All language subtitles for 19-Creating our shrubs Part2

Okay, so let's continue with our swaps or bushes over there.

And yeah, this one is definitely like less straightforward and for

example, grass, or this kind of stuff or even IV because, yeah, you

guy like me to play around with it.

So, if I have a look at this, I don't really mind these bits too much

although I want to pinch off this sides.

So we are now basically going to go back and forth non-stop.

So we basically go in here and we just keep fixing stuff.

So the first thing I want to fix is our

to go into my trunk and I want to then go get rid of this.

Let's go into my scale and I'm going to go ahead and then like the

cough of my scale.

I'm just going to

Oh, hello.

Maybe I need to do my maybe I need to do to my radius.

I think that might be better.

Let's go into our skin radius.

Here, we do it like a little bit already.

That's odd a point here.

And then

Sounds just like in the site.

Yes, like that.

And I'm going to go ahead and let's see.

Yeah, that should work.

I still don't really like having these pieces over here, but I get

Yeah, that I might not be able to do much about it except for, of

course, clicking on it.

And then going into note.

Which still gives me like a strange bug.

Maybe the bug is when I hide my branch is that it works.

Better here that it then it works.

So I don't know why but you should be able normally.

Two.

Push this down but it seems like on our way it is because we are back

in generator mode.

There we go.

Yeah, see, I don't know what this is.

It might be like just a small problem or anything like that because

you can see that it does allow us to move the trunk.

So I guess that the Tog maybe it's like less settings.

Although I cannot remember that because there's no skill sets anymore.

So I'm just going to avoid it.

Sorry about that.

I don't know exactly why it is doing that.

But yeah, we just need to work with what we got.

Okay, I'm gonna go in my Leafs and I'm going to make my bunches quite

a bit less.

I'm going to go for like two and then if we just go and have a look.

So if I look at it from like this site.

Yeah, you know what?

I'm going.

You know, what?

I'm going to do.

I'm going to do it, probably bit different.

If I look at this, I can never see the large one.

So it might actually be beneficial for us to Simply hide them.

Who actually know that will not go over well down at the bottom, does

it?

That's unfortunate.

Then we can always if we want to we can cut them off inside of Maya.

That would probably like bees sting.

Also these punches, they don't go down very far down here.

So, let's see if we go to generate on a branch.

Oh, no, just had to the first so maybe if I just push down to get like

a more favorable position like this,

And then the last, you know, we also just want to like push this up a

little bit.

There we go.

Okay, I don't like this too much, why I would, this is a really tricky

one to get, right.

So let's say that we stay with this for now and I will just like tone

the generate later on.

The next thing that I want to do is I probably do not want to do the

same as with our IV, where we need to go on like a collision unless

that my unless that maybe looks good.

So, let's try it collision and then leave and that's it.

This to like 200.

You see, even adding even if I go like 500.

It would not be able to pop.

It does look nice in a way, but I'm not sure if this able to properly

catch every little bit.

But it does look nice because it looks more organized like this.

Another thing that I want ice, what if I just start my leaves to my

punches over here because technically these are also branches.

So I just wanted to see, it does mean that it gets extend out less.

So maybe in the end it might not be as nice compared to this.

No.

Okay.

So let's have a look.

I quite like the Collision in a way.

I'm gonna go ahead and I'm going to

Set.

My debts is really annoying that we are not able to probably change

that stuff.

I'm going to basically I want to push my last down a little bit so

that they are not sticking out too far.

So let's say that we have something like this.

It might it might seem like there's a lot of gaps in here.

But if you look at it in in real, you can already see that it is

really hard to look to it because of the Shadows.

So I hope that the same will happen right now.

So let's do this one as a prototype.

Let's do a

Yeah, okay.

Let's just do a save if this still, if this does not work.

Well, then I would probably end up recording.

This recording this.

So then you are guys will not even see what I'm telling you right now.

But if you do see this, it worked out.

So just know that.

Let's go ahead and let's now go into Maya so six.

Let's keep that in mind that we set this 26.

And I'm just going to do this very important or very fast.

So, we have this one.

six, Gopi, ungroup, deletes based

Excuse me.

Oh, it's because the scaling went one for some reason.

Six.

I said, thank you.

Let's try it again.

I'm group-based.

I would date.

And sign.

And expertise.

So it goes quite quickly.

Now, I can see those punches anymore.

That's interesting.

I wonder.

And wonder why they are because it did not hide them, but we'll see.

So, let's go ahead and go in here, and we basically just go to a scope

and I'm going to plus G to basically turn off my selection.

And I just want to re-import a see what it does.

Let's just press done.

Okay, so that does look a little bit better.

So as you can see here, that this little bit more organized and these

bunches do actually look like, they are kind of stretching out like

this.

Now.

I just want to see if I even need.

Do I need two barges?

Let's hide.

Yeah, okay, so I do need to punches because else it will be too

obvious that we do not have those the sticking out is looking good.

So I'm happy with that.

So from a distance, also, how does this read?

Pretty good?

And if I just very quickly, also, try it out with our painting because

that looks often a little bit better.

