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1
00:00:01,044 --> 00:00:02,480
PREVIOUSLY ON "ALL AMERICAN"...
2
00:00:02,524 --> 00:00:03,960
WHAT'’S IT GONNA TAKE
FOR YOU TO FINALLY LET HIM GO?
3
00:00:04,004 --> 00:00:04,961
'’CAUSE WHATEVER'S
COMING FOR HIM
4
00:00:05,005 --> 00:00:06,136
IS COMING
FOR YOU, TOO,
5
00:00:06,180 --> 00:00:07,137
AND IT'’S JUST A MATTER
OF TIME BEFORE
6
00:00:07,181 --> 00:00:08,138
THEY SHOW UP
ON MY HOUSE,
7
00:00:08,182 --> 00:00:09,139
PUTTING MY FAMILY
IN DANGER,
8
00:00:09,183 --> 00:00:10,140
AND THAT CAN'’T HAPPEN.
9
00:00:10,184 --> 00:00:11,663
I'’LL BE GONE
TONIGHT.
10
00:00:11,707 --> 00:00:13,274
YOU BEEN RUNNING THINGS
AROUND HERE SINCE WE WAS KIDS.
11
00:00:13,317 --> 00:00:15,319
GOTTA BE
SOMETHING ELSE OUT HERE YOU CAN DO.
12
00:00:15,363 --> 00:00:17,191
GOT THE BIG DOG'’S CARD.
13
00:00:17,234 --> 00:00:18,844
SAID HE MIGHT HAVE
A JOB FOR YOU.
14
00:00:18,888 --> 00:00:20,020
I'’M CHRIS,
BY THE WAY.
15
00:00:20,063 --> 00:00:21,064
OLIVIA.
16
00:00:21,108 --> 00:00:22,935
WHEN YOU LIE
AND I KNOW ABOUT IT,
17
00:00:22,979 --> 00:00:24,546
IT MAKES ME
COMPLICIT IN THE LIE
18
00:00:24,589 --> 00:00:27,201
AND IT'’S EMBARRASSING
TO WATCH.
19
00:00:27,244 --> 00:00:28,898
SORRY THAT MY LIFE
EMBARRASSES YOU.
20
00:00:28,941 --> 00:00:29,986
THAT'’S NOT
WHAT I SAID.
21
00:00:30,030 --> 00:00:31,422
YOU CAN DO
WHAT YOU WANT.
22
00:00:32,641 --> 00:00:35,035
I SLEPT WITH ASHER.
23
00:00:35,078 --> 00:00:36,036
THAT PIECE--
24
00:00:36,079 --> 00:00:37,298
NO, JORDAN.
25
00:00:37,341 --> 00:00:38,734
PROMISE ME THAT
YOU WON'’T SAY ANYTHING.
26
00:00:38,777 --> 00:00:41,171
LEILA DOESN'’T KNOW
AND IF SHE EVER FOUND OUT...
27
00:00:41,215 --> 00:00:43,043
PLEASE PROMISE ME.
28
00:00:43,086 --> 00:00:44,044
SPENCER WENT
HOME ALREADY.
29
00:00:44,087 --> 00:00:45,175
OK, SO GO GET HIM.
30
00:00:45,219 --> 00:00:47,090
OLIVIA, I SEE THE WAY
YOU LOOK AT HIM.
31
00:00:47,134 --> 00:00:49,484
YEAH, KIND OF LIKE
THE WAY HE LOOKS AT YOU?
32
00:00:49,527 --> 00:00:52,356
I'’M REALLY HAPPY
I HAVE YOU, SPENCER.
33
00:00:52,400 --> 00:00:54,967
I'’M HAPPY
I HAVE YOU, TOO.
34
00:00:55,011 --> 00:00:56,752
COME ON.
35
00:01:03,759 --> 00:01:07,937
MAN: ♪ LET'’S GET
SOMETHING STARTED ♪
36
00:01:07,980 --> 00:01:10,461
♪ STARTED IN HERE
37
00:01:13,247 --> 00:01:14,465
LEILA ON P.A.: MORNING, EAGLES.
38
00:01:14,509 --> 00:01:17,207
THIS IS LEILA KEATING,
YOUR STU CO PRESIDENT.
39
00:01:17,251 --> 00:01:19,166
IT'’S OFFICIALLY
HOMECOMING WEEKEND,
40
00:01:19,209 --> 00:01:21,081
OUR FAVORITE TIME OF YEAR,
41
00:01:21,124 --> 00:01:24,258
NOT JUST BECAUSE IT KICKS OFF
WITH AN AWESOME DANCE TOMORROW.
42
00:01:24,301 --> 00:01:27,696
B.T. DUBS, BUY YOUR TICKETS NOW
IF YOU HAVEN'’T ALREADY.
43
00:01:27,739 --> 00:01:30,220
MAN: ♪ ...LET'’S GET
SOMETHING STARTED ♪
44
00:01:30,264 --> 00:01:31,917
LEILA: AND ENDS WITH
OUR BIG FOOTBALL GAME,
45
00:01:31,961 --> 00:01:34,790
WHERE WE'’RE HAPPILY GONNA KICK
MALIBU'’S BUTT.
46
00:01:36,400 --> 00:01:37,619
MAN: ♪ LET'’S GET
SOMETHING STARTED ♪
47
00:01:37,662 --> 00:01:39,316
LEILA: BUT MOSTLY
BECAUSE IT'’S THE TIME
48
00:01:39,360 --> 00:01:40,839
WHEN WE COME TOGETHER
TO CELEBRATE
49
00:01:40,883 --> 00:01:44,104
EVERY STUDENT'’S COMMITMENT
TO THE BEVERLY FAMILY.
50
00:01:46,280 --> 00:01:47,368
DO YOU WANT SOME?
51
00:01:47,411 --> 00:01:49,196
NO, I'’M GOOD,
THANK YOU.
52
00:01:49,239 --> 00:01:51,198
I'’M AN ATHLETE,
YOU KNOW.
53
00:01:51,241 --> 00:01:52,503
CAN'’T HAVE THAT STUFF
IN MY SYSTEM.
54
00:01:52,547 --> 00:01:54,418
RIGHT. HEH.
55
00:01:54,462 --> 00:01:56,159
OH, JEEZ.
WE GOTTA GO.
56
00:01:56,203 --> 00:01:57,987
DO YOU KNOW
WHAT TIME IT IS?
57
00:01:58,030 --> 00:01:59,031
WAIT.
58
00:01:59,075 --> 00:02:00,555
SO WHAT
IF WE'’RE LATE?
59
00:02:05,908 --> 00:02:08,998
LEILA: SO I HOPE TO SEE YOU
ALL AT THE FESTIVITIES.
60
00:02:09,041 --> 00:02:11,566
AND REMEMBER, GO, EAGLES!
61
00:02:11,609 --> 00:02:13,481
MAN: ♪ ...OOH OOH OOH
62
00:02:13,524 --> 00:02:16,484
♪ OOH OOH OOH OOH
63
00:02:19,095 --> 00:02:22,446
COACH BAKER: ALL RIGHT,
ALL RIGHT, LISTEN UP, LISTEN UP.
64
00:02:22,490 --> 00:02:25,406
NOW, I KNOW I'’VE BEEN RIDING
Y'’ALL HARD THIS PAST WEEK.
65
00:02:25,449 --> 00:02:27,538
I'’M PROUD OF YOU ALL
STEPPING UP.
66
00:02:27,582 --> 00:02:31,063
MALIBU'’S BEEN TALKING
A LOT OF SMACK.
67
00:02:31,107 --> 00:02:33,196
BUT IF YOU PLAY LIKE THIS,
68
00:02:33,240 --> 00:02:34,328
THEY AIN'’T GONNA KNOW
WHAT HIT THEM.
69
00:02:34,371 --> 00:02:36,417
[PLAYERS TALKING AT ONCE]
70
00:02:36,460 --> 00:02:38,027
Y'’ALL GET OUT OF HERE.
71
00:02:38,070 --> 00:02:40,029
HAVE FUN AT THE DANCE
TOMORROW NIGHT.
72
00:02:40,072 --> 00:02:41,987
OH, WAIT,
ONE MORE THING.
73
00:02:42,031 --> 00:02:43,511
KEEP IT CLASSY.
74
00:02:43,554 --> 00:02:46,209
NO DRINKING.
NO STAYING UP ALL NIGHT.
75
00:02:46,253 --> 00:02:48,472
I NEED EVERYONE FIRING
ON ALL CYLINDERS.
76
00:02:48,516 --> 00:02:50,344
WE GOT A BIG GAME
THIS WEEKEND.
77
00:02:50,387 --> 00:02:52,041
Y'’ALL HEARD?ALL: YES, SIR.
78
00:02:52,084 --> 00:02:53,608
ALL RIGHT.
HAVE FUN TOMORROW.
79
00:02:53,651 --> 00:02:56,001
[ALL CHEERING]
80
00:02:56,045 --> 00:02:57,960
[LAUGHTER]
81
00:03:01,224 --> 00:03:02,486
HEY. OH, MY BAD.
HEY.
82
00:03:02,530 --> 00:03:03,705
I DIDN'’T MEAN
TO SCARE YOU.
83
00:03:03,748 --> 00:03:06,708
NO, IT'’S ALL GOOD.
I WAS DISTRACTED.
84
00:03:06,751 --> 00:03:07,926
SO YOU PLANNING ON
AVOIDING ME
85
00:03:07,970 --> 00:03:09,232
TILL WE GRADUATE?
86
00:03:09,276 --> 00:03:10,407
I'’M NOT
AVOIDING YOU.
87
00:03:10,451 --> 00:03:11,539
I'’VE JUST BEEN
CRAZY BUSY
88
00:03:11,582 --> 00:03:14,324
WITH THE HOMECOMING
DANCE AND SCHOOL
89
00:03:14,368 --> 00:03:18,067
AND STUDENT
COUNCIL STUFF AND...
90
00:03:18,110 --> 00:03:21,244
FINE. YES, MAYBE
A LITTLE AVOIDING.
91
00:03:21,288 --> 00:03:23,377
IT'’S OK.
I GET IT.
92
00:03:23,420 --> 00:03:24,552
LOOK, I'’M JUST GONNA
COME RIGHT OUT
93
00:03:24,595 --> 00:03:25,901
AND SAY IT.
94
00:03:25,944 --> 00:03:27,207
I LIKE YOU.
95
00:03:27,250 --> 00:03:29,165
IN CASE THAT
WASN'’T OBVIOUS.
96
00:03:29,209 --> 00:03:30,427
AND BASED ON THAT KISS,
I'’M GUESSING
97
00:03:30,471 --> 00:03:32,342
YOU DON'’T FIND ME
COMPLETELY INTOLERABLE.
98
00:03:32,386 --> 00:03:33,909
IT'’S A LITTLE MORE
COMPLICATED THAN
99
00:03:33,952 --> 00:03:35,345
US JUST LIKING
EACH OTHER.
100
00:03:35,389 --> 00:03:36,825
I KNOW.
ASHER'’S MY TEAMMATE.
101
00:03:36,868 --> 00:03:38,261
YEAH, AND MY
BOYFRIEND.
102
00:03:38,305 --> 00:03:40,524
RIGHT, BUT,
HERE'’S THE THING.
103
00:03:40,568 --> 00:03:42,526
I DON'’T DO THE WHOLE
SNEAKING AROUND THING.
104
00:03:42,570 --> 00:03:44,093
SO I GUESS I'’M JUST
TRYING TO FIGURE OUT
105
00:03:44,136 --> 00:03:46,748
WHAT HAPPENS NEXT,
FOR ALL OF US.
106
00:03:46,791 --> 00:03:48,228
BUT WHATEVER THAT IS,
I KNOW I DON'’T
107
00:03:48,271 --> 00:03:49,446
WANT TO LOSE
YOUR FRIENDSHIP, ALL RIGHT?
108
00:03:49,490 --> 00:03:50,665
THAT'’S IMPORTANT
TO ME.
109
00:03:50,708 --> 00:03:52,057
I CAN'’T TALK
ABOUT THIS RIGHT NOW.
110
00:03:52,101 --> 00:03:53,363
OK, OK, SO WHEN?
111
00:03:53,407 --> 00:03:55,452
I DON'’T KNOW.
112
00:03:55,496 --> 00:03:57,149
HOW ABOUT TONIGHT?
113
00:03:57,193 --> 00:03:59,413
10 P.M.
AFTER MY SHIFT.
114
00:03:59,456 --> 00:04:01,371
THE VISTA AT HERMOSA PARK.
JUST TO TALK.
115
00:04:01,415 --> 00:04:02,720
I DON'’T THINK THAT--
116
00:04:02,764 --> 00:04:04,287
LOOK, I'’M GETTING
REAL GOOD AT THAT
117
00:04:04,331 --> 00:04:05,549
WHOLE NOT TAKING NO
FOR AN ANSWER THING
118
00:04:05,593 --> 00:04:07,464
Y'’ALL DO HERE
IN BEVERLY HILLS.
