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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:01,533 SPENCER: PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:01,533 --> 00:00:02,933 SPENCER JAMES? BILLY BAKER, 3 00:00:02,933 --> 00:00:05,033 VARSITY COACH, BEVERLY HIGH. 4 00:00:05,033 --> 00:00:06,300 I'LL CUT TO THE CHASE, SPENCER. 5 00:00:06,300 --> 00:00:08,633 I NEED YOU TO COME PLAY FOR ME. 6 00:00:08,633 --> 00:00:10,000 WE CAN OFFER YOU SOMETHING THAT CRENSHAW CAN'T-- 7 00:00:10,200 --> 00:00:12,200 A BETTER EDUCATION IN A SAFER SCHOOL. I CAN GET YOU A WAY OUT. 8 00:00:12,200 --> 00:00:15,200 GRACE: YOU THINK I DIDN'T HEAR ABOUT THAT SHOOTING OVER AT CRENSHAW THE OTHER NIGHT, 9 00:00:15,200 --> 00:00:16,700 THAT I DIDN'T GET A CALL ABOUT YOUR LITTLE FIGHT? 10 00:00:16,700 --> 00:00:18,000 YOU'VE BEEN IN AND OUT OF TROUBLE 11 00:00:18,000 --> 00:00:19,266 AT THAT SCHOOL FOR YEARS. 12 00:00:19,266 --> 00:00:21,100 COOP: THINK ABOUT DILLON, YOUR MOMS. 13 00:00:21,100 --> 00:00:23,966 YOU COULD REALLY GET THEM A BETTER LIFE. 14 00:00:23,966 --> 00:00:25,533 SPENCER: SO YOU'RE ROLLING WITH GANGBANGERS NOW. 15 00:00:25,533 --> 00:00:26,366 I GOT IT HANDLED. 16 00:00:26,433 --> 00:00:28,200 NO, YOU GOT IT TWISTED IS WHAT YOU GOT. 17 00:00:28,200 --> 00:00:29,033 DILLON: WHERE YOU GOING? 18 00:00:29,100 --> 00:00:30,833 TO MAKE SURE SHAWN LEAVES YOU THE HELL ALONE. 19 00:00:30,833 --> 00:00:32,033 YOU SAID YOU HAD IT HANDLED. 20 00:00:32,033 --> 00:00:33,233 I THOUGHT I DID. 21 00:00:33,233 --> 00:00:34,633 I WANT TO MAKE SURE THAT YOU AND I 22 00:00:34,633 --> 00:00:35,833 ARE ON THE SAME PAGE. 23 00:00:35,833 --> 00:00:37,033 THERE IS NO "YOU AND I." 24 00:00:37,033 --> 00:00:38,966 IT WAS ONE DRUG-INDUCED SCREW-UP. 25 00:00:38,966 --> 00:00:40,500 WE GOT CAUGHT UP IN THE MOMENT, 26 00:00:40,500 --> 00:00:43,900 AND I HAD TO WALK AWAY FROM MY BEST FRIEND BECAUSE OF IT. 27 00:00:43,900 --> 00:00:46,066 LOOK, I CAN PLAY BOTH WAYS, COACH, OFFENSE AND DEFENSE. 28 00:00:46,066 --> 00:00:48,100 YOU ARE BURNING IT AT BOTH ENDS OFF THE FIELD. 29 00:00:48,100 --> 00:00:50,266 I CAN'T HAVE YOU DOING IT ON THE FIELD AS WELL. 30 00:00:50,266 --> 00:00:52,133 JORDAN: SOMETHING'S NOT RIGHT. I THINK HE'S HURTING. 31 00:00:52,133 --> 00:00:53,400 JUST HIT YOUR RECEIVERS. 32 00:00:53,400 --> 00:00:55,033 DON'T WORRY ABOUT ME, I'M HITTING EVERYONE 33 00:00:55,033 --> 00:00:56,666 WHO KNOWS THE PLAYBOOK. 34 00:01:01,566 --> 00:01:06,066 ["BORN FOR THIS" BY 7KINGZ PLAYING] 35 00:01:06,433 --> 00:01:08,866 ♪ SOMETHING'S COMING ♪ 36 00:01:13,633 --> 00:01:16,233 ♪ SOMETHING'S COMING ♪ 37 00:01:17,400 --> 00:01:19,300 ♪ SOMETHING'S COMING ♪ 38 00:01:26,233 --> 00:01:27,700 DASHES, LET'S GO. [BLOWS WHISTLE] 39 00:01:27,700 --> 00:01:30,066 ♪ OOH ♪ 40 00:01:31,600 --> 00:01:33,000 STOP DRAGGING. 41 00:01:33,000 --> 00:01:36,200 YOU'RE ONLY MAKING IT WORSE FOR YOURSELF. 42 00:01:36,200 --> 00:01:38,300 WE WILL CONTINUE TO DO THESE TWO-A-DAYS 43 00:01:38,300 --> 00:01:43,166 UNTIL YOU SHOW ME THAT YOU CAN WORK TOGETHER AS A TEAM. 44 00:01:43,166 --> 00:01:44,366 [GRUNTS] 45 00:01:44,366 --> 00:01:45,700 I'M NOT FEELING IT YET. 46 00:01:45,700 --> 00:01:47,433 LET'S GO. [BLOWS WHISTLE] 47 00:01:47,433 --> 00:01:49,366 SWITCH IT UP. 48 00:01:52,000 --> 00:01:55,566 DUDE, CHILL. MY DAD ALWAYS RIDES US HARD 49 00:01:55,566 --> 00:01:56,766 AFTER WE LOSE A GAME. YOU KNOW THAT. 50 00:01:56,766 --> 00:02:00,133 YEAH, WE DIDN'T LOSE THAT GAME. HE DID. 51 00:02:00,133 --> 00:02:02,200 LOOK, I HAVEN'T HAD A GOOD NIGHT'S SLEEP ALL WEEK 52 00:02:02,200 --> 00:02:05,133 BECAUSE HOMEBOY HERE CAN'T HOLD ONTO THE DAMN BALL. 53 00:02:05,133 --> 00:02:08,400 HE'S NOT THE ONLY ONE WHO MADE A BAD CALL LAST WEEK. 54 00:02:11,833 --> 00:02:14,033 LISTEN UP, GUYS, WE WIN AS A TEAM AND WE LOSE AS-- 55 00:02:14,033 --> 00:02:17,033 YEAH, WE KNOW, OK? WE KNOW. 56 00:02:17,033 --> 00:02:18,700 IT DOESN'T FEEL LIKE MUCH OF A TEAM RIGHT NOW, 57 00:02:18,700 --> 00:02:21,366 AND IT'S ALL THANKS TO A GUY WHO ISN'T EVEN ONE OF US. 58 00:02:36,033 --> 00:02:38,666 CONGREGATION: ♪ THIS LITTLE LIGHT OF MINE ♪ 59 00:02:38,666 --> 00:02:41,300 ♪ I'M GONNA LET IT SHINE ♪ 60 00:02:41,300 --> 00:02:44,000 ♪ THIS LITTLE LIGHT OF MINE ♪ 61 00:02:44,000 --> 00:02:46,700 ♪ I'M GONNA LET IT SHINE ♪ 62 00:02:46,700 --> 00:02:49,500 ♪ THIS LITTLE LIGHT OF MINE ♪ 63 00:02:49,500 --> 00:02:51,166 ♪ I'M GONNA LET IT SHINE ♪ 64 00:02:51,166 --> 00:02:58,300 ♪ LET IT SHINE, LET IT SHINE, LET IT SHINE ♪ 65 00:02:58,300 --> 00:03:00,166 ALL RIGHT, THAT WAS PRETTY GOOD. 66 00:03:00,166 --> 00:03:02,433 Y'ALL AIN'T GONNA EMBARRASS ME ON SUNDAY. 67 00:03:02,433 --> 00:03:03,633 [LAUGHTER] 68 00:03:03,633 --> 00:03:04,866 GET ON OUT OF HERE. 69 00:03:04,866 --> 00:03:06,266 BYE. GO ON. 70 00:03:06,266 --> 00:03:07,533 BYE. BYE. 71 00:03:07,533 --> 00:03:09,300 THANK YOU. 72 00:03:10,566 --> 00:03:11,833 'SUP, MOM? 73 00:03:11,833 --> 00:03:13,400 HEY, BABY. 74 00:03:13,400 --> 00:03:14,266 HOW ARE YOU? 75 00:03:14,266 --> 00:03:17,666 I'M ALL RIGHT. GIVE ME SOME SUGAR. 76 00:03:17,666 --> 00:03:20,133 WHAT TIME YOU AND DAD PLAN ON HEADING TO THE RETREAT? 77 00:03:20,133 --> 00:03:23,266 WHY, YOU TRYING TO HAVE A HOUSE PARTY OR SOMETHING? 78 00:03:23,266 --> 00:03:25,166 I WAS AT LEAST GONNA GIVE IT AN HOUR. 79 00:03:25,166 --> 00:03:27,366 DON'T YOU BREAK MY GOOD STUFF. 80 00:03:27,366 --> 00:03:28,400 NEVER. 81 00:03:28,400 --> 00:03:30,533 WE'LL BE GONE AFTER YOU GET OUT OF SCHOOL. 82 00:03:30,533 --> 00:03:31,666 ALL RIGHT. COME ON. 83 00:03:31,666 --> 00:03:33,600 SPEAKING OF WHICH, DON'T BE LATE. 84 00:03:33,600 --> 00:03:34,733 LOVE YOU. BYE. 85 00:03:34,733 --> 00:03:36,533 DON'T HAVE TOO MUCH FUN. MM-HMM. 86 00:03:36,533 --> 00:03:38,266 TAMIA. 87 00:03:39,866 --> 00:03:42,966 NO BOYS AT THE HOUSE AFTER WE'RE GONE. 88 00:03:44,066 --> 00:03:47,266 AT LEAST MAKE SURE WE DON'T HEAR ABOUT IT. 89 00:03:47,266 --> 00:03:50,333 OK. 90 00:03:52,566 --> 00:03:54,666 [INDISTINCT CHATTER] 91 00:03:54,666 --> 00:03:57,800 OH, YEAH, THERE HE IS, RIGHT THERE. 92 00:03:59,566 --> 00:04:02,033 [LAUGHTER] 93 00:04:04,566 --> 00:04:06,866 [LAUGHTER] 94 00:04:08,833 --> 00:04:10,866 HEY, MAN, WHAT'S UP? 95 00:04:10,866 --> 00:04:12,633 YOU MIND IF I SEE YOUR PHONE? 96 00:04:12,633 --> 00:04:14,266 UM, THIS PHONE? 97 00:04:14,266 --> 00:04:16,000 YEAH. 98 00:04:16,000 --> 00:04:18,333 I DIDN'T CREATE THEM, I SWEAR. 99 00:04:18,333 --> 00:04:20,166 IT JUST POPPED UP IN MY GROUP CHAT, 100 00:04:20,166 --> 00:04:22,033 THEN OTHER PEOPLE STARTED FORWARDING IT. 101 00:04:22,033 --> 00:04:24,433 YOU KNOW HOW THINGS GO VIRAL. 102 00:04:27,833 --> 00:04:29,600 [LAUGHTER] 103 00:04:29,600 --> 00:04:31,433 HE JUST DROPPED IT. 104 00:04:34,900 --> 00:04:36,600 SPENCER, SPENCER, SPENCER, SPENCER. 105 00:04:36,600 --> 00:04:38,266 WHOA. ONE FIGHT, 106 00:04:38,266 --> 00:04:40,333 PRINCIPAL LANDON KICKS YOU OUT. COME ON, YOU KNOW THAT. 107 00:04:40,333 --> 00:04:41,900 SO I AIN'T SUPPOSED TO STAND UP FOR MYSELF? 108 00:04:41,900 --> 00:04:43,733 ASHER AND HIS BOYS BEEN TALKING SMACK 109 00:04:43,733 --> 00:04:45,366 AND PULLING CRAP LIKE THIS ALL WEEK, 110 00:04:45,366 --> 00:04:47,200 AND I'M JUST SUPPOSED TO KEEP TURNING THE OTHER CHEEK, HUH? 111 00:04:47,200 --> 00:04:48,800 NO, THEY'RE JUST BEING THEM. 112 00:04:48,800 --> 00:04:50,133 OK, THEY DO THIS TO EVERYONE WHEN 113 00:04:50,133 --> 00:04:51,600 THEY MESS UP A PLAY, EVEN ME. 114 00:04:51,600 --> 00:04:52,866 IT'S NOT PERSONAL. 115 00:04:52,866 --> 00:04:54,100 NOT PERSONAL? 116 00:04:54,100 --> 00:04:56,766 THEY MADE A MEME OUT OF ME FUMBLING A 40. 117 00:04:56,766 --> 00:04:58,266 BUT, YEAH, THAT'S NOT PERSONAL. 118 00:04:58,266 --> 00:05:00,500 I GUESS YOU WOULD SEE IT THAT WAY. 119 00:05:01,700 --> 00:05:03,566 THAT'S YOUR PEOPLE. 