All language subtitles for 10-Placing our ivy

Okay.

So what I want to do in this chapter is I want to get started by just

placing all of the foliage around here, just to get a little bit more

like this effect that we can see over here.

So as you can see here, it just has like some nice hanging foliage on

both sides and also like a little bit here in the back.

So that's what I first want to do that.

I want to go out and create like some Roots.

Like you can see over here, but hopefully we can improve our Roots, a

little bit better.

And yeah, just in general finalizing the IV chapter.

Chapters.

And then we will continue to all of the gas chapters.

So, let's go ahead and just continue.

I'm gonna go ahead and so we have these ones over here.

That's fine over here.

I want to publicly grab this one and place it roughly over here.

It does not matter too much.

That it is like floating a little bit in my case because I will be

previewing it from this site.

So I'm mostly focused on how it looks from this area and not how it

looks from the top.

But of course, if you want to avoid a floating, you can once again go

For example, like one of these IV B and do like something like this to

kind, like hide it a little bit better.

You can, even if you want to rotate it a bit to fake it even more

details, like just a little Gap in there.

But anyway, so we got those ones and I'm just going to place it over

here.

You may be like a hotel.

It's a little bit like this.

Let's see.

Let's move it a bit more like here.

There we go.

And then we have this one.

That's fine.

So that's like probably it's for this one.

Let's see if I delete this one.

Yeah.

Okay.

So definitely want to keep this one in here.

So we got this stuff.

Let's also see how what it looks like.

If I, for example, place this version with our IV, generic 02.

No, ok, so we want to go for probably like 03 like that.

That's totally fine.

I just want to try stuff out before I decide if I want to leave them.

Now.

I'm going to probably have some more IV.

Let's do a zero to over here.

Let's try and like place it nicely down here.

And then maybe if we also do like a zero three over here.

So we already saw a 01 over here.

So we move this one.

And like nicely playset.

Around here.

Let's see how that looks.

And I keep going back to my camera angle.

Just make sure that everything looks a little bit logical in those

areas.

So that is looking pretty good.

I quite like that.

Now, let's go ahead and let's go on to the other side where we can see

like a little bit over on this area and then we have a bit more here.

I can remember in my original scene that I made a few more variations.

So we are currently like working with less variation, but that should

not be that big of a deal.

Let me just turn off my God.

Twice over here.

There we go.

So we got this one.

That's totally fine.

I'm going to probably

I know, I guess that I don't need to have time like so much higher.

So I'm going to have one over here and then I'm going to place another

one.

Probably like over here.

And then maybe let's place like one more but this one is going to be

like a GN F x0 to down here.

And now if you feel adventurous, you can actually also use your unique

version or multiple locations.

So what we can twice, we can try the unique version and like, throw it

a little bit in here, and just hope that it is clipping just in a way

that you cannot see.

Like any of those really unique pieces because they will be hidden

inside of other meshes and is something that very often gets.

111 lat.

So we have like something like this and now over here you don't really

notice that it is the same version that it is clipping, but it is

definitely there if I would press height C.

So that is actually quite a big difference.

So that's another way that you can just quickly, like you, maybe,

like, scaled up a bit and just clip some stuff in and just kind, like,

be careful that it is not like sticking to the ceiling too much.

A tiny bit like this.

If you cannot see, it is fine, but else just move it up a little bit

but it all depends on like how

You are making your level as I said before if you are making a game

level then you want to go anywhere to be fairly precise.

But if you're just making like an ox showcase, that's like from

specific angles, then you can cheat quite a bit more.

I'm going to have another IV plants.

Probably over here.

And I'm going to kind of like just have it laying actually, you know

what, it might be.

Nice to catch some Shadows by having it.

Hovering a little bit like this.

So that's why you get like, two Shadows below it, and sometimes that

does look quite nice and you can sometimes see me switching my Pivot

boat to object over here.

so that's and if I then combine this with maybe like a

Another version over here.

I like this and then if you want, you can even combine, it's more with

maybe like an IV 02, just to break it up.

And place it like around here.

There we go.

So that, it's like a little bit over and then I will.

What we can also do is, we can also, for example, grab another IV to

maybe like a rotate.

It's a little bit.

Like this and what you can see now is that we have decals

intersecting.

So whenever we have that we just want to quickly go down.

And turn off the receive decals.

So let's do the same over here.

Turn off.

Receive decals.

Just in case this one over here, also, turn it off.

There we go.

So that now you can see that it has like this nice little bet of

Ivy basically.