119
00:04:09,336 --> 00:04:10,641
TONIGHT.
120
00:04:20,347 --> 00:04:23,263
WOMEN: ♪ I GOT A FEELING THINGS
IS TURNING UP FOR ME NOW ♪
121
00:04:23,306 --> 00:04:26,266
♪ STACKS OF THE SPENDING MONEY
TALLER THAN A TREE NOW ♪
122
00:04:26,309 --> 00:04:29,312
♪ MAN, I'’VE BEEN WAITING ON
WINNING, VICTORY WITH A SMILE ♪
123
00:04:29,356 --> 00:04:32,315
♪ I SEE THE DOUBLE-DIGIT COMING,
IT'’S GONNA TAKE A WHILE ♪
124
00:04:32,359 --> 00:04:35,013
♪ OH, THIS TIME I WANT IT ALL
125
00:04:36,450 --> 00:04:38,365
[DOOR OPENS]
126
00:04:38,408 --> 00:04:40,845
YO.
WHERE YOU BEEN?
127
00:04:42,282 --> 00:04:43,761
[DOOR CLOSES]
128
00:04:43,805 --> 00:04:45,328
DUDE, THAT AIN'’T
FOR YOU.
129
00:04:45,372 --> 00:04:46,982
IT IS NOW.
130
00:04:47,025 --> 00:04:49,158
MAYA'’S NAPPING.
131
00:04:49,201 --> 00:04:50,594
SO?
132
00:04:50,638 --> 00:04:52,335
I'’VE BEEN AT SCHOOL,
WHERE YOU SHOULD'’VE BEEN.
133
00:04:52,379 --> 00:04:53,510
GRADUATING SCHOOL
AIN'’T REALLY IN
134
00:04:53,554 --> 00:04:55,686
MY CARDS RIGHT NOW.
135
00:04:55,730 --> 00:04:57,340
WHAT HAPPENED TO TURNING
YOUR LIFE AROUND, MAN,
136
00:04:57,384 --> 00:04:58,428
AND GETTING
OUT THE GAME?
137
00:04:58,472 --> 00:04:59,603
IT AIN'’T GONNA
BE THAT EASY.
138
00:04:59,647 --> 00:05:01,475
AIN'’T NOBODY SAY
IT'’D BE EASY.
139
00:05:01,518 --> 00:05:03,172
THAT DON'’T MEAN
WE GIVE UP, THOUGH.
140
00:05:03,215 --> 00:05:05,000
YOU PROBABLY AIN'’T EVEN
CALLED J.P.'’s HOMEBOY
141
00:05:05,043 --> 00:05:07,742
OVER AT THE RECORD LABEL
ABOUT THE POSSIBLE INTERNSHIP, DID YOU?
142
00:05:07,785 --> 00:05:08,830
AND YOU AIN'’T
CALLED SPENCER
143
00:05:08,873 --> 00:05:10,353
SINCE YOU MOVED
OUT OF HIS HOUSE.
144
00:05:10,397 --> 00:05:11,789
WELL, I'’LL CALL SPENCER
145
00:05:11,833 --> 00:05:13,965
WHEN YOU CALL THE BOY
FROM THE RECORD LABEL.
146
00:05:14,009 --> 00:05:17,447
[EXHALES] WELL, YOU
BETTER GET TO DIALING.
147
00:05:17,491 --> 00:05:19,188
I ALREADY CALLED.
148
00:05:19,231 --> 00:05:21,233
GOT AN INTERVIEW
TOMORROW.
149
00:05:21,277 --> 00:05:22,322
[LAUGHS]
150
00:05:22,365 --> 00:05:23,323
WHY DIDN'’T YOU
SAY NOTHING?
151
00:05:23,366 --> 00:05:25,063
[PHONE BUZZING]
152
00:05:30,417 --> 00:05:32,157
WE'’VE BEEN SUMMONED.
153
00:05:32,201 --> 00:05:34,334
SUMMONED BY WHO?
154
00:05:36,771 --> 00:05:41,863
SINGERS: ♪ ON THE START
OF A BREAKING NEW DAY ♪
155
00:05:41,906 --> 00:05:43,778
SPENCER, DUDE,
TAKE A BREAK, MAN.
156
00:05:43,821 --> 00:05:44,996
YOU'’VE BEEN WORKING
SINCE WE GOT HERE.
157
00:05:45,040 --> 00:05:47,129
I CAN'’T, MAN.
WE EXTRA BUSY TODAY.
158
00:05:47,172 --> 00:05:49,131
HMM.
159
00:05:49,174 --> 00:05:50,698
YOU GOT
ONE PEPPERONI.
160
00:05:52,090 --> 00:05:54,266
GIRL: "YOU HAVE
A PIZZA MY HEART, GABBY.
161
00:05:54,310 --> 00:05:57,008
BE MY DATE
TO HOCO?" EEE!
162
00:06:02,623 --> 00:06:04,538
WHAT, TOO CORNY
FOR YOU?
163
00:06:04,581 --> 00:06:06,757
NO. NO, Y'’ALL JUST TAKE
THIS HOMECOMING THING
164
00:06:06,801 --> 00:06:08,672
REAL SERIOUSLY,
THAT'’S ALL.
165
00:06:08,716 --> 00:06:10,108
IT'’S JUST A DANCE.
166
00:06:10,152 --> 00:06:12,023
WHAT, YOU DON'’T
HAVE DANCES IN CRENSHAW?
167
00:06:12,067 --> 00:06:14,286
NO, WE DO.
IT'’S JUST NOT THAT DEEP.
168
00:06:14,330 --> 00:06:17,420
SO WHO ARE YOU
TAKING TO HOMECOMING?
169
00:06:17,464 --> 00:06:19,248
NOBODY, MAN.
I'’M ROLLING SOLO.
170
00:06:19,291 --> 00:06:20,858
AWW. TOO MANY,
OPTIONS, HUH?
171
00:06:20,902 --> 00:06:22,120
DON'’T WANT TO BREAK
ANY HEARTS?
172
00:06:22,164 --> 00:06:23,600
YEAH, SOMETHING
LIKE THAT.
173
00:06:25,167 --> 00:06:26,603
I GOTTA GET BACK.
174
00:06:26,647 --> 00:06:28,344
ALL RIGHT.
PEACE.
175
00:06:28,388 --> 00:06:29,780
YOU KNOW, I CAN
RESPECT GOING SOLO.
176
00:06:29,824 --> 00:06:31,782
-YEAH?
-IT'’S BETTER THAN ROLLING WITH A RIVAL.
177
00:06:31,826 --> 00:06:33,958
HMM. HERE WE
GO AGAIN.
178
00:06:34,002 --> 00:06:35,612
LISTEN, RIPLEY'’S
JUST A GIRL.
179
00:06:35,656 --> 00:06:36,874
OK? I LIKE HER.
180
00:06:36,918 --> 00:06:38,441
WHO CARES WHERE
SHE GOES TO SCHOOL?
181
00:06:38,485 --> 00:06:40,443
HMM.
182
00:06:40,487 --> 00:06:41,792
TRAITOR.
183
00:06:49,496 --> 00:06:52,020
YOU GOING IN?
184
00:06:52,063 --> 00:06:53,325
I REALLY WISH PEOPLE
185
00:06:53,369 --> 00:06:55,502
WOULD STOP SNEAKING
UP ON ME TODAY.
186
00:06:55,545 --> 00:06:56,590
THAT'’S NOT REALLY
SNEAKING IF I
187
00:06:56,633 --> 00:06:58,287
CALL YOUR NAME
3 TIMES.
188
00:06:58,330 --> 00:06:59,288
I WAS JUST LEAVING.
189
00:06:59,331 --> 00:07:00,855
UH, LEILA...
190
00:07:02,117 --> 00:07:04,859
I SWUNG BY HERE
AFTER CHINA'’S CONCERT.
191
00:07:06,251 --> 00:07:08,993
I SAW YOU
AND SPENCER.
192
00:07:09,037 --> 00:07:10,647
OLIVIA, I'’M--
193
00:07:10,691 --> 00:07:11,866
I'’M SO, SO SORRY.
194
00:07:11,909 --> 00:07:16,871
IT'’S FINE. REALLY.
REALLY. LOOK, I--
195
00:07:16,914 --> 00:07:18,089
I LIKED HIM...
196
00:07:19,526 --> 00:07:22,180
BUT HE LIKES YOU.
197
00:07:22,224 --> 00:07:24,356
I'’D SAY ONE OF US
DESERVES TO GET THE HAPPY ENDING
198
00:07:24,400 --> 00:07:26,271
EXCEPT YOU DON'’T
LOOK SO HAPPY.
199
00:07:28,230 --> 00:07:30,450
I FEEL LIKE I SHOULD
TELL ASHER THE TRUTH.
200
00:07:30,493 --> 00:07:32,190
BUT I ALSO KNOW
WHEN THAT HAPPENS,
201
00:07:32,234 --> 00:07:36,673
EVERYTHING GOES TO HELL.
202
00:07:36,717 --> 00:07:37,935
WHAT SHOULD I DO?
203
00:07:37,979 --> 00:07:39,502
I'’M--I'M NOT REALLY
THE RIGHT PERSON
204
00:07:39,546 --> 00:07:41,591
TO GIVE ANYONE ADVICE
ON ANYTHING,
205
00:07:41,635 --> 00:07:42,679
ESPECIALLY THIS.
206
00:07:42,723 --> 00:07:44,986
OLIVIA, PLEASE.
207
00:07:45,029 --> 00:07:46,596
UM...
208
00:07:49,512 --> 00:07:50,687
PEOPLE KEEP
A SECRET LIKE THAT
209
00:07:50,731 --> 00:07:52,863
FOR ONE OF
TWO REASONS.
210
00:07:52,907 --> 00:07:54,691
EITHER BECAUSE
THE CHEATING
211
00:07:54,735 --> 00:07:56,954
WAS A BIG MISTAKE
212
00:07:56,998 --> 00:07:58,565
AND THEY JUST WANT
TO PROTECT THE PERSON
213
00:07:58,608 --> 00:08:00,915
THEY LOVE
FROM BEING HURT...
214
00:08:00,958 --> 00:08:02,177
OR?
215
00:08:02,220 --> 00:08:05,702
OR THEY'’RE JUST TRYING
TO PROTECT THEMSELVES.
216
00:08:05,746 --> 00:08:07,748
YOU HAVE TO DECIDE
WHICH ONE'’S TRUE FOR YOU
217
00:08:07,791 --> 00:08:09,793
AND WHAT YOU PLAN
TO DO ABOUT IT.
218
00:08:22,284 --> 00:08:27,071
HEY.
CAN WE TALK?
219
00:08:27,115 --> 00:08:28,246
YEAH.
220
00:08:28,290 --> 00:08:30,553
OK.
221
00:08:30,597 --> 00:08:32,947
-THAT DIDN'’T LOOK GOOD.
-NO, IT DID NOT.
222
00:08:39,606 --> 00:08:41,651
I FORGIVE YOU.
223
00:08:41,695 --> 00:08:42,783
WAIT, WHAT?
224
00:08:42,826 --> 00:08:44,915
LIKE YOU SAID,
YOU KNOW?
225
00:08:44,959 --> 00:08:46,613
YOU WERE UPSET
OVER YOUR DAD
226
00:08:46,656 --> 00:08:48,049
A-AND YOU GOT
CAUGHT UP.
227
00:08:48,092 --> 00:08:50,268
I-I GET IT.
228
00:08:50,312 --> 00:08:52,488
THINGS HAVE BEEN
A LITTLE ROUGH FOR ME LATELY,
229
00:08:52,532 --> 00:08:54,969
WITH--WITH MY DAD
A-AND FOOTBALL.
230
00:08:55,012 --> 00:08:56,884
I HAVEN'’T BEEN
PAYING ENOUGH ATTENTION TO YOU.
231
00:08:56,927 --> 00:08:58,842
YEAH, ASHER,
I JUST--
232
00:08:58,886 --> 00:09:00,278
HEY.
233
00:09:01,976 --> 00:09:03,368
I LOVE YOU.
234
00:09:06,371 --> 00:09:11,115
MAN: ♪ MAYBE YOU WEREN'’T
THE ONE FOR ME ♪
235
00:09:11,159 --> 00:09:16,381
♪ BUT DEEP DOWN,
I WANTED YOU TO BE ♪
236
00:09:16,425 --> 00:09:19,776
♪ I'’LL STILL SEE YOU
IN MY DREAMS ♪
237
00:09:19,820 --> 00:09:23,127
♪ ALL THE THINGS
THAT I DID FOR YOU ♪
238
00:09:23,171 --> 00:09:25,739
♪ JUST WASN'’T HERE FOR YOU ♪
239
00:09:25,782 --> 00:09:29,438
♪ SO I'’LL BE COASTING,
ROLLER-COASTING...♪
240
00:09:29,481 --> 00:09:31,309
SPENCER: HEY, LEILA.
