All language subtitles for 17-Creating our lilys Part2

Okay.

So now what we're going to do is we are going to work on these flowers

over here and it's sort of like the same basic concept.

Only we need to do like a little bit more moving around.

If we go to our Lily cluster.

01, for example, you can order the flowers individual but that would

be like a little bit Overkill.

What I'd like to do is I'd like to just duplicate my first Lily

cluster.

Then go over here and sign selected objects and then call this Lily

cluster.

Flower, for example, something like that.

And since we are creating an entirely new Lily class so we can just as

well.

So he set my Pivot, move some stuff around because it will ya that

will just add more variation.

If we need to have this any way we can just as well do that.

So let me just do something like this and let's see.

I think I will have the flower sitting like

Public one flower like somewhere in here and maybe like another

flower.

Yeah, let's do something like this.

So let's have, like one flower here and one flower, that is sitting

more like in this direction over here.

I think that will look nice if we do something like that.

So let me just quickly move some stuff around a little bit more.

Yeah, that looks fine.

Okay, perfect.

So save our scene.

Now remember, we have these if we go to I believe they were a mega

scans.

Oh, gods or not.

Yes.

Yes.

They must be Ms.

Grass, scrap swamp, tall grass, but a flower, there we go.

And these are the ones that we can basically use for this.

So I'm going to go ahead and I'm going to create a new plane.

And we basically just need to get like a few of these bats.

I think I'm gonna go for

one or two different ones.

Yeah, let's do one or two different ones.

So, let's set this to 0.

Let's make this a little bit bigger over here, assign a new favorite

material.

That's just Lambert.

And then we are just going to assign just like we've done before.

But this time, we are going to assign the flower texture.

So, this is the Albedo that we want.

And then we also want to go to the transparency file open.

And for that's when we want to get the opacity over here.

So now we get something like this.

So we basically want to just use like let's say that we use these to

bat over here on the right.

This is the back side and let's do these two over here just to give it

like a little bit of variation, but obviously this will be so small

that you probably won't ever be able to see much of the variation.

But let's just go ahead and cut these out.

Simply by adding some matches over here.

And then also at the top and at the bottom, like this.

X2 X2 faces.

And extract the faces.

There we go.

I'm going to just reset my Pivot and what I want to do with this, so I

do want to make like a few changes to this.

We are going to change the color later on inside of the engine.

So we don't have to worry about that for this one.

Let's go ahead and make sternum preserve these.

Let's make the cube as small as possible.

This will make it easier for us to move.

Now, it's pushed it out a little bit too far.

Same over here.

Move this down.

Come on.

This one in.

This one down.

Okay, there we go.

So that's looking good.

Next thing I'm going to do is I'm going to just go ahead and press

edit pivot and I want to place my Pivot at the point over here just

like you would do inside of speedtree.

So, we place a pivot here at the point.

And actually, you know, what, for this one.

I just want to move it down.

Even though the point is not exactly in the same level.

Next what I want to do is I just want to go ahead and I want to add a

few segments here.

So let's art like, it just needs to be like, very little because we

just need to like, bend it.

Out and in.

So let's say oh that's interesting.

M.

Yeah, we probably do need a little bit more geometry for that than I

expected.

But let's try and see if we can manage with having three edges here.

And having only like one Edge over here, that should be enough, I

think.

But I have to see.

So let's do three edges here and that's like this and one Edge along

here so that you get this type of grid.

And now for these they it is quite easy.

So we're basically going to get started with like the outside and then

we basically just keep duplicating and then keep moving things around.

First of all, what we need to do is we need to prepare the actual

leaves and we can do that in a few ways.

So because you only

One Edge, in this case.

It is easier for us to just do it this here.

Oh, sorry, make sure to turn off preserve.

You've ease when we are doing this.

So we basically move say both of these out.

So that will give me like a little bit of like a bent.

And yes, you might feel the urge to like art more geometry to make it

look more logical.

But don't forget that we are looking at it from like this distance or

even further away.

So we got these ones.

And next up, we would want to probably do like some bending on this.

So I'm going to go and unfortunately, this is a lot easier to do

inside of 3ds Max, but I'll just do it in here just a little bit more

time consuming.

Let's go to deform, nonlinear and art a Benz.

And this is why it is a little bit more annoying.

First of all, you need to set the curvature.