120 00:05:03,566 --> 00:05:06,400 SPENCE, COME ON. 121 00:05:10,366 --> 00:05:11,633 [CHEERING] 122 00:05:11,633 --> 00:05:13,000 44! [BLOWS WHISTLE] 123 00:05:13,000 --> 00:05:15,666 [HIP-HOP MUSIC PLAYING] 124 00:05:15,666 --> 00:05:19,666 8! [BLOWS WHISTLE] 125 00:05:19,666 --> 00:05:21,100 10. [BLOWS WHISTLE] 126 00:05:26,166 --> 00:05:29,133 LET'S GO. SPENCER, HUDDLE IN. 127 00:05:29,133 --> 00:05:31,966 24. [BLOWS WHISTLE] 128 00:05:33,066 --> 00:05:35,666 7. [BLOWS WHISTLE] 129 00:05:35,666 --> 00:05:38,666 ALL RIGHT. 130 00:05:38,666 --> 00:05:39,866 HEY, HEY! 131 00:05:39,866 --> 00:05:41,566 ASH, GET OFF THE FIELD! 132 00:05:41,566 --> 00:05:42,733 GET OFF MY FIELD! 133 00:05:42,733 --> 00:05:44,666 I DIDN'T CALL YOUR NUMBER! 134 00:05:44,666 --> 00:05:45,933 YOU CROSSED THE LINE. 135 00:05:45,933 --> 00:05:47,700 COME ON, YOU KNOW BETTER. 136 00:05:47,700 --> 00:05:48,900 ARE YOU SERIOUS? BAKER: HEY, HEY! 137 00:05:48,900 --> 00:05:50,100 WHAT, FOR HIM? 138 00:05:50,100 --> 00:05:52,700 HEY, ENOUGH, ENOUGH. 139 00:05:52,700 --> 00:05:54,633 [WHISTLE BLOWING] 140 00:05:56,033 --> 00:06:00,500 BAKER: YOU'RE SUPPOSED TO BE A TEAM, A FAMILY! 141 00:06:00,500 --> 00:06:04,266 RIGHT NOW YOU ARE NOTHING MORE THAN AN EMBARRASSMENT. 142 00:06:04,266 --> 00:06:06,400 Y'ALL FEEL LIKE GIVING UP THIS SEASON? 143 00:06:06,400 --> 00:06:08,066 Y'ALL READY FOR THAT? I'M NOT. 144 00:06:08,066 --> 00:06:11,700 AND I REFUSE TO LET YOU GIVE UP ON YOUR FUTURES. 145 00:06:11,700 --> 00:06:14,166 FIGURE IT OUT FAST, 146 00:06:14,166 --> 00:06:18,666 'CAUSE IF Y'ALL AIN'T BONDED LIKE GLUE BY MONDAY, 147 00:06:18,666 --> 00:06:24,100 THIS LAST WEEK OF TWO-A-DAYS IS GONNA FEEL LIKE A DAMN VACATION. 148 00:06:27,433 --> 00:06:29,200 DISGUSTED. 149 00:06:30,133 --> 00:06:33,533 [INDISTINCT CHATTER] 150 00:06:33,533 --> 00:06:34,666 COACH IS RIGHT. 151 00:06:34,666 --> 00:06:36,266 THIS ISN'T WHO WE ARE. 152 00:06:36,266 --> 00:06:39,166 TOMORROW, MANDATORY MEETING, 8:00 A.M., 153 00:06:39,166 --> 00:06:41,666 ZOOMER TRIP, OK? YOU GUYS KNOW THE DEAL. 154 00:06:41,666 --> 00:06:45,300 WE'LL WORK OUT TOGETHER, WE'LL TALK THIS CRAP OUT TOGETHER, 155 00:06:45,300 --> 00:06:48,166 AND WHEN THE SUN SETS, WE'LL COME BACK TOGETHER. 156 00:06:48,166 --> 00:06:49,633 BOY: LET'S DO IT. 157 00:06:49,633 --> 00:06:50,833 HEY, WHERE YOU GOING? 158 00:06:50,833 --> 00:06:52,333 MAN, I GOT A BUS TO CATCH. 159 00:06:52,333 --> 00:06:54,100 IT'S FRIDAY. I'M GOING BACK TO CRENSHAW. 160 00:06:54,100 --> 00:06:55,800 I'LL BE BACK MONDAY. 161 00:06:55,800 --> 00:06:57,266 JORDAN: HEY, HEY, HOLD UP. 162 00:06:57,266 --> 00:07:00,500 HEY, YOU'RE REALLY BLOWING THIS OFF? 163 00:07:00,500 --> 00:07:02,166 YOU'RE REALLY NOT GONNA SHOW UP FOR YOUR TEAM? 164 00:07:02,166 --> 00:07:03,833 MAN, I'VE BEEN SHOWING UP, 165 00:07:03,833 --> 00:07:06,466 EVERY GAME, EVERY PRACTICE, EVERY TEAM BEACH DAY. 166 00:07:06,466 --> 00:07:07,966 WHAT MORE DO YOU WANT FROM ME, DAWG? 167 00:07:07,966 --> 00:07:09,300 I WANT YOU TO WANT TO BE HERE, 168 00:07:09,300 --> 00:07:11,633 TO WANT TO BE A PART OF THIS TEAM. 169 00:07:11,633 --> 00:07:15,166 THAT'S MORE THAN JUST GAMES AND PRACTICES. 170 00:07:15,166 --> 00:07:17,333 MAN, I JUST FOUGHT MY BEST FRIEND FOR YOU. 171 00:07:17,333 --> 00:07:18,533 I DIDN'T ASK YOU TO DEFEND ME. 172 00:07:18,533 --> 00:07:20,400 I DIDN'T ASK FOR NONE OF THIS. 173 00:07:20,400 --> 00:07:23,566 THE WEEKENDS ARE THE ONLY TIME I GET TO SEE MY FAMILY. 174 00:07:23,566 --> 00:07:26,700 YOU KNOW THIS BETTER THAN ANYONE. 175 00:07:26,700 --> 00:07:31,033 SO Y'ALL CAN DO YOUR TEAM WHATEVER WITHOUT ME. 176 00:07:31,033 --> 00:07:35,000 AFTER ALL, I AIN'T EVEN ONE OF YOU, RIGHT? 177 00:07:35,000 --> 00:07:38,800 ["RUN FOR YOUR LIFE" BY THE SIEGE PLAYING] 178 00:07:38,800 --> 00:07:41,533 ♪ YEAH ♪ 179 00:07:41,533 --> 00:07:43,466 ♪ I AIN'T TRYING TO BRING YOU DOWN ♪ 180 00:07:43,466 --> 00:07:45,166 ♪ BUT FOR REAL, YOU MIGHT AS WELL GIVE UP NOW ♪ 181 00:07:45,166 --> 00:07:47,166 ♪ MY LIFE BEEN GOOD AND BAD AND ALL AROUND ♪ 182 00:07:47,166 --> 00:07:49,433 ♪ THE MORE THINGS I LOST, THE MORE I FOUND ♪ 183 00:07:49,433 --> 00:07:51,300 ♪ ONE THING I TAUGHT MYSELF TO DO ♪ 184 00:07:51,300 --> 00:07:53,800 ♪ NO MATTER THE PROBLEM, REFUSE TO LOSE, SO ♪ 185 00:07:53,800 --> 00:07:56,766 ♪ RUN FOR YOUR LIFE ♪ 186 00:07:56,766 --> 00:07:58,833 ♪ RUN FOR YOUR LIFE ♪ 187 00:07:58,833 --> 00:08:00,400 ♪ RUN FOR YOUR LIFE ♪ 188 00:08:03,833 --> 00:08:05,100 SO HOW AWESOME IS THIS? 189 00:08:05,100 --> 00:08:06,833 KIND OF LIKE OLD TIMES, RIGHT? 190 00:08:06,833 --> 00:08:08,533 YEAH. 191 00:08:08,533 --> 00:08:11,133 SO WHY EXACTLY DID MS. BENCH PUT US 192 00:08:11,133 --> 00:08:12,633 TOGETHER FOR THE ENGLISH PROJECT? 193 00:08:12,633 --> 00:08:15,133 BEATS ME. WHEN I TRIED TALKING TO HER ABOUT IT, 194 00:08:15,133 --> 00:08:17,833 SHE JUST SAID PARTNER ASSIGNMENTS ARE FINAL. 195 00:08:17,833 --> 00:08:19,200 LUCKY US. 196 00:08:19,200 --> 00:08:21,400 HEY, LET'S TRY AND MAKE THE BEST OF IT. 197 00:08:21,400 --> 00:08:23,433 I MEAN, I KNOW IT'S HOMEWORK, 198 00:08:23,433 --> 00:08:25,866 BUT WHO KNOWS, MIGHT BE FUN. 199 00:08:25,866 --> 00:08:27,566 [INDISTINCT CHATTER] 200 00:08:27,566 --> 00:08:29,900 WHY IS THIS SO HARD? IT'S ONE SIMPLE QUESTION-- 201 00:08:29,900 --> 00:08:31,300 WHO WAS SHAKESPEARE? 202 00:08:31,300 --> 00:08:32,933 I MEAN, SERIOUSLY, THERE'S, LIKE, A HUNDRED 203 00:08:32,933 --> 00:08:35,633 CONSPIRACY THEORIES ABOUT WHO THIS GUY REALLY WAS. 204 00:08:35,633 --> 00:08:38,800 WELL, NAME ASIDE, WHO HE WAS COMES THROUGH IN HIS WORK, 205 00:08:38,800 --> 00:08:42,733 WHICH IS WHY I'M TRYING TO FOCUS ON THAT, SO... 206 00:08:42,733 --> 00:08:43,866 LOOK, I KNOW I-- 207 00:08:43,866 --> 00:08:45,766 ASHER: WHAT'S UP, LADIES? 208 00:08:45,766 --> 00:08:46,666 HEY, BABE. 209 00:08:46,666 --> 00:08:48,633 UH, WHAT ARE YOU GUYS DOING HERE? 210 00:08:48,633 --> 00:08:51,166 JJ AND I ARE ALSO WORKING ON THE ENGLISH THING, 211 00:08:51,166 --> 00:08:53,933 SO I FIGURED 4 BRAINS ARE BETTER THAN TWO. 212 00:08:53,933 --> 00:08:56,533 JJ: UH, MAKE THAT 3 BRAINS. 213 00:08:56,533 --> 00:08:58,233 THIS SHAKESPEARE DUDE'S NOT REALLY MY THING. 214 00:08:58,233 --> 00:09:00,800 BUT, HEY, FOOD'S ON ME. 215 00:09:03,900 --> 00:09:05,433 [WHISTLE BLOWS] 216 00:09:05,433 --> 00:09:06,833 COOP: SO WHAT, Y'ALL NEVER MADE FUN OF EACH OTHER 217 00:09:06,833 --> 00:09:08,033 WHEN Y'ALL MESSED UP HERE? 218 00:09:08,033 --> 00:09:09,300 IT AIN'T JUST THE WHACK MEMES 219 00:09:09,300 --> 00:09:10,866 OR THE HAZING. 220 00:09:10,866 --> 00:09:12,300 THEY DON'T ACCEPT ME. 221 00:09:12,300 --> 00:09:15,400 I MEAN, MAN, ACCEPTANCE GO BOTH WAYS, THOUGH. 222 00:09:15,400 --> 00:09:17,300 YOU GOT TO BE HONEST. AIN'T LIKE YOU BEEN ALL OPEN ARMS. 223 00:09:17,300 --> 00:09:18,900 YEAH, OK, IYANLA. 224 00:09:18,900 --> 00:09:20,400 [SCOFFS] MAN, SHUT UP. 225 00:09:20,400 --> 00:09:22,433 YOU KNOW THE FACT YOU LECTURE ME ON HONESTY 226 00:09:22,433 --> 00:09:24,200 AND ACCEPTANCE IS HILARIOUS, RIGHT? 227 00:09:24,200 --> 00:09:25,900 WHAT ARE YOU TRYING TO SAY? 228 00:09:25,900 --> 00:09:28,566 YOU FINALLY BEEN HONEST WITH YOUR PARENTS AND TOLD THEM YOU GAY? 229 00:09:28,566 --> 00:09:32,233 I MEAN, LISTEN, HAVE THEY NOT MET ME? 230 00:09:32,233 --> 00:09:35,266 HOW CAN I BE ANYTHING ELSE? 231 00:09:35,266 --> 00:09:37,733 SERIOUSLY, I'M NOT RESPONSIBLE FOR THEIR BLINDNESS. 232 00:09:37,733 --> 00:09:40,066 BUT NICE TRY, THOUGH, BRO. WE AIN'T DONE TALKING ABOUT YOU. 233 00:09:40,066 --> 00:09:42,066 MAN, WERE YOU ALWAYS THIS TALKATIVE? 