All language subtitles for Il.Commissario.Ricciardi.S02E01.720p.WEB DL.AAC2.0.H.264 Spud17.EN.HI

[INDISTINCT HUBBUB]

Place it here.

(In Cilentano) Let's set the table...
- Give me a hand.

Rosa mia... you don't know what
I would give to see you again

But the fact that I don't see you is
a good sign.

It means that you left
without suffering

That you left in peace.

- Are you really leaving?
- I would always stay here

But you don't keep the baron
away from the work.

It's a miracle
If we stayed for weeks.

- He has also recovered.
That's the good air. - Heh.

That's my sentence.

I see the dead of violent death

And I hear their voices.

It is these voices
that constantly haunt me

at least until
I don't do them justice.

You finish, I'll go and see
if everything is ready in the kitchen.

- Where is the baron?
- I saw him go into the chapel.

Then we are just about to go again,
if he had the courage to go there.

Eh.

Thank you.

My mother was right.

I have to be alone

For this curse to end with me.

I can't have children, Rosa,
because it's not right

That... this thing is passed on
to them as well

As my mother passed it on to me.

Baron, lunch is ready!

Come with us.

Of course I'm going with you,
otherwise Nelide who will hear her?

Come on, let's go eat.

You don't get me.

- Good morning, baron. - Good morning.
- Sorry to be late. - Not at all.

Cheers!

(in Neapolitan) ♪ In the shadows
goes this heart

♪ Who can't sleep

♪ And sings and cries:
"Love, love, you make me die." ♪

[INDISTINCT CHATTER].
Let's go shopping.

♪ But if you still hear
this voice trembling

♪ no, don't believe me... ♪

Do you like it?

The truth?

- You don't need the truth, leave it alone.
Thank you, goodbye. - Goodbye.

Ah!

Finally.

A venue worthy of the name.

By the way, any news
of Commissioner Ricciardi?

He should return shortly.

Blessed is he who took the time
to take a vacation.

Sorry to contradict you.

The commissioner went to bury
someone very dear to his country.

Of course, who says otherwise?
But it has lasted long enough this...

- Burial.
- "Burial.

Fortunately,
the city is under control

And as you see,
we have received our just reward.

Beautiful, huh? Beautiful.

- Huh? Very nice.
- Mmm. - Very...

To work.

Salvatore, you help the young lady
carry up the luggage.

I switch to the police station.

- Don't you rest? - I go and come back,
I warn that I am back.

Already warned by phone. Do you need
to give him proof that you are back?

Pay attention to the suitcases
and hurry up.

"Water that doesn't walk stinks."

[INDISTINCT HUBBUB]

Commissioner.

- I would like to see my new
office, if possible. - Follow me.

Thank you.

So how about it?

Great.

That is your own.

Unfortunately, I am sorry
for the "mamozzi," but...

[INDISTINCT HUBBUB]

(in Cilentano) Aunt Rosa mia,
I now how shall I do without you?

You have done me a great disservice.

You left...

And you left me alone.

Now how do I, you tell me?

My Jesus, I'm going crazy.

I tell you that I miss you very much,
so much that I feel like I can see you.

I do not leave you alone.
If you think of me, I won't leave you alone.

I'm glad you're back.

- How did you hear...
- Garzo.

I asked him
to notify me as soon as possible.

I am very sorry for Rosa.

If there is anything
I can do for you...

Don't be alone in these moments.

If you want, I am there.

- Let's go eat something
together. - They are waiting for me at home.

I will accompany you.

If you don't mind,
I'd like to take a walk.

- See you soon.
- See you soon.

[INDISTINCT HUBBUB]

Commissioner.

[BELL]

Good evening. Good evening.
Have a seat. Thank you.

- Raphael. - Commissioner.
- Did something happen? - No.

I wanted to know if you need anything,
if I can be of any help to you.

Here, you tell him
That he has to eat something.

Commissioner, Nelide is right.

Ah! Look at that,
look at that show.

Let's do this. If you want, I will stop
and have something to eat with you.

Hmm? How about it?

"From a bad thorn
a good rose can be born."

- "A bad plug?
- She is pleased if you stay.

- I don't understand it.
- Sit down.

- Give me the jacket. - Thank you.
- I got it. - No, I got it.

No, if Lucia finds out
that I have been drinking,

then I have to call you as a witness.

- And I testify.
- All right.

[BELL]

Good evening.
Good evening.

- It's Bruno!
- You're welcome. - Hey!

I came to say hello,
but I thought you were alone.

- How did you hear that I came back?
- How did I hear? Eh...

I get it, another leak.
[BRUNO'S LAUGHTER].

- How are you?
- Good. Come on, have a seat.

- Nelide, you hold back
Dr. Modo as well. - Coming.

- Doctor, Nelide has outdone herself.
- Yes? Let's see. - It's good.

Mmm...

Mmm... Very good.
A little heavy, but very good.

- You have a delicate stomach.
- Don't.

Tomorrow Lucia is making meat sauce, and her
her sister with her brother-in-law.

Those placed themselves
at our house every Sunday.

Why don't you come along?
Maybe you can get some distraction.

Thank you. Please thank Lucia as well,
you are very dear.

That's good, so you get some distraction.

However, I am just back
from a long vacation.

- I'll be at the police station tomorrow.
- It's useless.

You know,
what distracts me is working.

But how you have grown!

Big.
[INDISTINCT VOCALS].

♪ I sing for another.

♪ No, I don't want to see you

♪ As it used to be.

♪ You are nothing to me

♪ nothing for me. ♪

Two potatoes and two peppers.

