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[EERIE MUSIC]
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NARRATOR: There is a fifth dimension
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beyond that which is known to man.
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It is a dimension as vast as space
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and as timeless as infinity.
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It is the middle ground
between light and shadow
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between science and superstition
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and it lies between
the pit of man's fears,
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and the summit of his knowledge.
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This is the dimension of imagination.
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It is an area which we
call the Twilight Zone.
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I want Jake Ross's secretary, please.
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Williams, we're still waiting
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for your Mr. Ross.
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I'm trying to get him right now, sir.
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Joanie, where is he?
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I know he's out to lunch
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but we got a conference
called here for 2:00.
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It's now 2:30. Now, where is he?
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All right, check around.
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Call Sardi's East or the Colony
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and tell him to get himself
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over here in a hurry.
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Well, where is your protégé
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with the $3 million automobile account?
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He's due at any moment, Mr. Misrell.
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Probably a big lunch crowd or something.
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Don't be an idiot.
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More likely, a big martini
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or three or four of them.
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He was too young to put on this account.
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I told you that.
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I kept telling you that!
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He's much too young
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to put on this large
and important account.
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[KNOCK AT DOOR]
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We have now
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been here 34 minutes, Mr. Williams.
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This is a communication from Jake Ross.
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Would you be so kind as to share
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its contents with us?
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I can give you the
sense of it, Mr. Misrell.
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This is Jake Ross's resignation.
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He's moving over to another agency.
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And?
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He's taking the automobile
account with him.
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That account represented a gross billing
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in the neighborhood of $3 million a year!
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And how many times
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have you promised it to me?
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[CLEARS THROAT]
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This is as much a shock to me
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as it is to you, Mr. Misrell.
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Don't sit down
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and don't con me.
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It was your pet project.
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Your pet project!
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Then it was your idea to give it
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to that little college greenie.
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Now, get with it, Williams.
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Get with it, boy!
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So what's left, Williams?
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Not only has your pet project backfired
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but it sprouted wings
and left the premises.
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I'll tell you what's
left to us, in my view...
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A deep and abiding concern
about your judgment in men.
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This is a push business, Williams.
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A push, push, push business! [THUDDING]
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Push and drive!
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But personally...
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You don't delegate
responsibilities to little boys.
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You should know it
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better than anyone else.
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A push, push, push business, Williams.
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It's push, push, push [THUDDING]
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All the way, all the time!
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It's push, push, push,
all the way, all the time
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right on down the line!
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Fat boy, why don't you shut your mouth!
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Mr. Williams, messages are on the desk.
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There's some hot coffee
here. Can I bring you some?
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No, no, thanks.
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Well, want anything at all?
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Yeah, a sharp razor
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and a chart of the human anatomy
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showing where all the arteries are.
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NARRATOR: This is Gart Williams, age 38,
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a man protected by a suit of armor
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all held together by one bolt.
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Just a moment ago,
someone removed the bolt
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and Mr. Williams' protection
fell away from him
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and left him a naked target.
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He's been cannonaded this afternoon
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by all the enemies of his life.
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His insecurity has shelled him;
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his sensitivity has
straddled him with humiliation;
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his deep-rooted disquiet
about his own worth
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has zeroed in on him,
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landed on target and blown him apart.
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Mr. Gart Williams, ad agency exec
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who in just a moment will
move into the Twilight Zone
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in a desperate search for survival.
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[TRAIN BELL CLANGING]
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How are you tonight, Mr. Williams?
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In the absolute pink.
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Cold winter this year.
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Seems to get darker
earlier than it ever has.
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Well, that's the way of the world.
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The rich get richer
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and the days get shorter.
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That's right.
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MISRELL: A push, push, push business!
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Push and drive!
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It's push, push, push
all the way, all the time
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right on down the line!
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That's enough.
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[DOG BARKING]
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CONDUCTOR: Willoughby!
This stop is Willoughby!
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Willoughby!
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This stop is Willoughby!
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What do you mean, Willoughby?
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Where is Willoughby?
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That's Willoughby right outside.
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Now, wait a minute.
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What's going on?
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There's no stop on this line
called Willoughby.
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And look at it outside.
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The sun is out, it's summer.
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That's what she is, mid-July.
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A real warm one, too.
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Wait a minute, it's November.
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What's going on here anyway?
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Where is this place?
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Where is Willoughby?
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Willoughby, sir?
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That's Willoughby right outside.
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Willoughby. July. Summer.
