All language subtitles for 28-Creating our trees Part1

Okay.

So now that we have a custom taxes done.

What we are going to do in this chapter is we are going to get started

with a 3 now.

In speedtree literally has the name in it.

You can go from simple trees all the way to super-advanced tree.

So we are going to keep it nice and simple.

So we want to get started with a blank and most of the techniques that

we will be using here.

They will actually, you will already know them because we've sort of

use them although in different ways with our other foliage.

So we start with three now.

The way that it's, we will go very easy.

You have a trunk, the trunk will have punches, and then normally those

parties will have even smaller branches.

And those parties will have like even smaller ones and have leaves

week.

I'd like just need to decide how many levels we go up before we switch

out our geometry, branches for our texture punches.

So, you can if you want you can even do it at like, the very

beginning, if you, for example, creates more different textures and

then you can get something for example.

I think it's like this one here.

This is like an ensample that comes with speedtree.

So over here.

This is, for example, an extreme example, if you want to optimize

where it only has one geometry brunch and then it already goes over

into texture.

See, but now I want to go for a little bit higher quality because this

does not look super nice.

So just keep that in mind.

Now, I'm going to close this and let's just get started without.

So we want to right-click and we want to get started with a simple

trunk.

Just going to go.

Go over here because this one might be nice.

It's all.

Yeah, I want to kind like go for not too tall.

So just going to be like, quite a basic tree, like having a little bit

of empty space at the bottom and then it just kind of like Branch out

and it just has like a bit of like the classic tree shape to get

started with.

So I just want to have a look and see how these ones look.

So we have alt split and towel splits pretty cool because it like

splits off.

But let's try it all over here.

That's often like quite an easy sample here.

If you do the split one.

Let's hide this.

Yeah the split when I think what you need to do is we need to like

have them another branch on top of it.

So but we are just going to go for this one.

I actually started to split one with go on longer.

But oh well anyway, so we have over here are tongue.

That's totally fine.

Not to special if you want you can play house with it.

I don't really care here.

You can see like, yes the length.

It is very, very large.

So I guess, what you can do is you can

Try and set the length over here to like only 30.

And then maybe like play around a little bit more with like your skin

by setting it a little bit lower.

And if I see this, I feel like that.

Maybe what I want to do.

See, let's start with the base.

And then if I click on the ear, I feel like I want to just go ahead

and just maybe like, move this up so that it does not go into a point

too quickly.

There we go.

So, yeah, you can also do these kind of Curves.

You can all find them down here.

Here, you can find all types of different curves.

So yeah, that's looking pretty good.

Now, we are going to get started with our first base of barge.

So if we go in here, let's see if we just have like a branches and

We could again liked why this one and that will give us like a wide

like a pretty solid base.

So for these barges.

They seem to be quite long already at the base and then they become

smaller.

So that's something that I want to do and it's mostly in the length.

So, if we go to our length over here, based on parents, I'm going to

set the default length a little bit smaller.

And then I'm going ups and then I'm going to go in here.

And yes, I'm going to make these.

I can like a little bit smaller.

So, that is pretty good.

This one is really long.

Although that might actually be interesting.

But what I'm curious about, is it, oh, yeah.

This is why this really long because of this one like this.

Now, to get the randomization in here, you can also click on this

button next to this.

And here you have variance which will give you like a little bit of

randomization.

I don't know why I did not use that one before you could have actually

also uses on the car.

So I completely forgot to use this on the cars to be very honest, but

it is here.

So you are able to like art some of had in a variance and you could

also do like a distribution.

But yeah, I'm quite happy with that.

I think.

Yeah, so we have this one.

Now the next thing that maybe it might be nice if we do like some

breaking.

If you like go down here and let's just see.

Wait.

Let me just move this over here.

That's a knockout.

Where is my?

Over egg.

Oh God, I way forgot.

Shape, Shake sack.

Oh, yeah, here's the break.

So I just want to see if I have like a chance.

Oh, actually, you know what?

That's would like, cut them away quite quickly and that case I'm not

going to do that.

So I'm going to leave it as this and I most likely will need to do one

more level of branches.

By the way, these parties right now.

Everything is quite High Poli.

So what you do want to do with your tree like normally with our garden

having this not really problem.

But which are three.

I want to always just double-check my Tris and then I want to go into

my segments and I tend to often set my accuracy.

A little bit lower.

And then set my radial over here.

Sometimes a little bit lower.

Now, I think actually this one's fine.

But in your big partition would set your radio your little bit thinner

to minimize the geometry amounts.

And then I want to go ahead and nail.

So,

See ya.