♪ I don't know what your name is anymore,
Mary. ♪

Hello.

Sorry to bother you,
I was looking for Ms. Rosa.

I haven't seen her for so long, the windows
have been closed for weeks.

Do you guys know whether it has left?

Rosa is no longer there.

What do you mean, sorry?
What happened, was she fired?

I'm sorry, miss.

Aunt Rosa died.

The earth made her
And the earth eats it.

I did not understand, sorry...

We did not have time
to put up the posters.

Immediately we set out
to make her stay in the country.

- Did you guys know her well?
- Yes, I loved her very well.

Sorry, condolences.

I heard about Rosa.

I understood
Why the house has been empty.

I wanted to tell you that I am very sorry.

I really loved her very much.

I know how much it meant to you.

Thank you very much.

Have a good day.

Forgive me.

You are very different with me.

- I did something that...
- No.

No, no, miss.

You have nothing
to reproach yourselves.

Forgive me again.

[KNOCK ON DOOR].
Come in.

Commissioner, sorry.

A call came in.

There is a dead man killed
in the alley of the Speranzella

Above in Montecalvario.

So they said and so I report.

Who is on duty this morning?

Sunday,
just Piscitelli and Cesarano... and me.

Whatever, let's do that then.

Piscitelli we leave him here
to preside.

Cesarano goes with me...

And so are you.
- Aye-aye.

[KNOCK ON DOOR]

Open!

Please, it is Sunday,
you know better than me.

- No numbers today, tomorrow. - What's
is going on? There has been a death!

- What are you doing here?
Weren't you resting? - Go.

It's my area and Lucia is preparing
ragu again, needing another hour.

And then my brother-in-law comes,
the later I come the better.

- Let's go to see who the victim is.
- He is Gaspare Rummolo, an assisted.

- How do you know? - He is the assisted
most famous in Naples. - Meaning?

- Let me introduce you to a person.
Let it pass. - Let them pass.

- Vincenzo Caruso, the postman
of the bancolotto. - We go to Gaspare

But leave a guard
to keep people at bay.

- When these things happen,
they are numbers. - You guys stay here.

- We will follow.
- All right. - Make way!

Gentlemen, please!

Come on!

There is nothing to look at.
It's Sunday, go home.

Gaetano, my employee.
He lives on Gaspare's landing.

- Maria, my sister, who also
works at the counter. - It's an honor.

- Who found the body?
- Me, commissioner.

I was bringing him
some warmed milk.

The door was open.

I went in and found it.

- Shall we go and see?
- Sure.

[INDISTINCT HUBBUB]

I carved out the room
above the counter for Gaspar.

- Are there other dwellings
on this floor? - Gaetano's.

My sister and I stay downstairs,
downstairs.

The commissioner enters alone,
we wait here.

Was it already dark like this before?

Gaspar did not need light,
he was blind.

(Twenty-one, nine)

(And nineteen.)

Twenty-one, nine and nineteen.

Twenty-one, nine and nineteen.

Twenty-one, nine and nineteen.

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

[RICCIARDI SIGHS]

I had the photographer call
and Dr. Modo.

- They are on their way.
- Good.

The only way into
to the room is the front door.

The window is narrow and stands high,
It gives directly onto a street.

No one would climb on it,
it would be too conspicuous.

Do you confirm
that Rummolo lived here alone?

Yes, he was blind, so he would not go down
or went up the stairs

if unaccompanied.

He was also very suspicious.

He never opened the door,
except to people he knew.

As an assisted had his clients

But he welcomed them on Sundays
and Saturday evenings.

So. if the thing happened yesterday.

Here no one has been through it.

As you know, they do the drawing
Saturday at four o'clock in the afternoon.

I didn't know anything about it,
you are explaining it to me.

Speaking of which, exactly
what does "assisted" mean?

Sorry, I forget
that you are not really from Naples.

The assisted is the one
Who speaks to the dead.

Only souls in purgatory can
go to the living in their sleep, it is known.

- "It is known.
- It's a popular belief.

It seems that the souls most likely
to give the numbers are

Those executed to death and repented
Or those who died in a violent way.

Who knows, maybe because they have
more things to tell.

Whatever, I understand
that Rummolo was fundamental

to interpret the numbers
to play. - Most essential.

- He was known all over Naples.
- Oh!

I have to thank you,
as usual, by tradition!

Sunday does not exist when one is
a friend of this commissioner.

What did you call me to do?
The case is solved.

The poor man must have died because
he saw Maione's vest.

- You are always the same!
- Close better. Where is Gaspare?

- Did you know him?
- Fuck!

All of Naples knows him, indeed,
all of Naples except one person.

However, it is true,
I did not know him.

Until this morning I didn't even know
what they were-assistants.

I believe it! You are an unbeliever,
in some things you don't believe.

To you a dead person is just a corpse
on the ground and a puzzle to solve.

The dead speak, they speak to me
that I am a medical genius

And because of what it tells me
their body I am able to go back up

To the time and cause of death.

And then they talk to someone like him,
who is blind

And has a stronger sensitivity
than others.

You are envious, with you they are silent.

Envy is the last thing I can
feel for this poor man.

He was locked in here,
he couldn't get out. A prisoner.

Some things condemn you
to loneliness.

They are not gifts, they are curses.

Come on, see what you can tell me.

(Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.)

Twenty-one, nine and nineteen.

Meanwhile, I can tell you right away
that poor Gaspar is dead

Because they stuck a blade
into his left eye

or otherwise a sharp object
and sharp.

- This is instant death.
- What about all that blood?