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It's 1888.
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Really a lovely little village.
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You ought to try it sometime.
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Peaceful, restful,
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where a man can slow down to a walk
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and live his life full-measure.
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Willoughby!
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This stop is Willoughby!
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Willoughby!
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This stop is Willoughby!
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[CARS RUMBLING]
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CONDUCTOR: Westport Saugatuck next stop!
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Westport Saugatuck!
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Have a good sleep, Mr. Williams?
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Yeah.
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Yeah, I had a good sleep,
but an idiotic dream.
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Idiotic.
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You ever hear of a town
called Willoughby?
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Willoughby? Willoughby where?
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Willoughby, Connecticut,
or Willoughby, New York.
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Not on this run.
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No Willoughby on the line.
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Westport Saugatuck next stop!
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Westport Saugatuck!
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And what are your plans for this evening?
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To get quietly plastered
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and then sing old college songs?
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It's been one of those days.
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I know all about it.
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Bob lair's wife called me.
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She told me he'd been
in the meeting with you.
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You got... you got
hysterical or something?
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She called to find out how you were.
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They were all very solicitous
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all the boys at the meeting.
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That free-flowing compassion
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that is actually relief.
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I'm the victim, not them.
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They've mistaken an intake of breath
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for an outpouring of sympathy.
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Would you spare me
your little homilies now?
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Please, and just give me
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a simple and direct and honest answer.
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Did you wreck a career this afternoon?
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Did you throw away a job?
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It appears not.
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Misrell phoned before I left the office.
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He has found it in that great
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over-sized heart of his to forgive.
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This somewhat obese, gracious gentleman
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will allow me to continue in his employ
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because he's such a... human-type fellow
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with the small, insignificant
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parenthetic additional reason
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that if I were to go
to a competitive agency
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I might possibly take a
lot of business with me.
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Go on.
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That's it.
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That's all of it.
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Oh, I'm tired, Janie.
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I'm tired, and I'm sick.
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Well, then you're on the right ward.
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We specialize in people
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that are sick. And tired, too, Gart.
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I'm sick, and I'm tired
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of a husband who lives
in permanent self-pity
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00:11:27,377 --> 00:11:30,463
with a heart bleeding sensitivity
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00:11:30,547 --> 00:11:32,256
that he unfurls like a flag
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00:11:32,340 --> 00:11:34,383
whenever he decides the competition is...
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00:11:34,467 --> 00:11:35,967
Is a little too rough for him.
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00:11:37,721 --> 00:11:41,098
Some people aren't built
for competition, Janie
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00:11:41,182 --> 00:11:43,935
or big, pretentious
houses they can't afford
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00:11:44,019 --> 00:11:46,604
or rich communities they
don't feel comfortable in
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00:11:46,688 --> 00:11:49,066
or country clubs they
wear around their neck
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00:11:49,150 --> 00:11:51,360
like a badge of status.
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00:11:51,444 --> 00:11:53,320
And you'd prefer...?
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00:11:53,404 --> 00:11:54,738
I'd prefer though never asked before
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a job, any job, any job at all
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where I could be myself!
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00:11:59,076 --> 00:12:00,911
Where I wouldn't have to climb on a stage
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and go through a masquerade
every morning at nine,
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00:12:03,414 --> 00:12:04,623
and mouth all the dialog
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00:12:04,707 --> 00:12:06,333
and play the executive
221
00:12:06,417 --> 00:12:07,626
and make believe I’m
the bright, young man
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00:12:07,710 --> 00:12:09,127
who's on his way up
223
00:12:09,211 --> 00:12:10,629
because I'm not that person, Janie.
224
00:12:10,713 --> 00:12:12,632
You've tried to make me that person
225
00:12:12,716 --> 00:12:15,551
but that isn't me. That isn't me at all.
226
00:12:15,635 --> 00:12:18,137
I'm...
227
00:12:18,221 --> 00:12:19,847
I'm a not-very-young
228
00:12:19,931 --> 00:12:22,100
soon-to-be-old
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00:12:22,184 --> 00:12:24,602
very uncompetitive, rather dull
230
00:12:24,686 --> 00:12:29,399
quite uninspired, average-type guy.
231
00:12:29,483 --> 00:12:34,904
With a wife who has an appetite.
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00:12:34,988 --> 00:12:36,531
And just where would you be
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00:12:36,615 --> 00:12:39,660
if it weren't for my appetite?
