All language subtitles for MINX S02E08 2160P

I have loved
having you to look to.

And I have really enjoyed
having a smart, younger woman

to fuss over.

Which one of you
had sex with my husband?

No, I mean last month.

There's a whisper campaign

that a good number
of our readers

are homosexuals.

Our centrefolds have to be
the ultimate fantasy.

For our female readers.

So what do we gotta do,
fill 12 pages?

Richie, what do we got
to pull up?

[Richie] The bathhouse.
Set already exists.

In and out, four hours max.

- [crowd shouting]
- [alarm ringing]

I let go of my dreams
to take care of you.

Why can't it be my turn?

[Doug]
Connie is a butcher, Tins.

She's just fattening us up
so she can unload us.

Maybe Bottom Dollar's
outlived its usefulness.

So you're choosing Constance
over me, huh?

I'm choosing me over you.

[light music plays]

[Constance] Thank you

for the beautiful pastries, Archie.

Most kind.

The estate feels
so empty without Yorgi.

[Archie] I miss him too.

He was a good man.

I'm gonna need your counsel
now more than ever.

You have my steadfast loyalty.

What are we gonna do
about that captains' strike?

The board's rejected
your latest proposal.

Your support of the union
is testing their patience.

Right.

So they want to use
my husband's death

to cheat those poor men
out of their wages.

[Archie] The board's allegiance
was to Yorgos.

They tolerated you
while he was ill,

but not anymore.

Yes, Yorgos was
incredibly successful

for a man in a three-year coma.

Yes. They're old-fashioned.

[Constance]
They're women-haters.

But not you,
my trusted Archibald.

You've been by my side

since Yorgi made me
his partner, haven't you?

Which makes it
all the more heartbreaking

that you were the one
to betray me.

[music building]

[singer]
♪ Darling, hold me closely ♪

You left me no choice.

Business is about profits,
not kindheartedness.

I am not kindhearted.

Pillage!

[dogs barking]

[Teresa Brewer's
"A Woman's World" playing]

♪ ♪

[Teresa] ♪ A woman's world ♪

♪ Can sometimes get so blue ♪

[Joyce] Mothers, wives,
women of the world,

we are all at a crossroads.

[doorbell rings]

[Teresa] ♪ And there's
No one home but you ♪

♪ Although you've become
His wife ♪

♪ You don't get to share ♪

♪ Very much of his life ♪

♪ 'Cause you live ♪

♪ In a woman's world ♪

♪ ♪

♪ A woman's born
To make a man a home ♪

♪ ♪

♪ You cook and clean ♪

[Joyce scoffing]

[Teresa] ♪ All the time
That he is gone ♪

[sighs]

[Tina speaking French]

[speaking French]

[sighs]

Hey, guys, my shift just ended,

so my man Rory's gonna be
taking care of you now.

Merci beaucoup.

Thank you.

Are you sure
you have never been to Paris?

You are, how you say,
um, snooty.

It is very French.

[chuckles] That's just my face.

When you come to Paris,
I will take you

to my favourite patisserie
in Le Marais.

- Mm.
- [chuckles]

[Doug] How you guys doin'?

Prigger.
I'm glad you're here.

I've givin' away all my shit,
but I saved you

- something nice.
- What?

[Doug] Do you want
my booze cart?

No, Doug, I don't have time
for this right now.

Neither do I.
I got a date with death.

You've what?

I got a "Come see me"
from the boss lady,

and you know what that means.

The axe is about to fall.

So do you want
the, uh, booze cart or no?

No.
Look, you might have told me

about the bathhouse shoot
back in the woods.

Look, I'm sorry.
This'll be the last time

old Doug Renetti
disappoints you, okay?

I highly doubt that.
Have you seen Richie?

Yeah, he's in the layout room.

But be easy on the kid.
He's had a rough 36 hours.

I know. I talked to Shelly.

I will take the whiskey.