Let's set this to like 20 degrees and then I need to like,

do a over here, like a snap with a Sheen and

I hope that it up.

And then I need to turn off my low bounce.

20.

Oh, sorry.

And looks like that.

That is my, I bounced.

So, over here and then move this down, and now you can see that we

have like a little bit of back bending and let's set this to like a

bent of 10 degrees.

That should be fine.

Now, over here.

We can like me to do the same again.

So, the form nonlinear bent 10 degrees, low bound - to high bounce

zero.

Snap vote, 8.

Move back seat.

So we are giving it also like a nice little bit of like a bent over

here.

Now, we should be able to just keep these pens.

So what I'm going to do is I'm going to get started by just selecting

both of these and duplicating them so that if needed, I can still

change my bands around at this point.

You basically want to start working from like the center over here and

for the center.

Yeah.

I think we can just leave this into one point.

Let's say that I just grabbed for example this

Point over here, we are going to do something like this.

We are going to place.

These lily pads over here.

And smooth one here.

And as soon not a 1 here, and I don't know if we need for or if we

need like more, you can just kind of like move this out.

So you basically have this little better.

Yeah, I think four is enough.

And then you can see that they are basically every other one.

So we grabbed these for, we would, then, for example, duplicate them,

move them like this.

Move them up a little bit, and now this probably won't work.

But let's see if we can just move it by objects, know who that's nice.

It does work.

So, if we move it by object and find the right Axis, we are able.

To then set the flower like this, and we should be able to just keep

doing this.

So the only thing is that we might at one point want to scale down our

leaves a little bit, but I'm not sure if they look quite an even

scale.

So

We can have look.

So then we set our hotei to default.

We give it like a normal rotation again.

We move this up and then we set our hotel to object and we just find

the right angle and move this up again at this point also in Maya

because we have so many overlaying transparent objects.

You can see that it Mi has a little bit of trouble to just render

these out.

So that can happen.

I'm going to select the bottom once, and I'm going to just go ahead

and I'm going to scale these out a little bit over here.

But anyway, so let's select these.

Rotates default.

Oh, my ho Tatian is now getting messed up.

Let's set the x orientation to world over here.

Rotate it again.

Move it up.

And now if we set our hotei to object.

We need to set our text orientation back to object also.

Here we go.

So we now find this and now we are getting like, really close to.

Having it in like the center.

So,

There is a point that I probably do.

I want to bend know, each other is like a flower inside of here.

However, I'm going to try and see if I can find a flower or magazines

probably.

Just to make it a little bit nicer, but let's first focus on our

actual leaves.

So I want to probably just export this.

Once I've done my flour just to see how it looks.

Let's go ahead and just duplicate it it again.

Rotate it.

And then in a scaling or I saw a nothing on scaling in our rotation,

we can go object object again.

And I think this is probably as far as we want to go.

So.

It looks.

It's really, it's really difficult to see how what it looks like.

I'm going to probably move this over here in the point where we are

going to plan where we are planning to place it so early and then I

think I might need to like do some random scaling.

So for example, I can sometimes do like some scaling by world and

maybe like here like move it down or like scale it in or something

like that.

But let's just have a look at it.

So we got these pieces over here.

We can call this.

File, export selection, Lily, cluster on the score flower.

And Export it.

And then if we go into in real we can do the preview.

So, first of all, let's go ahead and in, Texas.

Lily, and the score flower.

Import your libido, normal and opacity and yeah, I'll be your normal

and opacity.

We don't need a translucency for this one.

I believe because the translucency would be green but we want we are

going to make this pink.

So we are going to go ahead and first of all, going assets.

And I'm just importing my Lily cluster flower over here.

Yeah Imports.

That's totally fine.

So, I get in here.

You can see like the flower.

I'm going to already assign the correct material for this one and then

for the flower, let's just duplicate our Lily and just call this Lily

unscrew flower.

Let's open this up.

And now what I want to do is I want to go into my Lily Flower and to

change the color on a quick little trick is that we can go down here

and set our situation to 0 so that it becomes a grayscale.

And then if I assign this to my Lily Flower, so we have our masks and

are normal and then are subsurface.

Scattering.

I'm just going to set to 0 so that we do not get affected by that.

Then if I go into my Lily cluster to make it easier to see, I'm going

to add my Lily Flower over here.