Behind the eyeball we have
a very dense network of capillaries

That serves to irrigate the eye.

Right through a blind eye
Has passed death.

Time of death?

It must have been between midnight and 3 a.m,
four o'clock last night

But to be precise,
it has to wait.

Commissioner, if you want, we can
come down and ask some questions.

I'm going to take off, go and enjoy
some well-deserved free time

as well because... for today I've seen
a little too many atrocious things

especially this vest.

Why, you don't like it at all?

- It's a gift from my brother-in-law,
he knows about it. - Thank goodness!

- This vest is
at the very latest. - Yes, of terror.

- Go back home!
- If I have understood correctly

Basically Gaspare Rummolo was
an employee of yours.

No, I used to give them lodging,
some food.

If I paid him,
people wouldn't believe it anymore.

Of course, there was the convenience
of the box office below.

People would take the numbers from him
and played them right away.

On occasions like the one
last night what was going on?

- With the ticket office closed,
were customers coming up to him? - No.

When we were closed,
only Gaetano and I would go to see

If he needed anything.

At this point I need to know.

the three of you where you were
last night after midnight.

- Do you? - I was in a trattoria
nearby, Da Tonino.

- Then I went back home.
- I stayed in the room.

I brought myself
the numbers of the matrices

to check the receipts
of the day, as I always do.

Then I put everything in place
and went to sleep.

- No one has been looking for me.
(sotto voce) I believe you.

I also stayed here,
I didn't move

However...

- "But?" - Shortly after eleven o'clock
last night someone came.

Count Palmieri.

He had to talk to Gaspar.

That one plays a lot, I didn't feel
felt like sending him away.

What time did he leave?

I don't know, however, after half an hour
his wife also arrived

Countess Bianca.

This surprised me,
because she never comes here.

She is too beautiful a woman,
perhaps the most beautiful in all of Naples.

It is beautiful...
[MARY SIGHS].

But she has a sad face, poor thing.

Beauty lies in the heart
Of the one who has it, not of the beholder.

If you are sad,
what good is beauty to you?

- Look at me, for example.
- Better not. - Raphael.

I wanted to say.
That's enough, we get it.

- Keep yourself available.
- As you order.

- Camarda?
- Tell me, brigadier.

- Feel good. - Yes.
- Make a list of customers

Who have been at the counter
over the past few days.

- Caruso?
- Commissioner.

- A curiosity.
- Say.

I would like to better understand the fact
Of the interpretation of the numbers.

For example, what does the nine mean?

Commissioner, let's say that nine is
the "litter," the delivery.

What about twenty-one or nineteen?

Nineteen is laughter, joy.

Desire as well,
depends on the dream.

Instead, the twenty-one is.
the naked woman.

Even the beautiful woman makes twenty-one.

[BRUSI'O]

If you have a claim
against my husband

I don't know how you will
be able to collect it

nor do we have any furniture
or valuables of any kind.

All sequestered,
so I would beg you to leave...

No credit, countess.

I would have been announced, but
the housekeeper didn't ask for anything.

Ricciardi here,
commissioner of public safety.

Did something happen to my husband?
Is he okay?

He is the one I would like to talk to,
as well as to you.

- It is not at home.
- Where can I find it?

It will be to scrape together money
to play with, as usual.

But, could I know
what this is all about?

Did you and your husband last night
visited Gaspare Rummolo?

Yes. Romualdo had gone
to visit Rummolo.

I went there to take him away.

- When you came away,
how was he? - As usual.

- I don't understand these questions.
- Rummolo is dead.

He was murdered tonight.

Oh.

I almost feel ashamed.

I do not feel any sorrow.

It is his fault that Romualdo got
caught up in the fever of the game

A fever that never goes away.

I give you good reasons
to suspect me.

Unfortunately,
suspecting is my business.

You and your husband come
to the police station as soon as possible

no later than this afternoon

or I will be forced
to officially summon you.

Please forgive the trouble.
Have a good day.

To you.

You look good in this vest,
it wears you out.

- Really? - Put it on more often, it looks
like it was made especially for you. No?

It is perfect.

- Mmm! Lucia, the meat sauce is delicious.
- Do you like it?

- Very.
- Very good. - Thank you.

Next time.
put in an extra pinch of salt

so it becomes perfect
the way your sister cooks it.

[MARIANO LAUGHTER]

Giovanni, are you being shy?

Say a few things, speak up!

- What should I say? - Tell
what you want to be when you grow up. - Say.

- I want to be a policeman
like dad. - Ah.

It's not even talked about,
we have already talked about it.

Your mother is right.
It is a sacrificed life.

Police officers do not earn
well either. Just listen to Uncle.

Get a job that enriches you
and gives you the good life

so you make mom and dad happy.
Did I say right, Choo-choo?

Quite right.

It is good.

[INDISTINCT HUBBUB]

- Yes, why not?
- Please.

Mother Clara.

Dear doctor, Sunday is
my favorite day

Because I know that you come to us
to visit. - Too kind.

- There is a new girl, I am sure
you will like her. - Yes?

Lina?

- Good morning, Lina.
- Good morning.

- Commissioner, Palmieri accounts.
> Camarda!

Thank you for being here, please.

- Ricciardi.
- Pardon.

- Camarda, I forgot
the invitations to the theater. - I'm sorry.

- Get them on my desk.
- I'll get them for you now.

But those...

are Count Palmieri and consort?
What are they doing here?

I'm here about the Rummolo murder.

I don't know anything about this.

- It's fresh from the day.
- Ah.

And this Rummolo...

is the attendant of Vicolo della
Speranzella? - Yes, did you know him?