- Just the whiskey?
- [Joyce] Yeah.

I'm givin' you
the fuckin' cart.

[singer] ♪ But last Monday
I got the fever ♪

♪ Tellin' me
That I got to go ♪

[funky rock music playing]

Oh, my God.
Richie, are you okay?

Could be worse.

[Joyce] I am so sorry
that this happened.

These photos are incredible.

I was there with a camera.
I had to use it.

But you're not here
to compliment my work.

No. We have a magazine problem.

Constance stopped the press.

Oh? And why is that?

You know we can't print these, Richie.

- The subject matter...
- Naked men?

In our naked man magazine?

It's not what our advertisers
expect to see.

It's not
what our readers expect.

Just say it already.

Minx isn't supposed to be
for gay men.

So you're happy
to take our money

and have us behind the camera,

just as long as you don't have
to acknowledge that we exist?

Look, Minx is about to become

the premiere international
women's magazine.

Now just isn't the time
to shine a light

on our male readers.

Well, we both know what happens

when you keep us
in the shadows.

Oh, come on. That is not fair.

Richie, it's not about you.

It's not about me
anymore either.

- [scoffs]
- It's about something

bigger than that,
and we have to protect it.

Which is why we're gonna run

a one-year retrospective instead.

- [Richie] Excuse me?
- I'm sorry.

We've run out of time.

I just put together
this issue twice, Joyce.

- [Joyce] I know.
- I'm not doing it again.

You figure it out.

The two of us have come
to an important decision,

and we thought that you should

hear it from us, together.

And-and we just want you
to know

that we love you
no matter what.

Mm-hmm.

And in no way
is any of this your fault.

No. We've decided to separate.

No.

We had no idea.

But-but you could still come
to parties separately, right?

We-we can keep this going.

Odd numbers in this scene
are tricky, Gary.

- You know that.
- [sighs]

Where did this come from?

I mean, it's been a journey.

And-and you all have been
instrumental, truly.

I mean, our parties,
the freedom I felt--

I mean, it-it showed me
there are

so many different ways
to be me.

Hold on a second.

How is this going to work?

What about holidays?

- Our Tahoe ski trip?
- Oh.

That's-that's all gonna
have to be figured out,

you know, with Shelly in Italy.

It just worked out
with Doreen's sabbatical.

Doreen is Shelly's new lover.

She's a professor...

at Vassar.

Oh. That'll do it.

But I'll be back.

We just don't know when.

[Shelly] Right.

Could we have been doing

same-same this whole time?

[Gary sighs]

[Bambi] 80,765, 80,766,

80,767, 80,768,

80,769...

Am I an accessory to something?

This is nine years
of my Bottom Dollar salary.

I've never cashed a paycheque
until this morning.

What?
H-how do you pay for anything?

Through the kindness
of strangers

and also the settlement.

Okay, well,
that's definitely something

we should explore.

Um, but first, I need you to...

drop these off at the printers
by eight o'clock.

"A Year of Minx." Oh, no.

Did some of the bathhouse boys
also commit momicide?

Nope, uh, we had to replace them
for more nuanced reasons.

Mm. I see.

So if you could
just drop them off

on your way to the party...

My shift is over,
so I will need overtime

and a mileage reimbursement.

We all know gas prices are...
[whistles]

...due to that hinky
OPEC situation.

Overtime approved.

Great.
I'd like my payment up front.

- Oh, up--yeah.
- [Bambi] Yep.

Sure. Uh, can you break a 50?

Hmm. Let's see... no.

[Deep Purple's
"Smoke on the Water" playing]

♪ ♪

[indistinct chatter]

♪ ♪

[Tina whispering indistinctly]

I think we settled on four?

- Four separate ones?
- [Tina] Only four?

[Lorraine] Yeah, four.

Oh, do you--do you need
to speak to that man?

No. No, I do not.

Mrs. Papadopoulos will see you
in the War Room.

