> 00:23:21,334 I MEAN, IT IS. 428 00:23:21,400 --> 00:23:23,834 I MEAN, YOU ARE. 429 00:23:23,901 --> 00:23:26,133 WELL, NOW I CAN DIE A HAPPY MAN. 430 00:23:26,200 --> 00:23:27,767 THANK YOU. 431 00:23:27,834 --> 00:23:29,300 THANK ME? 432 00:23:29,367 --> 00:23:30,534 I'M FLATTERED. 433 00:23:30,601 --> 00:23:32,801 WELL, UH... 434 00:23:32,868 --> 00:23:34,334 WELL, THAT'S REALLY ALL I HAD TO SAY. 435 00:23:34,400 --> 00:23:36,133 I'M SURE YOU'RE GOING TO MEET SOMEBODY- 436 00:23:36,200 --> 00:23:37,367 I'M NOT MEETING ANYONE. 437 00:23:37,434 --> 00:23:38,934 SO YOU DON'T MIND IF I STAY AND CHAT? 438 00:23:39,033 --> 00:23:40,367 PLEASE DO. 439 00:23:45,100 --> 00:23:46,234 WELL... 440 00:23:46,300 --> 00:23:47,667 WELL. 441 00:23:47,734 --> 00:23:50,334 YOU KNOW MY NAME. I DON'T KNOW YOURS. 442 00:23:50,400 --> 00:23:52,934 MOE. MOE HIGHLAND. 443 00:23:53,000 --> 00:23:54,667 HELLO, MOE. 444 00:23:54,734 --> 00:23:56,033 HELLO. I CAN'T BELIEVE THIS. 445 00:23:56,100 --> 00:23:57,834 I'M ACTUALLY SITTING HERE TALKING TO MADDIE HAYES. 446 00:23:57,901 --> 00:23:59,534 WHAT'S TO BELIEVE? 447 00:23:59,601 --> 00:24:02,067 MAYBE I'M JUST HERE TO TALK TO SOMEONE, TOO. 448 00:24:02,133 --> 00:24:04,868 YEAH. 449 00:24:04,934 --> 00:24:07,734 WELL, MY LUCKY NIGHT, HUH? 450 00:24:07,801 --> 00:24:08,868 AAH! 451 00:24:08,934 --> 00:24:10,400 OH, MY GOD! I'M SORRY! 452 00:24:10,467 --> 00:24:12,200 DAMN IT, I... 453 00:24:12,267 --> 00:24:13,734 THAT'S OK. THAT'S OK. 454 00:24:13,801 --> 00:24:15,501 I THINK I'D BETTER GO PUT SOME WATER ON THIS. 455 00:24:15,567 --> 00:24:17,901 YEAH, LOOK, YOU KNOW, I LIVE ABOUT 5 MINUTES FROM HERE. 456 00:24:17,968 --> 00:24:19,901 I MEAN, YOU COULD COME OVER AND YOU COULD GET OUT OF THAT, 457 00:24:19,968 --> 00:24:21,267 GET INTO SOMETHING MORE COMFORTABLE- 458 00:24:21,334 --> 00:24:22,567 SOME JEANS AND A T-SHIRT. 459 00:24:24,133 --> 00:24:27,901 I MEAN, I'M GETTING SIGNALS HERE. 460 00:24:27,968 --> 00:24:29,767 I THINK WE'RE BOTH INTERESTED. 461 00:24:29,834 --> 00:24:32,000 WE'RE BOTH HERE FOR THE SAME THING. 462 00:24:32,067 --> 00:24:33,767 YOU WANT TO LEAVE? 463 00:24:34,834 --> 00:24:36,234 YES. 464 00:24:38,133 --> 00:24:39,567 BUT NOT WITH YOU. 465 00:24:48,968 --> 00:24:50,601 YOU CAN'T MEET ME HERE. 466 00:24:50,667 --> 00:24:52,601 IT'S NOT SAFE. 467 00:24:52,667 --> 00:24:55,467 THERE'S A MAN FOLLOWING ME. 468 00:24:55,534 --> 00:24:58,334 YES, I'M VERY SURE. 469 00:24:58,400 --> 00:25:01,567 YOU STAY, AND I'LL MEET YOU THERE. 470 00:25:01,634 --> 00:25:03,167 AS SOON AS I CAN. 471 00:25:04,667 --> 00:25:06,601 I HAVEN'T BEEN IN A SINGLES BAR LATELY. 472 00:25:06,667 --> 00:25:10,100 I'D FORGOTTEN WHAT AN UPLIFTING EXPERIENCE IT CAN BE! 473 00:25:11,634 --> 00:25:13,934 THIS CLOD POURS HIS DRINK ON ME 474 00:25:14,000 --> 00:25:16,801 AND THEN OFFERS TO TAKE ME BACK TO HIS PLACE TO CHANGE. 475 00:25:16,868 --> 00:25:19,467 CHARMING. 476 00:25:19,534 --> 00:25:22,501 THERE'S A HAND-DRIER AROUND THE CORNER. 477 00:25:22,567 --> 00:25:23,968 GREAT. 478 00:25:27,100 --> 00:25:28,801 YOU SEEN ANYBODY, MR. ADDISON? 