And now, I'll basically want to do is I want to go ahead and first of

all, set the hardness to 0.5 or something.

And I want to set my color.

To become like this.

Color that we can see.

So you have, I have a look at this.

Looks like it.

It's like a little magical.

I think what I need to do is I need to go to my Lily Flower and set

the brightness up.

So let's set the brightness up to like 3:30.

We basically have full control over that.

so,

Just trying to like match the color.

The colors are not will not be exactly the same because over here you

can see that it goes from pinkish to whitish.

And yes, it can be like a little bit tricky so you can like me to

decide right now.

I had the normal map.

I don't.

Yeah, to be honest.

I don't really like the look of this but then again from a distance it

does look not that bad.

I would say because I do we just need to remember that.

We are previewing this at like

Long distance but up close it does.

It's not perfect.

I don't really like it too much.

I think what I'm going to do is I'm first of all going to just move

them down.

So if we go to our scene over here,

I think what I'm going to do is I'm just going to select all of these

and then deselect the bottom four.

Move it down a little bit, then try and deselect another row, but it's

really difficult.

Of course.

You see what I'm deselecting at this point.

we could turn off our

translucency or transparency.

But let's say that we have like something like this.

Okay, so we got that stuff.

Now exported file, export selection, this going to be Lily class of

flour.

Let's go in here.

And it's re-import this.

But yeah, I don't think the so I think like the general shape is fine,

but the flowers are not soft enough right now.

And also, let me just quickly play out with my subsurface, even though

no I want to turn it off because then I would need to coat like

another one.

I'm going to just have a quick look on Ms.

To see if I can find a better flower.

That is a lot softer compared to this one.

Okay, so I think I found one.

So if we go into texture that common type in flower we have over here,

these magnolia flowers which are already pink and they also have like

the gradient.

So I think that this would probably work a lot better.

So,

Oh, I need to login.

Here we go.

And the cool thing is that I actually this is a free one so you can

just go for like full resolution if you want.

So I'm just going to go for like nice high resolution of 1024.

I know it is way too much but doesn't really matter just want to

quickly get this and we have our Alpha and the nice thing is that we

then also have a pink translucency.

So that should work a lot better.

Now, you might think.

Oh, no, do we need to?

Like he make our entire flower but not necessarily.

So if we go ahead and just quickly, press h to hide.

Not everything, but a flower.

Now, if we go in here and we just need to quickly, like, open up our

Lambert five.

And then we just need to basically replace the color.

And now you can find this one in Texas.com lily flower and then we

have our Albedo and we need to go ahead and also of course, replace

the translucency.

Text that calm water lily.

Oh, no, sorry lily flower Alpha over here.

And then if you just select all of them and go into your UV editor,

going to select them again.

You should be able to get over here as you can see, still iuv.

So, we should be able to Simply grab one of these and because they are

pretty much the same scale.

All the same shape, we should be able to kind like just nicely place

these into a good position.

So that they are still covering the entire Lillian.

Sometimes it's fine to like do like a very slight bit of scaling.

It's not a perfect way, but it's the quickest way for us to quickly as

you can see, turn this into like a nice little flower.

Now, unfortunately, this Lily over here.

It does not actually have like a yellow flower.

So if we go ahead and maybe like, go down here, we can try to find

like a

Yellow.

Flower or something like that.

And we might be able to fight like something that can go into like,

the center.

It's like a pollinating.

But that one is definitely like a little bit more tricky.

So yeah, he like this kind of stuff but maybe see if we can maybe go

to like 3D scanned Atlas and then we should be able to have like

plants and flowers over here.

And we can have like extra look.

If I cannot find something directly.

You know what?

No.

Oh, hey, look at this.

We can probably see this stuff.

We can probably use.

I'm going to go ahead and

I kind of like want to have this like, one bit.

So I might be using this one.

We can also use this one.

But as you can see, we would need to, like, prop it up.

So, yeah, let's use this one over here.

I'm going to go ahead and call this one.

Lily underscore Center on a score flour, and I'm just making a folder

on the other screen.

So let's go ahead and use this one.

And honestly, yeah, we can just download but we really only need

probably the Alpha and the

But I will download the grass just that I don't need to change my

material.

And if we try that out, so that's pretty good.

I'm glad I found that.

Let's go ahead and go to plane.

Remove segments.

Assign material.

Apply Color.

