All language subtitles for The.Six.Million.Dollar.Man.S01E13.Run.Steve.Run.1080p.BluRay.FLAC2.0.H.264-BTN (1)_track5_[eng]

[gentle music]

We've got a development
contract with the Air Force.

Something's cooking
with the Navy, and, Steve,

we've got room for you, too.

Look, you can have
an office as big as mine,

the long lunches,
everything.

It'd be a ball working
with you, Art, but, uh--

With your image,
ex-astronaut...

Art, look, I--I can't see
myself sitting behind a desk

and wearin' a tie
and all that.

[Dr. Dolenz] From the way
he moves you'd never guess

he was bionic, would you?

[Rossi] He looks normal to me.

Normal, huh?

Mr. Rossi, those bionic limbs
of his are worth millions.

He's the reason my first robot's
in the junkyard.

Dr. Dolenz...we're paying
you to build a team of robots

that can rob Fort Knox.

Now just what does the man out
there have to do with that?

I'm not going to build
another robot

only to have him destroyed
by that man out there.

My next robot is going
to be stronger

and better than Steven Austin.

When I find the secret
of his strength,

his bionic construction,
Mr. Rossi,

I'm going to build
you bionic robots

that nothing in the world
will ever be able to stop.

[dramatic music]

Steve...are you sure
I can't talk you

into coming to work with me?

I'm sure, Art.
But thanks for asking.

- See you later.
- All right.

[gentle music]

That's perfect, Mr. Austin.

[tense music]

[device beeping]

[electricity crackling]

[intense music]

[metal screeching]

[Dr. Dolenz] The weight of
the elevator and his weight

times the distance
of the fall.

Incredible.

To stop that elevator,

he exerted a force
in his bionic arm

equal to that needed
to raise 2,420 pounds

six feet from the ground.

Why don't we just kill him?

Take him apart
and see how he works?

Because that isn't the way
science works, Mr. Rossi.

First we must have research,
observation,

to determine
his capabilities.

Then we take him apart.

[dramatic music]

[theme music]

[Man] It looks good
at NASA One.

[Man 2] Roger.

- [Man] BCS Arm switch is on.
- [Steve] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

[engine whooshing]

- [Steve] We have separation.
- [Man 2] Roger.

[Man] Inboard and
outboards are on.

I'm comin' forward
with the side stick.

- [Man 2] Looks good.
- [Man] Uh, Roger.

[Steve] I've got a blow out,
damper three.

[Man 2]
Get your pitch to zero.

[Steve] Pitch is out!
I can't hold altitude!

[Man] Correction,
Alpha Hold is off.

Turn selectors--Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up!
She's breaking--

[explosion]

[monitor beeping]

[Rudy]
Steve Austin, astronaut.

A man barely alive.

[Oscar] We can rebuild him.

We have the technology.

We can make him better
than he was.

Better, stronger, faster.

[heart pounding]

[theme music]

[tense music]

It was no accident.

So, uh,
who's trying to kill you?

Someone who knows I'm bionic.

Well, who knows that
you are bionic, Steve?

I don't know,
but I checked that elevator

and it was rigged to fall.

So what are you saying now,

Art Ramirez has something
to do with this?

Art?

Well, he asked you
to meet him at the building.

He had every opportunity
to rig the elevator.

No way.

Well, I agree with you
completely.

Steve, find me some people,
find me some clues, gimme a...

Listen, I've got some, uh,
paperwork to read here

because I'm supposed
to go into a meeting any minute

and if I don't read it I'm gonna
be in a lot of trouble.

- Huh, please?
- Okay, go ahead. Read.

[mellow music]

[Dr. Bacon] Frank,
hand me the Geiger counter

off that bench.

[Geiger counter clicking]

[tense music]

Incredible.

They really pulled it off.

- Get the ropes, Frank.
- Forget the ropes.

They'd never hold him.
Would they?

A gun, a shotgun.

That's the only way
to guard this one.

Well, do we have a shotgun?

I'm Dr. Bacon, I, uh,

think we have a mutual
acquaintance, Oscar Goldman.

Is he in Norris
by any chance?

Well, he should be by now.

Shame I won't be able
to congratulate him.

He built his cyborg
after all.

How he had to fight
the red tape.

Imagine, listen, this man has

two bionic legs, one bionic
arm, and a bionic eye,

all atomic powered.

The, uh, the eye, I suppose,

is, uh, infrared with a, uh,

10-, 12-to-one zoom?

- 20.
- 20?

[laughs]
They really went all out.

Well, how fast can you run,
uh, 35, 40?

