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All right.
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Let's go ahead and let's finish off these roughs so using a dark graphite pencil.
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I'm going to go ahead and just basically go back over my lines and darken in the ones that I want to
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keep and the ones that I want to forget about.
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I don't want to be as noticeable.
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I'm not going to darken those.
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So for example the circle we drew for head or the center line of our face.
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We're just going to keep those blue but I'm not going to go over them with a dark pencil.
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So things that we want to go over with a dark pencil for example we're gonna be her eyebrows.
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Now always remember you can turn your paper if you need to in order to get the right angle.
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You always have to keep it facing you so let's just go ahead drawn that eyebrow just like that.
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And as you can see if you look closely you can see that I kind of drew the eyebrow coming out there
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and a little bit there and with my dark pencil I can go ahead and finalize where I want that to be.
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So in this case I actually wanted to follow this type of a line.
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So that's what doing the under drawing or the rough is all about.
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It's about trying to place everything about where you want it and then you can come back in and change
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things once you come in with your darker pencil.
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And I go ahead and just darken the eyebrow and like that I'll do the same thing with the other one
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just like that.
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Great.
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All right let's go and work on her eyes now.
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So I'm just gonna basically come in here and just darken and what I already have there I like.
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I like the shape and the curve of the eyelid there and then I'm just gonna go ahead and add kind of
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an eyelash shape.
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I want to have a line come off like that and then I'll just kind of follow this back in the same curve.
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But I'm going to have it taper as it gets back towards the edge just like that
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they can go and fill that in and sharpen my pencil a little bit.
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Some of these details you want to make sure they have a nice shirt pencil.
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All right.
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Great.
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Next let's go ahead and do the other one
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that will add a little bit more curve to that edge of the eyelash because we're kind of seen at a little
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bit of a different angle.
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Perfect.
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Now we can do the bottom eyelid so I'm just going to do kind of a dark line at the bottom like that
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but I'm not going to have it finish all the way around the I want to keep this kind of stylized and
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the animation style so I want to keep it something like that
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and I'll do a line short they're just kind of encased that part of the eye and then we want to make
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sure that the shape right here is around because the eyes of sphere.
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So since we're seeing the edge of the eye right there we're actually going to get that nice round shape
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that we can go ahead and we can outline the IRS want to keep it nice and dark and kind of sticking it
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up a little bit as well
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then let's go ahead and a pupil like that.
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So since we're seeing that one from this side just like the IRS we're gonna see that and kind of more
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of an oval shape.
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And then over here her pupil might be a little bit more round.
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And then we can go ahead shade that in and give her dark eyes
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perfect.
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Then we can go ahead and outline her head
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never to follow this line out here instead of the inner line because remember how he wanted to round
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her cheeks out a little bit more make him feel a little bit more full.
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Just like that I'll turn my paper so I can get this nice curve right here.
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Great.
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Go ahead and draw that you're in
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that we can go and draw her sideburns in so as you can see some of these curves.
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I don't like as much so for example that curve right there I don't like it as much and so I just went
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ahead and I drew a little bit out further from that blue line and so I'm just changing things as I go.
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Things that I want to change.
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So you might see things like that in your drawing that you want to change and you're more than welcome
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to go ahead and change those things or maybe you feel like you didn't draw it right.
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So you can change them now and it's actually a little bit easier to change things now because you actually
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have a reference point you have a drawing that you're basing it off of it's almost like tracing a drawing
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but as you're doing it if there's something you want to change you can go and change it to her hair.
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You bring that line up.
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We can go ahead and draw her neck in
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maybe we'll bring her shoulders up just a little bit so her neck isn't so long.
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Think it's looking just a tiny bit too long.
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So there's another change I'm making from the blue drawing
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and I'll go ahead.
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I'm going to move this over as well.
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I think that this needs to be a little bit more centered.
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Her collarbone that will bring that line down like that.
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Let's go ahead and work on her nose so there's no particular order you need to do this and you can do
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in whatever already want.
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Obviously you're going to want to follow along with me on this one.
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But when you are designing your characters there's no order you can just kind of jump around wherever
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you want forever you think things need your attention
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yes go ahead to her mouth
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draw teeth in
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and then lastly if we want to we can just kind of go ahead.
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So like I said maybe she's a go so I'm just gonna kind of outline her with this sort of blue sort of
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staticky line around her
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so it kind of goes straight and follows it and then maybe we kind of get a little bit of a zigzag shape
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in there.
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I don't know.
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Just an idea I had and that's what character design is all about it's all about just trying now ideas
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like cool.
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We wanted to we could actually go ahead just give her a cast shadow on her neck like that.
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I use my blue pencil first just to see how it looks and if you're using just one pencil then you just
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want to draw it and lightly see how it looks and then go ahead and finalize it by drawing it and darker.
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Great.
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And then we could also do a little bit of blush on here.
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So we're just kind do some lines across like this and shade that in lightly.
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So I'm just not pushing very hard.
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Kind of get that blush in there makes our character look a little bit more interesting.
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Also go ahead and give her eyelids.
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So I just do a line kind of coming off like this that kind of follows the curve that I and it's just
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coming right off the top.
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So it's not showing the entire eyelid it's just coming right off the top.
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Just a simple line like that.
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Perfect.
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All right.
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I think this character is looking pretty good now.
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So next let's go ahead move on to our other character.
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We're just going to do the same thing.
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So go ahead make this kind of quick I'm just gonna have a sling come off like this and I'm noticing
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that his eyebrows should actually kind of be up here actually because he's kind of scowling his eyebrows
108
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would actually be kind of off of the brow bone.
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So this actually works just fine.
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So I get to go and leave that where it is and add an eyebrow and as you can see I'm just keeping it
111
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nice and sketch I don't I don't need these look like super polished finished pieces of work I just want
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them to be kind of sketches of character designs.
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We will talk about how to create finished character zines throughout the course and other styles of
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character design such as realistic ones.
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And we'll talk about things as well like how to add color and How to Choose color and texture and all
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that good stuff.
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But for now we're just gonna focus on drawing because that is the most important part of character design
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is the actual drawing itself.
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And I know a lot of you actually probably aren't even that interested in the color aspect of it or the
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digital aspect of it and that's why I also save that for the very end of this core.
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So you're interested in that.
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You definitely gonna want to wait till the end of the course to get to that stuff because we will be
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covering all of that.
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All right then I'll go ahead and do other side of his face
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give him his mustache
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go and draw that nose in.
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So this guy there's not really anything I want to change I was kind of keeping everything exactly where
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it was.
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You will give him a little bit bigger of a nostril hole like that so I can kind of see up in there.
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Driver is Chin neck.
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Go right into the shoulders
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and give him these curly chest hairs and I know those don't look very real but that's just part of the
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style that I want to create for this character.
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Nick Gunn picking up those eyebrows a little bit more
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like that better.
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All right great.
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So there we go.
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There's two character designs your first two character designs who maybe design character before but
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for some of you this is your first two character drawings.
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So what I wanted to do is a way to go ahead and take a picture of this and scan it in to the Q and A
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section of the course because I would love to see what you guys are creating.
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That brings us to the end of this lecture.
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Now just remember that if yours don't look just like this or they don't look as good it's not that big
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of a deal.
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You're going to learn a lot throughout this course and you're going to learn how to get better.
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So don't feel like your drawings have to look exactly like these ones.
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And if you want you can even change some stuff about these or try redrawing them and changing some stuff.
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Thanks for watching this lecture and I'll see you guys in the next one.
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