All language subtitles for T.O.B.G.S01E06.1080p.WEB.h264-ETHEL_track3_[eng]

NELLA:
Previously, on The Other Black Girl...

OWEN:
You shouldn't even be at work at all.

You're bein' followed.

NELLA:
Jesse Watson canceled Wagner?

If you were thinking of other people,

you wouldn't have buried
the sensitivity read.

- Vera? I need to ask you
to collect your things and go.

Nella, you will be running point
on this as assistant editor.

MALAIKA:
I really don't get good vibes from her.

- Her name isn't Hazel. It's Eva.

HAZEL:
I genuinely feel sorry for anyone

who was unfortunate enough...
- Hey!

HAZEL:
...to be in our way.

♪ tense music playing ♪

[Nella sighs]

- Where have you been?
- We've been worried sick.

- Y-You went to see that
stalker woman, didn't you?

And I bet you,
you didn't even bring pepper spray.

Your white boyfriend and I
taught you better than that.

- She didn't even show up.

I just sat there listening
to a very sad man

sing Lady In Red
for, like, 45 minutes.

- Wait, what?

- It was a karaoke bar.

The address.

- Well, we have got
to stop trusting strangers

who accost us on the street.

- But what if she's right
and Hazel/Eva is bad news,

like I've been sayin'?

- I mean, the reality is
that I don't know any more

about either of these women,

and I was sitting there in a karaoke bar

listening to some dentist
belt his fucking heart out,

and I was just thinking,
"What am I doing?"

Ya know? This is not my life.

This is between her and Hazel, not me.

- Okay, but, like,
you don't trust Hazel either, right?

- I don't know.
But she's still my coworker.

And I have, like,
responsibility at work now,

so I need to be stressed out
about that, and not about her.

- We all know full well
my baby is more than capable

of stressin' 'bout multiple
things at the same time.

OWEN:
Hm.

- Well, I can't just
roll up to Wagner acting weird.

- Do you want me to roll up
to Wagner acting weird?

Because I'll do it.

- No. I just need to focus

on work.

♪ soft, tense music playing ♪

[typing]

♪

[Owen snores]
[Nella gasps]

[Owen grunts]

[Nella exhales]

♪ tense music continues ♪

♪ theme music playing ♪

[ambient street noise]

[office chatter]

MAISY:
White. White. Ooh!

Everything in here white?

Like, just white. Whitewash this.

You could just break that.
Oh! Here's my new favorite color.

What?

Take what you want, leave the rest.

[knocks on door]

- Hi.

Sorry to bother you,
I just have a couple of ideas

that I would love to run past you.

- [chuckles]
First day as assistant editor,

you're already rarin' to go, I love it.

What have you got?

- Okay, so, I have
a couple of new clients

that I thought that
maybe we could sign.

- Mm-hm.
- There's Terry O'Shay.

I've been following her
for a few months,

she's an up-and-coming horror writer.

We also have Davide Rice.

He kind of does this, like,

sci-fi, political commentary mashup thing.

It's really specific,
but also super contemporary.

- What about Jesse Watson?

- I'm sorry?

- You're a big fan, aren't you?

- Huge.

- So, go get him.

- Um,

[Richard pours drink]

with all due respect,

I don't think that's gonna happen.

I mean, we maybe could've tried before,

but Jesse has been all over the news

canceling Wagner, so.

- We need someone
to call us on our bullshit.

The way you always have.

[clinks decanter]
The board has prepared

to put all of Wagner's resources

behind Diana's imprint.

Jesse can basically write his own check.

- Could I do something else?

Anything else?

I really don't think Jesse can be bought.

- Do you believe in what
we're doing here, Nella?

- What do you mean?

- The imprint.

Do you believe in the imprint?

Do you believe in Wagner Books?

- I've given everything to this job.

- It's not really a yes, though, is it?

- Yes.

It's a yes, of course.

- I know you do.

That's why I know
that you can convince him.

You have got to be this imprint's
biggest champion, Nella.

If you believe
that we can really make a difference,

it can't be that hard to make
Jesse believe, too, right?

- Right.

You're right.

- Good.

DIANA: These don't really align
with what I was envisioning.

- Yeah, no.
I-I think you're thinkin' too literal.

Um, do you have something,
I don't know, more, like, impressionistic?

[Nella typing]
Like, it should convey a feeling

as opposed to telling the actual story.

KYRA: I maybe have one.
- Yes.

Yeah, no, this, this is-- It's not--
It's too on the nose, it's too--

- Like this?
- Ah, yes.

See, now this really illustrates
Evie's, like, inner turmoil.

- Mm. I couldn't have
said it better myself.

