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1
00:00:13,047 --> 00:00:15,347
UH, HON, YOU OK?
2
00:00:15,349 --> 00:00:17,282
THIS MOTION SENSOR
ALERT ON MY WATCH,
3
00:00:17,284 --> 00:00:19,585
IT KEEPS GOING OFF.
OHH...
4
00:00:19,587 --> 00:00:22,154
TURN THOSE NOTIFICATIONS
OFF, WOULD YOU?
5
00:00:22,156 --> 00:00:24,590
WHAT IF SOMEBODY'S
OUTSIDE?
6
00:00:24,592 --> 00:00:28,160
IT'S THE CAT.
IT'S ALWAYS THE CAT.
7
00:00:28,162 --> 00:00:31,330
I DON'T UNDERSTAND
HOW IT'S NOT THE DAMN CAT.
8
00:00:31,332 --> 00:00:33,365
OHH, IT'S 3:30
IN THE MORNING.
9
00:00:35,202 --> 00:00:38,237
THAT'S NOT THE CAT.
CALL 911.
10
00:00:38,239 --> 00:00:40,539
WAIT, TIM. LET'S CHECK.
11
00:00:40,541 --> 00:00:44,176
COME ON!
PLEASE LET ME IN!
12
00:00:44,178 --> 00:00:46,445
PLEASE LET ME IN!
PLEASE...
13
00:00:46,447 --> 00:00:48,213
HNA SECURITY. HOW CAN WE HELP?
14
00:00:48,215 --> 00:00:50,082
WE HAVE A--
I DON'T KNOW--
15
00:00:50,084 --> 00:00:52,251
SOME CRAZY MAN
BANGING ON OUR DOOR.
16
00:00:52,253 --> 00:00:53,585
OK.
WE HAVE AN OFFICER
17
00:00:53,587 --> 00:00:54,753
ON THE WAY
TO YOUR ADDRESS.
18
00:00:54,755 --> 00:00:55,921
THIS LOOKS LIKE
HE'S IN TROUBLE,
19
00:00:55,923 --> 00:00:56,889
LIKE, REAL TROUBLE.
20
00:00:56,891 --> 00:00:57,990
MAYBE WE SHOULD
TRY TO HELP HIM.
21
00:00:57,992 --> 00:00:59,258
- NO.
- NO.
22
00:00:59,260 --> 00:01:01,060
FOR YOUR SAFETY,
DO NOT OPEN THE DOOR
23
00:01:01,062 --> 00:01:03,062
OR ENGAGE WITH THIS MAN.
24
00:01:03,064 --> 00:01:05,297
OH, MY GOD, TIM.
SOMEBODY IS AFTER HIM.
25
00:01:05,299 --> 00:01:06,265
WE HAVE TO--
26
00:01:06,267 --> 00:01:08,233
WE ARE NOT
OPENING THE DOOR.
27
00:01:08,235 --> 00:01:10,202
HE'S COMING!
PLEASE OPEN THE DOOR!
28
00:01:10,204 --> 00:01:12,771
PLEASE OPEN THE DOOR!
HE'S GONNA KILL US!
29
00:01:12,773 --> 00:01:18,043
PLEASE SAVE US!
30
00:01:18,045 --> 00:01:21,480
I'M TELLING
YOU, I DON'T WANT
A HOUSEWARMING PARTY.
31
00:01:21,482 --> 00:01:23,015
WHAT IS WRONG
WITH YOU?
32
00:01:23,017 --> 00:01:25,984
WHO DOESN'T LIKE
RIBBON-ADORNED
33
00:01:25,986 --> 00:01:27,820
POTTED PLANTS
AND VEGGIE CRUDITé
34
00:01:27,822 --> 00:01:29,655
AND HUMMUS WITH
YOUR FACE CARVED IN IT?
35
00:01:29,657 --> 00:01:32,157
DO YOU EVEN
FONDUE, BRO?
36
00:01:32,159 --> 00:01:34,693
WE'VE GOT BIGGER
FISH TO FRY HERE.
37
00:01:34,695 --> 00:01:36,829
IT'S LIFE AND DEATH,
38
00:01:36,831 --> 00:01:39,131
AND A HOUSEWARMING PARTY
JUST SEEMS STUPID.
39
00:01:39,133 --> 00:01:40,999
OOH, WHO'S THROWING
A HOUSEWARMING PARTY?
40
00:01:41,001 --> 00:01:42,434
OH, PLEASE SAY IT'S YOU.
41
00:01:42,436 --> 00:01:44,837
I'M DYING
FOR SOME FRIVOLITY, JOY,
AND SOME OVERPRICED SNACKS.
42
00:01:44,839 --> 00:01:49,208
NOT ME, OK?
LISA WANTS ONE.
43
00:01:49,210 --> 00:01:50,709
SHE WANTS TO GET TO KNOW
44
00:01:50,711 --> 00:01:52,177
ALL OF YOU GUYS
A LITTLE BETTER.
45
00:01:52,179 --> 00:01:54,246
IN FACT, YOU'RE THE
ONLY ONES INVITED.
46
00:01:54,248 --> 00:01:57,449
I THINK SOMEONE IS
AFRAID OF FORMAL GESTURES
47
00:01:57,451 --> 00:01:59,885
THAT MIGHT INSINUATE
A COMMITMENT.
48
00:01:59,887 --> 00:02:02,788
OH, IS THAT
NOT THE KETEL ONE
49
00:02:02,790 --> 00:02:04,423
CALLING
THE POT BLACK?
50
00:02:04,425 --> 00:02:07,159
HEY, I'M A REFORMED KETTLE,
AND WHAT IS IT THEY SAY?
51
00:02:07,161 --> 00:02:09,795
THE FOURTH TIME'S
THE CHARM.
52
00:02:09,797 --> 00:02:11,597
WHAT ARE YOU
GUYS TALKING ABOUT?
53
00:02:11,599 --> 00:02:13,198
OH, HEY, LUKE'S
THROWING A HOUSEWARMING PARTY.
54
00:02:13,200 --> 00:02:15,834
NO. I'M NOT HAVING
A HOUSEWARMING PARTY.
55
00:02:15,836 --> 00:02:18,170
WHAT? I LOVE A GOOD
HOUSEWARMING PARTY.
56
00:02:18,172 --> 00:02:20,839
MATT, HELP ME OUT, PLEASE.
57
00:02:20,841 --> 00:02:23,442
UH, WHAT DOES
LISA WANT?
58
00:02:25,980 --> 00:02:27,679
LISA WANTS
A PARTY.
59
00:02:27,681 --> 00:02:29,414
YEAH. YOU'RE THROWING
THE PARTY, DUDE.
60
00:02:29,416 --> 00:02:31,216
MM-HMM.
OH...
61
00:02:31,218 --> 00:02:32,484
LET'S MEET
IN THE ROUND TABLE.
62
00:02:32,486 --> 00:02:34,253
WE HAVE A CASE.
63
00:02:34,255 --> 00:02:36,288
LISA PUT YOU UP
TO THIS, DIDN'T SHE?
64
00:02:36,290 --> 00:02:38,490
MM! MM!
65
00:02:38,492 --> 00:02:40,492
TAKE A LOOK AT THIS.
66
00:02:40,494 --> 00:02:42,294
HE'S COMING! HE'S COMING!
PLEASE OPEN THE DOOR!
67
00:02:42,296 --> 00:02:44,463
PLEASE HELP US!
HE'S GONNA KILL US!
68
00:02:44,465 --> 00:02:46,999
PLEASE SAVE US!
69
00:02:47,001 --> 00:02:48,500
PORTLAND, OREGON, PD
NEEDS OUR HELP
70
00:02:48,502 --> 00:02:49,902
LOCATING THIS MAN.
71
00:02:49,904 --> 00:02:51,770
THEY BELIEVE THE ABDUCTION
MIGHT BE CONNECTED
72
00:02:51,772 --> 00:02:53,372
TO A LOCAL COUPLE
WHO WERE KILLED
73
00:02:53,374 --> 00:02:54,973
IN THEIR HOME LAST WEEK.
74
00:02:54,975 --> 00:02:56,875
THAT FIRST COUPLE
WAS FOUND BOUND
75
00:02:56,877 --> 00:02:58,844
WITH DUCT TAPE ON
THEIR HEADS, NECKS,
76
00:02:58,846 --> 00:03:00,379
WRISTS, AND HANDS.
77
00:03:00,381 --> 00:03:03,115
BOTH CRIMES INVOLVE DUCT TAPE,
AND DUCT TAPE IS PRETTY COMMON.
78
00:03:03,117 --> 00:03:05,384
YEAH, BUT ABDUCTING
COUPLES ISN'T.
79
00:03:05,386 --> 00:03:07,452
I MEAN, “SAVE US.
HELP US”?
80
00:03:07,454 --> 00:03:09,788
THERE'S DEFINITELY
ANOTHER ABDUCTEE
81
00:03:09,790 --> 00:03:11,356
ASSOCIATED WITH
THIS SECOND VICTIM.
82
00:03:11,358 --> 00:03:12,691
WELL, THIS GUY IS BAREFOOT
83
00:03:12,693 --> 00:03:14,126
AND WEARING BOXER SHORTS,
84
00:03:14,128 --> 00:03:15,460
SO EITHER THE UNSUB
SURPRISED THEM IN BED
85
00:03:15,462 --> 00:03:17,262
OR THIS COULD BE
A SEXUAL ENCOUNTER GONE WRONG.
86
00:03:17,264 --> 00:03:18,964
IF THIS STARTS
AS CONSENSUAL,
87
00:03:18,966 --> 00:03:20,532
IT CERTAINLY
DOESN'T STAY THAT WAY.
88
00:03:20,534 --> 00:03:21,867
THIS GUY FIGHTS
FOR HIS FREEDOM,
89
00:03:21,869 --> 00:03:23,235
FLED FOR HIS LIFE
INSTEAD OF GOING BACK
90
00:03:23,237 --> 00:03:24,803
FOR HIS PARTNER.
91
00:03:24,805 --> 00:03:27,339
MUST BE SOME SADISTIC GAMES
THIS UNSUB'S PLAYING.
92
00:03:27,341 --> 00:03:29,141
OK. I HATE TO SAY IT,
93
00:03:29,143 --> 00:03:31,643
BUT THE OTHER VICTIM
COULD BE DEAD,
94
00:03:31,645 --> 00:03:33,645
OR MAYBE THEY SPLIT
UP, AND THIS GUY
95
00:03:33,647 --> 00:03:35,781
WAS LUCKY ENOUGH
TO GET ON CAMERA.
96
00:03:35,783 --> 00:03:37,816
DID THEY USE
FACIAL RECOGNITION
TO I.D. THE VICTIM?
97
00:03:37,818 --> 00:03:39,718
YEAH, BUT
NOTHING'S COME UP YET.
98
00:03:39,720 --> 00:03:40,953
SO WE HAVE
TWO CONFIRMED MURDERS
99
00:03:40,955 --> 00:03:42,321
AND TWO MORE
POTENTIAL ONES.
100
00:03:42,323 --> 00:03:43,989
WE'RE GONNA HAVE TO MOVE
FAST TO STOP HIM.
101
00:03:43,991 --> 00:03:46,558
FORTUNATELY, WE WILL HAVE
REINFORCEMENTS ON THIS CASE.
102
00:03:46,560 --> 00:03:48,026
WHEELS UP.
103
00:03:48,028 --> 00:03:50,429
REINFORCEMENTS?
WHAT REINFORCEMENTS?
HIM.
104
00:03:50,431 --> 00:03:52,197
WAIT. YOU'RE BACK?
105
00:03:52,199 --> 00:03:53,532
WHY ARE YOU BACK?
WHAT HAPPENED?
106
00:03:53,534 --> 00:03:54,900
NOTHING HAPPENED.
107
00:03:54,902 --> 00:03:56,034
THE SEMINAR WRAPPED EARLY,
AND I MISSED YOU GUYS.
108
00:03:56,036 --> 00:03:57,502
WELL, YOU'RE JUST
IN TIME TO HELP US
109
00:03:57,504 --> 00:03:59,071
REEL IN A NASTY ONE.
