All language subtitles for 053 Learn To Draw Arm Leg Poses.en

In this lecture we're gonna be talking about how to kind of rough out the poses for arms and legs.

So up to this point we've been drawing some poses for the different parts of the bodies but we've been

making some really fine finish and in reality we don't need to make them find it finished.

So we're going to start talking about how we can just quickly Ruffin and sketch out poses that look

good.

So I showed you the lightning bolt technique and I showed you the shape technique how we can build things

from the lightning bolt or the shapes.

And so for example let's start with the arm so we can just really roughly start sketching things out.

And I want you to start getting used to roughly sketching things out so I can start with a shoulder

right there.

All right.

And then I'll just do my lightning bolt.

So it'll go like this back then back up for the biceps and then we get the forearm right there.

Just like that.

And so now we can go ahead and turn this into the bicep and turn this into the forearm that

we can sketch in sort of a rectangle FOR THE HAND THERE WE CAN sketching some fingers and stuff.

I won't get too into that right now because we haven't really talked about the hand yet but we're just

very roughly blocked it in Canada neck and.

Head

collarbone

shoulder we'll get kind of cut off right there that's the shoulder muscle and we get the Peck here

get this muscle under the arm

biceps

and we want to make sure we kind of add a point here for the elbow.

Right.

So there's a very rough sketch.

It's very quick but just based off of what we learn on how to draw these things we can roughly sketched

out by using that label effect.

We could do the same thing with the shape.

So for example we could start with the shoulder and then we could do let's just do kind of another oval

like this if we wanted to we could do more of a rectangle.

It's really up to you.

We're going to turn into a circle anyway.

So either way and we go ahead and do kind of a tapered sort of shape like that then we can kind of sketch

in just and over it there for the fist and we're just drawing somebody that's flexing.

All right.

So we can go and just kind of put all this together

put a crease right there

or just kind of draw shape like that to represent the fist we haven't gone into drawn the hand yet.

So let's not worry about that yet.

We get the elbow kind of makes a shirt point like that

right.

If we want to we can kind of divide the up.

You can kind of see the difference between the biceps and all that good stuff.

We get the collarbone.

Get the pack.

Rib cage.

It's muscle under the armpit.

And then you also get that back muscle there.

All right.

Let's try some legs.

So let's go ahead.

Let's draw some ladies.

Let's do something like this from the backside.

So even though you don't understand about balance and stuff like that.

Yeah.

And poses that's OK.

We're just gonna.

I'm just trying to demonstrate to you the different pose we can draw and how we can simply and quickly

draw them out.

So I'll start by drawing two ovals like that for the buttocks and then but I guess you could say and

then we want to go ahead and do a line like this.

Well actually true that out just a little bit more because we can have this person kind of lean

draw a line come straight down

sketch something out for the calf

and then we'll have this leg just kind of coming inwards

so that protrude out just a little bit but I don't come in like this

sketch out an ovary there for that calf.

At the waist and then we can just go and darken in our lines and you can see how we would just follow

we could just follow the lightning bolt effects and just go like this.

And then back up down there.

Same with on this side.

And then it kind of gets covered by that legs you wouldn't see it as much anymore

the caffeine

crease right under here underneath the but

that's probably a little bit straighter.

All right great.

Let's go ahead and draw one more pair of legs so maybe this side will draw something kind of more from

the side.

So go ahead and just start by sketching out a circle for the butt and then I'll draw my lightning bolt

effect.

So come down like this come back up and back.

Oh

and I actually want to kind of bring the calf back a little bit more because I want to capture that.

That s curve if you remember

you'll make this circle a little bit bigger.

Can kind of sketch out the body.

I'm going to make this person standing on their tippy toes and we'll see their other leg too it won't

just be one leg

it's just kind of sketch something out for the ankle.

Sometimes the calf when you're looking at it from the side it's almost very angular like that

I mean go ahead and darken in some of these lines and not kneecap

sketch out our foot right up in here and to the calf.

The calf is just a little bit too big.

Something kind of soften it out a little bit and go and draw the back leg.

So the backlog is gonna be kind of so behind this.

It will kind of fall out right here.

The knee will be angled out just a little bit further than the other leg will come out right here

this leg the toes will just barely be touching the ground.

Most of the way is gonna be on this leg right here

all right.

We just want to rub that out even if it looks kind of bad that's okay cause you're gonna start kind

of shaping it up a little bit better now.

So we can go ahead and draw the front of the thigh right there and get that point there for the kneecap

this line for the front of the shin.

Just a simple shape for the foot like that

it's kind of just sketched the ankles in here

sometimes adding a shadow on the ground really helps kind of ground

your finger

right.

Great.

There we go.

So just remember that when you're drawing the forms you really just want to focus on the shapes or the

lines so for example the lightning bolt line or the if you're doing like arms for example the rectangle

and then kind of this trapezoid type shape something to represent the face and the shoulder.

It's really about just trying to break everything down into really simple shapes and forms and then

from there we build on top of that we can add all the lines it kind of smooth it out and make it look

good.

All right.

Thanks for watching this lecture and I'll see you guys in the next one.