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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,433 --> 00:00:06,433 Reception. 2 00:00:06,433 --> 00:00:10,933 We are now down to the last part of our wedding celebration. 3 00:00:11,033 --> 00:00:13,833 I have already mentioned in a previous part of this course 4 00:00:13,833 --> 00:00:18,833 that the wedding reception details should be covered or shot. 5 00:00:18,900 --> 00:00:22,366 Nothing really crucial about the reception program, but 6 00:00:22,466 --> 00:00:26,366 there are just some important things to shoot here for. 7 00:00:26,400 --> 00:00:32,500 This is the bride and groom grand entrance together as a couple. 8 00:00:32,600 --> 00:00:34,500 Next is the couple's 9 00:00:34,500 --> 00:00:39,066 first ever dance as a couple. 10 00:00:39,133 --> 00:00:42,333 Usually there are only a few happenings 11 00:00:42,333 --> 00:00:45,966 in the reception program except for grand weddings. 12 00:00:46,033 --> 00:00:50,466 The most important thing here is to really capture or record. 13 00:00:50,533 --> 00:00:54,366 Here are their messages and speeches of the people 14 00:00:54,366 --> 00:00:57,366 that play a huge role in the couple's life. 15 00:00:57,366 --> 00:01:00,366 Just like their parents. Grandparents. 16 00:01:00,500 --> 00:01:02,833 Maid of honor and best man. 17 00:01:02,833 --> 00:01:08,400 This is a must because after the event, these things are the 18 00:01:08,433 --> 00:01:12,433 one of the things that every newlyweds will treasure annually. 19 00:01:12,433 --> 00:01:15,700 You play from time to time. 20 00:01:15,800 --> 00:01:18,766 As for this of as for the camera placements. 21 00:01:18,766 --> 00:01:22,933 Every reception, venue and event styling are different. 22 00:01:23,033 --> 00:01:25,400 It works the same as the ceremony. 23 00:01:25,400 --> 00:01:29,633 The main shooter controls every movement of the shooters and the second shooter 24 00:01:29,633 --> 00:01:35,433 adjusts to the main shooters and the main shooters position. 25 00:01:35,500 --> 00:01:38,500 They should have different or opposite angles. 26 00:01:38,733 --> 00:01:40,366 Same as the ceremony. 27 00:01:40,366 --> 00:01:42,900 For the audio recording part. 28 00:01:42,900 --> 00:01:47,666 Place your quarters on a light stand and place it on the venue speakers. 29 00:01:47,700 --> 00:01:49,733 That is far from the guests. 30 00:01:49,733 --> 00:01:52,666 This is to avoid having background noises 31 00:01:52,666 --> 00:01:55,900 coming from the guests, talking 32 00:01:56,000 --> 00:01:58,300 during the messages or speeches 33 00:01:58,300 --> 00:02:02,000 of the peep of the important people during the reception program. 34 00:02:02,100 --> 00:02:07,433 Sometimes the sounds and lights supply your place of background music. 35 00:02:07,500 --> 00:02:10,700 Most likely emotional background music. 36 00:02:10,800 --> 00:02:15,633 If you have the guts to tell the sound system operators to lower down the volume 37 00:02:15,700 --> 00:02:21,466 or battery to just turn off the background music, the better. Why? 38 00:02:21,533 --> 00:02:25,166 Because when editing these videos with messages, 39 00:02:25,366 --> 00:02:30,133 you will surely have a hard time incorporate adding those special speeches 40 00:02:30,133 --> 00:02:31,066 on the wedding film. 41 00:02:31,066 --> 00:02:34,900 If there's a background music that will coincide 42 00:02:34,966 --> 00:02:39,066 with your final background music and most of the time 43 00:02:39,133 --> 00:02:43,233 sound system background music that's not match with your final music. 44 00:02:43,300 --> 00:02:45,800 That makes the film annoying. 45 00:02:45,800 --> 00:02:49,166 In our case, upon arrival in the venue, 46 00:02:49,233 --> 00:02:53,333 I would let my staff go directly to the sound system control station 47 00:02:53,333 --> 00:02:58,900 and ask them if it's possible to not have background music during the speeches. 4139