Hearing.
Are the Palmieri accounts suspects?

Great, Rummolo is from the populous

And the Palmieri counts are noble,
but fallen.

It will be undeniable that we do not look
in anybody's face. Bravo.

What to say?
The case seems to me to be closed.

- Camarda. - Here.
- Thank you. - You're welcome.

Armchair.

Commissioner, in Gaspar
I loved, he was my friend.

I could never have done him
harm him.

Why just last night
did you stop by to see him?

There had already been the extraction,
what did you have to say to each other?

We would often see each other
on Saturday evenings.

I used to meet him
to comment on the draws

To figure out how to set up
the next play.

I was late last night

Because... I was looking around for money.

He didn't feel like chatting
And he told me he was very tired.

Then my wife got worried,
she came looking for me

And we came home together.

Yes, that's what happened.

I hope he didn't make it in time
to indulge one last time...

my husband's fixation.

Bianca, please!

Gaspar has nothing to do with it,
I'm the one who insists, I'm the one who...

In fact it is you
who ruined our home

Your name, my life...

by dint of chasing
the ghost of a triad.

When you came away

Was there anyone with him?

Or did it give you the impression
that you were expecting visitors?

No, commissioner.

He was in his robe,
but he was still dressed underneath.

When I came out, he told me
that I could close the door

so I guess
he wasn't expecting anyone else.

A curiosity, as a matter of habit
do you always carry your cane with you?

This?

Yes, always.

Lina, Lina, Lina...
What is your real name instead?

(in Neapolitan) Lina. I never
wanted a false name like the others.

- I always want to be me.
- Brava.

Bravo, you do well.

You look beautiful, Lina.

But go! If I was beautiful,
I would be an actress or some other job.

Oh, yeah? Did you want to be an actress?

Are you sure you don't act
several times a day here?

I know what you are referring to.

Here we have to do all the opposite
Of acting.

We need to break the barrier.

- "The barrier"? What is it?
- The barrier.

We all put it on every day to
not be recognized by others.

The fake face.

How about you? Do you have it?

- What?
- The fake face.

Me?

Not just one, I have several,
but my problem you know what it is?

- No.
- That I don't know how to use them.

Oh, no?

Then you have to be careful.

The world is ugly outside here...

And even in here.

- Good evening, Nelide.
- Good evening.

- I cooked light tonight.
- Good.

- Have a seat.
- Thank you.

- Manfred.
- Enrica.

Thank you, Nelide.

Lightweight, lightweight.

[SPEAKING IN GERMAN].

Gaspare's death occurred
between Saturday midnight and 2 a.m.

Always at night, of course.

In addition to that, I can tell you.

there were no signs of a struggle

So the poor man did not defend himself,
he was suddenly killed.

Maybe from someone he knew.

This, however, the necropsy examination
cannot detect it.

Look, Bruno.

Gaspar was... an attendant.

- That's what it's called, right?
- Mmm.

One of those who stay
in contact with the dead.

To your knowledge, these faculties...

can they be inherited?

Can they be passed on to children?

Ricciardi,
if you talk to me about genetics

I can tell you what I know
about dominant genes, recessive

alleles and company.

If there are two parents
with blue eyes

the children will have blue eyes.

If this rule applies
as well to floppy ears

I don't know,
I would have to go and check.

If you want to know about the inheritance
Of a supernatural gift

science has not yet spoken,
let alone me.

- Why, did Rummolo have a son?
- Never mind.

- Take mine, too.
- You don't want it? - No. - It's good.

- Commissioner, here I am.
- Raphael. - Exalted doctor.

Sorry, two sfogliatelle were there
and two I'm eating.

I have already had breakfast.

- Then we are busy. - We go back
To the bancolotto neighborhood.

- Let's see if anyone has noticed
anything. - Do you exclude accounts?

Not quite

However, there is something that tells me...
that it can be trusted

especially of the countess.
- Some women are too beautiful

To be liars.
- How?

- You guys are a beauty today,
brigadier. - It's the uniform. - Yes.

- You have taken off that abomination
Of vest. - Raphael.

- Be well.
- Burn it.

- Have a good day, Bruno.
- Bye.

- Thank you, have a good day.
- To you.

- Ah, the mail.
- Here it is. - Thank you.

[LOCK CLICK]

- Then?
- "So" what?

The postcard.
I saw it, who wrote it?

A friend of mine sent it to me
from Ischia, don't worry.

- Approach.
- My husband is capricious.

My escarole is fresher
Than the one that has to sprout.

- Give me two bundles.
- All right.

Feel free to touch, don't worry.

Miss beautiful, good morning.
Just a moment's patience and I'll serve you.

- "He who makes small talk in front
the oven loses his bread." - No!

Why do you say that?
No! There is also sunshine.

When there is sunshine,
there is more desire to work.

These sunshine has taken
too much, the escaroles are mushy.

Goodbye.

Escaroles.

The six on the wheel of Naples.

[INDISTINCT HUBBUB]

- Listen, did you notice
by chance anything yesterday? - No.

They are all lined up to play
Gaspar's death numbers.

Did he have any friends?
Was he hanging out with anyone?

Maybe there could have been someone
who had a grudge against him.

No one, Gaspar never left
of the house. What was he supposed to see?

On Sunday mornings he would go
to have coffee with my brother

time to set up the room.

Only when Gaspar was not there.
We are a respectable family.

After coffee we would go home.
People would stop him all the time.

They never left him alone.

- I go back to his room
for a few minutes. - Please.

Everything all right?

Twenty-one, nine

19.

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

Twenty-one, nine and nineteen.

