All language subtitles for Without Name English

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- Be good for your mom, yeah?

- [Radio DJ] Hope you're day's
getting off to a good start.

It's been nippy but sunny,
here in Dublin anyway.

- [Woman On Radio] I
didn't recognize myself,

and that's when I
started to become ill.

- [Woman On Radio] There
are definitely other

in between spaces.

You know, there's this idea--

- [Commercial Narrator] No
matter what time of day,

we're always here
for you, 24 hours--

- [Man On Radio] In
the planning, air
regulator would ensure

that we had a planning
system that works

for the communities and
works for the people,

and doesn't just work
for the developers.

It should not be theirs.

(mysterious orchestral music)

- [Eric] Knowledge of Trees.

(ringing)

- I know, I know.

- You're letting me down.

- [Olivia] No, I
said it depends.

- Well, you're taking liberties.

- I have to get this
thesis in by tomorrow.

I had to get an extension
already because of you.

- [Eric] Now hold on, you're
getting valuable experience.

- Wednesday at the
very latest, I promise.

- It's the second time
you've done this, Olivia.

It's almost impossible
for me to measure an area

this size on my own.

- I'll be there.

Well, I better get back to it,

unless you want me
to be even later.

- [Eric] Right.

- [Olivia] Bye.

- Bye.

(dog barking)

(ominous droning)

(wooden cracking)

(ominous rumbling)

(wind rustling)

- [Client] So how do
you like your lodgings?

- [Eric] Yeah, fine, peaceful.

- [Client] Settled in okay?

- Yeah, thanks.

Listen, about the wood.

Why have you requested
state department ordinance

of the area?

- We want to keep
things quiet for now.

Commercial sensitivity
and all that.

- I need to ask
you something else,

and I'd appreciate
a direct answer.

- [Client] Fire away.

- You do own the land, right?

- Of course.

Some hopeless
development was planned

at the tail end of the boom.

We got it for a song.

It's perfect, or at
least it seems to be.

It's your job to tell
us that for certain.

- I'm not sure you're gonna
get clearance from the EPA.

- They won't be a problem.

- How can you be so sure?

- The system doesn't just
protect the environment.

It also protects those who wish
to exploit the environment.

Is everything okay at
your end, Mr. Mayberry?

- Yeah, fine.

- You're happy to be
working with us on this one?

- Yeah, of course, but--

- But what?

- I'm curious why you
approached me for the job.

I mean, frankly, we both
know there are larger survey

firms out there better equipped
for a project this size.

- Like I said, it's a
commercially sensitive venture.

We don't want the competition
getting wind of us.

If lots of surveyors go
trampling around out there,

the cat's out of the bag.

Besides, Mr. Mayberry.

- Besides?

- You have a reputation
for discretion.

We'll leave it there.

Keep me posted.

- Yeah.

(wind rushing)

(ominous rumbling)

For fuck's sake.

You're certain?

- Absolutely, no
one knows a thing.

This is a curious line of
questioning, I must say.

- I just considered
environmental activists

or industrial espionage maybe.

It's fine.

I'm sure it's nothing
to worry about.

Just someone mucking around.

- I look forward to
getting this concluded.

(light string music)

- And your man's sittin'
over the top of it.

- What are you having?

- An IPA.

- We don't have it.

The chemist might, outside.

- Right.

Well, I'll just have a
beer, whatever you have.

I see you have rooms here.

- Yeah.

- Well, are they taken?

- No.

Quiet time of year.

Interested yourself?

- No, I just, well I
wondered who'd be staying.

- Tried to put talk on me?

- Yeah, I suppose.

- Where are you
staying yourself?

- I rented a cottage between
here and the gully above.

- And what has you here?

- Off-season rambler, I'd say.

- No, I'm working.

- Workin'?

- Yeah, well I'm doing a study.

- A study?

- It's an academic one,
like a thesis really.

- What about?

- About the area.

- What about the
area specifically?

- The gully.

Well, the woods in the gully.

- The woods in the
gully specifically.

Does that sound specific to you?

- [Bartender] Not specifically.

(laughing)

Sounds more like
Devoy's kinda thing.

- Devoy?

- That's his cottage
you're stayin' in.

- Went soft in the
head wandering through

those woods up there
doing unspecific things.

- [Gus] Yeah, well it's
an unspecific kinda place.

- How do you mean?

- No one ever named it,
never even put it on a map.

It's got a name of sorts.