♪ ♪

[opera music playing]

♪ ♪

[Constance] Oh, good eye.

That one's priceless.

[Doug] Mm.
[clears throat]

And sharp.

Best things usually are.

[Doug clears throat]

So, I know that you're
dissolving Bottom Dollar.

- Yes, I am.
- [groans]

I was hoping
to tell you myself, but...

Well, I gotta say,
this is not how I saw

things turnin' out
between us, Connie.

No, me neither.

Well, my publishing experiment
has been...

interesting.

Not too many creative types
in shipping, but...

...I have made
some big mistakes.

What mistakes were those?

[Constance] Not publishing
your science magazine,

killing the dance club,

thinking that Joyce could
take it to the next level

and run this company
better than you.

Don't get me wrong.

We need Joyce

and all the other
little Joycettes

that we have found,

but what I really need is you

to manage them.

PRG. Papadopoulos Renetti...

[chuckles] Global?

Well, Bottom Dollar was quaint,

but we're
way, way past that now.

Right, yeah. Um...
[clears throat]

So that would make me
the, uh...

the CEO then.

No. President.

- President? [chuckles]
- [Constance] Mm.

That's exactly
what I was thinkin'.

Mm, well, you'd be working
under me and me alone.

- So, um, Joyce...
- [Constance] Mm-hmm.

Would be reporting to me, then.

Yes. And Tina too.

Kind of like me and Yorgi,
before the stroke.

You have made
the right call here.

Oh, of course I have.

Listen, tonight,
we're gonna be meeting

with international advertisers,

press, VIP
from all over the world.

And I'm sorry,
but this ensemble

that you're wearing,
it's just not gonna cut it.

What are you?

42 regular.

Since I was
about eight years old.

Really?

Follow me.

[Stan] Everyone thinks sayin',

"Stop the press"
is some big thrill.

It's a nightmare.

There's 17 buttons and levers

you have to press and pull
in a specific order.

It wasn't my decision.

And paper doesn't
just magically disappear.

I have to reach in

and I have to pull it
all out myself.

They don't pay me
for my opinions, Stan.

They pay me for my time
and sometimes my gasoline.

Oh, kiddo. I know that tone.

- You feeling...
- Lost? Yeah.

I was pretty down myself
about six months ago.

Then I found Pastor Jim.

Who's that?

Oh, you'd love him, Bambs.

He's doing
some really important work

at the Peoples Temple
on Alvarado.

He's a, uh...

mesmerising spirit.

Would you say
there's a familial quality

to the congregation?

Absolutely.

Some people
even call him Father.

Write this down.

1365 South Alvarado.

Jim Jones.

[lounge music playing]

[Lorraine gasps] Ms. Prigger!

[chuckles] Woman of the hour.

- [both chuckle]
- I'm Lorraine.

Anything you want,
anything you need, just ask.

Wow. Thank you, Lorraine.

No, thank you

for all that you've done
for women.

Oh. [chuckles]

I wouldn't be divorced
without you.

- [chuckles]
- Happy to help.

[laughs]
Come see everything.

Okay. [chuckles]

Oh, my God!

[gasps] Oh, God, I remember

cutting and pasting this
on the floor of my bedroom.

[Lorraine] A-and look.

You accurately predicted
Title IX as a preteen.

Yeah, well, I guess
I got one thing right.

[scoffs]
Tonight is not the night

for modesty, Ms. Prigger.

You earned all of this.

- Thank you.
- [both chuckle]

Very nice.

- [sighs]
- [Liesl] Joyce!

Liesl, hi!

- Deonna. Isabel!
- Hi.

[Joyce]
It's my international team.

Hi! Hi.

Guten Tag, Joyce.

Guten Tag.

I am filled
with giddiness and joy.

Oh. Oh, good.

Yeah, me too.

Mrs. Papadopoulos will
see you upstairs.

Oh. Okay.

