All language subtitles for 06 - Wrinkle, Blemish, and Imperfections Removal - Cleaning up the Grain and Imperfections

in this clip

we gonna continue cleaning up

the problem areas in our grain

so let's just

do the same treatment to our other one here

let's do the forehead

copy or transform

actually we don't need to copy it

we're gonna have other values here

but we apply that here

and we copy the tracking and the blur put it there

and if we take a look here

can actually preview this area while we transform it

and I think in this area it's better to

to shuffle everything above down

so if you start here

you can see how that is working out

and just to double check

we're gonna preview the plate without grain and yeah

there's still problem areas here

that you're gonna have to address

on this side of the operation

but on the green side

it's looking pretty clean

this I'm actually gonna blur a bit more

just to make sure

so now clearly we made much improvement up here already

and let's just apply our last operation here

gonna do another transform masked

hook that up here and copy operations from the top

I'm gonna keep this blur on 10 for this one

I think here we gonna shuffle it down as well

already cleaned the substantial part of that

next we gonna just preview this

each of these roller shapes over time

to make sure that they stick

and one easy way just to do that quickly is we gonna

hook the hook it up like this

over the plate with an over

and then we have a key at 97

so we gonna look at the actually let

let me disable this

gonna look at the last frame

we gonna make sure it actually follows the same patches

we wanna clean here and here

it seems to be slipping up a bit

so I'm gonna move it and add a key here

drop it now

it's adds a key

even though we have the tracking operation

so this is just gonna add

on to the movement we already have

so it by laying down these 2D tracks

and stabilizing the plate

and creating our rodos on top of that

we actually save a lot of time

and only need to apply a very few key frames

at this stage

so I'm pretty happy with this side

I'm gonna take a look over here

and as you can see even the

the patch moves out of image

so we just need to make sure it sticks for a bit here

and then it's

it's out of the

out of the picture here

and that's pretty pretty much okay for that one

we gonna do the same for the next one

and I go to our reference frame here

and then we start looking here how it sticks

seem to be sticking pretty well

but if you compare this one with that one

this is actually overlapping here now

so you can just

transform these and

and even change the individual points of it

just to make sure that it fits within the area that we

designated for from the beginning

this is how we will be doing most of the operations

on her skin by the way

we will just lay out rotor shapes like this

and make sure they stick over time

and here as you can see it slipped way down

so I think if you look here

go down here actually

and then

seem to be sticking pretty well here

and then here it's slipping

so we add a frame here and as you can see now

sticking there

tweak this a bit more

tweak it here

seems to be sliding pretty

pretty much here towards the end

the worst thing that happens

is that you just have to add more keys to your Roros

at this stage so

usually just getting like

somewhat even

stabilize on the picture is enough to work on

the rest you can do at this stage here

I think this is pretty much good for now

and let's look at the last one

okay so we got a bit rotation going on here

it's actually revealing another one down here

and just to treat that

we can just extend the area for patch here

and then we just make sure it sticks to the

to the edge of her shin here

got a few frames to tweak here as well

now it seems pretty good

on this side

and then when she turns her head

like this option

also gonna have to change the shape of this one

and remember as

as long as you don't have

key frames very close to each other

these transforms or distortions of the rotor shape

are gonna pass by unnoticed

you know they're gonna blend over time

and you won't really

won't really notice the change

so we just wanna get it

somewhat in the ballpark of isolating this problem area

maybe you noticed that I always work

when I lay down my rotors

I always do a key from in the middle

one in the very end

one in the very start

and then I start working in between each one

and splitting them down further and further

this is the easiest way

to make sure your Roros doesn't slide or or slip

and you use the minimum amount of keyframes for that

so I think this is

is pretty looking pretty good

and now I just wanna preview this

so I'm gonna select all of these transforms

and I'm gonna buffer this footage

and we just gonna play it

and we can disable and enable this

doing play and take a look

okay so I'm buffered the shot here

and we playing it back

and if I switch these transforms on and off

and you keep looking at the areas retreating here

you can see that they actually

doing a quite nice effect on

evening these areas out a bit

and if we look closely

we we can actually gamma down this image a bit

and gain it up to see a bit further

you can see that

even though we removing some of that blemish detail

we still keeping quality of the noise

actually this upper park we need to address here

because the image is

is actually

the amount of area we have to take from up here

is getting less towards the beginning of the clip here

so if you look closely

you have the edge of the image here

so for this role to appear we can probably not

as you can see now here is the grain

so can probably not pull it down as much

probably only pull it down about 30

and a better way might be just to shuffle this

from the right to the left instead

because here we seem to have more information

so if we just

shuffle that this looks pretty good to me this frame

and now we have the grain here as well

but all in all as you can see

this is a pretty effective way

of removing some of the blemishes

and evening out the skin that's in the grain

so I'm gonna go ahead and treat

some of these other areas

I can see in the image here

that I'm probably gonna need to rotate

and apply this type of operation on top of as well

and I'm gonna do some tweaks

and make sure all of these mats are aligning correctly

and we're gonna resume in the next clip

where we gonna be looking at treating the other

side of the plate that does not have the grain applied

and how we can make these problem areas better

so I'll see you in the next clip