All language subtitles for Procolor_C13_L4b_2Ndpass-Matching

All right.

So we've gone through our movie
once already and fixed

a lot of the big problems.

Anything unreasonable?

Now it's time to go through
with a little bit more critical eye

and make sure that our shots match
really well.

We've done a lot of this work already,
kind of in the fixing problems phase,

but it's good to just kind of go
over and double check.

So first of all, let's just jump in
between these two shots.

I would say this one
maybe could just take a little bit

of creative contrast still just to kind of
give it that filmic vibe.

Yeah, I think that's good.

And I think these are all working
pretty well.

Again, this is in the shade,
so it's really okay.

These all seem to match just fine.

Okay, let's go with this one now.

This, I feel like, is still looking
kind of weird.

So inner saturation and temperature.

Why don't we just push
our gamma just a little bit?

And a

lot of the time, what
helps is just to reset your node grade.

Maybe we'll push this temperature
a little bit warmer.

And I think what we'll do in
this case is see if I grab the gamma and

I kind of push it a little bit warmer,
it just kind of adds a wash to everything.

If I do the gain a little warmer,
that'll work.

So that's maybe a little better.

But I think why don't
we try and go to the log wheel's here

and I'm going to push the midtown
and the log feels a little warmer

and push it way beyond what
I actually want.

Take some of that green out of there
and we'll kind of dial it back.

Now, here's before and here's after.

So we're just kind of taking
a little bit of that green out.

We're adding a little bit of pink here,

something that we might want to change
with some secondaries.

But I think for the most part,
that's a little better.

And does it feel like
it's in the same world as the other ones?

Yeah, maybe.

I think maybe we'll boost up this contrast
attach, bring the pivot down.

I think that adds a little bit
of that kind of filmic contrast.

There. I think that works well. All right.

This shot is going to need a lot of work
with secondaries and stuff.

But I think let's boost up the exposure
a little bit here with our offset.

We'll just so
they're not fallen totally into darkness.

Let's also take the temperature down
a little still.

Okay. All right.

Now, just to get a good idea
of how these shots match,

let's look at them here and the lightbox.

And I right click on any of these
and say update all thumbnails.

I'll just make sure that we have
the latest thumbnails on everything

and we want to make sure
that nothing stands out here.

Nothing is just too wild.

It all looks pretty good.

I would say

I'm a little I'm questioning this shot,
these two shots maybe right here.

So let's just dive into those.

This one has that bright pink
feels electric just because of this light.

But I think it's all right.

We also have these shots not matching
super well because of the smoke,

which we might be able to fix
with a little bit of contrast work here.

Let's change our window node here.

Let's just call one fog and let's just
start by just taking down the contrast

now to really make it seem like it's
more foggy, even though it's not.

So here's before and here's after.

I get a little bit more fog
or at least sort of match with this,

we really should
have probably added some CG fog in here.

But that's okay. That's all right.

I love this face that definitely matches
better than it did.

We can probably do the same thing here.

So we have this lower contrast.

Let's kind of split the difference here
because this fog, it's

making it look really, really foggy.

And here it's not that foggy.

Let's and let's take it out
actually, let's get rid of that.

And now let's put the difference.

Okay, So here's our fog, and I'm just
going to take this down to half strength

by selecting the node and going to key

and bring this key output down to 0.5.

And now we have just a little bit
of that contrast taking away there.

K, making sure these kind of match
this one definitely looks more blue.

I wonder if that's an issue.

There's just a lot of pink there.

This one looks a lot more blue,
but I'd say it matches pretty well.

I'd say this one is
maybe just a little bit bright.

Take the exposure down, just a touch there
and maybe the saturation down

a little bit.

Let's go to the next node just so we
don't have them super bright pink.

Yeah, I don't see any major issues.

Okay.

This one, this has been a problem
shot the whole time.

And I'm not sure exactly why.

I think it's because we added this CG fog
and it just didn't quite come out.

How we wanted it to.

So let's grab our reference still here
and let's show reference weight.

So this whole thing
probably looks a little bit too blue.

It's one thing and and we're going to need
a little more pink on the ground,

which we can do later.

I feel like the exposure could come up
just a touch.

Maybe just the lift could come up a touch.

Just to bring up those shadows
a little bit, bring the Middletons down,

and I have to do some work
on that shot for sure.

But it's getting better.

But that matches decently between these
for the moment.

Okay. What else?

This shot's
a little bit dark at the beginning, but

he sweeps the flashlight over there first
and the rest of it's pretty good.

So I think we'll leave that seems fine.

All of these seem to match pretty well,
so I'm not too concerned about those.

Okay, let's go through
and make sure these all match.

This one is a little bit yellow right here
as the yellow is rough.

So we'll fix that in a secondary.

But I think for the most part
it looks good.

This one seems a little bit a little bit
lighter, like a little less rich.

So if we could take the Middleton's down
just a touch on those K seems better.

And this one has a pink light on it
and this one doesn't doesn't as much.

There's a little pink light there,
but let's just see how it plays talking.

I think it feels fine.
It seems like it feels fine.

Make sure everything feels right.

This one feels kind of purplish blue,
which is because of that light.

Seems good shot

might be just a touch blue and it's fine
because it's a different environment.

But I would say we could probably push
this a little warmer,

kind of neutralize that door
a little more, and let's kind of split it.

Let's pull the difference there. Okay.

She has a little bit more warmth,
so it feels like it matches

with the rest of it.

And really the good news
is that if we can watch through this

and there isn't anything noticeable,
it's probably fine.

This one still looks yellow to me.

Still looks a little bit yellow.

This one maybe just looks desaturated.

I don't know if we pushed some saturation
into this.

Just attach
copy that to any of these clips here.

So there's a little bit of yellow
in both of those.

Some saturation in this one
that's going to work a little better,

just a little bit, probably
to fix his skin stuff with a secondary.

Okay. Now we go into the bathroom.

This one looks super blue still.

That's because we didn't
copy this one over.

Okay.

Still looks a little blue.

Yep, still looks a little blue.

So let's take temperature.

Warm it a little bit like that.

So we have kind of that yellowish tone
in the background, which we can fix later

if we want to,
but it's at least consistent.

Maybe boost a little saturation
on this one, maybe just a little warmer.

Seems fine.

Maybe just a punch.

More exposure on the toilet shot.

This one's a little cool, but it's okay
because we're kind of inside the toilet,

so that would make sense.

All right. I think that's good.

I think things are matching a little bit
better now.

Again, kind of subtle tweaks,
but all making it just a little better.