All language subtitles for The.Six.Million.Dollar.Man.S01E09.Dr.Wells.is.Missing.1080p.BluRay.FLAC2.0.H.264-BTN (1)_track5_[eng]

[gentle music]

[engine rumbling]

[dramatic music]

Guten Abend.
May I help you?

I'm Dr. Wells.
I have a reservation.

Oh, Dr. Wells.
Just a minute, sir.

- Fräulein?
- Ja?

The call for Dr. Wells,
have you disconnected?

- [Woman 1] No.
- He's here.

There is a call for you
from the United States.

The operator will put it
on the house phone.

danke schön.

[clock chimes]

This is Dr. Wells.

- [Oscar] Rudy?
- [Rudy] Yes.

- [Oscar] Oscar.
- [Rudy] I just left you.

Is there something wrong?
Is Steve all right?

No, Steve's fine.
He's right here.

Listen, I'm going to put
this call on the speaker.

[switch clicks]

- Hey, Rudy, how's the Alps?
- Beautiful.

But you didn't call
just to ask me

how the Alps are.
What's--what's going on?

Well, Oscar is still a little
uneasy about your trip.

I've still got
that feeling, Rudy.

Gut instinct.

[Rudy] You're paranoid.

Paranoid?

If something should
happen to Steve,

what are we going to do
without you?

After all these years,
my alma mater

decides to honor me
with a doctorate,

and you try and turn it
into a crisis.

[chuckles] He's jealous.

All he gets
from his alma mater

is a bill for yearly dues.

[Rudy] Look, I'll be back
in three days

so why don't you
just relax, Oscar?

- Oh, and, Steve?
- Yeah?

A Dr. Lester's been briefed

to replace the diode relay
in the muscular flexors,

unless you want to wait for me
to get back.

No, it's working better today,
Rudy. I'll wait.

I'm still going to place
a call to our office--

Why don't you stop worrying?
You're worse than my mother.

Okay, okay.

[Rudy] I'll be back
in the lab in three days.

- I'll talk to you then.
- Right.

Now there is a stubborn man.

I offer to make a routine check.
You know what he says?

The chancellor
would be offended.

[chuckles]

But you know, Oscar, I'm due
for a little vacation myself.

What would be wrong
if I dropped in on him?

He couldn't object.

I was hoping you'd say that.

[tense music]

[engine rumbling]

You may register
right here, Dr. Wells.

All right.

[Rudy] Hey, what are you do--
[muffled screams]

[intense music]

[theme music]

[Man] It looks good
at NASA One.

[Man 2] Roger.

- [Man] BCS Arm switch is on.
- [Steve] Okay, Victor.

[Man 2] Landing Rocket
Arm switch is on.

Here comes the throttle.
Circuit breakers in.

[engine whooshing]

- [Steve] We have separation.
- [Man 2] Roger.

[Man] Inboard and
outboards are on.

I'm comin' forward
with the side stick.

- [Man 2] Looks good.
- [Man] Uh, Roger.

[Steve] I've got a blow out,
damper three.

[Man 2]
Get your pitch to zero.

[Steve] Pitch is out!
I can't hold altitude!

[Man] Correction,
Alpha Hold is off.

Turn selectors--Emergency!

[Steve] Flight Com,
I can't hold it!

She's breaking up!
She's breaking--

[explosion]

[monitor beeping]

[Rudy]
Steve Austin, astronaut.

A man barely alive.

[Oscar] We can rebuild him.

We have the technology.

We can make him better
than he was.

Better, stronger, faster.

[heart pounding]

[theme music]

[upbeat music]

[music continues]

[music continues]

- Uh, pardon me.
- Oh, Guten tag.

How may I help you, sir?

What room is Dr. Wells in?

Dr. Wells?

Um, we have no one here
by that name.

Are you sure?
He checked in yesterday.

I'll check.

Ah, yes.

Checked in last night
and checked out

three hours later.

- Checked out?
- Yes.

That's why they called incident.

The gentleman that
picked up his things

said Dr. Wells was to be
his house guest.