479 00:25:28,868 --> 00:25:30,434 BRING THE CAR AROUND FRONT AND WAIT FOR ME. 480 00:25:30,501 --> 00:25:31,467 YOU MEAN- 481 00:25:31,534 --> 00:25:33,067 THE EAGLE HAS LANDED. 482 00:26:05,033 --> 00:26:07,100 I MEAN, IS IT ME, OR... 483 00:26:16,501 --> 00:26:18,934 Radio D.J.: JRKV WEATHER, COLD AND WET ALL NIGHT, 484 00:26:19,000 --> 00:26:21,434 TOO DEPRESSING FOR STEVE MORRIS TO TELL YOU MY STORY. 485 00:26:21,501 --> 00:26:23,601 WE'LL LET DION TELL YOU HIS. 486 00:26:23,667 --> 00:26:28,834 * HERE'S MY STORY, SAD BUT TRUE * 487 00:26:28,901 --> 00:26:34,033 * IT'S ABOUT A GIRL THAT I ONCE KNEW * 488 00:26:34,100 --> 00:26:39,868 * SHE TOOK MY LOVE, THEN RAN AROUND * 489 00:26:39,934 --> 00:26:45,400 * WITH EVERY SINGLE GUY IN TOWN * 490 00:26:45,467 --> 00:26:47,033 * HEY, HEY * 491 00:26:47,100 --> 00:26:48,534 * OH * 492 00:26:48,601 --> 00:26:49,868 * HEY, HEY * 493 00:26:49,934 --> 00:26:51,601 * OH * 494 00:26:51,667 --> 00:26:52,968 * HEY, HEY * 495 00:26:53,033 --> 00:26:54,901 * OH * 496 00:26:54,968 --> 00:26:56,100 * HEY, HEY * 497 00:26:56,167 --> 00:26:57,534 * LA LA LA LA * 498 00:26:57,601 --> 00:26:59,434 * HEY, HEY * 499 00:26:59,501 --> 00:27:01,100 * OH * 500 00:27:01,167 --> 00:27:02,501 * HEY, HEY * 501 00:27:02,567 --> 00:27:04,100 * OH * 502 00:27:04,167 --> 00:27:05,567 * HEY, HEY * 503 00:27:05,634 --> 00:27:07,067 * OH * 504 00:27:07,133 --> 00:27:08,834 * HEY * 505 00:27:10,434 --> 00:27:13,067 * I SHOULD HAVE KNOWN IT FROM THE VERY START * 506 00:27:13,133 --> 00:27:16,167 * THIS GIRL WILL LEAVE ME WITH A BROKEN HEART * 507 00:27:16,234 --> 00:27:19,000 * NOW LISTEN, PEOPLE, WHAT I'M TELLING YOU * 508 00:27:19,067 --> 00:27:22,067 * A-KEEP AWAY FROM-A RUNAROUND SUE * 509 00:27:22,133 --> 00:27:25,234 * I MISS HER LIPS AND THE SMILE ON HER FACE * 510 00:27:25,300 --> 00:27:28,367 * THE TOUCH OF HER HAIR AND THIS GIRL'S WARM EMBRACE * 511 00:27:28,434 --> 00:27:31,467 * SO IF YOU DON'T WANNA CRY LIKE I DO * 512 00:27:31,534 --> 00:27:35,067 * A-KEEP AWAY FROM-A RUNAROUND SUE * 513 00:27:35,133 --> 00:27:36,701 * HEY, HEY * 514 00:27:36,767 --> 00:27:38,100 * OH * 515 00:27:38,167 --> 00:27:39,334 * HEY, HEY * 516 00:27:39,400 --> 00:27:41,234 * OH * 517 00:27:41,300 --> 00:27:43,133 * HEY, HEY * 518 00:27:43,200 --> 00:27:44,434 * OH * 519 00:27:44,501 --> 00:27:46,000 * HEY * 520 00:27:47,234 --> 00:27:49,934 * SHE LIKES TO TRAVEL AROUND * 521 00:27:50,000 --> 00:27:53,400 * SHE'LL LOVE YOU, BUT SHE'LL PUT YOU DOWN * 522 00:27:53,467 --> 00:27:55,934 * NOW, PEOPLE, LET ME PUT YOU WISE... * 523 00:28:06,567 --> 00:28:09,467 * ASK ANY FOOL THAT SHE EVER KNEW, THEY'LL SAY... * 524 00:28:09,534 --> 00:28:11,834 HEY, MAN, IS THERE A BACK WAY OUT OF HERE? 525 00:28:11,901 --> 00:28:14,033 SOME WOMAN JUST ASKED ME THE SAME THING. 526 00:28:14,100 --> 00:28:16,634 * YEAH, KEEP AWAY FROM SUE * 527 00:28:16,701 --> 00:28:19,834 * I DON'T KNOW WHAT TO DO * 528 00:28:19,901 --> 00:28:22,033 * KEEP AWAY FROM SUE * 529 00:31:02,400 --> 00:31:03,801 WHAT AM I DOING? 