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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,532 --> 00:00:35,977 NO! NO! NO! 2 00:00:36,001 --> 00:00:37,294 ♪ 3 00:00:38,986 --> 00:00:39,986 OH! 4 00:00:40,521 --> 00:00:41,871 YES. 5 00:00:41,939 --> 00:00:44,406 ♪ OOH, BABY ♪ 6 00:00:44,475 --> 00:00:46,275 ♪ I LOVE YOU ♪ 7 00:00:52,249 --> 00:00:55,117 ♪ I'VE BEEN WAITING ON YOU, GIRL ♪ 8 00:00:56,888 --> 00:00:59,989 ♪ HOPE YOU'LL BE BY MY SIDE ♪ 9 00:01:05,496 --> 00:01:08,530 ♪ LOVING, LOVING EYES ♪ 10 00:01:10,768 --> 00:01:13,836 ♪ OOH, BABY ♪ 11 00:01:14,471 --> 00:01:16,438 ♪ I LOVE YOU ♪ 12 00:01:16,507 --> 00:01:18,107 HEY, YOU GUYS! 13 00:01:19,877 --> 00:01:21,410 ♪ OOH ♪ 14 00:01:21,478 --> 00:01:22,511 WAIT UP! 15 00:01:22,580 --> 00:01:23,779 ♪ BABY ♪ 16 00:01:23,848 --> 00:01:26,015 ♪ I LOVE YOU ♪ 17 00:01:33,591 --> 00:01:36,959 ♪ I'VE BEEN SITIN' ROUND HERE ALL DAY LONG ♪ 18 00:01:38,896 --> 00:01:41,630 ♪ WAITIN' ON YOU TILL DAWN ♪ 19 00:01:43,067 --> 00:01:46,869 ♪ I DIDN'T LEAVE UNTIL YOU CALLED ME, BABY ♪ 20 00:01:46,938 --> 00:01:48,578 OH, GOD, YES. 21 00:02:00,151 --> 00:02:01,550 OH, GOD. 22 00:02:01,619 --> 00:02:02,852 MMM. 23 00:02:07,225 --> 00:02:08,825 NO, NO, NO. 24 00:02:44,061 --> 00:02:45,427 OH, RIGHT THERE. 25 00:02:48,766 --> 00:02:50,366 NO, NO, NO! 26 00:02:54,238 --> 00:02:56,538 YES, YES... 27 00:03:08,953 --> 00:03:10,252 OH! 28 00:03:12,656 --> 00:03:14,523 WAIT. 29 00:03:18,129 --> 00:03:19,649 WAIT. 30 00:03:25,169 --> 00:03:26,702 HEY, BOBBY-BOY! 31 00:03:36,714 --> 00:03:38,013 AAAH. 32 00:03:50,928 --> 00:03:52,294 HEY, BOBBY! 33 00:04:04,075 --> 00:04:05,407 BOBBY-BOY. 34 00:04:11,815 --> 00:04:14,583 SOME DREAMS RUIN BEING AWAKE, 35 00:04:14,651 --> 00:04:16,331 IF YOU KNOW THE DIFFERENCE. 36 00:04:17,255 --> 00:04:18,787 BEST NOT TO KNOW. 37 00:04:28,632 --> 00:04:29,965 BOBBY! 38 00:04:32,336 --> 00:04:33,835 BOBBY-BOY. 39 00:04:45,283 --> 00:04:46,448 YEAH? 40 00:04:47,285 --> 00:04:48,317 HEY. 41 00:04:48,386 --> 00:04:49,484 HEY. 42 00:04:49,553 --> 00:04:50,886 ARE YOU ALONE? 43 00:04:50,955 --> 00:04:52,221 YEAH. 44 00:04:53,357 --> 00:04:55,090 ARE YOU AWAKE? 45 00:04:55,159 --> 00:04:56,858 NO, I'M AWAKE NOW. 46 00:04:57,828 --> 00:04:59,094 I GOT SOME BEER. 47 00:04:59,163 --> 00:05:00,695 YEAH? 48 00:05:00,764 --> 00:05:02,097 I'LL JUST GET IT. 49 00:05:02,166 --> 00:05:03,198 ALL RIGHT. 50 00:05:10,140 --> 00:05:11,907 "DEAR MR. BARLOW, 51 00:05:11,976 --> 00:05:14,176 "THE SMALL SIZE OF OUR STAFF 52 00:05:14,245 --> 00:05:18,147 "PRECLUDES INDIVIDUAL COMMENTS ON SUBMISSIONS. 53 00:05:18,215 --> 00:05:20,882 "NEITHER THIS, NOR THE RETURN OF YOUR MANUSCRIPT 54 00:05:20,952 --> 00:05:22,495 "REFLECTS ON THE QUALITY OF YOUR WORK. 55 00:05:22,519 --> 00:05:25,487 "THANK YOU FOR THE SUBMISSIONS AND KEEP UP THE GOOD WORK." 56 00:05:28,359 --> 00:05:31,026 THANK YOU FOR YOUR SUBMISSION. 57 00:05:34,332 --> 00:05:35,730 YOU GOT SOME MAIL. 58 00:05:35,799 --> 00:05:37,232 HE SAID. 59 00:05:37,301 --> 00:05:40,181 POLITE OF HIM NOT TO CALL IT BATHROOM WALLPAPER. 60 00:05:47,445 --> 00:05:50,312 HEY, HOW THE HELL THEY PULL THAT OFF, ANYWAY? 61 00:05:51,615 --> 00:05:53,482 THESE REFUGEES. 62 00:05:53,550 --> 00:05:56,085 THERE'S HUNDREDS OF THOUSANDS OF THEM. 63 00:05:56,153 --> 00:05:59,554 TAKE 'EM FROM HERE, MOVE THEM OVER THERE. 64 00:05:59,623 --> 00:06:01,768 I MEAN, YOU KNOW HOW HARD IT IS JUST TO GET 2 PEOPLE 65 00:06:01,792 --> 00:06:03,303 TO AGREE TO DO THE SAME THING, 66 00:06:03,327 --> 00:06:05,687 SHOW UP AT THE SAME PLACE. 67 00:06:05,896 --> 00:06:08,216 HAVE THE SAME OBJECTIVE. 68 00:06:10,468 --> 00:06:12,167 WELL, YEAH, OF COURSE YOU DO. 69 00:06:15,072 --> 00:06:17,672 NO AMENDS MADE LAST NIGHT, HUH? 70 00:06:18,876 --> 00:06:20,042 WOMEN. 71 00:06:20,111 --> 00:06:21,391 YEAH. 72 00:06:22,380 --> 00:06:23,845 JESUS CHRIST. 