The gentleman had the key
to Dr. Well's room

and he paid the bill.

Is something wrong, sir?

Well, I don't know.
Did you see him leave the hotel?

[chuckles] it was a busy night.

Guests checking in,
checking out.

I'm sorry, sir.

- Thank you.
- Mm.

- Pardon me, sir.
- Yes, sir?

Were you here last night
when this man checked out?

Oh, you're... Yes, I remember
the American--American.

Uh, he--he was so drunk
that his friends

had to carry him to the car.

- What kind of car?
- A--a Lagonda '36.

And, uh, you see,
I--I like these cars. Yeah.

I'm very much interested, so
I looked at the license plate.

And the license plate
was from Northern Salzburg.

- The city?
- Nah, nah. Province.

Uh, it's, uh, I would say,
uh--uh, around, uh, Mondsee.

- Thank you very much.
- Oh.

[speaking German]

[dramatic music]

[engine revving]

[telephone ringing]

- [Julio] Hello?
- [Desk clerk] Signor Tucelli?

Yes, he's right here.

- Yes.
- [Desk clerk] Signor Tucelli.

This is the desk clerk
at the Otztal.

A man just asked
about Dr. Wells.

- I told him nothing.
- What man?

He's an American.
That's all I know about him.

Let him inquire.

[Desk clerk]
That's not all, sir.

The porter told him
about the Lagonda.

And that it came from Mondsee.

That is unfortunate.

Tell Guido and Carl to see
he doesn't get any closer.

You understand?

- Yes, sir.
- Good.

Well, that's fascinating.

A few hours after
we so carefully abduct you,

a man shows up looking for you.

You see, Julio, I was right.

Otherwise, they wouldn't
send someone.

It still doesn't prove
there's a bionic man.

We're wasting our time, Alfredo.

- What do you say, doctor?
- I've told you.

I don't know anything
about a bionic man.

Doctor, the people
who told me about you

wouldn't lie to me.
They wouldn't dare.

Now, I don't understand anything
about science or scientists,

but you are a man, Dr. Wells,

and I know how to get a man
to cooperate with me.

What if he can make
a bionic man for us?

Then what? Everything is working
fine now, Alfredo.

Julio, with a bionic man,
no bank vault is safe from us.

No walls, no steel bars,
no guards

can keep us out of anywhere.

Think of that.

Now, let's have some lunch.
I'm starved.

I'm not hungry.

[Alfredo laughing]

You see, Yamo was right.

You should eat something,
doctor.

And then you can look
at our laboratory equipment.

[dramatic music]

[engine revving]

[tires screeching]

[music continues]

[tires squealing]

[music continues]

[crashing]

[music continues]

[tires squealing]

[crashing]

[engine revving]

[upbeat music]

- Hello, are you the mechanic?
- Yes.

- What's the trouble?
- No trouble.

I'm looking for old cars.

- Old cars?
- Yes, I collect them.

We have many
around this village.

Diezenbachs, some early Fiats.

Bugattis, Lagondas, Citroens.

I keep them all running.

Someone said
there was a 1936 Lagonda

in this area, a touring sedan.

I'd pay a lot of money
for a car like that.

I don't know any such car.

Well, I guess I'll have
to ask somewhere else.

Thank you very much.

[dramatic music]

[engine revving]

[music continues]

He asked about your Lagonda.

Yes, it's an American.

Just a moment.

Doctor, your American friend
has slid through our trap.

How could he have gotten
past Guido and Carl?

What shall we do
with him, doctor?

I don't know anything about him.

I'll send Kurt
to take care of him.

No, no.
Not so fast, Julio.

Anton, keep an eye on him.

I want hourly reports
on what's happening.

[speaks indistinctly]

Check with the car rental agency
in Innsbruck.

That's where he started from.

And then find out
what happened

to Guido and Carl.

Well, doctor, how do you like
our laboratory equipment?

I've been doing cancer research
for the last two years.

Your equipment
is of no use to me.