110
00:03:59,073 --> 00:04:00,472
WE'LL BRIEF YOU ON
THE WAY TO THE JET. LET'S GO.
111
00:04:00,474 --> 00:04:01,707
AND WE'LL
CATCH UP LATER.
112
00:04:01,709 --> 00:04:03,909
GO, MIGHTY
PROFESSOR. GO!
113
00:04:10,117 --> 00:04:15,153
J.P., ARE YOU AWAKE?
CAN YOU HEAR ME?
114
00:04:15,155 --> 00:04:17,155
YEAH.
115
00:04:17,157 --> 00:04:19,491
DID ANYONE SEE YOU?
116
00:04:19,493 --> 00:04:22,160
WHEN YOU
GOT OUT, DID ANYONE--
117
00:04:22,162 --> 00:04:24,396
PLEASE SAY YES.
118
00:04:24,398 --> 00:04:26,798
I--I DON'T KNOW.
119
00:04:26,800 --> 00:04:29,768
I TRIED.
I TRIED, I SWEAR.
120
00:04:29,770 --> 00:04:32,638
HOW BAD DOES IT HURT?
121
00:04:32,640 --> 00:04:34,539
IT'S BAD.
122
00:04:34,541 --> 00:04:39,344
OHH. I'M REALLY SCARED.
123
00:04:39,346 --> 00:04:43,015
I AM, TOO.
124
00:04:43,017 --> 00:04:46,251
I LOVE YOU. I NEED
YOU TO KNOW THAT.
125
00:04:46,253 --> 00:04:48,287
IF WE DON'T GET OUT OF HERE,
I NEED YOU TO KNOW THAT, OK?
126
00:04:48,289 --> 00:04:50,322
DON'T SAY THAT.
127
00:04:50,324 --> 00:04:52,724
OH, NO. WAIT.
128
00:04:52,726 --> 00:04:55,694
WAIT. IS THAT--
OH, GOD.
129
00:04:58,132 --> 00:05:02,067
DON'T DO THIS. WAIT.
OH, WAIT. DON'T--
130
00:05:02,069 --> 00:05:04,469
NOT AGAIN.
NOT AGAIN.
131
00:05:04,471 --> 00:05:06,805
NO, NO, NO.
NOT AGAIN.
132
00:05:06,807 --> 00:05:09,441
NIK, NIK, LOOK AT ME.
133
00:05:09,443 --> 00:05:10,909
NO. THIS ISN'T FAIR.
WE DIDN'T DO ANYTHING.
134
00:05:10,911 --> 00:05:12,210
NIK, LOOK AT ME,
PLEASE!
135
00:05:12,212 --> 00:05:13,612
NIK, LOOK AT ME.
136
00:05:13,614 --> 00:05:16,948
YOU'RE THE LAST THING
THAT I WANT TO SEE, OK,
137
00:05:16,950 --> 00:05:20,786
YOU'RE THE LAST THING
THAT I WANT TO SEE.
138
00:05:20,788 --> 00:05:22,654
NO. THIS ISN'T FAIR.
139
00:05:22,656 --> 00:05:24,323
DON'T DO THIS.
JUST DON'T DO THIS.
DON'T. PLEASE.
140
00:05:24,325 --> 00:05:26,325
DON'T DO THIS.
141
00:05:28,662 --> 00:05:32,731
STOP!
AAH! AAH...
142
00:05:57,658 --> 00:06:00,959
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
143
00:06:07,807 --> 00:06:09,240
J.J., VOICE-OVER:
“REVENGE, THE SWEETEST MORSEL
144
00:06:09,242 --> 00:06:12,643
TO THE MOUTH THAT
EVER WAS COOKED IN HELL.”
145
00:06:12,645 --> 00:06:14,445
SIR WALTER SCOTT.
146
00:06:14,447 --> 00:06:16,614
STILL NO I.D. ON THE MAN
IN THE VIDEO
147
00:06:16,616 --> 00:06:18,549
OR ANY OTHER POTENTIAL
VICTIMS,
148
00:06:18,551 --> 00:06:20,651
SO WE SHOULD START
BY LOOKING AT THE FILES
149
00:06:20,653 --> 00:06:23,254
ON OUR MURDERED COUPLE
FROM A WEEK AGO.
150
00:06:23,256 --> 00:06:25,055
WE NEED TO CONFIRM
A CONNECTION.
151
00:06:25,057 --> 00:06:26,457
GARCIA, ON VIDEO CONFERENCE:
ON YOUR TABLETS, YOU'LL SEE
152
00:06:26,459 --> 00:06:29,527
WILLIAM AND SARAH MENDELBAUM
OF PERRI PARK.
153
00:06:29,529 --> 00:06:32,863
WILLIAM WAS A BELOVED
DOCTOR IN THE COMMUNITY.
154
00:06:32,865 --> 00:06:34,398
HE RETIRED 3 YEARS AGO.
155
00:06:34,400 --> 00:06:37,935
AND SARAH VOLUNTEERED AT
A LOCAL BIRD SANCTUARY.
156
00:06:37,937 --> 00:06:40,037
BOTH OF THEM WERE
IN THEIR EARLY 60s.
157
00:06:40,039 --> 00:06:42,239
DRASTICALLY DIFFERENT
PHYSICAL VICTIMOLOGY
158
00:06:42,241 --> 00:06:44,241
THAN THE GUY
WE SAW LAST NIGHT,
159
00:06:44,243 --> 00:06:45,843
WHO WAS--
I DON'T KNOW--
160
00:06:45,845 --> 00:06:47,745
IN HIS LATE 20s,
EARLY 30s.
161
00:06:47,747 --> 00:06:49,613
THE DUCT TAPE
TELLS THE TALE.
162
00:06:49,615 --> 00:06:51,649
THE FIRST COUPLE WAS
BOUND AROUND THE WRIST,
163
00:06:51,651 --> 00:06:53,150
ANKLES, AND NECK.
164
00:06:53,152 --> 00:06:54,985
SO WAS OUR GUY
IN THE VIDEO.
165
00:06:54,987 --> 00:06:56,587
THIS HAD GOT TO BE
THE SAME UNSUB.
166
00:06:56,589 --> 00:06:58,055
THE M.E. DETERMINED
THE WEAPON TO BE
167
00:06:58,057 --> 00:06:59,356
SOME KIND OF
A HUNTING KNIFE.
168
00:06:59,358 --> 00:07:01,425
ON THE MENDELBAUMS,
WE HAVE 5 STAB WOUNDS
169
00:07:01,427 --> 00:07:04,595
ON EACH--3 ON THE TORSO
AND TWO ON THEIR NECKS.
170
00:07:04,597 --> 00:07:05,930
THEIR EYEBROWS
WERE SINGED,
171
00:07:05,932 --> 00:07:07,364
THEIR EYELASHES
COMPLETELY BURNED OFF.
172
00:07:07,366 --> 00:07:09,433
THE TIPS OF THEIR EYEBALLS
WERE SEVERELY BURNED,
173
00:07:09,435 --> 00:07:11,335
AND THE SKIN AROUND THEIR EYES
SUSTAINED SECOND-DEGREE BURNS
174
00:07:11,337 --> 00:07:12,736
ANTEMORTEM.
175
00:07:12,738 --> 00:07:14,138
WHATEVER IT WAS
THAT BURNED THEM
176
00:07:14,140 --> 00:07:15,806
COULDN'T BE FOUND
AT THE SCENE.
177
00:07:15,808 --> 00:07:17,107
YEAH. MUST BE
178
00:07:17,109 --> 00:07:18,742
FROM SOME KIND OF
LOCALIZED HEAT SOURCE,
179
00:07:18,744 --> 00:07:20,778
MAYBE A LIGHTER
OR BUTANE TORCH,
180
00:07:20,780 --> 00:07:24,281
SOMETHING SO FINITE
AND PRECISE THAT HE
181
00:07:24,283 --> 00:07:27,952
DIDN'T MELT THE EYEBALLS
OR DESTROY THE EYE SOCKETS.
182
00:07:27,954 --> 00:07:30,521
GARCIA, CAN YOU SHOW US
THE VIDEO FROM LAST NIGHT?
183
00:07:30,523 --> 00:07:33,023
UNFORTUNATELY, I CAN.
184
00:07:33,025 --> 00:07:36,493
HELP! HELP!
PLEASE LET ME IN!
185
00:07:36,495 --> 00:07:38,629
PAUSE IT
RIGHT THERE.
186
00:07:38,631 --> 00:07:40,698
HIS LEFT CORNEA.
YOU GUYS SEE THAT?
187
00:07:40,700 --> 00:07:42,666
EASILY WRITTEN OFF
AS REFLECTOR GLOW
188
00:07:42,668 --> 00:07:44,134
FROM LOW-LIGHT
VIDEO CONDITIONS,
189
00:07:44,136 --> 00:07:45,936
BUT I THINK
THE UNSUB BURNED IT,
190
00:07:45,938 --> 00:07:47,204
AND THE SKIN
AROUND THE AREA
191
00:07:47,206 --> 00:07:48,806
ISN'T AFFECTED LIKE
ON THE MENDELBAUMS.
192
00:07:48,808 --> 00:07:50,307
HE'S GETTING
BETTER AT THIS.
193
00:07:50,309 --> 00:07:51,775
EXCEPT HE LOST CONTROL
OF HIS VICTIM LAST NIGHT,
194
00:07:51,777 --> 00:07:53,177
SO HE'S NOT THAT GOOD.
195
00:07:53,179 --> 00:07:54,712
WHEN WE LAND,
SPENCER, J.J., MATT,
196
00:07:54,714 --> 00:07:56,180
GO TO THE MENDELBAUM
CRIME SCENE.
197
00:07:56,182 --> 00:07:57,881
THE REST OF US WILL SET UP
AT THE LOCAL PD.
198
00:07:57,883 --> 00:07:59,783
LET'S HOPE WE FIND
THIS UNSUB
199
00:07:59,785 --> 00:08:01,952
BEFORE HE PERFECTS
HIS TECHNIQUE.
200
00:08:03,990 --> 00:08:06,056
SO THE FIRST VICTIMS,
THE MENDELBAUMS,
201
00:08:06,058 --> 00:08:07,725
THEY LIVED UP HERE
IN THE WEST,
202
00:08:07,727 --> 00:08:10,260
AND THEN THE ALDRIDGE HOUSE,
WHERE THE SECOND VICTIM
203
00:08:10,262 --> 00:08:12,830
RANG THE DOORBELL
WAS DOWN HERE IN THE SOUTH,
204
00:08:12,832 --> 00:08:14,865
SO WHAT ARE THESE
TWO NEIGHBORHOODS LIKE?
205
00:08:14,867 --> 00:08:16,467
BOTH QUIET.
206
00:08:16,469 --> 00:08:18,402
THE SOUTH PART IS
ADJACENT TO DOWNTOWN,
207
00:08:18,404 --> 00:08:20,170
AND THE WEST PART
IS MORE WELL-TO-DO
208
00:08:20,172 --> 00:08:21,605
AND SECLUDED
IN THE HILLS.
209
00:08:21,607 --> 00:08:23,507
BUT THE BLOOD TRAIL
FOUND AT THE ALDRIDGES'
210
00:08:23,509 --> 00:08:25,109
WENT FROM THE PORCH
TO THE CURB,
211
00:08:25,111 --> 00:08:27,611
SO OUR UNSUB HAD
A WAITING VEHICLE,
212
00:08:27,613 --> 00:08:29,713
BUT WHICH DIRECTION DID
OUR VICTIM COME FROM?
213
00:08:29,715 --> 00:08:31,815
WELL, OUR GUY HAD MUD
ON HIS FEET.
214
00:08:31,817 --> 00:08:34,852
HOW HE GOT THAT WOULD
ANSWER YOUR QUESTION, EMILY.
215
00:08:34,854 --> 00:08:36,754
THE WEST
PART IS RIGHT AT THE EDGE
216
00:08:36,756 --> 00:08:38,656
OF A HUGE
WOODED FOREST.