234 00:09:42,066 --> 00:09:44,400 ALL I'M SAYING IS, MAN, 235 00:09:44,400 --> 00:09:47,500 PHYSICALLY, YOU WITH BEVERLY, 236 00:09:47,500 --> 00:09:51,333 BUT IN YOUR HEART, YOU'RE WITH A WHOLE 'NOTHER TEAM. 237 00:09:52,766 --> 00:09:54,500 YOU THINK THE RICH BOYS DON'T REALIZE 238 00:09:54,500 --> 00:09:57,933 YOU STILL ROCKING YOUR SOUTH CRENSHAW FOOTBALL RING? 239 00:09:57,933 --> 00:09:59,366 SERIOUSLY, MAN. 240 00:09:59,366 --> 00:10:01,100 AND IF IYANLA WAS HERE, 241 00:10:01,100 --> 00:10:03,866 SHE'D PROBABLY TELL YOU, "CHILD, LISTEN." 242 00:10:03,866 --> 00:10:06,266 DON'T YOU DARE. 243 00:10:06,266 --> 00:10:07,966 "CAN'T BE ACCEPTED ON ONE TEAM 244 00:10:07,966 --> 00:10:09,400 TILL YOU LET GO OF THE OTHER." 245 00:10:09,400 --> 00:10:11,266 MAN, I JUST CAME TO SEE SOME OLD FRIENDS, OK? 246 00:10:11,266 --> 00:10:14,900 MM-HMM. AND PEEP YOUR NEW REPLACEMENT. 247 00:10:14,900 --> 00:10:16,966 YEAH, MAYBE THAT, TOO. 248 00:10:16,966 --> 00:10:18,800 YEAH, I KNOW THAT, TOO. 249 00:10:18,800 --> 00:10:19,833 YOU AIN'T SLICK. 250 00:10:19,833 --> 00:10:21,300 I'M SLICKER THAN YOU. YEAH, ALL RIGHT. 251 00:10:21,300 --> 00:10:23,800 YOU SAW THAT, RIGHT? 252 00:10:23,800 --> 00:10:26,200 HEY, BOO. 253 00:10:26,200 --> 00:10:28,833 MAN, LOOK WHO BACK SLUMMING IT IN THE 'HOOD. 254 00:10:28,833 --> 00:10:31,166 HEY, WHAT UP, FELLAS? Y'ALL MISS ME? 255 00:10:31,166 --> 00:10:32,800 WHAT'S UP, BOY? 256 00:10:32,800 --> 00:10:34,633 HOW YOU DOING? CHILLIN', CHILLIN'. 257 00:10:34,633 --> 00:10:36,333 HEY, YOU STILL COMING TO MY MAMA'S COOKOUT LATER? 258 00:10:36,333 --> 00:10:37,566 SHE STILL MAKING HER FAMOUS MAC AND CHEESE? 259 00:10:37,566 --> 00:10:39,700 ONLY RIGHT. THEN HELL, YEAH. 260 00:10:39,700 --> 00:10:42,700 HEY, Y'ALL CALLED UP CAMERON WILSON TO REPLACE ME, HUH? 261 00:10:42,700 --> 00:10:45,200 HEY, AT LEAST BROTHER'S WILLING TO ROCK A SOUTH CRENSHAW JERSEY. 262 00:10:45,200 --> 00:10:46,900 OH, IT'S LIKE THAT? 263 00:10:46,900 --> 00:10:48,233 IT'S LIKE THAT, DAWG. 264 00:10:48,233 --> 00:10:50,266 ALL RIGHT. OK. OK. 265 00:10:50,266 --> 00:10:51,966 I'LL CHECK YOU AT THE COOKOUT, THOUGH. 266 00:10:51,966 --> 00:10:55,433 I BET. [WHISTLE BLOWS] 267 00:10:55,433 --> 00:10:56,800 ALL RIGHT, I'M READY TO CLEAN OUT THE SYSTEM 268 00:10:56,800 --> 00:10:59,533 AND THEN HIT ROUND TWO. WHO WANTS MORE FOOD? 269 00:10:59,533 --> 00:11:02,733 YOU KNOW, YOU DON'T NEED TO ANNOUNCE EVERY TIME YOU NEED TO DROP A DEUCE. 270 00:11:02,733 --> 00:11:07,200 WHY DON'T I GET THE FOOD AND YOU GO TAKE CARE OF THAT? 271 00:11:07,200 --> 00:11:09,266 DOES ANYONE WANT ANYTHING? 272 00:11:09,266 --> 00:11:10,866 NO, I'M GOOD. 273 00:11:10,866 --> 00:11:12,000 YEAH, I'LL GET A DRINK. 274 00:11:12,000 --> 00:11:13,333 A PEACH AND GINGER ICED TEA 275 00:11:13,333 --> 00:11:15,200 WITH TWO SPLASHES OF SODA WATER. 276 00:11:15,200 --> 00:11:17,100 OF COURSE I REMEMBER YOUR GO-TO. 277 00:11:17,100 --> 00:11:19,366 WHY WOULD I FORGET? 278 00:11:24,933 --> 00:11:27,033 I KNOW WHAT YOU'RE DOING. 279 00:11:27,033 --> 00:11:28,966 TRYING NOT TO FAIL ENGLISH? 280 00:11:28,966 --> 00:11:30,566 THIS ISN'T FUNNY. 281 00:11:30,566 --> 00:11:32,833 I ALREADY AGREED TO KEEP OUR STUPID HOOKUP A SECRET. 282 00:11:32,833 --> 00:11:36,833 OK, YOUR PERFECT BOYFRIEND COVER STAYS INTACT. HAPPY? 283 00:11:38,500 --> 00:11:41,200 THIS ISN'T ABOUT COVERING MY ASS. 284 00:11:41,200 --> 00:11:42,466 IT'S ABOUT NOT DESTROYING THE LIVES 285 00:11:42,466 --> 00:11:44,266 OF THE 3 PEOPLE I CARE ABOUT THE MOST. 286 00:11:44,266 --> 00:11:45,833 LEILA WOULD BE DEVASTATED, 287 00:11:45,833 --> 00:11:47,766 AND JORDAN WOULD HATE ME FOR INVOLVING YOU. 288 00:11:47,766 --> 00:11:49,966 AND LET ME GUESS, THIRD PERSON'S YOU. 289 00:11:49,966 --> 00:11:51,266 ACTUALLY, IT'S YOU. 290 00:11:51,266 --> 00:11:53,600 I'M SERIOUS. 291 00:11:53,600 --> 00:11:55,466 YOU HAD A ROUGH RIDE LAST YEAR, 292 00:11:55,466 --> 00:11:57,366 AND YOU'RE KIND OF REALLY TURNING THINGS AROUND. 293 00:11:57,366 --> 00:11:59,466 I DON'T WANT TO MESS THAT UP FOR YOU. 294 00:12:05,600 --> 00:12:08,666 SPENCER: YOU GOT TO BE KIDDING ME. 295 00:12:12,933 --> 00:12:15,833 WHO IS THIS EL DEBARGE-LOOKING DUDE? 296 00:12:15,833 --> 00:12:17,033 JORDAN, 297 00:12:17,033 --> 00:12:18,900 WHAT YOU DOING HERE, MAN? 298 00:12:18,900 --> 00:12:20,300 THERE THEY ARE. 299 00:12:20,300 --> 00:12:21,733 LOOK LIKE HE BASTARDIZING 300 00:12:21,733 --> 00:12:23,333 THEM POOR GREENS IS WHAT IT LOOK LIKE. 301 00:12:23,333 --> 00:12:24,766 YOU NEVER BEEN IN A KITCHEN BEFORE? 302 00:12:24,766 --> 00:12:27,066 JORDAN WAS SWEET ENOUGH TO HELP ME OUT 303 00:12:27,066 --> 00:12:28,800 WHILE HE WAITED ON YOU. 304 00:12:28,800 --> 00:12:31,800 DILLON: I DON'T KNOW THAT "HELP" WOULD BE THE WORD I WOULD USE. 305 00:12:31,800 --> 00:12:33,600 OK, EVERYBODY'S GOT JOKES TODAY, HUH? 306 00:12:33,600 --> 00:12:35,566 [LAUGHTER] WHY ARE YOU HERE? 307 00:12:35,566 --> 00:12:36,766 TO TALK ABOUT THE TEAM. 308 00:12:36,766 --> 00:12:38,300 NO, MAN, NOW IS NOT A GOOD TIME. 309 00:12:38,300 --> 00:12:39,566 LOOK, WE DON'T STAND A CHANCE THIS SEASON 310 00:12:39,566 --> 00:12:40,900 UNLESS WE ALL WORK TOGETHER. 311 00:12:40,900 --> 00:12:42,333 OR DO YOU NOT CARE ABOUT WINNING ANYMORE? 312 00:12:42,333 --> 00:12:43,833 LOOK, I'LL PLAY, I'LL PRACTICE, 313 00:12:43,833 --> 00:12:45,533 AND I'LL DAMN SURE DO MY PART ON THE FIELD. 314 00:12:45,533 --> 00:12:47,200 BUT NOTHING MORE? I CAME TO BEVERLY 315 00:12:47,200 --> 00:12:48,933 TO PLAY FOOTBALL, NOT FORCE MYSELF 316 00:12:48,933 --> 00:12:52,100 INTO FAKE FRIENDSHIPS WITH FOLKS WHO WANT NOTHING TO DO WITH ME. 317 00:12:52,100 --> 00:12:53,433 FAKE FRIENDSHIPS? 318 00:12:53,433 --> 00:12:54,700 I WELCOMED YOU INTO MY HOME. 319 00:12:54,700 --> 00:12:56,766 ALL RIGHT, LOOK, NO SHADE. YOU COOL. 320 00:12:56,766 --> 00:12:58,566 BUT IF WE'RE BEING HONEST, YOU DON'T KNOW NOTHING 321 00:12:58,566 --> 00:13:02,100 ABOUT ME, DAWG, OR WHERE I'M FROM. 322 00:13:02,100 --> 00:13:05,200 YOU KNOW WHAT? I'M HERE NOW. 323 00:13:05,200 --> 00:13:06,933 LET'S FIX THAT. 324 00:13:06,933 --> 00:13:07,933 NAH, NAH. 325 00:13:07,933 --> 00:13:09,966 LOOK, I GOT PLANS, I GOT FRIENDS COMING OVER. 326 00:13:09,966 --> 00:13:12,466 I KNOW, YEAH, YOUR MOM ALREADY SAID I COULD STAY FOR THE COOKOUT. 327 00:13:12,466 --> 00:13:15,566 AND YOU KNOW, SPENCE, I CAN'T THINK OF A BETTER WAY TO REALLY 328 00:13:15,566 --> 00:13:17,333 GET TO KNOW YOU AND CRENSHAW. 329 00:13:17,333 --> 00:13:18,533 HEY, JORDAN. CAN YOU? 330 00:13:18,533 --> 00:13:21,133 JORDAN. JORDAN, I AIN'T PLAYING. 331 00:13:21,133 --> 00:13:23,000 JORDAN. 332 00:13:26,633 --> 00:13:29,033 YOU WANT TO TELL ME WHAT'S GOING ON? 333 00:13:30,866 --> 00:13:33,533 IT'S GONNA BE ONE LONG-ASS DAY. 334 00:13:35,133 --> 00:13:40,300 ["LIVING THE DREAM" BY TONY REDZ AND MR. MAJOR PLAYING] 335 00:13:40,300 --> 00:13:41,066 ♪ JUST CALLED MY MAMA TODAY ♪ 336 00:13:41,066 --> 00:13:43,133 ♪ I AIN'T TALKED TO HER ENOUGH, BUT EVERYTHING'S OK ♪ 337 00:13:43,133 --> 00:13:45,566 ♪ COUPLE LAUGHS, COUPLE JOKES, TALKING 'BOUT THE KIDS ♪ 338 00:13:45,566 --> 00:13:47,766 ♪ I AIN'T SEEN THAT BOY IN MONTHS, SO YOU KNOW WHAT IT IS ♪ 339 00:13:47,766 --> 00:13:51,400 ♪ YES, TOTAL SIGN OF FLEX, AND I'LL BE WRITING ALL THESE HITS ♪ 340 00:13:51,400 --> 00:13:53,033 ♪ I BE GETTING THEM CHECKS ♪ 341 00:13:53,033 --> 00:13:54,766 ♪ SHE SAID WHO WANT TO BE N-S-H-A-S ♪ 342 00:13:54,766 --> 00:13:56,766 ♪ BUT IS IT REALLY GOOD? AND I SAID HE'S THE BEST, YES ♪ 343 00:13:56,766 --> 00:13:57,966 [CELL PHONE RINGS] 344 00:13:57,966 --> 00:13:59,366 ♪ BUT LET THE STORY UNFOLD ♪ 345 00:13:59,366 --> 00:14:02,000 ♪ I WAS A YOUNG CHUBBY... ♪ 346 00:14:02,000 --> 00:14:04,366 NOT TODAY, MAN. 347 00:14:04,366 --> 00:14:08,833 I'M JUST TRYING TO ENJOY THIS FINE-ASS FOOD, 348 00:14:08,833 --> 00:14:10,666 THIS FINE-ASS COMPANY. 