- I've hit 60.
- 60?

How much did you cost?

- Six million.
- Si...

Goldman must be very proud.

[tense music]

What about Dr. Bacon?

Now, he knew I was bionic.

He was in that van
that exploded

when you threw that pole at it,
remember?

Y--yeah, but do we know
for sure he was in that van?

Steve.

Well, do we?

Definitely. All right?

Steve,
don't be so hard on yourself.

Your mind is over tired,
you're overworked,

you're uptight.

I think you're just imagining
that people are, well,

following you, watching you.

You need a rest,
vacation, holiday.

Why don't you just get
out of here, go somewhere?

Okay.

[Oscar] Where are you going?

I don't know. I'll let you know
when I get there.

- [Oscar] Steve--
- Look,

you just told me I was
uptight and overworked

and needed a vacation.

How do I know where I'm going?

[door closes]

[airplane rumbling]

[dramatic music]

[whirring]

[tense music]

[Alfredo] Well, Mr. Austin,
you are probably

just as curious as I am.

[Steve] Yeah, about what?

[Alfredo] About how strong
you really are.

Where would you say
the scales would tip?

Are you stronger
than two men? Three? Four?

- Well, I hate to brag.
- Of course, of course,

of course. One thing,
don't hold back.

If this is to be a contest,
a fair contest,

don't hold back on us.

- Well, don't worry, I won't.
- Thank you.

I appreciate that.

Well,
we'd better get out of here.

I'll try not to
let you down, coach.

Pierre, you're first.

[intense music]

[yelling]

[yelling]

[music continues]

[groans]

[yelling]

[music continues]

[groaning]

[music continues]

[grunts]

[grunting]

His bionic arm,
Yamo, you broke it!

[tense music]

[tone dings]

[Flight Attendant over PA]
We are about to land

in Salt Lake City.
Fasten your seat belts please.

[bright music]

[Oscar on phone]
Alfredo Tucelli and

his brother are in jail,
Steve.

- Are you sure, Oscar?
- [Oscar] I sure am.

I got a report
on 'em last week.

It's got to be someone
who knows I'm bionic.

[Oscar] But it's not
Alfredo Tucelli.

Where are you?

[Steve] I thought I'd spend a
couple of weeks with Tom Molson.

Tom Molson? I don't...
Who is he?

Well, he's got a ranch in Utah,
just outside Salt Lake City.

Sounds good.
Have a wonderful time.

And don't worry,
nobody's out to get you.

I'll see you later, Oscar.

- It's all yours.
- I don't want it, I want you.

- I beg your pardon.
- Oh, I mean, uh,

I've been waiting for you
to take you to Tom's.

- Oh.
- My name is Suzie Lund.

- Pleased to meet you.
- My pleasure.

[Suzie] In case you're
wondering, I work at the ranch

'cause I'm a super rider

and 'cause my, uh,
uncle's Tom's partner.

- I see.
- Come on.

You don't mind me callin'
you Steve, do you?

No.

You know, the guys
won't admit it,

I'm one of the best riders
on the ranch.

In fact, I'm already entered
the rodeo in Kanab next month.

Oh, great.

'Course,
they don't let me compete

against anybody but girls.

I could teach you
how to handle a horse.

Hey, that'd be nice.
Thank you, Suzie.

[upbeat music]

[engine revving]

[music continues]

[music continues]

[horn blaring]

[doorbell buzzes]

- Steve!
- Tom.

Oh, boy it's good to see you.

- How you doin'?
- Oh, fine.

You look fit enough
for both of us.

Hot doggie.

Hey, come on over,
come on and sit down.

Uh, I can't tell you
how wonderful it is

to have you pay me
this visit.

Well, it's good to be here.
Thanks for letting me come.

Oh, my pleasure.

Boy, you've really moved
up in class

compared to the last spread
you had.

How about that? I got me a good
silent partner, that's what.

Anyways, it's a lot more fun
racin' horses

than it is chasing cows.

You know,
when I heard your voice

on the phone,
I darn near cried.

[chuckles] Can you imagine?
It's been that many years.

- Say, how's your mom?
- Oh, she's fine.

Just like always, you know,
growing flowers

and teaching Sunday school.

[laughs] Well, when I heard

about that accident
of yours, I...

I wondered if you'd ever
come through it alive.

Well, with some bailing wire
and a little glue

they finally got
me back together.

- [Tom chuckles]
- [door opens]

First lesson seven o'clock
tomorrow morning

in the far corral.

And don't, uh, don't
let him drink anything.

It's what swells up his foot.