217
00:08:38,658 --> 00:08:40,457
ALL RIGHT. SO THAT MEANS
OUR VICTIM WOULD HAVE HAD
218
00:08:40,459 --> 00:08:42,660
TO HAVE APPROACHED
THROUGH HERE
219
00:08:42,662 --> 00:08:44,628
FROM THIS NEIGHBORHOOD,
I'M ASSUMING. ROXY HEIGHTS?
220
00:08:44,630 --> 00:08:45,996
THAT WOULD TRACK.
221
00:08:45,998 --> 00:08:47,965
WAIT. IF HE WOULD'VE
JUST MADE A RIGHT
222
00:08:47,967 --> 00:08:49,667
WHEN HE CAME OUT
OF THE CUL-DE-SAC,
223
00:08:49,669 --> 00:08:52,169
HE WOULD'VE RUN SMACK DAB
INTO A POLICE SUBSTATION.
224
00:08:52,171 --> 00:08:53,637
HE WOULD'VE BEEN SAVED.
225
00:08:53,639 --> 00:08:55,539
MAYBE HE
DIDN'T KNOW THE AREA.
226
00:08:55,541 --> 00:08:57,241
IT'S NOT
LIKE WE KEPT IT A SECRET.
227
00:08:57,243 --> 00:08:59,209
WE DO ALL KINDS
OF NEIGHBORHOOD OUTREACH.
228
00:08:59,211 --> 00:09:01,278
NO. IT CHANGES
OUR PROFILE.
229
00:09:01,280 --> 00:09:03,814
HE PICKED A VICTIM OR,
MORE LIKELY, A COUPLE
230
00:09:03,816 --> 00:09:05,416
THAT ISN'T LOCAL.
231
00:09:05,418 --> 00:09:07,117
IF THEY'RE HARD TO FIND,
HE'S HARD TO FIND.
232
00:09:07,119 --> 00:09:09,620
SO WAS THAT ON PURPOSE,
OR DID HE JUST GET LUCKY?
233
00:09:09,622 --> 00:09:11,655
MAYBE THE MENDELBAUM
CRIME SCENE
234
00:09:11,657 --> 00:09:14,258
WILL HELP US
FIGURE THAT OUT.
235
00:09:14,260 --> 00:09:17,928
THANK YOU FOR LETTING US
INTO YOUR PARENTS' HOME.
236
00:09:17,930 --> 00:09:19,496
ARE YOU GONNA CATCH
THE SON OF A BITCH
237
00:09:19,498 --> 00:09:21,265
THAT DID THIS TO THEM?
238
00:09:21,267 --> 00:09:24,601
WELL, WE WON'T LEAVE
UNTIL WE DO.
239
00:09:24,603 --> 00:09:27,604
SO HOW LONG DID YOUR DAD
PRACTICE MEDICINE HERE?
240
00:09:27,606 --> 00:09:31,475
35 YEARS,
RETIRED FOR ONLY 3.
241
00:09:31,477 --> 00:09:33,444
IT'S QUITE A LEGACY.
242
00:09:33,446 --> 00:09:36,513
CAN YOU THINK OF
ANYONE WHO WOULD WANT
243
00:09:36,515 --> 00:09:38,949
TO HURT HIM
OR YOUR MOM?
244
00:09:38,951 --> 00:09:41,652
NO. MY DAD WAS
A PEDIATRICIAN.
245
00:09:41,654 --> 00:09:45,956
EVERYONE LOVED HIM
AND MY MOM.
246
00:09:45,958 --> 00:09:51,061
I DON'T GET IT.
WHY--
247
00:09:52,832 --> 00:09:54,531
WHY WHAT?
248
00:09:54,533 --> 00:09:57,234
WHEN MY PARENTS WOULDN'T
ANSWER MY CALLS OR TEXTS,
249
00:09:57,236 --> 00:10:00,838
I CAME OVER
TO CHECK ON THEM, AND--
250
00:10:00,840 --> 00:10:03,640
YOU FOUND THE BODIES.
251
00:10:03,642 --> 00:10:07,544
YEAH, BUT
BEFORE I DID,
252
00:10:07,546 --> 00:10:09,980
THE WHOLE HOUSE
WAS DARK.
253
00:10:09,982 --> 00:10:12,015
I WAS STUMBLING AROUND,
TRYING TO FIND THEM,
254
00:10:12,017 --> 00:10:14,017
AND WHEN I GOT
TO THE FUSE BOX,
255
00:10:14,019 --> 00:10:16,153
ALL THE BREAKERS
WERE TRIPPED.
256
00:10:16,155 --> 00:10:19,156
SO THE KILLER TURNED OFF
ALL THE LIGHTS.
257
00:10:19,158 --> 00:10:20,858
THIS WASN'T IN
THE POLICE REPORT.
258
00:10:20,860 --> 00:10:22,793
DID YOU TELL THEM?
259
00:10:22,795 --> 00:10:25,062
IS IT IMPORTANT?
260
00:10:25,064 --> 00:10:26,864
UH, IT MIGHT BE.
261
00:10:28,734 --> 00:10:31,902
UH, EXCUSE ME.
262
00:10:36,642 --> 00:10:39,309
SO WE RULED OUT
THE SON, RIGHT?
263
00:10:39,311 --> 00:10:41,211
YEAH. HE WAS HOME
ALL NIGHT. WHY?
264
00:10:41,213 --> 00:10:43,247
WELL, THE UNSUB CUT
THE POWER TO THE HOUSE,
265
00:10:43,249 --> 00:10:45,449
AND RAY DIDN'T MENTION IT
TO THE POLICE.
266
00:10:45,451 --> 00:10:47,551
IT'S ODD, BUT HE DID JUST
LOSE BOTH HIS PARENTS.
267
00:10:47,553 --> 00:10:49,153
AND THAT TRACKS
WITH WHAT WE FOUND.
268
00:10:49,155 --> 00:10:50,320
WELL, WHAT
DID YOU FIND?
269
00:10:50,322 --> 00:10:51,588
WELL, THE UNSUB
SECURED THEM HERE
270
00:10:51,590 --> 00:10:52,956
AND NOT VERY WELL.
271
00:10:52,958 --> 00:10:54,024
HOW CAN YOU TELL?
272
00:10:54,026 --> 00:10:55,459
BUTANE BURNS
ON THE TABLE.
273
00:10:55,461 --> 00:10:57,127
THEY SQUIRMED AS HE
BROUGHT THE LIGHTER DOWN.
274
00:10:57,129 --> 00:11:01,064
OK. WELL, WHY BLIND HIM,
THEN STAB?
275
00:11:01,066 --> 00:11:03,233
HE HAS THEM SECURE.
IT'S ALREADY DARK.
276
00:11:03,235 --> 00:11:04,968
WHAT IS HE TRYING
TO ACCOMPLISH?
277
00:11:04,970 --> 00:11:08,972
THIS.
SO WE ASKED THE POLICE
278
00:11:08,974 --> 00:11:12,810
TO DUST FOR PRINTS, BUT WE
WERE NOT EXPECTING THIS.
279
00:11:12,812 --> 00:11:14,545
OH, MY GOD.
280
00:11:14,547 --> 00:11:17,114
THE PRINTS ALL BELONG TO
MR. AND MRS. MENDELBAUM.
281
00:11:17,116 --> 00:11:20,150
YEAH.
THEY WERE TRYING
282
00:11:20,152 --> 00:11:23,053
TO FEEL THEIR WAY
AROUND BLIND.
283
00:11:23,055 --> 00:11:25,956
AND HE WAS WATCHING THEM
WITH HIS GOGGLES ON.
284
00:11:25,958 --> 00:11:28,325
HE WANTED TO SEE
THEM STRUGGLE.
285
00:11:28,327 --> 00:11:31,495
NO. HE WANTED TO
SEE THEM PANIC.
286
00:11:31,497 --> 00:11:35,065
HE WANTED THEM TO KNOW
THAT AT ANY POINT,
287
00:11:35,067 --> 00:11:37,935
HE COULD STAB THEM,
WHICH HE DID
288
00:11:37,937 --> 00:11:40,637
RIGHT THERE
AND THEN HERE.
289
00:11:40,639 --> 00:11:42,606
WE THOUGHT THAT LAST
NIGHT'S VICTIM GOT
LUCKY AND ESCAPED,
290
00:11:42,608 --> 00:11:44,842
BUT THIS CRIME SCENE
TELLS AN ENTIRELY
DIFFERENT STORY.
291
00:11:44,844 --> 00:11:47,845
YEAH. HE LET THEM
GO ON PURPOSE,
292
00:11:47,847 --> 00:11:49,780
FIRST IN A CONTROLLED
SETTING LIKE THIS,
293
00:11:49,782 --> 00:11:51,815
THEN OUT
IN THE WILD.
294
00:11:51,817 --> 00:11:53,750
SO LAST NIGHT'S VICTIM
DIDN'T GET LUCKY.
295
00:11:53,752 --> 00:11:57,387
NO. OUR UNSUB'S
A HUNTER.
296
00:12:03,162 --> 00:12:05,162
IT'S OK.
297
00:12:05,164 --> 00:12:07,831
BABY, IT'S--
IT'S OK.
298
00:12:09,501 --> 00:12:12,970
NIK, I CAN'T SEE.
299
00:12:12,972 --> 00:12:15,138
JUST...
I CAN'T SEE.
300
00:12:15,140 --> 00:12:17,474
FOCUS ON MY VOICE.
301
00:12:17,476 --> 00:12:19,343
I--I--
302
00:12:19,345 --> 00:12:21,345
THINK ABOUT THE PLACE
THAT WE MET.
303
00:12:21,347 --> 00:12:23,780
REMEMBER?
304
00:12:23,782 --> 00:12:26,550
BALBOA.
BALBOA ISLAND.
305
00:12:26,552 --> 00:12:30,687
REMEMBER THAT SUNSET?
OTHERWORLDLY, RIGHT?
306
00:12:30,689 --> 00:12:34,024
THE PINKS, THE BLUES.
307
00:12:34,026 --> 00:12:36,093
YEAH.
308
00:12:36,095 --> 00:12:38,528
I WAS HOPING THAT
IF YOU NOTICED ME
309
00:12:38,530 --> 00:12:42,466
NOTICING THEM, YOU'D
HAVE COFFEE WITH ME.
310
00:12:42,468 --> 00:12:45,535
IT WORKED.
IT DID.
311
00:12:45,537 --> 00:12:47,504
WHAT WAS THE NAME
OF THAT COFFEE SHOP?
312
00:12:47,506 --> 00:12:49,273
THE BALBOA ISLAND
COFFEE COMPANY.
313
00:12:49,275 --> 00:12:50,707
WE'RE GONNA GO
BACK THERE, OK?
314
00:12:50,709 --> 00:12:51,842
YEAH.
315
00:12:51,844 --> 00:12:52,976
I PROMISE YOU, WE'RE
GONNA MAKE IT BACK.
316
00:12:54,280 --> 00:12:55,846
SHH, SHH, SHH.
SHH, SHH, SHH.
317
00:12:55,848 --> 00:12:58,181
HE'S COMING.
SHH. HE'S COMING.
318
00:12:58,183 --> 00:13:01,351
I HEAR HIM.
SHH, SHH.
319
00:13:12,998 --> 00:13:16,733
UH...UH...
320
00:13:21,507 --> 00:13:23,373
NIK. NIK?
321
00:13:23,375 --> 00:13:25,142
NO. NO.
NIK?
322
00:13:25,144 --> 00:13:27,444
NO, NO.
IT'S MY TURN. HURT ME.
323
00:13:27,446 --> 00:13:30,147
HE'S GOT A KNIFE.
WHAT?
324
00:13:30,149 --> 00:13:33,183
OH...OH...OH...
325
00:13:40,859 --> 00:13:43,360
COME ON.
326
00:13:51,136 --> 00:13:54,871
GET UP.
327
00:13:57,843 --> 00:13:59,977
NOW LET'S SEE YOU
GET OUT OF HERE.