And I'm going to show you which one I want to use for this.

So I want to use either one of these side views over here and honestly

just one is enough.

I don't need to have like multiple variations that was just for the

actual leaves.

So here is the alpha.

So I'm going to go out and we're just going to use this one over here.

And I probably also don't need any extra geometry.

So let's just go ahead and extract faces.

Because my plan is to change my Pivot to the center over here.

It's really small right now, but basically do this.

So I'm going to move it like this and then I'm going to set my Axis

orientation to world and then I'm just going to go ahead and hold

shift, do this, do this and do this and you know what, let's make this

like little bit bigger and then hold shift and then make another one.

That is smaller.

We can push like down here and that should be more than enough.

I'm going to go ahead and I'm going to combine these pieces that they

become basically one model.

And then I'm going to nicely just place this into like the center and

I will make this look extra good inside of unreal.

Just making it like really really bright yellow and stuff like that.

Right now.

It is also very difficult to even see where we are placing this to be

honest.

Because it is trying to overlap on top of each other like many, many

different times.

Let's see.

Can I maybe go here?

If I go to like, turn off textured few, I can sort of see what I'm

doing.

So, that might be like a little bit easier, but we are now really

pushing our transparency like this.

I'm going to now.

Go ahead and I'm just going to

Show everything.

And I'm going to export this again.

Water lily class of flour.

So this still taking spies in long to just make like a little flower

but in the end, hopefully it will look very nice.

So we got this stuff over here.

Just press done next.

If we go to our textures, we have our lily flower.

And what I'm going to do is I'm going to

create a folder called Center.

And I will, first of all import, like my Center.

And I just need to quickly go into my normal map.

And I need to flip the green channel for this.

And now we have a lily flower.

Which are also important as soon as I replaced.

I will remove the old ones so we can go in here.

Lily Flower flip, green Channel.

Go to our materials.

And if we just open up a lily flower over here, we have our Lily, our

flower.

And I'm also going to have like another duplicate that I call Lily on

the score center.

Toad in here.

So, now all we need to do is we just need to replace these.

So first of all, let's make this color white again.

Let's go into our lily flower, and let's just replace these with the

correct ones.

Pearl solution.

See to like .5 and then what we can do is we can go into a color and

we can make them even

Here, I think something like this is quite nice color, and now we can

go into the Lily Center.

Base Cola.

Alpha normal translucency.

And this one we can make like a really bright yellow.

So then we go, that does Stephanie look a lot better.

And then of course from a distance.

This is what you will see.

So that is starting to look better.

I'm going to go ahead and now inside of Maya.

Let's just quickly.

Hide this again.

I'm going to do a combined.

Well, let's first of all, let's do a duplicate so that we have a

backup and then I'm going to just combine everything like this, and

maybe also remove my history, and now I'm going to make them a little

bit bigger.

So we are going to have if I look at it from a distance.

Like one and we want to have them just like kind, like sitting in

between them.

So if we go in here,

Let's go back to my text review because I cannot see.

So here sitting in between and then another one probably sitting like

over here.

Maybe this one, we can go ahead and like make a little bit smaller.

Maybe we can give it like a little bit of like a hoe Tatian.

There we go.

That's you do to tweak definitely for something that is actually going

to be like a very small detail.

But now you also know how to like capability basic flowers later on is

like a bonus material.

I will also go ahead and go over how to create some ferns.

If I say that correctly and what you can do with that.

It's pretty much the same thing as with the flower, but for now,

let's go ahead and go in here.

Andre import.

And Tada.

So now we have a lilies and now you can imagine that if I go ahead and

like remove some of these.

And so some Lily's back in here.

Here.

And then maybe like also try to like,

Make it so that it's kind of like fits in between here like this and

stuff like that.

You can see that we can very quickly gets quite a nice and

interesting.

Look awesome.

So those are now also done.

This means that in the next chapter.

We will go ahead and just create like some scarves or some bushes that

we will place like above the rich later on and also just in general

because what we're going to do is like a bonus material since this

tutorial is going quite well, and I want to show

A few more things that I did not really expect as I wanted to show.

And that is that we will also create like a very small forest scene

where we will basically be using all of these plants and everything,

but we will be using them outdoor.

So that's why I just want to go ahead and also make sure that all of

those other pieces are looking correct.

So let's go ahead and continue with this in the next