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[EERIE MUSIC]
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NARRATOR: There is a fifth dimension
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beyond that which is known to man.
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It is a dimension as vast as space
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and as timeless as infinity.
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It is the middle ground
between light and shadow
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between science and superstition
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and it lies between
the pit of man's fears
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and the summit of his knowledge.
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This is the dimension of imagination.
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It is an area which we
call the Twilight Zone.
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Two, three, four.
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One, two, three.
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Mrs. Chester, have you
ever read David Copperfield?
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How's that?
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It's a wonderful book.
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There's this poor little
fella and his father
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has passed away and
his mother has married
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this miserable man called Murdstone.
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Isn't that a villainous name? Murdstone.
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Well, this Murdstone
has a sister called Jane...
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Mr. Bemis, you shortchanged me again.
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You owe me one more dollar.
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See? There's only 24 here
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and there should be 25.
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Oh, I'm terribly sorry,
Mrs. Murd... er, uh...
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Mrs., uh, Chester.
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I thought there was five ones
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and there's only four.
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I thought I'd given you five.
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I'm terribly sorry. Then there's
another funny character,
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called Micawber, Mr. Micawber.
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And he's always being
sent to debtor's prison.
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Hm!
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Then there's another
character called Peggoty.
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That is David's...
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Nurse.
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[SIGHS] Oh, well. [MUMBLES]
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Yes, sir?
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I wonder if I might see
you in my office, Mr. Bemis?
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Why, certainly, Mr. Carsville.
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I don't suppose
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you've read David Copperfield?
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No, Mr. Bemis, I have not.
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Now if you'd kindly
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accompany me.
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NARRATOR: Witness
Mr. Henry Bemis, a charter member
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in the fraternity of dreamers.
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A bookish little man
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whose passion is the printed page
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but who is conspired against
by a bank president and a wife
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and a world full of tongue-cluckers
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and the unrelenting hands
of a clock. But in just a moment
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Mr. Bemis will enter a world
without bank presidents,
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or wives, or clocks, or anything else.
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He'll have a world all to
himself, without anyone.
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PRESIDENT: Now, Mr. Bemis
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I shall come to the point.
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I shall arrive via the following route
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which is namely, "What constitutes
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an efficient member
of this organization?"
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Viz, a bank teller who
knows his job and performs it.
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i.e., an organization man
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who functions within an organization.
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You, Mr. Bemis, do not function
within the organization.
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You are neither an efficient bank teller
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nor a proficient employee.
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You, Mr. Bemis, are a reader.
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A "reader"?
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A reader!
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A reader of books, magazines
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periodicals, newspapers.
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I see you constantly going downstairs
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into the vault during your lunch hour.
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Ultimatum, Mr. Bemis!
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You'll henceforth devote
your time to your job
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and forget reading, or
you'll find yourself outdoors
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on a park bench reading
from morning till night
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for want of having a job.
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Do I make myself perfectly clear?
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That's perfectly
clear, sir. It's just that,
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just that what, Bemis?
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Make it quick and get back to your cage.
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It's just that my wife
won't let me read at home.
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See, when I get home at night
and try to pick up a newspaper
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she yanks it out of my hand
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and after dinner if I try to find
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a magazine, she hides them.
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Well, I got so desperate
that I found myself
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trying to read the labels on the
condiment bottles on the table.
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Now, she won't even
let me use the catsup.
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Unasked, I give my reaction to this.
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Your wife is an amazingly bright woman.
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I remember last November
you spent the days
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reading campaign buttons
on customers' lapels.
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You will recall the lady
who took exception to this
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and tried to hit you with her umbrella.
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Yes, I remember that.
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I never got a chance to tell her
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that I was only looking
to see who she voted for.
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Good day, Bemis.
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[CLEARS THROAT]
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[STARTLED GASP]
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WIFE [SHRILL]: Henry!
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Henry!
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Yes, dear? I'm in the living room!
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You want more coffee or don't you?
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No, thank you, dear.
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But then why don't you tell me that,
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and don't sneak off into the loving
room to bury yourself in newsprint?
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I think we've been over
this quite enough, Henry.
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I won't tolerate a husband of mine
sacrificing the art of conversation.
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[CHUCKLES]
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All right. What's so funny?
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No, no, dear, it's just that
you said "A husband of mine."
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How many husbands have
you got? You've only got me!
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I would appreciate that not
being rubbed in! [BEATS NEWSPAPER]
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We're playing cards tonight. I
want you to change your shirt.
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We're going over to the Phillips' house.
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Oh, dear.
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All right, Henry. Anything to say?
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No, dear, nothing to say.
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What time do we do that?
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In about 15 minutes.
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I'll be ready on time.
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See that you are!
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[STARTLED] Oh!
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Henry?
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Yes, my dear?
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What have you got, Henry?
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Got?
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Got!
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Nothing, my dear.
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What's this?
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What, that?
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This!
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Isn't that odd?
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How did that get here?