241
00:09:31,353 --> 00:09:33,834
LOOK, I UNDERSTAND
WHY YOU DIDN'’T COME,
242
00:09:33,877 --> 00:09:35,966
BUT I NEED YOU
TO KNOW SOMETHING.
243
00:09:36,010 --> 00:09:39,840
YOU'’RE THE ONE PERSON THAT MAKES
BEVERLY FEEL LIKE HOME.
244
00:09:39,883 --> 00:09:44,279
I CAN'’T EXPLAIN IT.
IT JUST IS.
245
00:09:44,322 --> 00:09:46,977
LOOK, YOU DON'’T NEED
TO CALL ME BACK.
246
00:09:47,021 --> 00:09:48,892
I JUST HAD TO LET YOU KNOW.
247
00:09:55,290 --> 00:09:56,857
THE WHOLE NEIGHBORHOOD
COMING TO BREAKFAST?
248
00:09:56,900 --> 00:09:59,381
♪ IT'’S HOMECOMING
WEEKEND ♪
249
00:09:59,424 --> 00:10:00,687
MAN, YOU CRAZY.
250
00:10:00,730 --> 00:10:02,732
THEY SAY YOU SHOULD
LOAD UP FOR...
251
00:10:02,776 --> 00:10:04,560
ENERGY OR WHATEVER.
252
00:10:04,604 --> 00:10:06,040
OK.
253
00:10:06,083 --> 00:10:07,781
PLUS, I FIGURE
ALL THIS
254
00:10:07,824 --> 00:10:08,956
WILL KEEP YOU PUT
LONG ENOUGH
255
00:10:08,999 --> 00:10:10,784
TO TELL ME EVERYTHING.
256
00:10:10,827 --> 00:10:11,785
LIKE WHAT?
257
00:10:11,828 --> 00:10:12,873
LIKE MAYBE WHO
258
00:10:12,916 --> 00:10:14,701
YOU'’RE TAKING
TO THE DANCE?
259
00:10:14,744 --> 00:10:16,224
IT'’S COMPLICATED.
260
00:10:16,267 --> 00:10:20,097
BABY...IF HIGH SCHOOL
ISN'’T COMPLICATED,
261
00:10:20,141 --> 00:10:21,316
YOU AIN'’T
DOING IT RIGHT.
262
00:10:21,359 --> 00:10:23,797
[CHUCKLES] LOOK,
IT DOESN'’T MATTER.
263
00:10:23,840 --> 00:10:26,234
AND I AIN'’T GOING TO
THAT DANCE TONIGHT.
264
00:10:26,277 --> 00:10:27,844
SINCE WHEN?
265
00:10:27,888 --> 00:10:29,629
LOOK, I CAME TO BEVERLY
TO PLAY FOOTBALL.
266
00:10:29,672 --> 00:10:31,500
ALL RIGHT?
I SHOULD BE FOCUSED ON TOMORROW'’S GAME,
267
00:10:31,543 --> 00:10:35,678
NOT...NOT SOME
STUPID DANCE.
268
00:10:35,722 --> 00:10:38,768
LIFE IS NOT JUST
ABOUT FOOTBALL, SPENCER.
269
00:10:38,812 --> 00:10:41,423
WHAT'’S REALLY
GOING ON?
270
00:10:41,466 --> 00:10:42,772
YOU TALKED TO COOP?
271
00:10:43,904 --> 00:10:44,731
NO.
272
00:10:44,774 --> 00:10:45,862
CALL HER.
273
00:10:45,906 --> 00:10:47,864
SHE'’S ALWAYS BEEN
YOUR GO-TO.
274
00:10:47,908 --> 00:10:50,214
JUST BECAUSE COOP DOESN'’T
LIVE HERE ANYMORE
275
00:10:50,258 --> 00:10:52,826
DOESN'’T MEAN SHE'S
NOT STILL FAMILY.
276
00:10:55,742 --> 00:10:57,439
MAN: ♪ GREW UP ON THE CORNER
AS A YOUNG '’UN ♪
277
00:10:57,482 --> 00:10:59,267
♪ STRAIGHT FROM THE BLOCK
I BEEN HUSTLIN'’ ♪
278
00:10:59,310 --> 00:11:00,921
♪ HAD TO LEARN THE GAME,
IT WAS NOTHIN'’ ♪
279
00:11:00,964 --> 00:11:02,662
♪ LOTTA MONEY, LOTTA WORK,
I WAS TOUCHIN'’ ♪
280
00:11:02,705 --> 00:11:04,533
♪ LIVED THE LIFE,
BUT I AIN'’T GETTIN' BUSTED ♪
281
00:11:04,576 --> 00:11:06,187
♪ OPERATION SELL IT ALL,
GET IT ALL... ♪
282
00:11:06,230 --> 00:11:07,101
WHAT'’S UP, SHAWN?
283
00:11:07,144 --> 00:11:08,450
NOTHIN'’. CHILLIN'.
284
00:11:08,493 --> 00:11:09,669
NICE TO KNOW YOU CHILLIN'’
WHILE WE OUT HERE
285
00:11:09,712 --> 00:11:10,800
CLEANING UP YOUR MESS.
286
00:11:10,844 --> 00:11:11,932
TY, THAT'’S YOU,
NOT ALVIN.
287
00:11:11,975 --> 00:11:14,761
AIN'’T NOBODY
ASK YOU TO SPEAK.
288
00:11:14,804 --> 00:11:16,110
THERE'’S A LOT OF HEAT
ON US RIGHT NOW
289
00:11:16,153 --> 00:11:17,720
'’CAUSE THAT MESS
YOU MADE AT ALVIN'’S.
290
00:11:17,764 --> 00:11:19,635
MY SHOW'’S GOTTA LAY LOW.
291
00:11:19,679 --> 00:11:20,723
SO NOW YOU GONNA TAKE OVER
292
00:11:20,767 --> 00:11:22,377
AND SELL OUR DOPE
ON HIS BLOCK.
293
00:11:24,901 --> 00:11:26,424
NO PROBLEM.
294
00:11:26,468 --> 00:11:29,036
GOOD. SWIZZ IS
BRINGING IN MORE PRODUCT.
295
00:11:29,079 --> 00:11:30,385
YOU PICK IT UP
TONIGHT.
296
00:11:30,428 --> 00:11:32,126
-TONIGHT?
-YOU HARD OF HEARING OR SOMETHING?
297
00:11:32,169 --> 00:11:34,824
HEY, I COULD GO
MEET SWIZZ IF YOU WANT.
298
00:11:34,868 --> 00:11:37,348
AIN'’T NOBODY
ASK YOU NOTHING, SIS.
299
00:11:37,392 --> 00:11:39,307
IT IS SIS, RIGHT?
300
00:11:39,350 --> 00:11:40,438
OR IS IT BROTHER?
301
00:11:40,482 --> 00:11:41,744
[LAUGHTER]
302
00:11:41,788 --> 00:11:43,224
WHICH ONE IS IT?
303
00:11:45,182 --> 00:11:47,141
COOP: SUPPOSED TO BE
GETTING OUT, NOT DEEPER IN.
304
00:11:47,184 --> 00:11:48,795
IF TYRONE TELLS YOU
TO DO SOMETHING,
305
00:11:48,838 --> 00:11:50,492
YOU DO IT, PERIOD.
306
00:11:50,535 --> 00:11:51,667
SHAWN.
307
00:11:51,711 --> 00:11:52,799
I CAN MAKE
THE INTERVIEW DOWNTOWN
308
00:11:52,842 --> 00:11:54,714
AND GET BACK IN TIME
TO MEET SWIZZ.
309
00:11:54,757 --> 00:11:56,498
[PHONE BUZZING]
310
00:11:56,541 --> 00:11:58,021
JUST ANSWER
THE FOOL.
311
00:11:58,065 --> 00:11:59,762
YOU KNOW YOU WANT TO.
312
00:11:59,806 --> 00:12:01,764
GOT THIS HANDLED.
313
00:12:01,808 --> 00:12:02,765
HELLO.
314
00:12:02,809 --> 00:12:05,202
[KNOCKING ON DOOR]
315
00:12:08,728 --> 00:12:10,730
I'’M GLAD
YOU CALLED.
316
00:12:10,773 --> 00:12:12,557
YOU GOOD?
317
00:12:12,601 --> 00:12:16,170
ME? I'’M OK,
I GUESS.
318
00:12:16,213 --> 00:12:17,824
WHERE YOU BEEN
STAYING?
319
00:12:17,867 --> 00:12:21,001
[SIGH] HE WHO
SHALL NOT BE NAMED
320
00:12:21,044 --> 00:12:23,873
IS LETTING ME CRASH
AT HIS CRIB.
321
00:12:23,917 --> 00:12:25,875
I MEAN, I FIGURED IF
I SAID THE NAME "SHAWN,"
322
00:12:25,919 --> 00:12:28,269
YOUR HEAD WOULD EXPLODE.
323
00:12:28,312 --> 00:12:29,879
COME ON, MAN.
THIS IS STUPID.
324
00:12:29,923 --> 00:12:30,967
I'’M NOT MAD AT YOU
FOR WANTING
325
00:12:31,011 --> 00:12:32,273
TO KEEP
YOUR FAMILY SAFE.
326
00:12:32,316 --> 00:12:34,362
COME ON, COOP.
YOU FAMILY.
327
00:12:34,405 --> 00:12:35,842
ALL RIGHT?
DON'’T EVER THINK YOU NOT.
328
00:12:35,885 --> 00:12:36,930
I KNOW.
SO CAN WE
329
00:12:36,973 --> 00:12:39,062
PARK ALL THAT
OVER THERE SOMEWHERE
330
00:12:39,106 --> 00:12:40,672
AND TALK ABOUT
WHAT'’S GOT THIS VEIN
331
00:12:40,716 --> 00:12:42,022
ON THE SIDE OF YOUR
BIG-ASS HEAD
332
00:12:42,065 --> 00:12:44,285
ABOUT TO POP OUT?
333
00:12:44,328 --> 00:12:46,026
[LAUGHS]
334
00:12:46,069 --> 00:12:48,158
LEILA? AIN'’T THAT
THE GIRL
335
00:12:48,202 --> 00:12:49,681
THAT DATE THE DUDE
ASHER ON YOUR TEAM?
336
00:12:49,725 --> 00:12:50,813
YEAH, I KNOW.
337
00:12:50,857 --> 00:12:51,945
HEY, LOOK, I KNOW
IT AIN'’T GOT
338
00:12:51,988 --> 00:12:53,033
NOTHING TO DO
WITH ME, BUT DON'’T
339
00:12:53,076 --> 00:12:54,686
TEAMMATES GOT, LIKE,
340
00:12:54,730 --> 00:12:55,775
A BRO CODE
OR SOMETHING?
341
00:12:55,818 --> 00:12:56,863
LOOK, I WASN'’T
THINKING ABOUT
342
00:12:56,906 --> 00:12:57,994
ALL THAT WHEN IT
HAPPENED, ALL RIGHT?
343
00:12:58,038 --> 00:13:00,562
OH, I KNOW WHAT
YOU WAS THINKING.
344
00:13:00,605 --> 00:13:03,130
MAN, SHUT UP. UGH.
345
00:13:03,173 --> 00:13:04,740
I DON'’T KNOW, COOP.
346
00:13:04,784 --> 00:13:05,741
I MEAN, MAYBE
IT'’S A GOOD THING
347
00:13:05,785 --> 00:13:07,090
SHE STOOD ME UP.
348
00:13:07,134 --> 00:13:09,136
WHY ROCK THE BOAT WITH
THE REST OF THE TEAM, RIGHT?
349
00:13:09,179 --> 00:13:10,224
I MEAN, '’CAUSE
SOME GIRLS IS JUST
350
00:13:10,267 --> 00:13:12,313
WORTH ROCKING
THE BOAT FOR.
351
00:13:13,575 --> 00:13:16,970
HOW MUCH DO YOU
REALLY LIKE THIS GIRL?
352
00:13:17,013 --> 00:13:20,582
A LOT, MAN.
SHE'’S SPECIAL.
353
00:13:22,105 --> 00:13:23,585
THEN THERE'’S
PROBABLY A MILLION REASONS WHY
354
00:13:23,628 --> 00:13:25,282
SHE DIDN'’T SHOW UP.
355
00:13:25,326 --> 00:13:27,632
BUT THE SPENCER JAMES
I KNOW DON'’T GIVE UP,
356
00:13:27,676 --> 00:13:29,025
SO IT SOUND TO ME
357
00:13:29,069 --> 00:13:33,247
LIKE YOU NEED TO GO
AND GET YOUR GIRL.
358
00:13:33,290 --> 00:13:35,292
I BET.