349 00:14:10,666 --> 00:14:11,900 OH, MY GOSH. 350 00:14:11,900 --> 00:14:13,366 [LAUGHS] 351 00:14:13,366 --> 00:14:14,933 COME ON, MAN, SIT DOWN. 352 00:14:14,933 --> 00:14:16,266 WE CAN WILD OUT LATER. HAVE A SEAT. 353 00:14:16,266 --> 00:14:18,800 ALL RIGHT. I DIDN'T SAY NOTHING. 354 00:14:18,800 --> 00:14:21,233 WHAT'S UP, BEVERLY HILLS? 355 00:14:23,533 --> 00:14:26,633 MAN, DON'T SWEAT IT. I'LL TALK TO YOU. 356 00:14:29,166 --> 00:14:32,300 HEY, AREN'T YOU TWO A SIGHT FOR SORE EYES? 357 00:14:32,300 --> 00:14:34,066 HEY, LEILA. HI, COACH BAKER. 358 00:14:34,066 --> 00:14:35,533 HOW YOU DOING? DAD, DON'T BE WEIRD. 359 00:14:35,533 --> 00:14:37,033 I LITERALLY JUST SAW YOU THIS MORNING. 360 00:14:37,033 --> 00:14:38,400 OH, I'M JUST SAYING IT'S BEEN A WHILE 361 00:14:38,400 --> 00:14:39,966 SINCE I'VE SEEN YOU TWO TOGETHER. 362 00:14:39,966 --> 00:14:41,166 AND ON THAT NOTE, 363 00:14:41,166 --> 00:14:43,133 WE HAVE A LOT OF WORK TO DO, SO... 364 00:14:43,133 --> 00:14:44,866 ALL RIGHT, WELL, WHAT'S THE ASSIGNMENT? 365 00:14:44,866 --> 00:14:46,366 MAYBE I CAN HELP. DAD, NO. 366 00:14:46,366 --> 00:14:48,366 OH, WE'RE DOING A SYMBOLIC PORTRAIT 367 00:14:48,366 --> 00:14:49,866 OF WILLIAM SHAKESPEARE, 368 00:14:49,866 --> 00:14:51,600 SO USING PAINT, COLLAGE, 369 00:14:51,600 --> 00:14:54,633 QUOTATIONS AND STUFF TO DISSECT HIS REAL IDENTITY. 370 00:14:54,633 --> 00:14:55,900 WOW. OK. 371 00:14:55,900 --> 00:14:57,233 HA. BACK IN MY DAY, 372 00:14:57,233 --> 00:14:58,900 WE JUST USED TO WRITE PAPERS, 373 00:14:58,900 --> 00:15:03,366 BUT, UH, HAVE YOU SEEN THE MOVIE "ANONYMOUS"? 374 00:15:03,366 --> 00:15:05,233 THE SHAKESPEARE FRAUD MOVIE? 375 00:15:05,233 --> 00:15:06,566 THAT'S THE ONE. YEAH, SO WHY DON'T 376 00:15:06,566 --> 00:15:08,233 YOU TAKE A BREAK AND WATCH THAT? 377 00:15:08,233 --> 00:15:09,866 UH, YOU KNOW, YOU TWO HAVE ALWAYS LOVED 378 00:15:09,866 --> 00:15:11,000 A GOOD MOVIE DAY. 379 00:15:11,000 --> 00:15:12,666 I'LL MAKE THE POPCORN. 380 00:15:12,666 --> 00:15:14,700 COOL. 381 00:15:17,733 --> 00:15:19,333 [INDISTINCT CHATTER] 382 00:15:21,333 --> 00:15:23,300 I DON'T KNOW HOW TO PLAY THIS. 383 00:15:23,300 --> 00:15:25,000 I'M GONNA SHOW YOU GUYS. DON'T EVEN WORRY ABOUT IT. 384 00:15:25,000 --> 00:15:26,233 SO WHY ARE WE DOING THIS? 385 00:15:26,233 --> 00:15:27,566 'CAUSE I WANT TO KNOW HOW TO PLAY. 386 00:15:27,566 --> 00:15:29,133 COOP: BOY, SHUT UP. JUST SHOW ME. 387 00:15:29,133 --> 00:15:30,366 I GOT YOU. 388 00:15:30,366 --> 00:15:31,700 THIS IS LIKE NINES. I DON'T KNOW. 389 00:15:31,700 --> 00:15:33,866 I DON'T GET IT. I DON'T KNOW. 390 00:15:36,066 --> 00:15:37,633 OK. 391 00:15:37,633 --> 00:15:38,633 LOOK AT HIM. 392 00:15:38,633 --> 00:15:40,866 ABOUT TIME YOU JOINED US, BABYFACE. 393 00:15:40,866 --> 00:15:42,700 IT'S JORDAN. 394 00:15:42,700 --> 00:15:43,766 IT'S JORDAN. 395 00:15:43,766 --> 00:15:46,566 LOOK AT YOU, STICKING UP FOR YOURSELF. 396 00:15:46,566 --> 00:15:49,300 HEY, JORDAN. I MIGHT LIKE YOU. 397 00:15:49,300 --> 00:15:51,566 WHERE YOU FROM, JORDAN? 398 00:15:51,566 --> 00:15:53,533 OH, HE BEVERLY HILLS ALL DAY. 399 00:15:53,533 --> 00:15:55,066 MY FAMILY'S FROM AROUND HERE. 400 00:15:55,066 --> 00:15:57,133 OH, YEAH? WHERE YOUR GRANDMA STAY? 401 00:15:57,133 --> 00:16:00,100 SHE'S, UH--I DON'T KNOW THE ADDRESS. 402 00:16:00,100 --> 00:16:01,366 WE HAVEN'T BEEN BACK IN-- 403 00:16:01,366 --> 00:16:03,900 UH-UH, YOU AIN'T FROM AROUND HERE. 404 00:16:03,900 --> 00:16:05,300 HEY, IT'S YOUR LOSS. 405 00:16:05,300 --> 00:16:07,900 GOT A COUPLE OF SPECIAL FOLKS AROUND HERE. 406 00:16:09,166 --> 00:16:10,500 AH, WHAT UP? 407 00:16:10,500 --> 00:16:12,166 BIG DAWG, HOW YOU DOING? I'M GOOD. 408 00:16:12,166 --> 00:16:14,000 HOW YOU FEELING? I'M GOOD, I'M LIVING. 409 00:16:14,000 --> 00:16:15,133 YOU KNOW EVERYBODY, RIGHT? 410 00:16:15,133 --> 00:16:16,633 YEAH. WHAT'S UP? 411 00:16:16,633 --> 00:16:18,100 OH, MAN, I HOPE IT'S COOL. I BROUGHT MY BOY CAM. 412 00:16:18,100 --> 00:16:20,400 YEAH, FOR SURE. WHAT UP, MAN? 413 00:16:20,400 --> 00:16:22,900 HEY, Y'ALL GET SOME CHAIRS, BE COMFORTABLE. 414 00:16:26,100 --> 00:16:27,700 STOP. 415 00:16:27,700 --> 00:16:30,100 DO YOU SERIOUSLY STILL CRY AT THE END OF EVERY MOVIE? 416 00:16:30,100 --> 00:16:31,733 NO, MY CONTACTS ARE DRY. 417 00:16:31,733 --> 00:16:34,100 RIGHT. JUST LIKE IT WAS YOUR CONTACTS 418 00:16:34,100 --> 00:16:35,666 WHEN WE SAW "BLACK PANTHER," 419 00:16:35,666 --> 00:16:38,500 "STEP UP," "STEP UP 2," "COCO." 420 00:16:38,500 --> 00:16:40,900 NO, YOU CRIED AT "COCO," TOO. 421 00:16:40,900 --> 00:16:42,100 [LAUGHS] 422 00:16:42,100 --> 00:16:44,300 HEY, UM, REMEMBER LAST FALL 423 00:16:44,300 --> 00:16:46,500 AT ANGEL'S POINT? 424 00:16:46,500 --> 00:16:49,166 ACTUALLY, LAST YEAR'S KIND OF A BLUR FOR ME. 425 00:16:49,166 --> 00:16:50,600 NO, YOU REMEMBER. 426 00:16:50,600 --> 00:16:52,633 NO, NOT REALLY. AT THE PARK-- 427 00:16:52,633 --> 00:16:55,933 YOU KNOW, WE SHOULD REALLY GET BACK TO THE ENGLISH PROJECT. 428 00:16:58,800 --> 00:16:59,800 SERIOUSLY? 429 00:16:59,800 --> 00:17:02,366 SO I DON'T REMEMBER EVERY LITTLE THING. 430 00:17:02,366 --> 00:17:04,366 I WAS HIGH A LOT BACK THEN, OK? 431 00:17:04,366 --> 00:17:07,966 I'M KIND OF TRYING NOT TO REMEMBER ALL THE CRAZY CRAP I DID. 432 00:17:10,933 --> 00:17:14,000 UM, WOW. 433 00:17:14,000 --> 00:17:16,800 UH, I SHOULD GO. 434 00:17:16,800 --> 00:17:18,033 WHY? 435 00:17:18,033 --> 00:17:19,233 THIS WAS A MISTAKE. 436 00:17:19,233 --> 00:17:20,433 I SHOULD HAVE NEVER ASKED MS. BENCH 437 00:17:20,433 --> 00:17:22,033 TO PUT US TOGETHER. 438 00:17:22,033 --> 00:17:23,800 YES, IT WAS ME. 439 00:17:23,800 --> 00:17:27,733 I JUST THOUGHT MAYBE IF WE SPENT SOME TIME TOGETHER THAT... 440 00:17:27,733 --> 00:17:29,300 ANYWAY, IT DOESN'T MATTER WHAT I THOUGHT. 441 00:17:29,300 --> 00:17:31,233 I DO NOT WANT TO FORCE ANYONE INTO MY LIFE 442 00:17:31,233 --> 00:17:32,566 WHO DOESN'T WANT TO BE THERE. 443 00:17:32,566 --> 00:17:34,433 I'LL JUST--I'LL FINISH THIS ON MY OWN. 444 00:17:39,766 --> 00:17:43,400 HEY, MAN, YOU KNOW, BRO, NAS IS TRASH. 445 00:17:43,400 --> 00:17:44,800 WHAT? HOLD ON. 446 00:17:44,800 --> 00:17:46,466 NOW YOU'RE JUST TROLLING, BRO. 447 00:17:46,466 --> 00:17:47,700 I MEAN, WHAT HE EVEN BE SAYING? 448 00:17:47,700 --> 00:17:49,066 HE AIN'T SAYING NOTHING REALLY THAT DEEP. 449 00:17:49,066 --> 00:17:50,500 ALL RIGHT, SO WHO GET THE NUMBER-ONE SPOT-- 450 00:17:50,500 --> 00:17:51,900 BIGGIE OR PAC? CAMERON: BIGGIE, EASY. 451 00:17:51,900 --> 00:17:54,433 MAN, YOU ON THE WRONG COAST, DAWG. 452 00:17:54,433 --> 00:17:56,600 STRAIGHT UP, MAN. PAC WAS AN ACTIVIST, A POET. 453 00:17:56,600 --> 00:17:58,066 HE WASN'T A BETTER RAPPER. 454 00:17:58,066 --> 00:17:59,266 WHO HAD A BETTER FLOW? 455 00:17:59,266 --> 00:18:00,566 RAKIM. HANDS DOWN. 456 00:18:00,566 --> 00:18:03,766 HE WAS A LYRICAL GENIUS, CRAZY MIC TECHNIQUES, 457 00:18:03,766 --> 00:18:05,900 THE ORIGINAL SMOOTH FLOW. COME ON, GUYS. 458 00:18:05,900 --> 00:18:09,466 "PAID IN FULL." NO ONE EVEN COMES CLOSE TO TOUCHING THAT ALBUM. 459 00:18:09,466 --> 00:18:11,133 GREATEST OF ALL TIME. 460 00:18:11,133 --> 00:18:13,366 WHAT?! 461 00:18:13,366 --> 00:18:16,100 NO, YOU DIDN'T. 462 00:18:16,100 --> 00:18:17,733 YO, WHAT? 463 00:18:17,733 --> 00:18:18,933 WHOO! OK. 464 00:18:18,933 --> 00:18:20,066 OK, BABYFACE. 465 00:18:20,066 --> 00:18:21,400 DUDE'S TALKING ABOUT-- 466 00:18:21,400 --> 00:18:23,133 LOOK AT CARLTON DROPPING KNOWLEDGE, Y'ALL. 467 00:18:23,133 --> 00:18:25,100 WHO KNEW, MAN? 468 00:18:25,100 --> 00:18:26,300 YEAH, GIVE IT UP FOR MY BOY! 469 00:18:26,300 --> 00:18:27,766 GIVE IT UP FOR MY BOY! 470 00:18:27,766 --> 00:18:29,900 WRONG! YOU KNOW DAMN WELL THAT AIN'T THE ISSUE. 471 00:18:29,900 --> 00:18:32,666 THE ANSWER'S ONE. 3 FOREVER EVERS. 