- And what's that?

- Gan Ainm.

- Gan Ainm?

- No name, it means.

Without name, to be precise.

- How'd you come
across his cottage?

- That was my employer
at the university.

They took care of that.

- [Gus] So how long are you
gonna stay in the cottage?

- I'm not really sure.

Hi, mate.

Hello, can I get another
one of these please?

Can I get you something?

- I stick with the tea.

Intoxicate myself in other ways.

- Yeah, you look like a toker.

- Do I?

Psilocybin, actually.

- I'll give you a
pint of that then.

So what is it you do?

- Oh, whatever I can.

- You live around here?

- Yep, a stop just
above Gan Ainm actually.

- You're in the caravan, right?

Yeah, I recognize this fella.

- Chaplin, he's handy.

- You shouldn't be
there, you know.

It's all bought up,
private property.

- Private property?

- Actually, I may
have that wrong.

I just heard something.

- [Gus] How did you hear it?

- Jesus, I can't remember,
to tell you the truth.

- It doesn't matter anyway.

I don't believe in the
concept of private property.

- Yeah, that's 'cause
you don't own any.

- No one does, they
just think they do.

(laughing)

- [Eric] You always remember
to bring the torch with you?

- I wouldn't wanna
get lost, man.

There's fairy fields
around here, you know?

- Yeah.

- They say people
don't get out of them.

They wander forever
around in circles unless--

- Unless what?

- They turn their
coats inside out,

and that tends to do the
trick for some reason.

- Yeah, probably
saved his own life.

(laughing)

So what was the story
with that fellow

who used to live in my place?

- Devoy?

They found him in the wood,
half-dead from hypothermia.

Catotonic, completely gone.

He's been in care since.

- [Eric] That's unnerving.

- [Gus] This is you.

- [Eric] Yeah.

- [Gus] Drop in when you're
up around Gan Ainm, yeah?

Might go with you, maybe.

Might be able to help.

- [Eric] Sure.

- [Gus] 'Cause for
a man doin' a study,

you don't seem to know
much about the place.

Oh, and Eric, 'round here best
to sleep with your pajamas

on inside out, yeah?

(laughing)

Come on, boy.

(ominous rumbling)

(beeping)

- You annoyed with me?

- Why do you say that?

- [Olivia] It's obvious,
as you're not talkin'.

- No, I'm fine.

I just got a lot
on my mind is all.

- Is it your family?

- No, they're fine.

(breathing heavily)

I'm glad you're here.

I hate being alone.

Bullying.

- [Margaret] Yes.

- Who's bullying him?

- No, Justin isn't
being bullied.

Justin is the bully.

- [Eric] Oh.

- Yes.

- Alright, put him on to me.

- [Margaret] He doesn't
want to talk to you.

- Of course he doesn't,
put him on to me.

- [Margaret] He's
angry with you.

- He's angry with me?

I did nothing.

- Exactly.

The school want us to go
in and talk with them.

- When?

- [Margaret] Soon as possible.

When are you back?

- When I'm finished.

- How predictably vague.

- Margaret, this is a big job.

I can't just drop everything.

- Are you alone?
- Yeah.

I was, Olivia arrived
last night, yesterday.

- You were right the first time.

We'll talk about things
when you get back.

Well--

- [Eric] Margaret, wait.

- [Margaret] What?

- [Eric] Nothing.

- [Margaret] Nothing.

- [Eric] It doesn't matter.

- Whatever.

Enjoy the rest of
your break, Eric.

- Come on, Olivia,
get out of bed.

We're here to work, remember?

Come on, Olivia.

- Sorry.

You get them.

It's so old.

- [Eric] Why are you whispering?

- It's like a church in here.

Eric?

Eric?

Eric?

Where did you go?

Eric?

It's not funny.

Okay, Eric.

Eric, where did you go?

- [Eric] I'm here.

- Don't do that.
- What?

- Playin' hide and seek.

Hand me the receiver.

- I was here.

- The light in here is weird.

I'm not sure that this
project could go ahead anyway.

The whole area will be--

- Not our concern, Olivia.

We're just here to claim data.

- Okay, but I'm
just sayin' that--

- It's just we don't
need to talk about it.

Did you pack everything?

Olivia?

Olivia?

- Sorry, I thought we weren't
allowed to talk about it.

(laughing)

He grew to love having
that artificial eye.

He used to pop it
out and shock people.

- Really?