359
00:13:35,336 --> 00:13:37,164
I'’MMA GO
TO THE DANCE.
360
00:13:38,121 --> 00:13:39,601
BUT I'’MMA NEED
A DATE.
361
00:13:41,298 --> 00:13:42,996
[LAUGHS]
362
00:13:50,307 --> 00:13:51,787
MAMA, PLEASE.
COME ON.
363
00:13:51,831 --> 00:13:53,267
WOULD YOU JUST RELAX
364
00:13:53,310 --> 00:13:57,401
AND LET ME HAVE
MY MOMENT? HA!
365
00:13:57,445 --> 00:13:58,925
COOP: HELLO.
366
00:13:58,968 --> 00:13:59,969
I KNOW YOU SEE ME.
367
00:14:00,013 --> 00:14:01,841
YEAH, I DO SEE YOU.
368
00:14:01,884 --> 00:14:03,016
WHERE'’S COOP?
369
00:14:03,059 --> 00:14:07,324
I'’M RIGHT HERE, BABY.
FINE.
370
00:14:07,368 --> 00:14:09,239
LAURA: COOP,
YOU GUYS READY?
371
00:14:09,283 --> 00:14:10,893
THE LIMOS
ARE WAITING.
372
00:14:10,937 --> 00:14:13,983
YES, MA'’AM.
I'’LL SEE YOU LATER.
373
00:14:14,027 --> 00:14:15,506
SPENCER: COME ON.
LET'’S GO.
374
00:14:18,509 --> 00:14:19,728
YOU OK?
375
00:14:19,771 --> 00:14:21,991
YEAH. I'’M FINE.
376
00:14:22,035 --> 00:14:24,167
IT JUST ALL GOES BY
SO FAST.
377
00:14:24,211 --> 00:14:25,995
-IT REALLY DOES.
-HA!
378
00:14:26,039 --> 00:14:27,214
I KNOW YOU'’RE GONNA
HAVE YOUR HANDS FULL
379
00:14:27,257 --> 00:14:29,216
CHAPERONING TONIGHT,
380
00:14:29,259 --> 00:14:31,827
BUT CAN YOU
PLEASE TAKE A COUPLE PICTURES OF SPENCER?
381
00:14:31,871 --> 00:14:32,915
OF COURSE.
382
00:14:32,959 --> 00:14:33,960
THE MORE EMBARRASSING,
THE BETTER.
383
00:14:34,003 --> 00:14:35,309
HA!
384
00:14:37,746 --> 00:14:39,748
YOU KNOW WHAT?
385
00:14:39,791 --> 00:14:41,881
YOU SHOULD GO
INSTEAD OF ME.
386
00:14:41,924 --> 00:14:43,012
CHAPERONE WITH BILLY.
387
00:14:43,056 --> 00:14:45,058
NO, AH...THANK YOU.
388
00:14:45,101 --> 00:14:46,668
NONSENSE.
IT'’S--IT'S THE WEEKEND.
389
00:14:46,711 --> 00:14:48,496
IT'’S REALLY YOUR TIME
WITH SPENCER ANYWAY.
390
00:14:48,539 --> 00:14:50,933
BESIDES, YOU'’D BE
DOING ME A BIG FAVOR.
391
00:14:50,977 --> 00:14:53,501
I CAN FINALLY HAVE
A NIGHT TO MYSELF.
392
00:14:53,544 --> 00:14:56,156
OK? YES.
393
00:14:56,199 --> 00:14:57,809
LET'’S GET YOU
DRESSED.
394
00:14:57,853 --> 00:14:58,985
THANK YOU.
395
00:14:59,028 --> 00:15:00,551
[INDISTINCT CHATTER]
396
00:15:00,595 --> 00:15:04,207
MAN: ♪ YEAH, IF YOU WANT ME,
GIRL, YOU BETTER GET ME ♪
397
00:15:04,251 --> 00:15:05,426
LAURA: BILLY?
BILLY: YES.
398
00:15:05,469 --> 00:15:08,081
GRACE IS
GONNA GO WITH YOU INSTEAD.
399
00:15:08,124 --> 00:15:10,213
-OH.
-JUST GIVE US 5 MINUTES.
400
00:15:10,257 --> 00:15:13,042
OH, OK.
WOW. GREAT.
401
00:15:13,086 --> 00:15:15,436
WOW. OK.
402
00:15:15,479 --> 00:15:17,220
-ALL RIGHT,
SMILE, Y'’ALL. [DOORBELL RINGS]
403
00:15:17,264 --> 00:15:18,787
SOMEBODY GET THAT.MAN: YEAH.
404
00:15:21,311 --> 00:15:22,791
WHAT'’S UP, SPENCE?
405
00:15:45,422 --> 00:15:46,597
OLIVIA,
ARE YOU SERIOUS?
406
00:15:46,641 --> 00:15:47,772
LAST TIME
I CHECKED, I DON'’T NEED
407
00:15:47,816 --> 00:15:49,078
TO RUN MY DATES
BY YOU.
408
00:15:49,122 --> 00:15:50,688
BILLY: OK, EVERYBODY,
LET'’S GET TOGETHER.
409
00:15:50,732 --> 00:15:53,213
LET'’S TAKE THIS PHOTO.
QUICK, QUICK, QUICK, QUICK, QUICK.
410
00:15:53,256 --> 00:15:55,389
[WOMAN LAUGHS]
411
00:15:57,521 --> 00:15:59,001
WAIT, WHERE'’S
ASHER?
412
00:15:59,045 --> 00:16:00,002
YO, WHO'’S READY
TO TURN UP?
413
00:16:00,046 --> 00:16:01,308
BOY: THERE HE IS.
414
00:16:01,351 --> 00:16:03,136
BILLY: PERFECT TIMING.
GET HER IN HERE.
415
00:16:03,179 --> 00:16:06,095
OH, AND YOU LOOK WONDERFUL.
LET ME GET...
416
00:16:06,139 --> 00:16:07,531
UH-OH.
417
00:16:08,619 --> 00:16:09,490
IT'’S ALL GOOD.
418
00:16:09,533 --> 00:16:10,795
BILLY: OH, YOU ALL LOOK AMAZING.
419
00:16:10,839 --> 00:16:12,841
GET IN THERE,
SPENCER, EVERYBODY. ALL RIGHT.
420
00:16:12,884 --> 00:16:13,842
GET TIGHT, GET TIGHT.
421
00:16:13,885 --> 00:16:16,018
HUMOR ME.
1, 2...
422
00:16:16,062 --> 00:16:20,283
DON'’T DO THAT
WITH YOUR FACE, J.P. AND...BOOM.
423
00:16:20,327 --> 00:16:22,633
OK. ONE MORE FOR SAFETY.
424
00:16:28,857 --> 00:16:32,556
MAN: ♪ WHOA-OH, MM
425
00:16:32,600 --> 00:16:34,471
♪ YOU'’VE BEEN RUNNIN' ROUND,
RUNNIN'’ ROUND, RUNNIN' ROUND ♪
426
00:16:34,515 --> 00:16:36,821
♪ THROWIN'’ THAT DIRT
ALL ON MY NAME ♪
427
00:16:36,865 --> 00:16:38,736
♪ '’CAUSE YOU KNEW THAT I,
KNEW THAT I, KNEW THAT I'’D ♪
428
00:16:38,780 --> 00:16:41,261
♪ CALL YOU UP
429
00:16:41,304 --> 00:16:44,960
♪ I KNOW THAT DRESS IS KARMA,
PERFUME REGRET ♪
430
00:16:45,004 --> 00:16:47,832
♪ YOU GOT ME THINKING
'’BOUT WHEN YOU WERE MINE ♪
431
00:16:47,876 --> 00:16:49,530
♪ THINKING '’BOUT
WHEN YOU WERE MINE ♪
432
00:16:49,573 --> 00:16:53,012
♪ AND NOW I'’M ALL UP ON YA,
WHAT YOU EXPECT? ♪
433
00:16:53,055 --> 00:16:56,058
♪ BUT YOU'’RE NOT
COMING HOME WITH ME TONIGHT ♪
434
00:16:56,102 --> 00:16:58,452
♪ YOU JUST WANT ATTENTION
435
00:16:58,495 --> 00:17:00,454
♪ WHAT ARE YOU DOING?
436
00:17:00,497 --> 00:17:03,196
♪ WHAT ARE YOU
DOING? ♪
437
00:17:03,239 --> 00:17:04,327
HEY, LISTEN,
438
00:17:04,371 --> 00:17:05,676
IF A WHITE GIRL
END UP ONSTAGE
439
00:17:05,720 --> 00:17:08,070
GETTING DOUSED
IN PIG BLOOD, I'’M OUT.
440
00:17:08,114 --> 00:17:09,898
MAN,
YOU'’RE CRAZY.
441
00:17:09,941 --> 00:17:11,334
DEAD SERIOUS.
442
00:17:15,121 --> 00:17:16,470
OH, HELL, NO, BRO.
443
00:17:16,513 --> 00:17:18,037
-WHAT?
-I AIN'’T GET ALL DRESSED UP
444
00:17:18,080 --> 00:17:19,386
AND DRAG MY ASS
TO BEVERLY HILLS
445
00:17:19,429 --> 00:17:20,952
TO SIT HERE
AND WATCH YOU SULK.
446
00:17:20,996 --> 00:17:22,389
HEY, EASY.
I-I DON'’T SULK.
447
00:17:22,432 --> 00:17:23,738
TELL THAT
TO YOUR FACE.
448
00:17:23,781 --> 00:17:25,783
SHUT UP, MAN.
449
00:17:25,827 --> 00:17:27,655
BUDGET FOR
THESE DANCES HAVE DEFINITELY
450
00:17:27,698 --> 00:17:29,396
GONE UP SINCE
WE WERE IN SCHOOL.
451
00:17:29,439 --> 00:17:32,877
[SCOFFS] THAT WAS
SUCH A LONG TIME AGO.
452
00:17:32,921 --> 00:17:35,141
UH, SPEAK
FOR YOURSELF.
453
00:17:35,184 --> 00:17:37,360
DON'’T AGE ME.
454
00:17:37,404 --> 00:17:39,449
YOU LOOK AMAZING.
455
00:17:42,713 --> 00:17:44,324
YEAH, WELL,
456
00:17:44,367 --> 00:17:45,499
YOUR WIFE IS
A MIRACLE WORKER
457
00:17:45,542 --> 00:17:47,066
WITH SOME EYE SHADOW
AND A CLOSET
458
00:17:47,109 --> 00:17:48,110
FULL OF
DESIGNER DRESSES.
459
00:17:48,154 --> 00:17:49,590
[CHUCKLES]
460
00:17:50,721 --> 00:17:51,896
THERE'’S NO
FOOTBALL BANNER.
461
00:17:51,940 --> 00:17:53,420
IT'’S SUPPOSED TO BE
ABOVE THE STAGE
462
00:17:53,463 --> 00:17:55,552
AND THAT ONE'’S
SUPPOSED TO BE ON THE SIDE.
463
00:17:55,596 --> 00:17:56,553
OK, SO?
464
00:17:56,597 --> 00:17:58,381
BABE, IT'’S JUST
A STUPID BANNER.
465
00:17:58,425 --> 00:17:59,382
THIS ONE'’S FINE.
466
00:17:59,426 --> 00:18:00,383
NO, ASHER, I WORKED
467
00:18:00,427 --> 00:18:01,645
REALLY HARD
ON THIS DANCE
468
00:18:01,689 --> 00:18:03,169
AND THAT STUPID BANNER
IS HOW
469
00:18:03,212 --> 00:18:06,433
WE'’RE ACKNOWLEDGING
YOUR TEAM.
470
00:18:06,476 --> 00:18:08,174
I'’M SORRY.
471
00:18:08,217 --> 00:18:09,349
HEY, YOU HAVEN'’T
HAD A CHANCE
472
00:18:09,392 --> 00:18:11,046
TO ENJOY
YOUR OWN HOMECOMING.
473
00:18:12,178 --> 00:18:13,353
LET'’S JUST DANCE.
COME ON.
474
00:18:13,396 --> 00:18:16,617
NO. NO, I CAN'’T.
I HAVE TO FIX THIS.
475
00:18:16,660 --> 00:18:18,793
I'’LL BE RIGHT BACK.
476
00:18:18,836 --> 00:18:21,404
YOU SURE THIS IS
REALLY JUST ABOUT THE BANNER?
477
00:18:21,448 --> 00:18:22,405
-ARE YOU OK?
-SERIOUSLY, DUDE?
478
00:18:22,449 --> 00:18:23,450
YOU HAVE A LOT
OF NERVE
479
00:18:23,493 --> 00:18:24,842
STEPPING TO MY GIRL
RIGHT NOW.
480
00:18:24,886 --> 00:18:26,453
LOOK, I AIN'’T
TRYING TO FIGHT WITH YOU, BOY.