He says it's tight boots.

I'll put a boot to
you if you don't get.

She says her uncle
is your partner.

Yeah, she's a great little gal.

She's not afraid of anything
with four legs.

She is kinda holdin' back
from becomin' a young woman.

How about you, Steve?

What've you been up to
since you raised

all that dust on the moon?

- Oh, nothin' much.
- [bell clanging]

You're still a country boy.

You got here just in time
for supper.

Come on. Hey, what lesson
is she talkin' about?

How to handle a horse.

[laughs] I gotta see that.

[bright music]

[suspenseful music]

[horse neighs]

Kind of a mean lookin'
fellow there.

His name's Doomsday.

I've decided to ride him once
or twice before breakfast.

What if Doomsday decides
to have you for breakfast?

I told you I'm entered
in the rodeo.

Got to practice, don't I?

You sure you can handle him?

[horse neighs]

I've got the feeling
you're going to do it anyway,

no matter what I say.

Pretty good judge
of character, Steve.

[horse neighing]

You all set?

Okay.

[horse neighs]

- [Suzie] Whoo! Come on!
- [men shouting]

Yoo!

[Man] Oh!

Ha! Ha!

Ha! Ha! Ha!

[horse neighing]

[Dr. Dolenz] Do something,
Mr. Austin.

Jump over the fence, run.

[horse neighing]

Hey, you all right?

I must have got
the wind knocked out of me.

You just rest for a moment.

I don't know what
could have happened.

Maybe your saddle slipped.

Yeah, that must have been it.

You know, you're beginning
to strain my patience, Dolenz.

We need more data about his
legs before we capture him.

Uh...surely you understand
that, Mr. Rossi.

What I understand is that
we're wasting precious time.

And I don't intend
to waste much more.

No, you don't understand,
Mr. Rossi,

but, uh, have faith, please.

I'll soon have the information
I need about our bionic friend.

[tense music]

[grand music]

[birds chirping]

[helicopter whirring]

[tense music]

[intense music]

[beeping]

[music continues]

[music continues]

[Man on radio] It's Austin!
Stop him!

[device beeping]

[helicopter whirring]

[music continues]

[music continues]

[music continues]

[whirring]

[tense music]

[traffic bustling]

Steve, will you talk
a little bit louder?

I can't hear you.

The man who invented the robot.

[Oscar] His name is Dolenz.
But Steve--

The robot transmitted everything
back to Dolenz's lab.

Now,
Dolenz knows that I'm bionic.

Steve, are you still doing this?

Well, was Dolenz ever captured?

And what about the man
who was financing him?

They both would have known.

Steve--

[Steve] Oscar, just
check on it, will ya?

All right.

Now, if I find out
that they're all behind bars,

will you forget
the whole thing?

[Steve] That's a deal.

[horse neighing]

Time for your first
riding lesson.

Well, I'd better level with you.
I know how to ride.

Actually, I'm pretty good.

Well, as long as you're being
honest with me,

I'm going to be honest
with you.

I can beat you
in a race any day.

And what if I beat you?

I go off in a corner
and pout for a few days.

And you'll stay off
that bronc for a while?

Okay. You're on, partner.

First one to the big oak wins.

[upbeat music]

[music continues]

[tense music]

[upbeat music]

- You sure?
- I'm positive.

You didn't hold back
just a little bit?

No, I was tryin' to beat ya.

Look, I can understand
if you, uh,

just let me win
to make me feel good.

Hey, now.
Look, I was trying my best.

You beat me, you won.
You hear?

It's so stupid.

I wanted so badly to beat you.

I tried my best.

Then you go and convince me
that I won and I feel sad.

That's pretty stupid,
isn't it?

You know it's, uh,
pretty difficult

when you have to compete
with men all the time.

You know what I mean?

Why do you have to?

Especially since
you're a lovely young woman?

[birds chirping]

Well, as long as we're out
this far, why don't we see

if there
are any strays around?

Whatever you say, partner.

[bright music]

[music continues]

[Steve] Easy, boy.

Hoo, hoo. Come here.

Doin' out here all by yourself?

Why don't you hang on
to this one, huh?

I'll get the other one.

[music continues]

There you go.

There you go.

Hey, it'd be a lot safer
if you rode

your own horse back,
you know?

This is Willy. He knows me.

Go.

[tense music]

- [gunshot]
- [horse neighs]

- [Suzie] Whoa, Willy!
- [gunshots]

[Suzie] Whoa!

Steve!

Willy, stop. Whoa! Ho!

[Suzie] Steve!

Steve, help!