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I can only hazard a guess.
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"A Book of Modern Poetry."
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Yours, Henry?
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Would you like to read me some?
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Read you some?
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Do you mean read you
out loud out of the book?
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Do you want to?
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Oh, I would love to.
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You know, there are
some lovely things in here.
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There are one or two
things from T.S. Eliot
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and Edna St. Vincent Millay,
Robert Frost, Carl Sandburg.
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Helen.
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Who did this, Helen?
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Who do you think did it, Henry?
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You should thank me, really.
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A grown man who reads silly
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ridiculous, nonsensical doggerel.
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This isn't doggerel! There's
some beautiful things here.
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I say it's doggerel.
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And I also say it's a waste of time.
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Helen, Helen, don't do that!
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Helen, please don't do that!
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Why, Helen?
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Why do you do these things?
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Because I'm married to a fool.
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[CRASH]
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[EXPLOSION]
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CARSVILLE: I can only tell you
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that in adherence to duty,
a constant remembrance
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that a bank, like a political
office is a public trust.
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These things are of the essence.
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These things are basic above all things.
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Just the qualities I've mentioned.
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Miss Jackson, that's my speech
for the Thursday night banquet.
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Would you type that...
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[EXPLOSION]
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NARRATOR: Seconds, minutes, hours,
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they crawl by
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on hands and knees for Mr. Henry Bemis
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who looks for a spark
in the ashes of a dead world.
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A telephone connected to nothingness.
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A neighborhood bar, a movie
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a baseball diamond, a hardware store
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the mailbox of what was once
his house and is now a rubble.
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They lie at his feet
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as battered monuments
to what was, but is no more.
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Helen!
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Helen!
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Where are you?!
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NARRATOR: Mr. Henry
Bemis, on an eight-hour tour
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of a graveyard.
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They're all dead.
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They must be.
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Everybody's dead except
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me.
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I'm all right.
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Why am I all right?
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I was right there in the middle of...
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The vault!
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I was down in the vault.
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That's why I'm alive.
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I went down in the...
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The thing of it is, though,
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the thing of it is
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I'm not at all sure
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that I want to be alive.
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Well, I'm not going to
starve to death anyway.
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Lots of food.
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00:15:55,139 --> 00:16:00,060
Food enough to last for
years and years and years
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and years.
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00:16:07,193 --> 00:16:09,485
All the food I can eat.
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All the food
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and more too.
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00:16:22,206 --> 00:16:25,584
[HUMMING]
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Let's see, the worst part,
the very worst part
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00:16:40,223 --> 00:16:43,100
is being alone.
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00:16:43,184 --> 00:16:47,062
Is this how it's going to be
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00:16:47,146 --> 00:16:49,772
sitting around day after day
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00:16:49,856 --> 00:16:51,983
eating?
218
00:16:52,067 --> 00:16:54,193
Smoking a cigarette.
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00:16:54,277 --> 00:16:58,489
Reading the same half of a newspaper
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00:16:58,573 --> 00:17:01,742
over and over,
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00:17:01,826 --> 00:17:05,537
and over
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00:17:05,621 --> 00:17:08,332
and over again.
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00:18:10,140 --> 00:18:12,099
[HORN HONKING]
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00:18:16,145 --> 00:18:18,355
[ENGINE SPUTTERING]
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00:18:38,833 --> 00:18:41,292
Is someone there?
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00:18:41,376 --> 00:18:43,753
Please, someone!
227
00:18:43,837 --> 00:18:45,838
Is someone there?
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00:18:45,922 --> 00:18:48,841
Someone!
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00:18:48,925 --> 00:18:51,844
No. No. No.
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00:18:51,928 --> 00:18:56,890
No. No, that doesn't make any difference.
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00:18:56,974 --> 00:19:00,686
No, it doesn't. It doesn't
make a bit of difference.
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It's quite all right.
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00:19:02,480 --> 00:19:04,856
This is solitude.
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00:19:04,940 --> 00:19:08,985
I've never had much solitude.
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00:19:09,069 --> 00:19:14,657
I have enough to occupy
my mind and my time.
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00:19:14,741 --> 00:19:17,910
I have enough food
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00:19:17,994 --> 00:19:20,037
and I'm really very fortunate.
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00:19:20,121 --> 00:19:24,874
Yes, I'm really extremely fortunate.
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00:19:24,958 --> 00:19:27,919
Help. Help. Help.
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00:19:28,003 --> 00:19:30,714
Someone, please! Someone!
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00:19:30,798 --> 00:19:32,757
Please. Please, someone!
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00:19:32,841 --> 00:19:35,801
Someone! Please!
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00:19:35,885 --> 00:19:37,052
Someone, please!
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00:19:37,136 --> 00:19:39,055
Someone.
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00:20:00,492 --> 00:20:02,618
[SUSPENSE MUSIC]
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00:20:17,173 --> 00:20:21,927
If it just weren't for the loneliness.