[indistinct chatter]

- Something more, mein herr?
- No, I think that will do it.

Excuse me, but how would
you say, "Stop watching him

and get out of here
right away," in Austrian?

Ah.

[speaking German]

[Steve speaking German]

Ja, good.

I need some repair work done
on my automobile.

Do you know the mechanic's
name across the street?

Oh, Anton.
Anton Brandt.

- danke schön.
- Bitte schön.

[sighs]

[telephone ringing]

Hello?

[speaking German]

Ja, good.

[car engine starting]

[car engine revving]

[tense music]

[upbeat music]

[music continues]

[horn honking]

[music continues]

[engine rumbling]

[music continues]

[music continues]

[speaking German]

[music continues]

[engine revving]

[music continues]

[horn honking]

[dramatic music]

[tense music]

[Rudy] Signor Tucelli,
why don't you believe me?

For the past few years,
I've specialized

in cancer research
and nothing more.

Honestly, I wish I could say
that I was experimenting

with the perfection
of bionic limbs.

I'm running out
of patience, doctor.

I've tried to treat you
with respect, but it seems--

I don't know what I can do
to convince you

that I'm not involved
in anything like tha--

Steve!

[dramatic music]

[intense music]

[dramatic music]

Who is this man, doctor?

Oh, come on, doctor.
You called him Steve.

He is obviously
a friend of yours.

What do we care
about the American?

Julio, he got away
from Guido and Carl.

That's not all. They both
ended up in the hospital.

Then he tricked
Anton and somehow

got over the castle wall.
How he manage that?

- We still don't know.
- [Julio] Yeah, but--

Then he used the name
John Smith

when he rented the car
in Innsbruck.

Now, don't you find that,
um, intriguing?

So he's a secret agent
or something

like that.
What's the difference?

Why would a secret agent

come searching for Dr. Wells

who was doing cancer research?

He's not going to tell us
anything anyway.

Unless we let Yamo
work him over.

Is, uh, is that right, doctor?

I mean, is that
really what you want?

You're right.

I can make a bionic man for you.

Now you see, Julio?

There is another way to deal
with an intelligent man.

I've done all the experiments,
but the government

wouldn't let me
go through with it,

that's why I went into
cancer research.

So, the man
who came after you

is a government agent.

He's an agent,
but not for the government.

He represents an American
pharmaceutical company

that's been after me to try
and make a bionic man for them.

I know his name is Steve,
but that's all I know.

He keeps on using
different last names.

He's followed me all over
the world trying to get me

to agree to leave the government
and go to work for his company.

So, what he want is
what we want?

- A bionic man.
- [Rudy] That's right.

If you let me talk to him,
I can explain

that I've decided
to work with you,

and he'll leave us alone.

You want us to let him go?

Well, what good is he to you?

I don't know.

You can watch me
on the TV monitor.

You can hear everything I say.

I can convince him that
I'm here because I want to be.

Once he knows that,
he'll make no trouble.

Why is that man's life
so important to you?

I'm a doctor.

If I can prevent
a man's death, I must do it.

And you can convince him you're
here of your own volition?

I'm sure I can.

All right.

You may try.

[dramatic music]

I'm very disappointed
he's just a business agent.

[Julio] What do you mean?

I had hoped
he was the bionic man.

That he had rushed to the rescue
of Dr. Wells

like a dog comes to the aid
of his master.

[dramatic music]

[footsteps approaching]

- You all right, Steve?
- Yeah, I guess.

[sighs]

I'm sorry I caused you so much
trouble. It's my fault.

I should've told you no
a long time ago.

I'm sorry I encouraged you
to think

that I'd leave
the government to make

a bionic man for your company.

But, Steve, I've made a deal
to live here

and to do my work
for these people.

- You made a deal?
- Yes.

Rudy, you guaranteed us
that if you went anywhere,

it would be with our company.

Well, I know I did,
but I changed my mind.

Well, how much
did they give you?

What's the difference how much?
It's done.

How much?

A lot more
than your company offered.

I don't believe it.

You've got a right
to be disappointed.