[upbeat Latin music plays]

♪ ♪

[speaking Spanish]

[speaking Spanish]

[clicks tongue] Wow.

- Ay, Cristo. I'll try.
- [chuckles]

[Constance] Southern Europe.
All this right here.

Ah, there she is,
our shining star.

Sorry, am I
interrupting something?

We're just plotting
our European conquest.

Thank you, Winnifred.

[soft orchestral music playing]

[Winnifred] Mwah. Mwah.

I'm delighted
to be working together.

You have my assurances,
the Continent is in good hands.

♪ ♪

I guess we hired Winnifred.

Yeah, but all
of your other choices.

It was my idea.

Every European you picked
was a socialist.

I needed at least
one capitalist to talk to.

Well, better her than the Nazi.

Descendent of Nazis.

Let's see what you got.

I know it was
a quick turnaround.

Yeah.

Okay.

Richie went
for a retrospective?

Uh, nope, not exactly.

Daniel and I
pulled this together.

Richie should be very proud.

- This is some of his best work.
- [Joyce] Mm-hmm.

Oh, but this--

the Bella LaRouche piece,
no, it's not gonna work.

What? I loved it.

Oh, come on, it was--
it was brave and honest

and moving,
about a woman's self-discovery.

Eh, in the arms
of another woman.

Okay, um, I understand
why we would remove

material that skews male,

but this is a story
about a woman.

It's for women.

Yeah, but not women like us.

A-a piece like this
just gives our enemies

an opening to attack
the entire movement,

calling us man-hating,
anti-family, lesbians.

Joyce, we have worked too hard

to make feminism mainstream.

I'm not gonna jeopardise that

by giving those people
a platform.

Pulling Bella would mess up
our page count.

We'd have to rearrange
the layout.

So we run
the first Bella story again.

Stick with the retrospective theme.

- I guess that would work.
- [Constance] Yeah.

All right, well, I'm gonna
need you to go to the printer.

You want me to go now?

Yeah, we go to print at 8:00.

You're really the only person
I trust with this.

Joyce will stay here
at the party.

She is the woman of the hour.

That's about all the time
I have.

Mm.
Oh, and stop by the kitchen.

Dimitri has some snacks
that you can take in the car.

Ooh.

[Constance] You're upset.

[Joyce] Look, Minx is
supposed to be a champion

for all women,

and this is--
just isn't "all women."

[Constance] Mm-hmm. I get it.

This is personal for you.

But we can't fight
for everyone.

Believe me, I have been
down that road.

Yeah, but just because
you lost then,

it doesn't mean
that we're gonna lose now.

Honey, if you wanna
win the war,

you have to fight
one battle at a time.

Oh, come on, Joyce.

You understand the value
of compromise.

Isn't that how
Minx got started?

♪ ♪

Mm.

♪ ♪

[Doug] Hey, Tins!

What are you doin'?

You makin' a run for it?

Yes, and I don't want
to do this right now.

You don't want to do what?

I'm just sayin' hi to you.

Who dressed you?

Connie did.

And she made me the president
of her company.

I told you
she had a master plan.

It turns out it was fuckin' me.

- [laughs]
- Wow.

You always land on your feet,
don't you?

You know,
that should be a compliment,

but it doesn't feel like one.

Hey, if you're worried
about your position

in the new company, don't be.

I know your value.
I can be an adult about this.

Sure, now that you're
back in charge.

Come on, Tina.
That's not how I see it.

[Tina] I have to go.

[Doug] All right,
well, take the Rolls.

- It's parked out front.
- [Tina] I'll drive myself.

[Doug] Tina, please.

What?

You were just the first person
I wanted to share my news with.

She made me the president
of the whole thing.

Good for you.

[Mott the Hoople's
"All the Young Dudes" playing]

♪ ♪

[indistinct chatter]

[server] Drink, Ms. Prigger?

Sure. Thank you.