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00:12:39,744 --> 00:12:42,162
I know where I'd like to be.
235
00:12:42,246 --> 00:12:43,247
Where's that?
236
00:12:53,383 --> 00:12:55,259
A place called Willoughby.
237
00:12:55,343 --> 00:12:57,887
A little town I've
manufactured in a dream.
238
00:13:02,309 --> 00:13:04,769
Tell me about your dream, Gart.
239
00:13:04,853 --> 00:13:08,148
It was an odd dream, very odd dream.
240
00:13:08,232 --> 00:13:11,026
Willoughby.
241
00:13:11,110 --> 00:13:14,362
It was summer, very warm.
242
00:13:14,446 --> 00:13:16,448
Kids were barefooted.
243
00:13:16,532 --> 00:13:18,783
One of them had a fishing pole.
244
00:13:18,867 --> 00:13:23,830
It all looked like
a Currier & Ives painting.
245
00:13:23,914 --> 00:13:27,127
Bandstand, bicycles, wagons.
246
00:13:29,379 --> 00:13:34,467
I've never seen such... Serenity.
247
00:13:34,551 --> 00:13:38,554
It was the way people must
have lived a hundred years ago.
248
00:13:38,638 --> 00:13:40,723
Crazy dream.
249
00:13:42,434 --> 00:13:44,060
Yeah.
250
00:13:44,144 --> 00:13:46,312
You let me know when
you wake up, huh, Gart?
251
00:13:46,396 --> 00:13:47,480
No, wait, Janie.
252
00:13:47,564 --> 00:13:49,273
Please, Janie.
253
00:13:49,357 --> 00:13:52,527
You know what the
trouble with you is, Gart?
254
00:13:52,611 --> 00:13:54,363
You were just born too late.
255
00:13:54,447 --> 00:13:55,947
Because you're a guy
256
00:13:56,031 --> 00:13:57,407
that could be satisfied
257
00:13:57,491 --> 00:13:58,658
with a summer afternoon
258
00:13:58,742 --> 00:14:00,077
or an ice wagon
259
00:14:00,161 --> 00:14:02,120
being drawn by a horse.
260
00:14:02,204 --> 00:14:04,748
So it's my mistake, pal, my error
261
00:14:04,832 --> 00:14:07,918
my miserable, tragic error
to get married to a man
262
00:14:08,002 --> 00:14:11,672
whose big dream in life
is to be Huckleberry Finn.
263
00:14:18,054 --> 00:14:21,057
Yeah, maybe.
264
00:14:21,141 --> 00:14:23,768
Something like that.
265
00:14:23,852 --> 00:14:29,440
A place, a time where a man
can live his life full-measure.
266
00:14:29,524 --> 00:14:31,401
That's what he said, that's...
267
00:14:31,485 --> 00:14:34,862
What that conductor said,
268
00:14:34,946 --> 00:14:39,034
a place where a man can
live his life full-measure.
269
00:14:46,375 --> 00:14:50,212
MODERN CONDUCTOR: Willoughby?
270
00:14:50,296 --> 00:14:51,463
What?
271
00:14:51,547 --> 00:14:52,923
Last week you asked me
272
00:14:53,007 --> 00:14:55,509
about a town called Willoughby.
273
00:14:55,593 --> 00:14:57,136
Well, I looked it up.
274
00:14:57,220 --> 00:14:59,304
Every old timetable I could find.
275
00:14:59,388 --> 00:15:02,307
No such place, as far as I could see.
276
00:15:02,391 --> 00:15:04,059
Thanks.
277
00:15:04,143 --> 00:15:05,436
It was a dream, is all.
278
00:15:05,520 --> 00:15:06,896
Probably was.
279
00:15:06,980 --> 00:15:08,648
Stamford next stop!
280
00:15:08,732 --> 00:15:10,567
Next stop, Stamford!
281
00:15:10,651 --> 00:15:13,653
[TRAIN HORN BLARING]
282
00:15:13,737 --> 00:15:17,740
Stamford! Stamford next stop!
283
00:15:17,824 --> 00:15:19,326
Stamford!
284
00:15:23,497 --> 00:15:25,957
Next stop, Stamford!
285
00:15:26,041 --> 00:15:28,001
Stamford, next stop!
286
00:15:28,085 --> 00:15:30,003
CONDUCTOR OF THE PAST: Willoughby!
287
00:15:30,087 --> 00:15:31,422
This stop is Willoughby!
288
00:15:34,592 --> 00:15:35,968
Willoughby!
