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These are the user uploaded subtitles that are being translated: 1 00:00:14,868 --> 00:00:19,684 * SOME WALK BY NIGHT * 2 00:00:19,719 --> 00:00:24,466 * SOME FLY BY DAY * 3 00:00:24,501 --> 00:00:28,299 * SOMETHING IS SWEETER * 4 00:00:28,334 --> 00:00:32,400 * 'CAUSE WE MET ON THE WAY * 5 00:00:32,435 --> 00:00:36,467 * 'CAUSE WE MET ON THE WAY ** 6 00:00:43,234 --> 00:00:47,167 LOVELY, SO VERY LOVELY. 7 00:00:48,534 --> 00:00:52,232 DEAR ME, I HAVE A RUN IN MY STOCKING. 8 00:00:52,267 --> 00:00:56,801 YES, IT WAS FATHER WHO TAUGHT ME TO DANCE. 9 00:00:58,067 --> 00:01:00,667 * THE BLACK BOTTOM, A NEW RHYTHM * 10 00:01:00,702 --> 00:01:03,232 * WHEN YOU SPOT HIM, YOU GO WITH HIM * 11 00:01:03,267 --> 00:01:06,734 * DO THAT BLACK, BLACK BOTTOM ALL DAY LONG * 12 00:01:12,133 --> 00:01:15,834 THE PARTY...WE REALLY SHOULD BE GETTING BACK, YOU KNOW. 13 00:01:17,334 --> 00:01:18,700 SHH! 14 00:01:18,735 --> 00:01:20,032 QUIET... 15 00:01:20,067 --> 00:01:23,300 VERY, VERY QUIET. 16 00:01:26,267 --> 00:01:28,601 IT'S COLD IN HERE. 17 00:01:28,636 --> 00:01:30,566 THE WINDOW... 18 00:01:30,601 --> 00:01:33,434 WE SHOULD GO BACK DOWNSTAIRS NOW. 19 00:01:33,469 --> 00:01:35,033 THE OTHERS WILL WORRY. 20 00:01:37,100 --> 00:01:40,334 NO...NO, PLEASE. WHAT ARE YOU DOING? 21 00:01:41,501 --> 00:01:42,466 LET GO. 22 00:01:42,501 --> 00:01:44,384 YOU'RE HURTING ME. 23 00:01:44,419 --> 00:01:46,267 PLEASE DON'T... 24 00:01:46,302 --> 00:01:48,167 AAH! 25 00:01:54,033 --> 00:01:56,067 EMILY, ARE YOU ALL RIGHT? 26 00:01:56,102 --> 00:01:57,634 GET HER SOME WATER. 27 00:01:57,669 --> 00:01:59,000 EMILY? 28 00:02:03,133 --> 00:02:04,150 WHAT HAPPENED? 29 00:02:04,185 --> 00:02:05,843 YOU FAINTED. 30 00:02:05,878 --> 00:02:07,501 I'M SORRY. 31 00:02:08,901 --> 00:02:10,098 THAT'S NEVER HAPPENED BEFORE. 32 00:02:10,133 --> 00:02:11,766 AND IT'S NOT GOING TO HAPPEN AGAIN. 33 00:02:11,801 --> 00:02:14,934 THIS IS THE LAST TIME I'M GOING TO PUT UP WITH THIS NONSENSE. 34 00:02:14,969 --> 00:02:16,634 I FELT SOMETHING... 35 00:02:16,669 --> 00:02:18,599 A PRESENCE. 36 00:02:18,634 --> 00:02:21,968 I MUST HAVE BEEN VERY CLOSE TO THE OTHER SIDE. 37 00:02:22,003 --> 00:02:23,332 AND THEN... 38 00:02:23,367 --> 00:02:25,917 THE ODDEST THING HAPPENED. 39 00:02:25,952 --> 00:02:28,467 IT WAS AS IF I WAS FALLING... 40 00:02:28,502 --> 00:02:30,868 DOWN, DOWN... 41 00:02:32,667 --> 00:02:33,601 AND THEN... 42 00:02:36,000 --> 00:02:37,098 EMILY... 43 00:02:37,133 --> 00:02:41,067 THE ONLY SPIRITS IS THIS HOUSE ARE 86 PROOF, 44 00:02:41,102 --> 00:02:42,299 WHICH YOUR SISTER 45 00:02:42,334 --> 00:02:44,901 HAS CONSUMED MORE THAN HER SHARE OF FOR ONE EVENING. 46 00:02:44,936 --> 00:02:46,632 YOU HAVE TO BELIEVE ME. 47 00:02:46,667 --> 00:02:48,167 WHAT I FELT WAS ABSOLUTELY REAL. 48 00:02:48,202 --> 00:02:50,201 IT WAS HERE IN THIS ROOM! 49 00:02:50,236 --> 00:02:52,200 I'LL HELP YOU UPSTAIRS. 50 00:03:01,100 --> 00:03:05,167 I'M SORRY THE EVENING'S COME TO SUCH AN ABRUPT END. 51 00:03:05,202 --> 00:03:06,601 THANK YOU ALL FOR COMING. 52 00:03:40,534 --> 00:03:42,634 JAKE. 53 00:03:46,234 --> 00:03:47,400 JAKE. 54 00:03:47,435 --> 00:03:48,567 HMM. 55 00:04:06,133 --> 00:04:08,968 * A NEWRHYTHM * 56 00:04:09,003 --> 00:04:11,267 *BLACK, BLACKBOTTOM * 57 00:04:11,302 --> 00:04:12,734 HA HA HA. 58 00:04:12,769 --> 00:04:14,167 NO! 59 00:04:39,601 --> 00:04:40,868 EMILY? 60 00:04:48,133 --> 00:04:53,200 YOU SEE, THE MIND HAS A BUILT-IN DEFENSE MECHANISM, 61 00:04:53,235 --> 00:04:55,468 A CIRCUIT BREAKER, IF YOU WILL. 62 00:04:55,503 --> 00:04:57,666 AND WHEN IT PROCESSES INFORMATION 63 00:04:57,701 --> 00:05:02,234 THAT IS EXTRAORDINARILY UPSETTING OR TRAUMATIC, 64 00:05:02,269 --> 00:05:03,833 IT SHUTS DOWN, 65 00:05:03,868 --> 00:05:05,567 CUTTING ITSELF OFF FROM REALITY. 66 00:05:06,634 --> 00:05:08,467 HOW LONG WILL SHE BE LIKE THIS? 67 00:05:08,502 --> 00:05:10,767 OH, IT'S DIFFICULT TO SAY. 68 00:05:10,802 --> 00:05:12,998 WEEKS...MONTHS, MAYBE. 69 00:05:13,033 --> 00:05:15,883 RECOVERY CAN BE EXTREMELY SLOW. 70 00:05:15,918 --> 00:05:18,699 BUT WITH PROPER MEDICAL MANAGEMENT 71 00:05:18,734 --> 00:05:21,834 AND THE KIND OF INTENSIVE THERAPY SHE'LL BE RECEIVING HERE, 72 00:05:21,869 --> 00:05:24,934 WE SHOULD BE ABLE TO BRING HER AT LEAST PART OF THE WAY BACK. 73 00:05:24,969 --> 00:05:27,601 DOCTOR, WHAT YOU SAID BEFORE- 74 00:05:28,868 --> 00:05:31,100 SHE SAW SOMETHING EXTRAORDINARILY TRAUMATIC. 75 00:05:33,434 --> 00:05:35,232 SHE WAS ALONE IN THAT ROOM. 76 00:05:35,267 --> 00:05:38,667 MARGARET, PLEASE, I'VE REALLY HAD ENOUGH OF THIS GHOST NONSENSE. 77 00:05:38,702 --> 00:05:40,499 MR. RENBOURN, I'M A DOCTOR, 78 00:05:40,534 --> 00:05:43,834 AND I'M EQUALLY SKEPTICAL OF PARANORMAL PHENOMENON, 79 00:05:43,869 --> 00:05:46,767 BUT REALITY IS SUBJECTIVE. 80 00:05:46,802 --> 00:05:48,232 AND IN HER MIND, 81 00:05:48,267 --> 00:05:51,701 WHATEVER SHE EXPERIENCED WAS VERY THREATENING 82 00:05:51,736 --> 00:05:53,299 AND VERY REAL. 83 00:05:53,334 --> 00:05:55,300 84 00:06:16,701 --> 00:06:18,534 BLUE MOON DETECTIVE AGENCY. 85 00:06:18,569 --> 00:06:20,551 IF YOUR SPOUSE IS A LOUSE, 86 00:06:20,586 --> 00:06:22,243 OR YOUR KID HAS BEEN NAPPED, 87 00:06:22,278 --> 00:06:24,106 YOU'VE MISPLACED YOUR FORTUNE, 88 00:06:24,141 --> 00:06:25,934 YOUR PHONE'S BEING TAPPED... 89 00:06:30,968 --> 00:06:32,933 HERBERT? 90 00:06:32,968 --> 00:06:34,667 IS THERE SOMETHING I CAN HELP YOU WITH? 91 00:06:34,702 --> 00:06:36,365 ME? 92 00:06:36,400 --> 00:06:38,868 NO...THANKS. 93 00:06:40,567 --> 00:06:42,017 YOUR PHONE'S BEING TAPPED, 94 00:06:42,052 --> 00:06:43,467 WE'LL SOLVE ANY PROBLEM... 95 00:06:46,467 --> 00:06:48,866 CAN YOU HOLD, PLEASE? 96 00:06:48,901 --> 00:06:51,701 DID YOU LOSE THE KEY TO THE MEN'S ROOM? 97 00:06:51,736 --> 00:06:53,365 NO. 98 00:06:53,400 --> 00:06:55,734 NOTHING LIKE THAT. 99 00:06:55,769 --> 00:06:57,185 IT'S NOTHING. 100 00:06:57,220 --> 00:06:58,601 NEVER MIND. 101 00:07:04,167 --> 00:07:06,167 THANK YOU FOR WAITING. 102 00:07:06,202 --> 00:07:07,701 HELLO? 103 00:07:07,736 --> 00:07:09,368 HELLO? 104 00:07:09,403 --> 00:07:11,000 GOOD-BYE. 105 00:07:14,100 --> 00:07:15,767 YOU'VE MADE ME LOSE A CALL. 106 00:07:15,802 --> 00:07:18,601 I DID? I'M SORRY. 107 00:07:18,636 --> 00:07:20,499 IT'S OK. 108 00:07:20,534 --> 00:07:22,033 I FEEL AWFUL. 109 00:07:22,068 --> 00:07:23,466 IT'S OK. 110 00:07:23,501 --> 00:07:24,833 IT'S NOT OK. 111 00:07:24,868 --> 00:07:26,968 YOU WASTED A PERFECTLY A GOOD POEM... 112 00:07:28,534 --> 00:07:32,167 YOU KNOW, THAT IS REALLY A GREAT DRESS YOU'RE WEARING. 113 00:07:32,202 --> 00:07:33,300 WHAT DO YOU WANT ME TO TYPE, HERBERT? 114 00:07:33,335 --> 00:07:35,165 TYPE? I KNOW WHAT YOU'RE DOING. 115 00:07:35,200 --> 00:07:38,200 EVERY TIME YOU WANT ME TO TYPE SOMETHING, YOU DO THIS. 116 00:07:38,235 --> 00:07:40,801 DO WHAT? YOU HOVER. 117 00:07:40,836 --> 00:07:43,199 YOU PACE. 118 00:07:43,234 --> 00:07:45,998 YOU COMPLIMENT ME ON MY WARDROBE. 119 00:07:46,033 --> 00:07:50,300 WHY CAN'T YOU JUST WALK OVER HERE, LIKE A NORMAL PERSON, 120 00:07:50,335 --> 00:07:53,801 AND SAY, "AGNES, WOULD YOU TYPE SOMETHING FOR ME?" 121 00:07:53,836 --> 00:07:55,300 THAT REALLY IS YOUR COLOR. 122 00:07:55,335 --> 00:07:56,399 HERBERT! 123 00:07:56,434 --> 00:07:59,067 AGNES, WILL YOU TYPE SOMETHING FOR ME PLEASE? 124 00:07:59,102 --> 00:08:01,701 I'D BE HAPPY TO TYPE SOMETHING FOR YOU, HERBERT. 125 00:08:01,736 --> 00:08:03,068 THAT'S MY JOB. 126 00:08:03,103 --> 00:08:04,985 WHERE IS IT? 127 00:08:05,020 --> 00:08:06,868 OVER HERE. 128 00:08:08,400 --> 00:08:10,184 THIS IS GREAT, AGNES. 