[music continues]

[music continues]

[Suzie] Whoa. Whoa!

[horse neighs]

[Suzie] Ho...

[Steve] Ho, ho, ho...

[Suzie groaning]

I couldn't stop him, Steve.
I couldn't stop him.

It's all right. It's all right.

It's over now, huh?

It's over now, you hear?

Where's your horse?

You sure you're all right?

Yeah.

Where's your horse?

There's no horse.

We'd better get those strays,
huh?

Come on.

He had to reach a speed
of 61.4 miles an hour

to catch that horse.

Can you imagine that?

Now, wait a minute.

You dragged me all
the way out here

to Utah for what,
to observe Steve Austin?

I've had enough,
do you understand?

I've had enough.

Well, that completes
the test, Mr. Rossi.

By this time tomorrow,
we will have Steve Austin.

Yeah.

Well...

If you fail tomorrow...

we kill Austin.

[tense music]

And that'll leave your mind free
to get to work on a robot soon.

[gentle music]

Found these two
out past the wash.

My goodness,
it looks like they run 'em

plumb to Provo and back.

Strays gave us a heck
of a chase, Tom.

Well, take care of 'em.
Hey, Steve.

You want to see
how this old boy busts a bronc?

- You bet.
- Ah-ha!

The way you are with flyin',

that's how I am
in the saddle.

'Course, it helps that they're
fresh off the range.

Bring 'em up just
a little here.

Ooh!

All right, sunny boy.

You can buck
your heart out

but don't hurt the hand
that feeds ya.

Turn him loose.

[men cheering]

[Tom panting]

[cows mooing]

[chuckles]

Well...looks to me like

he's a little too fresh
off the range.

Tom, mind if I try one?

You've got to be crazy.

You may be a good rider,
but, uh, taming a bronc's

a different thing, Steve.

It looks like fun.
I always wanted to try it.

There is no fun
in broken bones.

Come on, Tom.
Let him try.

[Man] Come on, Tom.
Let him ride her.

[Man 2] Go ahead, Tom. Come on.

Well, I did tell you

you could do anything you wanted
while you're here.

Put him in the chute.

[gentle music]

[Man 3] Hey, Tom, I don't reckon
you should let him

get on that horse.

[Man 2] Hey, Willy. Hey, Willy.
Get over here.

Come on, you've got to see this.
Come on, get over here.

[Man 4] Hey, Montana, get
Billy out of the bunkhouse.

I know he gonna wanna
see this.

Fellas got any good advice?

Sure. Squeeze him with your legs
as hard as you can.

Well, that's kinda
what I had in mind.

[tense music]

Let her go.

[Steve] Now, boy.

[men cheering]

[upbeat music]

[horse neighing]

[Tom] Will you look at him?

[indistinct chattering]

[Suzie] Hang on, come on!
Ride him. Ride him.

Hang on, Steve!

[crowd cheering]

How'd you stay on him?

Suzie's been givin'
me some pointers.

Steve.

Hey, Steve.

There's a man on the phone
from Washington.

He wants to talk to you.

You were right about Dolenz,
Steve.

And I have proof that
he was in Washington

the same day that elevator fell

and that he was on the same
plane you were

that you took to Salt Lake City.

And I'm sorry
that I didn't give

more serious consideration
to your feelings.

That's okay, Oscar.

Well, I suppose
he's going after you.

You'd better
get out of there.

Well, if he was able
to track me here,

there's nowhere I can hide.

Do you suppose
that he's got another robot

that he's gonna throw at you?

I don't know. There's only
one way to find out.

I've got to give Dolenz
a chance to grab me.

- Yeah. Be careful.
- Right, Oscar.

Get me the Utah State
Highway Patrol

and the Sheriff
of Salt Lake City County.

- Tom.
- Trouble?

Well, sort of.

I'm gonna have to take off
for a couple of days.

Okay.

I'll need a horse
and some provisions.

- You got 'em.
- Okay, thanks, Tom.

[tense music]

[upbeat music]

Now, just what
are you doing here?

[sighs]
I just wanted to ride with you.

You know, that's the first time

I've seen you
with your hair down.

Well, I couldn't, uh, couldn't
find my cowboy hat anywhere

so I just figured
I'd let it down.

- That's very pretty.
- Thank you.

Now you turn yourself around
and head back to the ranch.

- You hear me?
- Steve.

No.

[Suzie] Okay.

[upbeat music]

- He's coming.
- Come on.

[music continues]

Get off your horse.

[Man] You heard him, mister.
Get off.