328
00:13:59,979 --> 00:14:02,145
GO ON. GET GOING.
329
00:14:02,147 --> 00:14:03,680
J.P.
330
00:14:03,682 --> 00:14:05,649
BASED ON THE VIDEO,
THE UNSUB'S GOGGLES
331
00:14:05,651 --> 00:14:07,384
USE A PROCESS
CALLED AMPLIFICATION
332
00:14:07,386 --> 00:14:08,785
WHICH INCREASES
THE AVAILABLE LIGHT
333
00:14:08,787 --> 00:14:10,787
IN ORDER TO MAKE IT BRIGHT
ENOUGH FOR EYES TO SEE IT.
334
00:14:10,789 --> 00:14:13,357
NOW, HE CAN SEE HIS VICTIMS,
BUT THEY CAN'T SEE HIM,
335
00:14:13,359 --> 00:14:15,158
BUT HERE'S THE PART
THAT DOESN'T MAKE SENSE.
336
00:14:15,160 --> 00:14:16,927
ONCE THEY'RE BLINDED,
337
00:14:16,929 --> 00:14:19,129
HE SHOULDN'T NEED
TO WEAR THAT ANYMORE.
338
00:14:19,131 --> 00:14:22,232
OR IT COULD BE SYMBOLIC, OR
HE'S MAKING A STATEMENT--
339
00:14:22,234 --> 00:14:24,735
COLORBLIND. LOVE IS BLIND,
BLIND JUSTICE.
340
00:14:24,737 --> 00:14:26,903
GARCIA,
YOU'RE ON SPEAKER.
341
00:14:26,905 --> 00:14:28,505
GARCIA, ON PHONE:
OOH, I LIVE FOR SPEAKER. OK.
342
00:14:28,507 --> 00:14:30,640
I HAVE FOUND
ADDITIONAL SECURITY FOOTAGE
343
00:14:30,642 --> 00:14:34,011
OF OUR VIDEO GUY RUNNING--
OR SHOULD I SAY SPRINTING?--
344
00:14:34,013 --> 00:14:36,346
PAST 3 HOUSES IN ROXY HEIGHTS.
345
00:14:36,348 --> 00:14:39,883
SENT IT TO YOUR TABLETS
EXACTLY NOW.
346
00:14:39,885 --> 00:14:42,619
WOW.
BUT HE'S REALLY MOVING.
347
00:14:42,621 --> 00:14:44,688
THIS IS AFTER TWO MILES
ACROSS OPEN FOREST,
348
00:14:44,690 --> 00:14:46,256
HE'S STILL SPRINTING.
349
00:14:46,258 --> 00:14:47,491
WELL, THAT COULD BE
JUST ADRENALINE,
350
00:14:47,493 --> 00:14:49,192
BUT THIS GUY'S GOT
PERFECT FORM.
351
00:14:49,194 --> 00:14:51,561
HE'S ALSO WEARING
AN EXERCISE WATCH.
352
00:14:51,563 --> 00:14:53,830
THIS VICTIM TRAINED REGULARLY.
353
00:14:53,832 --> 00:14:55,632
WELL, MAYBE HE'S
A RUNNER FROM OUT-OF-TOWN.
354
00:14:55,634 --> 00:14:57,434
ARE THERE ANY
UPCOMING MARATHONS?
355
00:14:57,436 --> 00:14:58,902
YES, TOMORROW.
356
00:14:58,904 --> 00:15:01,271
THERE'S A HALF-MARATHON
FOR BREAST CANCER RESEARCH.
357
00:15:01,273 --> 00:15:03,140
I'VE RUN IT
A FEW TIMES MYSELF
358
00:15:03,142 --> 00:15:04,674
IN MEMORY OF
MY AUNT JOYCE.
359
00:15:04,676 --> 00:15:07,377
GARCIA, I WANT YOU TO RUN
THE ENTRANTS' NAMES.
360
00:15:07,379 --> 00:15:09,513
CROSS-REFERENCE THEM
WITH THEIR BIB PHOTOS
361
00:15:09,515 --> 00:15:11,748
AND THE VIDEO STILLS
OF OUR MISSING MAN.
362
00:15:11,750 --> 00:15:14,117
LOOK FOR
ROMANTIC COUPLES
RUNNING TOGETHER,
363
00:15:14,119 --> 00:15:15,652
MARRIED OR DOMESTIC,
364
00:15:15,654 --> 00:15:17,554
SPANNING SEXUAL
PREFERENCE LINES.
365
00:15:17,556 --> 00:15:20,290
ALL OVER IT, BOSS, LIKE BEANIES
ON MAN BUNS ON HIPSTERS.
366
00:15:22,928 --> 00:15:24,361
OH. HERE WE GO.
367
00:15:24,363 --> 00:15:27,330
J.P. McCOY--32,
NIKKI PARENO--29,
368
00:15:27,332 --> 00:15:29,366
RECENTLY ENGAGED, FROM
HUNTINGTON BEACH, CALIFORNIA.
369
00:15:29,368 --> 00:15:31,535
HE'S A FINANCIAL PLANNER.
SHE'S A VET TECH.
370
00:15:31,537 --> 00:15:34,104
LOOKS LIKE THEY WERE STAYING
AT A HOME-SHARE RENTAL
371
00:15:34,106 --> 00:15:35,872
THEY GOT OFF COZYNEST.
372
00:15:35,874 --> 00:15:37,240
IT'S JUST LIKE AIRBnB.
373
00:15:37,242 --> 00:15:39,309
IT'S TEMPORARY RENTALS,
HAVING TO TRUST STRANGERS.
374
00:15:39,311 --> 00:15:41,445
IT'S PRETTY RISKY
IF YOU THINK ABOUT IT.
375
00:15:41,447 --> 00:15:43,413
ADDRESS SENT.
376
00:15:49,688 --> 00:15:51,855
NIK...
377
00:15:51,857 --> 00:15:54,391
NIK, IS HE GONE?
378
00:15:54,393 --> 00:15:55,826
I THINK SO.
379
00:15:55,828 --> 00:15:57,060
OK. YEAH.
380
00:15:57,062 --> 00:15:58,595
I GOT TO GET
YOU FREE.
381
00:15:58,597 --> 00:15:59,729
NO, NO, NO ,NO, NO.
NO. NO.
382
00:15:59,731 --> 00:16:01,364
HE'S GONNA BE
RIGHT BACK.
383
00:16:01,366 --> 00:16:03,900
PLEASE, J.P.
NOW IS YOUR CHANCE.
384
00:16:03,902 --> 00:16:05,969
I'LL TRY AND HELP YOU.
385
00:16:05,971 --> 00:16:11,208
THERE'S A STAIRCASE ABOUT
12 FEET AHEAD OF YOU.
386
00:16:11,210 --> 00:16:14,611
KEEP GOING. THAT'S IT.
387
00:16:14,613 --> 00:16:15,879
OK.
388
00:16:22,454 --> 00:16:24,988
LEWIS, ROSSI, TAKE THE BACK.
WAIT FOR MY MARK.
389
00:16:24,990 --> 00:16:26,289
NOW BE CAREFUL.
390
00:16:26,291 --> 00:16:27,691
TAKE THE HAND RAIL
391
00:16:27,693 --> 00:16:29,726
AND JUST TAKE ONE
STEP AT A TIME, OK?
392
00:16:29,728 --> 00:16:31,661
ONE STEP AT A TIME.
393
00:16:31,663 --> 00:16:34,331
MOVING INTO
POSITION.
394
00:16:36,335 --> 00:16:39,369
NIK, NIK, NIK,
I HEAR VOICES.
395
00:16:39,371 --> 00:16:41,571
YOU CAN DO THIS, J.P.
396
00:16:41,573 --> 00:16:43,373
JUST HEAD TOWARD
THEIR VOICES.
397
00:17:00,125 --> 00:17:02,425
OK. WE'RE READY.
398
00:17:13,372 --> 00:17:16,173
1, 2, 3.
399
00:17:25,184 --> 00:17:27,651
CLEAR.
400
00:17:29,221 --> 00:17:31,154
THEY'RE NOT HERE.
401
00:17:33,759 --> 00:17:35,926
UH!
HUH...
402
00:17:43,254 --> 00:17:46,622
HE CUT OFF THE POWER
HERE, AS WELL.
403
00:17:46,624 --> 00:17:48,457
THIS IS HOW
HE GAINS CONTROL.
404
00:17:48,459 --> 00:17:50,693
RIGHT. SO THEY RUN OUTSIDE
TO CHECK THE FUSE BOX.
405
00:17:50,695 --> 00:17:51,994
HE GETS INSIDE.
406
00:17:51,996 --> 00:17:53,496
THEY COME BACK IN,
AND THEY'RE IMMEDIATELY
407
00:17:53,498 --> 00:17:54,930
AT A DISADVANTAGE
IN THE DARK.
408
00:17:54,932 --> 00:17:56,165
JUST LIKE
THE MENDELBAUMS.
409
00:17:56,167 --> 00:17:57,533
YEAH, BUT THAT'S
WHERE IT ENDS.
410
00:17:57,535 --> 00:17:59,602
I MEAN, THERE'S NO STUMBLING
AROUND IN THE DARK HERE.
411
00:17:59,604 --> 00:18:01,704
THERE'S NO HANDPRINTS
AT ALL BEYOND THE USUAL.
412
00:18:01,706 --> 00:18:04,173
HE DID NOT
KILL THEM HERE.
413
00:18:04,175 --> 00:18:08,244
SO THE UNSUB MOVED THEM
TO A SECONDARY LOCATION.
414
00:18:08,246 --> 00:18:10,045
IT'S RISKY TO MOVE
TWO PEOPLE.
415
00:18:10,047 --> 00:18:12,014
WHY DO IT,
416
00:18:12,016 --> 00:18:14,183
AND HOW DO YOU DO IT
WITHOUT BEING SEEN?
417
00:18:14,185 --> 00:18:16,852
ALL RIGHT,
SO WE KNOW THIS GUY
418
00:18:16,854 --> 00:18:19,388
LIKES TO TAKE BIG RISKS,
WHICH HE'S DONE HERE
419
00:18:19,390 --> 00:18:21,590
BY COMING ALL THE WAY
ACROSS TOWN TO THIS HOUSE,
420
00:18:21,592 --> 00:18:23,025
BUT WE STILL
DON'T KNOW
421
00:18:23,027 --> 00:18:24,527
WHY THIS HOUSE
IS SO SPECIAL.
422
00:18:24,529 --> 00:18:26,562
ISRAEL KEYES EVADED
CAPTURE FOR DECADES
423
00:18:26,564 --> 00:18:28,764
BECAUSE HE
CRACKED THE CODE.
424
00:18:28,766 --> 00:18:30,533
RIGHT. DON'T KILL ANYBODY
CONNECTED TO YOU,
425
00:18:30,535 --> 00:18:32,701
AND DON'T KILL IN A SPACE
THAT CAN BE CONNECTED TO YOU.
426
00:18:32,703 --> 00:18:34,837
WELL, MAYBE THIS UNSUB
DID HIS RESEARCH
427
00:18:34,839 --> 00:18:37,206
AND FIGURED
THAT OUT, TOO.
428
00:18:37,208 --> 00:18:39,208
ALL RIGHT, SO MAYBE
THIS GUY'S SMART ENOUGH
429
00:18:39,210 --> 00:18:41,510
TO HAVE CREATED A SPECIAL
LAYER OF PROTECTION
430
00:18:41,512 --> 00:18:43,412
BY USING COZYNEST TO
FIND AND ATTACK STRANGERS,
431
00:18:43,414 --> 00:18:45,414
OR IT'S THE OPPOSITE,
AND THERE'S SOME KIND
432
00:18:45,416 --> 00:18:48,017
OF AN EMOTIONAL TIE
AND HE CHOSE THIS
HOUSE PURPOSEFULLY.
433
00:18:48,019 --> 00:18:50,453
YOUR DADDY
SAID YOU'RE SORT OF
434
00:18:50,455 --> 00:18:52,254
A NIGHT OWL AROUND
THE NEIGHBORHOOD.