73 00:06:25,149 --> 00:06:26,515 HIM, TOO. 74 00:06:27,718 --> 00:06:28,817 YEAH. 75 00:06:31,355 --> 00:06:32,888 YOU WANT A JOB? 76 00:06:37,995 --> 00:06:39,761 I COULD USE A JOB. 77 00:06:40,764 --> 00:06:42,364 I NEED SOME MONEY. 78 00:06:43,567 --> 00:06:46,168 GOT A BIG HOUSE NEEDS PAINTING. 79 00:06:51,242 --> 00:06:52,774 THANKS, MONROE. 80 00:06:56,213 --> 00:06:59,214 VELMA SAID SOME OLD BOY FLASHED HER AND MARILYN 81 00:06:59,283 --> 00:07:01,883 OVER AT THE FOOD WRANGLER THE OTHER DAY. 82 00:07:03,854 --> 00:07:06,555 PULLED IT OUT WHERE THEY WERE PARKED, 83 00:07:06,623 --> 00:07:09,291 BY THE CHARITY CLOTHES DROP. 84 00:07:11,495 --> 00:07:13,828 CHARITY TROUSER DROP. 85 00:07:13,897 --> 00:07:15,397 WHERE'S THE HARM? 86 00:07:16,833 --> 00:07:18,767 JUST WHIPPED IT RIGHT ON OUT. 87 00:07:21,605 --> 00:07:23,439 HOW BIG WAS IT? 88 00:07:25,576 --> 00:07:28,243 YEAH, I ASKED THE SAME QUESTION. 89 00:07:28,312 --> 00:07:30,946 VELMA SAID SHE DIDN'T LOOK. BUT MARILYN... 90 00:07:31,014 --> 00:07:32,892 COULD PICK IT OUT OF A LINEUP. 91 00:07:32,916 --> 00:07:36,118 SAID IT WASN'T NO BIGGER THAN AN ACORN. 92 00:07:36,187 --> 00:07:39,921 WELL, YOU'RE THE BEST HOUSE PAINTER I EVER SAW, BOBBY. 93 00:07:39,990 --> 00:07:42,091 BUT YOU DON'T REALLY LIKE IT, DO YOU? 94 00:07:42,926 --> 00:07:44,560 SEE, I LOVE PAINTING. 95 00:07:44,628 --> 00:07:46,361 I LOVE EVERYTHING ABOUT IT. 96 00:07:47,864 --> 00:07:49,431 BUT I GOT NO TECHNIQUE. 97 00:07:50,301 --> 00:07:52,167 OF COURSE, FRANCIS BACON SAID, 98 00:07:52,236 --> 00:07:53,435 "IN PAINTING, 99 00:07:53,504 --> 00:07:55,537 "YOU HAVE TO KNOW WHAT YOU'RE DOING, NOT HOW." 100 00:07:57,241 --> 00:07:59,941 OF COURSE, HE COMMITTED SUICIDE. 101 00:08:00,010 --> 00:08:03,278 EITHER ONE OF THOSE DAMES GET A LOOK AT THE ACCUSED? 102 00:08:03,347 --> 00:08:07,583 VELMA. MAKE, MODEL, YEAR, COLOR, PLATE. 103 00:08:07,651 --> 00:08:11,453 SHE'D HAVE GOTTEN HIS SHOE SIZE IF HE HADN'T OF BOOKED OUT OF THERE. 104 00:08:12,723 --> 00:08:16,057 CREAM-COLORED '78 CHEVY PICKUP. 105 00:08:16,494 --> 00:08:17,559 HUH. 106 00:08:17,628 --> 00:08:20,496 WITH A WHITE TAILGATE, KIND OF LIKE A BUNNY. 107 00:08:20,564 --> 00:08:22,524 SHIT. WE GOT HIM, NOW. 108 00:08:24,001 --> 00:08:26,034 VELMA. 109 00:08:26,103 --> 00:08:28,737 HELL, YEAH. SHE'S THOROUGH AS A BY-GOD. 110 00:08:29,507 --> 00:08:30,972 DON'T GET UP. 111 00:08:33,611 --> 00:08:35,644 YOU SAY YOU GOT NO TECHNIQUE. 112 00:08:36,413 --> 00:08:37,879 WHAT'S THAT MEAN? 113 00:08:37,948 --> 00:08:39,792 THAT YOU DON'T THINK YOU'RE ANY GOOD AT PAINTING, OR WHAT? 114 00:08:39,816 --> 00:08:41,595 NO, NO, NO. NOT THAT, SO MUCH. 115 00:08:41,619 --> 00:08:43,452 I... I MEAN, I GOT NO TECHNIQUE 116 00:08:43,521 --> 00:08:46,821 FOR GETTING UP IN THE MORNING, EITHER, BUT HERE I AM. 117 00:08:46,890 --> 00:08:47,934 YEAH, WHY IS THAT? 118 00:08:47,958 --> 00:08:50,270 I MEAN, YOU'RE SITTING ON FORT KNOX. 119 00:08:50,294 --> 00:08:52,694 WHAT ARE YOU DOING OUT HERE, BREAKING YOUR BACK? 120 00:08:52,763 --> 00:08:54,729 AH, FORT KNOX. 121 00:08:54,798 --> 00:08:58,733 EVERYBODY'S GOTTEN A JIG THEY GOTTA DANCE ABOUT WORK. 122 00:08:58,802 --> 00:09:01,236 FORT KNOX, HARD KNOCKS, PLAID SOCKS, 123 00:09:01,305 --> 00:09:04,072 CHINESE FUCKING PUZZLE BOX, IT DON'T MATTER. 124 00:09:04,141 --> 00:09:05,318 IN THE ABSENCE OF 125 00:09:05,342 --> 00:09:07,742 THE BENEVOLENT ARISTOCRACY, THOUGH, 126 00:09:07,811 --> 00:09:10,145 THE OLD COLOSSUS STILL GOT ONE FOOT 127 00:09:10,214 --> 00:09:13,215 PLANTED IN ART, AND THE OTHER IN COMMERCE. 128 00:09:13,284 --> 00:09:14,561 HE'S PISSING ON YOUR HEAD, 129 00:09:14,585 --> 00:09:16,552 WHILE HE'S WEARING YOUR WRISTWATCH. 130 00:09:16,620 --> 00:09:19,054 NOT TO KICK A METAPHOR IN THE WHAT-DO-YOU-CALL. 131 00:09:21,124 --> 00:09:24,326 WORK IS JUST WORK, BROTHER, AND I THANK YOU. 132 00:09:29,099 --> 00:09:30,819 HOW Y'ALL DOING? 