All language subtitles for 056 Drawing The Body Forms Togather.en

In this lecture we're gonna go ahead and take everything we've learned through the how this section

and we're going to combine them all together to draw a full body form.

Now there's still going to be more to learn about drawing the body form but I just want to kind of review

everything we've learned and apply it to a drawing.

So let's go ahead and get started.

We're going gonna draw a male figure.

So what we want to do is you want to start out by kind of blocking out the proportions so if you remember

the proportions we're going to start with the head.

So I'm just going to kind of sketch out an oval like that for the head.

That's not gonna be the final shape but it just gives me a good idea of where that head will be and

about the size.

So Marco lying there then let's go ahead and let's mark a line down here where we want the feet to be

in.

Let's go ahead and divide that in half.

So I would say right about there looks like half way.

So that will be our crotch maybe a little tiny bit lower somewhere right about there.

And based off of this it gives me a good idea about what size the head should be so I'm already looking

at this and thinking of the head just seems to be a tiny bit smaller so maybe something more like that.

All right great.

Next what we want to do is let's go ahead and draw the line of action in there.

So for a line of action I'm going to do something kind of like this.

So it's going to kind of go like this a spine will go like that and then kind of down out his right

leg something like that then we can go ahead and draw in where the shoulders will be so many go ahead

and draw a line like this.

I'm going to angle upwards because we want this to be kind of a dynamic pose.

So if we can kind of put that head on a flat plane like that and then do the shoulders on an angle plane

and then we'll go ahead and do the pelvis at a opposite angle like that that's going to make our drawing

look a much more dynamic.

Okay.

So now that we have that sketch in let's go ahead and let's figure out how wide we want the shoulders

to be so we want to be about three heads big.

So we'll kind of put the shoulders somewhere right about there.

Then we can go ahead and sketch in some ovals for the shoulders like that then let's go ahead and sketch

in the rib cage so if you remember the rib cage just kind of a big egg shape

to make those shoulders just a slight bit bigger.

All right great.

Then let's go ahead and sketch in the pelvis.

So I'm just going to kind of use a rectangle for the pelvis.

So it was kind of come off like this

the bottom the crowd should be right about there.

So just kind of draw that rectangle in like so.

All right next.

Let's go ahead and kind of sketch out where the legs are going to go so I don't have a leg that kind

of comes off just like this I'll do the front part of the thigh like that and I'll just kind of sketch

out where the back of the calf will be somewhere right about there.

We'll come back and really detail this out.

But for now we're just really trying to rough it all and did the same thing for this leg.

So kind of this side of the calf or the side of the thigh right there and then we'll go ahead and sketch

in the calf right there

then we can go ahead and draw sort of sketch in the arm somebody go ahead sketch in a line like that

just to represent the outside of the arm and make sure that I have it long enough.

Then we'll go ahead and do this arm as well and we'll just have this one to hang behind the body.

All right great.

So from here we can really start detailing it out more so for example we can start deciding where the

head is going to be so if I go ahead draw that center line it will kind of give me a good idea of what

direction our character is looking at and also whether he's looking up or down.

So right here he's kind of angled downwards a little bit and I'll go ahead and give him a jawline

and I'm going to kind of square off the back of his head like that.

I think that looks kind of more interesting and dynamic

during eyeline that we can go ahead and sketch in the neck.

So if you remember the neck is angled backwards a little bit and a little bit curved to make sure that

we capture that in their

then we can go ahead and do the collarbone.

So to the middle part right there and then the two curved lines going up into the shoulders that we

can do the muscles on the sort of the back neck area that the shoulders and their

and I'm actually going to draw the rib cage just a little bit smaller and maybe bring in the size of

this pelvis a little bit more because we want it to be less wide than the shoulders right.

Great that we can go ahead and kind of rough enough chest so the chest will protrude off like this.

And since this upper part of the body is angled like that we need to follow that kind of perspective

the show just gonna hang over the pack right there.

No we can do that lightning bolt effect so we'll do the shoulder biceps and then the forearm.

Same thing on that sign.

We can sketch in a triangle there that we use for the hand later.

Then we'll use the rib cage as a guide.

And then off that will do that square muscle which goes right into the crotch

now because we're kind of getting a pinch and stretch here it's pinching right here and it's stretching

on that side because the angle of the upper body and the pelvis are tilted.

So that means that we're going to get kind of a squished right here

and right here we're gonna get more of a stretch like that gun drawn that back muscle back there

get

I mean go and sketch in the leg.

So when to go ahead and start by sketching in my kneecap setting where that's gonna be

to the front of the thigh then I can sketch out the back of the thigh

do the same thing with this sign

then I'll walk out the front of my shins like that.

Now actually I want to do is I want to make this leg kind of angled out more this way and that when

angled out more that way so the way I have this one drawn is just fine.

But for this one what I'm gonna do is I'm to move the kneecap over a little bit like that and I'll show

a little bit more of the calf form or the calf shape on both sides so it'll angle out like that there

and a little angle like that on the other side

and maybe I'll kind of move the thigh over a little bit more

into the front of the Shin

that is going a little bit too thin.

So I'm gonna actually beef up this leg just a little bit more so bring the calf out a little bit more

like that.

Bring it back in.

Same with the thigh.

Feel like the side looking a little bit too thin for what I want the character to look like

great.

Then we can go ahead and kind of sketch that foot in so at kind of a three quarters view of this foot

we kind of get the ball the foot right there or the heel and the ball of the foot.

We'll have it down here because we'll make it kind of a little bit more of a down angle on the foot

angle and like that then we get the front toes kind of a pointy shape like that.

Something like that will work go and draw the other foot so this foot is gonna be kind of lifted off

the ground a little bit.

So we'll kind of get a shape like that.

We'll go ahead and draw the sand so the thumb coming off like that.

The front of the hand

have a few fingers to some kind of a neutral pose like that

and this arm could actually probably angle out just a little bit more.

We could see a little bit more of that.

All right great.

So there is a pose it would just drew really without looking any at any reference.

I'm just based off the stuff we've learned.

There's a few things going on here that we haven't learned about yet but we'll talk about that in future

lectures.

I just wanted to have a chance to help you take everything we've learned and put it together so all

the different parts of the body I wanted to show you how to do that.

All right.

That brings us to the end of this lecture.

Thanks for watching and I'll see you guys in the next 1.