- Yeah, we cousins, he'd
refuse to stay with us

'cause he used to
leave it on the pillow

and all that kinda thing.

- Oh my God.

- He even popped it out in
front of a teacher at school

just to shut her up, and
then he got suspended.

Actually, that's how
he got the nickname.

- Which was?

- Ballar.

- Ballar?

- Yeah, Ballar of the evil eye.

It's a mythological demon.

No?

Whatever, they'd been
told about him in school.

- I see.
(laughing)

- This is nice though, isn't it?

The general vicinity, I mean.

It's remote and splendid.

The type of place you
always go on about.

Yeah, I could get used to it.

Your ideal little idyll.

- Yeah, well that's just
me dreaming, isn't it?

- Yeah, well aren't you
meant to make your dreams

come true in life?

- Just stop, Olivia.

I have responsibilities.

Justin, I can't just walk away.

- Yeah, your responsibilities,
you mentioned them--

- And what would you
understand about it?

You don't know, you have
your whole life ahead of you.

- And what is it you think
I wanna do with that life?

Eric, do you ever think
about what I want?

(rumbling)

(wooden knocking)

(wooden rattling)

- Where did you go?

Talk to me!

Where are you?

- Eric, what are you doing?

- [Eric] Can you hear that?

- Hear what?

- There was someone out here.

- The only person
who's out there is you.

Come to bed.

You're freakin' me out.

(dog barking)

Hi there in your little bed.

You can come out.

- Better than a
doorbell, that fella.

- [Olivia] Sorry,
hi, I'm Olivia.

- Gus.

Visitors, great, come
on in for a cup of tea.

Nice one for callin' in, man.

I wasn't expecting company.

You sure you won't have a cup?

- No, I'm fine.

- Where'd you get
all the stuff, Gus?

- I've been all over, mate.

Mementos, markers
from the journey.

- Have you always traveled?

- Half my life.

Occasionally I stop somewhere
for a while, like here.

- Yeah?

- Might stay put this time.

- Someone's been messing around.

- Messin' around?

- Yeah, with my equipment and
sneaking around the cottage.

- Yeah, well we don't know
if it's the same person.

- I have a feeling you're
asking was it me, lads.

Well, it wasn't me.

Don't think I have
an alibi or anything,

but really, ask anyone,
I'm not the type.

I don't know how I'm
gonna convince you.

You're just gonna have
to take my word for it.

- Or get the law involved.

- You do what you need to.

- Who the hell else could it be?

- I have no idea.

It's got nothin' to
do with me though.

- Alright.

- [Olivia] What's
on the stove, Gus?

- Me stew.

You hungry?

- Starvin'.

- Only made enough to last
me for a couple of days,

but I'd rather lash it out
now and have the company.

How 'bout yourself, Inspector?

- Yeah, yeah I'll try some.

- You're too kind.

He was into Kirlian photography,
do you know what that is?

- [Olivia] No.

- Do you know what auras are?

- [Olivia] Oh, is that
like the glow or somethin'?

- Around living things, yeah.

So with a plant, when
you tear a leaf off,

the aura changes as if
the plant's distressed.

- What a tree-hugger.

- Devoy thought the trees
might be able to talk.

He said the way they swayed
in the wind was sign language.

When he saw branches
silhouetted against the sky,

he thought they looked
like scribbled letters.

He really did think
the trees might be able

to say something to us.

- Jesus, okay, that is good.

- Yeah.

No, he was a great
advocate of the Earth's own

language guide.

- [Olivia] What?

- Hallucinogens, magic
mushrooms, things like that.

- Oh, okay, so you
tripped with him.

- Oh, yeah, did I what.

I tripped everywhere with Devoy.

You see, he was like me in
that he was only interested

if it comes from the Earth.

See, if it comes form the Earth,

you know what you're getting.

It's not some mongrel
batch of God knows what

cooked up by God knows
who in some lab somewhere.

No, it's pure, you know?

Straight from God herself.

- You make it sound like a
religious thing or something.

- No time for religion then?

- No, not really.

- Me neither, man,

but I'm not adverse to the
odd spiritual experience.

- So you still indulge?

- Sure.

I think it's healthy.

Shed the ego now and again,
and melt back into the world.

- Do you have anything here now?

- I do, yeah.

- Be fun to have some
sort of spiritual kick,

wouldn't it, Eric?

- Come on, we have
work in the morning.

- Work will still be
there in the mornin', man.

- Yeah, but we have
to be able to do it.