133 00:09:35,772 --> 00:09:36,916 MR. AARON. 134 00:09:36,940 --> 00:09:38,006 YES, SIR. 135 00:09:38,075 --> 00:09:40,108 HEY. HEY. 136 00:09:40,177 --> 00:09:42,344 WHAT YOU GOT TO SAY FOR YOURSELVES? 137 00:09:43,380 --> 00:09:45,647 I CAN'T THINK OF A THING. 138 00:09:45,716 --> 00:09:47,556 NOW, LOOK HERE, NOW. 139 00:09:49,152 --> 00:09:50,430 YOU EVER HEAR OF THIS PLACE? 140 00:09:50,454 --> 00:09:52,020 I CAN'T EVEN SAY IT. 141 00:09:53,357 --> 00:09:55,757 WHAT'S THAT ALL ABOUT? 142 00:09:55,826 --> 00:09:59,027 WELL, LOOKS LIKE A WAR OF SOME KIND OR ANOTHER. 143 00:09:59,096 --> 00:10:01,963 NOW, WHAT THE HELL DO THESE PEOPLE GOT TO BE FIGHTING ABOUT? 144 00:10:02,032 --> 00:10:04,516 DON'T HARDLY NEED MUCH OF A REASON. 145 00:10:04,585 --> 00:10:06,718 YOUR DADDY AND I HAD A REASON. 146 00:10:06,787 --> 00:10:08,320 YOU AND MONROE DID, TOO. 147 00:10:08,388 --> 00:10:10,722 "DID, TOO," WHAT? 148 00:10:10,791 --> 00:10:12,591 TALKING ABOUT RE-ENLISTING. 149 00:10:12,660 --> 00:10:14,671 SHOOTIN' SOME OF THEM BOYS OVER THE SUB-SAHARA. 150 00:10:14,695 --> 00:10:17,362 OH, RIGHT IN THE SUB-SAHARA, HUH? 151 00:10:17,431 --> 00:10:18,831 HOW'S YOUR LEG? 152 00:10:18,899 --> 00:10:20,539 OH, IT'S ALL RIGHT. 153 00:10:20,601 --> 00:10:22,946 MIGHT HAVE TO CUT THE DAMN THING OFF AND GET RID OF IT. 154 00:10:22,970 --> 00:10:25,048 DID YOU GET THEM WAY BACK WHERE IT'S COOL? 155 00:10:25,072 --> 00:10:27,172 YOU BOYS LOOK LIKE YOU NEED SOME COOLIN'. 156 00:10:27,240 --> 00:10:29,875 HEY, I PUT THIS ONE TO WORK TODAY, MR. AARON. 157 00:10:29,944 --> 00:10:31,810 MMM. 158 00:10:31,879 --> 00:10:33,959 AND WHAT ELSE CAN I DO YOU FOR? 159 00:10:34,615 --> 00:10:36,147 I'LL JUST GET SOME ICE. 160 00:10:36,216 --> 00:10:37,683 ALL RIGHTY. 161 00:10:39,587 --> 00:10:40,519 HERE YOU GO. 162 00:10:40,588 --> 00:10:41,588 YES, SIR. 163 00:11:07,515 --> 00:11:09,447 THANKS FOR THE ADVANCE. 164 00:11:09,517 --> 00:11:11,383 LET'S BEAT THE SUN UP TOMORROW. 165 00:11:31,405 --> 00:11:33,505 ♪ 166 00:11:49,924 --> 00:11:52,536 "DEAR CONTRIBUTOR, WE'RE SORRY THAT WE CANNOT 167 00:11:52,560 --> 00:11:55,093 "USE THE ENCLOSED MATERIAL AT THIS TIME." 168 00:11:57,665 --> 00:11:59,042 "DEAR WRITER, 169 00:11:59,066 --> 00:12:02,067 "YOUR MANUSCRIPT DOES NOT MEET OUR NEEDS AT THIS TIME." 170 00:12:02,135 --> 00:12:04,014 "...WE'RE SORRY THAT WE CANNOT ACCEPT 171 00:12:04,038 --> 00:12:06,917 "...YOUR SUBMISSION FOR PUBLICATION AT THIS TIME." 172 00:12:06,941 --> 00:12:08,585 "...IN NO WAY A REFLECTION ON THE 173 00:12:08,609 --> 00:12:10,676 "LITERARY VALUE OF THE WORK ITSELF." 174 00:12:19,286 --> 00:12:21,865 THIS ONE GOES OUT TO LEON BARLOW. 175 00:12:21,889 --> 00:12:23,667 IT'S A REJECTION LETTER, OF COURSE, 176 00:12:23,691 --> 00:12:25,156 BY A NEW YORK AGENT 177 00:12:25,225 --> 00:12:27,559 IN WHOSE HANDS LEON PLACED HIS TRUST 178 00:12:27,628 --> 00:12:29,895 AND A 330-PAGE NOVEL. 179 00:12:31,031 --> 00:12:33,932 ♪ DEAR MR. BARLOW ♪ 180 00:12:34,001 --> 00:12:35,712 ♪ WE ARE RETURNING THE MANUSCRIPT ♪ 181 00:12:35,736 --> 00:12:38,314 ♪ BECAUSE THE MARKET AT THIS TIME IS NOT AMENABLE ♪ 182 00:12:38,338 --> 00:12:41,172 ♪ TO NOVELS ABOUT DRUNK PULPWOOD HAULERS ♪ 183 00:12:41,241 --> 00:12:44,242 ♪ AND REDNECKS IN HUNTING ACCIDENTS ♪ 184 00:12:44,311 --> 00:12:45,589 ♪ READERS HERE AT THE AGENCY ♪ 185 00:12:45,613 --> 00:12:47,457 ♪ FOUND YOUR WORK HILARIOUS AND TOUCHING ♪ 186 00:12:47,481 --> 00:12:49,721 ♪ WITH TERRIFIC CHARACTERS, GREAT DIALOGUE ♪ 187 00:12:49,750 --> 00:12:51,216 ♪ AND NO TYPOS ♪ 188 00:12:51,284 --> 00:12:53,162 ♪ BUT WE DON'T FEEL THIS COMPELLING NOVEL ♪ 189 00:12:53,186 --> 00:12:55,186 ♪ CAN BE PLACED WITH A PUBLISHER ♪ 190 00:12:55,255 --> 00:12:58,134 ♪ PLEASE CONTACT US IF WE CAN BE OF ANY FURTHER ASSISTANCE ♪ 191 00:12:58,158 --> 00:13:00,558 ♪ WHOO OOOO ♪ 192 00:13:01,528 --> 00:13:04,696 "DEAR MOTHERFUCKER, 193 00:13:04,765 --> 00:13:08,333 "YOU, SIR, ARE AN IGNORANT AND SPINELESS CRETIN. 