So if we go in here and set the scaling to like, 0.7 and 1.3.,

And the density, I'm just going to set to like three armed for now.

Let's go ahead and go to paint.

You'll see.

So this is what I mean.

That's because the distance field Shadows work differently.

Okay, so that is looking pretty good.

So if we like, when we cluster it, it does look quite nice as a

standalone.

It does not look as nice.

Yo, you really want to like clusters but we are going to have another

version of this.

So the only thing I would say is when having this is, I'm going to

move them a little bit closer together.

And I think, I think we are done ready for this one.

So I'm going to go in here, go to my trunk and I'm going to set the

last a little bit closer together.

Oh gosh, that's way too close.

Let's do like 0.2.

Maybe like 0.3.

And then maybe set the branches to like 12 to maybe if we are at a few

more and then compute its Computing.

All of the collisions.

That's why it is taking so long.

Okay, I think that does the trick down here.

We do have like a few leaves that are sticking out.

Now, you can always, of course, try to

go in here and set like the first back to zero, but the trick the

thing is that it didn't often does not.

Oh here this time.

It is even worse pushes up.

But but it doesn't really matter like we can remove these inside of my

outfit is needed.

So, okay, so we got this one.

I'm going to make one last thing.

I'm going to set the number of punches 217 probably just to fill it up

a little bit more.

hopefully, at least

Let's do 25.

Actually that's filled up like quite a bit more.

Give it a second over here.

Okay, see, so now it becomes a little bit difficult to see through

them.

So we got this stuff now, definitely, if you can see over here, we

have one point four million.

So our leaves right now are 1.4 million, which is an insane number.

Oh, no, wait, it seems like an insane number.

I mean, because of the Collision, so a bunch of good.

So, what we are going to do now is I'm probably going to leave these

as geometry.

Because they are quite clearly visible still.

And I think they are like quite an important.

But, however, for these other parts, as we can use the IV stuff.

So we have a bark over here.

That's fine.

We are just going to go ahead and create a new material and we will

call this one bunch.

And in a bunch material, we are going to just add the same as IV

material.

So let me just navigate to it.

So here we have our IV, bark, and Ivy, come on normal over here.

So that is fine and two-sided.

And then if we go ahead and go into our meshes, we want to go probably

edit on this mesh or not.

Just go in here, and we have our

Punch.

Cut out.

That's this one, right?

Yes, punch.

Cut out that.

So that's the correct one.

Let's just go ahead and navigate to it.

Yes.

I want to go ivy.

Tim Branch, I think that's the one.

Yes, that's the one I need.

No, I do not need to find elodie matches.

Let's go ahead and set this to what is it.

C up my see - up left-handed that looks like to be the one and once

we've done that.

We can go ahead and go in here.

And I'm just going to hide this because it is bugging out a little

bit.

So we can go into our Branch, we can go ahead and go into our skin and

set this to be spine, only or spline spine spline only.

And then I'm going to right-click our geometry and then out like a

mesh.

And the mesh is going to be a bunch Branch cut out.

Okay, so that does this one and then if we just like out some small

changes, first of all, let's set the radius to be quite a bit thinner.

And then, what I want to do is I also want to go ahead and go in here

and just pinched down the ends quite a bit.

Let's see.

So we have those spines ready to go.

So now they're only like on five twists or 5,000 instead of 21,000.

He said, Janelle's, I need to do here is our patented these pieces

over here.

They do not actually work with these specific branches.

So let you see if we now have also a leaves on.

Come on compute.

Thank you.

Yeah, here, Caesar departure still there.

So if you go up, close, you are still able to see them, but they will

not take an insane amount of geometry.

So we got that stuff done over here.

These ones you had a low poly enough.

If you want you can always go to segments and set for example the

radio segments.

To be a little bit less.

If I set these, for example, to like two.

They should give me a lesser.

Amount.

But it becomes a little bit difficult to hear C.

So that should give me like a less lesser radial amount over here.

But in any way, we will be working with our elodie's inside of unreal

for this.

So I'm going to save my scene and let's just call this one done.

So I'm going to go ahead and Export this again, one last time.

Yes.

I want to replace it.

Going here.

So 6.

Keep that in mind Imports.

This one.

I'm going to go ahead and I'm going to scale this to be.

Six.

There we go.

Rotate it up.

Copy name ungroup.

It's quite annoying that is always groups.

But the guy I guess it can also be handy in some cases and then we are

just going to quickly reacts put this over here.

Save our scene going to unreal.

In real, what I will do is here, we have this one's over here.

Let me just paint in like a few more because it will simply update as

soon as we paint in.

So, if we now, go ahead and go down here, we can right-click re-import

and it should also update that and then the branch material be just

want to press done here C.

So it updated, and now it's harder to see through but also as a

standalone it is working quite nicely.

See, so that's that's kind of like, what I was after.

So are we?

We need to do is we just need to grab

Bar Ivy bark and just throw this into a barge material.

So that even up close.

It still shows all of these little branches and all of this Fidelity

while not having is a huge amount of geometry.