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00:20:22,011 --> 00:20:25,931
If it just weren't for the sameness.
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00:20:26,015 --> 00:20:31,853
If there were just
something to do, do, do.
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Oh, well,
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I'm sure I'll be forgiven for this...
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The way things are.
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I know I'll be forgiven.
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00:21:15,769 --> 00:21:20,399
Collected works of Dickens!
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00:21:20,483 --> 00:21:25,694
Collected works of George Bernard Shaw!
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00:21:25,778 --> 00:21:27,363
Poems by Browning!
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00:21:27,447 --> 00:21:31,033
Shelley, Keats.
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00:21:31,117 --> 00:21:33,869
Great dramas of the world!
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Books. Books.
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00:21:35,538 --> 00:21:37,581
All the books I'll need.
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00:21:37,665 --> 00:21:39,040
All the books
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00:21:39,124 --> 00:21:41,292
all the books I'll ever want.
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00:21:41,376 --> 00:21:45,422
Shelley, Shakespeare, Shaw, oh.
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00:21:45,506 --> 00:21:47,882
All the books I want.
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00:21:47,966 --> 00:21:49,884
All the books.
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00:21:49,968 --> 00:21:51,094
Ah.
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00:21:51,178 --> 00:21:53,137
[SIGHS]
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January,
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00:21:55,473 --> 00:21:57,474
February, March,
269
00:21:57,558 --> 00:21:59,435
April,
270
00:21:59,519 --> 00:22:01,395
May,
271
00:22:01,479 --> 00:22:03,897
this year,
272
00:22:03,981 --> 00:22:06,232
the next year,
273
00:22:06,316 --> 00:22:08,067
and the year after,
274
00:22:08,151 --> 00:22:10,903
and the year after that,
275
00:22:10,987 --> 00:22:14,240
and the year after that.
276
00:22:14,324 --> 00:22:15,951
Ah.
277
00:22:27,378 --> 00:22:30,089
[CHUCKLES]
278
00:22:33,341 --> 00:22:35,926
Oh.
279
00:22:36,010 --> 00:22:40,473
And the best thing,
the very best thing of all.
280
00:22:40,557 --> 00:22:43,142
Is there's time now.
281
00:22:43,226 --> 00:22:47,687
There's all the time I need
and all the time I want.
282
00:22:47,771 --> 00:22:51,941
Time, time, time.
283
00:22:52,025 --> 00:22:56,738
Ah, there's time enough at last.
284
00:23:01,659 --> 00:23:02,994
[CRASH]
285
00:23:20,594 --> 00:23:22,803
That's not fair.
286
00:23:22,887 --> 00:23:26,807
That's not fair at all.
287
00:23:26,891 --> 00:23:29,976
There was time now.
288
00:23:30,060 --> 00:23:33,980
There was, was all the time I needed.
289
00:23:34,064 --> 00:23:38,818
[SOBBING] It's not fair.
290
00:23:38,902 --> 00:23:43,364
It's not fair.
291
00:23:43,448 --> 00:23:46,992
NARRATOR: The best
laid plans of mice and men
292
00:23:47,076 --> 00:23:49,537
and Henry Bemis
293
00:23:49,621 --> 00:23:53,999
the small man in the glasses
who wanted nothing but time.
294
00:23:54,083 --> 00:23:58,503
Henry Bemis, now just a part
of a smashed landscape
295
00:23:58,587 --> 00:24:01,005
just a piece of the rubble
296
00:24:01,089 --> 00:24:06,010
just a fragment of what man
has deeded to himself.
297
00:24:06,094 --> 00:24:09,555
Mr. Henry Bemis, in the Twilight Zone.
298
00:24:14,352 --> 00:24:17,729
PRESENTER: Rod Serling,
the creator of Twilight Zone,
299
00:24:17,813 --> 00:24:19,773
will tell you about next week's story
300
00:24:19,857 --> 00:24:22,568
after this word
from our alternate sponsor.
301
00:24:22,652 --> 00:24:24,902
PRESENTER: And now, Mr. Serling.
302
00:24:24,986 --> 00:24:28,489
Next week we enlist the
considerable literary talents
303
00:24:28,573 --> 00:24:30,950
of Charles Beaumont
and invite you to join us
304
00:24:31,034 --> 00:24:33,244
in a strange and shocking dream.
305
00:24:33,328 --> 00:24:38,540
Our story is called "Perchance to
Dream" and stars Richard Conte.
306
00:24:38,624 --> 00:24:43,378
I hope you will be able to join next
week's excursion into the Twilight Zone.
307
00:24:43,462 --> 00:24:46,507
Thank you and good night.
308
00:25:28,921 --> 00:25:32,757
PRESENTER: Kimberly Clark
invites you to watch Steve McQueen
309
00:25:32,841 --> 00:25:35,259
in Wanted Dead or Alive
310
00:25:35,343 --> 00:25:38,221
Saturday nights over most
of these same stations.
21931
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