194 00:13:08,401 --> 00:13:11,169 "HOW THE HELL DO YOU KNOW THAT MY BOOK WON'T SELL 195 00:13:11,238 --> 00:13:14,183 "UNLESS YOU GET OFF YOUR FAT CAN AND TRY TO SELL IT?" 196 00:13:14,207 --> 00:13:16,775 "YOU THINK I CAN JUST SHIT ANOTHER ONE OF THESE OUT? 197 00:13:16,844 --> 00:13:19,111 "I WORKED A SOLID YEAR ON THIS COCKSUCKER. 198 00:13:19,179 --> 00:13:22,080 "YOU KEPT MY MANUSCRIPT 3 GODDAMN MONTHS 199 00:13:22,149 --> 00:13:24,282 "AND DIDN'T EVEN SEND IT AROUND. 200 00:13:24,351 --> 00:13:27,653 "I'D LIKE TO STOMP A MUDHOLE IN YOUR ASS AND WALK IT DRY." 201 00:13:27,721 --> 00:13:29,420 ♪ WHOO-HOO ♪ 202 00:13:29,489 --> 00:13:30,522 COCKSUCKER! 203 00:13:30,590 --> 00:13:32,157 "SINCERELY..." 204 00:13:32,225 --> 00:13:33,603 LEON BARLOW, WHOSE GRITTY FICTION 205 00:13:33,627 --> 00:13:35,304 HAS ENTERTAINED SO FEW, FOR SO LONG, 206 00:13:35,328 --> 00:13:37,796 ISSUED A STATEMENT TO HIS WASTEBASKET TODAY, 207 00:13:37,865 --> 00:13:40,298 WHILE IGNORING A BILL FROM HIS EX-WIFE'S LAWYER. 208 00:13:42,002 --> 00:13:44,102 REACHED FOR COMMENT AT HIS SHITBOX HOME, 209 00:13:44,171 --> 00:13:46,471 THE DEADBEAT GAVE NO EXPLANATION. 210 00:13:46,540 --> 00:13:48,417 IN OTHER NEWS TODAY, A FLASHER TERRORIZED 211 00:13:48,441 --> 00:13:50,341 THE POPULACE NEAR A PIGGLY-WIGGLY. 212 00:13:52,430 --> 00:13:54,162 ♪ TAKE THIS HAMMER ♪ 213 00:13:57,701 --> 00:13:59,401 ♪ GIVE IT TO THE CAPTAIN ♪ 214 00:14:06,677 --> 00:14:08,444 ♪ TELL HIM I'M GONE ♪ 215 00:14:19,256 --> 00:14:21,122 "HIS NAME WAS... 216 00:14:32,670 --> 00:14:34,135 "HIS NAME..." 217 00:14:34,204 --> 00:14:35,971 GODDAMN. 218 00:15:29,026 --> 00:15:33,896 "HIS NAME WAS MBEMBE, WHICH MEANS 'SMOOTH TALKER'. 219 00:15:33,964 --> 00:15:37,232 "HE COULD GET ANYONE TO DO ANYTHING HE WANTED. 220 00:15:37,300 --> 00:15:40,435 "BUT HE DIDN'T KNOW WHAT HE WANTED. 221 00:15:40,504 --> 00:15:44,139 "THE EVIL SPIRIT THAT HAD POSSESSED ONE SIDE OF HIS BODY 222 00:15:44,207 --> 00:15:47,676 "HAD BEEN EXORCISED, AND HAD FLED TO MEXICO. 223 00:15:47,745 --> 00:15:49,545 "BUT WHEN THE SPIRIT LEFT, 224 00:15:49,580 --> 00:15:53,015 "IT HAD TAKEN MBEMBE'S WILL ALONG WITH IT. 225 00:15:53,083 --> 00:15:56,018 "HIS YOUNG BRIDE, HOMESICK FOR THE NORTH..." 226 00:15:56,086 --> 00:15:59,006 "YOUR MANUSCRIPT DOES NOT MEET OUR NEEDS..." 227 00:16:11,936 --> 00:16:14,836 BARLOW, BARLOW, I'M TRAPPED. 228 00:16:14,905 --> 00:16:18,040 I'M TRAPPED IN A BOTTLE BEHIND THE BAR AT CINDY'S. 229 00:16:18,108 --> 00:16:19,942 HELP ME, I BEG YOU. 230 00:16:21,979 --> 00:16:23,511 A CRY FOR HELP. 231 00:16:25,082 --> 00:16:26,715 I MUST NOT TARRY. 232 00:16:32,489 --> 00:16:35,190 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 233 00:16:35,258 --> 00:16:37,325 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 234 00:16:37,394 --> 00:16:39,695 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 235 00:16:39,763 --> 00:16:41,997 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 236 00:16:42,066 --> 00:16:44,833 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪ 237 00:16:53,877 --> 00:16:56,344 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 238 00:16:56,413 --> 00:16:58,780 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 239 00:16:58,849 --> 00:17:01,116 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 240 00:17:01,184 --> 00:17:03,284 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 241 00:17:03,353 --> 00:17:05,453 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 242 00:17:05,522 --> 00:17:07,856 ♪ LOVE, YOU'RE THE DEVIL, WELL YOU WON'T GET ME ♪ 243 00:17:29,312 --> 00:17:31,747 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 244 00:17:31,815 --> 00:17:34,149 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 245 00:17:34,217 --> 00:17:36,317 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 246 00:17:36,386 --> 00:17:38,854 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 247 00:17:40,290 --> 00:17:41,523 ASSHOLE! 