I don't know how much we have over here about 8,000 first eight eight

to nine thousand tie angles.

And then once we do like, of course, a LEDs that will be reduced quite

a bit.

So that's looking pretty good.

So we got that one.

And if you want, you can now also create one that has like way less

stuff.

So we still have time left.

So let's do that.

That is

Less dense, so that's like Willie like a fade out.

So we are going to make it smaller, less dense, and stuff like that.

Save this one and then as soon as we've done, that do a save as as a

scrub 02.

And pretty much at that point.

All we need to do is temporarily just hide the leaves because they are

too expensive.

And then if we go to our tongue, we can go to generate.

I'm going to set this probably to like seven.

Hello.

It's having.

There we go.

Seven bit of difficulty.

Let's go spine.

Let's set the absolute to maybe like 0.8.

Okay, this is a bit much that's 0.9 because we can always do like a

little bit of scaling.

Then.

I probably also want to set.

My lady has to compensate for this, 20.00 87.

And now if I quickly

Unhide my leaves and let it generate.

It doesn't generate come on.

There we go.

Okay, see here.

So we have like a quieted dinner one.

So that's fine.

I'm going to probably move my leaves down a little bit for this one.

Lets you see 0.7, again, just to push them down a bit more.

It is almost the same as sinking.

Them only sinking them.

We are not moving along displaying but we are actually just pushing

inside of the spline.

But okay, so that seems like quite a bit less dense.

And lastly.

I'm gonna go to my trunk and I'm probably just going to go ahead and

do like one quick randomizer.

In a generation.

Oh God, I should have turned off my leash for this because this way

too slow with the leaves.

Let's put height trunk and let's try it again.

Let's see this one.

This one.

Let's do this one.

But let's we should maybe like a little bit closer.

So let's hit the last two 0.02.

And now let's unhide are leaves again.

And let's see how that looks.

Yeah, here see so it's real like one of those bushes that are just

started to grow.

So they just start to go to start to get the leaves.

And speaking about just starting to go.

If you want, you can set the size scale off your leaves to like 0.7.

For example, to make them a little bit smaller to really, again put

emphasis maybe even 0.6 that it is quite a young plant, something like

this.

And this is Scott number two so we can save

We can go ahead and we can export this.

And then we also have this completed.

So yeah, 02, that's fine.

Okay.

now, if we go in here,

I just want to go.

Oh, no 11 wrong program.

This one we can go ahead and we can import.

Number two.

Once again, we can still just set this to like six in terms of scale.

Hojae dish, 90 degrees.

And then, all we need to do is copy name.

Paste the name.

And assign it to a layer once again, with the same name, there we go.

So that is that one.

You can see like difference between the two.

So it's quite a big difference, but that's what I wanted.

And now we can just export it and because all of our materials are

already set up, that's always nice.

So that's all we need to do is do some assigning and then we are ready

to go.

So I'm going to go in here.

I'm gonna go exports.

To in Rio to import.

Straggled in here.

Open it up.

I can see that.

I have a gun, the selection bug, but that's already fixed.

So CO2.

Where is our?

No?

Oh wait.

I just use my IV bag for this one.

Didn't die.

I think I just use the IV bag for both of them.

Let me just double check.

I don't know if it matters us.

We can see if it metals or not.

You see.

So I used both of them.

So let's just see if that actually matters or if because it looked

totally fine because it is so dark.

That's probably it because it you cannot really see it because it is

so dark inside of it.

That it seems to be totally fine.

See, even though it does not look very good up close, but honestly,

I'm just going to leave it if it saves an entire texture.

So it says, in the tire.

A base color normally roughness.

Then I'm happy with that and here you can see this one C.

So that's also looking pretty good and also with like occlusion it is

not as intense.

So I quite like that and this would be for example used.

If we walked up like a large amount of bushes, we can go in and we go

for example, duplicate these.

I like fate them out and maybe have like

just like some smaller ones like this.

You may be like sexy, make this one like a little bit bigger.

So that's how you would use these ones.

And also they are just in general.

They are here for variation.

They can add to this variation over here so that if I go in here,

What you can always do is you can always add the second one also and

set this one also to like 0.7 by 1.3 and density 300 because whatever

we have activated it will paint.

So right now we have both of these activated.

So if I go ahead and I just quickly on paint this just to show you.

If I now start painting it will use both of these.

So if I now paint here, see it is going to and that's maybe like a bit

too dense, but it is going to use both of them.

At the same time which once again gives you like a bunch of variation

in here.

You see this like the dinner once and he has like a tick one and then

stuff like that.

So that's all looking pretty good.

You can imagine having this along with like threes and everything and

then it will blend in quite nicely.

Okay, perfect.

So we have that stuff now also done in the next chapter.

What we will do is we will take a quick detour and we will create some

ferns, which is just like a quick blend.

I want to do that.

After that.

We will actually do another pass where we start, by implanting

everything that we've made so far into our tunnel project.

And once that is done, we will continue on to the more bigger foliage

pieces, like trees.

And also how to create a foliage materials so that's the plan for now.

So let's go ahead and continue with this in the next.