472 00:18:32,666 --> 00:18:35,966 BOTH: OUTKAST, "MS. JACKSON," 2000. 473 00:18:35,966 --> 00:18:37,100 COOP: THANK YOU! 474 00:18:37,100 --> 00:18:39,566 WHOO! 475 00:18:39,566 --> 00:18:41,900 ANOTHER POINT FOR CARLTON. 476 00:18:41,900 --> 00:18:43,100 COOP: THANK YOU. 477 00:18:43,100 --> 00:18:44,333 "AT A BLACK CHURCH, 478 00:18:44,333 --> 00:18:46,266 "HOW LONG DOES PRAISE AND WORSHIP LAST? 479 00:18:46,266 --> 00:18:48,033 "1--30 MINUTES, 2--AN HOUR, OR 3"-- 480 00:18:48,033 --> 00:18:50,933 OK, OK, AIN'T NO WAY BEVERLY HILLS GETTIN' THIS ONE RIGHT 481 00:18:50,933 --> 00:18:53,466 UNLESS HE BEEN BINGE-WATCHING "PREACHERS OF L.A." 482 00:18:53,466 --> 00:18:54,833 JORDAN: MAN, WHAT'S YOUR PROBLEM? 483 00:18:54,833 --> 00:18:56,233 YO, CHRIS, CHILL, MAN. COOP: YOU'RE TRIPPING. 484 00:18:56,233 --> 00:18:57,500 THE ANSWER'S 3. 485 00:18:57,500 --> 00:18:58,633 WHENEVER THE CHOIR DIRECTOR 486 00:18:58,633 --> 00:19:00,100 FEEL LIKE SHE'S DONE. 487 00:19:00,100 --> 00:19:01,300 ALL RIGHT. 488 00:19:01,300 --> 00:19:02,500 NOW STOP MESSING UP THE GAME. 489 00:19:02,500 --> 00:19:04,200 CAM, NEW CARD. YOUR TURN. 490 00:19:04,200 --> 00:19:05,933 OK, ALL RIGHT. "IN THE BLACKS-IT, 491 00:19:05,933 --> 00:19:08,133 "IF BLACK FOLKS LEFT AMERICA LIKE BRITAIN 492 00:19:08,133 --> 00:19:09,700 LEFT THE EU, WHO DO WE TAKE?" 493 00:19:09,700 --> 00:19:12,600 I VOTE WE TAKE CARLTON HERE AND EMINEM. 494 00:19:12,600 --> 00:19:15,833 THE WHITE FOLKS CAN KEEP SPENCER AND STACEY DASH. 495 00:19:15,833 --> 00:19:17,700 YO, YOU REALLY DISRESPECTING ME IN MY OWN HOUSE? 496 00:19:17,700 --> 00:19:20,200 I WAS JUST KIDDING, DAWG. RELAX. 497 00:19:20,200 --> 00:19:22,933 NO, BRO, NOW YOU SHOWING UP. 498 00:19:24,600 --> 00:19:27,566 UGH, WHEN DID YOU GET SO SENSITIVE? 499 00:19:27,566 --> 00:19:30,166 GUESS BEVERLY HILLS GOT YOU ALL SOFT NOW, HUH? 500 00:19:30,166 --> 00:19:32,466 HEY, YOU AND PRETTY BOY 501 00:19:32,466 --> 00:19:34,233 CAN HEAD BACK ANYTIME IF IT GETS TOO HOT. 502 00:19:34,233 --> 00:19:35,533 DON'T LET US STOP YOU. 503 00:19:35,533 --> 00:19:37,166 YO, MAN, IF YOU GOT SOMETHING TO SAY, 504 00:19:37,166 --> 00:19:38,766 JUST SAY IT. 505 00:19:38,766 --> 00:19:41,333 YOU AIN'T GOT NO BUSINESS WEARING THAT CRENSHAW RING NO MORE. 506 00:19:41,333 --> 00:19:42,966 YOU DON'T BELONG HERE. 507 00:19:42,966 --> 00:19:46,000 SINCE YOU FELT LIKE YOU HAD TO LEAVE US TO SUCCEED, 508 00:19:46,000 --> 00:19:48,133 YOU SHOULD HAVE JUST STAYED GONE. 509 00:19:49,333 --> 00:19:51,500 WE GOT AN UPGRADE ANYWAY. 510 00:19:51,500 --> 00:19:53,600 AIN'T THAT RIGHT, CAM? 511 00:19:53,600 --> 00:19:56,100 YOU KNOW, HONESTLY, I DOUBT CAM 512 00:19:56,100 --> 00:19:58,200 COULD EVEN TOUCH SPENCER ON THE FIELD. 513 00:19:58,200 --> 00:20:00,633 PRETTY SURE WE GOT THE UPGRADE. 514 00:20:02,133 --> 00:20:05,566 CHRIS: WELL, UH, WE'LL SEE YOU IN THE PLAYOFFS. 515 00:20:05,566 --> 00:20:08,233 OH, WAIT, THAT'S RIGHT. 516 00:20:08,233 --> 00:20:11,000 BEVERLY HILLS AIN'T BEEN TO THE PLAYOFFS IN YEARS. 517 00:20:11,000 --> 00:20:13,400 OH, THEY WILL THIS YEAR. THEY GOT ME. 518 00:20:13,400 --> 00:20:15,200 WHY WAIT? 519 00:20:15,200 --> 00:20:16,733 OUR BOYS CAN BE HERE IN 45. 520 00:20:16,733 --> 00:20:18,533 WHY DON'T YOU GRAB YOUR SQUAD? 521 00:20:18,533 --> 00:20:20,833 LET'S SETTLE THIS RIGHT NOW. 522 00:20:22,233 --> 00:20:24,200 I'LL TELL YOU WHAT, 523 00:20:24,200 --> 00:20:25,933 Y'ALL WIN, 524 00:20:25,933 --> 00:20:29,500 YOU CAN TAKE THIS CRENSHAW RING OFF MY FINGER FOR GOOD. 525 00:20:35,600 --> 00:20:37,833 ♪ LET THE GAMES BEGIN, LET THE GAMES BEGIN ♪ 526 00:20:37,833 --> 00:20:41,033 ♪ ONLY PLAY TO WIN, YEAH, I'M GOING IN ♪ 527 00:20:41,033 --> 00:20:44,000 ♪ LET THE GAMES BEGIN, LET THE GAMES BEGIN ♪ 528 00:20:44,000 --> 00:20:46,966 ♪ GO AND LET THE RECORD SHOW I WAS STILL IN ♪ 529 00:20:46,966 --> 00:20:51,033 YOU AIN'T HAVE TO CALL THE REST OF THE GUYS HERE. 530 00:20:51,033 --> 00:20:54,033 I HAD IT HANDLED. 531 00:20:54,033 --> 00:20:55,266 TOO LATE. 532 00:20:55,266 --> 00:20:56,533 ♪ TAKE IT WAY BACK ♪ 533 00:20:56,533 --> 00:20:58,066 ♪ I SAY THIS IS IN MY BLOOD ♪ 534 00:20:58,066 --> 00:21:00,633 ♪ YOU CAN HEAR ME COMING IF YOU LISTEN FOR THE DRUMS ♪ 535 00:21:00,633 --> 00:21:02,266 ♪ I'M GETTING PLAYBACK... ♪ 536 00:21:02,266 --> 00:21:03,533 THANKS FOR COMING. 537 00:21:03,533 --> 00:21:06,300 THAT'S WHAT WE DO. 538 00:21:06,300 --> 00:21:08,433 LET'S GO. 539 00:21:08,433 --> 00:21:11,200 I'M SURPRISED YOU SHOWED UP. 540 00:21:11,200 --> 00:21:14,500 WE'RE FIGHTING. 541 00:21:14,500 --> 00:21:16,833 DOESN'T MEAN I DON'T HAVE YOUR BACK. 542 00:21:27,933 --> 00:21:30,600 I NEED YOU TO HOLD SOMETHING FOR ME. 543 00:21:32,300 --> 00:21:34,300 YOU SURE ABOUT THIS? 544 00:21:34,300 --> 00:21:35,566 TOO LATE NOW. 545 00:21:35,566 --> 00:21:38,033 ["RUN FOR YOUR LIFE" BY THE SIEGE PLAYING] 546 00:21:38,033 --> 00:21:40,066 ♪ I AIN'T TRYING TO BRING YOU DOWN ♪ 547 00:21:40,066 --> 00:21:42,033 ♪ BUT FOR REAL, YOU MIGHT AS WELL GIVE UP NOW ♪ 548 00:21:42,033 --> 00:21:44,100 ♪ THINK YOU GOT A CHANCE, BUT I DON'T SEE HOW ♪ 549 00:21:44,100 --> 00:21:46,100 ♪ GOT A REAL TIGHT GRIP WHEN I HOLD THAT CROWN ♪ 550 00:21:46,100 --> 00:21:48,100 ♪ MY LIFE BEEN GOOD AND BAD AND ALL AROUND ♪ 551 00:21:48,100 --> 00:21:50,166 ♪ THE MORE THINGS I LOST, THE MORE I FOUND ♪ 552 00:21:50,166 --> 00:21:52,000 ♪ ONE THING I TAUGHT MYSELF TO DO ♪ 553 00:21:52,000 --> 00:21:54,300 ♪ NO MATTER THE PROBLEM, REFUSE TO LOSE, SO ♪ 554 00:21:54,300 --> 00:21:56,100 ♪ HOW YOU WANT IT? MAN, YOU CAN CHOOSE ♪ 555 00:21:56,100 --> 00:21:58,133 ♪ IF YOU CAN'T TAKE THE HEAT, DON'T LIGHT THE FUSE ♪ 556 00:21:58,133 --> 00:22:00,133 ♪ SEE, I WALK IN SLOW AND IGNITE THE ROOM ♪ 557 00:22:00,133 --> 00:22:02,733 ♪ LIKE FIRE, EVERYTHING I TOUCH I CONSUME, I'M ♪ 558 00:22:02,733 --> 00:22:04,466 ♪ GETTING UP WHILE Y'ALL JUST SNOOZE ♪ 559 00:22:04,466 --> 00:22:06,133 ♪ WHILE YOU MAKE BREAKFAST, MAN, I'M ON THE MOVE ♪ 560 00:22:06,133 --> 00:22:08,433 ♪ I'M THE FIRST ONE IN AND THE LAST ONE OUT ♪ 561 00:22:08,433 --> 00:22:10,766 ♪ WHOEVER OWNS THE PLACE GOTTA DRAG ME OUT ♪ 562 00:22:10,766 --> 00:22:12,333 ♪ IN ME I TRUST ♪ 563 00:22:12,333 --> 00:22:14,900 ♪ YEAH, I SMELL LIKE SUCCESS, THIS ELON MUSK, HUH? ♪ 564 00:22:14,900 --> 00:22:16,633 ♪ EVERYBODY WANNA BE LIKE US ♪ 565 00:22:16,633 --> 00:22:20,266 ♪ WE DON'T STOP 'CAUSE THE TOP JUST AIN'T ENOUGH, HUH? ♪ 566 00:22:21,633 --> 00:22:23,500 DID Y'ALL THINK I WOULDN'T NOTICE 567 00:22:23,500 --> 00:22:25,933 EVERYONE STARTED DISAPPEARING? 568 00:22:27,333 --> 00:22:30,266 ♪ AHH ♪ 569 00:22:34,500 --> 00:22:35,933 OH, THAT'S ENOUGH OF THIS. 570 00:22:35,933 --> 00:22:37,333 I'M STOPPING THIS. NO, NO, NO, NO. 571 00:22:37,333 --> 00:22:40,566 MS. GRACE, MS. GRACE, WITH ALL DUE RESPECT, 572 00:22:40,566 --> 00:22:43,300 THEY EITHER FIGHT IT OUT HERE ON THE FIELD 573 00:22:43,300 --> 00:22:45,833 OR IN THE STREET. 574 00:22:53,566 --> 00:22:56,633 SO 7 US. YOU'RE MAKING THIS EASY. 575 00:22:56,633 --> 00:22:57,933 OH, SO NOW YOU'RE GONNA GUARD ME, HUH? 576 00:22:57,933 --> 00:22:59,866 WHY NOT? I ALREADY TOOK YOUR SPOT. 577 00:22:59,866 --> 00:23:01,333 YOU AIN'T NEVER GONNA BE ME. 578 00:23:01,333 --> 00:23:02,533 JORDAN: DOWN, SET, HUT! 579 00:23:02,533 --> 00:23:04,100 ♪ EVERYBODY WANNA BE LIKE US ♪ 580 00:23:04,100 --> 00:23:06,966 ♪ WE DON'T STOP 'CAUSE THE TOP JUST AIN'T ENOUGH, HUH ♪ 581 00:23:06,966 --> 00:23:09,133 ♪ I AIN'T NEVER GAVE NO ..., I AIN'T SCARED, MAN ♪ 582 00:23:09,133 --> 00:23:11,000 ♪ YOU KNOW BLACK MEN DON'T BLUSH, HUH ♪ 583 00:23:11,000 --> 00:23:12,566 ♪ CAME HERE READY TO FIGHT ♪ 584 00:23:12,566 --> 00:23:13,900 ♪ ON THIS NIGHT YOU BETTER JUST ♪ 585 00:23:13,900 --> 00:23:16,400 ♪ RUN FOR YOUR LIFE ♪ 586 00:23:16,400 --> 00:23:18,900 7-7. 