248 00:17:43,560 --> 00:17:46,427 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪ 249 00:18:04,948 --> 00:18:07,415 ♪ GONNA LET MY BABE RIDE ♪ 250 00:18:14,058 --> 00:18:16,925 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪ 251 00:18:26,003 --> 00:18:27,003 AHH. 252 00:18:28,706 --> 00:18:29,838 LEON? 253 00:18:30,674 --> 00:18:31,973 GET AWAY. 254 00:18:32,042 --> 00:18:33,241 GET! 255 00:18:44,088 --> 00:18:47,208 WILL YOU GET AWAY FROM THIS HOUSE, YOU MONGREL? 256 00:18:47,557 --> 00:18:49,224 LEON? 257 00:18:49,292 --> 00:18:52,060 ARE YOU GOING TO GET THIS BEAST AWAY FROM ME OR NOT? 258 00:18:54,397 --> 00:18:55,496 LEON? 259 00:19:01,872 --> 00:19:03,939 DAMN IT. LEON? 260 00:19:04,808 --> 00:19:06,374 GET AWAY. 261 00:19:06,443 --> 00:19:08,043 GET. 262 00:19:08,979 --> 00:19:10,445 LEON! 263 00:19:10,513 --> 00:19:12,959 ARE YOU GONNA GET THIS BEAST AWAY FROM ME OR NOT? 264 00:19:12,983 --> 00:19:14,861 I'M NOT COMING IN UNTIL YOU DO. 265 00:19:14,885 --> 00:19:17,753 "HIS MOTHER YELLED, ALMOST MEANING IT." 266 00:19:17,821 --> 00:19:19,381 YELLOW DOG! 267 00:19:19,422 --> 00:19:21,522 YOU DON'T WANNA TANGLE WITH HER. GET! 268 00:19:29,233 --> 00:19:31,444 CAN'T A DECENT HUMAN BEING GET OUT OF A CAR 269 00:19:31,468 --> 00:19:34,169 WITHOUT BEING ATTACKED BY WILD ANIMALS? 270 00:19:40,077 --> 00:19:41,843 THIS LITTLE TEA SET. 271 00:19:43,647 --> 00:19:44,880 WHERE'S THE CREAMER? 272 00:19:45,849 --> 00:19:47,348 IT WAS BROKEN. 273 00:19:48,118 --> 00:19:49,751 I DON'T WONDER. 274 00:19:49,820 --> 00:19:51,153 YOU BROKE IT. 275 00:19:52,256 --> 00:19:54,089 LONG AGO... 276 00:19:54,158 --> 00:19:55,356 I? 277 00:19:55,425 --> 00:19:57,737 BEFORE IT EVER CAME INTO MY CUSTODY. 278 00:19:57,761 --> 00:19:58,761 I? 279 00:20:00,864 --> 00:20:02,463 OH, YES. 280 00:20:03,650 --> 00:20:05,417 A RARE FIT OF SMALL PIQUE. 281 00:20:07,086 --> 00:20:09,487 SO SMALL, SO RARE, INDEED. 282 00:20:11,892 --> 00:20:12,892 LEON, 283 00:20:15,429 --> 00:20:17,762 WHAT DO YOU INTEND TO DO, LOVE? 284 00:20:17,831 --> 00:20:19,942 I TEND TO DO WHAT I DO. 285 00:20:19,966 --> 00:20:21,999 AFTER ALL IT'S COST YOU? 286 00:20:22,068 --> 00:20:25,247 WELL, IT WOULDN'T MAKE A WHOLE LOT OF SENSE TO QUIT NOW, WOULD IT? 287 00:20:25,271 --> 00:20:27,906 IT IS OF NO SIGNIFICANCE TO YOU 288 00:20:27,974 --> 00:20:31,576 WHAT OCCURS WHEN A DADDY RUNS OUT ON HIS FAMILY? 289 00:20:31,645 --> 00:20:33,177 I CUT MY TEETH... 290 00:20:33,246 --> 00:20:35,190 HOW WILL YOU LIVE? ON ITS SIGNIFICANCE. 291 00:20:35,214 --> 00:20:37,081 YOU HAVE NO VOCATION. 292 00:20:37,150 --> 00:20:38,850 DON'T WORRY ABOUT ME. 293 00:20:38,919 --> 00:20:42,186 IT'S MY GRANDCHILDREN I WORRY ABOUT. 294 00:20:42,255 --> 00:20:45,222 HOW WILL YOU MEET YOUR SUPPORT OBLIGATION? 295 00:20:45,291 --> 00:20:47,024 WHEN WILL YOU SEE THEM? 296 00:20:47,093 --> 00:20:48,560 HAVE YOU SEEN THEM? 297 00:20:48,628 --> 00:20:51,040 I'LL GIVE THEM ALL THE MAMAW THEY CAN STAND, 298 00:20:51,064 --> 00:20:53,030 BUT IF THEY HAVE NO DADDY... 299 00:20:53,099 --> 00:20:54,632 MOTHER. 300 00:20:54,701 --> 00:20:59,203 I SAT FOR MARILYN, FRIDAY LAST. 301 00:21:00,941 --> 00:21:02,273 HOW WERE THEY? 302 00:21:02,342 --> 00:21:03,741 WHAT DID THEY SAY? 303 00:21:06,045 --> 00:21:07,912 THEY WANTED TO KNOW 304 00:21:07,981 --> 00:21:10,214 WHEN YOU WERE COMING HOME. 305 00:21:32,305 --> 00:21:34,116 "DEAR MR. BARLOW, 306 00:21:34,140 --> 00:21:36,173 "'THIS STORY CAME SO CLOSE. 307 00:21:36,242 --> 00:21:38,409 "WE HAD A 2-WEEK BATTLE OVER IT HERE, 308 00:21:38,478 --> 00:21:40,712 "BUT YOU AND I LOST. 309 00:21:40,780 --> 00:21:44,181 "SO DID OUR READERS, FEW THOUGH THEY BE. 310 00:21:44,250 --> 00:21:46,283 "I DID WANT TO ASK ABOUT THE TITLE. 