You spent a lot of time.

Look, I broke my neck
chasing after you.

You should have given us
a chance to meet their offer.

- You owed us that.
- You're right, I'm sorry.

But I went to school
in this part of the world

and I'll just be much happier
working here, living here.

Well, if you made up your mind.

I have.

How do I get out of here?

Well, you have a lot of
work to do, Dr. Wells.

I'll see to it that your friend
gets back to the village.

- Thank you.
- I'm sorry.

[dramatic music]

You're not taking me
to the village, are you?

No.

Why don't we just kill him?

If I were a scientist,
I would examine him

to see if he is bionic.

As I lack that knowledge,
I have to be patient.

[music continues]

[music continues]

[Alfredo] Look.

[wall crumbling]

I was right.
It is a bionic man.

He did come to his master's aide.

[music continues]

[creaking]

Look, Julio, look!

[metal creaking]

Nobody could be that strong.

A bionic man can.

That bionic man
has that strength.

Come on.

[upbeat music]

[music continues]

His power is incredible.

Find him.

All right, let's get Dr. Wells.

[music continues]

What's your bionic
friend's name?

Steve Austin.

Mr. Austin!

Mr. Austin!

We have Dr. Wells!

If you don't surrender,
we'll have to kill him!

Ten seconds, Mr. Austin.

That's all Dr. Wells has.

[beeping]

[Alfredo]
If you don't surrender,

my brother will kill him.

[intense music]

[dramatic music]

Just another five seconds,
Mr. Austin.

[beeping]

[Alfredo] Four, three...

two...one.

I'm over here.

[music continues]

Mr. Austin, we saw it,

the way you broke loose
from those chains.

It's remarkable.
incredible.

Dr. Wells, your bionic man
is a colossal achievement.

And still you have a heart.

When your master is in danger,
you come running

regardless of that danger.

I find that very touching,
Mr. Austin.

[chuckles]
You see?

They're looking at you
like savages,

staring at a ferocious animal,
just before a kill.

They want to see how good you
are, Mr. Austin, and so do I.

So, first thing in the morning,
we'll see how good he is.

How fast, how strong.

Whether you are better than
two men or three men.

Come.

[dramatic music]

[music continues]

Well, Mr. Austin,
you're probably

just as curious as I am.

Yeah? About what?

About how strong
you really are.

Where would you say
the scales would tip?

Are you stronger than two men?

Three?

- Four?
- Well, I hate to brag.

Of course, of course, of course.

One thing, don't hold back.

If this is to be a contest,
a fair contest,

don't hold back on us.

- Well, don't worry. I won't.
- Thank you.

I appreciate that.

Well, we'd better
get out of here.

I'll try not to let you down,
coach.

Pierre, you're first.

[dramatic music]

Pierre is an expert in
the French art of savate.

[yelling]

[music continues]

[yelling]

[chuckles]

[music continues]

[yelling]

[music continues]

Not bad, Mr. Austin.

Not bad at all.

Now let's see how you do
against two men.

Kurt.

Vincent.

[music continues]

[groaning]

[yelling]

[whooshing]

[grunting]

[music continues]

[grunting]

[yelling]

That bionic arm
is marvelous, doctor.

It's marvelous.

[music continues]

[yelling]

Yamo.

[music continues]

[grunting]

[thuds]

[groaning]

[yelling]

[music continues]

[music continues]

[grunting]

[thuds]

His bionic arm!

Yamo, you broke it!

[grunting]

No, no, no!

Leave him alone! Stop it!

He's too valuable!
Leave him alone!

Stop it, I say, stop it!

Come on.

Did he hit your bionic leg
or your real one?

What?

Was it your bionic leg
that was injured?

If it was my bionic leg,
it wouldn't hurt like this.

One bionic leg and one arm?

- And his left eye.
- What does his eye do?

[Rudy] It's like a zoom lens
on a camera.

- A zoom lens?
- Amazing.

[Julio] I don't know, Alfredo.

What's the good of him?

He's got the bionic arm,
but it's not good now.