435
00:18:52,256 --> 00:18:54,657
I HAVE A HARD TIME SLEEPING,
AND I LIKE THE NIGHT.
436
00:18:54,659 --> 00:18:57,326
ANYTHING HAPPEN LAST
NIGHT THAT'S A LITTLE
437
00:18:57,328 --> 00:18:59,161
OUT OF THE NORMAL
ROUTINE FOR AROUND HERE?
438
00:18:59,163 --> 00:19:00,729
OUR NEIGHBORS LIKE
TO RENT THEIR PLACE OUT
439
00:19:00,731 --> 00:19:01,997
ON COZYNEST,
SO IT'S ALWAYS
440
00:19:01,999 --> 00:19:03,799
A MIXED BAG
NEXT DOOR.
441
00:19:03,801 --> 00:19:06,936
WELL, DID YOU SEE
ANYONE COMING OR GOING?
442
00:19:06,938 --> 00:19:09,438
WELL, EARLIER,
I WAS IN MY ROOM,
443
00:19:09,440 --> 00:19:11,207
AND I SAW THE GUY
AND A GIRL COME HOME,
444
00:19:11,209 --> 00:19:12,608
MUST HAVE BEEN
FROM A RUN.
445
00:19:12,610 --> 00:19:13,843
WHAT ABOUT AFTER THAT?
446
00:19:13,845 --> 00:19:15,511
I THOUGHT THEY INVITED
A FRIEND OVER BECAUSE
447
00:19:15,513 --> 00:19:18,647
I SAW THIS GUY HELPING
THE RUNNER DUDE INTO A CAR.
448
00:19:18,649 --> 00:19:20,850
THE NEW GUY, WHAT
DID HE LOOK LIKE?
449
00:19:20,852 --> 00:19:22,685
DARK CLOTHES, A HOODIE.
450
00:19:22,687 --> 00:19:24,854
SOMETHING ABOUT HIM MADE ME
ASSUME HE WAS A DEALER,
451
00:19:24,856 --> 00:19:26,589
YOU KNOW?
452
00:19:26,591 --> 00:19:29,425
HE HAD THESE WEIRD
SUNGLASSES ON AND EVERYTHING.
453
00:19:29,427 --> 00:19:31,927
THESE SUNGLASSES, WHAT
WAS WEIRD ABOUT THEM,
454
00:19:31,929 --> 00:19:33,863
I MEAN, OTHER THAN HE
HAD THEM ON AT NIGHT?
455
00:19:33,865 --> 00:19:36,298
HAD SOMETHING
SHINY ON THEM,
456
00:19:36,300 --> 00:19:38,400
LIKE A STRIPE
OR SOMETHING.
457
00:19:38,402 --> 00:19:40,202
IT CAUGHT MY EYE WHEN
HE OPENED THE CAR DOOR
458
00:19:40,204 --> 00:19:42,004
AND THE OVERHEAD
LIGHT WENT ON.
459
00:19:42,006 --> 00:19:43,672
IF I WERE TO SHOW
YOU A PICTURE
460
00:19:43,674 --> 00:19:45,941
OF THESE SUNGLASSES, WOULD
YOU BE ABLE TO I.D. THEM?
461
00:19:45,943 --> 00:19:48,577
YEAH. SURE.
462
00:19:49,780 --> 00:19:51,614
THAT'S THEM.
463
00:19:51,616 --> 00:19:53,949
THANKS, MAN.
464
00:19:55,319 --> 00:19:57,486
WE NEED TO DELIVER
THE PROFILE.
465
00:19:59,590 --> 00:20:02,224
THE UNSUB WE'RE LOOKING FOR
IS BELIEVED TO BE A WHITE MALE
466
00:20:02,226 --> 00:20:05,928
IN HIS LATE 20s TO EARLY 30s
WHO IS VISUALLY IMPAIRED.
467
00:20:05,930 --> 00:20:07,663
NOW, BASED ON
EYEWITNESS CONFIRMATION,
468
00:20:07,665 --> 00:20:09,098
HE'S WEARING THESE.
469
00:20:09,100 --> 00:20:11,700
THEY'RE ELECTRONIC SUNGLASSES
THAT HELP HIM SEE IN THE DARK.
470
00:20:11,702 --> 00:20:14,236
SO HE'S BLIND? THAT
SHOULD MAKE HIM EASY TO FIND.
471
00:20:14,238 --> 00:20:16,405
NO. HE'S IMPAIRED,
NOT FULLY SIGHTLESS,
472
00:20:16,407 --> 00:20:18,040
AND WITH THE AID
OF THE GLASSES
473
00:20:18,042 --> 00:20:19,642
AND THE NIGHT-VISION
GOGGLES, HE MOST LIKELY
474
00:20:19,644 --> 00:20:21,510
HAS CLOSE
TO FULL VISION.
475
00:20:21,512 --> 00:20:24,113
WHAT'S MORE RELEVANT FOR
OUR PROFILE, HOWEVER,
476
00:20:24,115 --> 00:20:25,915
IS THAT BEHIND
THIS DISABILITY LURKS
477
00:20:25,917 --> 00:20:29,218
A PSYCHOPATH INCAPABLE
OF FEELING EMPATHY.
478
00:20:29,220 --> 00:20:31,287
BUT HIS RAGE OVER
HIS CONDITION
IS NOW EXTERNALIZED
479
00:20:31,289 --> 00:20:34,323
ON HIS VICTIMS,
INCLUDING ANYONE WHO
SHOWS HIM ANY EMPATHY.
480
00:20:34,325 --> 00:20:36,559
IT'S ALSO POSSIBLE
THAT THIS UNSUB HAS LEARNED
481
00:20:36,561 --> 00:20:38,594
HOW TO WEAPONIZE
HIS DISABILITY
482
00:20:38,596 --> 00:20:40,429
IN ORDER TO MAKE
HIMSELF SEEM
483
00:20:40,431 --> 00:20:42,031
LESS THREATENING
TO HIS VICTIMS.
484
00:20:42,033 --> 00:20:44,266
HOWEVER, THIS UNSUB
HAS LIMITED SOCIAL SKILLS.
485
00:20:44,268 --> 00:20:46,769
HIS DISABILITY HAS KEPT HIM
WITHDRAWN AND ISOLATED.
486
00:20:46,771 --> 00:20:48,971
THAT'S WHY HE'S TAKEN
HIS OWN IMPAIRMENT OUT
487
00:20:48,973 --> 00:20:50,506
ON HIS VICTIMS.
488
00:20:50,508 --> 00:20:53,208
HE WANTS THEM TO KNOW
WHAT IT'S LIKE TO BE HIM.
489
00:20:53,210 --> 00:20:55,711
BRINGING THEM TO HIS LEVEL
ALLOWS HIM TO DRAW OUT
490
00:20:55,713 --> 00:20:59,782
THE TORTURE AND ENGAGE
IN CAT-AND-MOUSE-TYPE
PLAY WITH THEM.
491
00:20:59,784 --> 00:21:01,550
PSYCHOPATHS
GET BORED EASILY.
492
00:21:01,552 --> 00:21:04,219
THAT'S WHY THEY TAKE
BIGGER AND BIGGER RISKS.
493
00:21:04,221 --> 00:21:06,255
THAT'S WHY HE RELEASED J.P.,
494
00:21:06,257 --> 00:21:08,591
AND WE EXPECT HIM TO CONTINUE
TO ESCALATE WITH NIKKI.
495
00:21:08,593 --> 00:21:09,992
WHAT DOES THAT
LOOK LIKE?
496
00:21:09,994 --> 00:21:11,860
IT COULD BE PRETENDING
TO CARE ABOUT HER
497
00:21:11,862 --> 00:21:13,896
OR PRETENDING TO LET HER GO
AFTER HE BLINDS HER.
498
00:21:13,898 --> 00:21:17,099
NIKKI MIGHT HAVE A CHANCE
IF SHE CAN PROVE THAT
499
00:21:17,101 --> 00:21:19,735
SHE SEES HIM AS A HUMAN BEING
INSTEAD OF A MONSTER,
500
00:21:19,737 --> 00:21:21,770
WHICH IS HOW HE FEELS.
501
00:21:23,608 --> 00:21:26,508
J.P., YOU MADE--
502
00:21:26,510 --> 00:21:28,911
OH...OH...
503
00:21:28,913 --> 00:21:32,648
OH...DID YOU
HURT HIM?
504
00:21:32,650 --> 00:21:35,184
DID YOU?
505
00:21:35,186 --> 00:21:38,387
OH, PLEASE. NO.
506
00:21:38,389 --> 00:21:40,956
OH...
507
00:21:44,362 --> 00:21:46,795
UH...
508
00:21:46,797 --> 00:21:49,732
UH...
509
00:21:49,734 --> 00:21:52,201
YOU DON'T
HAVE TO KILL ME.
510
00:21:52,203 --> 00:21:54,403
LET ME GO. I WON'T
SAY ANYTHING.
511
00:22:02,513 --> 00:22:04,713
LOOK AT ME.
512
00:22:07,084 --> 00:22:09,418
ARE YOU REPULSED BY ME?
513
00:22:12,089 --> 00:22:14,923
WHAT HAPPENED TO YOU?
514
00:22:14,925 --> 00:22:18,127
I WANT TO KNOW.
PLEASE TELL ME.
515
00:22:31,108 --> 00:22:32,608
WHOA.
516
00:22:32,610 --> 00:22:34,143
REID, ON PHONE:
WHAT'D YOU FIND, GARCIA?
517
00:22:34,145 --> 00:22:35,978
WELL, THE FIRST
TWO VICTIMS WERE
518
00:22:35,980 --> 00:22:37,980
VERY WELL-RESPECTED, JUST
LIKE THEIR SON REPORTED,
519
00:22:37,982 --> 00:22:40,716
BUT DR. MENDELBAUM WAS NOT
WITHOUT A CHECKERED PAST.
520
00:22:40,718 --> 00:22:43,085
I'M SENDING YOU
A NEWS CLIPPING NOW.
521
00:22:43,087 --> 00:22:46,221
YOU ARE, I'M SURE,
AWARE OF EXPOSURE THERAPY.
522
00:22:46,223 --> 00:22:48,290
IT'S A FORM OF COGNITIVE
BEHAVIORAL THERAPY
523
00:22:48,292 --> 00:22:49,825
THAT'S BEEN AROUND
SINCE THE 1950s IN WHICH
524
00:22:49,827 --> 00:22:52,594
A PATIENT IS FORCED
TO CONFRONT THEIR ANXIETIES.
525
00:22:52,596 --> 00:22:54,663
TAKE ARACHNOPHOBIA,
FOR INSTANCE.
526
00:22:54,665 --> 00:22:57,533
UNDER THE GUIDANCE OF A DOCTOR
AND/OR A PSYCHOLOGIST,
527
00:22:57,535 --> 00:22:59,668
A PATIENT IS METHODICALLY
INTRODUCED TO SPIDERS
528
00:22:59,670 --> 00:23:01,303
IN A CONTROLLED SETTING,
THE IDEA BEING THAT
529
00:23:01,305 --> 00:23:03,072
THE MORE FAMILIAR
THEY ARE WITH ARACHNIDS--
530
00:23:03,074 --> 00:23:04,573
THE LESS
YOU FEAR THEM.
531
00:23:04,575 --> 00:23:05,974
WELL, IT LOOKS LIKE
DR. MENDELBAUM
532
00:23:05,976 --> 00:23:07,910
WAS TRYING THIS OUT
WITH HIS PATIENTS.
533
00:23:07,912 --> 00:23:09,244
TWO--CORRECT
ME IF I'M WRONG,
534
00:23:09,246 --> 00:23:11,647
AND I WANT TO BE WRONG--
WERE CHILDREN, NO?
535
00:23:11,649 --> 00:23:13,248
THEY WERE, AND
EXPOSURE THERAPY WITH CHILDREN
536
00:23:13,250 --> 00:23:14,950
HAS TO BE ADMINISTERED
WITH EXTREME CARE,
537
00:23:14,952 --> 00:23:16,952
OR IT CAN BE INTERPRETED
AS NEGATIVE REINFORCEMENT,
538
00:23:16,954 --> 00:23:18,921
COMPOUNDING THE PROBLEM.