- Yeah, well I want some, so.

- Come on, Olivia.

- [Olivia] What, it's
just a bit of fun.

You can always sack
me if you want.

- [Gus] Eric, you sure?

- Yeah.

- [Gus] Here, start with that.

(flames crackling)

- We just cut everything up
into salable little slabs.

That's what we do.

We just measure the land,
put boundaries around it,

and we tell people
where they can go

and when they can go there.

Jesus, it's so obnoxious.

- We just read
distances and angles.

I don't think we can be
blamed for what other people

do with the data.

- [Olivia] Listen to Spock.

- Land surveying, huh?

Something planned
for here, is there?

- It's just a survey
of the general area

for academic records.

- I reckon we're
afraid of the world.

I reckon we think
it's out to get us,

so we have to get it first.

I don't know, maybe
it is out to get us.

Maybe it's like a
self-fulfilling prophecy.

What do you think?

Seriously, what do
you think though?

We've lost touch with
the world, what it is.

People are born,
they're given birth to,

and they're immediately just
burdened with culture and class

but like what about who they
really are underneath all that?

Like who am I, you know?

Who are you?

And who the hell are you?

- Can you take it easy?

- Why is there somethin' the
matter with what I'm saying?

- I think I'm comin' up.

- What?

- I finished what
was in the bag.

- You finished the bag?

Some heap of mushrooms
you're eatin' there, man.

- Really, I thought
you took the same?

- No.

You'll be fine.

You'll enjoy yourself.

That's some heap of mushrooms.

(laughing)

- Alright, I don't
feel great, so--

- Oi, you're gonna
be grand, Eric.

It's a nice, clear night.

Let's go for a walk.

- A walk.

- Eric.
- Yeah.

- Yeah?
- Yeah.

- [Olivia] That's so
impulsive, Eric, wow.

- [Eric] Oh God, Olivia,
you are way too--

- [Olivia] What?

- There.

(laughing)

- [Gus] Let's go.

Go play.

So you can read the
trees, then, Olivia?

- Yeah, I can.

- What are they sayin'?

- [Olivia] They're lookin'
down on the human race,

and they're sayin' what
a bunch of arseholes.

(laughing)

- Yeah, well some people
like to live in nature.

Other people like to
catch it and kill it

and put its head on a wall.

- Yeah, his wife puts
his head in a cabinet.

Every now and again,
she'll open it

and she'll slap him
across the face.

(laughing)

- [Eric] What are you
guys talkin' about?

- [Gus] Oh nothing, man.

Just sucking the country air.

- What's funny?

- In today's spotlight,
we've got Eric Mayberry,

a part-time adulterer and
a full-time curmudgeon.

How are you feeling today, Eric?

- Pretty freaked out.

- [Olivia] Why are
you freaked out?

- I think I'm hallucinating.

- [Olivia] What do you see?

- [Margaret Voiceover]
Are you alone?

- [Olivia] Heard
you need the bitch.

- [Gus] Just go with it, man.

- [Olivia] You alright, Eric?

- You should turn
your coat inside out.

(laughing)

- [Eric] What's funny?

Is that funny?

- It's funny.

(laughing)

It's alright, man, relax.

- I think I'll head to bed.

- That's another
day's work lost.

- [Gus] Are you alright, man?

- Yeah.

- I think I'm gonna get goin'.

It's been unreal.

- [Olivia] I'll walk you out.

- [Gus] Yeah.

(eerie droning)

- Eric.

We have no electricity.

- Oh, shit.
- Yeah, I know.

Where is everything?

- What?

- Candles, torches,
it's gonna get dark.

- Oh, Jesus, I don't know.

- Eric, come in here and
have a look at these.

- [Eric] What is it?

Have you found candles?

- Yep, and all this
other weird stuff.

Here.

This looks cool.

Gonna hang these up.

- [Eric] Devoy.

- Come on downstairs.

I'm gonna read you a story
from your special book.

- What special book?

- You know what special book.

(thunder rumbling)

The Knowledge of Trees
by William Devoy.

Okay, here.

What is the meaning of trees?

Plants, vegetation, nature.

Is there grammar in
all the greenery?

Is there syntax in
all the spawning?

Are leaves linguistic?

Is there something worth
reading in the scripts

of bent trunks and stems, in
crooked branches and petals?

I know there is.

I've come to understand
there's a book of nature,

and all I have to do is
find out how to open it,

turn the pages,
and read the words.