And on over here, once we have like some grass, it will all kind like

tied together as soon as we also have like some gas and everything, it

you'll just nicely tie in together.

So we got like some stuff over here.

So that's looking pretty much accurate to what I want.

Now, what you can also see, she can see that over here.

Like they are a lot lighter and I think that this is just like the

subsurface scattering we can over here.

If we go from like a distant view, we can go into

Material and just quickly, check like our IV genetic.

Over here.

And if I just make this smaller because it keep scaling it up.

I can see if I can, maybe like, let's say if I do one here C.

So, if I do publicity 0.4, I am able to like give it a bit more.

Here's 0.4.

0.4.

Just to give it like a little bit more shine.

And then what you can also do is you can do the same thing as that we

did within our test level where we basically just use some extra

lighting to basically increase the amounts, but that's it's looking

pretty nice.

I'm going to go ahead and I'm going to probably

Grab one of these and just make it like a little bit nicer on the

stones also because it wouldn't really make sense for the IV to just

be hanging.

There.

It would also like, go on the stones little bit now technically what

you would have if you would have like lots of roots here and maybe

like less IV on these areas or even like still dance IV.

So that's why we are also going to be like create some decals later on

but still I just want to nicely have it like flowing over as you can

see over here and actually also over here.

So if we are doing this we can just as well do it, right?

Even though you guys will not have this level, but I want to explain

to you that creating foliage is not just about making the foliage and

making it looted look the same as in real life, but it also comes with

smart placements to make sure that the placement is logical and that

it's just in general looks nice.

And a little bit, like the way that foliage goes.

So over here, I can once again like

Cover this up.

With some overgrown, foliage or over here because this like an

abandoned tunnel.

Like it's a, this foliage had a lot of time to grow.

Very large like years and years.

I would say.

So yeah, seeing that actually, no, it has like a wall, little bit

sticking out over here, which is not too good.

So, let's just hope that this back, and maybe then push it back in a

little bit more over here.

So that it's not sticking out as much.

And then I keep going back to my camera angle over here.

I'm pressing G to basically hide everything.

And also, what I can do is hear your scream percentage.

Normally, the default is 100, but then it doesn't look as crisp.

So, if you want, you can quickly set this to 200 to really get like a

nice sharp effect.

So, yeah, that is looking pretty cool.

I quite like the foliage over here.

So I'm quite happy with that.

If I press G, I should have

Over here like a few different lights and I'm just curious, if I grab

this light and I basically place it at the back over here to fake, the

back face, lighting a little bit more.

And then if I go in this light and I turn off my Shadows.

So scroll up to light and then turn off, cast Shadows, what you can

often.

Get is here, view.

Look.

See, you can get less darkening.

If I do say 0.5., You can see over here.

So in this is 0 and then 0.5 or maybe one even it will just give us

like a little bit less darkening.

So I'm going to go for 0.5 because we turn off our shadows.

The light is also a lot cheaper to render because the Shadows is what

makes it often quite expensive.

Next one second.

Let me make the smaller.

What I want to do is I just want to go ahead and I want to

Quickly, add some extra foliage here at the back that you can see,

because that is also looking quite interesting.

And then what we can do is we can go over with like the gas.

So here at the back, what we can do is we can put much crab, this one,

this one, and it's also just like grab this one.

And this because why would we do all of this work again?

We can just steal it.

And reuse it.

So, over here.

This is not exactly the same.

So as you can see, over here in my level because it is so far away.

You can see that I did not bother with actually making a proper Unique

Piece and that's once again like this like a Time Saver, but the nice

thing about this is that I am able to just to my God way.

I am able to now nicely just like fake the hell out of this and just

place like some random IV.

That is

Like hanging from tops over here and maybe what I can do is I can like

have another one and that I actually scale it up a little bit and just

have it like hanging against side.

So placement wise, it is a lot easier because from this distance, see

you barely notice anything.

You just notice like a little bit of IV just randomly floating here.

And that was the goal.

It's not always about making it look correct.

Sometimes it just about

Making sure that people understand your message that you have with

your art and my message was overgrown, without needing to spend.

Like, well, I already spent like, I don't know, 100 150 hours on just,

creating the scene.

So, I didn't want to, like, spend another 50 extra.

I was just to make these really far distant pieces.

Look, correct.

So often I even go to like this View and then I simply like move it

around a little bit so that I can see what it looks like.

This is looking pretty good.

Only over here.

The subsurface scattering.