481
00:18:26,496 --> 00:18:27,497
WELL, MAYBE
YOU SHOULD'’VE THOUGHT ABOUT THAT
482
00:18:27,541 --> 00:18:28,977
BEFORE YOU MADE
A PASS AT LEILA.
483
00:18:29,020 --> 00:18:30,326
I DIDN'’T MEAN
FOR IT ALL TO GO DOWN LIKE THAT.
484
00:18:30,370 --> 00:18:31,806
WELL, IT DID.
485
00:18:31,849 --> 00:18:33,547
BUT THAT KISS DIDN'’T
MEAN ANYTHING TO LEILA,
486
00:18:33,590 --> 00:18:35,288
SO HOW ABOUT
YOU STOP STALKING HER,
487
00:18:35,331 --> 00:18:37,028
BECAUSE YOU WERE
JUST A MISTAKE.
488
00:18:39,335 --> 00:18:40,336
-YOU REALLY WANT TO--
-LISTEN, LISTEN,
489
00:18:40,380 --> 00:18:41,511
I'’M THIRSTIER THAN A MUG, MAN.
490
00:18:41,555 --> 00:18:43,687
I NEED A DRINK, LIKE, NOW.
491
00:18:48,170 --> 00:18:50,172
DO YOU HAVE TO
BE SUCH AN ASS?
492
00:18:50,216 --> 00:18:53,044
I'’M HERE WITH
YOU, AREN'’T I?
493
00:18:53,088 --> 00:18:54,481
ISN'’T THAT
ENOUGH?
494
00:19:10,453 --> 00:19:12,586
I'’M SORRY ABOUT
WHAT ASHER SAID.
495
00:19:13,587 --> 00:19:16,372
KISSING YOU
WASN'’T A MISTAKE.
496
00:19:16,416 --> 00:19:18,809
YOU'’RE STILL WITH
ASHER, THOUGH.
497
00:19:18,853 --> 00:19:20,942
HE'’S GOING THROUGH
A LOT RIGHT NOW
498
00:19:20,985 --> 00:19:22,726
AND I DIDN'’T WANT IT
TO FEEL LIKE
499
00:19:22,770 --> 00:19:26,034
I'’M KICKING HIM WHEN
HE'’S ALREADY DOWN, AND--
500
00:19:26,077 --> 00:19:27,905
CHANGE IS SCARY.
I GET IT.
501
00:19:30,212 --> 00:19:31,909
YOU KNOW WHAT
I ADMIRE ABOUT YOU?
502
00:19:33,389 --> 00:19:34,869
YOU'’RE A GIVER.
503
00:19:34,912 --> 00:19:36,479
YOU'’RE ALWAYS
PUTTING EVERYBODY ELSE'’S FEELINGS
504
00:19:36,523 --> 00:19:38,568
BEFORE YOUR OWN.
505
00:19:38,612 --> 00:19:40,527
MY MOMS
IS LIKE THAT.
506
00:19:43,269 --> 00:19:44,835
WHEN IS IT GONNA
BE YOUR TURN?
507
00:19:44,879 --> 00:19:46,228
YOU DESERVE TO HAVE
PEOPLE IN YOUR LIFE
508
00:19:46,272 --> 00:19:49,057
THAT'’S GONNA
TAKE CARE OF YOU FOR A CHANGE.
509
00:19:49,100 --> 00:19:50,754
YOU DESERVE
TO BE HAPPY.
510
00:20:03,506 --> 00:20:06,509
OK. WHERE IS THIS BANNER?
511
00:20:06,553 --> 00:20:08,076
THANKS.
I WOULDN'’T HAVE HAD
512
00:20:08,119 --> 00:20:10,252
ANY IDEA
WHERE TO LOOK.
513
00:20:10,296 --> 00:20:12,994
OH, HAPPY TO HELP.
HAPPY TO HELP.
514
00:20:13,037 --> 00:20:14,474
-SO...
-HMM.
515
00:20:14,517 --> 00:20:17,390
SPENCER, ASHER,
AND LEILA.
516
00:20:17,433 --> 00:20:18,478
THERE'’S SOMETHING
THERE, RIGHT?
517
00:20:18,521 --> 00:20:20,219
HA HA!
I MEAN, I DON'’T KNOW
518
00:20:20,262 --> 00:20:22,482
THE SPECIFICS, BUT...
519
00:20:22,525 --> 00:20:25,528
PRETTY GIRL IN THE MIDDLE
OF THE TWO ARGUING BOYS.
520
00:20:25,572 --> 00:20:27,182
SOUNDS FAMILIAR, DON'’T IT?
521
00:20:27,226 --> 00:20:28,836
I GUESS SO.
522
00:20:28,879 --> 00:20:31,099
OK. VOILA.
523
00:20:31,142 --> 00:20:32,622
[CLAPS HANDS] GREAT.
524
00:20:34,145 --> 00:20:36,191
[RATTLES DOORKNOB]
525
00:20:36,235 --> 00:20:37,279
-BILLY.
-HMM.
526
00:20:37,323 --> 00:20:39,063
I THINK THIS IS LOCKED.
527
00:20:39,107 --> 00:20:40,848
I GOT MY KEYS HERE.
528
00:20:42,371 --> 00:20:44,547
YOU MEAN THOSE KEYS?
529
00:20:51,989 --> 00:20:54,427
-HUH.
-[LAUGHS]
530
00:20:54,470 --> 00:20:57,952
MAN: ♪ SEE A VISION
SO BEAUTIFUL... ♪
531
00:20:57,995 --> 00:20:59,258
JORDAN: YOU KNOW,
532
00:20:59,301 --> 00:21:01,347
I'’M GONNA START TAKING
THAT LOOK PERSONALLY.
533
00:21:01,390 --> 00:21:02,826
-WHAT LOOK?
-THAT "I'’D RATHER BE
534
00:21:02,870 --> 00:21:05,525
ANYWHERE ELSE
BUT HERE" LOOK.
535
00:21:05,568 --> 00:21:07,178
I'’M JUST KEEPING
YOU HUMBLE.
536
00:21:11,792 --> 00:21:13,924
OK.
PROPOSITION TIME.
537
00:21:13,968 --> 00:21:14,838
OK.
538
00:21:14,882 --> 00:21:16,666
WE CAN STAY HERE
AND HANG OUT
539
00:21:16,710 --> 00:21:18,886
WITH YOUR BROS
AND BECOME
540
00:21:18,929 --> 00:21:22,498
A TOTAL HIGH SCHOOL
CLICHE OR
541
00:21:22,542 --> 00:21:25,501
YOU CAN
TAKE MY HAND,
542
00:21:25,545 --> 00:21:27,677
LEAVE WITH ME NOW,
543
00:21:27,721 --> 00:21:29,549
AND EXPERIENCE
A NIGHT
544
00:21:29,592 --> 00:21:31,681
FULL OF SURPRISES.
545
00:21:34,641 --> 00:21:36,251
I LOVE SURPRISES.
546
00:21:36,295 --> 00:21:38,079
YEAH. YOU WOULD.
547
00:21:39,298 --> 00:21:40,821
JORDAN: EXCUSE ME.
548
00:21:45,869 --> 00:21:49,569
ALL RIGHT. ENOUGH.
THIS IS STUPID.
549
00:21:49,612 --> 00:21:52,354
OK? WE 3 KIDS
FROM CRENSHAW.
550
00:21:52,398 --> 00:21:54,356
WE IN THIS
CRAZY-ASS ROOM
551
00:21:54,400 --> 00:21:55,966
WITH THESE
CRAZY-ASS RICH PEOPLE
552
00:21:56,010 --> 00:21:57,881
DANCING TO SOME DAMN
DIPLO OR WHATEVER.
553
00:21:57,925 --> 00:21:59,187
I DON'’T KNOW.
I CAN'’T ENJOY MYSELF
554
00:21:59,230 --> 00:22:00,971
BECAUSE Y'’ALL FOOLS
KEEP SHOOTING
555
00:22:01,015 --> 00:22:03,496
THEM KOBE AND SHAQ
DEATH STARES
556
00:22:03,539 --> 00:22:06,063
INSTEAD OF TALKING.
557
00:22:06,107 --> 00:22:08,849
Y'’ALL GOTTA GET IT
TOGETHER. NOW.
558
00:22:09,980 --> 00:22:11,199
HELLO.
559
00:22:12,287 --> 00:22:14,463
STOP LOOKING AT ME
LIKE I'’M STUPID.
560
00:22:14,507 --> 00:22:16,117
FIGURE IT OUT.
561
00:22:18,119 --> 00:22:20,251
[BOTH LAUGH]
562
00:22:20,295 --> 00:22:21,383
MAN.
563
00:22:21,427 --> 00:22:22,645
OY, SHE BEEN BOSSING US
AROUND LIKE THAT
564
00:22:22,689 --> 00:22:23,777
SINCE THE FOURTH GRADE.
565
00:22:23,820 --> 00:22:25,169
THAT AIN'’T NEVER
GONNA CHANGE.
566
00:22:25,213 --> 00:22:26,780
I KNOW, BUT...
567
00:22:28,172 --> 00:22:30,131
SO HOW DOES IT FEEL
TO BE A PART OF ALL THIS?
568
00:22:30,174 --> 00:22:31,393
I DON'’T KNOW IF
I EVER REALLY FEEL
569
00:22:31,437 --> 00:22:32,916
PART OF
BEVERLY HILLS, MAN.
570
00:22:32,960 --> 00:22:34,744
I DON'’T KNOW, DAWG.
FROM WHERE I'’M STANDING,
571
00:22:34,788 --> 00:22:36,398
-IT FEEL LIKE...
-WHAT?
572
00:22:36,442 --> 00:22:37,965
I'’M JUST SAYING
IT FEEL LIKE
573
00:22:38,008 --> 00:22:39,662
THIS LIFE FITS YOU
LIKE A GLOVE.
574
00:22:39,706 --> 00:22:41,229
COME ON, MAN.
575
00:22:43,666 --> 00:22:45,581
[GIRLS LAUGHING]
576
00:22:45,625 --> 00:22:47,104
LOOK, MAN, OLIVIA'’S
LIKE A SISTER
577
00:22:47,148 --> 00:22:48,236
TO ME, ALL RIGHT?
578
00:22:48,279 --> 00:22:49,803
IF YOU'’RE JUST
MESSING WITH HER HEAD
579
00:22:49,846 --> 00:22:51,761
TO MESS WITH MINE,
I AIN'’T GONNA LET THAT HAPPEN.
580
00:22:51,805 --> 00:22:54,198
OH, NO,
I DEAL WITH YOU.
581
00:22:55,722 --> 00:22:57,985
PROBLEM IS,
582
00:22:58,028 --> 00:23:00,640
HER NOT-SO-SISTERLY
FEELINGS FOR YOU.
583
00:23:01,641 --> 00:23:02,859
MAN, WHATEVER.
584
00:23:02,903 --> 00:23:04,208
-ALL RIGHT.
-ALL RIGHT, LOOK,
585
00:23:04,252 --> 00:23:06,123
MAYBE FOR LIKE A SECOND
WHEN I FIRST MOVED HERE,
586
00:23:06,167 --> 00:23:08,212
I THOUGHT SHE MIGHT'’VE
BEEN FEELING ME, BUT
587
00:23:08,256 --> 00:23:09,257
TURNS OUT IT WAS NOTHING.
588
00:23:09,300 --> 00:23:10,650
OH, IT WAS SOMETHING.
589
00:23:12,478 --> 00:23:13,957
IT STILL IS.
590
00:23:23,967 --> 00:23:25,447
BABE.
591
00:23:25,491 --> 00:23:27,144
WHAT DO YOU WANT
TO TALK ABOUT?
592
00:23:28,929 --> 00:23:31,453
LOOK, I'’M SO SORRY.
593
00:23:31,497 --> 00:23:33,977
YOU AND ME, IT'’S--
594
00:23:34,021 --> 00:23:36,066
IT'’S NOT GONNA
WORK ANYMORE.
595
00:23:36,110 --> 00:23:37,764
YOU'’RE CHOOSING MY
TEAMMATE OVER ME?
596
00:23:37,807 --> 00:23:40,331
I'’M NOT
CHOOSING SPENCER.
597
00:23:40,375 --> 00:23:42,725
I'’M CHOOSING MYSELF.
THAT'’S THE POINT.
598
00:23:42,769 --> 00:23:44,074
LOOK, ASH, IF WE'’RE
BEING HONEST,
599
00:23:44,118 --> 00:23:46,903
WE PROBABLY SHOULD HAVE
DONE THIS A WHILE AGO.
600
00:23:46,947 --> 00:23:48,731
WE'’VE BOTH BEEN
THROUGH SO MUCH
601
00:23:48,775 --> 00:23:52,909
WITH MY MOM PASSING
AND YOUR MOM LEAVING
602
00:23:52,953 --> 00:23:55,085
AND THE WHOLE
MONEY THING.