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.
Twenty-one, nine...)

What were you doing with a mirror?

Twenty-one, nine and nineteen.

I don't know anything
About this mirror.

I didn't even know he had it.

You, madam?

- Perhaps a memory of his mother.
- Gaspar never confided.

He had difficulty talking
even with me who was his friend.

Put it back among his things.

No one knows anything,
no one has seen anything

And no one remembers anything,
however, it is not as usual.

It's not that they don't want to talk
Because they want to mind their own business.

- They are afraid. - Exactly,
they are afraid to talk.

There is something wrong underneath,
it doesn't feel right.

Then you know very well
what you have to do, don't you?

- Yes, commissioner. - I'll see you
later at the police station.

[BELL TOLLING]

It arrived just this morning.

Show it to Gargiulo,
he understands.

Yes, I'm going to the office later.

Ricciardi!

But I say, all of Naples is
talking about the Rummolo case.

From the higher-ups I get pressure,
one wants the case closed.

And what do I learn?
That you don't arrest the culprit?

Who would be the culprit?

You told me so!
Count Palmieri.

- I said "suspected."
- How?

I do not fabricate a culprit
to please the higher-ups.

Without feedback, with the higher-ups
one risks making a bad impression.

Don't you find, doctor?

Be patient and let me work.

Thank you.

Camarda?

Delinquent!

Are you all right, brigadier?

Did you put yourself in ceremony?
You shouldn't have bothered.

The trouble, for me, is coming here.
This is my stuff, it's not for you.

I missed you, too.

Since I moved,
you no longer come to visit me.

- Don't you like my new palace?
- Madonna mia, give me patience.

- I have come... - Have a seat.
- No, I have to ask you something.

- What are you doing up?
- Don't worry. - You are from home.

I'll set your house on fire,
if you don't let me talk! Oh.

So we were saying.

- They killed...
- Gaspare Rummolo, the blind man.

Whatever, I get it, you do the talking,
go ahead. Let me know what you know.

You should know that.

The day before the murder,
a man much feared by all

a real "guappo."
one of the really dangerous ones...

"A real guappo."
And then you stopped. Go ahead.

It seems that this person
had a fight with Gaspar himself.

because of a very large sum
that he had wagered on a trio

Gaspar had given him
for certain.

The numbers didn't come out and
blood rushed to his brain.

Got it.
What is the name of this "guappo"?

Eh... He swore in front of everyone
That the blind man would pay dearly.

- What is the name of the "guappo"?
- No one will tell you.

- The name?
- They fear they will come to a bad end.

- The bad end is you,
if you don't talk. - All right. - Eh.

- I didn't tell you anything, though.
- No. - Do you give me your word?

- I give it to you. - You swear. - I'll set
you on fire To the wig if you don't speak.

Gennaro Luise.

- Oh, see? Did it take that long?
- He lives where the receipt is.

He has a lot of people at his disposal
willing to do anything for him

Because he lends money on a loan-to-value
basis, so he has a lot of it under

including Count Palmieri

you questioned
the other day with his wife.

- That too you know? - Knowing things
Is the only way to attract you here.

- What's in here?
- What do you want?

What is this thing?

E'... It's a clue to an investigation,
it's not your concern.

However, while we're at it

Look, take a look yourself.

Jesus, Joseph, Saint Anne and Mary!

- Do you like it?
- Gross!

Was it from the blind man?
That's why they killed him.

- It doesn't seem to be his size.
- Never mind, let's not go into it.

Another important thing.

Do you know the trifecta that the
blind man gave to Luise, the "guappo"?

Of course you do,
why am I asking you?

You won't believe it,
but I was hoping you would come.

I came because I knew
That you missed me, modestly.

While you're settling in...
I'll have your coffee brought upstairs.

By now I already know that you like it.

- You have a good memory.
- It's not always good.

Especially if there are things
that you don't like to remember.

Yes.

Let's do this. Hmm?

I will drink this coffee,
if you drink it with me.

We also know where he lives
this Gennaro Luise?

Yes, near the ticket office.

Whatever, let's go tomorrow
pay a visit to this gentleman.

Ah, I also know what is the trio
That the blind man gave to the "guappo."

- Did you want to play it?
- I thought about it.

The game is an ugly beast,
it is a fever. One has to be careful.

- What were these numbers?
- Twenty-one, nine and nineteen.

Do one thing, go home.

We need to rest, tomorrow will be
a busy day.

- Are you sure?
- Go, go.

All right, thank you.

- See you tomorrow.
- See you tomorrow.

[DOGS BARKING]

[ENGINE ROAR]

You could have gone into the Gambrinus
yesterday. I wouldn't have bitten you.

- I don't understand, sorry. - You saw me
And retraced your steps.

- Why would I do that?
- I don't know.

You tell me.

I didn't see you, I don't remember
even passing by.

- Lost in your thoughts. - Yes,
I have a case that engages me a lot.

Maybe among your thoughts
there is a woman?

What is in my thoughts...
is only about me, Livia.

Excuse me.

It's just that I would like to understand.

I would like you to open up to me.

About me you already know everything
What there is to know.

Of course...

That should be enough for me, shouldn't it?

I should wait for another handout
Of your attention.

Will it happen sooner or later?

No, let's make it not happen.

So we both have peace of mind.

[LOCK CLICK]

[DOOR CLOSING].

[BELL]

- Thank you. - Last night you did not
eaten, this morning only coffee.

How do you hold yourselves up?

Take something with you
to fill your stomach.

[VOICES INAUDIBLE]

Huh?

What am I talking about?