587 00:23:27,000 --> 00:23:28,500 JORDAN: WE'RE DOWN 7-14. 588 00:23:28,500 --> 00:23:30,500 YOU'RE GONNA LOSE THAT RING UNLESS YOU USE THE TEAM. 589 00:23:30,500 --> 00:23:31,700 LET SOMEONE ELSE PLAY DEFENSE. 590 00:23:31,700 --> 00:23:33,133 I GOT THIS. I KNOW THEIR PLAYS. 591 00:23:33,133 --> 00:23:35,500 MAN, DIDN'T WE JUST GO THROUGH THIS LAST WEEK? 592 00:23:35,500 --> 00:23:36,766 THE TEAM-- THIS AIN'T ABOUT Y'ALL. 593 00:23:36,766 --> 00:23:39,900 IT'S ABOUT ME AND THEM. I GOT THIS. 594 00:24:00,433 --> 00:24:02,666 [BACKGROUND SOUNDS FADE] 595 00:24:18,333 --> 00:24:19,800 [GRUNTS] 596 00:24:21,300 --> 00:24:23,400 [CHEERING] 597 00:24:25,700 --> 00:24:27,166 MAN: HEY, WHAT Y'ALL DOING? 598 00:24:27,166 --> 00:24:28,800 LET'S GO! LET'S GO. COME ON. 599 00:24:28,800 --> 00:24:30,833 WHAT DO Y'ALL THINK YOU'RE DOING? 600 00:24:33,400 --> 00:24:35,133 LET'S CUT THE FIELD LIGHTS. 601 00:24:35,133 --> 00:24:36,433 I GOT IT. 602 00:24:36,433 --> 00:24:40,366 GUARD: CHRIS, SPENCER. 603 00:24:40,366 --> 00:24:43,800 COME ON, MAN, Y'ALL KNOW BETTER THAN THIS. 604 00:24:43,800 --> 00:24:46,266 DON'T MAKE ME CALL THE COPS ON Y'ALL. 605 00:24:46,266 --> 00:24:50,400 LOOK, MAN... 606 00:24:50,400 --> 00:24:52,766 LET'S JUST END THIS, OK? 607 00:24:52,766 --> 00:24:55,133 WE'RE FAMILY. 608 00:25:00,433 --> 00:25:02,600 YOU'RE A JOKE, MAN. 609 00:25:02,600 --> 00:25:05,166 YOU'RE A JOKE. 610 00:25:09,200 --> 00:25:12,766 ANICA: ♪ YOU SAY THAT YOU'RE SCARED ♪ 611 00:25:12,766 --> 00:25:16,633 ♪ OF WHAT YOU SEE ♪ 612 00:25:16,633 --> 00:25:23,333 ♪ YOU SAY THAT I'VE TORN YOUR HEART IN TWO... ♪ 613 00:25:23,333 --> 00:25:25,866 STALKER MUCH? 614 00:25:25,866 --> 00:25:27,266 IF YOU DON'T WANT PEOPLE KNOWING WHERE YOU ARE, 615 00:25:27,266 --> 00:25:30,366 MAYBE STOP INSTA-STORYING YOUR AVOCADO TOAST. 616 00:25:31,566 --> 00:25:34,833 ♪ THEN WHY AREN'T YOU... ♪ 617 00:25:34,833 --> 00:25:36,933 SO I COULD START BY LISTING A HUNDRED REASONS 618 00:25:36,933 --> 00:25:39,966 WHY I'VE BEEN SO CAUGHT UP IN MY OWN DRAMA, 619 00:25:39,966 --> 00:25:42,466 OR WE CAN JUST JUMP RIGHT TO THE PART 620 00:25:42,466 --> 00:25:44,900 WHERE I'M AN IDIOT. 621 00:25:44,900 --> 00:25:47,300 IT TOOK ME A MINUTE TO REMEMBER 622 00:25:47,300 --> 00:25:50,766 THIS WEEKEND'S THE SECOND ANNIVERSARY OF YOUR MOM'S PASSING. 623 00:25:50,766 --> 00:25:53,566 I'M REALLY SORRY. 624 00:25:53,566 --> 00:25:55,566 I FEEL TERRIBLE. 625 00:25:55,566 --> 00:25:58,366 AND OF COURSE I REMEMBER US COMMEMORATING HER AT ELEVATION PARK. AND-- 626 00:25:58,366 --> 00:26:00,500 I'M REALLY GLAD YOU REMEMBERED, 627 00:26:00,500 --> 00:26:03,300 BUT I DON'T NEED YOUR PITY. 628 00:26:04,366 --> 00:26:06,533 I'M FINE, SO YOU'RE OFF THE HOOK. 629 00:26:06,533 --> 00:26:12,866 ♪ LET MY TIRED MIND WANDER FREE... ♪ 630 00:26:12,866 --> 00:26:16,033 SO WHY HAVEN'T I SEEN YOU WITH ANY GIRLS IN SCHOOL BEFORE? 631 00:26:16,033 --> 00:26:19,633 BECAUSE I'VE NEVER FELT THE NEED TO PUT MY BUSINESS OUT THERE, THAT'S WHY. 632 00:26:19,633 --> 00:26:24,600 OK. OK, SO WHEN'S THE FIRST TIME YOU SAID THE WORDS, 633 00:26:24,600 --> 00:26:26,166 "I'M GAY," LIKE OUT LOUD? 634 00:26:26,166 --> 00:26:28,700 I NEVER HAD TO SAY IT. I JUST AM. 635 00:26:28,700 --> 00:26:30,533 YOU NEVER SAID THE WORDS? 636 00:26:30,533 --> 00:26:32,366 NO, IT'S JUST A WORD. 637 00:26:32,366 --> 00:26:34,933 I MEAN, IT'S OBVIOUS I LIKE GIRLS. 638 00:26:34,933 --> 00:26:36,866 I'M NOT HIDING FROM IT. 639 00:26:36,866 --> 00:26:39,500 I'M NOT TRYING TO HIDE IT. [CHUCKLES] 640 00:26:39,500 --> 00:26:41,600 I MEAN, I LIKE YOU. 641 00:26:41,600 --> 00:26:42,800 YEAH? 642 00:26:42,800 --> 00:26:44,333 YEAH. 643 00:26:44,333 --> 00:26:45,900 I DON'T KNOW, SOMETHING TELLS ME 644 00:26:45,900 --> 00:26:47,733 YOU'RE FULL OF SURPRISES, THOUGH. 645 00:26:47,733 --> 00:26:49,333 [CHUCKLES] 646 00:26:49,333 --> 00:26:52,333 WHAT, YOU GOT PLANS OR DOWN TO HANG? 647 00:26:52,333 --> 00:26:55,600 I MEAN, IT'S COOL. YOU CAN COME INSIDE, CHILL, KICK IT. 648 00:26:55,600 --> 00:26:58,066 WHATEVER. 649 00:26:58,066 --> 00:27:01,833 YEAH. YEAH, I'M DEFINITELY DOWN TO HANG. 650 00:27:01,833 --> 00:27:03,633 OR WHATEVER. 651 00:27:03,633 --> 00:27:05,866 HA HA HA HA! 652 00:27:06,933 --> 00:27:11,866 ♪ AHH, AHH ♪ 653 00:27:13,333 --> 00:27:16,733 LISTEN, MAN, I KNOW THINGS GOT A LITTLE INTENSE BACK THERE, 654 00:27:16,733 --> 00:27:19,366 BUT ON THE PLUS SIDE, YOUR TEAM SHOWED UP FOR YOU. 655 00:27:19,366 --> 00:27:21,600 EVEN WITH ALL OF OUR INTERNAL BS, THEY SHOWED UP. 656 00:27:21,600 --> 00:27:22,800 THAT HAS TO FEEL GOOD. 657 00:27:22,800 --> 00:27:24,033 THEY SHOWED UP FOR YOU 658 00:27:24,033 --> 00:27:25,233 AND TO STICK IT TO SOUTH CRENSHAW. 659 00:27:25,233 --> 00:27:27,233 ISN'T THAT WHAT YOU WERE DOING? 660 00:27:27,233 --> 00:27:28,933 ONLY BECAUSE YOU PUT US IN THAT SITUATION. 661 00:27:28,933 --> 00:27:30,533 WE SHOULD HAVE NEVER PLAYED THAT GAME. 662 00:27:30,533 --> 00:27:34,300 NOW MY OLD TEAMMATES WON'T EVEN TALK TO ME. 663 00:27:34,300 --> 00:27:36,666 WHY YOU HAVE TO COME HERE, MAN? 664 00:27:36,666 --> 00:27:38,033 SO LET ME GET THIS STRAIGHT. 665 00:27:38,033 --> 00:27:41,000 I SHOWED UP IN YOUR WORLD AND BLEW EVERYTHING UP? 666 00:27:41,000 --> 00:27:43,666 SOUNDS FAMILIAR, DOESN'T IT? 667 00:27:43,666 --> 00:27:46,233 [SIREN BLEATS] 668 00:27:47,566 --> 00:27:48,766 WHAT THE HELL? 669 00:27:48,766 --> 00:27:52,000 [POLICE RADIO CHATTER] 670 00:27:59,033 --> 00:28:00,833 IS THERE A PROBLEM, OFFICER? 671 00:28:00,833 --> 00:28:02,500 LICENSE AND REGISTRATION, PLEASE? 672 00:28:02,500 --> 00:28:05,066 WHY? I WASN'T SPEEDING OR ANYTHING. 673 00:28:05,066 --> 00:28:07,033 YOU MADE AN ILLEGAL TURN AT A RED LIGHT. 674 00:28:07,033 --> 00:28:08,700 LICENSE AND REGISTRATION. 675 00:28:08,700 --> 00:28:10,466 WHAT? HOW FAR BACK? WHAT TURN? 676 00:28:10,466 --> 00:28:14,533 WHAT ARE YOU DOING, MAN? JUST GIVE HIM WHAT HE ASKED FOR. 677 00:28:21,000 --> 00:28:22,700 WHAT ARE YOU BOYS DOING IN THIS NEIGHBORHOOD? 678 00:28:22,700 --> 00:28:24,133 ARE YOU SERIOUS RIGHT NOW? 679 00:28:24,133 --> 00:28:25,733 WE'VE DONE NOTHING WRONG, MAN. 680 00:28:25,733 --> 00:28:26,933 JORDAN. 681 00:28:26,933 --> 00:28:28,133 THIS IS HARASSMENT. 682 00:28:28,133 --> 00:28:29,333 OK, MY MOM IS A LAWYER. 683 00:28:29,333 --> 00:28:30,766 STEP OUT OF THE CAR, PLEASE. 684 00:28:30,766 --> 00:28:31,966 WHAT? 685 00:28:31,966 --> 00:28:33,200 I NEED YOU TO STOP RESISTING 686 00:28:33,200 --> 00:28:35,500 AND GET OUT OF THE CAR NOW. 687 00:28:35,500 --> 00:28:36,700 OK. 688 00:28:36,700 --> 00:28:39,100 I KNOW MY RIGHTS, OK? 689 00:28:39,100 --> 00:28:41,733 STAND TO THE SIDE, PLEASE. 690 00:28:41,733 --> 00:28:43,433 JORDAN: I CANNOT BELIEVE THIS. 691 00:28:43,433 --> 00:28:45,666 YOU JUST WAIT UNTIL MY MOM GETS A LOAD OF YOU, BIG MAN. 692 00:28:45,666 --> 00:28:47,600 I'M GONNA CALL MY MOM-- 693 00:28:47,600 --> 00:28:49,266 OFFICER: YOU DO WHAT I TELL YOU TO DO. 694 00:28:49,266 --> 00:28:50,933 I DON'T GIVE A DAMN WHO YOUR MOM IS. 695 00:28:50,933 --> 00:28:54,033 SPENCER: OFFICER, SIR. OFFICER. 696 00:28:54,033 --> 00:28:55,266 OFFICER: GET OUT OF THE CAR. 697 00:28:55,266 --> 00:28:56,666 I'M SHOWING YOU MY HANDS, ALL RIGHT? 698 00:28:56,666 --> 00:28:58,400 I'M UNARMED. 699 00:28:58,400 --> 00:29:01,000 HEY, LOOK, RESTRAINING HIM AIN'T NECESSARY, OK? 700 00:29:01,000 --> 00:29:03,000 WE'RE COOPERATING. HEY, CHILL. CHILL, MAN. 701 00:29:03,000 --> 00:29:05,033 STOP RESISTING. 702 00:29:05,033 --> 00:29:07,566 DIDN'T I ARREST YOU ONCE? 703 00:29:07,566 --> 00:29:08,566 [HANDCUFFS CLICK] 704 00:29:08,566 --> 00:29:11,100 HEY, JUST KEEP LOOKING AT ME, ALL RIGHT? 705 00:29:11,100 --> 00:29:13,266 JUST KEEP LOOKING AT ME. 706 00:29:15,866 --> 00:29:18,633 I HAVE OFFICER TRISHELL'S BADGE NUMBER ALREADY. 