539
00:23:18,923 --> 00:23:20,422
RAY WITHHELD DETAILS
540
00:23:20,424 --> 00:23:22,891
ABOUT HIS PARENTS'
MURDER FROM THE POLICE.
541
00:23:22,893 --> 00:23:24,727
CONSCIOUSLY
OR UNCONSCIOUSLY,
542
00:23:24,729 --> 00:23:26,595
HE MAY HAVE FEARED
THAT THIS PLAYED
A PART IN IT.
543
00:23:26,597 --> 00:23:28,030
WELL, IF THE UNSUB WAS
ONE OF HIS DAD'S PATIENTS,
544
00:23:28,032 --> 00:23:29,798
HE MIGHT BE RIGHT.
545
00:23:29,800 --> 00:23:31,734
ONE OF THESE KIDS
TOOK HIS OWN LIFE
546
00:23:31,736 --> 00:23:34,570
ONLY AFTER A FEW SESSIONS
OF EXPOSURE THERAPY,
547
00:23:34,572 --> 00:23:37,039
BUT THAT WAS ENOUGH FOR
YOUR FATHER TO DISCONTINUE
548
00:23:37,041 --> 00:23:39,174
HIS WORK AND TAKE
A LEAVE OF ABSENCE.
549
00:23:39,176 --> 00:23:42,578
NO. THAT CASE HAS NOTHING TO DO
WITH WHAT HAPPENED TO MY FOLKS.
550
00:23:42,580 --> 00:23:44,279
WE SETTLED
WITH THE FAMILY.
551
00:23:44,281 --> 00:23:46,014
WE AGREE, BUT YOUR
PARENTS' KILLER
552
00:23:46,016 --> 00:23:48,016
COULD HAVE BEEN
ANOTHER KID
HE TREATED.
553
00:23:50,387 --> 00:23:52,788
RAY--
554
00:23:52,790 --> 00:23:55,224
RAY, WE KNOW YOUR
FATHER WAS A GOOD MAN
555
00:23:55,226 --> 00:23:57,693
AND A GOOD DOCTOR,
556
00:23:57,695 --> 00:23:59,862
THAT HE REGULARLY
GAVE FREE CHECKUPS,
557
00:23:59,864 --> 00:24:01,730
AND MEDICAL CARE
TO AT-RISK KIDS.
558
00:24:01,732 --> 00:24:04,199
EVEN GOOD MEN
MAKE MISTAKES.
559
00:24:04,201 --> 00:24:07,369
YOU NEED TO HELP US
FIX WHAT YOUR DAD DID
560
00:24:07,371 --> 00:24:09,371
BECAUSE RIGHT NOW,
HIS KILLER
561
00:24:09,373 --> 00:24:11,707
HAS TWO MORE VICTIMS
SOMEPLACE.
562
00:24:14,845 --> 00:24:18,614
HE KEPT DETAILED RECORDS.
WE STILL HAVE THEM.
563
00:24:18,616 --> 00:24:21,049
WE'RE GONNA NEED
TO SEE THOSE.
564
00:24:21,051 --> 00:24:23,886
WHAT DO YOU
WANT FROM ME?
565
00:24:23,888 --> 00:24:27,189
IS THERE SOMETHING
I CAN HELP YOU WITH?
566
00:24:35,499 --> 00:24:37,833
AAH!
567
00:24:37,835 --> 00:24:40,202
AAH!
568
00:24:51,215 --> 00:24:54,149
IS THIS
ANOTHER GAME?
569
00:24:54,151 --> 00:24:56,919
NO.
570
00:24:56,921 --> 00:24:59,688
NO MORE GAMES.
571
00:25:02,993 --> 00:25:04,560
YOU'RE GONNA BE MY EYES.
572
00:25:10,401 --> 00:25:12,968
HE KEPT ALL OF HIS
OLD PATIENT RECORDS,
573
00:25:12,970 --> 00:25:16,572
EVEN THE NOT
SO SUCCESSFUL ONES.
574
00:25:16,574 --> 00:25:20,810
HE WAS WRITING A MEMOIR
ABOUT HIS RESEARCH,
575
00:25:20,812 --> 00:25:23,646
EVEN ADMITTING HIS FAILURES,
IN HOPES TO FIND
576
00:25:23,648 --> 00:25:26,382
A BETTER WAY
TO HELP THESE KIDS.
577
00:25:26,384 --> 00:25:29,952
IF YOU DON'T MIND,
I'LL LEAVE YOU TO IT.
578
00:25:29,954 --> 00:25:31,654
HEY, UM...
579
00:25:31,656 --> 00:25:33,956
I KNOW THIS IS
REALLY HARD FOR YOU.
580
00:25:33,958 --> 00:25:35,858
WE REALLY
APPRECIATE IT.
581
00:25:38,663 --> 00:25:41,564
OH, TALK ABOUT
A NEEDLE IN A HAYSTACK.
582
00:25:41,566 --> 00:25:43,432
AND THEY'RE ANONYMIZED,
NO NAMES.
583
00:25:43,434 --> 00:25:46,635
HUH. OK, WELL,
A NEEDLE
IN AN OCEAN.
584
00:25:46,637 --> 00:25:51,107
SO ACCORDING TO GARCIA,
THE STUDY TOOK PLACE
585
00:25:51,109 --> 00:25:54,110
FROM THE LATE NINETIES
TO THE EARLY 2000s,
586
00:25:54,112 --> 00:25:55,544
SO LET'S JUST
PULL EVERYTHING
587
00:25:55,546 --> 00:25:56,812
FROM THAT
TIME FRAME.
588
00:25:56,814 --> 00:25:58,814
DR. MENDELBAUM SEEMED
TO FOCUS ON PATIENTS
589
00:25:58,816 --> 00:26:00,916
SUFFERING FROM
SEPARATION ANXIETY,
590
00:26:00,918 --> 00:26:02,952
WHICH IS A COMMON
CONDITION IN CHILDHOOD.
591
00:26:02,954 --> 00:26:04,687
AND THIS SORT OF THERAPY
CAN BE EFFECTIVE
592
00:26:04,689 --> 00:26:06,155
WITH PROPER SUPERVISION,
593
00:26:06,157 --> 00:26:08,357
BUT WITHOUT
THE PROPER GUIDANCE,
594
00:26:08,359 --> 00:26:09,825
IT CAN HAVE
THE OPPOSITE EFFECT.
595
00:26:09,827 --> 00:26:11,694
IT CAN TAKE
AN OTHERWISE EFFECTIVE
FORM OF THERAPY
596
00:26:11,696 --> 00:26:14,230
AND TURN IT INTO
AN ENDLESS FORM OF TORTURE.
597
00:26:14,232 --> 00:26:17,133
AND HOW WOULD THAT
ANXIETY MANIFEST?
598
00:26:17,135 --> 00:26:18,901
CRYING IN SCHOOL,
FEAR OF DROWNING,
599
00:26:18,903 --> 00:26:21,337
REFUSAL
TO SLEEP ALONE.
600
00:26:21,339 --> 00:26:23,272
FEAR OF THE DARK?
601
00:26:23,274 --> 00:26:25,141
ABSOLUTELY.
NYCTOPHOBIA.
602
00:26:25,143 --> 00:26:26,976
THIS FILE MIGHT
BE OUR UNSUB--
603
00:26:26,978 --> 00:26:29,445
NUMBER 20411.
604
00:26:29,447 --> 00:26:31,814
ONE OF THE PRIMARY
TREATMENTS
IS DESENSITIZATION,
605
00:26:31,816 --> 00:26:33,282
INCREMENTAL,
NONTHREATENING INTERVALS
606
00:26:33,284 --> 00:26:35,184
OF DARKNESS,
KIND OF LIKE BEING
IN SOLITARY CONFINEMENT.
607
00:26:35,186 --> 00:26:36,719
THAT'S NOT GOOD.
608
00:26:36,721 --> 00:26:37,720
NO. IT IS NOT.
609
00:26:37,722 --> 00:26:39,121
OK, SO IT LOOKS LIKE
HE WAS A PATIENT
610
00:26:39,123 --> 00:26:41,490
FOR 14 MONTHS BEFORE
THE STUDY WAS STOPPED.
611
00:26:41,492 --> 00:26:45,928
THE DOC WAS TRYING
A MORE AGGRESSIVE
APPROACH--
612
00:26:45,930 --> 00:26:48,431
LONGER PERIODS OF
ISOLATION IN THE DARK,
613
00:26:48,433 --> 00:26:51,000
THE USE OF BLINDFOLDS
WITHIN HYPNOSIS--
614
00:26:51,002 --> 00:26:53,269
SINCE THIS PATIENT HAD
SUCH A SEVERE CASE.
615
00:26:53,271 --> 00:26:54,904
THAT'S NOT LONG ENOUGH
FOR IRREVERSIBLE
616
00:26:54,906 --> 00:26:57,606
BRAIN DAMAGE, BUT IT
THE DOCTOR STOPPED
HIS THERAPY
617
00:26:57,608 --> 00:26:59,275
AFTER HIS OTHER
PATIENT'S SUICIDE,
618
00:26:59,277 --> 00:27:00,709
THE UNSUB'S PARENTS
MIGHT HAVE DECIDED
619
00:27:00,711 --> 00:27:02,945
TO CONTINUE THE THERAPY
UNSUPERVISED.
620
00:27:02,947 --> 00:27:06,282
OR EVEN AS A WAY TO PUNISH
HIM WHEN HE ACTED OUT,
621
00:27:06,284 --> 00:27:07,850
LOCKING HIM IN THE DARK,
THINKING THEY'RE
622
00:27:07,852 --> 00:27:10,152
HELPING HIM,
TOUGHENING HIM UP--
623
00:27:10,154 --> 00:27:12,455
THEIR PSEUDO,
AMATEUR VERSION OF
624
00:27:12,457 --> 00:27:14,723
THE DOCTOR'S TREATMENT,
COMPLETELY DANGEROUS,
625
00:27:14,725 --> 00:27:16,959
UPPING THE ANTE
AND RETRAUMATIZING HIM.
626
00:27:16,961 --> 00:27:20,329
WE NEED TO CRACK THIS CODE
AND FIND PATIENT 20411.
627
00:27:23,034 --> 00:27:25,668
SO NOW THAT YOU
KNOW THE TRUTH...
628
00:27:28,206 --> 00:27:31,207
YOU STILL WANT
TO HELP ME?
629
00:27:31,209 --> 00:27:33,342
YES.
630
00:27:33,344 --> 00:27:35,311
I PROMISE THAT
I'LL HELP YOU,
631
00:27:35,313 --> 00:27:38,948
BUT FIRST, I WANT
TO SEE J.P., PLEASE.
632
00:27:43,087 --> 00:27:44,954
GO.
633
00:27:46,324 --> 00:27:48,591
GO.
634
00:27:59,504 --> 00:28:02,338
I JUST GOT
OFF THE PHONE WITH GARCIA.
635
00:28:02,340 --> 00:28:04,340
THE OWNERS OF THE COZYNEST HOUSE
WHERE J.P. AND NIKKI
636
00:28:04,342 --> 00:28:06,075
WERE ABDUCTED
ARE OUT OF TOWN.
637
00:28:06,077 --> 00:28:08,511
HOWEVER, WE WERE ABLE
TO TRACK DOWN THEIR DAUGHTER,
638
00:28:08,513 --> 00:28:10,112
WHO MANAGES THE RENTAL
IN THEIR ABSENCE.
639
00:28:10,114 --> 00:28:11,714
SHE'S ON HER WAY IN.
640
00:28:11,716 --> 00:28:12,715
GREAT.
641
00:28:12,717 --> 00:28:14,016
IT'S GOT TO BE HERE.
642
00:28:14,018 --> 00:28:15,284
I'VE APPLIED EVERY POTENTIAL
NUMERIC ALGORITHM,
643
00:28:15,286 --> 00:28:16,652
AND SO FAR, NOTHING.