Actually, I don't really care too much about EXO, see right now, but I

could also go over here and just sit like the relative, which will

basically just reduce the amount of

My branches, so that's looking pretty good over here.

You can see that we have like this ends.

If you want.

You can right, click add selected object in your cart, a not unknown,

not a not a cap over here and that will basically just end these ends

properly.

See, and it will not just be a square.

It will just nicely try to like move it into a point is, if that it is

still growing.

So that's quite nice.

If you just want to cap it off and then if we go back to our big

bunches we can now right-click.

ultimately should to selected and I'm gonna go ahead and I'm gonna go

for

maybe some custom punches or we can go in here and we can go for like

little bunches.

Yeah, let's do little bunches over here.

This one might actually be, I'm just gonna quickly go to note and I'm

going to set the length a little bit in.

There you go and then go back to generator for just one branch.

That's not really a poem.

Okay.

So we got a little branches and on here.

We are going to have a Texas now.

First of all, so yes, I like that.

We have like a lot of space or a lot.

A little bit of space down here.

I'm going to go to my generator settings, and I'm going to set my

first

Probably down a little bit.

Because it looks like over here.

These punch happen quite often like not too often.

So it's still like a little bit out.

But I want to try and get them quite close to like the beginning.

Next to this.

Let's have a look.

I'm going to I think yeah here at the top.

I don't really like them.

So they are only sitting at the top right now.

Frequency.

I don't really mind just having.

I'm just having a tank here because as you can see over here, like I

don't have too much closer top.

So the select, let's set my last little bit down.

Then let's go into my spine and let's set my length, maybe like a

little bit up over here just to give them a little bit more space.

And I think I'm now just need to start adding my texture because else

it will be very difficult to see what I'm doing.

So, let's go ahead and just get started by

Adding textures.

If we go to our materials.

We can add two new materials.

One we can call back.

The other one we can call Crunch now for about material.

What we can do is we can just import the one that we got from

textures.com.

So let me just navigate to it.

Click, oh God, no, nothing no, nothing.

Our opacity in a normal map.

And if you want in your office map, so this one, we can just drag onto

the tongue and replace the barge material also.

So this like our base bark over here to looking totally fine, seems to

work so 0 and we want to also probably just drag it onto our cap.

Like that's.

And now what we can do is we can go ahead and we can go to our Branch

turn on two-sided.

And now, if we go, I'm just navigating to it.

So that's why it takes me.

Second.

We can grab our base color.

Opacity.

Normal and roughness and we have them set the two-sided.

So that's looking pretty good.

In as for a cutout meshes.

Let's press edit and let's have a look.

So

Yes, you can keep it a plane.

But I do personally prefer to always just give it a little bit of

extra geometry.

It is needed anyway, because what we're going to do is we are going to

smooth that we are going to do some tessellations that we actually do

have like a little bit of room to move his round.

So let's go for something like this.

We shut the tessellation little bit and then what we will do is we

will rely on are all these two pushes down quite quickly.

So we now have this one over here, which is our Leaf.

So now we can pretty much just work on that, so we can go to our

little, right, click our geometry.

And if we, for example, once again, go to leaves, you can play around

with this and I don't need to alternating so maybe we can just go for

like scattered leaves and see how those work.

So, these leaves they will have smaller branches to them.

So they are actually going to become a little bit bigger.

So what I'm going to do is I'm going to go in here and I will will

first go.

Let's see.

Let's first go to skin set the size of the leaves, a bigger.

Let's go to generate and just set the number.

And it is using my favorite which is proportional.

And I just want to go ahead and I want to have them all like sticking

a little bit forward.

So I want to go to my online.

Over here.

And do like a little bit like this.

And now, if we are to our Branch texture, you can see that.

So this is now the texture that we created.

Which works really nicely because it is the same text Branch textures

over here.

So we just need to go ahead and we need to make it look a lot Fuller

compared to what we have over here.

So that's why I wanted to also have some like quite close.

If I have a look at this.

I'm going to go ahead and I'm going to, hmm.

Yes, I can add more little branches over here.

Although, I, by the way, I do need to go into my segments.

and I need you like set my

relative quite a bit down.

Although it.

Looks like it cannot go down, much more set.

My optimization over here up.

So this will do like some general optimization.

You see, now we are only at like 4,000 Tangles, although 4,000 might

be little bit.

Too little, there we go.

And I'm gonna go into my leasing this like, it is a little bit fiddly.

We just basically want to just go back and forth and just see what

works.

So over here.

I got like go of course with my size.

But if I go to large my size, you will get this kind of stuff.

We're just like you can easily still see gaps in the tree and it just

doesn't feel really nice in general.

So instead.

Let's go ahead and let's say.