289
00:15:36,052 --> 00:15:38,679
This stop is Willoughby!
290
00:15:38,763 --> 00:15:40,055
Willoughby, sir.
291
00:15:40,139 --> 00:15:42,016
Willoughby?
292
00:15:42,100 --> 00:15:44,185
Yes, sir, Willoughby.
293
00:15:45,562 --> 00:15:46,812
Willoughby!
294
00:15:46,896 --> 00:15:49,106
All on for Willoughby!
295
00:15:49,190 --> 00:15:51,192
Willoughby! This stop is Willoughby!
296
00:15:51,276 --> 00:15:53,736
[BAND PLAYING CAMPTOWN RACES]
297
00:16:23,435 --> 00:16:25,686
Conductor!
298
00:16:25,770 --> 00:16:26,896
Conductor!
299
00:16:29,899 --> 00:16:31,359
Conductor!
300
00:16:32,652 --> 00:16:34,862
Conductor!
301
00:16:34,946 --> 00:16:36,739
Conduc...!
302
00:16:36,823 --> 00:16:41,327
You all right, Mr. Williams?
303
00:16:41,411 --> 00:16:42,495
Yeah, yeah.
304
00:16:42,579 --> 00:16:43,955
Sure, I'm all right.
305
00:16:50,504 --> 00:16:52,589
Willoughby.
306
00:16:52,673 --> 00:16:55,092
Next time...
307
00:16:55,176 --> 00:16:57,345
Next time, I'm going to get off.
308
00:17:05,811 --> 00:17:08,230
I'm going to get off at Willoughby.
309
00:17:20,869 --> 00:17:22,120
Misrell [ON PHONE]: What
we need here, Williams,
310
00:17:22,204 --> 00:17:23,621
is a show with zaz.
311
00:17:23,705 --> 00:17:25,582
An entertainer with moxie.
312
00:17:25,666 --> 00:17:27,417
We've got to take the
audience by the ears
313
00:17:27,501 --> 00:17:28,751
and give 'em a yank,
314
00:17:28,835 --> 00:17:30,378
jar 'em, rock 'em,
315
00:17:30,462 --> 00:17:31,796
give 'em the ol' push, push, push.
316
00:17:31,880 --> 00:17:33,298
I understand, Mr. Misrell.
317
00:17:33,382 --> 00:17:34,674
It's gotta be bright.
318
00:17:34,758 --> 00:17:35,884
Bright with a patter.
319
00:17:35,968 --> 00:17:37,636
That's it, comedy.
320
00:17:37,720 --> 00:17:39,513
And everything push push push.
321
00:17:39,597 --> 00:17:41,724
Of course, now it's gotta be bright.
322
00:17:41,808 --> 00:17:43,767
Push push push.
323
00:17:43,851 --> 00:17:45,436
That's the kind of
show the client will like.
324
00:17:45,520 --> 00:17:47,646
I understand, Mr. Misrell. I understand.
325
00:17:47,730 --> 00:17:51,483
Tomorrow morning, I want at
least a preliminary idea for the show.
326
00:17:51,567 --> 00:17:53,444
You know what I want.
327
00:17:53,528 --> 00:17:55,696
Just a rough format with a few details
328
00:17:55,780 --> 00:17:58,741
as to how we integrate the
commercials within the body of the show.
329
00:17:58,825 --> 00:18:00,577
I understand, Mr. Misrell.
330
00:18:00,661 --> 00:18:01,953
I'll do the best I can.
331
00:18:02,037 --> 00:18:03,913
Do more than you can.
332
00:18:03,997 --> 00:18:07,375
Aspire. Dream big and then get behind it.
333
00:18:07,459 --> 00:18:09,002
Push push push push!
334
00:18:09,086 --> 00:18:10,420
Yes, sir!
335
00:18:10,504 --> 00:18:14,132
[PHONE RINGS]
336
00:18:14,216 --> 00:18:18,053
Yes?
337
00:18:18,137 --> 00:18:21,306
Well, I haven't seen
the ratings on the show.
338
00:18:21,390 --> 00:18:24,017
No, no.
339
00:18:24,101 --> 00:18:27,104
Well, that's the time
slot the sponsor wanted.
340
00:18:27,188 --> 00:18:28,272
[PHONE RINGS]
341
00:18:28,356 --> 00:18:30,441
Hang on a minute.
342
00:18:30,525 --> 00:18:33,819
Yes?