129 00:08:10,219 --> 00:08:11,933 I REALLY APPRECIATE THIS. 130 00:08:11,968 --> 00:08:13,200 HERBERT, I TOLD YOU I DON'T MIND. 131 00:08:15,000 --> 00:08:15,934 HERE YOU GO. 132 00:08:17,934 --> 00:08:19,834 OH, I KNOW IT'S A LOT. BUT THERE'S NO RUSH. 133 00:08:19,869 --> 00:08:21,934 FIRST THING IN THE MORNING IS FINE. 134 00:08:21,969 --> 00:08:23,084 WHAT IS ALL THIS? 135 00:08:23,119 --> 00:08:24,200 THE GUNDERSON CASE. 136 00:08:25,834 --> 00:08:28,132 THE GUNDERSON CASE? 137 00:08:28,167 --> 00:08:30,132 YEAH. MISS HAYES AND MR. ADDISON 138 00:08:30,167 --> 00:08:33,183 WANTED THE COMPANY'S PERSONNEL FILES FOR THE LAST FIVE YEARS. 139 00:08:33,218 --> 00:08:36,200 NOW, THAT'S NOT THE KIND OF THING THAT THEY LET YOU XEROX. 140 00:08:36,235 --> 00:08:37,434 I HAD TO COPY IT ALL BY HAND. 141 00:08:37,469 --> 00:08:38,566 I SEE. 142 00:08:38,601 --> 00:08:41,699 AND MY HANDWRITING IS NOT GREAT. 143 00:08:41,734 --> 00:08:43,501 AND I'D HATE TO HAVE MS. HAYES OR MR. ADDISON 144 00:08:43,536 --> 00:08:44,767 WADE THROUGH ALL THIS. 145 00:08:44,802 --> 00:08:47,165 HOW THOUGHTFUL. 146 00:08:47,200 --> 00:08:49,534 ANYWAY, THEY WANT ME TO GET STARTED ON THE McPHINNEY CASE. 147 00:08:49,569 --> 00:08:51,018 DO TELL. 148 00:08:51,053 --> 00:08:52,432 YEAH. 149 00:08:52,467 --> 00:08:54,984 LISTEN, AGNES, I OWE YOU ONE. 150 00:08:55,019 --> 00:08:57,501 NEXT TRIP TO THE LADIES' ROOM, 151 00:08:57,536 --> 00:08:58,968 THE PHONES ARE ON ME. 152 00:08:59,003 --> 00:09:00,666 HERBERT, 153 00:09:00,701 --> 00:09:02,267 HOW LONG HAVE YOU BEEN HERE? 154 00:09:02,302 --> 00:09:03,284 THREE MONTHS? 155 00:09:03,319 --> 00:09:04,267 TWO AND A HALF. 156 00:09:06,400 --> 00:09:07,965 I KNOW. 157 00:09:08,000 --> 00:09:09,466 ISN'T IT GREAT? 158 00:09:09,501 --> 00:09:12,467 I THOUGHT I'D HAVE TO BE DOING FIVE YEARS OF GARBAGE WORK 159 00:09:12,502 --> 00:09:15,534 BEFORE I'D GET A SHOT AT STUFF LIKE THIS. 160 00:09:15,569 --> 00:09:16,866 I GUESS MS. HAYES AND MR. ADDISON 161 00:09:16,901 --> 00:09:19,234 JUST RECOGNIZE POTENTIAL WHEN THEY SEE IT. 162 00:09:19,269 --> 00:09:21,367 I GUESS... 163 00:09:23,234 --> 00:09:24,534 WHAT'S THE MATTER, AGNES? 164 00:09:24,569 --> 00:09:27,801 WHAT'S THE MATTER? 165 00:09:27,836 --> 00:09:29,132 AGNES? 166 00:09:29,167 --> 00:09:33,534 I PUT FIVE YEARS OF HARD WORK AND LOYALTY INTO THIS COMPANY. 167 00:09:33,569 --> 00:09:36,300 IN THOSE FIVE YEARS, I'VE TAKEN ONE SICK DAY. 168 00:09:36,335 --> 00:09:38,684 AND I'VE BEEN LATE THREE TIMES, 169 00:09:38,719 --> 00:09:40,998 ONLY ONE OF WHICH WAS MY FAULT. 170 00:09:41,033 --> 00:09:43,532 I'VE TAKEN PAY CUTS DURING HARD TIMES. 171 00:09:43,567 --> 00:09:45,567 AND I'VE NEVER ASKED FOR A RAISE OVER COST OF LIVING. 172 00:09:45,602 --> 00:09:48,032 SO, I'D JUST LIKE TO KNOW- 173 00:09:48,067 --> 00:09:50,532 WHY I'M STILL ANSWERING PHONES, 174 00:09:50,567 --> 00:09:55,067 AND HERBERT VIOLA HAS BEEN HERE FOR TWO AND A HALF MONTHS, 175 00:09:55,102 --> 00:09:57,200 AND HE'S DOING CASEWORK? 176 00:09:58,400 --> 00:10:00,367 OH. OH. 177 00:10:04,100 --> 00:10:05,899 AGNES... 178 00:10:05,934 --> 00:10:08,500 THERE'S BEEN SOME MISUNDERSTANDING. 179 00:10:08,535 --> 00:10:11,067 MR. VIOLA ISN'T DOING CASEWORK, 180 00:10:11,102 --> 00:10:12,432 I MEAN, WE JUST GAVE HIM 181 00:10:12,467 --> 00:10:15,067 A LITTLE SOMETHING TO DO ON THE GUNDERSON CASE. 182 00:10:15,102 --> 00:10:16,701 BUT IT WASN'T CASEWORK, PER SE. 183 00:10:16,736 --> 00:10:18,032 THEN WHAT WAS IT? 184 00:10:18,067 --> 00:10:21,033 WELL, UH, WHAT WOULD YOU CALL IT, DAVID? 185 00:10:22,100 --> 00:10:24,484 IT WAS, UH... 186 00:10:24,519 --> 00:10:26,276 FACT-GATHERING. 187 00:10:26,311 --> 00:10:27,998 FACT-GATHERING? 188 00:10:28,033 --> 00:10:29,700 INSIGNIFICANT FACT-GATHERING. 189 00:10:29,735 --> 00:10:31,367 WE NEEDED AN EXTRA PAIR OF LEGS. 190 00:10:31,402 --> 00:10:32,599 I GOT LEGS. 191 00:10:32,634 --> 00:10:35,065 I KNOW-WE KNOW YOU HAVE LEGS. 192 00:10:35,100 --> 00:10:37,917 AGNES, I'M SORRY YOU FEEL SLIGHTED. 193 00:10:37,952 --> 00:10:40,699 THE ONLY REASON WE GAVE THE WORK 194 00:10:40,734 --> 00:10:44,067 TO MR. VIOLA WAS THAT HE WAS AVAILABLE. 195 00:10:44,102 --> 00:10:45,432 WE NEED YOU HERE IN THE OFFICE, 196 00:10:45,467 --> 00:10:47,534 DOING ALL THOSE THINGS YOU DO SO WELL. 197 00:10:47,569 --> 00:10:49,332 LIKE? EXCUSE ME? 198 00:10:49,367 --> 00:10:52,133 LIKE WHAT ARE ALL THESE THINGS I DO SO WELL? 199 00:10:52,168 --> 00:10:54,817 WELL, I WOULDN'T KNOW WHERE TO BEGIN. 200 00:10:54,852 --> 00:10:57,467 THEY'RE FAR TOO NUMEROUS TO MENTION. 201 00:10:57,502 --> 00:10:58,400 COME IN! 202 00:11:00,000 --> 00:11:01,432 EXCUSE ME, AGNES. 203 00:11:01,467 --> 00:11:02,467 MS. HAYES, MR. ADDISON, THERE'S A WOMAN OUT HERE TO SEE YOU. 204 00:11:02,502 --> 00:11:04,067 SEND HER IN. 205 00:11:10,400 --> 00:11:12,234 SOUNDS LIKE THIS CONVERSATION IS OVER. 206 00:11:19,667 --> 00:11:20,965 I GUESS I BETTER GET BACK 207 00:11:21,000 --> 00:11:23,801 TO DOING ALL THOSE THINGS I DO SO WELL. 208 00:11:29,801 --> 00:11:31,234 WELL... 209 00:11:33,300 --> 00:11:36,234 I'D SAY WE HANDLED THAT ONE PRETTY WELL, HUH? 210 00:11:41,300 --> 00:11:42,432 GOOD AFTERNOON. 211 00:11:42,467 --> 00:11:44,467 GOOD AFTERNOON. PLEASE COME IN. 212 00:11:44,502 --> 00:11:46,265 I'M MADELYN HAYES. 213 00:11:46,300 --> 00:11:48,133 THIS IS MY ASSOCIATE, DAVID ADDISON. 214 00:11:48,168 --> 00:11:49,599 HOW DO YOU DO? 215 00:11:49,634 --> 00:11:51,084 I'M MARGARET RENBOURN. 216 00:11:51,119 --> 00:11:52,293 THANK YOU FOR SEEING ME. 217 00:11:52,328 --> 00:11:53,467 WON'T YOU HAVE A SEAT? 218 00:11:57,300 --> 00:11:58,699 OH... 219 00:11:58,734 --> 00:12:01,165 THIS IS A LOVELY OFFICE. 220 00:12:01,200 --> 00:12:03,299 MRS. RENBOURN, HOW MAY WE HELP YOU? 221 00:12:03,334 --> 00:12:06,033 WELL, IT'S GOING TO SOUND A BIT CRAZY, I'M AFRAID. 222 00:12:06,068 --> 00:12:08,299 DON'T WORRY. WE'VE HEARD CRAZY BEFORE. 223 00:12:08,334 --> 00:12:10,599 I'D LIKE TO HIRE YOU TO FIND A GHOST FOR ME. 224 00:12:10,634 --> 00:12:14,634 WELL, I GUESS IT IS KIND OF HARD MEETING SOMEBODY IN THE CITY. 225 00:12:14,669 --> 00:12:17,000 WELL, ACTUALLY, "FIND" ISN'T THE RIGHT WORD. 226 00:12:17,035 --> 00:12:19,899 WHAT I REALLY NEED IS PROOF. 227 00:12:19,934 --> 00:12:22,100 SEE, I LIVE IN THIS BIG OLD HOUSE 228 00:12:22,135 --> 00:12:24,251 WITH MY HUSBAND AND MY SISTER EMILY, 229 00:12:24,286 --> 00:12:26,367 WELL, EMILY LIVED THERE UNTIL RECENTLY. 230 00:12:26,402 --> 00:12:29,899 ANYWAY, A COUPLE OF MONTHS AGO 231 00:12:29,934 --> 00:12:32,968 WE STARTED TO EXPERIENCE STRANGE OCCURRENCES- 232 00:12:33,003 --> 00:12:34,933 NOISES IN THE NIGHT, 233 00:12:34,968 --> 00:12:37,217 NOISES THAT CAME FROM ROOMS 234 00:12:37,252 --> 00:12:39,432 THAT WE KNEW WERE EMPTY 235 00:12:39,467 --> 00:12:42,467 AND OTHER NOISES THAT SEEMED NEARBY 236 00:12:42,502 --> 00:12:45,084 BUT JUST CAME OUT OF NOWHERE. 237 00:12:45,119 --> 00:12:47,632 OH, EMILY HEARD IT ALL, TOO. 238 00:12:47,667 --> 00:12:51,968 BUT JAKE, MY HUSBAND, HE GIVES ME A LOT OF SPEECHES 239 00:12:52,003 --> 00:12:54,933 ABOUT LOGICAL EXPLANATIONS. 240 00:12:54,968 --> 00:12:57,666 YOU KNOW, LATELY I'VE BEEN FEELING 241 00:12:57,701 --> 00:13:00,701 LIKE SOMEONE IS WATCHING ME ALL THE TIME. 242 00:13:00,736 --> 00:13:04,666 I FEEL THIS WEIGHT, THIS HEAVINESS. 243 00:13:04,701 --> 00:13:07,667 EVEN WHEN JAKE IS SITTING RIGHT THERE IN THE SAME ROOM, 244 00:13:07,702 --> 00:13:10,133 I NEVER FEEL SAFE ANYMORE. 245 00:13:10,168 --> 00:13:12,799 I LOVE MY HUSBAND, 246 00:13:12,834 --> 00:13:16,117 BUT I'M SO TIRED OF FEELING SCARED ALL THE TIME, 247 00:13:16,152 --> 00:13:19,365 IF I CAN'T CONVINCE HIM TO LEAVE THIS HOUSE, 248 00:13:19,400 --> 00:13:22,666 I DON'T THINK THERE'S MUCH FUTURE FOR US ANYMORE. 