Okay.

So let's first of all, just finish off some stuff over here.

So the size over here.

I'm fine with that.

I'm going to, I don't think.

Yeah.

Here collection.

We need to have Collision turned off in this case because else it will

just look even worse.

I'm going to go ahead and go to my orientation.

And I'm just basically playing around a little bit.

With the pieces, folding is one that I want to like play around to it.

Curling over here, we can also do so that they can like go downwards.

We can give some like some twisting if we want.

Some kind of vertex.

Defamation is also nice.

And a scaling over here, you can maybe give like a little skill.

So let's try out a random stuff.

So if we go in here, here we can say we can give it like a little bit

of variance like this.

Just to randomize it a little bit.

I'm quite embarrassed now that I did not use this one too often for

the other pieces, but okay, so we got this and now I think that we

need to do is we need to rely mostly on our branches to fill in the

space a little bit better, especially down here.

So let's set the frequency.

Over here a little bit up.

You see?

Until we are starting to fill in the space and then we got something

like this now.

Next stop.

So that is already looking quite a bit better.

Of course.

I need to play how to my texture, like my actual texture itself.

I want to go ahead and I want to just work on the colors.

But if I see this, the first thing I think is going to leaf and

setting our number down a little bit because it is a little bit

Overkill.

Let's go for something like this, especially because once we have our

shadows and everything in here, we can probably hear if I go to post

and click on a ohia, see once you get like shadows in here.

It's already going to become a lot less.

So this is pretty good.

I'm going to now

Click on my large punch overhearing.

Go to note.

And am I able to select this one?

This one?

I feel like it's sticking out too far.

So, I'm just going to push it back in, and maybe like, play out a

little bit more with my angle.

And I feel this one sticking out also a little bit too far.

So let's also play how to that.

Because I still want to like have a little bit of you got didn't mean

to do that little bit of control over.

My parches.

But as you can see, you can very quickly generate a pretty

good-looking tree over here.

Now the trees has said before they can become very Advanced.

You can also for example, go to your trunk and you can go like I've

never will have not done this a lot, but

you can do like nuts and

over here.

I think I've what I need to do is I first of all need to like arts and

next up behind you this or what I can do is I can add probably like a

punch to this.

No, wait, I I'm just messing out with this.

So if you want you can ignore this, but there was like a way that you

can like art a bunch.

And for this Bunch, you basically go to generate and you set it to be

very, very low.

Like this.

And then you set the brake all the way up.

So here we have like one Bunch.

So let's say that we even go to like nodes and we

just change the position of it.

And after you've changed the position, you can go to spine and you can

go down.

And break it.

Which in this case, it does work, but not at a

Position, I want to come on.

There we go.

And then over here.

You should be able to act like a knot.

And not just the cap.

I know.

I guess it was a cap.

So, yeah, there you can add just like a cap over here.

And that will give you likes again like an interesting Loop, but it's

not going.

It's not looking as good as good as a dad, probably because the cap

material you would also you also want to have like a unique material

in this, but I just wanted to quickly show you that you can do stuff

like this, even though I personally don't find myself doing it too

often.

But yeah, you can like set the spot down and then you can go ahead and

you can just mess around with this at for example, it just it starts

like that nice extra bit of detail as if the day I used to be.

And she about to kind like got broken off.

So here that's like quite cool to have stuff like that.

Yeah, for the rest.

I think it's pretty basic.

You have your leaves at this point, you can generate whatever you

want.

So if I would just, for example, save my scene first.

That is not the one but not the correct folder.

Let's go in here saves a let's just call this 3 on the score 0 1

because I in my time lapse of my Forest I will most likely create a

few more extra trees.

So let's just save this but though she treats will just be generated.

So yeah, you can go in here.

You can also make use of forces if you want.

Now, in this one, first thing I would think of is to, for example,

like player how to little bit more with like my noise to give it like

a little bit.

Like an unevenness.

Which I'm actually going to probably leave here.

I quite like that.

So let's just save scene and let's say that this is now done and then

if you ever want to change it around, yes, you can do the tongue, but

I tend to just go for my big punches and then I just go to like my

Randomizer over here.

And the thing is you can also had the mice everything.

If you randomize everything into a little Aegis, randomize the entire

tree.

So if I press that one, here, you can see that.

It's just I think I even if I go one down here, see it randomizes the

trunk, it randomizes all the branches, it randomizes everything,

basically and then you can see that you can very quickly create

variations of a tree to fill in your Forest.

Like that's so we got this one.

I'm going to quickly.

Save 30 on yeah, I'm going to quickly like a reopen this that we know

I don't even say that to that.

We have like old version back.

So we got like this for