530 00:31:09,334 --> 00:31:10,634 WHOA! 531 00:31:28,534 --> 00:31:31,701 YOURS TO ENJOY IN THE PRIVACY OF YOUR HOTEL ROOM. 532 00:31:31,767 --> 00:31:35,934 HER FINEST SCREEN ROLE EVER, IN COLD MUD. 533 00:31:36,000 --> 00:31:39,167 CALL YOUR HOTEL OPERATOR RIGHT NOW FOR DETAILS. 534 00:31:39,234 --> 00:31:41,334 THAT'S IN COLD MUD- 535 00:31:41,400 --> 00:31:44,133 DIRT LIKE YOU'VE NEVER SEEN IT BEFORE. 536 00:31:47,000 --> 00:31:48,501 Woman on TV: WITH MISTY MONET 537 00:31:48,567 --> 00:31:50,667 AS YOU'VE NEVER SEEN HER BEFORE. 538 00:31:50,734 --> 00:31:53,567 YOURS TO ENJOY IN THE PRIVACY OF YOUR ROOM. 539 00:31:53,634 --> 00:31:56,901 JUST CALL YOUR HOTEL OPERATOR FOR DETAILS. 540 00:31:59,901 --> 00:32:02,934 INTERIOR KITCHEN, ON KATHERINE. 541 00:32:03,000 --> 00:32:05,567 SHE SUDDENLY SCREAMS AS A STRANGE, DEMENTED FACE 542 00:32:05,634 --> 00:32:06,868 APPEARS IN THE WINDOW. 543 00:32:06,934 --> 00:32:08,701 NO, NO, NO. NOT THE STRANGE, DEMENTED FACE 544 00:32:08,767 --> 00:32:10,901 IN THE WINDOW AGAIN. 545 00:32:10,968 --> 00:32:12,133 OH, YOU'RE RIGHT. 546 00:33:00,934 --> 00:33:02,634 HEY! 547 00:33:02,701 --> 00:33:04,400 WHOA! OH! 548 00:33:04,467 --> 00:33:05,868 HEY, YOU! 549 00:33:07,300 --> 00:33:09,033 WHAT THE HELL ARE YOU DOING? 550 00:33:09,100 --> 00:33:10,701 I'M COMMITTING SUICIDE. 551 00:33:10,767 --> 00:33:13,400 FROM THE SECOND FLOOR? 552 00:33:13,467 --> 00:33:15,033 I TOOK POISON. 553 00:33:15,100 --> 00:33:16,901 GET IN HERE, WILL YOU? 554 00:33:16,968 --> 00:33:18,501 I DON'T WANT TO DRAG MUD IN ALL OVER THE- 555 00:33:19,634 --> 00:33:21,767 WELL, MAYBE JUST FOR A QUICK NIGHTCAP. 556 00:33:27,501 --> 00:33:29,601 LOOK, I REALLY HATE TO BE A WET BLANKET, 557 00:33:29,667 --> 00:33:31,601 BUT IF I DON'T GET SIS HOME BY MIDNIGHT, 558 00:33:31,667 --> 00:33:33,634 POP'S GOING TO BE REALLY P.O.ed. 559 00:33:33,701 --> 00:33:34,667 HEY! 560 00:33:34,734 --> 00:33:36,601 GREAT, MADDIE. 561 00:33:36,667 --> 00:33:38,067 MR. GOODBAR HAS A GUN. 562 00:33:38,133 --> 00:33:39,634 LOOK, I KNOW HOW THIS LOOKS, 563 00:33:39,701 --> 00:33:40,934 BUT I REALLY WASN'T FOLLOWING YOU. 564 00:33:41,000 --> 00:33:42,968 AS A MATTER OF FACT, AS SOON AS I REALIZED IT WAS YOU, 565 00:33:43,033 --> 00:33:45,901 I STARTED MOVING DOWN TO THE NEXT WIN- 566 00:33:45,968 --> 00:33:48,434 HO! YOU'RE NOT MADDIE! 567 00:33:48,501 --> 00:33:49,467 KEEP YOUR HANDS UP. 568 00:33:49,534 --> 00:33:50,968 OK! IT'S JUST GREAT! 569 00:33:51,033 --> 00:33:52,300 SHE'S NOT MADDIE! 570 00:33:52,367 --> 00:33:54,601 I KNOW WHO SHE IS. WHO ARE YOU? 571 00:33:54,667 --> 00:33:56,267 ME, I'M NOBODY. JUST A PERFECT STRANGER. 572 00:33:56,334 --> 00:33:57,767 I AIN'T BUYING THAT, PAL. 573 00:33:57,834 --> 00:33:59,300 WELL, THEN, A NEXT-TO-AVERAGE STRANGER. 