[singer] ♪ Kick it in the head
When he was 25 ♪

♪ Speed jive ♪

♪ Don't wanna stay alive ♪

♪ When you're 25 ♪

♪ And Wendy's stealing clothes
From Marks and Sparks ♪

- Joyce.
- [Joyce] Hello.

The woman of the hour.

[singer] ♪ From ripping
Up the stars ♪

♪ From his face ♪

[all gasp]

[both] Hello.

[person] Hola.

[crowd gasps]

[applause]

[sighs] Thank you.

You look good as a banner, kid.

I look like a slutty dictator.

[Doug] I thought that's what
you were going for.

[Joyce] Okay.
What are you going for?

Well, it's a dead man's suit,
but I think I look pretty good.

He had pretty good taste.

Okay.

Why didn't anybody run
any of these covers by me?

[Doug]
'Cause they're decorative.

They don't exist after tonight,
so don't worry about it.

Yeah, well, I feel like
I am losing control here.

I understand the feeling,
but you're not.

You're fine.

No, I think you were right
about Constance.

I think she's--
she's turning us into something

- that we are not.
- [Doug] Something better.

No. What?

[Doug] In less than a year,
she took us

from the Valley to Vienna.

And isn't that
your whole thing?

To get your message
out to the masses?

Yeah, but at what cost?

I don't think I even know

what the message
is anymore, anyway.

[Doug] Look,
if you want purity,

do this shit out of your house.

But nobody gets this big

without giving something up.

No one.

I know, but it's...

is it weird to say
that I liked it more

when it was just the two of us?

It is just the two of us.

Only our clothes got better.

[chuckles]

- [sighs]
- [Shelly] Tuscany seems hilly.

But Doreen insists
cycling is the only way.

How far is it to the Vatican?
Can we bike there?

No, it is very far.

[Shelly] Oh.
Ooh, we could take the train.

How do you say "train"?

Treno.

Oh, fun-o.

Treno.

- Love that.
- Hey.

We don't want it, right?
[chuckles]

Eccoci qua.

Shelly, we need to talk.

[glass clinking]

[Constance] Thank you.

Thank you all for coming
to the Reach,

where the Pacific
promises possibility.

Tonight, we celebrate
the culmination of a dream

that began
in a young girl's bedroom

and has grown
into a global publication

reaching millions of women.

I am very proud
to call that young dreamer

a friend, a colleague,
and an inspiration.

Ladies and gentlemen,
please welcome

the woman of the hour,
Joyce Prigger.

[cheers and applause]

Joyce!

Okay, where is my Joyce?

Joyce?

[frenetic music plays]

I'm such an idiot.

I cannot believe
how close I came

to sacrificing everything.

I can't believe
we're in a stolen car.

I feel like Bonnie and Clyde.
[chuckles]

Does it go any faster?

- [engine revs]
- Oh!

Good Lord.

Joyce?

Well, it seems Joyce is, uh,

getting some hors d'oeuvres
perhaps?

[Doug] Constance Papadopoulos!

How 'bout a round of applause
for Constance?

[cheers and applause]

Let's make it a big one!

[chuckles]

What a--
what a wonderful woman.

What a great night.

Obviously,
I'm not Joyce Prigger.

I don't think any of you
expected Joyce Prigger

to have a beard
and look like this, huh?

- [laughter]
- Who knew she was so pretty?

Um...

uh, but she did want me
to say something

on her behalf.

So what I'm gonna do
right now is,

I'm going to, um...

["Smoke on the Water" playing]

I'm gonna relay
a message of hers.

You know you're gonna get
fired for this, Missy.

Oh, yeah.
Yeah, this is a career-ender.

But you know what?

It's time
I stopped agreeing to things

just because people tell me
it's good for business.

Well, you don't have
to do this for me.

I mean, you should,
but you don't have to.

No, I'm-I'm not doing it
for you.