[horse neighing]

[intense music]

[grunting]

- [gunshot]
- [grunts]

[groaning]

[music continues]

Those tranquilizing darts
are very effective.

[tense music]

[metal grinding]

First batch is ready,
Mr. Dolenz.

Go ahead.

Shut it off.

[dramatic music]

[cement sloshing]

[tense music]

Tom! Tom!

Some men shot Steve and
took him to the Sorenson place.

Smitty, call the sheriff.

Ross, let's get
the horses saddled.

[Dr. Dolenz humming]

Now, I think it's safe
for us to begin our work.

Mr. Austin.

Dr. Dolenz, I presume.

Jeffrey Dolenz,
inventor of the robot.

I'm sorry about the concrete
around your legs

and the, uh, chains
around your arms

but they're necessary
precautions.

I understand.

You know, I've been
a great admirer or yours

ever since you destroyed
my robot.

- Let's get on with it.
- Mr. Rossi, we have him.

He can't escape.

It's necessary to learn
from one's opponents.

I've looked forward
to this meeting

and the chance for a talk
with you for quite some time.

My curiosity has been
considerable, to say the least.

Tell me, when did you first
suspect he was a robot?

Well, he squeaked
when we walked.

He did not squeak
when he walked.

He was perfect in every way,
in almost every way.

Yeah, I thought you
did a good job on him.

Sometimes he was a little
slow to respond, though.

The verbal memory components,
they've been taken care of.

Then there was the fact
that your robot

couldn't eat or drink,
now, that was a dead giveaway.

That was an oversight,
Mr. Rossi,

that has been since corrected.

My next robot is going
to be absolutely perfect.

When you learn how
my bionics work.

Exactly.

That's not a bad idea.
Bionic robot.

It's a brilliant idea, actually.

- Get on with it, Dolenz.
- [dogs barking]

Take a look outside.
Keep checking.

[device beeping]

Outstanding muscle flexors.

Now move your arm
several times, please.

[machine beeping]

You've been following me for
several weeks, haven't you?

Yes, but be quiet, please.

That's...for a moment, uh,
make a fist.

Magnificent.

Have you ever broken
a man's hand accidentally,

you know, uh, shaking hands?

No, but I've crushed
a few water glasses.

You made the elevator fall
and stampeded those horses,

- didn't you?
- Yes.

You know, that's quite a relief.
For a while there,

I thought I was havin'
a streak of bad luck.

Cut him open.
Let's get it over with.

Mr. Rossi's quite right.

Now...this won't hurt a bit.

If I were you, I wouldn't
cut the atomic power units.

The radiation would kill us all.

I never thought of that.

- He's bluffing.
- Now, wait a minute.

If the shield in that arm...

Rossi! Several riders
headed this way.

[Rossi] So take care of them.

[gunfire]

[intense music]

[metal clanking]

[Rossi] Come on!
Let's get out of here!

[gunfire]

[dramatic music]

[gunfire]

[Rossi] Let's go!

[metal clanking]

[tires screeching]

[upbeat music]

- Are you all right, Steve?
- Yeah.

Head 'em off at the highway.
I'll try and slow them down.

You'll never catch
up with them, Steve.

Let me borrow your horse,
Bart.

[music continues]

[music continues]

[dramatic music]

[Tom] This way, over the ridge!

[music continues]

[music continues]

[music continues]

[glass shatters]

[tires screeching]

I'd drop that
rifle if I was you.

Mighty neighborly of you
to give me a hand, Tom.

That's the way the West
was tamed.

[metal clanking]

[Tom] There.

- Huh!
- [Steve] Thanks, Tom.

Listen, Steve,
I got me a little old cabin

way back in the mountains
with wonderful fishing.

Now, let's you and me
ride back there

and see if we can find
us some peace and quiet.

I can use it after today.

- You're on.
- Good, I'm gonna get our stuff.

- Hey.
- Hey.

Well, we checked the entire area
but somehow Dolenz got away.

I could talk to Rossi
and the others,

but I don't hold out
much hope for that.

We'd better get back
to Washington.

- Not this cowboy.
- Huh?

With Dolenz in the area?

Listen, it'll take Dolenz
a long time

to find someone with enough
money to back him.

- Steve.
- No, no. Remember.

I'm the one that's uptight
and overworked.

- I need a rest.
- Steve--

No.

[gentle music]

I was gonna ask you
a whole lot of questions

about how you can run faster
than my horse...

But I don't think
you better tell me.

You know, Suzie,
you're a very wise young woman.

I liked it better
when I was a lovely young woman.

Well, I meant that, too.

[bright music]

[theme music]