603
00:23:55,129 --> 00:23:56,739
MAYBE WE'’VE JUST
BEEN HOLDING ONTO EACH OTHER
604
00:23:56,783 --> 00:23:58,001
FOR THE WRONG REASONS.
605
00:23:58,045 --> 00:23:59,133
WOW.
606
00:24:02,005 --> 00:24:04,355
SO YOU'’RE JUST GONNA
DO WHATEVER YOU PLEASE, HUH?
607
00:24:04,399 --> 00:24:07,358
EVERYONE ELSE'’S
FEELINGS BE DAMNED?
608
00:24:07,402 --> 00:24:09,752
THERE'’S MORE OF
YOUR FATHER IN YOU THAN I THOUGHT.
609
00:24:11,885 --> 00:24:15,454
HEY, UM, YOU'’VE BEEN
DRINKING AND YOU'’RE HURT.
610
00:24:15,497 --> 00:24:16,542
MAYBE YOU SHOULD
JUST GO HOME.
611
00:24:16,585 --> 00:24:19,109
WHY WOULD I
LEAVE, LEILA?
612
00:24:19,153 --> 00:24:21,068
THE PARTY'’S JUST
GETTING STARTED.
613
00:24:27,770 --> 00:24:29,903
[DANCE MUSIC PLAYING]
614
00:24:32,166 --> 00:24:33,863
J.J.
615
00:24:33,907 --> 00:24:35,038
WHERE'’S THAT
FLASK, BABY?
616
00:24:35,082 --> 00:24:37,258
OH. KEEP YOUR
VOICE DOWN, BRO.
617
00:24:39,478 --> 00:24:40,522
NOW WE'’RE TALKING.
618
00:24:40,566 --> 00:24:41,697
[CHUCKLES]
619
00:24:41,741 --> 00:24:44,918
HEY. IT'’S PARTY TIME.
DRINK UP.
620
00:24:55,581 --> 00:24:59,976
MAN: ♪ I THINK I LIKE HER,
I THINK I LIKE HER... ♪
621
00:25:00,020 --> 00:25:01,500
MAYBE YOU
SHOULD CHILL ON THE DRINKING.
622
00:25:01,543 --> 00:25:03,153
I'’M JUST GETTING STARTED.
WHAT ARE YOU TALKING ABOUT?
623
00:25:03,197 --> 00:25:05,286
LOOK, I RECOGNIZE
A DOWNWARD SPIRAL WHEN I SEE ONE.
624
00:25:05,329 --> 00:25:07,680
NO, NO, NO. SEE,
YOU DON'’T UNDERSTAND.
625
00:25:07,723 --> 00:25:09,290
I'’M CELEBRATING.
626
00:25:09,333 --> 00:25:12,032
TURNS OUT LEILA
CHEATED WITH SPENCER.
627
00:25:12,075 --> 00:25:13,555
WE DON'’T HAVE ANYTHING
TO FEEL GUILTY ABOUT ANYMORE,
628
00:25:13,599 --> 00:25:15,426
SO CHEERS.
629
00:25:20,301 --> 00:25:21,998
YOU ALREADY KNEW,
DIDN'’T YOU?
630
00:25:23,130 --> 00:25:24,523
OLIVIA.
631
00:25:27,003 --> 00:25:28,875
I THOUGHT THAT
YOU WERE DIFFERENT.
632
00:25:28,918 --> 00:25:31,181
I THOUGHT YOU AND I
HAD EACH OTHER'’S BACK.
633
00:25:31,225 --> 00:25:33,183
BUT YOU'’RE JUST LIKE
EVERYONE ELSE.
634
00:25:37,884 --> 00:25:40,713
MAN, IT'’S LIKE
"DYNASTY" HERE.
635
00:25:40,756 --> 00:25:41,801
-RIGHT?
-[PHONE CHIMES]
636
00:25:41,844 --> 00:25:43,367
YEAH.
637
00:25:43,411 --> 00:25:47,502
[PHONE CHIMES]BRO, WHAT'’S GOOD?
HOW WAS THE INTERVIEW?
638
00:25:47,546 --> 00:25:48,851
THEY LOVED THE KID SO MUCH,
639
00:25:48,895 --> 00:25:50,157
THEY PUT ME
RIGHT TO WORK.
640
00:25:50,200 --> 00:25:53,639
SEE, I TOLD YOU.
WHAT THEY GOT YOU DOING?
641
00:25:53,682 --> 00:25:56,424
YOU KNOW,
ASSISTING OR WHATEVER.
642
00:25:58,208 --> 00:26:01,168
YO. NOW THAT IT'’S
MY FIRST DAY,
643
00:26:01,211 --> 00:26:02,430
I CAN'’T REALLY LEAVE.
644
00:26:02,473 --> 00:26:04,214
THAT MEAN YOU CAN'’T
MEET SWIZZ.
645
00:26:04,258 --> 00:26:05,651
ALL RIGHT, LOOK,
DON'’T WORRY.
646
00:26:05,694 --> 00:26:09,698
I GOT YOU, ALL RIGHT?
TYRONE, HE'’LL NEVER KNOW.
647
00:26:09,742 --> 00:26:12,005
THANKS.
I WON'’T FORGET THIS.
648
00:26:12,048 --> 00:26:13,659
I GOT YOU, MAN.
SAY NO MORE.
649
00:26:13,702 --> 00:26:14,834
ALL RIGHT.
650
00:26:14,877 --> 00:26:16,009
SO WHAT'’S UP?
651
00:26:16,052 --> 00:26:18,838
I GOTTA GO TAKE CARE
OF SOMETHING.
652
00:26:18,881 --> 00:26:20,883
IT'’S GONNA HELP
SHAWN GET OUT
653
00:26:20,927 --> 00:26:22,537
AND ME, TOO.
654
00:26:22,581 --> 00:26:24,670
I BETTER
COME WITH YOU.
655
00:26:24,713 --> 00:26:26,541
NO. YOU CAN'’T.
656
00:26:26,585 --> 00:26:29,283
ALL RIGHT?
I JUST NEED YOU TO TRUST ME.
657
00:26:29,326 --> 00:26:31,198
BE CAREFUL.
658
00:26:31,241 --> 00:26:32,416
ALL RIGHT.
659
00:26:35,158 --> 00:26:36,856
BESIDES, MAN, YOU GOT
YOUR OWN PROBLEMS
660
00:26:36,899 --> 00:26:39,641
TO WORRY ABOUT.
661
00:26:39,685 --> 00:26:40,860
DON'’T WAIT.
662
00:26:40,903 --> 00:26:42,601
-SHUT UP.
-HA HA HA!
663
00:26:45,125 --> 00:26:46,953
HEY.
664
00:26:46,996 --> 00:26:50,391
I AM TIRED OF DOING
THE RIGHT THINGS.
665
00:26:50,434 --> 00:26:51,871
SO WHAT YOU SAYING?
666
00:26:51,914 --> 00:26:54,569
I'’M SAYING I THINK
I WANT TO DANCE.
667
00:27:02,751 --> 00:27:04,405
OK.
668
00:27:04,448 --> 00:27:07,930
WOMAN: ♪ BABY,
WHILE WE'’RE YOUNG ♪
669
00:27:10,237 --> 00:27:15,198
♪ I THINK WE SHOULD
DO SOMETHING CRAZY ♪
670
00:27:15,242 --> 00:27:19,028
♪ TELLING EVERYBODY YOU'’RE MINE
AND I LIKE IT ♪
671
00:27:19,072 --> 00:27:22,162
♪ AND I REALLY HOPE YOU DON'’T
MIND, I CAN'’T FIGHT IT... ♪
672
00:27:22,205 --> 00:27:23,946
I'’M SO SORRY, BUT, LEILA,
673
00:27:23,990 --> 00:27:25,731
WE HAVE A MINOR
DRINK EMERGENCY.
674
00:27:25,774 --> 00:27:27,254
AS IN, WE'’VE RUN OUT.
675
00:27:27,297 --> 00:27:29,299
I'’M SO SORRY.
I'’LL BE RIGHT BACK.
676
00:27:29,343 --> 00:27:30,953
OK.
677
00:27:30,997 --> 00:27:33,434
WOMAN: ♪ SPEND ANOTHER
PERFECT DAY WITH YA ♪
678
00:27:33,477 --> 00:27:37,307
♪ WANNA LAY WITH YA,
SPEND THE NIGHT WITH YA ♪
679
00:27:37,351 --> 00:27:41,616
[LAUGHTER]
680
00:27:41,660 --> 00:27:43,618
I'’M SERIOUS.
HA HA!
681
00:27:43,662 --> 00:27:45,011
IF YOU WANT
TO LOSE WEIGHT,
682
00:27:45,054 --> 00:27:46,708
DO JURY SERVICE
AT OUR COURTHOUSE.
683
00:27:46,752 --> 00:27:48,014
[LAUGHS]
684
00:27:48,057 --> 00:27:50,277
THE CAFE IS SO BAD.
[LAUGHS]
685
00:27:50,320 --> 00:27:53,106
UM...ALL RIGHT.
YOUR TURN.
686
00:27:53,149 --> 00:27:55,282
YOUR TURN.
ASK ME A QUESTION.
687
00:27:55,325 --> 00:27:56,675
MM.
688
00:27:58,894 --> 00:28:01,114
WHY LAURA?
689
00:28:01,157 --> 00:28:03,856
OOH. WOW.
OK. YOU WENT IN.
690
00:28:03,899 --> 00:28:07,468
WAS LEAVING CRENSHAW
AND MARRYING OUTSIDE THE CULTURE
691
00:28:07,511 --> 00:28:09,644
A REBOUND THING
AFTER WE BROKE UP?
692
00:28:09,688 --> 00:28:12,212
HOW DID THIS NOT MAKE
THE "DO NOT DISCUSS" LIST?
693
00:28:12,255 --> 00:28:13,953
I GUESS
I ALWAYS WONDERED.
694
00:28:13,996 --> 00:28:18,305
I JUST...PROMISED
MYSELF NEVER TO ASK.
695
00:28:20,307 --> 00:28:22,135
-YOU KNOW WHAT?
-HUH?
696
00:28:22,178 --> 00:28:23,310
-FORGET I ASKED.
-NO, NO, NO.
697
00:28:23,353 --> 00:28:25,486
IT'’S A FAIR QUESTION.
698
00:28:25,529 --> 00:28:28,315
UH, WELL, WELL,
I MARRIED LAURA
699
00:28:28,358 --> 00:28:31,231
BECAUSE I LOVE HER,
SO...
700
00:28:31,274 --> 00:28:34,103
BUT IF I'’M
BEING HONEST,
701
00:28:34,147 --> 00:28:37,846
WHEN YOU CHOSE COREY
OVER ME BACK IN THE DAY,
702
00:28:37,890 --> 00:28:39,413
THAT BROKE
THE LAST TETHER
703
00:28:39,456 --> 00:28:42,982
THAT WAS--WAS HOLDING ME
TO CRENSHAW.
704
00:28:43,025 --> 00:28:44,113
YOU ALWAYS HAD
A LOVE-HATE
705
00:28:44,157 --> 00:28:45,462
RELATIONSHIP
WITH CRENSHAW.
706
00:28:45,506 --> 00:28:48,335
NOT THE PLACE.
NOT THE PLACE.
707
00:28:48,378 --> 00:28:50,032
I WAS JUST TIRED
OF THE RESPONSIBILITY
708
00:28:50,076 --> 00:28:52,252
THAT CAME WITH BEING
A BLACK MAN
709
00:28:52,295 --> 00:28:54,167
FROM THE '’HOOD.
710
00:28:54,210 --> 00:28:58,345
YOU KNOW, I ALWAYS HAD
TO BE BETTER THAN GREAT,
711
00:28:58,388 --> 00:29:01,391
AND IT FELT LIKE
IF I MESSED UP,
712
00:29:01,435 --> 00:29:04,177
THEN THE WHOLE '’HOOD
MESSED UP, AND THAT--
713
00:29:06,222 --> 00:29:08,877
THAT WAS A LOT
TO CARRY.
714
00:29:08,921 --> 00:29:09,878
[WHISPERS] YEAH.
715
00:29:09,922 --> 00:29:10,879
[DOOR OPENS]
716
00:29:10,923 --> 00:29:12,402
OH. HEY.
717
00:29:12,446 --> 00:29:14,622
YOU GUYS, I'’M SO SORRY.
718
00:29:14,665 --> 00:29:15,710
OH, NO, THANK YOU.
719
00:29:15,754 --> 00:29:17,625
I CAME AS SOON AS
I GOT YOUR MESSAGES.
720
00:29:17,668 --> 00:29:19,235
I HAVE TO GET THIS
BANNER TO THE GYM.
721
00:29:19,279 --> 00:29:21,150
HOPEFULLY, IT'’S
NOT TOO LATE.