- Oh, my Jesus!
- Oh, mother... - Look.

- But is this you?
- It seems to be.

It is such and such!

Who might have done it? An admirer?

Enrica, will you answer me? Will I be able
to know who made this painting for you?

- There is a note! Let's see...
- If you please, it is addressed to me.

- Hi. - Brigadier.
- He should be here.

Let's try to get in.

- Good morning.
- Good morning.

- What do you want?
- Here we ask the questions.

Brigadier Maione
and Commissioner Ricciardi.

- What are you looking for?
- Gennaro Luise, this we are looking for.

We know he lives here.

I am sorry, but you are wrong.

Don Gennaro Luise used to live here,
but he moved house.

- Where can we find him now?
- I don't know, he didn't tell me.

I'll tell you what, I'm going to
take you to the police station now

So maybe your memory will come back.

You may as well imprison me now

But I don't know where Don Gennaro
is, I swear.

Raphael, never mind. Thank you.

What is it?

Ma'am.
Ma'am, excuse me, one piece of information.

- Say. - Do you happen to know
where Gennaro Luise lives?

He used to live here, then he left.

Never heard of him, don't know who he is.

- Thank you.
- Wait, sorry.

Do you know of a person
whose name is Gennaro Luise?

Hey, where are you running to?

Why didn't you tell us
about Gennaro Luise?

- I don't understand. - Caruso, we know
that he had quarreled with Gaspar

and that he had threatened him
in public.

It is true, you are right...

But here we are all afraid of him.

Commissioner,
that's a very dangerous guy.

You people must understand us.
We do not go against him.

Thus you allow an alleged
culprit to make himself untraceable.

Can you at least tell us where he went?

I swear to you on everything I hold
dearest that we do not know.

If anyone knows, he will be careful
to keep his mouth shut.

- Need more? - Give me three
or four tomatoes. - As many as thirteen.

The "sciurilli" do you want them?
They are as fresh as you are.

- All right, give me some.
- Coming. Excuse me.

Stay here, don't leave.
So let's see.

Good morning, young lady.
These are special.

- I grew up in the middle of the earth.
- Where are you going?

Miss, if you leave,
you will take away the sun!

Thank you.

Really, commissioner

I have no idea
Who Gennaro Luise is.

What you tell me is well strange.

I know for a fact that you have contracted
a debt to him.

I need to know
Where I can find this person.

- I don't know!
- Enough, Romualdo.

- The commissioner has trusted
And we must reciprocate. - Bianca.

I understand the fear

But you know where to find this guy
Who scares the hell out of everybody.

He was a few days ago at Luise's,
to pay a debt installment.

Mr. Count.

You can find him at the inn
Don Peppe's, in Salita Arenella.

- That's where he collects the credits.
- Thank you.

I thank both of you for your sincerity.

Goodbye.

Romualdo.

("Miss, if you leave,
you will take away the sun!")

You did not look that young man
in the face when he called you back.

Do you know why? You are afraid
that then you will delude yourself.

The same does the young man
with the girl across the street.

He does not want to delude himself.

Tonino, do you want to go up or not?

All right.
Lucky her.

[INDISTINCT HUBBUB]

Oh. Will you please take a seat?
There's an empty table.

- Actually, I'm looking for
Gennaro Luise. - "Gennaro"?

- Luise.
- Who is this Gennaro Luise?

- I know he frequents this tavern.
- You know wrongly. Who are you?

- Commissioner Ricciardi.
- Ah.

[WHISTLE]

What should I tell you?
You have been misinformed.

Here this Gennaro Luise
has never been seen. Has he?

It will mean that I sit and wait.

If you have time to waste, sit down.

I have as much as you want,
as much as you need.

I know you whistle for warning.

Whistle away, anyway.
Until he comes, I'm not moving.

- Ah. - If he doesn't come,
I'll come back with ten guards

And let's have a good search,
what do you say? - What shall I tell you?

- Will you do me the kindness of bringing me
a coffee? - Anytime, coming.

Ricciardi!

- Cesarano, do you know where
the commissioner? - No, I'm sorry.

Maione! Maione!

Excellency, commands.

Is it possible to know
where the commissioner is?

- He's out investigating. - I want to
know what he has to investigate.

You must arrest a culprit so
that I can tell those in charge

who by the way phones me
every hour that everything is all right.

As soon as he comes back,
I will let him know.

Ah, by the way, when I look it up.

he must be found in the office.
Clear?

Excuse me, Excellency,
if I contradict you

But cases are not solved by being
in the office behind the desk

And then the commissioner...
doesn't have the glass ball.

- It cannot know when you are looking for it.
- He doesn't have it? - No.

Bravo. Are you being funny with me?

- I was saying something else.
- You said too much.

You deserve a good suspension

So you're being funny at home.

- Happy?
- Yes, Excellency.

To work.

- It's not easy, you have to talk
with the deputy. - Yes.

- Excellency.
(sotto voce) He is dumb.

Commissioner, if you would like to follow me.

I'll take you to who you know.

- Thanks for the coffees.
- Always available.

Wait here.

I was told.

That you wanted to talk to me.

- Commissioner. - Good,
we can skip the introductions.

You know who I am
And I know well who you are.

You name it, available.

- Where were you
last Saturday night? - Eh!

The night is long.
If you are more precise...

- Let's say between midnight and 2 o'clock.
- And who remembers?

I could have stayed home and slept
Or with some beautiful female.

- Take your pick. - Someone
to confirm it can be found, right?

As you say.

While we wait for someone to
confirm the alibi that you don't remember

you and I are leaving for Police
Headquarters. - What for? What have I done?