249 00:13:22,701 --> 00:13:25,634 MRS. RENBOURN, I'M SORRY YOU'RE GOING THROUGH ALL THIS, 250 00:13:25,669 --> 00:13:28,567 BUT I'M NOT SURE A DETECTIVE AGENCY IS WHAT YOU NEED. 251 00:13:28,602 --> 00:13:30,218 HAVE YOU THOUGHT OF GOING TO SOMEONE 252 00:13:30,253 --> 00:13:31,834 WHO SPECIALIZES IN THIS KIND OF THING? 253 00:13:31,869 --> 00:13:35,685 A PSYCHIC, A PRIEST, DAN AKROYD? 254 00:13:35,720 --> 00:13:39,466 MR. ADDISON, MY HUSBAND WON'T LISTEN 255 00:13:39,501 --> 00:13:41,868 TO SOMEONE WHO TRAFFICS IN THE SUPERNATURAL 256 00:13:41,903 --> 00:13:43,566 ANY MORE THAN HE LISTENS TO ME. 257 00:13:43,601 --> 00:13:45,767 WHAT EXACTLY WOULD YOU WANT US TO DO? 258 00:13:45,802 --> 00:13:49,466 I NEED DOCUMENTED PROOF 259 00:13:49,501 --> 00:13:51,566 THAT THAT HOUSE IS HAUNTED. 260 00:13:51,601 --> 00:13:53,400 WILL YOU EXCUSE US A MINUTE, PLEASE? 261 00:13:54,467 --> 00:13:55,400 MS. HAYES. 262 00:14:04,100 --> 00:14:05,334 LOOK, I KNOW YOU'RE NOT GOING TO LIKE THIS. 263 00:14:05,369 --> 00:14:06,799 DAVID, I FEEL SORRY FOR HER. 264 00:14:06,834 --> 00:14:07,868 WE'RE NOT TAKING THIS CASE. 265 00:14:07,903 --> 00:14:08,899 WHAT DID YOU SAY? 266 00:14:08,934 --> 00:14:09,934 I SAID, WE'RE NOT TAKING THIS CASE. 267 00:14:09,969 --> 00:14:10,934 YOU CAN'T SAY THAT. I SAID THAT. 268 00:14:10,969 --> 00:14:12,067 SO? SO THAT MEANS WE AGREE. 269 00:14:12,102 --> 00:14:13,032 WE AGREE? 270 00:14:13,067 --> 00:14:14,199 YEAH, IT'S WEIRD, ISN'T? 271 00:14:14,234 --> 00:14:15,234 I ALWAYS THOUGHT THERE'D WOULD BE FIREWORKS 272 00:14:15,269 --> 00:14:16,199 AND BELLS GOING OFF. 273 00:14:16,234 --> 00:14:17,801 BUT, GOD, IT'S SO NATURAL. 274 00:14:17,836 --> 00:14:18,799 SO EASY. 275 00:14:18,834 --> 00:14:19,998 WANT A CIGARETTE NOW? 276 00:14:20,033 --> 00:14:21,050 WILL YOU STOP! WHAT DO WE DO? 277 00:14:21,085 --> 00:14:22,032 WHAT ARE WE GOING TO TELL HER? 278 00:14:22,067 --> 00:14:23,199 TELL HERE? WHAT DO YOU MEAN "TELL HER"? 279 00:14:23,234 --> 00:14:24,601 THIS IS A SERIOUS MOMENT BETWEEN TWO LOVING PEOPLE. 280 00:14:24,636 --> 00:14:25,566 DAVID, I'M SERIOUS. 281 00:14:25,601 --> 00:14:27,299 DO YOU WANT TO GO BACK IN THERE 282 00:14:27,334 --> 00:14:28,334 AND TELL THAT WOMAN WE THINK SHE'S CRAZY? 283 00:14:28,369 --> 00:14:29,299 NO. 284 00:14:29,334 --> 00:14:30,934 WHAT DO YOU WANT TO DO? 285 00:14:30,969 --> 00:14:32,165 LIE. 286 00:14:32,200 --> 00:14:34,234 FOR THE LOVE OF MIKE, TWICE IN THE SAME ENCOUNTER! 287 00:14:34,269 --> 00:14:35,934 ARE WE MADE FOR EACH OTHER, OR WHAT? 288 00:14:35,969 --> 00:14:36,868 AFTER ME. 289 00:14:46,634 --> 00:14:49,400 Mrs. Renbourn: THANK YOU SO MUCH FOR LISTENING. 290 00:14:49,435 --> 00:14:52,833 I KNOW THIS ISN'T A TYPICAL CASE. 291 00:14:52,868 --> 00:14:55,367 WELL, I GUESS I'LL JUST HAVE TO FIND SOMEONE ELSE 292 00:14:55,402 --> 00:14:56,968 TO HELP ME WITH MY PROBLEM. 293 00:14:57,003 --> 00:14:58,599 BUT THANK YOU AGAIN. 294 00:14:58,634 --> 00:15:00,817 BELIEVE ME, WE DON'T TURN AWAY BUSINESS EVERY DAY, 295 00:15:00,852 --> 00:15:03,000 BUT, AT THIS TIME, WE JUST DON'T HAVE THE MANPOWER. 296 00:15:03,035 --> 00:15:04,833 OUR PLATE IS FULL. 297 00:15:04,868 --> 00:15:06,833 WELL, THANKS FOR LISTENING ANYWAY. 298 00:15:06,868 --> 00:15:08,501 AND THANK YOU FOR THINKING OF BLUE MOON. 299 00:15:24,901 --> 00:15:26,365 WOULD YOU WATCH THE PHONES FOR ME? 300 00:15:26,400 --> 00:15:27,701 I JUST REMEMBERED I HAVE TO LEAVE EARLY. 301 00:15:27,736 --> 00:15:29,068 WHERE ARE YOU GOING? 302 00:15:29,103 --> 00:15:30,400 NONE OF YOUR BEESWAX. 303 00:15:31,767 --> 00:15:33,365 AGNES. 304 00:15:33,400 --> 00:15:35,732 ARE YOU DOING WHAT I THINK YOU'RE DOING? 305 00:15:35,767 --> 00:15:39,200 YOU'RE NOT THE ONLY ONE WITH POTENTIAL AROUND HERE, MR. SMARTY BOOTS. 306 00:15:42,267 --> 00:15:43,766 YOU'RE GONNA TAKE THAT CASE. 307 00:15:43,801 --> 00:15:45,265 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 308 00:15:45,300 --> 00:15:47,332 HEY, I DIDN'T JUST FALL OFF THE TURNIP TRUCK. 309 00:15:47,367 --> 00:15:50,567 YOU'RE TRYING TO IMPRESS MS. HAYES AND MR. ADDISON! 310 00:15:50,602 --> 00:15:51,934 YOU'RE COMPETING WITH ME, AREN'T YOU? 311 00:15:51,969 --> 00:15:53,699 NO, HERBERT, I'M IGNORING YOU. 312 00:15:53,734 --> 00:15:56,133 AGNES, YOU DON'T JUST GET UP ONE MORNING, HANG OUT A SHINGLE, 313 00:15:56,168 --> 00:15:57,567 AND CALL YOURSELF A PRIVATE DICK. 314 00:15:57,602 --> 00:15:58,732 OH, IS THAT SO? 315 00:15:58,767 --> 00:16:01,250 WELL, NO! IT TAKES SKILL! 316 00:16:01,285 --> 00:16:03,699 A LOGICAL MIND, INSTINCT, 317 00:16:03,734 --> 00:16:06,267 A THOROUGH KNOWLEDGE OF SCIENTIFIC METHODS, 318 00:16:06,302 --> 00:16:07,267 NOT TO MENTION YEARS OF EXPERIENCE. 319 00:16:07,302 --> 00:16:08,599 AHH! 320 00:16:08,634 --> 00:16:12,167 AND WHEN MS. HAYES ASKS YOU TO HANDLE THE McPHINNEY CASE, 321 00:16:12,202 --> 00:16:13,799 I'M SURE YOU REMINDED HER 322 00:16:13,834 --> 00:16:15,601 THAT YOU'VE ONLY BEEN HERE TWO AND A HALF MONTHS! 323 00:16:17,033 --> 00:16:19,434 LESS TIME THAN IT TAKES TO GROW A DECENT BEARD. 324 00:16:21,801 --> 00:16:23,833 WHY ARE YOU COMPETING WITH ME? 325 00:16:23,868 --> 00:16:26,667 WE'RE NOT RUNNING A POTATO SACK RACE HERE. 326 00:16:26,702 --> 00:16:29,432 HERBERT, I'M SURE YOU HAVE BETTER THINGS TO DO 327 00:16:29,467 --> 00:16:32,567 THAN TO SCURRY AFTER ME SPEWING RUDE VEGETABLE METAPHORS. 328 00:16:32,602 --> 00:16:34,199 AGNES, LISTEN TO ME. 329 00:16:34,234 --> 00:16:36,317 YOU'RE SCARED, AREN'T YOU? 330 00:16:36,352 --> 00:16:38,365 OF WHAT? AGNES DIPESTO! 331 00:16:38,400 --> 00:16:41,567 THAT SHE MIGHT PULL HERSELF A RUNG OR 2 HIGHER ON THE CORPORATE LADDER, 332 00:16:41,602 --> 00:16:44,167 BE A LITTLE FASTER ON THE FAST TRACK. 333 00:16:44,202 --> 00:16:45,601 OUT-SLEUTH YOU! 334 00:16:48,167 --> 00:16:50,167 OH, AGNES, WAIT. 335 00:16:51,434 --> 00:16:54,632 LOOK, I DON'T WANT IT TO BE LIKE THIS. 336 00:16:54,667 --> 00:16:57,501 I JUST DON'T WANT TO SEE YOU GET IN OVER YOUR HEAD. 337 00:16:57,536 --> 00:16:59,499 OH, THANKS, HERBERT. 338 00:16:59,534 --> 00:17:02,200 HOPE YOU DON'T TAKE THIS THE WRONG WAY- 339 00:17:02,235 --> 00:17:04,634 BUTT THE HELL OUT OF MY LIFE! 340 00:17:14,367 --> 00:17:16,367 BUT THERE IS SOMEONE AT THE DOOR. 341 00:17:16,402 --> 00:17:17,399 YES? 342 00:17:17,434 --> 00:17:19,499 GOOD EVENING. 343 00:17:19,534 --> 00:17:21,432 I DIDN'T MEAN TO STARTLE YOU. 344 00:17:21,467 --> 00:17:23,133 BUT I'M HERE TO SEE MRS. RENBOURN. 345 00:17:23,168 --> 00:17:24,432 WELL, SHE'S NOT IN. 346 00:17:24,467 --> 00:17:27,467 OH, NO. SHE JUST LEFT OUR OFFICE. 347 00:17:27,502 --> 00:17:28,868 I JUST SAW HER DRIVE UP. 348 00:17:28,903 --> 00:17:30,499 OH, YOU DID? 349 00:17:30,534 --> 00:17:31,968 WELL, THEN YOU MUST HAVE ALSO NOTICED 350 00:17:32,003 --> 00:17:33,318 THAT YOU'RE ON PRIVATE PROPERTY, 351 00:17:33,353 --> 00:17:34,599 WHICH MEANS YOU ARE TRESPASSING. 352 00:17:34,634 --> 00:17:36,534 ABOUT WHICH I'M ABOUT TO CALL THE POLICE 353 00:17:36,569 --> 00:17:38,434 IF YOU DON'T LEAVE MY DOORSTEP AT ONCE. 354 00:17:41,868 --> 00:17:44,667 I'M NOT LEAVING UNTIL I SPEAK TO YOUR WIFE! 355 00:17:44,702 --> 00:17:47,467 YOUNG LADY, MY WIFE IS NOT INTERESTED IN BUYING 356 00:17:47,502 --> 00:17:48,899 OR SUBSCRIBING TO ANYTHING. 357 00:17:48,934 --> 00:17:51,300 PLEASE LEAVE, OR I WILL CALL THE POLICE. 358 00:17:52,434 --> 00:17:53,600 ALL RIGHT. 359 00:17:53,635 --> 00:17:54,767 I'M LEAVING. 360 00:17:57,100 --> 00:17:58,232 BUT JUST TELL HER 361 00:17:58,267 --> 00:18:00,434 THAT THE BLUE MOON DETECTIVE AGENCY STOPPED BY. 362 00:18:06,701 --> 00:18:09,601 THE BLUE MOON DETECTIVE AGENCY? 