All language subtitles for 08 - Wrinkle, Blemish, and Imperfections Removal - Smoothing out the Skin - Part 2

welcome back

and in this clip

we gonna continue tweaking or smoothing effects

as you can see

some of these areas lose way too much edge detail

would like to call it like the teeth here and the mouth

and where there's a lot of contrast

it becomes more blurred

and this obviously is not gonna work

it looks like a blurred image

so what we need to do

we need to isolate these areas

and exclude them from our math

from there the road to we did for the overall face

so everywhere

where we don't want the smoothing effect applied

we're gonna have to roll to some

so I'm gonna just go back to the stabilized image here

and we create another rhodo

just make sure I'm on the right reference frames here

okay 84 85 and

we're just gonna do some really rough shapes now

because I'm gonna go back and tweak these

show you the end result

but just so you get an understanding

on what we working on here

I will do one for the eye here

and if you had a lot of imperfections

you wanted to remove here

you will obviously maybe do it like that

or you will do another layer

another row to here and cut this part out

but now we just gonna do

like the really rough ones here

just go very along this detailed edges

and also we wanna make

maintain the contrast in these areas

the mouth is tricky because we gonna

we wanna apply it on the skin

but we also wanna even out her lips here

because her lips are pretty dry in this photo

so we want kind of

that even lip gloss type of lips here

look kind of moist

just gonna do the outer mouth shape here

follow the contour of the lips

and then we can do another layer

one nice thing about working in layers inside the Roto

is that you can exclude

this area or this row from that row

so if I change the layer landing mode here to minus

it's actually gonna exclude that if we take a look here

you can see if I disable my exclude area can see

so we copy in our tracker here

set it to match move

and I'm gonna take a look here

where the two images are combined

the bump layer and the blurred one

and we gonna stencil

or math yeah

and just short on stencil

stencil is the best blend mode to cut mats and rotos

because it always makes sure that the result is

is it's not float

it's maximum 1 or minimum 0

it cannot go below or above that

and it's important to maintain that

when you talking about maths and alpha channels

so here you can see we cutting it

and we enable and disable this

can clearly see now we back right

so down here

I think we can just disable this layer or

or let's do like this

we're gonna treat these separately

the mount layers we're gonna do are

separate operations for

so we copy them in here

gonna do a separate one for the lips

and in this one

just gonna make sure

actually I did not have to cut them out

we're gonna make sure

that we exclude them out in this operation

and then of course it's a matter of adding some blurs

I like to use filter around

because as you can see on the other edge here

it's blurring too close to the edge

so we wanna pull this overall shape in a bit

oops putting out

putting it in a bit

and then I like to use the gosh and filter for this

that basically gives you a road in with a feather

the Blur Edge

and then for these exclude areas

they have way too hard edges here

so we gonna add a blur there

blur that out quite a bit just to blend them together

and then we gonna do a separate one

for a lips actually

I think I might want to dial

this smoothing effect down on the mix of it

I like to blend back some of that detail you know

and for the lips here

gonna do a separate amount

we don't wanna do it too much

but we don't wanna do it as much as the other layer

I think maybe somewhere along that line

gonna put a blur there as well

so if we disable and enable this

can see that we're smoothing out her skin

in a major way now

a lot of these problem areas are disappearing

starting to look pretty clean

can bump up the lip here a bit

actually as you can see

we have one pretty major area still left here

and it does not come in the bump map

that's why we haven't gotten rid of it

it's actually in the blur layer

and you can take a

extra look can confirm that

just by blurring this side more

and as you can see

we still have a problem area here on the shin

and that's probably a combination of both

the blurred layer

as you can see a hinter

and also the bump

we're just gonna do a quick rotor shape for that area

gonna do like this

we do it watching the tracker

so we can apply the tracker on top

switch it to much more

and go back here

we take a look here do a new blur

apply it to our bump layer side

tweaked it up

can see that

we blurring away a lot of that problem area

but there's still

I don't wanna go higher than 20

think it gets too blurry

but there's still a bit there

so I think that's actually in the blur area

see if we can blur on that side also yeah

that pretty much smooths it also

and just to get rid of those edges

apply another blur for the growth to itself

tweaked it out

and I think we went slightly too high on that

need to maintain a bit somewhere along that

so can easily just enable disable this

can see it's adding a pretty

major skin smoothing effect

and I think there is some areas

you might want to consider isolating

and tweaking further

and like this specular highlight here

we kinda don't want it to get blurred like this

we want to maintain some detail here

so there's many ways you could get this back by

for example

keying out only the highlights

using them as a mat and applying in the end

or you simply wrote them out by hand

and exclude them from our smoothing operation

but that is definitely one area we want to look at more

but if we apply the grain here in the end

you can see a massive difference

and now it looks really nice here in the skin

looks very even but you still have detail and grain

and basically it's very solid way of working like this

this is just to see closer

enable disable you can see what you really doing here

if we compare with the original plate

we made a pretty substantial difference here

in smoothing out these imperfections

and other problem areas in the forehead and the chin

and of course you can go many iterations on this

treating different details

and you also have to make sure that your rotors stick

the entire way here

which are pretty much do

some of them have slided out a bit

but we didn't make keys for all of them

because I will go back and tweak them annually

but you can see that it works even better to

to note toys

that we currently watching this at the Super High game

and the gamma crushed

so the real image or plate looks like that

and then it's really

really smooth and clean

next I'm gonna go ahead and clean up this skin

a bit more in detail

and make sure our rotors and tracks

stick as they should

and everything looks pretty perfect

I skip this minor stuff to show you guys

and you can just investigate this new script later

at your own convenience

so in this module

we removed some problem areas in the grain

such as imperfections

and other blemishes that we could find

we isolated the skin detail

and extracted a bump map from it

that we could further use

to isolate problem areas and remove them

we applied blur operations to smooth out skin detail

in this bump map

and just created a much cleaner bump map

and detailed surface

and at the very end

we merged all our passes together

to end up with a complete image

with the plate grain applied on top

so all for this module

where we worked on cleaning up her skin

in the next module

we gonna look at some different techniques

to effectively key this image

without actually doing much keying at all

I'll see you in the next module