- Yeah?
DIANA: Nella.

- Yes.

Totally.
[slight chuckle]

Sorry, do you mind just
going over that one more time?

- So sorry, I really have
to get to another appointment.

- Oh.
- Uh, well, that's okay.

Hazel and I can make the decision

since Nella's head is elsewhere.

Kyra, I'll walk you out.
[Hazel clears throat]

[whispers] Thank you.
HAZEL: Mm.

[sputter sighs]

Girl!

What was that?

- Nothing, I'm j-- I'm just--
I'm a little overwhelmed today,

um, this whole--
- Hey. Okay. Hey, hey, hey, hey, hey.

Look at me, look at me.

You deserve this, okay?

You've worked too damn hard.

I mean, what were all those
7 P.M. Red Bulls for?

- Right.

- Yeah?
- Mm-hm.

- Are you sure you're okay?
- Totally.

- Okay. Oh, Nella.

That's a jar of mayonnaise.

[laughs]

- Right. [laughs]

[quietly] Mayonnaise. Great.

♪ unsettling music playing ♪

[school bell rings]

- We'll see you tomorrow,
Arthur, all right?

And buddy, hey,
no more lizards, all right?

Miss McCormick's heart can't take it.

HAZEL:
Hi.

- Hey, Hazel.

What, what are you doin' here?

[Hazel chuckles]
How did you even remember where I work?

Your memory must be crazy.

- I mean, it is, but it's mostly good

for just rememberin' Hot Girl Meg lyrics.
[Owen chuckles]

Um, I actually came by
to ask for your help.

- Oh... Um, sure.
What-- W-What's up?

- So, I have this charity
that tutors kids.

It's called Young, Black, and Lit.

Um, we do book fairs, and poetry readings,
and field trips around the city,

and we also partner with schools--

- Mm.
- so I thought

Coppin Middle might
wanna be a part of that.

- Yeah, absolutely,
that sounds, that sounds great.

But, um, and don't
take this the wrong way,

but couldn't you have just emailed me?

- [laughs] Um, you know what?
There actually was somethin' else.

- Hm?
- [inhales] About Nella.

Have you noticed her acting weird lately?

- I mean, she's super busy.

- She just seemed a bit, like,
off... to me, just, like, distracted.

- Yeah... Well, work's
really been weighin' on her.

She usually, like, sings,
[slight chuckle] a lot in the house.

[Hazel chuckles]

She hasn't done that... in a while.

- Maybe you should check on her.

You know, make sure she's feeling okay

'cause I would really hate
for this job to swallow her up.

- Thanks for the heads up.

- Yeah, no, of course, yeah.
She's our girl.

[both chuckle]
See ya around, Owen.

JERROD:
Is that your girlfriend?

- Go home, Jerrod.

♪ unsettling music playing ♪

♪ soft, ambient music playing ♪

- How was your day?

- Good, but weird.

- That kid sneak his lizard
into class again?

- Same kid, different lizard.
- Yes.

- But also,

Hazel stopped by.

- What, like, the school?

- Yeah, she's apparently got
this charity, Young, Black, and Lit,

she wants the school to do it.

But also,

she wanted to know if I'd noticed
you actin' different lately.

- Huh.

- I think she was just tryna make sure

you're feelin' okay about work.

- So, you discussed
my mental health with my coworker

who just randomly showed up at your job?

- I-- [chuckles]

That's a very specific
and negative way to put it.

- Well, how would you put it?

- Two people talked about
how worried they are about you.

- Oh, you're worried?
I'm fine. Work is fine.

- I'm not worried, exactly, just--

Uh, why aren't you singin' anymore?

- What?

[knocks on door]

Got it.

- Hi. Package for Nella Rogers.

- Yeah, that's me.
- Okay.

- Uh, who's this from?

- No sender.

- Right, but who gave it to you?

- My boss.

NELLA:
Oh, my God!

- What?!

- This is an original fucking
manuscript of Burning Heart.

There's notes in here
from Kendra Rae and Diana.

- Where'd it come from?

- Uh, I mean,

I guess Diana gave it to me.

- She must really like you.

- I thought she wanted
to drown me in the Hudson today,

but I guess she just...
is tryna push me harder.

[slight chuckle]

- Well,

work definitely seems fine.

♪ soft, eerie music playing ♪

♪

KENDRA RAE: Don't be afraid
of Evie's anger in this moment.

DIANA [echoing]:
I hear you. Will revisit.

KENDRA RAE [echoing]:
Great changes here, D.

DIANA:
A bit worried about the ending.

[echoing] Does it feel satisfying?
Does it feel satisfying?