363 00:18:09,636 --> 00:18:10,866 MRS. RENBOURN. 364 00:18:10,901 --> 00:18:14,400 I THOUGHT YOU PEOPLE WEREN'T INTERESTED IN MY CASE. 365 00:18:14,435 --> 00:18:15,866 CASE? WHAT CASE? 366 00:18:15,901 --> 00:18:17,450 WHAT'S GOING ON HERE? 367 00:18:17,485 --> 00:18:19,000 MISS DI...WHATSO? 368 00:18:19,035 --> 00:18:20,065 DIPESTO. 369 00:18:20,100 --> 00:18:22,100 IS FROM THE DETECTIVE AGENCY. 370 00:18:22,135 --> 00:18:23,401 I TRIED TO HIRE THEM. 371 00:18:23,436 --> 00:18:24,632 IT'S ABOUT THE HOUSE. 372 00:18:24,667 --> 00:18:26,265 OH, MARGARET! FOR THE LOVE OF GOD. 373 00:18:26,300 --> 00:18:29,067 IT DOESN'T MATTER. THEY'RE NOT INTERESTED. ISN'T THAT RIGHT? 374 00:18:29,102 --> 00:18:31,299 OH, NO. WE'RE VERY INTERESTED. 375 00:18:31,334 --> 00:18:35,033 THE PROBLEM WAS THAT WE JUST DIDN'T HAVE ANYBODY AVAILABLE. 376 00:18:35,068 --> 00:18:37,098 AND THEN MS. HAYES THOUGHT IT OVER 377 00:18:37,133 --> 00:18:39,934 AND REALIZED THAT YOUR CASE WAS VERY IMPORTANT 378 00:18:39,969 --> 00:18:42,100 AND PULLED ME OFF WHAT I WAS DOING. 379 00:18:42,135 --> 00:18:43,232 OH, MY GOODNESS! 380 00:18:43,267 --> 00:18:44,634 I HOPE IT WASN'T SOMETHING IMPORTANT. 381 00:18:44,669 --> 00:18:46,232 THE BINKS PEOPLE CAN WAIT. 382 00:18:46,267 --> 00:18:49,200 THIS IS ABSURD. WE DO NOT NEED A DETECTIVE. 383 00:18:49,235 --> 00:18:50,532 PLEASE, JAKE. 384 00:18:50,567 --> 00:18:52,100 I'VE HAD IT UP TO HERE WITH THIS THING. 385 00:18:52,135 --> 00:18:54,234 WHEN IS IT GOING TO END? 386 00:18:55,968 --> 00:18:57,534 FOR THE LOVE OF GOD! 387 00:19:05,834 --> 00:19:07,799 YOU HAVE A BEAUTIFUL HOME. 388 00:19:07,834 --> 00:19:10,833 THANK YOU. I USED TO THINK SO, TOO. 389 00:19:10,868 --> 00:19:13,667 I ASSUME MS. HAYES FILLED YOU IN ON THE CASE. 390 00:19:13,702 --> 00:19:16,866 OH, YES. WELL... IN A GENERAL WAY. 391 00:19:16,901 --> 00:19:20,667 GOOD. HOW DO YOU PLAN ON DOCUMENTING THE GHOST? 392 00:19:20,702 --> 00:19:22,899 THE GHOST? GHOST. 393 00:19:22,934 --> 00:19:25,934 YOU HAVE AN UNDOCUMENTED GHOST? 394 00:19:25,969 --> 00:19:27,132 MY SISTER EMILY- 395 00:19:27,167 --> 00:19:29,432 I WISH YOU COULD SPEAK TO HER. 396 00:19:29,467 --> 00:19:32,667 SHE'S VERY SENSITIVE ABOUT THESE KINDS OF THINGS. 397 00:19:32,702 --> 00:19:35,501 SHE BELIEVES THAT THE SPIRIT IN THIS HOUSE. 398 00:19:35,536 --> 00:19:37,632 IS NOT AT REST BECAUSE OF SOME REASON. 399 00:19:37,667 --> 00:19:40,167 IN FACT, SHE'S TRIED TO MAKE CONTACT ON SEVERAL OCCASIONS. 400 00:19:40,202 --> 00:19:41,684 WHY DON'T I CALL HER? 401 00:19:41,719 --> 00:19:43,132 WE COULD HAVE A CHAT. 402 00:19:43,167 --> 00:19:46,834 I WISH YOU COULD, BUT SHE'S NOT WELL. 403 00:19:46,869 --> 00:19:48,234 SHE'S IN AN ASYLUM. 404 00:19:48,269 --> 00:19:50,634 ASYLUM, HUH? 405 00:19:52,033 --> 00:19:53,934 BUMMER. 406 00:20:02,701 --> 00:20:04,165 EMILY ALWAYS BELIEVED 407 00:20:04,200 --> 00:20:07,700 THIS WAS THE MOST HAUNTED ROOM IN THE HOUSE. 408 00:20:07,735 --> 00:20:11,200 THIS IS WHERE SHE ALWAYS HELD HER SEANCES. 409 00:20:11,235 --> 00:20:13,332 GREAT. 410 00:20:13,367 --> 00:20:15,399 THIS IS WHERE I WANT TO BE. 411 00:20:15,434 --> 00:20:17,666 SO, HOW DO YOU PROPOSE WE START? 412 00:20:17,701 --> 00:20:22,384 WELL, UNDER NORMAL CIRCUMSTANCES, UH... 413 00:20:22,419 --> 00:20:27,067 THE FIRST PHASE OF AN INVESTIGATION IS... 414 00:20:27,102 --> 00:20:28,466 FACT-GATHERING. 415 00:20:28,501 --> 00:20:31,432 YOU KNOW, LEGWORK. RESEARCH. 416 00:20:31,467 --> 00:20:37,133 THE KIND OF STUFF YOU DO AT SAY, UH... 417 00:20:37,168 --> 00:20:38,332 A LIBRARY. 418 00:20:38,367 --> 00:20:41,033 SO, WHAT I THINK I'LL DO IS... 419 00:20:41,068 --> 00:20:42,998 GO TO A LIBRARY. 420 00:20:43,033 --> 00:20:45,998 BE IN TOUCH AS SOON AS POSSIBLE. 421 00:20:46,033 --> 00:20:49,216 MISS DIPESTO, THAT WON'T BE NECESSARY. 422 00:20:49,251 --> 00:20:52,559 WE HAVE AN EXTENSIVE LIBRARY RIGHT HERE- 423 00:20:52,594 --> 00:20:55,833 SHELVES OF VOLUMES ON LOCAL HISTORY. 424 00:20:55,868 --> 00:20:59,000 MY SISTER HAD BEEN DOING RESEARCH ON THE HOUSE. 425 00:20:59,035 --> 00:21:00,968 YOU HAVE EVERYTHING YOU NEED HERE. 426 00:21:01,003 --> 00:21:02,532 OH... 427 00:21:02,567 --> 00:21:05,133 I MEAN...GOOD. 428 00:21:06,400 --> 00:21:08,065 WELL... 429 00:21:08,100 --> 00:21:11,434 I GUESS I'LL JUST GET STARTED FIRST THING IN THE MORNING. 430 00:21:11,469 --> 00:21:12,399 THAT WON'T DO. 431 00:21:12,434 --> 00:21:14,133 I NEED YOU TO START RIGHT NOW. 432 00:21:15,567 --> 00:21:18,000 SEE, I'M NOT SURE HOW MUCH TIME I HAVE 433 00:21:18,035 --> 00:21:19,267 BEFORE JAKE THROWS YOU OUT. 434 00:21:21,400 --> 00:21:23,566 RIGHT NOW? 435 00:21:23,601 --> 00:21:25,667 YOU MEAN TONIGHT? 436 00:21:27,200 --> 00:21:29,599 TESTING, 1, 2, 3. 437 00:21:29,634 --> 00:21:31,634 FIELD OPERATIVE DIPESTO. 438 00:21:31,669 --> 00:21:33,933 IT'S 1900 HOURS. 439 00:21:33,968 --> 00:21:37,300 THIS IS RESEARCH ON THE RENBOURN CASE. 440 00:21:37,335 --> 00:21:39,599 JOURNAL ENTRY ONE- 441 00:21:39,634 --> 00:21:42,968 THE LAND ON WHICH THIS HOUSE RESTS 442 00:21:43,003 --> 00:21:44,367 WAS ONCE OPEN SAVANNA. 443 00:21:46,133 --> 00:21:47,766 ALL MANNER OF ANIMALS 444 00:21:47,801 --> 00:21:49,965 CAME TO DRINK FROM NEARBY SPRINGS, 445 00:21:50,000 --> 00:21:53,583 BECOMING TRAPPED IN POOLS OF THICK TAR. 446 00:21:53,618 --> 00:21:57,276 THEIR TORTURED SCREAMS ATTRACTING PREDATORS 447 00:21:57,311 --> 00:22:00,934 WHO IN TURN SUFFERED SLOW, AGONIZING DEATHS. 448 00:22:00,969 --> 00:22:03,200 JOURNAL ENTRY TWO... 449 00:22:11,400 --> 00:22:14,833 "AFTER THE BRUTAL ATTACK, THE CHUMASH WARRIORS 450 00:22:14,868 --> 00:22:18,267 "HACKED OFF THE HEADS OF THE FRANCISCAN MONKS, 451 00:22:18,302 --> 00:22:20,232 "IMPALING THEM ON LONG POLES 452 00:22:20,267 --> 00:22:23,167 "AND PARADING THEM PROUDLY THROUGH THE VILLAGE 453 00:22:23,202 --> 00:22:24,701 "FINALLY BURYING THEIR BONES 454 00:22:24,736 --> 00:22:26,200 WHERE THIS HOUSE NOW STANDS." 455 00:22:28,667 --> 00:22:29,734 LOVELY. 456 00:22:34,300 --> 00:22:35,766 JOURNAL ENTRY 17- 457 00:22:35,801 --> 00:22:38,801 I THINK I JUST WET MY PANTS. 458 00:22:43,367 --> 00:22:45,717 WHAT KIND OF GHOST ARE YOU? 459 00:22:45,752 --> 00:22:48,067 DON'T YOU HAVE ANY MANNERS? 460 00:22:49,634 --> 00:22:51,601 CLOSE THE DOORS BEHIND YOU. 461 00:22:56,234 --> 00:22:59,934 O...K... 462 00:23:01,367 --> 00:23:03,567 I THINK I HAVE TO GO NOW. 463 00:23:05,734 --> 00:23:07,367 OHH! OHHHH- 464 00:23:09,734 --> 00:23:11,934 THAT'S ALL RIGHT. I'LL USE THE BACK DOOR. 465 00:23:26,334 --> 00:23:27,566 PLEASE DON'T HURT ME. 466 00:23:27,601 --> 00:23:29,934 I'VE SEEN ALL YOUR PICTURES. 467 00:23:32,501 --> 00:23:34,601 ALL WHAT PICTURES? 468 00:23:37,634 --> 00:23:38,567 BERT. 469 00:23:42,701 --> 00:23:44,968 DON'T SAY ANYTHING. 470 00:23:45,003 --> 00:23:46,501 JUST HOLD ME. 471 00:23:53,901 --> 00:23:55,632 AGNES, LOOSEN UP. 472 00:23:55,667 --> 00:23:59,501 AGNES, YOU'RE HOLDING ON TOO TIGHT. 473 00:23:59,536 --> 00:24:01,601 AGNES, PLEASE. 474 00:24:06,767 --> 00:24:08,334 THANKS. 475 00:24:09,667 --> 00:24:11,100 AAH! 476 00:24:26,701 --> 00:24:27,799 SORRY. 477 00:24:27,834 --> 00:24:30,501 WHAT ARE YOU DOING HERE? 478 00:24:31,634 --> 00:24:33,534 LADIES FIRST. 479 00:24:33,569 --> 00:24:35,235 I AM ON A CASE. 480 00:24:35,270 --> 00:24:36,866 YOU ARE A CASE. 481 00:24:36,901 --> 00:24:38,234 HERBERT, I RESENT THAT. 482 00:24:38,269 --> 00:24:40,133 GOOD. RESENT AWAY. 483 00:24:40,168 --> 00:24:41,866 I RESENT YOU. 484 00:24:41,901 --> 00:24:43,534 I RESENT YOUR BEING HERE. 485 00:24:43,569 --> 00:24:45,132 I RESENT YOUR JEOPARDIZING 486 00:24:45,167 --> 00:24:47,400 THE GOOD NAME OF BLUE MOON DETECTIVE AGENCY 487 00:24:47,435 --> 00:24:49,634 BY COMING HERE AND REPRESENTING YOURSELF 488 00:24:49,669 --> 00:24:50,918 AS A PRIVATE INVESTIGATOR. 