- Is it a crime not to remember
what I was doing last Saturday? - No.

Murder is. You are suspected
of having killed Gaspare Rummolo.

You are mistaken, I did not kill him.

You will be able to prove it. Let's go.

Let me see
how you take me to Police Headquarters.

With this did you kill Gaspar?

Commissioner, no kidding,
leave now with your legs

And we end it here.

I'm not leaving here,
not even dead.

Neither did I.

Do you want to kill me?

That's fine with me.

You don't know what pleasure you give me.

(in Neapolitan) Come on.
What, you don't have the courage?

You are a man, commissioner.

Or you are a fool.

Only those who know pain...

Is not afraid to die.

Come with me.

Take a seat.

Meet Mario.

Mario is my brother.

I have been a father to him
since he was little.

- He had the fire, he was never
never quiet. - What happened to him?

Two years ago
I sent him to Marseilles.

We have two fisheries in France.

Mario had to enlarge them

So he stayed away from here
And made an honest living.

Last month
they sent it back to me like this.

Sudden illness.

I had it visited.

It seems that it could get better.

It will take time-and patience.

I have the patience...

But in the meantime
no one needs to know.

No one has to see it that way.

I will not say anything to anyone...

However, you guys have to explain to me.

I don't want people to feel pity
for my brother

And for me.

Everyone knows
what Mario means to me.

It's my blood.

My blood cannot become weakness.

So last Saturday were you
with your brother?

With him...
And with the nurse you see.

At night I never leave him alone.

You have my word of honor.

I believe you... it is strange, though.

You know well the fear
you put on everyone.

You keep so many people in your pocket
by virtue of the money they owe you

And instead of being ashamed of that

You are ashamed for your brother.

If I were you, I would think about it.

(in Neapolitan) ♪ Think about it.

♪ Yes, I love you.

♪ I love you and you make me

♪ die. ♪

- Bravo. My compliments, Livia.
- Brava.

- Bravissima.
- Brava.

- Bravo.
- Outstanding.

- He sang beautifully.
- To your voice. - Yay.

- To your success.
- You are very good at it. - Thank you.

So what are you doing,
are you coming with us?

No, I've been here since this morning,
I'm going home.

See you tomorrow.

- Maione.
- Commissioner.

I was looking for you, I have to update you.

What is this face?

- He suspended me.
- Garzo? - Eh.

Commissioner, that one is all dumb,
from head to toe.

♪ This serene air
And this sunshine is you.

♪ Don't make me lose

♪ this youth.

♪ This silver moon for you

♪ sigh again. ♪

- It's ready, mom.
- Thank you.

♪ More shines in the sky
For me a golden star. ♪

Thank you, that's enough.

♪ I live and die for you,
I die for you. ♪

Thank you.

♪ I love you, yes

♪ only to you, Mary. ♪

I don't understand.

The painting, the postcards...

You are hiding something from me.

I don't hide anything from you at all.

What about the mystery ticket?

- It is simply a note.
- What does it say?

- Nothing important. - Tell me,
even if it is not important.

Sometimes you exasperate me.

- Raphael, get dressed, it's Saturday.
- What should we do?

You've been hanging around
hanging around the house.

- Have you already forgotten why?
- Why?

Ah... Your brother-in-law Mariano
has an engagement tomorrow

So he and my sister are coming for lunch
today. - I had forgotten about that.

Put on the vest
that he gave you, so he's happy.

- The vest?
- Eh.

- Lucia, listen, but do you like
this thing? - In what way?

Do you like it or don't you like it?

- It is particular.
- "Particular"?

It's a matter of taste.

This thing is rubbish.

- Also in my opinion.
- Do you see that you think like me?

That one did it to spite me.
a spite, I'm sure.

I dislike him.
I sin, but I dislike him.

I don't want to know,
however, can I tell you something?

Where is it written that every Sunday
they have to come here?

Bravo, they really placed themselves
in our house!

- Eh! - Eh!
- Eh! - Eh!

This thing...

Giulio, come here!
What a beauty, my daughter.

A German officer
who will surely make a career

Has fallen in love with our daughter.

Manfred, his name is. Manfred!

Definitely coming here now!

He comes to ask for Enrica's hand
in marriage. He knows the address.

He sent the postcards and the painting.
Germans are precise people.

- Aren't you happy?
- Eh...

The trousseau! We have to open
the closet and let it air out.

When do we do it?

Mother, be patient.

[LOCK CLICK]

Is this true?

Yes.

I have told you about Manfred
in the letters

But I haven't told you everything, because...
- You don't know what to do.

Father, he is a good man.

He showered me with attention,
it continues to do so.

But your heart is elsewhere.

Luigi Alfredo turned cold...

detached,
no longer faces the window.

- In Ischia he did not show up?
- "In Ischia?" - I spoke to him

While you were not there.
- What do you say?

Nothing compromising.

Such a talk between men.

I trusted him, I gave him
your address in Ischia.

Yes, however, he did not come.

I didn't see it.

[JAZZ MUSIC]

So much thoughtfulness.

These are precious hands.

- They need to be treated well.
- Am I that good at petting you?

Don't get too "loose".

Madame told me that you are
a doctor, that you work in the hospital.

Then these hands do good.

I go shopping at the market.

- Is there anything you want to eat?
- No, you know what to get anyway.

Whatever.

My work, you know. My work
Is just suffering, pain.

What should I tell you? It's this.

Don't you think, my work is not
so different from yours.

You would know how much pain,
in the men who go up here.

One thinks they come to have fun,
instead they try to forget

The pain they carry inside.