KENDRA RAE [echoing]:
It's perfect. It's perfect. It's perfect.

Do you think she knows yet?
Do you think she knows yet?

DIANA [echoing]:
Who? Who?

KENDRA RAE [echoing]:
Nella. Nella. Nella.

Nella!
[Nella gasps]

[subway car rattling]

[phone buzzing]
[sniffles]

♪ tense music playing ♪

MALAIKA: Hazel showin' up
at your school is not normal.

- So, what are you even showin' me?
- That Hazel's a liar.

OWEN:
I don't see Hazel anywhere.

- Control F for "Eva." Duh.
[scoff chuckles]

What're you teachin' those children?
[Owen typing]

- Not how to spy.

I don't see anything about Hazel or Eva.

W-W-What does this prove?
- That's a huge red flag.

D-- She said that this
was her organization.

Shouldn't she be front and center?

- Well, she never said she founded it.

Oh, maybe she doesn't
wanna take the credit--

You're not listening to me.

- Her Instagram only goes back one year.

Another red flag.
I hope you keepin' track. [chuckles]

- Maybe she's one of those
minimalist profile people.

- Why do you keep
tryna explain everything?

- That is how my brain works.

- All right, look, look, look.

She keeps taggin' this guy.
That must be her man.

OWEN:
Hm.

- I'm gonna go to his barber shop.

- Don't bother this poor guy.
- I'm not botherin' him,

we are.

- Should I call you Vera now?
[Diana chuckles]

- Perfect temporary office
for the imprint, right?

Until it's your office, of course.

- Diana, your support means so much to me

and to trust me with a gift like this--

- Gift?

- The original Burning Heart manuscript.

I mean, I literally couldn't
put it down, seriously.

Look at the bags under my eyes.

- Oh, yes. I thought it might
bring you some inspiration.

- It was, like, being right there
with you and Kendra Rae.

And I was thinking...
this might be the key to the rerelease.

The published ending is great, right?

Evie venturing away
from her strict upbringing,

and finding love with a Black Panther,
living happily ever after.

But the original ending...
in the manuscript,

it's so tragic,

and it's so much more dynamic.

Evie being murdered by her abusive lover.

That's terrifying, and complex,
and it speaks in a nuanced way

to the misogyny
within the Black Panther party.

Real Native Son vibes.

I think that we should include
the original ending in the rerelease.

It'll add a whole new layer
that'll pull in a new audience,

and it'll surprise your loyal readers.

- I need to think about it.

- I know, and it's scary,

but I really think, Diana, that--
- Nella, I hear you,

but this is my baby,

and I just... need a little time.

- Right.

I get it, of course.

Take all the time you need.

- You're very good at your job.

I really do need to get back to work.

- Of course.

♪ Hasta Abajo by Sr Ortegon playing ♪

- Back home.
- No way, brother.

[bell jingles]

[people chattering]
♪ Hasta Abajo playing on speakers ♪

- Should we have made a reservation?

- That's not how this works.

There he is. Manny!

My man!

[Malaika laughs]
- What's up, what's up, what's up?

I know you?

- No, just recognized
you from the website.

We here for a haircut.

- Okay, look, I'll sit you
with my boy, Reggie. He--

- No, no, no, no.
- No, we only want you, Manny.

- Okay, well, it's gonna be a minute.

- Oh, well, we'll come back.
- [mumbles] No, we can wait. [chuckles]

As long as it takes.

- Can I just say that this is
the honor of a lifetime, Mr. Watson?

- You can say whatever you want.

- [chuckles] Okay.

So, anyway, like I was saying,

we are currently working
on a rerelease of Burning Heart.

- A classic.
- Mm-hm.

As a part of Diana's new
imprint for diverse voices.

And Wagner is prepared
to put all of their resources

behind finding new talent for the imprint.

So... I mean, obviously,
I thought of you. [chuckles]

Jesse, you are the voice of a generation.

- I'm just tryin' to say the shit

that I wish somebody would've said
to me 10 years ago, you know?

- You've really helped me feel like
I wasn't completely losing my mind

these past couple of years.

Like, I wasn't the only one.

I wanna help you get
your message everywhere,

and you should know,
given Wagner's current PR situation,

you can fully name your price.

No, like, seriously,
whatever number you're thinking,

just go ahead and double it.

[chuckles]

- It's a hell of a pitch.

- So, you'll think about it?

- Oh, absolutely fuckin' not.

♪ music warps, slows to a stop ♪

- Wait, what?
- I mean,

ya know, I see what you're tryna do,
and... mad respect to Diana Gordon,

but come on,
I'm not just chasin' checks,

I have my integrity.