I mean, of cour--
I am, of course.

- Okay.
- But I'm doing it

for, you know--
for Richie, for everyone.

- I just...
- Okay.

Oh, God, I hope
it's not too little too late.

[grunts] She couldn't see
the light six hours ago?

Everybody moves
at their own speed.

Yeah, well, your speed's
gonna get us T-boned

if you run another red.

- [Bambi] Whoa!
- [tires screech]

[Richie] Oh, Jesus Christ!
Aw, what the fuck?

God, I can never remember,

does that mean stop
or proceed with caution?

[Richie] What caution?

[engine knocking]

[Bambi] Uh-oh.

I've wasted so much time

looking for a woman
to show me the way,

when you were right there.

You were right there
all this time,

two steps ahead, and--

you know, I-I never
would have gotten

this far without you.

And now I've-I've-I've stolen
your best years.

Well, I think
these are my best years.

And then Mom turns up
in Sacramento

with a whole new family?

Oh, boy, we're talking
about Mom now?

Yeah, I think I'm ready
to talk about Mom.

[Doug] "Mothers, wives,

"women of the world,

"we are all at a crossroads,

"and we need a guide

"not leading, not following,
but by our side.

- A gentle warrior."
- [Lenny] Guys--hey, stop.

- [Millie] Stop fighting!
- [Lenny] Just stop that.

- All of that.
- [Doug] A woman's voice.

[Tommy] I'm not farting.
You're farting.

- [Bobby] You hit like a baby.
- [Tommy] Dad!

- Can you please--hi.
- [Bobby] Stop whining.

Can you please get in the back?
Just stay in the back, please.

[Bobby]
Oh, you got your boogers on me!

- [Millie] No!
- [Lenny] Oh, my--

[Bobby] Booger-eater.

- Hey.
- [Bobby] Pee in your pants.

- [Bambi] Ooh, I call middle.
- [Tommy] Shut up!

- [Bobby] Shut up.
- [Bambi] Excuse me.

[giggles]

Ooh! Uh, thank you so much
for rescuing us.

I always wanted to see
unincorporated Monrovia.

Please tell me you have
a full tank of gas.

I am a dad.
I fill up

the second the needle
goes below half.

- God bless you.
- [Lenny] Yeah.

We only have 20 minutes,
so chop, chop.

- We're good? Everyone sitting--
- Yes! Hurry!

- Yes!
- [Millie screams]

[Bobby]
You're the least favourite.

♪ ♪

[indistinct chatter]

[Doug] Well, we've still got
a little bit of time.

But you've seen
enough of me, huh?

So let's bring out
the Minx international editors.

Girls, you mind comin' up
on stage, showin' your faces?

Four continents
and eight countries.

[Lenny]
It's only been eight hours,

and already it is nonstop.

Shelly's always talking about
what a great dad you are.

- I'm sure--
- Yeah, well, the chaos

that this whole thing
has brought,

it's... [chuckles]

[Bambi breathing deeply]

Do you hear that?

No?

[Bambi] In through your nose...

- [all inhale]
- Out through your mouths.

[all exhale]

[Lenny] Um...

how did you do that?

Oh, six lives ago,
I was a pranayamic guru.

It's like riding
a spiritual bike.

You never forget,
and even if you do,

- it's no big deal.
- [scoffs]

Well, the silence
is intoxicating.

Hey, Lenny, I'd love
to lend a hand

while Shelly's away.

Are you serious?

I mean, I'm happiest
when I'm helping people, so...

it seems like you need
a lot of help.

[sighs]

Y-you have no idea
what that would mean.

It'll be fun.

We can play board games,
go on field trips.

I just heard about this
amazing temple on Alvarado.

Maybe we could take them--

Excuse me, this is so touching,

but can we please speed it up?

Right. Yes.

- Yeah.
- Sorry.

[singer]
♪ Making our music there ♪

I cannot tell you
how good it feels

to say all that.