311 00:21:46,352 --> 00:21:48,052 "NO ONE HERE WAS SURE WHAT 312 00:21:48,121 --> 00:21:50,922 "WHITE GIRLS WITH BLACK ASSES ACTUALLY MEANT. 313 00:21:50,991 --> 00:21:53,457 "THE STORY REALLY PUT SOME PEOPLE OFF. 314 00:21:53,527 --> 00:21:56,494 "IT'S THE STRONGEST THING I'VE SEEN IN YEARS. 315 00:21:56,563 --> 00:21:58,407 "I'D NEVER TELL YOU HOW TO WRITE, BUT 316 00:21:58,431 --> 00:22:00,431 "IF YOU CHANGE THE TITLE 317 00:22:00,500 --> 00:22:02,901 "ANOTHER MAGAZINE MIGHT BITE. 318 00:22:02,969 --> 00:22:06,170 "I'D LOVE TO SEE ANYTHING ELSE YOU WANNA SEND. 319 00:22:06,239 --> 00:22:09,674 "PLEASE KEEP WRITING, AND DON'T LET THIS BE DISAPPOINTING TO YOU. 320 00:22:09,743 --> 00:22:11,075 "YOU HAVE GREAT TALENT. 321 00:22:11,144 --> 00:22:12,744 "AND WITH MATERIAL LIKE THIS, 322 00:22:12,812 --> 00:22:14,423 "YOU WILL NEED GREAT STAMINA. 323 00:22:14,447 --> 00:22:15,747 "ALL WARMEST WISHES, 324 00:22:15,815 --> 00:22:17,281 "BETTI DELOREO." 325 00:22:39,639 --> 00:22:40,805 HI, DADDY. 326 00:22:50,216 --> 00:22:52,283 HEY, WHAT'S UP? 327 00:22:52,351 --> 00:22:54,163 YOURS FOR THE REST OF THE WEEKEND. 328 00:22:54,187 --> 00:22:55,419 WHAT? 329 00:22:55,488 --> 00:22:57,332 YOU PAYS YOUR MONEY, YOU GETS YOUR KIDS. 330 00:22:57,356 --> 00:22:59,657 PAYS MY MONEY? 331 00:22:59,726 --> 00:23:03,861 GOD. NOT A CLUE WHEN YOU FUCK UP, NOT A CLUE WHEN YOU DON'T. 332 00:23:03,930 --> 00:23:05,597 BILLS PAID. 333 00:23:05,665 --> 00:23:09,145 COURT ORDERS COMPLIED WITH, LAWYERS PAID IN FULL. 334 00:23:09,703 --> 00:23:12,570 CHILD SUPPORT, 3 MONTHS' WORTH. 335 00:23:12,639 --> 00:23:16,708 100-DOLLAR BILLS IN A MANILA ENVELOPE, UNDER THE DOOR. 336 00:23:16,776 --> 00:23:20,712 IS ANY OF THIS RINGING A BELL, LEON? HELLO? 337 00:23:20,780 --> 00:23:23,147 DRUNKEN-DEBT-PAYERS-R-US. 338 00:23:24,517 --> 00:23:25,783 IT'S ALL RIGHT, HONEY. 339 00:23:34,628 --> 00:23:36,293 MONROE. 340 00:23:44,537 --> 00:23:46,716 OH, I GOT EXTRA CLOTHES FOR BOTH OF 'EM 341 00:23:46,740 --> 00:23:48,372 AND I GOT EXTRA UNDERWEAR 342 00:23:48,441 --> 00:23:49,774 AND ALISHA'S MEDICINE. 343 00:23:49,843 --> 00:23:52,323 SHE'S ON A NEW STEROID, SO SHE NEEDS A LOT OF WATER. 344 00:23:52,378 --> 00:23:54,056 JUST REMEMBER TO KEEP HER DRINKING. 345 00:23:54,080 --> 00:23:55,847 ALAN, YOU'RE GONNA HELP WITH ALISHA, TOO. 346 00:23:55,915 --> 00:23:57,559 I LOVE YOU. BYE. HAVE A GOOD TIME. 347 00:23:57,583 --> 00:23:59,784 LEON, DO YOU REMEMBER HOW TO DO THIS? 348 00:23:59,853 --> 00:24:01,853 IT'S ALL COMING BACK TO ME, NOW. 349 00:24:01,921 --> 00:24:03,099 THAT'S GOOD. 350 00:24:03,123 --> 00:24:05,356 I PICKED UP 2 EXTRA SHIFTS AT THE HOSPITAL, 351 00:24:05,424 --> 00:24:07,792 NOT KNOWING OF MY IMMINENT WINDFALL. 352 00:24:07,861 --> 00:24:08,861 C'MON, HONEY. 353 00:24:09,428 --> 00:24:10,828 WE'RE AT DADDY'S. 354 00:24:10,897 --> 00:24:12,096 C'MON. 355 00:24:12,165 --> 00:24:14,543 I'LL BE THERE IF YOU NEED ME, ALL RIGHT? 356 00:24:14,567 --> 00:24:17,268 YOU CALL ANYTIME, OR... 357 00:24:17,336 --> 00:24:19,704 GREAT, MY OWN LOST WEEKEND. 358 00:24:19,773 --> 00:24:22,774 OH, ALL THE MISSED OPPORTUNITIES. 359 00:24:22,842 --> 00:24:24,186 ARE YOU SEEING SOMEBODY? 360 00:24:24,210 --> 00:24:25,210 WHAT? 361 00:24:25,278 --> 00:24:26,577 ARE YOU SEEING SOMEBODY? 362 00:24:27,147 --> 00:24:28,079 WHAT? 363 00:24:28,148 --> 00:24:29,280 HUH? 364 00:24:40,193 --> 00:24:42,560 Y'ALL CAN SLEEP IN YOUR OWN ROOM TONIGHT, 365 00:24:42,628 --> 00:24:44,962 OR YOU CAN SLEEP IN HERE WITH ME. 366 00:24:53,239 --> 00:24:54,739 I'LL TELL YOU WHAT. 367 00:24:54,808 --> 00:24:58,676 SO ONE DAY, A TRAIN COME THROUGH THE WOODS. 368 00:25:00,313 --> 00:25:04,248 WILD BOY HISSED TO ALL THE SNAKES. 369 00:25:04,317 --> 00:25:07,484 TOLD THEM TO LINE UP ON THE RAILS. 