How can you tell?

Sometimes they start crying.

Then I think... that if the wives
would see them as I see them

Would feel pity instead of hatred.

Why do you talk about hatred?

Some women hate men.

And some men hate women.

Did you not know?

Listen, Lina...
why are you calling me you?

Call me by my name, as I do.

All right, whatever you say.

- The blind man's numbers have come out.
- Really? - All three of them.

- Twenty-one, nineteen and nine.
- Then he was right!

Who knows what the dead wanted to say.

The beautiful woman,
desire and childbirth.

No, nine is also the separation,
the farewell.

Even the beautiful woman makes twenty-one.

[INDISTINCT HUBBUB]

Farewell.

Lucia, thank you for the lunch.

- Figure. - Everything was exquisite
as usual, wasn't it? - It was.

- What shall we do on Sunday?
- Didn't I tell you? - No.

- Next Sunday we are busy.
Hi. - I got it.

- Goodbye.
- Bye, Mariano. - Goodbye.

Hello.

Come on, go.

- Raphael! - Commissioner. - Hello.
- Sorry to bother you, it's urgent.

- But of what? I don't propose
even a coffee, I'm going in. - Thank you.

I finally understood.

I have always thought about
about the fever of the game

That Rummolo had been killed
for that. - But instead?

Instead, I got the fever wrong.

Rummolo was still dressed
fully dressed

even though it was late.

He was waiting for someone

even though he had asked the count
to close the gate.

Evidently, this someone
who was waiting and then arrived

Was in possession of the keys,
so it had to be one of you three.

But one thing made me realize.

"Beauty lies in the heart
Of the one who has it, not of the beholder."

That's what you told me
last time, right?

And who can consider it better
this beauty of the heart

Of those who must necessarily see
the world in his own way?

Like a blind person, for example.

The mirror in Rummolo's room
was of no use to him.

You needed...

to settle in
before leaving his room

To mask the signs of love
you had on your face.

Mary!

You shut up, which is also your fault.

You kept me locked
inside the house for a lifetime

As if I were a thing of yours.

What does that have to do with it?
It was a thoughtfulness.

- I did it to protect you.
- What did you have to protect me from?

From the people who mock me
Because I am ugly?

With this...
With this I killed Gaspar.

It's love, commissioner.

You talk about love.

Love is a fever,
it is an obsession.

Gaspar. Gaspar loved me.

He saw me
as no one else had ever seen me

even though he couldn't see.

How much he loved me!
And I knew that he loved me.

But then one day he decided
that we were no longer to meet

because he was afraid that my brother
would find out about us and send him away

since, according to him, no one
could approach me sincerely.

Gaspar feared that it would put him
in the middle of the road.

That night I went
to him as usual.

Before going down to put
in place the ticket stubs...

Without this room, which I have
courtesy of your brother

I am no one.

Of course I'm afraid we'll see each other.

- What do you say? - Sooner or later
he finds out about us. - Gaspare, no. - No!

Those damn numbers,
the ones that didn't come out...

- What...
- They made me understand it.

- The numbers? What are you saying?
- Yes, Maria.

The beautiful woman...

desire...

And goodbye, Maria.
- No.

- We have to separate.
- No!

I can't risk it.

Twenty-one, nine and nineteen.
Twenty-one, nine and nineteen.

- What do you say? - 21,
nine and nineteen. - What do you say?

- Twenty-one, nine and nineteen.
- No, no.

So... commissioner, it was me
who didn't see us anymore.

Twenty-one, nine and nineteen.

I took the first thing
I could find

And I hit him.

Gaspare...

[MARY CRYING]

One time...

I hit him.

I cleaned the cutter

And I put it in place.

I held it in my hands
all week long.

Mary.

Now you have to come with us.

(Twenty-one, nine and nineteen.)

Twenty-one, nine and nineteen.

(Twenty-one, nine and nineteen.)
(Twenty-one, nine and nineteen.)

(Twenty-one, nine and nineteen.)

[INAUDIBLE VOICE]

Miss, I owe you an apology.

What do you have to apologize for?

I made jokes...

On your appearance, like a fool.

- I haven't heard them.
- But I did.

A decent person,
an intelligent person

must know
that the important thing...

I mean, we understand each other, don't we?

Thank you.

Please be seated.

Thank you for coming.

If you call me, I am very happy
and very concerned.

You know that I have a special interest
in a particular person.

I have already given you
all the information I could.

This person some time ago had
a very serious accident.

At the hospital, in addition to the
nanny, there was a tall girl with glasses

dressed simply,
perhaps a clerk or a schoolteacher.

I suddenly remembered this.

I thought she was a relative.

I now know
who lives across the street from her house.

I would like to know more.

Even jealousy...

I would like to know if there is anyone
Who keeps him away from me.

What is it about this commissioner
to occupy your mind so much?

And what don't I have
To occupy his?

- Camarda?
- Yes? - Take care of it.

By your command. This way.

You are welcome.

Camarda, what's going on?

Excellence...

Maione, your suspension
still stands out to me.

Doctor,
the Rummolo case has been solved.

We have taken into custody
the culprit

And the credit goes to Maione.

Despite being suspended from work,
he had a decisive insight.

Very good, very good.

Then I await the report

To inform... those in charge.

Excellence.

Thank you, commissioner.

♪ In the shadows goes this heart

♪ who can't sleep. ♪

- What a beautiful voice, Sarracino.
- Heh.

Especially when there are
those who need to hear it.

♪ And sings and cries

♪ "Love, love,
you make me die." ♪

Nelide?

Nelide, lunch at home.

Nelide?