722
00:29:21,194 --> 00:29:22,630
ALL RIGHT.
723
00:29:24,632 --> 00:29:26,547
[POP MUSIC PLAYING]
724
00:29:28,375 --> 00:29:29,855
CAN I GET THAT MIC
REAL QUICK?
725
00:29:29,898 --> 00:29:32,205
YEAH.
726
00:29:32,248 --> 00:29:35,077
[MUSIC STOPS]WHAT'’S UP, BEVERLY?
727
00:29:35,121 --> 00:29:37,253
[CROWD CHEERING]
728
00:29:38,472 --> 00:29:41,214
ALLOW ME TO INTRODUCE YOU ALL
729
00:29:41,257 --> 00:29:44,043
TO THE BEST DAMN FOOTBALL TEAM
IN SOUTHERN CALIFORNIA.
730
00:29:44,086 --> 00:29:45,958
[CROWD CHEERING]
731
00:29:46,001 --> 00:29:49,788
AARON MILLER,
MR. STRONG SAFETY HIMSELF, GET UP HERE.
732
00:29:49,831 --> 00:29:52,138
MAKE SOME NOISE, EVERYBODY.[CROWD CHEERING]
733
00:29:54,314 --> 00:29:56,795
AND THAT BEAST?
734
00:29:56,838 --> 00:29:58,622
THAT BEAST, J.J., MY BOY.
735
00:29:58,666 --> 00:30:00,320
[CROWD CHEERING]BEST DAMN LINEBACKER
736
00:30:00,363 --> 00:30:02,322
I'’VE EVER PLAYED WITH.
737
00:30:04,803 --> 00:30:06,717
SORRY.
CRISIS AVERTED.
738
00:30:11,070 --> 00:30:13,594
AND OF COURSE...
739
00:30:13,637 --> 00:30:16,292
THE REAL MVP.
740
00:30:16,336 --> 00:30:18,860
BEVERLY'’S LATEST TRANSFER
SPENCER JAMES.
741
00:30:18,904 --> 00:30:20,862
[CROWD CHEERING]
742
00:30:20,906 --> 00:30:21,950
YEAH. HEH HEH.
743
00:30:21,994 --> 00:30:23,734
HE'’S THE BEST THERE IS.
744
00:30:24,910 --> 00:30:26,737
ISN'’T THAT RIGHT, LEILA?
745
00:30:29,175 --> 00:30:30,785
I MEAN, YOU DID CHEAT
ON ME WITH HIM,
746
00:30:30,829 --> 00:30:31,960
SO YOU WOULD KNOW.
747
00:30:32,004 --> 00:30:33,744
[CROWD MURMURING]
748
00:30:33,788 --> 00:30:36,617
NO, NO, IT-IT'’S OK, REALLY,
IT'’S OK.
749
00:30:36,660 --> 00:30:39,968
BECAUSE TECHNICALLY,
I CHEATED FIRST.
750
00:30:40,012 --> 00:30:41,796
TELL HER, OLIVIA.
751
00:30:42,928 --> 00:30:43,972
TELL HER.
GO ON.
752
00:30:44,016 --> 00:30:45,365
TELL YOUR BEST FRIEND
HOW WE HAD SEX
753
00:30:45,408 --> 00:30:47,410
WAY BEFORE SPENCER
SHOWED UP ON THE SCENE.
754
00:30:47,454 --> 00:30:48,542
TELL HER.
GO AHEAD.
755
00:30:48,585 --> 00:30:50,718
-COME WITH ME.
-[CROWD MURMURING]
756
00:31:05,037 --> 00:31:06,386
LEILA.
757
00:31:06,429 --> 00:31:08,170
LEILA, WAIT.
PLEASE, I--
758
00:31:08,214 --> 00:31:10,259
I DON'’T WANT
TO HEAR IT.
759
00:31:10,303 --> 00:31:11,652
HOW COULD YOU
DO THIS TO ME?
760
00:31:11,695 --> 00:31:13,872
IT DIDN'’T
MEAN ANYTHING.
761
00:31:13,915 --> 00:31:15,090
I SWEAR, OK?
762
00:31:15,134 --> 00:31:16,744
THAT'’S WHY
I DIDN'’T WANT TO TELL YOU.
763
00:31:16,787 --> 00:31:19,181
I DIDN'’T WANT
TO HURT YOU OVER A MISTAKE.
764
00:31:19,225 --> 00:31:22,315
YOU LET ME POUR
MY HEART OUT TO YOU.
765
00:31:22,358 --> 00:31:24,665
YOU GAVE ME ADVICE
KNOWING YOU'’D BETRAYED ME.
766
00:31:24,708 --> 00:31:27,581
I DIDN'’T WANT
TO GIVE YOU ADVICE. YOU BEGGED ME.
767
00:31:27,624 --> 00:31:30,540
BECAUSE I THOUGHT I WAS
TALKING TO MY BEST FRIEND,
768
00:31:30,584 --> 00:31:32,803
NOT A TREACHEROUS BITCH.
769
00:31:34,980 --> 00:31:36,416
WOW.
770
00:31:39,941 --> 00:31:42,465
YOU ARE SUCH
A HYPOCRITE.
771
00:31:42,509 --> 00:31:43,989
CORRECT ME
IF I'’M WRONG, BUT
772
00:31:44,032 --> 00:31:45,251
YOU MESSED AROUND
WITH SPENCER
773
00:31:45,294 --> 00:31:46,643
KNOWING HOW I FELT
ABOUT HIM,
774
00:31:46,687 --> 00:31:48,123
KNOWING THAT
YOU HAD A BOYFRIEND.
775
00:31:48,167 --> 00:31:49,255
IT'’S NOT THE SAME.
776
00:31:49,298 --> 00:31:51,344
NO, YOU'’RE RIGHT.
IT'’S NOT.
777
00:31:51,387 --> 00:31:52,432
I WAS MESSED UP
ON DRUGS
778
00:31:52,475 --> 00:31:53,824
WHEN I SLEPT
WITH ASHER.
779
00:31:53,868 --> 00:31:56,088
WHAT'’S YOUR EXCUSE?
780
00:31:56,131 --> 00:31:57,698
MAYBE NOW YOU CAN
FINALLY ADMIT
781
00:31:57,741 --> 00:31:59,482
THAT YOU'’RE NOT
MISS PERFECT AFTER ALL
782
00:31:59,526 --> 00:32:01,049
BUT YOU'’RE
A MESSY HUMAN
783
00:32:01,093 --> 00:32:03,443
WHO SCREWS UP LIKE
THE REST OF US.
784
00:32:06,054 --> 00:32:09,405
THANK YOU FOR
ENLIGHTENING ME.
785
00:32:09,449 --> 00:32:12,669
LEILA. WAIT! PLEASE!
786
00:32:14,889 --> 00:32:15,934
OF COURSE.
787
00:32:15,977 --> 00:32:16,978
-LOOK, OLIVIA.
-I KNOW.
788
00:32:17,022 --> 00:32:19,676
I'’M A HORRIBLE PERSON.
789
00:32:19,720 --> 00:32:22,244
I CAN'’T HEAR THAT
FROM YOU RIGHT NOW.
790
00:32:33,255 --> 00:32:34,648
LEILA!
791
00:32:36,041 --> 00:32:38,478
[ENGINE STARTS]
792
00:32:38,521 --> 00:32:39,827
[CAR DOOR CLOSES]
793
00:32:39,870 --> 00:32:41,872
DAMN.
794
00:32:41,916 --> 00:32:44,484
-COACH, I'’M SORRY.
-I DON'’T WANT TO HEAR IT.
795
00:32:44,527 --> 00:32:47,139
YOU DRANK ALCOHOL
ON SCHOOL PROPERTY.
796
00:32:47,182 --> 00:32:48,749
-YEAH, BUT--
-QUIET!
797
00:32:50,881 --> 00:32:53,580
WAS ANYBODY ELSE
FROM THE TEAM DRINKING WITH YOU?
798
00:32:53,623 --> 00:32:57,453
NO. IT--IT WAS
JUST ME.
799
00:32:58,759 --> 00:32:59,978
[SIGHS]
800
00:33:03,068 --> 00:33:05,635
YOU LEAVE ME
NO CHOICE.
801
00:33:05,679 --> 00:33:07,986
I'’M SUSPENDING YOU
FOR THE NEXT TWO GAMES.
802
00:33:09,161 --> 00:33:11,076
NO. COACH, PLEASE.
803
00:33:11,119 --> 00:33:12,816
T-TOMORROW'’S
HOMECOMING.
804
00:33:12,860 --> 00:33:14,122
SCOUTS ARE GONNA BE
AT THAT GAME.
805
00:33:14,166 --> 00:33:16,429
I HAVE TO PLAY.
PLEASE DO NOT DO THIS TO ME.
806
00:33:16,472 --> 00:33:19,040
UNFORTUNATELY, SON,
807
00:33:19,084 --> 00:33:20,824
YOU DID THIS
TO YOURSELF.
808
00:33:26,004 --> 00:33:27,396
COACH.
809
00:33:37,276 --> 00:33:40,496
YO. YOU LATE.
810
00:33:40,540 --> 00:33:42,063
ALREADY TOOK CARE
OF IT.
811
00:33:42,107 --> 00:33:44,152
SWIZZ CALLED ME
WHEN SHAWN DIDN'’T SHOW.
812
00:33:44,196 --> 00:33:45,545
I TOLD HIM I WANTED
HIM HERE.
813
00:33:45,588 --> 00:33:47,068
I TOLD SHAWN THAT
I WOULD HANDLE THIS,
814
00:33:47,112 --> 00:33:48,765
SO THIS IS ON ME.
815
00:33:48,809 --> 00:33:50,767
THERE'’S BEEN A LOT
ON YOU LATELY.
816
00:33:50,811 --> 00:33:52,073
HAVING A GAY CHICK
ROLL WITH US
817
00:33:52,117 --> 00:33:53,292
IS MAKING US LOOK SOFT.
818
00:33:53,335 --> 00:33:54,467
I COULD BE A ASSET.
TRUST ME.
819
00:33:54,510 --> 00:33:56,469
HOW? BECAUSE
AT THIS POINT,
820
00:33:56,512 --> 00:33:58,732
YOU JUST A LIABILITY.
821
00:33:58,775 --> 00:34:01,082
UNLESS YOU READY
TO PROVE OTHERWISE.
822
00:34:01,126 --> 00:34:02,910
PROVE HOW?
823
00:34:02,953 --> 00:34:04,390
TAKE A WALK WITH ME.
824
00:34:13,790 --> 00:34:16,228
THE HELL I'’M SUPPOSED
TO DO WITH THIS?
825
00:34:16,271 --> 00:34:19,100
SOME CRIPS HANG OUT
ON THE CORNER ON THAT HOUSE.
826
00:34:19,144 --> 00:34:21,189
TAKE YOUR PICK.
827
00:34:21,233 --> 00:34:24,497
TY, I CAN'’T DO THIS.
THAT'’S--THAT'S NOT ME.
828
00:34:24,540 --> 00:34:25,759
CHICKS SURVIVE
IN THIS GANG BY BEING
829
00:34:25,802 --> 00:34:27,500
THE BADDEST BITCHES
IN THE STREETS,
830
00:34:27,543 --> 00:34:29,458
AND YOU THINK I'’M JUST
GONNA CARRY YOUR ASS
831
00:34:29,502 --> 00:34:31,504
AND YOU AIN'’T WILLING
TO RIDE FOR ME?
832
00:34:31,547 --> 00:34:34,420
I DON'’T CARRY NOBODY.
833
00:34:34,463 --> 00:34:36,248
SO YOU AND YOUR
BOY SHAWN,
834
00:34:36,291 --> 00:34:37,901
WATCH YOUR BACK.
835
00:34:45,474 --> 00:34:46,606
I SWEAR I'’M NOT NORMALLY
THIS BIG A MESS.
836
00:34:46,649 --> 00:34:47,955
THAT'’S OK, THOUGH.
837
00:34:47,998 --> 00:34:50,175
WHEN YOU GONNA
STOP APOLOGIZING?
838
00:34:50,218 --> 00:34:52,264
PROBABLY SOMETIME
IN 2020.
839
00:34:52,307 --> 00:34:53,961
HEH.
840
00:34:55,832 --> 00:34:58,618
THIS IS SO NOT HOW
I SAW THIS NIGHT GOING.
841
00:34:58,661 --> 00:34:59,836
I DON'’T KNOW.
842
00:34:59,880 --> 00:35:02,230
I MEAN, EXCITEMENT
SEEM TO BE OUR THING.
843
00:35:02,274 --> 00:35:04,014
FIRST IT WAS
BULLETS FLYING,
844
00:35:04,058 --> 00:35:05,625
NOW THIS.
845
00:35:05,668 --> 00:35:07,670
WHO KNOWS
WHAT HAPPENS ON OUR THIRD DATE?