- No, but you could be
doing good and making checks.

Ya know, you're not chasin' them,
you're, um, running alongside them.

It's a cross-country team
of just you and a-a bunch of checks.

- Lena told me how you
DM'd me on Instagram.

And you accosted her at a party.

- Ah.
- It's cool. I'm flattered.

- [sighs] Okay.
- But

you've got so much ambition,

gotta get the fuck up outta there.

- Look, I know they're not perfect,

but... maybe this reset is
exactly the kinda moment

I need to make a real change.

- You can make real change somewhere else.

We have openings at the show.

- Um,

I really appreciate that.

But I believe in the work
that I'm doing at Wagner,

and Diana means too much to me
for me to just give up on them now.

- You set this meeting
even though you knew I would say no.

You were willing
to embarrass yourself for them.

Would they do the same for you?

How much longer
are you willing to compromise yourself

for a paycheck?

[chuckles]

Ya know... call me

when you've climbed out of it
and grown a spine.

Twenty should cover it.

♪ tense music playing ♪

♪ upbeat, percussive music
playing on speakers ♪

- [whispers] Chill.

Look, remember,
you're getting a fade,

I'm askin' the questions,
and we are dating.

- Yeah, I really wish you
would've run that one by me first.

- [whispers] Yeah, you be a'ight.

- Okay... You're next.

- Ah.

- All right, mama, what
we doin' today? Big chop?

- [laughs] No one's touchin' me.

We're here for my boyfriend.
- I just wanna get a haircut.

- [whispers] Fade, fade.
- Okay. Like a, like a fade?

- Yeah, yeah, that's what it's called.
[chuckles]

- Come on. I got you, man. All right.

There we go.

All right, mama. Gonna stand here
and watch him the whole time or what?

- [laughs] Sorry!

We are just inseparable,
me and my man.

You got someone?

Special in your life?

- Yeah, I got a lady.

We've been together for, like, a year now.

- A year? Nice.

So, you must've known her
when she was in Boston.

[clippers snag]

- Okay, I didn't say
nothin' about no Boston.

- No, she, she, she doesn't
know what she's sayin'.

[Malaika stammers]

- Um.

MANNY:
I never lived in no Boston.

Okay? My girl never lived in Boston.

Hey, you need to get the fuck outta here.
- All right, hold on, chill, bro.

We, we just tryna talk to you, that's it.
- Ah, ah, ah, ah, ah.

Who are you? Huh?
Are you that Shani chick?

- Who is Shani?

- Uh, are gonna finish? Please.

- Out. Out. Dale, brother.
- Wait, hold on, bro. Who is Shani?

- Brother, out, out. Come on.
- We're-- I'm goin', I'm goin'.

- All right, my dude, can you
just tell me who Shani is?

Does she have a last name?

What she look like?
- Mama,

you need to leave. Okay?
OWEN: Come on.

Come on, come on.
MANNY: Okay?

- Got you. I, I heard you, bro. Dang.

- What the hell was that?

- That, my loving boyfriend, was intel.
Go.

♪ tense music playing ♪

- Hi.

- Can I show you something?

- Of course.

- It's about the ending, isn't it?
Of Burning Heart?

- [sighs] I don't like to talk about it.

- But do you ever sometimes wonder
if it might hurt less if you did?

- I wrote that ending long before

I ever knew
Burning Heart would get published.

Kenny and I spent
hours talking it through.

No one could talk craft
quite like Kenny, ya know?

We thought we landed it,
but... Richard didn't.

He thought it was
too dark and too much.

- Too much for white people?

- Yeah.

Kenny was livid and so was I.

I mean... but I kept on thinking,
"What if nobody bought this book?

What if all my work was for nothing?"

And so, I convinced myself
that I was changing the ending

for all the Black writers coming after me.

But Kenny didn't see it that way.

She hated Richard for it,

and I'd be lying if I said
I wasn't still angry at him.

But then, I see what Burning Heart became

and I... I can't say
that I fully regret it.

- But isn't that why we should
publish the original ending?

We've come a long way
in the last 35 years.

- Have we?

- Black people are
allowed to be messy now.

[Diana chuckle scoffs]

Haven't you seen
any Shonda Rhimes show ever?

Okay, well, you would love Scandal
based on your coats alone,

but my point is...
we have got to stop compromising.

♪ soft, inspiring music playing ♪

[Diana sighs]

Do you know what this book
did for me when I read it?

It was the first time I saw myself.

It was the first time I realized that

maybe there is a world
outside of Connecticut

that actually held more
possibilities for me.