489 00:24:50,953 --> 00:24:52,167 SHH! SOMEONE WILL HEAR YOU. 490 00:24:52,202 --> 00:24:53,265 LET THEM HEAR! 491 00:24:53,300 --> 00:24:55,232 HASN'T IT OCCURRED TO YOU WHO TAKES IT 492 00:24:55,267 --> 00:24:57,167 UP THE KAZOO WHEN YOU DON'T SOLVE THIS CASE? 493 00:24:57,202 --> 00:25:00,167 I'M GOING TO SOLVE THIS CASE. 494 00:25:00,202 --> 00:25:03,133 MS. HAYES, MR. ADDISON, AND ME! 495 00:25:03,168 --> 00:25:05,466 YOU? YOU? 496 00:25:05,501 --> 00:25:07,950 MISS HAYES, MR. ADDISON, AND YOU? 497 00:25:07,985 --> 00:25:10,365 WHERE DID THAT "YOU" COME FROM? 498 00:25:10,400 --> 00:25:13,634 YOU. YOU. WHAT'S THIS GOT TO DO WITH YOU? 499 00:25:13,669 --> 00:25:14,632 YOU'RE A VISITOR, 500 00:25:14,667 --> 00:25:15,934 YOU'RE AN INTERLOPER. 501 00:25:15,969 --> 00:25:17,834 YOU'RE...A TEMP! 502 00:25:17,869 --> 00:25:18,868 WATCH IT! 503 00:25:21,267 --> 00:25:23,183 YOU DON'T EVEN HAVE A NAMEPLATE. 504 00:25:23,218 --> 00:25:25,100 YOU DON'T EVEN PARK IN THE GARAGE. 505 00:25:25,135 --> 00:25:27,000 YOU DON'T EVEN HAVE DENTAL. 506 00:25:27,035 --> 00:25:28,566 YOU...HA! 507 00:25:28,601 --> 00:25:30,667 THEY DON'T EVEN KNOW YOU'RE ALIVE. 508 00:25:34,434 --> 00:25:36,200 WHAT'S THAT? 509 00:25:38,434 --> 00:25:40,534 OH, MY GOD. IT'S A- 510 00:25:40,569 --> 00:25:42,599 COMPANY CREDIT CARD. 511 00:25:42,634 --> 00:25:44,601 FULL-TIME EMPLOYEE NUMBER 007. 512 00:25:44,636 --> 00:25:47,365 LICENSE TO SPEND. 513 00:25:47,400 --> 00:25:48,499 I DON'T GO ANYWHERE WITHOUT IT. 514 00:25:48,534 --> 00:25:51,601 THEY GAVE YOU A COMPANY CREDIT CARD? 515 00:25:51,636 --> 00:25:54,365 YOU, A MERE ITINERANT? 516 00:25:54,400 --> 00:25:57,367 FULL-FLEDGED, FULL-TIME, AS OF THE NEW YEAR. 517 00:26:14,367 --> 00:26:16,199 YOU'RE TAKING THIS BADLY. 518 00:26:16,234 --> 00:26:18,400 DO YOU SEE ME DOING HARM MYSELF? 519 00:26:18,435 --> 00:26:20,032 NO. 520 00:26:20,067 --> 00:26:21,901 THEN I'M TAKING IT VERY WELL. 521 00:26:21,936 --> 00:26:23,734 AGNES, LET ME HELP YOU. 522 00:26:23,769 --> 00:26:24,833 HELP ME WHAT? 523 00:26:24,868 --> 00:26:28,866 HELP YOU GROW, HELP YOU SUCCEED. 524 00:26:28,901 --> 00:26:30,767 THERE'S ROOM AT THE TOP FOR EVERYONE. 525 00:26:33,167 --> 00:26:34,834 NOW, TELL ME ABOUT THIS CASE. 526 00:26:34,869 --> 00:26:36,666 OH, NO. 527 00:26:36,701 --> 00:26:37,701 OH, NO, WHAT? 528 00:26:37,736 --> 00:26:39,232 OH, NO. 529 00:26:39,267 --> 00:26:41,233 YOU'RE NOT HORNING IN ON MY CASE. 530 00:26:41,268 --> 00:26:43,200 HORNING IN? I'M JUST TRYING- 531 00:26:43,235 --> 00:26:44,267 LEAVE! LEAVE? 532 00:26:44,302 --> 00:26:45,332 LEAVE! 533 00:26:45,367 --> 00:26:47,032 YOU DON'T WANT MY HELP? 534 00:26:47,067 --> 00:26:49,400 NOT IF YOU WERE THE LAST SHAMUS IN SHEBOYGAN. 535 00:26:49,435 --> 00:26:51,001 THE LAST WHAT IN WHERE? 536 00:26:51,036 --> 00:26:52,818 OUT! GO! GET! LEAVE! 537 00:26:52,853 --> 00:26:54,601 OUT? GO? GET? LEAVE? 538 00:26:54,636 --> 00:26:57,033 AAAAHHHH! 539 00:26:59,767 --> 00:27:00,866 GEE... 540 00:27:00,901 --> 00:27:04,167 YOU DON'T HAVE TO GO RIGHT NOW, DO YOU? 541 00:27:06,968 --> 00:27:08,517 WHAT THE HELL'S GOING ON HERE? 542 00:27:08,552 --> 00:27:10,067 I HEARD A SCREAM. IT'S LIKE- 543 00:27:10,102 --> 00:27:11,032 AAH! 544 00:27:11,067 --> 00:27:13,667 CLOSE, BUT MORE BLOODCURDLING, 545 00:27:13,702 --> 00:27:15,033 MORE FROM THE DIAPHRAGM. 546 00:27:15,068 --> 00:27:16,332 WHO IS THAT? 547 00:27:16,367 --> 00:27:18,833 OH. THIS IS MY ASSOCIATE. 548 00:27:18,868 --> 00:27:21,884 MR. RENBOURN, HERBERT VIOLA. 549 00:27:21,919 --> 00:27:24,901 MR. VIOLA, I DON'T GIVE A DAMN. 550 00:27:26,567 --> 00:27:27,567 NOW, WHO SCREAMED? 551 00:27:27,602 --> 00:27:29,599 NOT ME. 552 00:27:29,634 --> 00:27:32,567 YOU MEAN YOU DIDN'T SCREAM? 553 00:27:32,602 --> 00:27:34,965 ME? SCREAM? 554 00:27:35,000 --> 00:27:37,750 DO I LOOK LIKE A SCREAMER? 555 00:27:37,785 --> 00:27:40,466 I AM A TRAINED PROFESSIONAL, 556 00:27:40,501 --> 00:27:44,434 NOT SOME NERVOUS NELLIE WHO JUMPS EVERY TIME SHE SEES HER OWN- 557 00:27:44,469 --> 00:27:46,699 AAH! 558 00:27:46,734 --> 00:27:47,734 LUDWIG. THANK GOODNESS IT'S YOU. 559 00:27:47,769 --> 00:27:52,067 YOU GAVE US QUITE A SCARE. 560 00:27:52,102 --> 00:27:53,699 I'M SO SORRY, MRS. R. 561 00:27:53,734 --> 00:27:55,033 I HOPE I DIDN'T STARTLE ANYONE. 562 00:27:55,068 --> 00:27:56,934 MISS DIPESTO, MR., UH... 563 00:27:56,969 --> 00:27:58,632 VIOLA. 564 00:27:58,667 --> 00:28:00,032 THIS IS LUDWIG. 565 00:28:00,067 --> 00:28:02,601 HE'S OUR MAJOR-DOMO AND GENERAL FACTOTUM. 566 00:28:02,636 --> 00:28:04,934 PLEASED TO MEET YOU... 567 00:28:04,969 --> 00:28:06,098 MAJOR GENERAL. 568 00:28:06,133 --> 00:28:07,900 I THOUGHT I HEARD A SCREAM- 569 00:28:07,935 --> 00:28:09,632 A TR�O OF SCREAMS, ACTUALLY. 570 00:28:09,667 --> 00:28:11,701 WE CAN ACCOUNT FOR TWO OUT OF THREE. 571 00:28:11,736 --> 00:28:12,868 BUT NOT THE FIRST ONE. 572 00:28:12,903 --> 00:28:13,998 WHAT DO YOU MEAN? 573 00:28:14,033 --> 00:28:16,300 WELL, IT SURE SOUNDED LIKE A WOMAN'S SCREAM. 574 00:28:16,335 --> 00:28:18,667 BUT, IF IT WASN'T MRS. RENBOURN, 575 00:28:18,702 --> 00:28:20,267 AND IT WASN'T ME- 576 00:28:20,302 --> 00:28:22,000 IT WAS HER! 577 00:28:23,167 --> 00:28:26,501 HER? WHO HER? 578 00:28:26,536 --> 00:28:27,532 VELMA. 579 00:28:27,567 --> 00:28:30,167 VELMA BOULET. 580 00:28:30,202 --> 00:28:32,484 OH. VELMA. 581 00:28:32,519 --> 00:28:34,732 VELMA BOULET. 582 00:28:34,767 --> 00:28:36,133 SHOULDN'T WE CHECK HER ROOM? 583 00:28:36,168 --> 00:28:37,150 NO. THAT WON'T WORK. 584 00:28:37,185 --> 00:28:38,098 SHE DOESN'T LIVE HERE. 585 00:28:38,133 --> 00:28:40,834 VELMA DOESN'T LIVE ANYWHERE. 586 00:28:40,869 --> 00:28:42,618 NOT ANYMORE. 587 00:28:42,653 --> 00:28:44,332 OH. OH. 588 00:28:44,367 --> 00:28:49,367 YOU SEE, VELMA'S BEEN DEAD SOME 40 YEARS. 589 00:28:49,402 --> 00:28:51,732 DID YOU KNOW HER? 590 00:28:51,767 --> 00:28:53,801 IS SHE SOMEONE YOU KNEW? 591 00:28:53,836 --> 00:28:54,833 NO, I NEVER MET HER. 592 00:28:54,868 --> 00:28:59,334 BUT SISTER HAS, DOWNSTAIRS IN THE LIBRARY... 593 00:28:59,369 --> 00:29:00,499 DURING THE SEANCE. 594 00:29:00,534 --> 00:29:02,801 FOR CRYING OUT LOUD! MARGARET! 595 00:29:02,836 --> 00:29:04,199 FINE, JAKE. SCOFF. 596 00:29:04,234 --> 00:29:07,234 BUT WHATEVER YOU BELIEVE, SHE'S IN THIS HOUSE. 597 00:29:07,269 --> 00:29:09,300 YOU SEE, EMILY'S SPOKEN TO HER. 598 00:29:11,901 --> 00:29:13,000 AAH! AAH! 599 00:29:14,434 --> 00:29:16,399 PERFECT. JUST WHAT WE NEEDED. 600 00:29:16,434 --> 00:29:20,100 I'M SURE IT HAS NOTHING TO DO WITH THE THUNDERSTORM. 601 00:29:20,135 --> 00:29:22,400 I'M SURE IT'S SOMEONE FROM BEYOND THE GRAVE 602 00:29:22,435 --> 00:29:24,701 WHO WANTS US TO CONSERVE ELECTRICITY. 603 00:29:24,736 --> 00:29:25,718 LUDWIG. 604 00:29:25,753 --> 00:29:26,666 SIR? 605 00:29:26,701 --> 00:29:29,265 GO DOWN TO THE BASEMENT 606 00:29:29,300 --> 00:29:31,067 AND HAVE A LOOK AT THE FUSE BOX. 607 00:29:32,400 --> 00:29:33,801 I'M ON MY WAY, SIR. 608 00:29:36,934 --> 00:29:38,399 MARGARET, 609 00:29:38,434 --> 00:29:40,050 YOU GO BACK TO BED. 610 00:29:40,085 --> 00:29:41,542 YOU NEED YOUR REST. 611 00:29:41,577 --> 00:29:42,965 WHAT ABOUT YOU? 612 00:29:43,000 --> 00:29:45,883 I'LL BE ALONG IN A COUPLE OF BRANDIES. 613 00:29:45,918 --> 00:29:48,809 I'M NOT GOING TO STAY UP HERE BY MYSELF. 614 00:29:48,844 --> 00:29:51,701 WELL, FINE. KEEP MISS DIPPY TOES WITH YOU. 615 00:29:51,736 --> 00:29:54,067 IT'S DEPPY TOES. 616 00:29:54,102 --> 00:29:55,968 DIPSETO. 617 00:29:56,003 --> 00:29:57,834 AGNES. 