343
00:18:33,903 --> 00:18:36,405
They what?
344
00:18:36,489 --> 00:18:37,782
Hold on a second.
345
00:18:37,866 --> 00:18:38,908
Helen.
346
00:18:38,992 --> 00:18:41,035
Helen!
347
00:18:41,119 --> 00:18:44,163
What film office did the
commercials on the Bradbury account?
348
00:18:44,247 --> 00:18:45,623
The negatives are all scratched,
349
00:18:45,707 --> 00:18:46,916
they're screaming bloody murder!
350
00:18:47,000 --> 00:18:48,292
I'll have to check, sir.
351
00:18:48,376 --> 00:18:49,628
Mr. Misrell wants to see you.
352
00:18:49,712 --> 00:18:51,046
I'll have to check it out.
353
00:18:51,130 --> 00:18:52,589
Mr. Misrell, sir.
354
00:18:52,673 --> 00:18:54,049
I'll tell you when I know something.
355
00:18:54,133 --> 00:18:56,093
Mr. Williams! Mr. Misrell
356
00:18:56,177 --> 00:18:58,011
seemed very insistent.
357
00:18:58,095 --> 00:18:59,888
[VOICES CHATTERING ON PHONES]
358
00:18:59,972 --> 00:19:01,557
Mr. Williams!
359
00:19:03,726 --> 00:19:06,562
Mr. Williams! Mr. Misrell!
360
00:19:12,443 --> 00:19:13,944
Push, push, push, Williams!
361
00:19:14,028 --> 00:19:15,571
Push, push, push, Williams!
362
00:19:15,655 --> 00:19:17,240
Get with it, boy!
363
00:19:17,324 --> 00:19:18,741
Push, push, push, Williams!
364
00:19:18,825 --> 00:19:20,243
Push, push, push, Williams!
365
00:19:20,327 --> 00:19:21,828
Push, push, push, Williams!
366
00:19:41,599 --> 00:19:44,977
Will you get me Westport,
Connecticut, please?
367
00:19:45,061 --> 00:19:47,855
Capital 7-9899.
368
00:19:47,939 --> 00:19:51,817
Yes, please.
369
00:19:51,901 --> 00:19:54,737
Janie, this is Gart, honey.
370
00:19:54,821 --> 00:19:56,613
I'm coming home.
371
00:19:56,697 --> 00:19:58,532
Will you stay there?
372
00:19:58,616 --> 00:20:02,953
I just... I just want you to stay there.
373
00:20:03,037 --> 00:20:06,416
No, honey, listen, please.
374
00:20:06,500 --> 00:20:08,126
I've had it, understand?
375
00:20:08,210 --> 00:20:10,086
I've had it!
376
00:20:10,170 --> 00:20:12,672
I just can't take this another
day, not another hour.
377
00:20:12,756 --> 00:20:14,424
This is it, right now.
378
00:20:14,508 --> 00:20:17,719
I've got to get out of here.
379
00:20:17,803 --> 00:20:21,639
Janie, will you help me, please?
380
00:20:21,723 --> 00:20:24,684
Will you please help me?
381
00:20:24,768 --> 00:20:25,769
[CLICK]
382
00:20:25,853 --> 00:20:26,854
Janie?
383
00:20:42,287 --> 00:20:44,747
How are you tonight, Mr. Williams?
384
00:20:44,831 --> 00:20:46,499
[TRAIN HORN BLARES]
385
00:20:49,919 --> 00:20:51,921
CONDUCTOR: Stamford next stop!
386
00:20:52,005 --> 00:20:53,214
Stamford!
387
00:20:54,967 --> 00:20:59,179
Next stop, Stamford!
388
00:20:59,263 --> 00:21:02,682
Next stop Stamford!
389
00:21:02,766 --> 00:21:04,601
Stamford next stop!
390
00:21:04,685 --> 00:21:07,729
Stamford!
391
00:21:07,813 --> 00:21:09,398
Next stop, Stamford!
392
00:21:11,358 --> 00:21:12,400
Next stop...
393
00:21:12,484 --> 00:21:14,027
...is Willoughby!
394
00:21:14,111 --> 00:21:15,529
Willoughby!
395
00:21:15,613 --> 00:21:16,822
Next stop is Willoughby!
396
00:21:16,906 --> 00:21:17,989
Willoughby?
397
00:21:18,073 --> 00:21:19,200
Yes, sir.