And the idea that
Burning Heart could get rereleased

with an ending that's even more real,

and complicated,

that would touch not just
the little Nellas of the world,

but the little Kendra Raes, too.

And I keep saying that
I believe in Wagner, but

what I really believe in is this.

[Diana sighs]

- Okay.

[chuckles]

Let's do it.
- Yeah.

[both chuckle]

[Diana exhales]

- And you're sure about this?

- It's time.

I should've never listened to you.

- Di, I'm sorry.

You know I would never
do anything to hurt you.

- From now on,
we're doing things my way.

♪ soft, ambient music playing ♪

[indistinct chatter]

[phone rings]

- What's goin' on?

- Look what happened to your man.
- Ow.

- Oh, no, did a kid do that to you?

- A Latinx barber.

- Oh, my God, just say Dominican.

- Okay, guys, I am 20 minutes
into a 30 minute lunch,

so abridged version, please.

- A'ight, bet.
We found Hazel's boyfriend.

He's a barber.

- [whispers] Why did you do that?

- 'Cause we lookin' out for you.

And sis, when we
said Boston, he flipped.

Somethin' super sus is goin' on there.

Either she lied,
or she's hidin' some former identity,

or s-some even weirder third thing.

- I don't think that it's all that,
but it was definitely strange.

I mean, somethin' happened in Boston.

- Um, what happened was
that her last scam went bad.

No, you need to call Hazel out.

Scammers don't want smoke.

She'll run away to another city,
and you will be free of her ass.

- I cannot just [whispers] accuse
her of being a scammer.

- And why not?

- 'Cause I don't know if I believe it.

I'm gonna say something.

I'm just gonna be a little less
SWAT team than the two of you

and give her a chance
to explain this whole Eva thing.

I mean, there's gotta be an explanation.

- For the record, I agree.
NELLA: Thank you.

You guys know that
she works here, right?

I can't just be takin'
these calls in the middle--

- Is that Malaika? Hi! Hi, Mal.

'Member me from the--

Oh, she hung up.
- Yeah.

- Should we call her back?

[ambient street noise]

- Hey. Hi. [chuckling] Hey.
- Hi. [chuckling]

Hi.
- Um... uh, I just--

Hi.

Could I ask you somethin' kinda crazy?

- Uh, who still buys
cookbooks and maps?

Hell if I know.
- Right?

[laughs]
- That's what I'm sayin'.

- 'Cause, yeah. [sharp inhale]
Um, no, I just, uh--

Okay, have you ever
gone by the name Eva?

♪ ominous music playing ♪

- Who told you that?

- Nobody.

One body. I mean,

uh, I-I-I-I met this guy.
Um... h-he's from Boston

and he thought that maybe
you guys worked together--

- Nella, this is serious.
I need you to be honest with me, okay?

Was it a girl?

A girl with a scar?

♪

Shit.

Please tell me you didn't--

You didn't say anything
to her about me. Pl--

Shit. Shit.
- Oh, my God, of course not.

Um,

[Hazel exhales sharply]
who, who is she?

- She's Shani... She's Shani.

I told you about her, Nella,
that coworker from Boston,

the one who hated me?

Ugh, damn it.

- [sighs] Oh, my God.

I'm-I'm so sorry, I did not connect

those two--
- Ya know, if you told me that someone

used to hate you,

and then some stranger with a scar
started asking me questions about you,

I would come to you, Nella. Damn it!

Oh, my God, she followed me here. I--

Oh, my God, what the fuck am I gonna do?
- Oh, my God.

- Oh, fuck.
- Hey, Hazel, maybe we can
go to the police?

- I already tried that!

If that worked, then I wouldn't
have had to move to a new city

and change my name.

I gotta--

I gotta get home.
I gotta, I gotta get home.

- Uh, can I walk you
to the train or something?
- You have done enough.

Thank you. I'm good.

♪ tense music playing ♪

- [sighs] Shit.

[locks click]

♪ ominous music playing ♪

- You should've left me alone.

[chains rattle]
♪ tense music plays ♪

[grunts]
[rattles chains]

SHANI:
Somebody, help! Help me!

[grunts] Let me go!

♪ Are You Even Real?
by James Blake playing ♪

- ♪ Tell me how you feel ♪
- ♪ Are you even real? ♪

- ♪ Are you even real? ♪

♪

♪ Well, maybe I should
study my reflection ♪

♪ Best to know ♪

♪ How I seem, I seem, I seem ♪

♪ I spend the day ♪

♪ Dreaming of connection ♪

♪ Just to feel ♪

♪ How you feel, you feel ♪

♪ Are you even real? ♪

♪ She said, tell me how you feel ♪

♪ Are you even real,
are you even real? ♪

♪