618 00:30:02,200 --> 00:30:04,265 UH... 619 00:30:04,300 --> 00:30:06,466 MR. RENBOURN. 620 00:30:06,501 --> 00:30:08,133 THAT BRANDY YOU MENTIONED, 621 00:30:08,168 --> 00:30:09,133 MIND IF I JOIN YOU? 622 00:30:09,168 --> 00:30:11,267 YES. 623 00:30:12,934 --> 00:30:14,833 AH. 624 00:30:14,868 --> 00:30:16,517 UH, LUDWIG! 625 00:30:16,552 --> 00:30:18,167 WAIT UP! 626 00:30:22,667 --> 00:30:25,466 A BODY COULD GET LOST DOWN HERE. 627 00:30:25,501 --> 00:30:29,434 LOTS OF BODIES COULD GET LOST DOWN HERE. 628 00:30:32,367 --> 00:30:35,801 I BELIEVE THE FUSE BOX IS THIS WAY, SIR. 629 00:30:39,367 --> 00:30:40,332 LUDWIG! 630 00:30:40,367 --> 00:30:42,767 WHAT'S WRONG? LUDWIG! 631 00:30:44,868 --> 00:30:47,367 I SAID YOU'RE CHOKING ME, SIR. 632 00:30:47,402 --> 00:30:51,199 SORRY. I'M SORRY. 633 00:30:51,234 --> 00:30:53,434 ALL THIS TALK ABOUT GHOULIES AND GHOSTIES 634 00:30:53,469 --> 00:30:55,434 AND THIS HOUSE BEING HAUNTED 635 00:30:55,469 --> 00:30:57,365 HAS ME A LITTLE JUMPY. 636 00:30:57,400 --> 00:30:59,801 THE HOUSE HAS THAT EFFECT ON MOST PEOPLE. 637 00:30:59,836 --> 00:31:01,767 IT CHANGES THEM IN SUBTLE WAYS, 638 00:31:01,802 --> 00:31:03,365 SETS THEM ON EDGE. 639 00:31:03,400 --> 00:31:04,883 PEACE OF MIND GIVES WAY 640 00:31:04,918 --> 00:31:06,142 TO SUSPICION AND ANXIETY. 641 00:31:06,177 --> 00:31:07,332 I'VE WATCHED IT HAPPEN. 642 00:31:07,367 --> 00:31:09,701 TO THE MISTER AND MISSUS, FOR INSTANCE? 643 00:31:09,736 --> 00:31:13,933 I FEEL IT HAPPENING TO ME AS WELL. 644 00:31:13,968 --> 00:31:17,467 HEY, BUT THIS IS JUST-JUST A BUILDING, 645 00:31:17,502 --> 00:31:19,367 MADE OF PLASTER AND WOOD. 646 00:31:19,402 --> 00:31:20,432 PERHAPS. 647 00:31:20,467 --> 00:31:23,467 BUT, YOU SEE, THE MAN WHO BUILT THIS HOUSE 648 00:31:23,502 --> 00:31:25,400 HAD SOMETHING OF A PAST. 649 00:31:27,267 --> 00:31:28,732 HE WAS IN THE GIN TRADE, 650 00:31:28,767 --> 00:31:33,033 HENCE THE SECRET PANELS AND HIDDEN CORRIDORS THROUGHOUT THE HOUSE. 651 00:31:33,068 --> 00:31:34,251 A BOOTLEGGER, HUH? 652 00:31:34,286 --> 00:31:35,399 AMONG OTHER THINGS. 653 00:31:35,434 --> 00:31:37,834 I BELIEVE HE WAS ALSO PROMINENT IN THE FIELDS OF EXTORTION, 654 00:31:37,869 --> 00:31:40,185 PROSTITUTION, OPIUM SMUGGLING, 655 00:31:40,220 --> 00:31:42,501 AND THERE WERE RUMORS OF... 656 00:31:42,536 --> 00:31:44,418 WHITE SLAVERY. 657 00:31:44,453 --> 00:31:46,300 AH, HERE WE ARE. 658 00:31:50,033 --> 00:31:53,434 I WONDER IF GERALDO RIVERA KNOWS ABOUT THIS PLACE. 659 00:31:55,000 --> 00:31:57,267 IT APPEARS WE HAVE BLOWN A FUSE. 660 00:31:57,302 --> 00:31:59,499 THAT'S EASY ENOUGH TO REPLACE. 661 00:31:59,534 --> 00:32:02,534 REGRETTABLY, I WAS UNABLE TO LOCATE A SPARE IN THE PANTRY. 662 00:32:02,569 --> 00:32:04,167 THAT'S NO PROBLEM. YOU GOT A PENNY ON YOU? 663 00:32:04,202 --> 00:32:05,199 A PENNY, SIR? 664 00:32:05,234 --> 00:32:08,300 WAIT A MINUTE, I THINK I GOT ONE HERE. 665 00:32:08,335 --> 00:32:10,332 LUDWIG, MY GOOD MAN, 666 00:32:10,367 --> 00:32:11,998 YOU ARE ABOUT TO FIND OUT 667 00:32:12,033 --> 00:32:15,434 WHY CORNWALLIS BIT THE BIG ONE AT YORKTOWN. 668 00:32:15,469 --> 00:32:16,566 YANKEE SMARTS. 669 00:32:16,601 --> 00:32:19,667 BUT FIRST, THE MAIN POWER SOURCE HAS TO BE OFF, 670 00:32:19,702 --> 00:32:21,868 OR IT'S SNAP, CRACKLE, AND POP. 671 00:32:21,903 --> 00:32:25,299 A TRIUMPH OF INGENUITY. 672 00:32:25,334 --> 00:32:27,901 MOVE THAT CANDLE IN A LITTLE CLOSER SO I CAN SEE. 673 00:32:43,234 --> 00:32:45,067 CAREFUL. 674 00:32:46,634 --> 00:32:48,000 CAREFUL. 675 00:32:49,067 --> 00:32:51,501 LET THERE BE LIGHT. 676 00:32:52,567 --> 00:32:53,501 OW! 677 00:33:00,868 --> 00:33:03,067 SIR, ARE YOU ALL RIGHT? 678 00:33:03,102 --> 00:33:05,834 MOM, IS THAT YOU? 679 00:33:08,601 --> 00:33:13,200 * WHENEVER I FEEL AFRAID * 680 00:33:14,501 --> 00:33:18,267 * I HOLD MY HEAD ERECT * 681 00:33:19,400 --> 00:33:22,834 * AND WHISTLE A HAP... * 682 00:33:22,869 --> 00:33:26,132 *...PY TUNE * 683 00:33:26,167 --> 00:33:29,667 * SO NO ONE WILL SUSPECT * 684 00:33:31,501 --> 00:33:34,167 * I'M AFRAID ** 685 00:33:40,033 --> 00:33:41,483 STOP IT! 686 00:33:41,518 --> 00:33:42,899 GO AWAY! 687 00:33:42,934 --> 00:33:46,367 LEAVE US ALONE! 688 00:33:46,402 --> 00:33:49,434 HA HA HA HA. 689 00:33:49,469 --> 00:33:52,151 HA HA HA HA. 690 00:33:52,186 --> 00:33:55,093 HA HA HA HA. 691 00:33:55,128 --> 00:33:58,000 HA HA HA HA. 692 00:34:00,067 --> 00:34:02,165 WHERE ARE YOU GOING? 693 00:34:02,200 --> 00:34:04,801 I AIN'T AFRAID OF NO GHOST. 694 00:34:04,836 --> 00:34:07,367 PLEASE DON'T LEAVE ME. 695 00:34:07,402 --> 00:34:09,032 MRS. RENBOURN, 696 00:34:09,067 --> 00:34:10,998 WHATEVER'S ON THE OTHER SIDE OF THAT DOOR 697 00:34:11,033 --> 00:34:16,601 IS PROBABLY MORE AFRAID OF US THAN WE ARE OF IT. 698 00:34:16,636 --> 00:34:18,667 I HOPE. 699 00:34:21,901 --> 00:34:23,833 COME ON. 700 00:34:23,868 --> 00:34:27,834 WE'RE HAVING IT OUT WITH THIS VELMA ONCE AND FOR ALL. 701 00:35:13,901 --> 00:35:17,067 HOPE THAT THING'S LOADED WITH SILVER BULLETS. 702 00:35:27,467 --> 00:35:30,666 FINE TIME TO BE SPINNING TUNES. 703 00:35:30,701 --> 00:35:33,901 THE SONG THAT WAS PLAYING THE NIGHT SHE DIED. 704 00:35:33,936 --> 00:35:35,965 IT WAS? 705 00:35:36,000 --> 00:35:38,501 SHE SANG IT TO SISTER. 706 00:35:38,536 --> 00:35:40,365 SHE DID? 707 00:35:40,400 --> 00:35:42,684 SHE LEFT THE PARTY... 708 00:35:42,719 --> 00:35:44,968 BARNO FOLLOWED... 709 00:35:45,003 --> 00:35:46,033 DRUNK. 710 00:35:48,901 --> 00:35:50,467 HE FORCED HIMSELF ON HER. 711 00:35:50,502 --> 00:35:51,998 SHE TRIED TO GET AWAY. 712 00:35:52,033 --> 00:35:55,133 HE GRABBED HER, AND THEN- 713 00:35:55,168 --> 00:35:57,534 AAH! 714 00:35:59,434 --> 00:36:00,801 DID YOU HEAR SHOTS? 715 00:36:02,601 --> 00:36:03,634 GUESS SO. 716 00:36:05,501 --> 00:36:07,400 HOW MUCH DOES A LAWYER COST? 717 00:36:07,435 --> 00:36:08,632 WHAT? 718 00:36:08,667 --> 00:36:11,501 I'VE GOT ABOUT $53 IN MY CHECKING ACCOUNT. 719 00:36:11,536 --> 00:36:13,365 I DON'T THINK THAT'LL DO IT. 720 00:36:13,400 --> 00:36:14,400 AGNES, WHAT ARE YOU TALKING ABOUT? 721 00:36:14,435 --> 00:36:15,365 YOU DON'T NEED A LAWYER. 722 00:36:15,400 --> 00:36:17,632 THAT POLICEMAN KEPT ASKING ME QUESTIONS. 723 00:36:17,667 --> 00:36:19,901 HE'S SUPPOSED TO ASK YOU QUESTIONS. YOU'RE A WITNESS. 724 00:36:19,936 --> 00:36:22,534 I MADE MRS. RENBOURN GO INTO THE HALL. 725 00:36:22,569 --> 00:36:25,098 BUT YOU DIDN'T MAKE HER SHOOT HER HUSBAND. 726 00:36:25,133 --> 00:36:29,033 THAT POLICEMAN KEPT ASKING ME WHAT I WAS DOING AT THE HOUSE. 727 00:36:29,068 --> 00:36:31,467 AND EVERY TIME I ANSWERED I FELT LIKE SUCH AN IDIOT. 728 00:36:31,502 --> 00:36:33,801 "YOU SEE, OFFICER, I WAS PLAYING DETECTIVE." 729 00:36:33,836 --> 00:36:36,466 AGNES... SOME DETECTIVE. 730 00:36:36,501 --> 00:36:38,601 ALL I DID WAS GET A GET A DISTURBED WOMAN 731 00:36:38,636 --> 00:36:39,632 WORKED UP INTO A TIZZY 732 00:36:39,667 --> 00:36:40,965 UNTIL SHE SHOT AN INNOCENT MAN 733 00:36:41,000 --> 00:36:42,601 WHO SHE HAPPENED TO BE IN LOVE WITH, BY THE WAY. 734 00:36:42,636 --> 00:36:44,466 AGNES- YOU WERE RIGHT ALL ALONG. 735 00:36:44,501 --> 00:36:46,400 YOU TRY TO TELL ME NOT TO GET IN OVER MY HEAD 736 00:36:46,435 --> 00:36:48,300 BUT WOULD I LISTEN? NO, I WOULDN'T LISTEN. 737 00:36:48,335 --> 00:36:49,265 AGNES, LISTEN- 738 00:36:49,300 --> 00:36:50,334 NO WONDER MS. HAYES IS MOVING YOU UP 739 00:36:50,369 --> 00:36:51,299 INSTEAD OF ME. 740 00:36:51,334 --> 00:36:52,732 SHE'S NOT MOVING ME ANYWHERE. 