707 00:29:18,633 --> 00:29:21,466 I WANT TO SPEAK TO HIS SUPERVISING OFFICER. 708 00:29:21,466 --> 00:29:22,933 WELL, HE CAN TALK TO ME NOW OR HE CAN FACE ME 709 00:29:22,933 --> 00:29:25,100 IN THE MORNING WHEN I FILE A LAWSUIT 710 00:29:25,100 --> 00:29:27,100 AGAINST HIS ENTIRE DEPARTMENT. 711 00:29:27,100 --> 00:29:29,466 ARE YOU GUYS OK? 712 00:29:32,433 --> 00:29:35,200 JORDAN: HOW COULD YOU NOT GO OFF ON THAT COP? 713 00:29:35,200 --> 00:29:37,133 WHY DIDN'T YOU HAVE MY BACK? 714 00:29:37,133 --> 00:29:39,133 I HAD YOUR BACK. 715 00:29:39,133 --> 00:29:41,866 I GOT YOU HOME. 716 00:29:43,866 --> 00:29:46,933 WHY WOULD YOU EVEN ARGUE WITH A COP IN THE FIRST PLACE? 717 00:29:46,933 --> 00:29:49,600 WHY WOULD YOU PUT YOURSELF IN THAT KIND OF DANGER? 718 00:29:49,600 --> 00:29:51,666 I DID WHAT I WAS TAUGHT. 719 00:29:51,666 --> 00:29:55,066 I WAS STANDING UP FOR MYSELF, OK, DAD? 720 00:29:58,066 --> 00:29:59,833 I'LL CHECK ON HIM. 721 00:30:07,633 --> 00:30:09,133 YO, CAN I ASK YOU SOMETHING? 722 00:30:09,133 --> 00:30:10,333 MM-HMM. 723 00:30:10,333 --> 00:30:11,600 WHY YOU AIN'T NEVER TALKED TO JORDAN 724 00:30:11,600 --> 00:30:13,333 ABOUT DEALING WITH THE POLICE? 725 00:30:13,333 --> 00:30:16,500 BY THE TIME I WAS 8, MY MOMS MADE IT CLEAR. 726 00:30:16,500 --> 00:30:19,500 COPS LIKE THAT, THEY SEE MY BLACKNESS AS A WEAPON, 727 00:30:19,500 --> 00:30:22,233 YOU KNOW, SO YOU TALK SLOW, 728 00:30:22,233 --> 00:30:26,033 YOU DO AS THEY ASK, YOU KEEP YOUR HANDS VISIBLE, 729 00:30:26,033 --> 00:30:27,666 AND YOU NEVER RUN. 730 00:30:27,666 --> 00:30:31,566 HOW COME YOU AIN'T TELL HIM THAT? 731 00:30:31,566 --> 00:30:35,066 I GUESS I THOUGHT I HAD TIME. 732 00:30:35,066 --> 00:30:38,333 I FOUGHT SO HARD TO GET UP OUT THE 'HOOD. 733 00:30:38,333 --> 00:30:42,500 I HONESTLY THOUGHT THAT WITH ALL THIS... 734 00:30:42,500 --> 00:30:46,600 I HONESTLY THOUGHT THAT I HAD BOUGHT JORDAN 735 00:30:46,600 --> 00:30:49,266 JUST A LITTLE BIT MORE TIME BEFORE... 736 00:30:49,266 --> 00:30:52,300 HE HAD TO FACE THE... 737 00:30:52,300 --> 00:30:56,633 THE UGLY SIDE OF BEING A BLACK MAN IN AMERICA. 738 00:30:59,433 --> 00:31:02,100 CAN'T NOBODY SHELTER HIS SON FROM IT. 739 00:31:03,233 --> 00:31:05,133 MM-MMM. 740 00:31:06,400 --> 00:31:08,500 [KEYBOARD PLAYING] 741 00:31:08,500 --> 00:31:11,900 [INSECTS CHIRPING] 742 00:31:21,266 --> 00:31:24,466 UM, WHY ARE YOU WASTING YOUR TIME 743 00:31:24,466 --> 00:31:26,800 IN THESE MESSY-ASS HALLWAYS OF SOUTH CRENSHAW 744 00:31:26,800 --> 00:31:28,733 WHEN YOU COULD BE, I DON'T KNOW, 745 00:31:28,733 --> 00:31:31,533 GIVING DRAKE A RUN FOR HIS MONEY? 746 00:31:31,533 --> 00:31:33,566 IT'S WHATEVER. I DON'T KNOW. 747 00:31:33,566 --> 00:31:35,033 ARE YOU BLUSHING? 748 00:31:35,033 --> 00:31:36,966 WHAT, IS THE TAMIA COOPER BLUSHING RIGHT NOW? 749 00:31:36,966 --> 00:31:39,900 YOU TRIPPIN', GIRL. YOU KNOW BLACK PEOPLE DON'T BLUSH. 750 00:31:39,900 --> 00:31:43,600 SO, JUST BECAUSE YOU CAN'T SEE IT DOESN'T MEAN IT'S NOT HAPPENING. 751 00:31:46,233 --> 00:31:48,200 MM-HMM. 752 00:31:48,200 --> 00:31:50,433 DEFINITELY WARM. 753 00:31:50,433 --> 00:31:52,800 DEFINITELY BLUSHING. 754 00:31:58,533 --> 00:32:00,266 CLASSIK: ♪ ARE YOU MINE? ♪ 755 00:32:00,266 --> 00:32:03,466 ♪ 'CAUSE I DON'T WANT TO WASTE NO TIME ♪ 756 00:32:03,466 --> 00:32:04,700 ♪ I CAN'T DENY ♪ 757 00:32:04,700 --> 00:32:06,333 ♪ I'LL SHOW YOU LOVE ♪ 758 00:32:06,333 --> 00:32:09,266 ♪ BUT IT SEEMS TO ME THAT YOU DON'T MIND ♪ 759 00:32:09,266 --> 00:32:10,700 ♪ AFTER ALL THIS TIME... ♪ 760 00:32:10,700 --> 00:32:12,400 SO ARE YOU GONNA PLAY ME ANOTHER SONG? 761 00:32:12,400 --> 00:32:15,266 ♪ BUT IT SEEMS TO ME THAT YOU DON'T MIND... ♪ 762 00:32:15,266 --> 00:32:17,400 HELL, YEAH. 763 00:32:17,400 --> 00:32:18,600 ♪ I AM YOURS ♪ 764 00:32:18,600 --> 00:32:22,000 ♪ LEAD THE WAY LIKE MARTIANS ♪ 765 00:32:22,000 --> 00:32:23,466 ♪ LET'S CHANGE THE GAME ♪ 766 00:32:23,466 --> 00:32:24,666 ♪ I AM YOURS ♪ 767 00:32:24,666 --> 00:32:28,200 ♪ THROUGH RAIN AND SNOW ♪ 768 00:32:30,633 --> 00:32:33,600 [DOOR CLOSES] 769 00:32:33,600 --> 00:32:35,300 [WHISPERING] PATIENCE, COME ON. 770 00:32:35,300 --> 00:32:36,633 YOU GOT TO GET UP. WAKE UP. 771 00:32:36,633 --> 00:32:38,033 OK, JUST GIVE ME ONE SECOND. 772 00:32:38,033 --> 00:32:40,100 NO, YOU DON'T HAVE A SECOND. 773 00:32:43,233 --> 00:32:45,933 OH, HEY, PATIENCE. 774 00:32:45,933 --> 00:32:47,266 HI. 775 00:32:47,266 --> 00:32:48,466 MAYBE YOU SHOULD GET HOME 776 00:32:48,466 --> 00:32:49,933 BEFORE YOUR MOM GETS WORRIED. 777 00:32:49,933 --> 00:32:51,200 YES, MA'AM. 778 00:32:51,200 --> 00:32:52,300 GOOD MORNING, TAMIA. 779 00:32:52,300 --> 00:32:53,900 BREAKFAST IN 10. 780 00:32:53,900 --> 00:32:55,233 OK. 781 00:32:58,300 --> 00:33:00,533 [LAUGHS] 782 00:33:02,200 --> 00:33:06,200 SO YOU WANT TO TELL ME WHY YOU HAD ME CALL EVERYONE HERE? 783 00:33:09,166 --> 00:33:11,066 LOOK, MAN, I'M SORRY ABOUT YESTERDAY. 784 00:33:11,066 --> 00:33:13,066 IT'S KIND OF MESSED UP IT TOOK BEING FACE DOWN 785 00:33:13,066 --> 00:33:15,866 WITH YOU IN THE CONCRETE TO REALIZE... 786 00:33:15,866 --> 00:33:17,600 WE AIN'T ALL THAT DIFFERENT. 787 00:33:17,600 --> 00:33:18,866 AND I PROBABLY WOULD HAVE REALIZED THAT SOONER 788 00:33:18,866 --> 00:33:20,533 IF I HADN'T BEEN PUSHING Y'ALL AWAY. 789 00:33:20,533 --> 00:33:23,966 ASHER: WHAT'S WITH THE IMPROMPTU MEET-UP? 790 00:33:23,966 --> 00:33:26,600 SPENCER'S GOT SOMETHING TO SAY. 791 00:33:26,600 --> 00:33:27,933 HEY, THANK Y'ALL FOR SHOWING UP. 792 00:33:27,933 --> 00:33:29,433 AND I DON'T MEAN JUST THIS MORNING, 793 00:33:29,433 --> 00:33:30,866 I MEAN YESTERDAY, TOO. 794 00:33:30,866 --> 00:33:32,866 HEY, YO, MY LAST TEAM, WE WERE LIKE A FAMILY, 795 00:33:32,866 --> 00:33:35,333 AND I JUST ASSUMED Y'ALL WEREN'T DRIVEN BY THAT SAME BOND, 796 00:33:35,333 --> 00:33:36,666 AND THAT'S MY BAD. 797 00:33:36,666 --> 00:33:38,166 BUT Y'ALL TURNING UP FOR ME YESTERDAY 798 00:33:38,166 --> 00:33:39,666 SHOWED ME WHAT KIND OF TEAM Y'ALL REALLY ARE, 799 00:33:39,666 --> 00:33:41,033 AND I WANT IN ON THAT. 800 00:33:41,033 --> 00:33:43,400 CRENSHAW WILL ALWAYS BE A PART OF WHO I AM, 801 00:33:43,400 --> 00:33:44,866 BUT BEING A BEVERLY EAGLE, 802 00:33:44,866 --> 00:33:47,366 THAT'S A PART OF WHO I'M BECOMING. 803 00:33:47,366 --> 00:33:49,500 AND LOOK, MAN, I KNOW I LOST LAST WEEK'S GAME. 804 00:33:49,500 --> 00:33:52,633 NO, YOU DIDN'T. I THREW INTERCEPTION THIRD QUARTER. 805 00:33:52,633 --> 00:33:54,733 YOU DIDN'T LOSE THAT GAME ALONE. 806 00:33:54,733 --> 00:33:56,733 MISSED TACKLE, SECOND QUARTER. 807 00:33:56,733 --> 00:33:59,700 PASS INTERFERENCE, FOURTH QUARTER. 808 00:33:59,700 --> 00:34:02,600 CLOUDED JUDGMENT. 809 00:34:02,600 --> 00:34:05,033 UNNECESSARY ROUGHNESS. 810 00:34:05,033 --> 00:34:06,600 YOU DIDN'T EVEN PLAY LAST WEEK. 811 00:34:06,600 --> 00:34:08,200 THAT'S WHAT KEPT ME FROM PLAYING. 812 00:34:08,200 --> 00:34:12,866 I LOST US THE GAME BEFORE YOU EVEN STEPPED ON THE FIELD. 813 00:34:14,533 --> 00:34:16,233 ALL RIGHT, LET'S BREAK IT DOWN, BOYS. 814 00:34:16,233 --> 00:34:18,666 GET IN HERE. 815 00:34:19,666 --> 00:34:22,133 EAGLES ON THREE. 1, 2, 3. 816 00:34:22,133 --> 00:34:23,500 ALL: EAGLES! 817 00:34:23,500 --> 00:34:25,900 JORDAN: ALL RIGHT. 818 00:34:34,066 --> 00:34:37,133 COOP: NO, SERIOUSLY, DILLON BEAT HIM AT DOMINOES AGAIN. 819 00:34:37,133 --> 00:34:39,300 YOU SHOULD HAVE SEEN MR. ROUNDTREE'S FACE. I THOUGHT HE WAS GONNA-- 820 00:34:39,300 --> 00:34:44,133 I DON'T WANT YOU HANGING AROUND THAT PATIENCE GIRL ANYMORE. 821 00:34:44,133 --> 00:34:46,566 THERE'S BEEN RUMBLINGS IN THE CHURCH. 822 00:34:46,566 --> 00:34:48,966 SHE'S TROUBLE. 823 00:34:53,433 --> 00:34:56,400 SO... 824 00:34:56,400 --> 00:35:00,233 YOU THINK PATIENCE IS TROUBLE BECAUSE SHE'S GAY? 825 00:35:00,233 --> 00:35:05,333 BECAUSE THAT WOULD MAKE ME TROUBLE SINCE... 