I don't really like in this area.

I know that I have like a shape over here.

So maybe just here.

See if I set my source with, I think for this one.

I just need to like kinda.

Move it back and maybe like, move it up.

But my Shadows are little bit funky in this area.

I go over here.

Okay, see here.

That's works better when it is a little bit darker in these areas and

that it's just as like the light mostly focusing on this area because

it just makes it stand out a little bit more and honestly this one we

can kind like leave here.

So I'm probably going to leave it at this.

So as you can see that was just like a little quick overview of how to

do like some nice foliage placement to make it look interesting when

you still have very little pieces because that's also about this

tutorial.

It's about easy foliage.

But also about like,

The amount of pieces that we have.

Now last thing that I'm going to do is, I'm just going to quickly go

to my preview map and I just want to quickly duplicate this Cube

because it would only be logical.

If in our preview map.

We still art.

Some of the pieces that we create, even though they are unique.

So what I can do in here as I can, pretty much do the same.

We're in this case.

I'm just using my preview Cube to kind of like fake.

Having a wall over here.

So doesn't need to be perfect.

It just needs to Showcase a little bit more like the preview you can.

Of course, if you want.

Oh, no, wait, you guys cannot do that?

That's why I'm doing this because you guys cannot have

the same.

Concrete, as I have.

But basically, I have this over here.

It doesn't look very good actually, to be honest.

So what I'm going to do is I'm just going to kind like fake this a

little bit more and the way that I want to do.

That is I want to grab this and

See, I almost feel like it's cylinder.

There is a way to do this, but it's a little bit Overkill to do it for

this tutorial.

So if you go up here, I will show you very quickly.

If you go up here and you go to God, where are you edit plugins?

There is a plug-in in Region 5 and if you type in modeling, it is

called the modeling tools editor mode.

If you enable this and then restart your engine, you will get this

button over here.

And when you click on it, you will basically get modeling tools.

And what I'm basically going to do with this is I'm going to just

quickly grab like a box and place it over here, a complete.

And so I did this is not what its toil is about.

So it is just something seat as an extra bonus.

In the next chapter.

What we will do is we will create Our Roots because those take much

longer than what we have time for.

But what you can do is I can create some boxes and I can basically do

like a Boolean inside of Unreal Engine, so I can grab these boxes over

here.

And I'm just going to very quickly cut them out.

I know that there are modeling tools like the bevels and everything,

but those tools they are a little bit buggy so often it's easier for

me to just quickly do like some

Bullying functions over here.

So, something like this.

I then grabbed my model.

Then what I do is I grab the model that I want to do a Boolean on and

I press Boolean over here and then except once again, grab my model,

grab a Boolean and then click on Boolean.

Like this and I'm basically just cutting away some shapes until I got

something that looks pretty decent.

And once you've done that, you can close this.

Terms of materials, I would just quickly like toe on a random, white

material again.

And then what I'm going to do is I'm just going to basically nicely

closes off by having another wall over here.

And I will just make this like a nice presentation seen a little bit

later on, but for now this will do so we just got like a while and

then if you want you can even have like another one.

Over here.

There you go.

It's not perfect.

But it does sort of work.

And then if I grab, for example, like one of these pieces just to make

it and correctly here.

Let's use IV generic 01.

Then you guys because this is the presentation that you guys will get.

So that's why I want to make sure that everything is still in here.

And yes, I could do this in my free time.

But what's the fun of that?

When I can just show you in case someone is interested, if you're not

interested you can just skip you can just go to next video.

So that's the power of

These kind of videos compared to like, live streams.

And I'm just going to kind like have another one maybe.

Sitting over here.

You know what?

So, for one more.

That has like a fall of over here.

See a very quickly, you can create like, interesting scene out of

basic shapes.

That's why are we like foliage?

Although making the foliage is often to make really, really high

quality foliage.

It's quite a pain.

So of course, this is high-quality foliage, but it's not the highest

quality that you can get.

But in general, it's does art so much to your scene.

You already seen it a little bit, simply by us creating like a tiny

bit of foliage.

Yeah, for a tunnel.

Seen how much did it cost?

But here we go.

I don't know if I need to have to cast Shadows on.

Yeah, I do.

There we go.

See Tada good enough for now.

So I will later on like make this see nicer, but I just want to have

like a proper preview.

Awesome.

Next chapter.

What we are going to do is we are going to work on IV Roots, which are

going to be a decal.

So let's go ahead and continue with this in the next chapter.