Natural, oh.

Natural narcotics
help me read the world

from my belly to my brain,
and bang I see it suddenly

with ferocious clarity.

Everything is involved in
a kind of choreography.

Light wind, organic matter,
all dance to a silent tune.

Everything shines.

This is a vibrating,
verdant world.

This is everything we need.

This is what was taken from us.

This is Eden.

My God, this guy must've
had some serious stash.

Let's search the place.

Anyway, it's mostly
just drawings of plants

and fungus and stuff.

It's pretty crazy, isn't it?

- I don't know, maybe
he was on to something.

Maybe he was enlightened.

(laughing)

- Yeah.

Eric.

That's almost everything.

So listen, you head
back to the cottage.

I'm gonna go for a wander.

I'll walk back later.

- Really?
- Yeah, just feel like a walk.

- Right.

(ominous droning)

Hello?

Fuck.

Jesus, Olivia,
you frightened me.

- [Olivia] Yeah,
everything frightens you.

- How's Gus?

- [Olivia] What?

- [Eric] Well, you
took your time.

I take it you dropped in on him.

- Mm hm, yeah I did.

He's fine.

- That's lovely to hear.

I can't find the last
day's field readings.

Have you been using this?

- [Olivia] No.

- I can't find the readings.

I mean, they're gone.

- Sorry, I didn't mean to laugh.

Just tired, maybe we both are.

- Are you looking for attention?

Is that what this is?

- What?

- The way you've been behaving.

Making us take
mushrooms and things.

- I didn't make
you take anything.

- Reading from that
mad man's book,

and hanging his pictures
all around the place.

Is this some kind of game?

- What exactly are
you accusing me of?

- Is this all at my expense?

I mean, I don't feel like
I'm out here to do my job.

I don't know what we're
supposed to be doing.

Did you arrange this
with the others?

- The others?
- Yeah, Olivia.

The others, Gus, the
locals, or the client.

I mean, it just
feels like a setup.

There's a real vindictive
vibe to all this.

- A vindictive vibe?

- Yeah, I sense an aura,
like in those photographs.

What was that stuff
with the interrogation?

Shining a torn in my face.

I mean, are you really
that fucking angry with me?

I don't want things to change.

Things don't have to change.

Why is everything changing?

- I'm really confused
about all this, Eric.

- Just tell me, and
we can sort it out.

- Tell you what?

- Why are you trying
to tear me apart?

Olivia, I'm sorry.

- [Olivia] I don't feel
comfortable staying here

with you anymore, Eric.

- Stop, where you gonna go?

- I don't know,
somewhere in the village.

I'm not gonna stay here.

- [Eric] It's late,
this is silly.

Just stop.

- Get out of my way.

- No, just put your bag down.

- Get out of my way, Eric.
- Put the bag down.

Olivia, put the bag down!

Olivia, come on, get in the car.

This is crazy.

- [Olivia] No, you're
fucking crazy, Eric!

- [Eric] Olivia, I'm sorry.

Let's talk about it.

Jesus, don't just walk off.

Please, I said I was sorry.

This is stupid.

Ah, shit.

Olivia.

(ringing)

(muffled voices whispering)

Stop!

Stop!

- Mr. Mayberry?

Mr. Mayberry?

Mr. Mayberry, is
everything alright?

Mr. Mayberry, do you need help?

(muffled voices whispering)

(ominous bass music)

(wind rushing)

(light ethereal music)

(wind rushing)

(eerie droning)

(laughing)

- Hey.

Hey!

Where you goin'?

Hey.

(laughing)

Hey!

Wait!

Where'd you go?

Where'd you go?

Hey.

(eerie droning)

Hey!

(stuttering incoherently)

Communicate!

(rumbling)

(knocking)

- [Margaret] Eric?

Eric, you there?

Eric, it's me, are you in there?

Eric?

(crying)

(engine rumbling)

Eric!

- Eric!

- Eric!

- [Gus] Eric!

- [Justin] Dad?

I'm sorry.

Dad!

- [Margaret] Hey, come on.

Let's go back and
join the others, okay?

(droning music)

- Hey, over here!

Eric.

Here, warm him up.

- Eric.
- Get an ambulance!

- Can you hear me?

Eric, it's me.

Eric.
- Your jacket.

Put your jacket on him.

- Olivia.

- Did you get someone?

Eric.

(light ethereal music)

(dramatic bass music)

(light ethereal music)