644
00:28:16,654 --> 00:28:17,953
WELL, IF
THIS EXPOSURE THERAPY
645
00:28:17,955 --> 00:28:19,622
WAS THE UNSUB'S STRESSOR,
646
00:28:19,624 --> 00:28:21,824
WHY WAIT UNTIL NOW
TO TAKE HIS REVENGE?
647
00:28:21,826 --> 00:28:23,425
HE COULD HAVE
BEEN LOCKED UP.
648
00:28:23,427 --> 00:28:25,628
OR MOVED AWAY
OR HAD BEEN HOSPITALIZED.
649
00:28:25,630 --> 00:28:27,530
MORE TO THE POINT,
WHY GO AFTER
650
00:28:27,532 --> 00:28:30,165
A SEEMINGLY RANDOM COUPLE
LIKE J.P. AND NIKKI?
651
00:28:30,167 --> 00:28:33,369
IT JUST
DOESN'T ADD UP
652
00:28:33,371 --> 00:28:36,472
UNLESS IT WAS ABOUT
653
00:28:36,474 --> 00:28:38,374
THE HOME
THEY'RE STAYING IN
654
00:28:38,376 --> 00:28:40,376
AND NOT ABOUT
THEM SPECIFICALLY.
655
00:28:40,378 --> 00:28:44,313
THIS GUY ABSOLUTELY
LIVES FOR THE HUNT,
656
00:28:44,315 --> 00:28:48,150
SO WHAT IF THIS
ISN'T ONLY ABOUT
657
00:28:48,152 --> 00:28:50,753
REENACTING HIS TRAUMA
BUT IT'S ALSO
658
00:28:50,755 --> 00:28:52,655
ABOUT UNFINISHED
BUSINESS?
659
00:28:52,657 --> 00:28:54,356
BUT
WITH WHO, THOUGH?
660
00:28:54,358 --> 00:28:56,659
I MEAN, WHO'S LEFT
FOR HIM TO HUNT?
661
00:29:06,504 --> 00:29:09,238
WHERE ARE WE GOING?
662
00:29:09,240 --> 00:29:12,474
YOU HELP ME,
I'LL HELP YOU.
663
00:29:15,179 --> 00:29:18,180
THESE CODES REPRESENT CHILDREN,
BUT THEY'RE OBSCURE
664
00:29:18,182 --> 00:29:21,684
TO PROTECT THEM,
PERSONALLY CONNECTED
665
00:29:21,686 --> 00:29:24,119
BUT SUPERSEDES NUMERICAL LOGIC.
666
00:29:26,324 --> 00:29:29,258
HOME ADDRESS.
667
00:29:29,260 --> 00:29:31,460
DO YOU
RECOGNIZE THIS MAN?
668
00:29:31,462 --> 00:29:34,096
NO, BUT I'M CONFUSED.
669
00:29:34,098 --> 00:29:36,532
YOU SAID THESE PEOPLE
WERE ABDUCTED BY THIS MAN.
670
00:29:36,534 --> 00:29:38,634
ARE THEY DEAD?
671
00:29:38,636 --> 00:29:41,003
RIGHT NOW,
THEY'RE MISSING,
672
00:29:41,005 --> 00:29:43,305
BUT THE LAST PLACE THAT
THEY WERE SEEN ALIVE
673
00:29:43,307 --> 00:29:45,307
WAS AT YOUR PARENTS'
RENTAL HOUSE.
674
00:29:45,309 --> 00:29:47,309
YOU TAKE CARE
OF THAT FOR THEM?
675
00:29:47,311 --> 00:29:49,144
YEAH. I MEAN,
I JUST MAKE SURE
676
00:29:49,146 --> 00:29:50,746
PEOPLE GET
CHECKED IN AND OUT
677
00:29:50,748 --> 00:29:52,781
AND THAT THE PLACE
GETS CLEANED UP
IN BETWEEN GUESTS.
678
00:29:52,783 --> 00:29:55,050
YOU EVER HAVE ANY PROBLEMS
WITH ANY OTHER GUESTS?
679
00:29:55,052 --> 00:29:56,552
YOU EVER HAVE
TO GO OUT THERE?
680
00:29:56,554 --> 00:29:58,821
NO. WITH THE WEBSITE,
IT PRETTY MUCH RUNS ITSELF.
681
00:29:58,823 --> 00:30:01,457
THIS WAS JUST A WAY FOR THEM
TO MAKE SOME EXTRA MONEY.
682
00:30:01,459 --> 00:30:03,058
WE DON'T BELIEVE
THE SUSPECT WENT
683
00:30:03,060 --> 00:30:05,628
TO YOUR
PARENTS' HOUSE
BY COINCIDENCE.
684
00:30:05,630 --> 00:30:07,696
YOU THINK THEY
WERE THE TARGET?
685
00:30:07,698 --> 00:30:09,732
IT'S POSSIBLE.
686
00:30:09,734 --> 00:30:11,433
DID YOU
GROW UP THERE?
687
00:30:11,435 --> 00:30:15,704
YEAH, BUT MY PARENTS
ARE QUIET, HOMEBODIES.
688
00:30:15,706 --> 00:30:19,508
I DON'T KNOW WHO WOULD
EVEN DO SOMETHING LIKE THIS.
689
00:30:19,510 --> 00:30:25,814
DOES THE NUMBER
20411 MEAN ANYTHING TO YOU?
690
00:30:30,021 --> 00:30:32,054
CHRISTIAN,
WHAT DOES IT MEAN?
691
00:30:34,325 --> 00:30:36,892
I HAVEN'T TALKED
ABOUT THIS IN--
692
00:30:37,995 --> 00:30:40,629
I DON'T EVEN KNOW IF--
693
00:30:40,631 --> 00:30:44,700
IT'S ALL RIGHT.
TAKE YOUR TIME.
694
00:30:44,702 --> 00:30:47,836
IN HIGH SCHOOL, I WENT
TO THIS BONFIRE PARTY
695
00:30:47,838 --> 00:30:50,372
IN THE WOODS.
696
00:30:50,374 --> 00:30:52,675
THERE WAS A LOT
OF DRINKING, YOU KNOW,
697
00:30:52,677 --> 00:30:55,644
TYPICAL HIGH-SCHOOL
STUFF.
698
00:30:55,646 --> 00:30:59,481
THIS BOY CONVINCED ME
TO TAKE HIM
699
00:30:59,483 --> 00:31:04,653
TO INSPIRATION POINT,
THE LOCAL OVERLOOK.
700
00:31:04,655 --> 00:31:06,822
MARS WAS SUPPOSED
TO BE VISIBLE,
701
00:31:06,824 --> 00:31:10,659
AND HE WANTED ME TO
DESCRIBE IT FOR HIM.
702
00:31:10,661 --> 00:31:13,429
I FELT BAD FOR HIM,
SO I WENT.
703
00:31:13,431 --> 00:31:16,632
BECAUSE
HE WAS BLIND?
704
00:31:16,634 --> 00:31:21,837
I MEAN,
NOT COMPLETELY.
705
00:31:23,808 --> 00:31:26,108
HE--
706
00:31:33,751 --> 00:31:36,852
HE TRIED TO HOLD ME DOWN,
707
00:31:36,854 --> 00:31:38,987
EVEN WRAPPED TAPE
AROUND MY WRISTS
708
00:31:38,989 --> 00:31:42,357
AND TIED A SCARF AROUND MY EYES.
709
00:31:42,359 --> 00:31:44,760
I KEPT FIGHTING
AND MANAGED TO GET AWAY,
710
00:31:44,762 --> 00:31:47,463
BUT HE CAME AFTER ME,
711
00:31:47,465 --> 00:31:50,132
LAUGHING.
712
00:31:50,134 --> 00:31:53,135
I HAVE NEVER BEEN
SO SCARED IN MY LIFE,
713
00:31:53,137 --> 00:31:54,970
AND I STARTED SCREAMING,
AND, THANKFULLY,
714
00:31:54,972 --> 00:31:57,740
ONE OF MY FRIENDS HEARD ME
AND CAME RUNNING,
715
00:31:57,742 --> 00:32:03,011
BUT THE LOOK
ON THIS GUY'S FACE,
716
00:32:03,013 --> 00:32:05,681
HE WAS CLEARLY ENJOYING IT,
717
00:32:05,683 --> 00:32:08,517
AND HE COULD SEE BETTER
THAN HE LET ON.
718
00:32:10,187 --> 00:32:13,188
HIS HOUSE
WAS RIGHT BY MY SCHOOL,
719
00:32:13,190 --> 00:32:15,858
AND EVERY DAY, I WAS REMINDED,
720
00:32:15,860 --> 00:32:19,194
EVERY SINGLE DAY.
721
00:32:19,196 --> 00:32:22,831
IT MADE ME SICK.
722
00:32:22,833 --> 00:32:27,503
HE LIVED AT
20411 MANSARD LANE.
723
00:32:27,505 --> 00:32:30,839
WHAT WAS HIS NAME?
724
00:32:30,841 --> 00:32:33,709
COULD I POSSIBLY
EVER FORGET IT?
725
00:32:33,711 --> 00:32:36,478
IT'S DUSTIN EISWORTH.
726
00:32:36,480 --> 00:32:38,814
DUSTIN EISWORTH--SON
OF TROY AND PATRICIA EISWORTH
727
00:32:38,816 --> 00:32:42,351
OF 20411 MANSARD LANE.
728
00:32:42,353 --> 00:32:45,187
HE TICKS ALL OF
THE TROUBLED-YOUTH BOXES.
729
00:32:45,189 --> 00:32:46,755
SENDING YOU DIRECTIONS NOW.
730
00:32:46,757 --> 00:32:48,390
ALL RIGHT.
WE'RE ON OUR WAY.
731
00:32:48,392 --> 00:32:49,758
SAME.
732
00:32:49,760 --> 00:32:51,226
GARCIA, WHAT ELSE
DO WE NEED TO KNOW?
733
00:32:51,228 --> 00:32:52,761
GARCIA, ON PHONE: WELL,
HE WAS KICKED OUT OF SCHOOL
734
00:32:52,763 --> 00:32:54,630
FOR A CORNUCOPIA
OF DISCIPLINARY ISSUES,
735
00:32:54,632 --> 00:32:58,433
INCLUDING CHRISTIAN'S
ACCOUNT OF THE ASSAULT.
736
00:32:58,435 --> 00:33:00,469
THEN HE WENT TO REFORM SCHOOL.
737
00:33:00,471 --> 00:33:03,772
THEN HE WENT TO PRISON
FOR GETTING IN A BAR FIGHT
738
00:33:03,774 --> 00:33:06,875
THAT LEFT ONE MAN
PERMANENTLY BLIND.
739
00:33:06,877 --> 00:33:08,710
HE WAS ONLY SUPPOSED TO SERVE
3 YEARS IN PRISON.
740
00:33:08,712 --> 00:33:10,212
HE ENDED UP SERVING 10,
741
00:33:10,214 --> 00:33:12,347
MOST OF THOSE
IN SOLITARY CONFINEMENT,
742
00:33:12,349 --> 00:33:14,216
AFTER KILLING ANOTHER INMATE.
743
00:33:14,218 --> 00:33:15,751
LET ME GUESS.
HE JUST GOT OUT.
744
00:33:15,753 --> 00:33:16,952
GARCIA, ON PHONE.
3 WEEKS AGO.
745
00:33:16,954 --> 00:33:18,954
SO DUSTIN SAT IN PRISON
FOR OVER A DECADE,
746
00:33:18,956 --> 00:33:20,756
HIS RESENTMENT
BUILDING UP.
747
00:33:20,758 --> 00:33:22,291
REID, ON PHONE: NOT TO MENTION,
HIS VISUAL CONDITION
748
00:33:22,293 --> 00:33:23,792
WOULD BE SEVERELY
DETERIORATED
749
00:33:23,794 --> 00:33:25,327
DUE TO ALL THAT
TIME IN SOLITARY.