574 00:33:59,367 --> 00:34:00,567 LOOK, THIS IS ALL JUST A LITTLE MIX-UP. 575 00:34:00,634 --> 00:34:01,868 YOU SEE, I THOUGHT SHE WAS SOMEONE ELSE. 576 00:34:01,934 --> 00:34:03,367 AND WHILE WE'RE STANDING AROUND HERE CHATTING, 577 00:34:03,434 --> 00:34:04,801 THE SOMEONE ELSE I THOUGHT SHE WAS IS SOMEWHERE ELSE 578 00:34:04,868 --> 00:34:06,133 DOING SOMETHING ELSE WITH SOMEBODY THAT AIN'T ME. 579 00:34:06,200 --> 00:34:07,767 SO IF YOU'LL EXCUSE ME, I REALLY GOT TO RUN. 580 00:34:07,834 --> 00:34:09,767 ONE MORE STEP AND I'LL BLOW YOUR HEAD OFF. 581 00:34:09,834 --> 00:34:11,300 OK... 582 00:34:11,367 --> 00:34:12,968 WE'LL COMPROMISE. 583 00:34:13,067 --> 00:34:14,501 I'LL TAKE LITTLE TINY STEPS, 584 00:34:14,567 --> 00:34:16,000 AND YOU CAN AIM FOR- 585 00:34:18,033 --> 00:34:19,200 OK. 586 00:34:19,267 --> 00:34:20,801 LET ME ASK YOU A QUESTION. 587 00:34:20,868 --> 00:34:22,467 IF I GOT TO STAND HERE, 588 00:34:22,534 --> 00:34:25,400 HOW COME THAT GUY GETS TO STAND OUT ON THE LEDGE? 589 00:34:30,000 --> 00:34:31,200 AAH! 590 00:34:40,334 --> 00:34:42,601 ARE YOU SURE YOU'RE NOT MADDIE? 591 00:34:42,667 --> 00:34:44,667 YOU SURE HIT LIKE MADDIE. 592 00:34:54,000 --> 00:34:57,033 NO, MADDIE, ONE THANK-YOU'S ENOUGH, HONEY. 593 00:34:57,100 --> 00:34:58,767 MMM, COME HERE. 594 00:35:04,868 --> 00:35:06,033 AAH! 595 00:35:16,267 --> 00:35:18,067 OH, WHY CAN'T I JUST ONCE 596 00:35:18,133 --> 00:35:20,300 WAKE UP NEXT TO A LIVE BODY? 597 00:35:23,300 --> 00:35:24,400 HEY! 598 00:35:25,534 --> 00:35:26,901 OPEN UP, POLICE! 599 00:35:26,968 --> 00:35:28,467 POLICE? 600 00:35:30,033 --> 00:35:32,234 THIS MIGHT BE A GOOD TIME FOR A STATION BREAK. 601 00:35:33,467 --> 00:35:34,901 OPEN UP! 602 00:35:34,968 --> 00:35:37,067 BUT THEN AGAIN, I'M JUST AN ACTOR. WHAT DO I KNOW? 603 00:35:37,133 --> 00:35:38,734 POLICE, OPEN UP! 604 00:35:40,133 --> 00:35:42,000 IN HERE! OUT THROUGH THE WINDOW! 605 00:35:51,534 --> 00:35:53,400 THAT'S IT. DON'T GO NOWHERE. 606 00:35:53,467 --> 00:35:55,400 JUST HOLD IT RIGHT THERE. 607 00:35:55,467 --> 00:35:56,834 WE JUST WANT TO TALK TO YOU. 608 00:36:02,033 --> 00:36:03,667 AAH! 609 00:36:24,467 --> 00:36:27,234 NIAGARA FALLS! 610 00:36:27,300 --> 00:36:30,067 SLOWLY I TURNED, 611 00:36:30,133 --> 00:36:32,100 STEP BY STEP, 612 00:36:32,167 --> 00:36:33,801 INCH BY INCH- 613 00:36:33,868 --> 00:36:35,133 KNOCK IT OFF. 614 00:36:35,200 --> 00:36:36,968 EVERYBODY KNOWS THAT BIT. 615 00:36:44,133 --> 00:36:45,200 YOU! 616 00:36:45,267 --> 00:36:46,467 HI. 617 00:36:46,534 --> 00:36:49,000 DID YOU TELL THEM? DID YOU TELL THEM WHAT HAPPENED? 618 00:36:49,067 --> 00:36:50,467 THEY THINK I KILLED THAT GUY! 619 00:36:50,534 --> 00:36:51,968 HEY, ASK HER! SHE WAS THERE! 620 00:36:52,033 --> 00:36:54,801 ASK HER WHAT HAPPENED! HEY! 621 00:36:56,334 --> 00:36:57,667 THANK YOU! 622 00:36:58,868 --> 00:37:00,167 GREAT! 623 00:37:02,234 --> 00:37:03,501 TERRIFIC. 624 00:37:03,567 --> 00:37:05,567 HOW'S YOUR HEAD, BABY? 625 00:37:05,634 --> 00:37:07,234 IT AIN'T MY HEAD I'M WORRIED ABOUT, IT'S MY- 626 00:37:07,300 --> 00:37:08,601 NIAGARA- 627 00:37:08,667 --> 00:37:10,501 SHUT UP, YOU! 628 00:37:13,133 --> 00:37:16,000 YOU ARE GOING TO TELL THEM, AREN'T YOU? 629 00:37:16,067 --> 00:37:18,167 POWDER OR SPRAY? WHAT? 630 00:37:18,234 --> 00:37:20,133 INFESTATION PREVENTATIVE. 631 00:37:20,200 --> 00:37:21,901 DID THEY USE POWDER OR SPRAY? 