741 00:36:52,767 --> 00:36:54,968 NO WONDER SHE GAVE YOU A COMPANY CREDIT CARD. 742 00:36:55,003 --> 00:36:56,601 I DON'T HAVE A CREDIT CARD. 743 00:36:56,636 --> 00:36:58,518 NO WONDER SHE- 744 00:36:58,553 --> 00:37:00,365 WHAT DID YOU SAY? 745 00:37:00,400 --> 00:37:02,098 I SAID I DON'T HAVE A COMPANY CREDIT CARD. 746 00:37:02,133 --> 00:37:05,501 BUT I SAW. YOUR NAME AND "BLUE MOON'S" EMBOSSED RIGHT ON IT. 747 00:37:05,536 --> 00:37:07,601 YOU CAN GET ANYTHING PRINTED ON A CREDIT CARD. 748 00:37:07,636 --> 00:37:09,934 BUT THE BILLS COME TO MY ADDRESS. 749 00:37:09,969 --> 00:37:11,300 I PAY THEM MYSELF. 750 00:37:11,335 --> 00:37:12,901 YOU DO? 751 00:37:12,936 --> 00:37:14,318 I DO. 752 00:37:14,353 --> 00:37:15,701 BUT WHY? 753 00:37:28,267 --> 00:37:29,367 WELL, WE'RE HERE. 754 00:37:32,234 --> 00:37:34,534 SEE YOU IN THE MORNING, I GUESS. 755 00:37:34,569 --> 00:37:36,667 I GUESS. 756 00:38:51,133 --> 00:38:52,917 WHO IS IT? 757 00:38:52,952 --> 00:38:54,676 THE BUTLER. 758 00:38:54,711 --> 00:38:56,400 THE BUTLER? 759 00:39:01,133 --> 00:39:02,098 THE BUTLER. 760 00:39:02,133 --> 00:39:04,300 WHAT ARE YOU GOING TO SAY? 761 00:39:04,335 --> 00:39:05,666 I DON'T KNOW. 762 00:39:05,701 --> 00:39:10,801 GUESS I'LL LOOK HIM IN THE EYE AND SAY, "LUDWIG..." 763 00:39:10,836 --> 00:39:12,599 CAN I HELP YOU? YOU'RE NOT LUDWIG. 764 00:39:12,634 --> 00:39:15,133 NO, I'M DR. BEDDOWS, THE FAMILY PHYSICIAN. 765 00:39:15,168 --> 00:39:16,501 AND WHO ARE YOU? 766 00:39:16,536 --> 00:39:17,968 I'M HERBERT VIOLA. 767 00:39:18,003 --> 00:39:19,365 THIS IS AGNES DIPESTO. 768 00:39:19,400 --> 00:39:21,434 WE NEED TO SPEAK TO THE BUTLER, PLEASE. 769 00:39:21,469 --> 00:39:23,132 LOOK, IT'S 4 A.M. 770 00:39:23,167 --> 00:39:25,934 AND WE'VE HAD A RATHER EVENTFUL EVENING HERE TONIGHT. 771 00:39:25,969 --> 00:39:27,367 SO, COULDN'T THIS WAIT TILL MORNING? 772 00:39:27,402 --> 00:39:28,833 WAIT! 773 00:39:28,868 --> 00:39:32,067 WE KNOW ALL ABOUT THE EVENTFUL EVENING. 774 00:39:32,102 --> 00:39:34,884 WE'RE FROM THE BLUE MOON DETECTIVE AGENCY. 775 00:39:34,919 --> 00:39:37,443 WE NEED TO ASK LUDWIG A FEW QUESTIONS. 776 00:39:37,478 --> 00:39:39,933 YES, WELL, THAT'S ALL WELL AND GOOD 777 00:39:39,968 --> 00:39:40,968 BUT I'VE PLACED LUDWIG UNDER HEAVY SEDATION, 778 00:39:41,003 --> 00:39:42,033 AND HE'S... 779 00:39:44,200 --> 00:39:47,000 AS WE SAID, WE REALLY NEED TO SEE LUDWIG. 780 00:39:47,035 --> 00:39:48,566 AND AS I EXPLAINED, 781 00:39:48,601 --> 00:39:51,200 HE REALLY IS IN NO CONDITION TO RECEIVE VISITORS. 782 00:39:51,235 --> 00:39:52,817 HE RECEIVED YOU. 783 00:39:52,852 --> 00:39:54,365 HE HAD NO CHOICE. 784 00:39:54,400 --> 00:39:59,667 SEE, I HAD TO HELP COMMIT MRS. RENBOURN TO A SANITARIUM TONIGHT. 785 00:39:59,702 --> 00:40:02,833 SO, I CAME HERE TO PICK UP SOME OF HER PERSONAL EFFECTS. 786 00:40:02,868 --> 00:40:05,534 AND LUDWIG WAS SUPPOSED TO HELP, BUT HE WAS IN SUCH A STATE- 787 00:40:05,569 --> 00:40:07,401 I'LL BET HE WAS. 788 00:40:07,436 --> 00:40:09,199 YES, IT'S SO SAD. 789 00:40:09,234 --> 00:40:12,534 I'VE BEEN TREATING EMILY FOR QUITE SOME TIME, 790 00:40:12,569 --> 00:40:14,901 AND I KNEW HOW UNSTABLE SHE WAS, 791 00:40:14,936 --> 00:40:16,132 BUT POOR MARGARET. 792 00:40:16,167 --> 00:40:18,984 I KNEW SHE'D BEEN UPSET ABOUT EMILY, 793 00:40:19,019 --> 00:40:21,801 BUT I DIDN'T REALIZE IT WAS SO SEVERE. 794 00:40:21,836 --> 00:40:23,566 DR. BEDDOWS, WE DON'T THINK 795 00:40:23,601 --> 00:40:25,400 THERE'S ANYTHING WRONG WITH MARGARET. 796 00:40:25,435 --> 00:40:26,365 EXCUSE ME? 797 00:40:26,400 --> 00:40:27,365 AND WE ALSO DON'T THINK 798 00:40:27,400 --> 00:40:28,667 THERE'S ANYTHING WRONG WITH LUDWIG. 799 00:40:28,702 --> 00:40:30,551 I- I DON'T UNDERSTAND. 800 00:40:30,586 --> 00:40:32,365 NEITHER DO WE, YET. 801 00:40:32,400 --> 00:40:33,501 BUT WE'RE GOING TO GET TO THE BOTTOM OF IT. 802 00:40:33,536 --> 00:40:35,401 THAT'S WHY WE HAVE TO TALK TO LUDWIG. 803 00:40:35,436 --> 00:40:37,267 AND I DON'T THINK IT SHOULD WAIT. 804 00:40:38,968 --> 00:40:39,968 IS HE IN HIS ROOM? 805 00:40:40,003 --> 00:40:41,632 YES, BUT- 806 00:40:41,667 --> 00:40:44,300 WE'LL ONLY BE A MINUTE. I'D HAVE MORE SEDATIVES READY, IF I WERE YOU. 807 00:40:52,901 --> 00:40:55,667 OK, LUDWIG, NAP TIME'S OVER. 808 00:40:55,702 --> 00:40:56,799 EVERYTHING'S OVER. 809 00:40:56,834 --> 00:40:58,499 WE'RE ON TO YOUR LITTLE SCHEME. 810 00:40:58,534 --> 00:41:01,334 WE KNOW THE ONLY PERSON HAUNTING THIS HOUSE IS YOU. 811 00:41:01,369 --> 00:41:02,299 COME ON. 812 00:41:02,334 --> 00:41:04,532 RISE AND SHINE. 813 00:41:04,567 --> 00:41:06,567 I DON'T THINK HE HEARS YOU. 814 00:41:06,602 --> 00:41:08,701 WHY ARE YOU WHISPERING? 815 00:41:08,736 --> 00:41:09,833 HE'S ASLEEP, 816 00:41:09,868 --> 00:41:12,367 AND HE'S HAD A HARD NIGHT. 817 00:41:12,402 --> 00:41:14,532 A HARD NIGHT? 818 00:41:14,567 --> 00:41:16,367 HE'S PUT TWO WOMEN IN THE BIN 819 00:41:16,402 --> 00:41:17,799 AND GOTTEN A MAN KILLED. 820 00:41:17,834 --> 00:41:21,734 THEN HE PRETENDS TO BE DISTRAUGHT SO NO ONE WILL SUSPECT HIM, 821 00:41:21,769 --> 00:41:23,801 GETS HIMSELF SEDATED AND CRUISES THE OZONE, 822 00:41:23,836 --> 00:41:25,265 WITHOUT A CARE IN THE WORLD. 823 00:41:25,300 --> 00:41:28,267 I HADN'T THOUGHT OF IT LIKE THAT. 824 00:41:29,334 --> 00:41:31,998 OK, BUDDY, WAKE UP! 825 00:41:32,033 --> 00:41:34,834 WAKE UP, WAKE UP, WAKE UP! 826 00:41:35,901 --> 00:41:36,950 HE'S... 827 00:41:36,985 --> 00:41:38,609 HE'S... 828 00:41:38,644 --> 00:41:40,039 HE'S... 829 00:41:40,074 --> 00:41:41,454 DEAD. 830 00:41:41,489 --> 00:41:43,111 DEAD. 831 00:41:43,146 --> 00:41:44,699 DEAD. 832 00:41:44,734 --> 00:41:45,968 LET'S GET OUT OF HERE. 833 00:41:50,400 --> 00:41:52,599 WHO? WHAT? HOW? 834 00:41:52,634 --> 00:41:54,567 THERE'S A DEAD BODY. CAN YOU GET DOCTOR? 835 00:41:57,701 --> 00:41:59,566 AAH! 836 00:41:59,601 --> 00:42:02,234 LADY, THAT CAN'T BE GOOD FOR YOUR FACE. 837 00:42:06,634 --> 00:42:08,767 NOTHING WORSE THAN A BAD TOUPEE. 838 00:42:08,802 --> 00:42:10,801 I'LL GET THE DOCTOR. 839 00:42:14,701 --> 00:42:17,534 THANK GOD THERE'S A DOCTOR IN THE HOUSE. 840 00:42:17,569 --> 00:42:19,085 LUDWIG IS DEAD. 841 00:42:19,120 --> 00:42:20,566 ARE YOU SURE? 842 00:42:20,601 --> 00:42:22,751 THEY DON'T GET ANY STIFFER. 843 00:42:22,786 --> 00:42:24,866 AND THERE'S A WOMAN WHO'S... 844 00:42:24,901 --> 00:42:27,634 OH, THEN YOU'VE HAD QUITE A SHOCK. 845 00:42:28,868 --> 00:42:32,334 A FEW CCs OF THIS WILL CALM YOU RIGHT DOWN. 846 00:42:32,369 --> 00:42:34,065 NO, THANKS. 847 00:42:34,100 --> 00:42:35,299 I'M SCARED OF NEEDLES. 848 00:42:35,334 --> 00:42:39,067 NOW, NOW. THERE'S NOTHING TO BE FRIGHTENED OF. 849 00:42:41,267 --> 00:42:42,399 YOU. 850 00:42:42,434 --> 00:42:44,265 YOU KILLED LUDWIG. 851 00:42:44,300 --> 00:42:46,466 YOU'LL FEEL A LITTLE TIGHTNESS IN THE CHEST. 852 00:42:46,501 --> 00:42:49,934 AND THEN IT'LL ALL BE OVER IN JUST A COUPLE MINUTES. 853 00:42:49,969 --> 00:42:51,866 AGNES? 854 00:42:51,901 --> 00:42:54,467 I'M AFRAID WE MAY HAVE TO RETHINK THE BUTLER PREMISE. 855 00:42:54,502 --> 00:42:57,234 HE KILLED LUDWIG. 856 00:42:57,269 --> 00:42:58,299 AH! 857 00:42:58,334 --> 00:42:59,599 HE GAVE ME NO CHOICE. 858 00:42:59,634 --> 00:43:03,167 HE GOT WIND OUR PLAN AND TRIED TO BLACKMAIL EMILY. 859 00:43:03,202 --> 00:43:04,884 WHITE HAIR... 860 00:43:04,919 --> 00:43:06,243 THE WHITE WIG... 861 00:43:06,278 --> 00:43:07,532 THAT'S EMILY. 862 00:43:07,567 --> 00:43:09,567 PERFECT ALIBI, WOULDN'T YOU AGREE? 863 00:43:09,602 --> 00:43:11,834 NOW SHE DOESN'T NEED ONE. 864 00:43:11,869 --> 00:43:14,032 YOU TWO WERE IN CAHOOTS, 865 00:43:14,067 --> 00:43:16,000 GASLIGHTING MARGARET, TRYING TO DRIVE 866 00:43:16,035 --> 00:43:17,934 HER CRAZY WITH ALL THIS GHOST STUFF. 