846
00:35:10,325 --> 00:35:11,718
WHY ARE YOU
SO NICE?
847
00:35:11,761 --> 00:35:13,502
I'’M NOT USUALLY.
848
00:35:14,677 --> 00:35:18,812
I GUESS...
I'’M JUST MOTIVATED.
849
00:35:25,949 --> 00:35:27,429
I CAN'’T LEAVE HIM
THERE ALONE.
850
00:35:27,473 --> 00:35:28,735
EVEN AFTER
EVERYTHING?
851
00:35:28,778 --> 00:35:31,129
I KNOW WHAT IT'’S LIKE
TO HIT ROCK BOTTOM.
852
00:35:33,043 --> 00:35:34,741
HE NEEDS A FRIEND.
853
00:35:37,744 --> 00:35:40,747
I'’M SORRY TO DO THIS.
854
00:35:40,790 --> 00:35:42,183
IT'’S ALL GOOD.
855
00:35:43,489 --> 00:35:46,492
SO WHEN THE DUST
SETTLES, HOLLA AT ME.
856
00:35:46,535 --> 00:35:48,624
DOESN'’T MATTER HOW LONG.
857
00:35:50,060 --> 00:35:52,150
YOU'’RE KIND OF WORTH
WAITING FOR.
858
00:36:48,554 --> 00:36:49,859
COOP: WHAT'’S UP
WITH YOU?
859
00:36:49,903 --> 00:36:51,078
I THOUGHT YOU'’D BE
FLYING HIGH
860
00:36:51,121 --> 00:36:52,122
FROM YOUR NEW GIG.
861
00:36:52,166 --> 00:36:53,863
HOW I GO FROM RUNNING
MY OWN BLOCK,
862
00:36:53,907 --> 00:36:56,953
MAKING MAD PAPER,
TO A MINIMUM-WAGE JOB,
863
00:36:56,997 --> 00:36:58,781
CLEANING UP AFTER
BOOZY-ASS
864
00:36:58,825 --> 00:37:02,089
FAILED MUSICIANS
TURNED PRODUCERS.
865
00:37:02,132 --> 00:37:04,439
BUT YOU STAYED.
866
00:37:04,483 --> 00:37:05,875
YEAH, I DID.
867
00:37:05,919 --> 00:37:08,008
IT'’S A LEGIT
JOB, RIGHT?
868
00:37:08,051 --> 00:37:10,010
J.P.'’s BOY
EVEN SHOWED UP.
869
00:37:10,053 --> 00:37:12,708
SAID HE RESPECTED
MY HUSTLE.
870
00:37:12,752 --> 00:37:14,623
SO I'’MMA TRY
TO STICK IT OUT.
871
00:37:15,668 --> 00:37:17,539
SO EVERYTHING'’S
COOL WITH SWIZZ?
872
00:37:17,583 --> 00:37:19,193
YEAH, YEAH, YEAH.
873
00:37:19,237 --> 00:37:20,238
TYRONE WAS THERE, TOO.
874
00:37:20,281 --> 00:37:21,761
I MEAN, HE WAS COOL
WITH EVERYTHING.
875
00:37:21,804 --> 00:37:23,458
ALL RIGHT, THEN,
LET'’S CELEBRATE.
876
00:37:23,502 --> 00:37:25,330
I'’M GONNA GO GET
SOME PO'’BOYS.
877
00:37:33,076 --> 00:37:34,252
WAIT.
878
00:37:37,080 --> 00:37:40,345
TY NEVER PICKS UP
HIS OWN PRODUCT UNLESS--
879
00:37:41,868 --> 00:37:44,523
THERE WAS A PROBLEM,
WASN'’T THERE, COOP?
880
00:37:44,566 --> 00:37:46,394
TYRONE, MAN, HE--
HE NOT FEELING ME
881
00:37:46,438 --> 00:37:49,310
OR YOU RIGHT NOW.
882
00:37:49,354 --> 00:37:52,748
AND TO BE HONEST,
I'’M A LITTLE SCARED, SHAWN.
883
00:38:02,367 --> 00:38:04,543
SHAWN!
884
00:38:04,586 --> 00:38:05,587
IT'’S ALL GOOD.
885
00:38:05,631 --> 00:38:06,849
DON'’T EVEN
SWEAT TYRONE.
886
00:38:06,893 --> 00:38:09,112
I'’M--I'M GONNA
BACK HIM OFF OF YOU.
887
00:38:10,549 --> 00:38:12,377
WHO AM I
KIDDING, COOP?
888
00:38:13,943 --> 00:38:16,250
LEGIT JOB
AIN'’T MY LIFE.
889
00:38:23,649 --> 00:38:25,172
ARE YOU SERIOUS
RIGHT NOW?
890
00:38:25,215 --> 00:38:27,479
THAT'’S HOW
YOU BECAME A CHEERLEADER?
891
00:38:27,522 --> 00:38:29,132
HEY, A BET'’S
A BET.
892
00:38:29,176 --> 00:38:30,743
MY MEATHEAD JOCK
OF A BROTHER
893
00:38:30,786 --> 00:38:32,527
DIDN'’T THINK
I COULD DO IT,
894
00:38:32,571 --> 00:38:34,573
SO I SHOWED HIM.
895
00:38:34,616 --> 00:38:36,792
AND I GOT HIS ALLOWANCE
FOR 6 MONTHS
896
00:38:36,836 --> 00:38:38,794
AND HIS SURFBOARD.
897
00:38:38,838 --> 00:38:41,231
-OH, MY GOD.
-[GIGGLES]
898
00:38:41,275 --> 00:38:43,582
YOU'’RE AMAZING.
YOU KNOW THAT?
899
00:38:43,625 --> 00:38:45,845
WHY, THANK YOU,
MR. BAKER.
900
00:38:47,586 --> 00:38:49,718
LISTEN, I--
901
00:38:49,762 --> 00:38:51,633
I'’D LIKE TO KEEP
DOING THIS.
902
00:38:51,677 --> 00:38:53,940
GOING OUT,
I MEAN, TOGETHER.
903
00:38:53,983 --> 00:38:55,811
YEAH, I'’D LIKE
THAT, TOO.
904
00:38:59,293 --> 00:39:01,382
OH, DAMN. JEEZ.
905
00:39:01,426 --> 00:39:03,253
DO YOU REALIZE WHAT TIME
IT IS RIGHT NOW?
906
00:39:03,297 --> 00:39:05,081
YEAH, I SURE DO.
IT'’S TIME FOR A SWIM.
907
00:39:05,125 --> 00:39:06,082
ARE YOU SERIOUS
RIGHT NOW?
908
00:39:06,126 --> 00:39:07,388
IT'’S ALMOST MIDNIGHT.
909
00:39:07,432 --> 00:39:08,911
DO YOU NOT
REALIZE WE HAVE HOMECOMING TOMORROW?
910
00:39:08,955 --> 00:39:11,479
I DIDN'’T FORGET.
I JUST DON'’T CARE.
911
00:39:11,523 --> 00:39:14,656
NOT TONIGHT,
NOT WHEN I'’M HERE WITH YOU.
912
00:39:14,700 --> 00:39:17,137
WHAT DO YOU SAY?
913
00:39:17,180 --> 00:39:19,182
I SAY I NEED
TO BOOK IT HOME
914
00:39:19,226 --> 00:39:20,575
OR MY DAD'’S
GONNA KILL ME.
915
00:39:20,619 --> 00:39:23,578
YEAH, AND I SAY
THAT YOU JUST NEED TO LOOSEN UP.
916
00:39:23,622 --> 00:39:27,147
AREN'’T YOU ALWAYS TIRED
OF DOING WHAT'’S RIGHT?
917
00:39:27,190 --> 00:39:29,367
WHAT IS IT THAT
YOU WANT RIGHT NOW?
918
00:39:32,761 --> 00:39:36,199
WHAT IS IT
THAT YOU WANT?
919
00:39:54,653 --> 00:39:56,132
IT'’S A HELL OF
A VIEW, RIGHT?
920
00:39:56,176 --> 00:39:57,786
MAN: ♪ I DON'’T SAY
WHAT'’S ON MY MIND ♪
921
00:39:57,830 --> 00:39:59,788
♪ QUITE AS MUCH AS
YOU LIKE ME TO ♪
922
00:39:59,832 --> 00:40:01,311
I WAS KIND OF
HOPING YOU'’D BE HERE.
923
00:40:01,355 --> 00:40:03,096
I WAS KIND OF HOPING
YOU'’D COME.
924
00:40:03,139 --> 00:40:05,054
MAN: ♪ I'’VE BEEN HEARING THAT
MY WHOLE LIFE ♪
925
00:40:05,098 --> 00:40:07,970
♪ I PROMISE IT'’S NOT JUST YOU ♪
926
00:40:09,015 --> 00:40:11,452
♪ BUT I SO
CONFIDENTLY WANT YOU ♪
927
00:40:11,496 --> 00:40:14,629
♪ THAT WHEN YOU SAY YOU'’RE
INSECURE ABOUT MY FEELINGS ♪
928
00:40:14,673 --> 00:40:18,894
♪ I DON'’T TAKE IT SERIOUS,
BUT IF YOU... ♪
929
00:40:18,938 --> 00:40:20,330
I'’M SORRY. I--
930
00:40:20,374 --> 00:40:23,072
NO. HEAR ME OUT.
931
00:40:23,116 --> 00:40:24,944
YOU'’VE BEEN THROUGH
A LOT TONIGHT.
932
00:40:24,987 --> 00:40:26,685
THAT'’S AN UNDERSTATEMENT.
933
00:40:26,728 --> 00:40:28,382
AND YOU'’RE
STILL HURTING.
934
00:40:28,426 --> 00:40:30,079
LISTEN, I KNOW YOUR
FEELINGS FOR ASHER
935
00:40:30,123 --> 00:40:33,300
WON'’T JUST GO AWAY
BECAUSE YOU GOT FEELINGS FOR ME.
936
00:40:33,343 --> 00:40:35,607
SO AS MUCH
I WANT TO BE WITH YOU RIGHT NOW--
937
00:40:35,650 --> 00:40:39,872
AND BELIEVE ME,
I DO--
938
00:40:39,915 --> 00:40:42,875
LAST THING
YOU NEED IS ANYTHING COMPLICATED.
939
00:40:42,918 --> 00:40:45,138
MAN: ♪ AND I WANT YOU
TO UNRAVEL ME ♪
940
00:40:45,181 --> 00:40:47,749
♪ COME CLOSER, COME CLOSER
941
00:40:47,793 --> 00:40:49,969
I HATE IT
WHEN YOU'’RE RIGHT.
942
00:40:52,624 --> 00:40:54,147
YEAH, ME, TOO.
943
00:40:54,190 --> 00:40:56,628
MAN: ♪ COME CLOSER,
COME CLOSER ♪
944
00:40:56,671 --> 00:40:58,412
♪ QUIET, YOU WORRY...
945
00:40:58,456 --> 00:40:59,718
I MADE FUN OF Y'’ALL
FOR TAKING
946
00:40:59,761 --> 00:41:02,285
ALL THIS HOMECOMING
STUFF SO SERIOUS.
947
00:41:02,329 --> 00:41:03,548
TURNS OUT JUST BECAUSE
IT AIN'’T LIFE OR DEATH OUT HERE
948
00:41:03,591 --> 00:41:05,201
DON'’T MEAN THE PAIN
AIN'’T REAL.
949
00:41:05,245 --> 00:41:06,942
MAN: ♪ BUT STILL YOU'’RE
MORE A PART OF ME ♪
950
00:41:06,986 --> 00:41:09,249
♪ THAN ANYBODY ELSE
951
00:41:09,292 --> 00:41:10,990
CAN I ASK YOU
A FAVOR?
952
00:41:11,033 --> 00:41:13,035
ANYTHING.
953
00:41:13,079 --> 00:41:14,733
CAN WE FINISH
OUR DANCE?
954
00:41:14,776 --> 00:41:19,041
MAN: ♪ YOU'’RE ONE OF THE FEW
THINGS THAT I'’M SURE OF ♪
955
00:41:21,609 --> 00:41:26,266
♪ YOU'’RE ONE OF THE FEW
THINGS THAT I KNOW ALREADY ♪
956
00:41:26,309 --> 00:41:29,095
♪ I COULD BUILD MY WORLD OF
957
00:41:29,138 --> 00:41:33,186
♪ ONE OF THE FEW THINGS
THAT I'’M SURE OF ♪
958
00:41:35,014 --> 00:41:37,320
♪ AND I WANT YOU TO UNRAVEL ME
959
00:41:37,364 --> 00:41:41,499
♪ COME CLOSER, COME CLOSER
960
00:41:44,327 --> 00:41:48,506
♪ COME CLOSER, COME CLOSER
961
00:42:16,708 --> 00:42:18,057
MAN: GREG, MOVE YOUR HEAD.
962
00:42:18,107 --> 00:42:22,657
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