632 00:37:24,501 --> 00:37:26,334 SPRAY? 633 00:37:26,400 --> 00:37:27,834 SPRAY. 634 00:37:27,901 --> 00:37:29,667 GOOD. 2 OR 3 WEEKS LATER, 635 00:37:29,734 --> 00:37:33,200 POWDER ENDS UP IN PLACES YOU DON'T EVEN WANT TO THINK ABOUT. 636 00:37:33,267 --> 00:37:35,200 HEY... 637 00:37:35,267 --> 00:37:36,934 DON'T LOOK SO SAD. 638 00:37:37,000 --> 00:37:38,367 I'LL TELL THEM. 639 00:37:38,434 --> 00:37:41,367 YOU WILL? SURE. HERE. 640 00:37:53,767 --> 00:37:55,100 NO OFFENSE, 641 00:37:55,167 --> 00:37:57,200 BUT YOU LOOK LIKE HELL, BABY. 642 00:37:57,267 --> 00:37:59,033 I FEEL LIKE HELL. 643 00:38:04,767 --> 00:38:06,734 WHO'S MADDIE? 644 00:38:06,801 --> 00:38:08,067 WHAT? 645 00:38:08,133 --> 00:38:10,400 WHEN YOU WERE CLIMBING IN FROM THE LEDGE, 646 00:38:10,467 --> 00:38:11,901 YOU SAID YOU WERE LOOKING FOR MADDIE. 647 00:38:11,968 --> 00:38:13,133 WHO'S HE? 648 00:38:13,200 --> 00:38:16,033 HE? HE'S A SHE. 649 00:38:16,100 --> 00:38:17,067 HUH? 650 00:38:17,133 --> 00:38:18,901 SHE. I MEAN, HER. 651 00:38:18,968 --> 00:38:20,567 MADDIE. THE GUY. 652 00:38:20,634 --> 00:38:23,234 I MEAN, IT'S NOT A GUY, IT'S A GIRL. 653 00:38:23,300 --> 00:38:25,234 IN FACT, I THOUGHT YOU WERE HE. 654 00:38:25,300 --> 00:38:28,667 SHE. HER. YOU. 655 00:38:28,734 --> 00:38:29,734 OH. 656 00:38:29,801 --> 00:38:30,901 YEAH. 657 00:38:30,968 --> 00:38:32,901 THIS SHE, THIS HER- 658 00:38:32,968 --> 00:38:35,501 I MEAN, IS SHE, LIKE, YOUR WIFE? 659 00:38:37,300 --> 00:38:38,567 MADDIE? 660 00:38:38,634 --> 00:38:40,200 JUST THOUGHT MAYBE. 661 00:38:40,267 --> 00:38:41,434 NO. 662 00:38:41,501 --> 00:38:43,801 WELL, SHE MUST BE SOMEONE YOU CARE ABOUT. 663 00:38:45,467 --> 00:38:47,234 I MEAN, LOOK AT YOU. 664 00:38:47,300 --> 00:38:48,767 YOU WOULDN'T DO THAT TO YOURSELF 665 00:38:48,834 --> 00:38:50,868 IF IT WASN'T FOR SOMEONE THAT YOU CARE ABOUT. 666 00:38:50,934 --> 00:38:53,434 I MEAN, I KNOW WHEREOF I SPEAK. 667 00:38:53,501 --> 00:38:56,100 THAT MAN I MURDERED TONIGHT? 668 00:38:57,667 --> 00:38:59,534 I WOULD HAVE KILLED FOR HIM. 669 00:38:59,601 --> 00:39:03,334 WHAT? YOU KILLED THAT GUY TONIGHT? 670 00:39:03,400 --> 00:39:05,367 SHH. 671 00:39:05,434 --> 00:39:07,767 EXCUSE ME FOR JUST A SECOND. 672 00:39:07,834 --> 00:39:10,000 GUARD! HEY, GUARD! YO! 673 00:39:10,067 --> 00:39:11,767 MY MAN, COME ON IN HERE A MINUTE! HEY! 674 00:39:11,834 --> 00:39:13,033 STOP YELLING! 675 00:39:13,100 --> 00:39:15,701 STOP YELLING? YOU JUST CONFESSED, YOU DIZZY BROAD! 676 00:39:15,767 --> 00:39:17,033 FINE, I'LL CONFESS AGAIN! 677 00:39:36,200 --> 00:39:39,133 WHY WERE YOU FOLLOWING THIS MADDIE? 678 00:39:53,234 --> 00:39:54,834 I WAS WORRIED ABOUT HER. 679 00:39:57,067 --> 00:40:00,167 SHE SAID SOME THINGS TO ME THAT SHE NEVER SAID BEFORE. 680 00:40:02,834 --> 00:40:04,400 I DON'T KNOW. 681 00:40:06,400 --> 00:40:07,901 I DON'T KNOW. 682 00:40:07,968 --> 00:40:10,167 I GUESS I WAS JUST TRYING TO MAKE SURE 683 00:40:10,234 --> 00:40:12,067 SHE DIDN'T GET IN ANY TROUBLE. 684 00:40:12,133 --> 00:40:14,501 THERE'S A LOT OF CRAZY PEOPLE OUT THERE. 