370 00:25:07,553 --> 00:25:11,956 AND THE TRAIN COME OFF ON NEW SNAKE TRACK. 371 00:25:13,259 --> 00:25:16,627 WHY, THE SNAKES TOOK THEM ALL THE WAY 372 00:25:17,430 --> 00:25:19,163 THROUGH THE WOODS 373 00:25:21,034 --> 00:25:23,601 TO THE CAVE. 374 00:25:23,669 --> 00:25:26,670 WELL, WILD BOY CALLED OUT TO HIS NUMBER ONE, MAGIC DOG. 375 00:25:28,241 --> 00:25:29,919 AND OLD MAGIC DOG COME RUNNING UP. 376 00:25:29,943 --> 00:25:33,745 WILD BOY SAID, "I'M GOING TO TELL YOU THE PLAN." 377 00:25:33,813 --> 00:25:36,759 THEY WERE GOING TO TAKE ALL THE COAL FROM THE COAL CAR, 378 00:25:36,783 --> 00:25:40,618 AND THE BEAR WOULD SQUEEZE EVERY LUMP WITH A BIG STRONG PAW 379 00:25:40,686 --> 00:25:43,287 UNTIL THEY ALL TURNED INTO DIAMONDS. 380 00:25:51,348 --> 00:25:54,494 HEY, DAD, ME AND MAGIC DOG CAN RUN FASTER THAN A TRAIN! 381 00:25:54,518 --> 00:25:56,195 STAY BACK FROM THAT A LITTLE BIT. 382 00:25:56,219 --> 00:25:58,119 COME ON OVER THIS WAY. 383 00:26:03,393 --> 00:26:05,393 ♪ 384 00:26:05,462 --> 00:26:08,463 ♪ MY BABY'S GONE ♪ 385 00:26:08,532 --> 00:26:11,299 ♪ MY BABY DONE LEFT ME ♪ 386 00:26:11,368 --> 00:26:14,235 ♪ MY WOMAN IS GONE ♪ 387 00:26:14,304 --> 00:26:16,103 ♪ I WONDER WHERE SHE'S BEEN ♪ 388 00:26:17,240 --> 00:26:19,440 ♪ I WONDER WHERE SHE'S BEEN ♪ 389 00:26:20,343 --> 00:26:23,144 ♪ SHE GONE AND LEFT ME ♪ 390 00:26:23,213 --> 00:26:26,214 ♪ SHE DONE GONE AND LEFT ME ♪ 391 00:26:26,283 --> 00:26:28,716 ♪ I WONDER WHERE SHE'S BEEN ♪ 392 00:26:32,855 --> 00:26:35,034 "STILL LIFE WITH BOXCAR," HUH? 393 00:26:35,058 --> 00:26:36,058 HEY! 394 00:26:36,092 --> 00:26:37,372 HEY. 395 00:26:39,229 --> 00:26:40,628 I DIDN'T HEAR YOU COME UP. 396 00:26:40,697 --> 00:26:43,431 I'VE JUST BEEN WATCHING. IT'S BEEN A WHILE, LEON. 397 00:26:43,500 --> 00:26:44,943 LOOK WHAT I GOT! 398 00:26:44,967 --> 00:26:47,112 HI, HONEY. WHAT DO YOU GOT? 399 00:26:47,136 --> 00:26:48,814 OH, MY GOD, LOOK AT THOSE. 400 00:26:48,838 --> 00:26:52,318 THOSE ARE AS FLAT AS MAMAW'S PANCAKES. YOU KNOW THEY ARE. 401 00:26:52,342 --> 00:26:55,054 LISTEN, WOULD YOU GET ALISHA'S BACKPACK AND HER NEBULIZER 402 00:26:55,078 --> 00:26:56,922 AND YOUR BACKPACK AND PUT THEM IN THE CAR? 403 00:26:56,946 --> 00:26:59,681 GO DO THAT FOR MAMA, ALL RIGHT? 404 00:26:59,749 --> 00:27:01,594 DOES THAT DOG HAVE ITS SHOTS, LEON? 405 00:27:01,618 --> 00:27:02,517 WAIT A MINUTE. 406 00:27:02,586 --> 00:27:03,629 IT'S A MANGY-LOOKING THING. 407 00:27:03,653 --> 00:27:04,697 WHAT ARE YOU DOING? 408 00:27:04,721 --> 00:27:06,354 WHAT DO YOU MEAN? IT'S SUNDAY, P.M. 409 00:27:06,423 --> 00:27:08,423 I'M PICKING UP THE KIDS, JUST LIKE THE PAPERS SAY. 410 00:27:08,491 --> 00:27:10,069 I WAS SUPPOSED TO GET A WHOLE WEEKEND. 411 00:27:10,093 --> 00:27:12,026 I WAS SUPPOSED TO GET A WHOLE WEEK-END, LEON! 412 00:27:12,095 --> 00:27:14,473 IT JUST DIDN'T TURN OUT THAT WAY. WE GOT A LATE START. 413 00:27:14,497 --> 00:27:16,409 I GOT A BARBECUE GOING. SHE'S TAKING A NAP. 414 00:27:16,433 --> 00:27:17,643 SHE'S TAKING A NAP. 415 00:27:17,667 --> 00:27:20,401 I GAVE YOU A COUPLE EXTRA HOURS, ALL RIGHT? 416 00:27:20,470 --> 00:27:22,682 WELL, WHY DON'T YOU JUST LET 'EM STAY? THEY GOT TO EAT. 417 00:27:22,706 --> 00:27:26,708 WELL, I'LL FEED THEM. I WANNA GET BACK HOME NOW. I'M TIRED. 418 00:27:26,776 --> 00:27:28,354 THEY GOT TO EAT. LET ME FEED 'EM. 419 00:27:28,378 --> 00:27:30,811 IT'S GONNA RAIN. I WANNA GET HOME. 420 00:27:30,880 --> 00:27:31,924 PLEASE, DON'T... 421 00:27:31,948 --> 00:27:33,281 WHAT? W-WHY? 422 00:27:34,351 --> 00:27:35,461 WHAT DO YOU MEAN, "WHY?" 423 00:27:35,485 --> 00:27:36,984 WELL, YOU... IS SOMEBODY COMING OVER? 424 00:27:37,053 --> 00:27:38,097 WHAT? 425 00:27:39,856 --> 00:27:40,856 WHAT? 426 00:27:40,923 --> 00:27:42,101 ARE YOU SEEING SOMEBODY? 427 00:27:42,125 --> 00:27:44,392 OH, DON'T YOU DO THIS. DON'T DO... 428 00:27:44,461 --> 00:27:48,996 YES. YES. I AM, I'M SEEING SOMEBODY. 