I can repair the arm.

Oh, yes, I'm sure you can,
doctor.

But he is not one of our people.

If you were to make Vincent,
or Kurt,

or Yamo into a bionic man,
we wouldn't have to worry.

But he?

He won't follow my orders.

I don't think that, uh,
we have any use for him, doctor.

- There's one way.
- What way?

There are drugs that can
make him do whatever you want.

He's right, Alfredo.

Get me 10 cc's of dexathol.

After I've injected it into him,

he'll follow your instructions
to the letter.

You would do that
to your creation?

To your--to your friend?

To stop you from killing him?
Yes.

[dramatic music]

[tense music]

- [Steve] What's that?
- dexathol.

- Subconscious control?
- Mm-hmm.

You sold out.

I'm staying alive,
and so are you.

Why into the leg?

I need the heaviest muscle
for anything over five cc's.

He'll be ready for suggestive
control in 20 minutes.

Now I'll start preparations
to repair his arm.

Stay with him, Yamo.

Doctor, I don't trust you,
and I probably never will.

[dramatic music]

[door shuts]

[tense music]

A reaction to the shot.

You better steady his leg
till the muscle relaxes.

[metal clanging]

[intense music]

[groaning]

I think you overdid
that twitching a bit.

- I did?
- Uh-hmm.

What about that
ham performance you gave

when you were talking about
making that deal?

Well, I just said the first
thing that popped into my mind.

Yeah, well, I appreciate it.
It probably saved my life.

Well, I got a lot of time
and effort in you, Steve.

I didn't want it to go to waste.

- So let's get out of here.
- Mm-hmm.

[dramatic music]

Now what--now what do we do?

Well, I'll decoy them.

You get in the Jeep,
head for the gates,

and I'll have them open for you.

Okay.

[dramatic music]

[gunshots]

[music continues]

[engine cranking]

[thudding]

[music continues]

[Alfredo] Go after him.
Find him.

[rattling]

[engine revving]

[music continues]

[tires screeching]

- They're catching up.
- It's on the floorboard now.

We can't go any faster.

Slow down when you come
to the next fork.

- What for?
- I'm getting out.

- Oh, come on, Steve.
- Don't argue, just slow down.

No, no. Come on.

[music continues]

[Vincent] There's Austin.

Forget about the doctor.
Run Austin down.

[music continues]

How fast is he going?

[Vincent] I can't believe it.
He's doing 35.

Run him down.

[music continues]

[Vincent] He's doing 40 now. 45.

- [Kurt] That's impossible.
- [Vincent] Hang on.

[Vincent] 50.

60.

He's doing better than 60.

[music continues]

[Kurt] Good, he's headed
straight for the cliff.

That will stop him.

Where did he go?

He must be hiding
along the cliff.

- Yamo.
- Get him.

[music continues]

[creaking]

[explosion]

[music continues]

[grunts]

[music continues]

[music continues]

[grand music]

[Rudy] So the Tucellis
were the ones who set it up.

And the chancellor was surprised
when I stopped in to see him.

He confessed they never thought
of honoring me

with a doctorate,
and he said they might have,

had I made the breakthrough
in bionics.

Rudy, I am sorry you're not
getting the acclaim you deserve,

that your work has
to be classified top-secret.

Well, I appreciate what
you're saying, Oscar.

And I'm not being humble,
but my reward

is in seeing Steve function.

Not his extraordinary powers,
but just living day-to-day.

- How's his arm?
- Fine.

While I had him
in the operating room,

I replaced the diode relay.

The new one will last
much longer.

- What about the Tucellis?
- They're in custody.

Metropol's very interested
in their actions.

[knocking on door]

- [Oscar] Hi, Steve.
- Hi, Oscar.

Hey, Rudy, I've been looking
all over for you.

What's up?
Something the matter?

No, but I've, uh, well,
I've got this little problem.

What?

Well, it's kind of embarrassing.

What is?

This.

[clattering]

I think I need
a little adjustment.

[both laughing]

[bright music]

[theme music]