750
00:33:25,329 --> 00:33:26,862
ALVEZ, ON PHONE: WELL, IF HE'S
STAYING AT HIS PARENTS' HOUSE,
751
00:33:26,864 --> 00:33:28,530
HE KILLED THEM,
FIRST BLINDING THEM
752
00:33:28,532 --> 00:33:30,499
SO THAT THEY COULD
KNOW HOW HE FELT,
753
00:33:30,501 --> 00:33:32,201
THEN OFF TO
THE MENDELBAUMS'.
754
00:33:32,203 --> 00:33:34,369
NEXT, HE WENT LOOKING
FOR CHRISTIAN RUSSO
755
00:33:34,371 --> 00:33:36,672
BECAUSE SHE'S THE ONE THAT
GOT HIM KICKED OUT OF SCHOOL
756
00:33:36,674 --> 00:33:38,874
BUT FOUND NIKKI AND J.P.
INSTEAD.
757
00:33:38,876 --> 00:33:40,309
AND NOW HE'S RECREATING
758
00:33:40,311 --> 00:33:41,777
HIS CAT-AND-MOUSE POWER
PLAY WITH THEM.
759
00:33:41,779 --> 00:33:43,278
HE WON'T GO DOWN
WITHOUT A FIGHT.
760
00:33:43,280 --> 00:33:46,315
DO NOT
UNDERESTIMATE
THIS MAN.
761
00:34:04,535 --> 00:34:07,736
DO YOU SEE THEM?
762
00:34:09,340 --> 00:34:12,140
I TRIED
TO FORGIVE THEM
763
00:34:12,142 --> 00:34:14,576
JUST LIKE I TRIED TO
FORGIVE DR. MENDELBAUM.
764
00:34:14,578 --> 00:34:16,378
YOU KNOW
WHAT THEY SAID?
765
00:34:16,380 --> 00:34:19,348
DEAR OLD MOM AND DAD,
YOU KNOW WHAT THEY SAID?
766
00:34:19,350 --> 00:34:22,651
THEY SAID I WAS SICK.
767
00:34:22,653 --> 00:34:26,154
WELL, THEY
MADE ME SICK,
768
00:34:26,156 --> 00:34:31,660
AND THEN I WENT
TO GET CHRISTIAN,
769
00:34:31,662 --> 00:34:37,466
BUT I FOUND YOU THERE,
YOU AND J.P.
770
00:34:39,036 --> 00:34:44,039
NO. NO. PLEASE. J.P.--
771
00:34:44,041 --> 00:34:46,441
J.P., J.P.
772
00:34:48,178 --> 00:34:49,144
NO!
773
00:34:49,146 --> 00:34:50,345
WHAT
DID YOU THINK?
774
00:34:50,347 --> 00:34:52,915
WHAT, YOU THOUGHT
I WOULD KEEP HIM ALIVE?
775
00:34:52,917 --> 00:34:54,583
YOU THOUGHT I WOULD
LET YOU GO?
776
00:34:54,585 --> 00:34:57,352
YOU THOUGHT I NEEDED YOUR HELP?
777
00:34:57,354 --> 00:35:00,956
I MIGHT BE GOING BLIND,
BUT I'M NOT STUPID.
778
00:35:00,958 --> 00:35:03,425
I COULD SEE
RIGHT THROUGH YOU.
779
00:35:06,964 --> 00:35:09,231
EVERYONE THINKS THEY'RE
BETTER THAN DUSTIN.
780
00:35:09,233 --> 00:35:11,800
EVERYONE THINKS
THEY'RE STRONGER
THAN ME
781
00:35:11,802 --> 00:35:13,802
AND THEY'RE SMARTER THAN ME,
THAT I'M STILL
782
00:35:13,804 --> 00:35:16,538
THAT SCARED LITTLE BOY
AFRAID OF THE DARK.
783
00:35:16,540 --> 00:35:18,073
YAAH!
784
00:35:18,075 --> 00:35:20,776
AH! UH...
785
00:35:20,778 --> 00:35:23,011
UH!
786
00:35:49,197 --> 00:35:53,433
HELP! SOMEONE!
I'M IN HERE!
787
00:36:02,310 --> 00:36:04,344
HELP! I'M IN HERE!
788
00:36:04,346 --> 00:36:06,279
STAY WITH US.
WE'RE COMING IN. WHERE IS HE?
789
00:36:06,281 --> 00:36:09,215
I DON'T KNOW.
SOMEWHERE IN THE HOUSE.
790
00:36:11,887 --> 00:36:13,353
GO, GO, GO!
791
00:36:18,894 --> 00:36:21,561
CHECKING ROOMS.
792
00:36:23,565 --> 00:36:25,532
HAVE MEDICAL STANDING BY.
ALL RIGHT.
793
00:36:25,534 --> 00:36:28,435
LET'S GET HER OUT OF HERE.
THE HOUSE ISN'T SECURE.
794
00:36:28,437 --> 00:36:30,637
I'LL FINISH CHECKING
UPSTAIRS.
795
00:36:52,260 --> 00:36:54,994
FBI.
796
00:36:58,366 --> 00:37:00,867
FBI.
797
00:37:22,691 --> 00:37:24,390
THANKS.
798
00:37:28,964 --> 00:37:31,631
LEWIS, VOICE-OVER: “WE'RE ALL
GOING TO DIE, ALL OF US.
799
00:37:31,633 --> 00:37:33,166
“WHAT A CIRCUS.
800
00:37:33,168 --> 00:37:36,503
“THAT ALONE SHOULD MAKE US
LOVE EACH OTHER, BUT IT DOESN'T.
801
00:37:36,505 --> 00:37:39,372
“WE ARE TERRORIZED AND FLATTENED
BY TRIVIALITIES.
802
00:37:39,374 --> 00:37:41,908
WE ARE EATEN UP BY NOTHING.”
803
00:37:41,910 --> 00:37:43,943
CHARLES BUKOWSKI.
804
00:37:43,945 --> 00:37:46,813
♪ I ALWAYS HAD
A VISION IN MY HEAD... ♪
805
00:37:46,815 --> 00:37:48,314
DID YOU GUYS KNOW
THAT THE PRESUMPTION
806
00:37:48,316 --> 00:37:49,949
ABOUT BLINDNESS CAUSING
YOUR SENSE OF SMELL
807
00:37:49,951 --> 00:37:51,618
TO HEIGHTEN IS
ACTUALLY A MYTH?
808
00:37:51,620 --> 00:37:54,154
THE FACT IS, YOUR MEMORY
OF SMELL SHARPENS,
809
00:37:54,156 --> 00:37:55,855
BUT NOT YOUR
ACTUAL SENSE.
810
00:37:55,857 --> 00:37:57,991
WOW. KEEP GOING.
811
00:37:57,993 --> 00:37:59,659
YOU GOT ANYTHING
ELSE IN THERE
812
00:37:59,661 --> 00:38:01,227
YOU WANT
TO LET OUT?
813
00:38:01,229 --> 00:38:02,929
THERE'S NEVER BEEN
A SINGLE DOCUMENTED CASE
814
00:38:02,931 --> 00:38:05,565
OF ANYONE WHO WAS BORN BLIND
DEVELOPING SCHIZOPHRENIA.
815
00:38:05,567 --> 00:38:07,700
OH, INTERESTING FACTS
FOR 200, ALEX.
816
00:38:07,702 --> 00:38:08,968
TELL HIM WHAT HE'S WON.
817
00:38:08,970 --> 00:38:11,337
HEY, HEY, HEY!
818
00:38:11,339 --> 00:38:12,639
HEY!
HEY!
819
00:38:12,641 --> 00:38:14,507
HA HA! OK. METHINKS THOU DOST
PROTEST TOO MUCH
820
00:38:14,509 --> 00:38:18,545
ABOUT THIS WHOLE NOT LIKING
A HOUSEWARMING THING.
821
00:38:18,547 --> 00:38:20,146
WHERE'S LISA?
822
00:38:20,148 --> 00:38:22,182
SHE GOT
CALLED AWAY
823
00:38:22,184 --> 00:38:24,184
AT THE LAST MINUTE
TO COVER NIGHT SHIFT,
824
00:38:24,186 --> 00:38:26,519
SO I GUESS E.R. DOCTORS
COME WITH A PERFECTLY
825
00:38:26,521 --> 00:38:28,688
BUILT-IN,
ACCEPTABLE EXCUSE
826
00:38:28,690 --> 00:38:31,191
TO NOT BE AT THEIR OWN
PARTIES, EVEN IF IT WAS
827
00:38:31,193 --> 00:38:32,525
THEIR OWN IDEA
IN THE FIRST PLACE.
828
00:38:32,527 --> 00:38:34,127
AS DO FBI AGENTS.
ANYWAY, DON'T BE RUDE.
829
00:38:34,129 --> 00:38:37,030
OPEN MY GIFT.
OK.
830
00:38:37,032 --> 00:38:38,765
COME ON. JUST
OPEN THE GIFT.
831
00:38:38,767 --> 00:38:41,301
OOH, OK.
YAY!
832
00:38:41,303 --> 00:38:42,635
ALL RIGHT. WELL, LOOK.
833
00:38:42,637 --> 00:38:45,505
I'M BEGINNING TO UNDERSTAND
THE VALUE
834
00:38:45,507 --> 00:38:47,774
OF A HOUSEWARMING PARTY.
835
00:38:47,776 --> 00:38:49,242
THANK YOU.
836
00:38:49,244 --> 00:38:51,144
HEY. SINCE
LISA CAN'T MAKE IT,
837
00:38:51,146 --> 00:38:52,712
YOU NEED TO BE SURE
TO TELL HER
838
00:38:52,714 --> 00:38:54,380
THIS IS
FROM ALL OF US--
839
00:38:54,382 --> 00:38:56,549
BREAD, SALT, AND WINE.
840
00:38:56,551 --> 00:38:59,319
DON'T MAKE ME QUOTE
THE WHOLE MOVIE.
841
00:38:59,321 --> 00:39:01,154
UH, AM I
MISSING SOMETHING?
842
00:39:01,156 --> 00:39:02,655
I MEAN, I THOUGHT
WE WERE ALL OFF THE CARBS.
843
00:39:02,657 --> 00:39:04,557
GUYS NEVER GET THIS.
844
00:39:04,559 --> 00:39:05,925
SINCE YOU APPARENTLY
WERE SICK
845
00:39:05,927 --> 00:39:08,695
ON THE MANDATORY VIEWING DAY
OF “IT'S A WONDERFUL LIFE,”
846
00:39:08,697 --> 00:39:11,564
WE'RE ALL GONNA HELP YOU OUT.
847
00:39:11,566 --> 00:39:14,534
MAY YOUR HOME
ALWAYS HAVE...
848
00:39:14,536 --> 00:39:17,770
BREAD THAT YOUR HOUSE
MAY NEVER KNOW HUNGER...
849
00:39:17,772 --> 00:39:19,939
SALT THAT LIFE MAY
ALWAYS HAVE FLAVOR...
850
00:39:19,941 --> 00:39:21,641
AND WINE,
IN WHICH JOY
851
00:39:21,643 --> 00:39:23,676
AND PROSPERITY
MAY REIGN FOREVER.
852
00:39:23,678 --> 00:39:26,646
OH, YES. THERE WILL ALWAYS
BE WINE IN THIS HOUSE.
853
00:39:26,648 --> 00:39:28,147
TO LISA.
TO LISA.
854
00:39:28,149 --> 00:39:29,349
TO LISA.
TO LISA.
855
00:39:29,351 --> 00:39:31,684
- CHEERS.
- SALUD.
856
00:39:31,686 --> 00:39:33,586
IN 1947, THE FBI
ISSUED A STATEMENT
857
00:39:33,588 --> 00:39:35,688
DISCREDITING
“IT'S A WONDERFUL LIFE”
858
00:39:35,690 --> 00:39:37,590
BECAUSE THEY SAID
IT PROMOTED COMMUNISM.
859
00:39:37,592 --> 00:39:39,959
SO GOOD TO HAVE
YOU BACK, DOC...
70543
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