398
00:21:25,999 --> 00:21:29,294
[BAND PLAYING "OH, SUSANNAH"]
399
00:21:54,028 --> 00:21:55,445
Hi, Mr. Williams.
400
00:21:55,529 --> 00:21:57,197
Hi, boys.
401
00:21:57,281 --> 00:21:59,199
You catch some big ones today, huh?
402
00:21:59,283 --> 00:22:00,951
I think tomorrow I'll join you.
403
00:22:01,035 --> 00:22:03,328
Plenty of room and lots of fish.
404
00:22:03,412 --> 00:22:05,998
[BAND PLAYING BEAUTIFUL DREAMER]
405
00:22:06,082 --> 00:22:07,416
[BIRDS CHIRPING]
406
00:22:15,008 --> 00:22:16,426
Hiya, Mr. Williams.
407
00:22:16,510 --> 00:22:17,468
Welcome.
408
00:22:17,552 --> 00:22:18,970
Thank you.
409
00:22:19,054 --> 00:22:20,604
Thank you, I'm glad to be here.
410
00:22:51,671 --> 00:22:53,756
MAN: Just jumped off the train, did he?
411
00:22:53,840 --> 00:22:56,300
Shouted something about Willoughby.
412
00:22:56,384 --> 00:22:57,886
Then ran out to the platform
413
00:22:57,970 --> 00:23:00,263
and that was the last I saw of him.
414
00:23:00,347 --> 00:23:02,933
Doctor says he must have died instantly.
415
00:23:03,017 --> 00:23:05,644
They're gonna take him
into town for an autopsy.
416
00:23:05,728 --> 00:23:08,397
Funeral parlor there sent the ambulance.
417
00:23:19,408 --> 00:23:20,909
Poor fella.
418
00:23:43,141 --> 00:23:44,684
NARRATOR: Willoughby?
419
00:23:44,768 --> 00:23:46,560
Maybe it's wishful thinking
420
00:23:46,644 --> 00:23:49,356
nestled in a hidden part of a man's mind
421
00:23:49,440 --> 00:23:53,777
or maybe it's the last stop
in the vast design of things.
422
00:23:53,861 --> 00:23:56,321
Or perhaps, for a man
like Mr. Gart Williams
423
00:23:56,405 --> 00:23:59,282
who climbed in a world
that went by too fast
424
00:23:59,366 --> 00:24:03,036
it's a place around the bend
where he could jump off.
425
00:24:03,120 --> 00:24:05,080
Willoughby?
426
00:24:05,164 --> 00:24:08,834
Whatever it is, it comes
with sunlight and serenity
427
00:24:08,918 --> 00:24:11,712
and is a part of the Twilight Zone.
428
00:24:16,843 --> 00:24:19,470
PRESENTER: Rod Serling,
the creator of Twilight Zone,
429
00:24:19,554 --> 00:24:21,431
will tell you about next week's story
430
00:24:21,515 --> 00:24:23,767
after this word from
our alternate sponsor.
431
00:24:25,310 --> 00:24:27,395
And now, Mr. Serling.
432
00:24:27,479 --> 00:24:30,481
In this library, a certain
professor sells things.
433
00:24:30,565 --> 00:24:32,066
Ointments, salves, powders,
434
00:24:32,150 --> 00:24:33,943
sovereign remedies, nectars,
435
00:24:34,027 --> 00:24:36,905
concoctions, decoctions,
and potions all guaranteed.
436
00:24:36,989 --> 00:24:38,907
Next week he'll sell one to a loverboy
437
00:24:38,991 --> 00:24:41,076
so that he can slip
an affectionate mickey
438
00:24:41,160 --> 00:24:42,995
into the champagne of his lady love.
439
00:24:43,079 --> 00:24:44,538
It sets up a most bizarre
440
00:24:44,622 --> 00:24:46,832
and very unexpected chain of events.
441
00:24:46,916 --> 00:24:48,584
On The Twilight Zone next week,
442
00:24:48,668 --> 00:24:49,669
the chaser.
443
00:24:52,130 --> 00:24:54,298
[CURTAIN MUSIC]
444
00:25:32,463 --> 00:25:35,091
PRESENTER: Kimberly Clark invites you
445
00:25:35,175 --> 00:25:36,592
to watch Steve McQueen
446
00:25:36,676 --> 00:25:38,719
in Wanted Dead or Alive.
447
00:25:38,803 --> 00:25:42,182
Saturday nights over
most of these same stations.
31442
Can't find what you're looking for?
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