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We have all of our color done.
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It's time to do the final render.
3
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So just like any project,
we'll go down here to the deliver page.
4
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And generally,
I like to make two different versions.
5
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One of them is usually for YouTube
or some kind of online outlet,
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which what I like to do
is switch to the YouTube
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render settings preset
and then switch back to custom.
8
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And that kind of sets
most of the settings here.
9
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And for YouTube,
I want to switch this Kodak to H2 65.
10
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If you have the studio version,
if you don't.
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HD 64 is fine,
but H2 65 will be a little bit smaller.
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File and look a little nicer.
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Encoder switch to Nvidia.
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If you have a and video graphics
card again, things will just go a little
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bit faster.
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And here where it says restrict quality
but I usually try
17
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and do is make this about twice
the frame rate in thousands.
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So if this is 24 frames
a second, we're going to do about 50,000
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kilobits per second.
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And what I like to do is
21
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I press everything to ultra
HD because it just looks nicer on YouTube.
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But actually, for this,
if we want it to be this wide aspect
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ratio, let's just switch
to the customer resolution
24
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and we'll do 3840 by 1600.
25
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And here under advanced settings,
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I haven't had much trouble with the colors
changing when you export video.
27
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But if that is happening, sometimes
it can be due to the data levels.
28
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So if you're rendering something
and the colors aren't quite matching up,
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try and put this on video
30
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or full kind of try out each of these
and see if you like it.
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The one thing I will change
is this color space tag.
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I'll switch this to rec seven or nine
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and rec 709
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and that'll just help any video players
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that look at these color space tags,
not mess with our colors.
36
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And we're also kind of forced sizing
to highest quality.
37
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And those are pretty good
settings for YouTube.
38
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Also make sure our audio is good.
39
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Make sure that we are exporting audio here
40
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and we can set our file
name and we'll call this smoked
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underscore white
42
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and we can add that to render cue.
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It's going to ask us where
we want to put it, put it somewhere safe.
44
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But for me, I'm just going to throw it
on the desktop because, you know,
45
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it's kind of not me
and might be the worst place to put it.
46
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So we do it for the LOLs.
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Then let's also make a version
for archive.
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So I'm going to switch
this format to quick time.
49
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And Kodak probably
50
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each hour and we could probably do an hour
x ten bit.
51
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What this is, is a very high quality codec
and it will give you
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the best image without being
just massively large in file size.
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So that
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if we want to make a different version
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of this down the road
and we don't want to open up the project
56
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or anything, we can have a nice high
quality version here
57
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and we'll add a render cue
and it's going to ask us
58
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if we're up raising this,
if we really want to do that.
59
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And what it's saying is it's
not really going to be any better quality.
60
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You're still taking a 1080 image
and you're stretching it out to be HD.
61
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And actually,
we do want to do this for YouTube,
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but we don't necessarily
need to do this for our archive
63
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because we're not going to get
a lot of benefit from doing that.
64
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And it's going to be a much bigger
file size.
65
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So let's just do 1920
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by 800.
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And everything else, We'll leave the same
for our audio.
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Let's switch this to linear PCM bit depth.
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Let's do 24.
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That's just going to give us really high
quality audio.
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And again,
instead of custom name, let's say archive
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and now we can add to render queue.
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And now we have both of these jobs
in the render queue.
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We can select them both
and hit render off.
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And that's how we export our film.
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Looks like we are all done.
6516
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