685 00:40:14,567 --> 00:40:16,567 YOU'RE TELLING ME. 686 00:40:16,634 --> 00:40:18,534 SO, WHAT DID SHE SAY? 687 00:40:18,601 --> 00:40:19,734 IT'S NOT IMPORTANT. 688 00:40:19,801 --> 00:40:21,300 REALLY? 689 00:40:22,934 --> 00:40:24,734 DOES SHE KNOW YOU LOVE HER? 690 00:40:27,133 --> 00:40:28,601 WHAT? 691 00:40:28,667 --> 00:40:30,033 I'M SORRY. 692 00:40:30,100 --> 00:40:32,033 IT'S JUST SO CLEAR. 693 00:40:34,767 --> 00:40:36,801 SHE DOESN'T KNOW, DOES SHE? 694 00:40:39,801 --> 00:40:41,167 TELL HER. 695 00:40:42,934 --> 00:40:44,534 TELL HER? 696 00:40:44,601 --> 00:40:46,334 TELL HER WHAT? I'M NOT- 697 00:40:46,400 --> 00:40:47,801 YES, YOU ARE. 698 00:40:49,100 --> 00:40:50,534 TELL HER. 699 00:40:50,601 --> 00:40:52,100 JUST TELL HER. 700 00:40:55,467 --> 00:40:57,234 TELL HER! 701 00:40:57,300 --> 00:40:59,534 WHAT HAVE YOU GOT TO LOSE? 702 00:40:59,601 --> 00:41:01,667 YOU CAUGHT YOURSELF A BREAK, ADDISON. 703 00:41:01,734 --> 00:41:03,601 LIEUTENANT WANTS TO GET THIS DONE NOW. 704 00:41:04,901 --> 00:41:06,234 TELL HER. 705 00:41:08,868 --> 00:41:11,033 AND LET ME KNOW HOW IT GOES. 706 00:41:14,701 --> 00:41:16,567 SO LET ME GET THIS STRAIGHT- 707 00:41:16,634 --> 00:41:18,067 YOU DIDN'T KILL THIS GUY. THAT'S RIGHT. 708 00:41:18,133 --> 00:41:19,567 THE BLONDE KILLED THIS GUY. THAT'S RIGHT. 709 00:41:19,634 --> 00:41:20,801 Second cop: BUT NOT YOUR BLONDE, THE OTHER BLONDE. 710 00:41:20,868 --> 00:41:22,000 THE LOOKER IN THE CELL OUTSIDE? 711 00:41:22,067 --> 00:41:23,067 THAT'S RIGHT. 712 00:41:23,133 --> 00:41:24,400 AND YOU DON'T KNOW ANYTHING ABOUT IT? 713 00:41:24,467 --> 00:41:25,901 YOU WERE FOLLOWING YOUR BLONDE, THEN YOU GOT MIXED UP 714 00:41:25,968 --> 00:41:27,100 AND ENDED UP FOLLOWING THIS BLONDE. 715 00:41:27,167 --> 00:41:28,434 THAT'S RIGHT. 716 00:41:28,501 --> 00:41:30,100 WITH A GUN IN YOUR HAND IN THE VICTIM'S HOTEL ROOM- 717 00:41:30,167 --> 00:41:31,434 THAT'S RIGHT! 718 00:41:36,868 --> 00:41:38,601 THAT'S VERY CUTE. 719 00:41:40,901 --> 00:41:42,634 LET'S START AT THE BEGINNING. 720 00:41:44,834 --> 00:41:46,601 WHY WERE YOU FOLLOWING YOUR BLONDE? 721 00:41:46,667 --> 00:41:48,100 I DON'T KNOW. 722 00:41:48,167 --> 00:41:49,267 YOU DON'T KNOW? 723 00:41:49,334 --> 00:41:50,934 I WAS WORRIED ABOUT HER. 724 00:41:51,000 --> 00:41:52,934 WHAT WERE YOU WORRIED ABOUT? WHAT, IS SHE SOMETHING TO YOU? WIFE? SISTER? 725 00:41:53,000 --> 00:41:54,100 SHE'S NOTHING TO ME. 726 00:41:54,167 --> 00:41:55,434 NOTHING TO YOU? YOU CHASED HER 727 00:41:55,501 --> 00:41:56,767 ALL OVER TOWN UNTIL 2:00 IN THE MORNING. 728 00:41:56,834 --> 00:41:58,267 I CARE ABOUT HER. 729 00:41:58,334 --> 00:42:00,968 THAT'S WHAT SHE IS TO ME, SHE'S SOMEBODY I CARE ABOUT. 730 00:42:02,634 --> 00:42:04,334 I THINK I'M IN CARE WITH HER. 731 00:42:04,400 --> 00:42:05,634 IN CARE WITH HER? 732 00:42:05,701 --> 00:42:07,801 YOU KNOW WHAT I MEAN. 733 00:42:07,868 --> 00:42:10,567 IF WE FIND HER, SHE'LL BACK UP YOUR STORY? 