867 00:43:17,969 --> 00:43:19,299 BUT WHY? 868 00:43:19,334 --> 00:43:21,234 YOU'VE JUST ANSWERED YOUR OWN QUESTION, MR. VIOLA- 869 00:43:21,269 --> 00:43:23,367 TO DRIVE HER CRAZY. 870 00:43:23,402 --> 00:43:25,368 I GET IT. 871 00:43:25,403 --> 00:43:27,299 YOU DO? 872 00:43:27,334 --> 00:43:29,332 AND IT'S VIOLA. 873 00:43:29,367 --> 00:43:30,883 THEY WERE DELIBERATELY TRYING 874 00:43:30,918 --> 00:43:32,400 TO PUSH MARGARET OVER THE EDGE. 875 00:43:32,435 --> 00:43:33,984 WHAT WAS THE PLAN THEN, 876 00:43:34,019 --> 00:43:35,593 TAKE OVER HER AFFAIRS, 877 00:43:35,628 --> 00:43:37,181 LIQUIDATE HER ASSETS? 878 00:43:37,216 --> 00:43:38,734 SOMETHING LIKE THAT. 879 00:43:39,868 --> 00:43:42,400 ENOUGH PEOPLE HAVE DIED ALREADY. 880 00:43:42,435 --> 00:43:43,567 HAND IT OVER, BEDDOWS. 881 00:43:45,968 --> 00:43:48,400 YES, IT HAS GOTTEN MESSY. 882 00:43:48,435 --> 00:43:50,499 SHAME. 883 00:43:50,534 --> 00:43:52,499 MURDER WAS NEVER PART OF THE PLAN. 884 00:43:52,534 --> 00:43:55,033 OH, REALLY? THEN WHY DID YOU KILL YOUR ACCOMPLICE? 885 00:43:55,068 --> 00:43:56,933 EMILY PANICKED. 886 00:43:56,968 --> 00:43:58,965 SHE HAD NO STOMACH FOR MURDER. 887 00:43:59,000 --> 00:44:01,000 WHEN MARGARET SHOT JAKE ACCIDENTALLY, 888 00:44:01,035 --> 00:44:03,734 SHE WANTED TO GO TO THE POLICE. 889 00:44:03,769 --> 00:44:05,734 NOW... 890 00:44:06,934 --> 00:44:08,199 WHO... 891 00:44:08,234 --> 00:44:10,701 WANTS TO GO FIRST? 892 00:44:10,736 --> 00:44:12,884 AAH! 893 00:44:12,919 --> 00:44:14,998 HERBERT! 894 00:44:15,033 --> 00:44:17,434 I SAID, BEAT IT! 895 00:44:23,534 --> 00:44:25,350 IT'S ALL OVER. 896 00:44:25,385 --> 00:44:27,167 I'M A DEAD MAN. 897 00:44:27,202 --> 00:44:29,032 YES. 898 00:44:29,067 --> 00:44:30,968 AS SOON AS I PUSH THE PLUNGER. 899 00:45:22,567 --> 00:45:24,132 WHERE ARE WE? 900 00:45:24,167 --> 00:45:28,834 LUDWIG SAID THIS PLACE WAS FILLED WITH HIDDEN ROOMS AND SECRET CORRIDORS. 901 00:45:48,334 --> 00:45:49,599 A SIMPLE TAPE RECORDING, 902 00:45:49,634 --> 00:45:51,133 ECHOING THROUGH THE HEATING DUCTS 903 00:45:51,168 --> 00:45:53,417 OF AN OLD PLACE LIKE THIS 904 00:45:53,452 --> 00:45:55,667 CAN BE VERY DISQUIETING. 905 00:45:56,901 --> 00:46:00,165 MRS. RENBOURN MUST BE LOADED. 906 00:46:00,200 --> 00:46:01,667 I MEAN, THE BODIES ARE REALLY STARTING 907 00:46:01,702 --> 00:46:02,632 TO PILE UP AROUND HERE. 908 00:46:02,667 --> 00:46:05,100 THIS HOUSE IS ALL I'M AFTER. 909 00:46:05,135 --> 00:46:07,065 THE HOUSE? 910 00:46:07,100 --> 00:46:11,033 I KNOW IT'S TOUGH TO QUALIFY FOR A MORTGAGE THESE DAYS, 911 00:46:11,068 --> 00:46:12,801 BUT THERE'S GOT TO BE AN EASIER WAY. 912 00:46:12,836 --> 00:46:14,468 NOT THE BUILDING, 913 00:46:14,503 --> 00:46:16,065 WHAT'S UNDERNEATH IT. 914 00:46:16,100 --> 00:46:18,701 LOOK, YOU'RE STANDING IN IT. 915 00:46:18,736 --> 00:46:19,901 GLOP? 916 00:46:19,936 --> 00:46:21,032 OIL. 917 00:46:21,067 --> 00:46:22,550 BLACK GOLD? 918 00:46:22,585 --> 00:46:23,998 TEXAS TEA? 919 00:46:24,033 --> 00:46:28,033 THIS HOUSE IS SITTING ON A LAKE OF HIGH-GRADE CRUDE. 920 00:46:28,068 --> 00:46:30,232 IT SEEPS IN THROUGH THE FOUNDATION. 921 00:46:30,267 --> 00:46:32,934 THE TAR THAT ONCE FELLED THE MIGHTY MASTODON 922 00:46:32,969 --> 00:46:35,434 IS GOING TO MAKE ME A VERY RICH MAN. 923 00:46:35,469 --> 00:46:36,934 WHEN THE PRICE COMES BACK UP. 924 00:46:45,634 --> 00:46:48,267 NICE TRY, BEDDOWS. 925 00:46:48,302 --> 00:46:49,934 NO CIGAR. 926 00:46:51,000 --> 00:46:52,132 HERBERT, 927 00:46:52,167 --> 00:46:53,933 THAT WAS GREAT, 928 00:46:53,968 --> 00:46:55,901 BUT HOW DID YOU GET THE LIGHTS OUT? 929 00:46:56,968 --> 00:46:59,501 I DIDN'T. I THOUGHT YOU DID. 930 00:46:59,536 --> 00:47:01,165 NO. 931 00:47:01,200 --> 00:47:03,817 WELL, IF NONE OF US DID IT... 932 00:47:03,852 --> 00:47:05,643 AND EVERYONE ELSE IS DEAD... 933 00:47:05,678 --> 00:47:07,434 Woman:* THE BLACK BOTTOM * 934 00:47:07,469 --> 00:47:08,766 * A NEW RHYTHM * 935 00:47:08,801 --> 00:47:10,067 * WHEN YOU SPOT HIM * 936 00:47:10,102 --> 00:47:11,432 * YOU GO WITH HIM * 937 00:47:11,467 --> 00:47:13,534 *ANDDO THAT BLACK, BLACK BOTTOM * 938 00:47:13,569 --> 00:47:17,200 * ALL THE DAY LONG ** 939 00:47:17,235 --> 00:47:19,133 VELMA? 940 00:47:29,501 --> 00:47:31,000 YOU BOTH HAVE A SEVERE TONGUE-LASHING COMING. 941 00:47:31,035 --> 00:47:32,332 NOW, I VOLUNTEERED TO TAKE YOUR PLACE, 942 00:47:32,367 --> 00:47:35,133 I EVEN OFFERED TO SHOWER, BUT SHE WOULDN'T HEAR OF IT. 943 00:47:35,168 --> 00:47:36,599 MISS DIPESTO, MR. VIOLA, 944 00:47:36,634 --> 00:47:39,634 WE JUST GOT A CHECK FOR $2,500 945 00:47:39,669 --> 00:47:41,432 FROM A MRS. RENBOURN, 946 00:47:41,467 --> 00:47:43,950 RETURN ADDRESS, HAPPY VALLEY PSYCHIATRIC HOSPITAL. 947 00:47:43,985 --> 00:47:46,434 THINK THE BANK WILL CASH A CHECK MADE OUT IN CRAYON? 948 00:47:46,469 --> 00:47:47,732 IT CAME WITH A LETTER 949 00:47:47,767 --> 00:47:49,684 THANKING ME FOR THE GOOD WORK 950 00:47:49,719 --> 00:47:51,566 MY ASSOCIATES MISS DIPESTO, 951 00:47:51,601 --> 00:47:54,033 MR. VIOLA DID IN SOLVING HER CASE. 952 00:47:54,068 --> 00:47:55,165 WOULD YOU MIND 953 00:47:55,200 --> 00:47:56,766 TELLING ME WHAT THIS IS ABOUT? 954 00:47:56,801 --> 00:47:59,000 I'M SORRY, MS. HAYES. IT'S MY FAULT. 955 00:47:59,035 --> 00:48:00,065 NO, IT'S OUR FAULT. 956 00:48:00,100 --> 00:48:01,334 WE HEARD YOU TURN DOWN THE RENBOURN CASE, 957 00:48:01,369 --> 00:48:02,351 AND WE WENT AFTER IT. 958 00:48:02,386 --> 00:48:03,743 AND YOU SOLVED IT? 959 00:48:03,778 --> 00:48:04,972 WELL, YES, I GUESS SO. 960 00:48:05,007 --> 00:48:06,132 WE CAUGHT THE MURDERER. 961 00:48:06,167 --> 00:48:08,167 AND EVERYBODY LIVED HAPPILY EVER AFTER. 962 00:48:08,202 --> 00:48:10,068 WELL, NO. ALMOST EVERYBODY DIED. 963 00:48:10,103 --> 00:48:12,368 WELL, YOU GOT TO START SOMEWHERE. 964 00:48:12,403 --> 00:48:14,599 WE'RE GETTING OFF THE SUBJECT. 965 00:48:14,634 --> 00:48:17,801 WHAT THE TWO OF YOU DID WAS BOTH FOOLISH AND DANGEROUS. 966 00:48:17,836 --> 00:48:18,899 WE KNOW. 967 00:48:18,934 --> 00:48:20,033 YOU WENT BEHIND MY BACK. 968 00:48:20,068 --> 00:48:20,998 WE KNOW. 969 00:48:21,033 --> 00:48:22,332 YOU MISREPRESENTED YOURSELF 970 00:48:22,367 --> 00:48:24,534 AND ENDANGERED THE PROFESSIONAL INTEGRITY OF THIS AGENCY. 971 00:48:24,569 --> 00:48:26,201 WE KNOW. 972 00:48:26,236 --> 00:48:27,968 I SHOULD FIRE YOU! 973 00:48:28,003 --> 00:48:29,585 BUT I'M NOT GOING TO. 974 00:48:29,620 --> 00:48:31,132 YOU'RE NOT? 975 00:48:31,167 --> 00:48:33,767 WHILE I DO NOT CONDONE WHAT YOU DID, 976 00:48:33,802 --> 00:48:36,367 I CAN'T HELP BUT ADMIRE YOUR INITIATIVE. 977 00:48:36,402 --> 00:48:37,566 YOU CAN'T? 978 00:48:37,601 --> 00:48:40,200 I CAN'T HELP BEING IMPRESSED... KIND OF. 979 00:48:40,235 --> 00:48:41,717 REALLY? 980 00:48:41,752 --> 00:48:43,165 REALLY! 981 00:48:43,200 --> 00:48:44,699 BUT I WANT YOU BOTH TO KNOW 982 00:48:44,734 --> 00:48:46,634 THAT SHOULD ANYTHING LIKE THIS HAPPEN AGAIN... 983 00:48:46,669 --> 00:48:48,334 OH, THIS WILL NEVER HAPPEN AGAIN. 984 00:48:48,369 --> 00:48:50,067 THAT'S ALL. 985 00:48:55,267 --> 00:48:57,098 OH, AND BY THE WAY, KIDS... 986 00:48:57,133 --> 00:48:59,567 YOUR COMMISSIONS WILL BE IN NEXT WEEK'S PAYCHECK. 987 00:49:18,801 --> 00:49:20,234 * MMM * 988 00:49:24,634 --> 00:49:29,284 * SOME WALK BY NIGHT * 989 00:49:29,319 --> 00:49:33,899 * SOME FLY BY DAY * 990 00:49:33,934 --> 00:49:38,566 * SOMETHING IS SWEETER... * 991 00:49:38,601 --> 00:49:41,599 CAPTIONING MADE POSSIBLE BY LIONS GATE HOME ENTERTAINMENT 992 00:49:41,634 --> 00:49:44,567 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE - www.ncicap.org- 993 00:49:44,617 --> 00:49:49,167 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 67025

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