Well, the next step
is telling Mom yourself.

Dripping Springs is
only a two-day drive.

- Where are you going?
- Sunland?

Your printer's in Sun Valley.

- I knew that.
- [tires squeal]

[singer] ♪ Smoke on the water ♪

♪ A fire in the sky ♪

[Doug]
Okay, everyone feelin' good?

Okay, let's do it
before they lose their visas.

Did Joyce lose her stomach?

No, she sometimes gets
in her head,

but she'll be fine.

Well, if she isn't,

we have a lot of options.

Okay, ready?

Minx on three.

One, two, three.

- [all] Minx!
- [camera shutter snaps]

♪ ♪

[tires screech]

[Joyce] Come on!
We're five minutes late!

[Richie] Of all the days
to wear platforms.

They called looking for me
and you answered?

Uh, Bambi made it sound
like life or death.

Can always count on you
to save the day.

[chuckles]

Wait, don't you want to see
if we make it?

- Kind of.
- Come on.

I'll-I'll be back!

[Shelly]
What are the kids doing?

[Lenny] They're, uh,
breathing deeply, I think?

Yoga maybe.

- Brahmin--yamin--
- [Shelly chuckles]

[Joyce] Okay, how does
this thing work?

[Richie] Why are there
so many flashing lights?

- Look for a red button.
- Thi--I just press it myself?

[Tina] It's not one button.

- It's 17 buttons and levers.
- Oh, shit.

I had a feeling you were gonna
try something stupid.

Look, Tina,
things have gone far enough.

It is time to set things right.

You don't have to convince me.

I already bought us
another 30 minutes.

Oh.

The second
Constance trotted out

"women like us," I was done.

Yes. Me--same. Yes, me too.

So what's the plan?

[bells dinging]

[Jackson Browne's
"Doctor My Eyes" playing]

♪ ♪

[Jackson] ♪ Doctor, my eyes
Have seen the years ♪

♪ And the slow parade
Of fears without crying ♪

♪ Now I want to understand ♪

♪ I have done
All that I could ♪

♪ To see the evil
And the good without hiding ♪

♪ You must help me
If you can ♪

♪ Doctor, my eyes ♪

♪ Tell me what is wrong ♪

♪ Was I unwise ♪

♪ To leave them ♪

[Lenny] Brought us some, uh,
victory pastries.

- [Tina] Ooh.
- [Joyce] Aww, thank you.

[Lenny] Gave the shipping guys
20 bucks.

So are all of you
out of jobs now?

- [Joyce] Uh, yeah. Pretty much.
- Uh, yeah. [chuckles]

- Yeah, most definitely.
- [Bambi] Wait, I don't get it.

Can't Constance just stop
the magazine from coming out?

Sure, but after I send copies

to every media outlet
in the country

along with my scorching
resignation letter,

everybody will know
what we did.

I think I'm about to go to war
against my own magazine.

No. We're going to war.

[Tina] I don't know
what you're talkin' about.

I'm going to Paris.

[Richie] Oh!

Okay, fine. Then to war.
[chuckles]

I hope this is a chapter
in your book.

- This is the book.
- [Shelly] Oh.

[Richie]
This is the book right here?

[Shelly] This is the book.

- [Tina] Okay.
- [Joyce] To us.

- [Shelly] To us.
- [Bambi] Oh, to us.

[all] To us!

- [glasses clink]
- [Bambi] Aw, dang it.

[Jackson] ♪ Just say
If it's too late for me ♪

♪ ♪

♪ Doctor, my eyes ♪

[Constance] Douglas.
Come back to bed.

[Jackson] ♪ Is this the price ♪

♪ For having learned
How not to cry? ♪

♪ ♪

♪ Doctor, my eyes ♪

♪ Cannot see the sky ♪

♪ Is this the price ♪

♪ For having learned
How not to cry? ♪

♪ ♪