826 00:35:08,766 --> 00:35:10,966 SINCE I'M GAY, TOO. 827 00:35:12,366 --> 00:35:13,700 YOU'RE NOT GAY. 828 00:35:13,700 --> 00:35:15,166 YOU'RE CONFUSED. 829 00:35:15,166 --> 00:35:19,100 AND IT'S GIRLS LIKE PATIENCE THAT ARE CONFUSING YOU. 830 00:35:24,666 --> 00:35:30,233 MOM, LOOK AT ME, PLEASE. 831 00:35:30,233 --> 00:35:33,733 I AM GAY. 832 00:35:33,733 --> 00:35:37,400 AND THERE IS NO AMOUNT OF PRAYER THAT'S GONNA CHANGE THAT. 833 00:35:37,400 --> 00:35:39,866 TRUST ME, I'VE TRIED. 834 00:35:41,633 --> 00:35:44,600 I LOVE YOU, TAMIA. 835 00:35:44,600 --> 00:35:49,000 YOUR FATHER AND I WORKED HARD TO RAISE YOU RIGHT. 836 00:35:50,933 --> 00:35:55,933 BUT I'M SORRY. I... I CAN'T CONDONE THIS. 837 00:35:58,033 --> 00:36:01,033 SO IF YOU CANNOT ABIDE BY OUR RULES, 838 00:36:01,033 --> 00:36:04,266 YOU CANNOT LIVE IN THIS HOUSE. 839 00:36:14,433 --> 00:36:19,433 WELL, THEN I GUESS... I DON'T LIVE HERE ANYMORE. 840 00:36:30,533 --> 00:36:32,866 [DOOR CLOSES] 841 00:36:35,966 --> 00:36:38,100 [INDISTINCT CHATTER] 842 00:36:39,400 --> 00:36:41,100 HEY, WHAT UP? 843 00:36:44,666 --> 00:36:46,400 I THOUGHT I MADE MYSELF CLEAR 844 00:36:46,400 --> 00:36:48,133 THAT YOU AIN'T WELCOME HERE NO MORE. 845 00:36:48,133 --> 00:36:52,333 YOUR BOY, CAMERON, HE QUICK ON HIS FEET, 846 00:36:52,333 --> 00:36:55,233 BUT HE TELEGRAPHS WHERE HE GONNA GO WITH HIS EYES. 847 00:36:55,233 --> 00:36:56,333 EVERY PLAY. 848 00:36:56,333 --> 00:36:58,066 YOU GET HIM TO STOP DOING THAT, 849 00:36:58,066 --> 00:37:00,533 YOU GOT A STRAIGHT LINE TO THE PLAYOFFS. 850 00:37:02,466 --> 00:37:04,566 HEY, YO. 851 00:37:04,566 --> 00:37:07,033 WHY YOU HELPING US? 852 00:37:08,800 --> 00:37:10,966 'CAUSE NO MATTER WHAT YOU SAY, 853 00:37:10,966 --> 00:37:13,100 THIS IS MY COMMUNITY, 854 00:37:13,100 --> 00:37:17,300 THIS IS MY FAMILY, AND THIS IS WHO I AM. 855 00:37:17,300 --> 00:37:20,866 ME PLAYING FOR BEVERLY AIN'T GONNA CHANGE THAT. 856 00:37:20,866 --> 00:37:25,300 FAMILY, WE HELP EACH OTHER, RIGHT? 857 00:37:25,300 --> 00:37:29,133 PLUS, I WANT TO PLAY THE BEST VERSION OF Y'ALL IN THE PLAYOFFS. 858 00:37:33,766 --> 00:37:35,666 BAKER: JORDAN, I NEED FOR YOU TO KNOW 859 00:37:35,666 --> 00:37:39,700 THAT NONE OF WHAT HAPPENED YESTERDAY IS YOUR FAULT. 860 00:37:39,700 --> 00:37:41,533 YESTERDAY YOU SAID-- 861 00:37:41,533 --> 00:37:43,000 I KNOW WHAT I SAID. 862 00:37:43,000 --> 00:37:46,500 UM, I WAS SCARED. I WAS ANGRY, 863 00:37:46,500 --> 00:37:47,700 AND I WAS WRONG. 864 00:37:47,700 --> 00:37:49,200 YOUR MOTHER AND I, WE SHOULD HAVE HAD 865 00:37:49,200 --> 00:37:51,366 A TALK WITH YOU A LONG TIME AGO 866 00:37:51,366 --> 00:37:54,366 ABOUT THE REALITY OF FACING THE POLICE, 867 00:37:54,366 --> 00:37:57,633 AND THAT'S ON ME. THAT'S MY BAD. 868 00:37:57,633 --> 00:37:58,900 SEE, I'M GONNA FIX THAT TODAY, 869 00:37:58,900 --> 00:38:01,466 BECAUSE THE MOST IMPORTANT THING TO US 870 00:38:01,466 --> 00:38:05,033 IS KEEPING YOU AND YOUR SISTER ALIVE. 871 00:38:07,633 --> 00:38:09,266 IF I LOOKED LIKE SPENCER, 872 00:38:09,266 --> 00:38:11,900 WOULD YOU HAVE HAD THE TALK WITH ME EARLIER? 873 00:38:13,466 --> 00:38:15,066 PROBABLY. 874 00:38:15,066 --> 00:38:18,100 YEAH, I--I THINK I WOULD. 875 00:38:18,100 --> 00:38:20,233 WHY HAVE YOU NEVER TAKEN ME TO CRENSHAW, DAD? 876 00:38:20,233 --> 00:38:22,433 WE LIVE 30 MINUTES AWAY FROM WHERE YOU GREW UP, 877 00:38:22,433 --> 00:38:26,766 AND THE FIRST TIME I SPENT ANY REAL TIME THERE WAS YESTERDAY. 878 00:38:26,766 --> 00:38:28,366 ARE YOU ASHAMED OF ME? IS THAT IT? 879 00:38:28,366 --> 00:38:32,066 JORDAN, OF COURSE I'M NOT ASHAMED OF YOU. I LOVE YOU. 880 00:38:32,066 --> 00:38:34,800 NOW, I DON'T SPEND TIME IN CRENSHAW, BUT THAT-- 881 00:38:34,800 --> 00:38:36,800 THAT HAS MORE TO DO WITH--WITH MY PAST. 882 00:38:36,800 --> 00:38:38,566 BUT, YOU KNOW, YOU'RE RIGHT, 883 00:38:38,566 --> 00:38:41,666 I SHOULDN'T KEEP YOU SEPARATED FROM ANY PART 884 00:38:41,666 --> 00:38:43,900 OF WHO YOU ARE. 885 00:38:43,900 --> 00:38:47,466 AND I HAVE AN IDEA OF A GOOD PLACE TO START. 886 00:38:47,466 --> 00:38:49,700 ["COLD WAR" BY CAUTIOUS CLAY PLAYING] 887 00:38:49,700 --> 00:38:54,000 ♪ YELLOW-TINTED LENSES AND A PINK GELATO ♪ 888 00:38:55,733 --> 00:39:00,600 ♪ FALLING OUT THE WINDOW, HIT ME BACK TOMORROW ♪ 889 00:39:00,600 --> 00:39:06,533 ♪ WE'LL ALWAYS BE THE ONE TOUGH ACT TO FOLLOW ♪ 890 00:39:08,300 --> 00:39:12,600 ♪ 'CAUSE WE AIMING FOR THE STARS WITH A POINT AND HOLLOW ♪ 891 00:39:14,500 --> 00:39:19,933 ♪ FEELING THESE SONGS, MOCKING JOKES AND CAROLS ♪ 892 00:39:21,300 --> 00:39:26,433 ♪ STARTED THIS JOB SELLING ROCKS AND ARROWS ♪ 893 00:39:26,433 --> 00:39:29,566 ♪ 'CAUSE THEY ONLY SWIPE RIGHT IF YOU ... FOR FOLLOWS ♪ 894 00:39:29,566 --> 00:39:32,533 [DOORBELL RINGS] 895 00:39:32,533 --> 00:39:36,766 ♪ WELCOME TO THE DAYS OF THE BROKE AND SHALLOW... ♪ 896 00:39:36,766 --> 00:39:38,233 I DIDN'T KNOW WHERE ELSE TO GO. 897 00:39:38,233 --> 00:39:44,100 ♪ BUT IF WE JUST SPOKE LIKE WE MEANT IT ♪ 898 00:39:44,100 --> 00:39:47,233 ♪ WOULD YOU REFERENCE ♪ 899 00:39:47,233 --> 00:39:50,200 ♪ THIS OPEN PART OF ME? ♪ 900 00:39:50,200 --> 00:39:56,733 ♪ THE MINUTE I KNOW, THE TIME WE SPENT IN ♪ 901 00:39:56,733 --> 00:39:59,900 ♪ CAME CORRECTED ♪ 902 00:39:59,900 --> 00:40:03,466 ♪ IN MY ANATOMY ♪ 903 00:40:09,233 --> 00:40:11,466 MAN: HERE IT COMES. HERE IT COMES. 904 00:40:11,466 --> 00:40:13,733 AND HER GRANDDAUGHTER STRAIGHT UP TOOK ALL HER MONEY. 905 00:40:13,733 --> 00:40:14,933 I TOLD YOU. I TOLD YOU. 906 00:40:14,933 --> 00:40:16,433 HEH HEH! I TRIED TO TELL HER. 907 00:40:16,433 --> 00:40:19,366 I'M SURE YOU DID. AND THERE'S NO HELPING SOME PEOPLE. 908 00:40:19,366 --> 00:40:21,500 BARBER: HA HA! YEAH. BOY. 909 00:40:21,500 --> 00:40:23,000 THERE YOU GO, SON. 910 00:40:23,000 --> 00:40:24,333 THANKS. 911 00:40:24,333 --> 00:40:25,833 GOT HIM LOOKING SHARP. 912 00:40:25,833 --> 00:40:27,266 BARBER: LOOKING REAL GOOD. 913 00:40:27,266 --> 00:40:29,200 YEAH, IT'S GOOD TO SEE YOUR OLD MAN AGAIN. 914 00:40:29,200 --> 00:40:30,900 YEAH, IT BEEN A WHILE. 915 00:40:30,900 --> 00:40:32,400 YES, SIR. OOH-WEE. 916 00:40:32,400 --> 00:40:33,933 THAT BOY JUST LOVED GETTING IN TROUBLE. 917 00:40:33,933 --> 00:40:35,566 OK, EASY. YEAH. 918 00:40:35,566 --> 00:40:37,266 HE EVER TELL YOU THOSE STORIES? NO, SIR. 919 00:40:37,266 --> 00:40:38,966 GO ON. BAKER: HERE WE GO. 920 00:40:38,966 --> 00:40:40,966 YEAH, HE WAS THE RAW MAN BACK THEN. 921 00:40:40,966 --> 00:40:43,133 FOOTBALL PLAYER. YEAH, HE WAS SOMETHING. 922 00:40:43,133 --> 00:40:45,466 YEAH, HE WAS LIKE THE TASMANIAN DEVIL. 923 00:40:45,466 --> 00:40:47,833 BAKER: WHAT YOU LOOKING AT? HEH HEH HEH! 924 00:40:47,833 --> 00:40:51,266 AND IT WASN'T TILL HE STARTED DATING GRACE JAMES-- 925 00:40:51,266 --> 00:40:54,200 ACTUALLY, IT WAS GRACE HARPER BACK THEN. 926 00:40:54,200 --> 00:40:56,766 YEAH. ANYWAY, THAT'S WHAT FINALLY SETTLED HIM DOWN. 927 00:40:56,766 --> 00:41:00,400 MY DAD AND--MY DAD AND GRACE JAMES? OH, YEAH. 928 00:41:02,366 --> 00:41:04,000 THAT'S THEM RIGHT THERE. 929 00:41:04,000 --> 00:41:06,333 YEAH, AS INSEPARABLE AS THEY WERE ALL THROUGH HIGH SCHOOL, 930 00:41:06,333 --> 00:41:08,900 I JUST KNEW THEY WERE GONNA END UP MARRIED. 931 00:41:08,900 --> 00:41:11,200 YEAH, BUT I GUESS I WAS WAY OFF. 932 00:41:11,200 --> 00:41:13,100 FUNNY HOW THINGS HAVE A WAY OF WORKING OUT, 933 00:41:13,100 --> 00:41:15,333 HER SON LIVING WITH YOU GUYS AND ALL. 934 00:41:15,333 --> 00:41:18,566 [CHUCKLES] YEAH, THAT'S THEM. 935 00:41:18,566 --> 00:41:20,500 MM-HMM. 936 00:41:20,550 --> 00:41:25,100 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 67939

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