734 00:42:11,767 --> 00:42:12,901 WHAT DO YOU MEAN? 735 00:42:12,968 --> 00:42:14,300 HE MEANS THAT IF WE FIND HER, 736 00:42:14,367 --> 00:42:15,634 SHE'LL CORROBORATE THE FACT THAT 737 00:42:15,701 --> 00:42:17,133 THE TWO OF YOU ARE IN CARE. 738 00:42:17,200 --> 00:42:18,534 I DON'T KNOW. YOU DON'T KNOW! 739 00:42:18,601 --> 00:42:21,300 I DON'T KNOW IF SHE KNOWS THAT I'M IN CARE WITH HER. 740 00:42:28,267 --> 00:42:30,167 HEY, DAVID, 741 00:42:30,234 --> 00:42:32,133 DON'T YOU THINK YOU OUGHT TO TELL HER? 742 00:42:37,234 --> 00:42:38,667 IS THIS DAVID ADDISON? 743 00:42:38,734 --> 00:42:39,801 YEAH. 744 00:42:39,868 --> 00:42:41,968 AGENT SHERLOCK, F.B.I. 745 00:42:42,033 --> 00:42:44,200 CAN YOU IDENTIFY THESE? 746 00:42:44,267 --> 00:42:45,667 IT'S MADDIE'S COAT AND HAT. 747 00:42:45,734 --> 00:42:48,000 I THOUGHT SO. YOUR MURDERER'S OUTSIDE. 748 00:42:48,067 --> 00:42:50,167 THE DEAD MAN'S HER HUSBAND. 749 00:42:50,234 --> 00:42:52,667 OOH, I TOLD YOU. 750 00:42:52,734 --> 00:42:54,434 THE WOMAN'S JOAN TENOWITZ. 751 00:42:54,501 --> 00:42:56,133 ABOUT 2 YEARS AGO, HER HUSBAND PULLED OFF 752 00:42:56,200 --> 00:42:58,667 THE NEW YORK ARMORED CAR ROBBERY FOR 1.6 MILLION, THEN VANISHED. 753 00:42:58,734 --> 00:43:00,567 NO CONTACT WITH HIS WIFE, NO CONTACT WITH ANYBODY. 754 00:43:00,634 --> 00:43:02,234 SO WHEN SHE FLEW OUT HERE YESTERDAY, 755 00:43:02,300 --> 00:43:04,267 WE DECIDED TO KEEP TABS ON HER JUST IN CASE, 756 00:43:04,334 --> 00:43:05,901 AND SURE ENOUGH, THEY MET UP. 757 00:43:05,968 --> 00:43:07,701 LOOKS LIKE THEY WERE GOING TO LEAVE THE COUNTRY TOGETHER, 758 00:43:07,767 --> 00:43:09,033 BUT, UH, SOMEWHERE ALONG THE LINE, 759 00:43:09,100 --> 00:43:10,267 THE MISSES GOT IDEAS OF HER OWN. 760 00:43:10,334 --> 00:43:12,033 SHOT HIM. SHOT THEIR FENCE, TOO. 761 00:43:12,100 --> 00:43:13,934 TOOK THE MONEY FOR HERSELF. 762 00:43:14,000 --> 00:43:15,667 YOU CAN LET HIM GO. 763 00:43:15,734 --> 00:43:16,701 I CAN GO? 764 00:43:16,767 --> 00:43:17,868 YEAH. 765 00:43:17,934 --> 00:43:19,534 I CAN GO? 766 00:43:19,601 --> 00:43:21,367 YOU WOULDN'T HAPPEN TO KNOW WHERE THE OTHER BLONDE WENT, WOULD YOU. 767 00:43:21,434 --> 00:43:22,968 AND IF SHE WENT THERE BY HERSELF? 768 00:43:23,033 --> 00:43:24,534 DAVID... 769 00:43:24,601 --> 00:43:26,934 I'LL TELL HER. 770 00:43:27,000 --> 00:43:28,033 2 YEARS! 771 00:43:28,100 --> 00:43:30,200 2 YEARS OF CIVIL WAR! 772 00:43:30,267 --> 00:43:32,534 THE BLACK, THE BLUE. I THRUST, SHE PARRIES. 773 00:43:32,601 --> 00:43:33,968 I TEETER, SHE TOTTERS. 774 00:43:34,033 --> 00:43:35,200 WELL, THAT'S ALL OVER, FOLKS. 775 00:43:35,267 --> 00:43:36,934 IT'S TIME WE BOTH THRUSTED TOGETHER. 776 00:43:37,000 --> 00:43:39,200 IT'S TIME WE LAY IT ON THE LINE, LAY IT ON THE BED- 777 00:43:39,267 --> 00:43:42,067 LAY IT ANYWHERE WE DAMN WELL WANT, AS LONG AS IT FINALLY GETS DONE! 778 00:43:42,133 --> 00:43:44,234 LADIES AND GENTLEMEN, THIS IS IT. 779 00:43:44,300 --> 00:43:46,901 NO MORE FOOLING AROUND, NO MORE TEASING, 780 00:43:46,968 --> 00:43:48,634 NO MORE BACK-AND-FORTH PARODY. 781 00:43:48,701 --> 00:43:51,234 WE ALL KNOW IT'S JUST OUR WAY OF PRIMING THE PUMP. 782 00:43:51,300 --> 00:43:53,400 TONIGHT, IT HAPPENS. 783 00:43:53,467 --> 00:43:55,234 TONIGHT... 784 00:43:55,300 --> 00:43:57,734 THE ITCH GETS SCRATCHED. 785 00:43:59,701 --> 00:44:01,567 SERGEANT, CAN WE GET BACK TO WORK? 786 00:44:01,634 --> 00:44:02,634 YEAH. 787 00:44:04,467 --> 00:44:06,667 HEY, CAN I BUM A RIDE FROM SOMEBODY? 788 00:44:17,767 --> 00:44:19,934 HEY, MAYBE YOU GUYS OUGHT TO STICK AROUND 789 00:44:20,000 --> 00:44:21,601 IN CASE I NEED A RIDE HOME. 790 00:44:21,667 --> 00:44:22,934 NAH, NEVER MIND. 791 00:44:23,000 --> 00:44:24,567 NOT NECESSARY. 792 00:45:03,033 --> 00:45:04,634 MADDIE! 793 00:45:12,033 --> 00:45:13,734 YO, MADDIE! 794 00:45:18,701 --> 00:45:21,167 MADDIE, I GOT SOMETHING TO TELL YOU! 795 00:45:25,400 --> 00:45:26,634 NOW LISTEN... 796 00:45:26,701 --> 00:45:28,667 I KNOW IT'S 4:00 IN THE MORNING- 797 00:45:31,834 --> 00:45:33,200 CAN I HELP YOU? 798 00:45:39,567 --> 00:45:40,701 HI. 799 00:45:40,767 --> 00:45:43,100 HI. 800 00:45:46,067 --> 00:45:47,534 MADDIE'S ASLEEP. 801 00:45:52,734 --> 00:45:54,667 I CAN GET HER IF IT'S IMPORTANT. 802 00:45:54,734 --> 00:45:55,868 NO. 803 00:45:57,767 --> 00:45:59,901 NO, IT'S NOT THAT IMPORTANT. 804 00:45:59,968 --> 00:46:01,234 SORRY TO BOTHER YOU. 805 00:46:01,300 --> 00:46:02,434 HEY, WAIT. 806 00:46:02,501 --> 00:46:04,000 LOOK, I CAN RUN UPSTAIRS AND WAKE HER UP- 807 00:46:04,067 --> 00:46:06,100 NO. NO, DON'T. 808 00:46:06,167 --> 00:46:08,200 DON'T DO THAT. 809 00:46:10,601 --> 00:46:12,868 IT'S REALLY NOT THAT IMPORTANT. 810 00:46:12,934 --> 00:46:14,434 SORRY TO BOTHER YOU. 811 00:46:32,701 --> 00:46:36,367 * WHEN YOU JUST GIVE LOVE * 812 00:46:36,434 --> 00:46:39,400 * AND NEVER GET LOVE * 813 00:46:41,400 --> 00:46:46,968 * YOU BETTER LET LOVE DEPART * 814 00:46:48,634 --> 00:46:53,400 * I KNOW SO * 815 00:46:53,467 --> 00:46:56,400 * AND STILL I KNOW * 816 00:46:56,467 --> 00:47:02,100 * I CAN'T GET YOU OUT OF OF MY HEART * 817 00:47:04,501 --> 00:47:07,100 * YOU * 818 00:47:09,634 --> 00:47:11,767 * MADE ME LEAVE * 819 00:47:11,834 --> 00:47:16,133 * MY HAPPY HOME * 820 00:47:18,133 --> 00:47:20,367 * YOU TOOK MY LOVE * 821 00:47:22,834 --> 00:47:25,767 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 822 00:47:25,834 --> 00:47:28,767 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org- 823 00:47:30,334 --> 00:47:33,133 *...HAS BEEN SUCH MISERY * 824 00:47:33,200 --> 00:47:35,634 * AND PAIN * 825 00:47:38,534 --> 00:47:41,033 * I GUESS I'LL NEVER * 826 00:47:41,100 --> 00:47:43,033 * BE THE SAME * 827 00:47:45,567 --> 00:47:48,300 * SINCE I FELL * 828 00:47:48,367 --> 00:47:51,667 * FOR YOU * 829 00:47:57,300 --> 00:48:00,701 * WELL, IT'S TOO BAD * 830 00:48:00,767 --> 00:48:05,434 * AND IT'S TOO SAD * 831 00:48:05,501 --> 00:48:11,834 * THAT I'M IN LOVE WITH YOU * 832 00:48:13,901 --> 00:48:17,334 * WELL, YOU LOVED ME * 833 00:48:17,400 --> 00:48:20,834 * AND THEN YOU SNUBBED ME... * 834 00:48:20,884 --> 00:48:25,434 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 57244

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