429 00:27:49,065 --> 00:27:51,266 I'M SEEING A LOT OF HIM, TOO. 430 00:27:51,334 --> 00:27:54,269 ESPECIALLY OVER AT THE DRUGSTORE DUMPSTER. 431 00:27:54,937 --> 00:27:56,237 COME ON, ALISHA. 432 00:27:56,973 --> 00:27:57,973 COME ON, ALISHA. 433 00:27:58,040 --> 00:27:59,040 OH, BIG GIRL. 434 00:27:59,075 --> 00:28:00,375 THAT FLASHER. 435 00:28:01,378 --> 00:28:03,422 OH, IS HE A FRIEND OF YOURS? 436 00:28:03,446 --> 00:28:04,912 THAT MAKES SENSE. 437 00:28:06,949 --> 00:28:08,629 DID YOU HAVE A GOOD TIME? 438 00:28:09,886 --> 00:28:11,163 BYE-BYE, BABY. 439 00:28:11,187 --> 00:28:12,953 SO, HOW BIG WAS IT? 440 00:28:13,022 --> 00:28:14,188 WHAT? 441 00:28:14,257 --> 00:28:16,034 HOW BIG WAS THIS FLASHER? 442 00:28:16,058 --> 00:28:19,260 YOU'RE NOT SERIOUS? GO. MOVE AWAY. 443 00:28:19,329 --> 00:28:22,963 COME ON, HONEY, ALAN. ALL RIGHT, PUT ON YOUR SEAT BELT. 444 00:28:24,601 --> 00:28:25,601 OH. 445 00:28:26,770 --> 00:28:27,835 WOW! 446 00:28:33,643 --> 00:28:36,577 WHOO! WHOO-HOO-HOO! 447 00:28:36,646 --> 00:28:38,913 ♪ 448 00:28:38,981 --> 00:28:41,949 ♪ I WONDER WHERE COULD SHE BE ♪ 449 00:28:42,018 --> 00:28:45,052 ♪ I WONDER WHERE COULD SHE BE ♪ 450 00:28:45,121 --> 00:28:47,388 ♪ I WONDER WHERE COULD SHE BE ♪ 451 00:29:13,983 --> 00:29:16,128 "EVERYTHING HAD UNWOUND, 452 00:29:16,152 --> 00:29:18,185 "AND NOW WOUND BACK AGAIN, 453 00:29:18,254 --> 00:29:20,454 "AS IF THE YEARS HAD STUMBLED BACK 454 00:29:20,523 --> 00:29:22,656 "IN HORROR FROM THEIR OWN REFLECTION. 455 00:29:26,795 --> 00:29:29,663 "AS IF ALL THE WORDS WERE, ONE BY ONE, 456 00:29:29,732 --> 00:29:33,467 "UNSAID, UNTHOUGHT, THE LOVE UNMADE. 457 00:29:35,638 --> 00:29:39,840 "NO DECAY, THEN NO ATTACK, THEN SILENCE. 458 00:29:43,446 --> 00:29:45,712 "SO THAT IF IT WERE POSSIBLE TO DREAM, 459 00:29:45,781 --> 00:29:49,116 "THE DREAM MIGHT BE ALL THAT WAS POSSIBLE AGAIN, 460 00:29:49,185 --> 00:29:52,753 "THE SCATTERED PIECES REASSEMBLED INTO ONE. 461 00:29:55,991 --> 00:29:58,392 "EFFECT STRIPPED BACK TO CAUSE 462 00:29:58,461 --> 00:30:01,195 "AND CAUSE STILL UNCONCEIVED. 463 00:30:01,264 --> 00:30:04,765 "DIM STIRRINGS OF ELECTRONS IN THEIR ORBITS. 464 00:30:04,834 --> 00:30:07,635 "THE GLEAM NOW DRAINING FROM HIS EYE, 465 00:30:07,703 --> 00:30:10,938 "RESTORED TO INNOCENCE OR EMPTINESS. 466 00:30:11,874 --> 00:30:13,507 "BLIND HOPE... 467 00:30:14,944 --> 00:30:17,745 "WITH NO TAINT OF THE FAILURE YET TO COME, 468 00:30:17,814 --> 00:30:22,249 "NO HINT OF THE HIDEOUS STRANGER WHO LAY INSIDE HIM 469 00:30:22,318 --> 00:30:24,051 "WAITING TO BE BORN." 470 00:30:37,967 --> 00:30:39,600 "DEAR MS. DELOREO, 471 00:30:39,669 --> 00:30:41,502 "THANKS FOR TAKING SO MUCH TIME 472 00:30:41,571 --> 00:30:43,838 "TO EXPLAIN THE REJECTION OF MY STORY. 473 00:30:43,906 --> 00:30:46,006 "MOST EDITORS DON'T. 474 00:30:46,075 --> 00:30:48,776 "I APPRECIATE YOUR ADVICE AND QUESTIONS. 475 00:30:48,845 --> 00:30:50,288 "INSTEAD OF ANSWERING THEM, 476 00:30:50,312 --> 00:30:52,290 "I'M GOING TO REORGANIZE MY LIFE 477 00:30:52,314 --> 00:30:54,448 "AND WRITE SOMETHING BETTER FOR YOU. 478 00:30:54,517 --> 00:30:56,094 "SOMETHING THAT'LL MAKE YOU STAND UP 479 00:30:56,118 --> 00:30:57,651 "AND PUT ON THE GLOVES. 480 00:30:57,720 --> 00:31:00,454 "BEST WISHES, LEON BARLOW. 481 00:31:00,523 --> 00:31:03,123 "P.S. I KNOW THE ENCLOSED STORY 482 00:31:03,192 --> 00:31:05,392 "IS NOT YOUR MAGAZINE'S CUP OF TEA, 483 00:31:05,461 --> 00:31:07,427 "BUT IT MIGHT TICKLE YOU." 484 00:31:10,800 --> 00:31:12,967 RUB-A-DUB-DUB. 485 00:31:41,463 --> 00:31:44,331 ♪ GONNA FIND ME SOME WEDDING BELLS ♪ 486 00:31:54,043 --> 00:31:57,210 ♪ GONNA FIND ME SOME WEDDING BELLS ♪ 487 00:32:00,583 --> 00:32:02,650 ♪ 'CAUSE I DIDN'T HAVE TIME ♪ 488 00:32:02,718 --> 00:32:05,519 ♪ TELL ME BABY WHERE YOU'VE GONE ♪ 489 00:32:06,288 --> 00:32:07,320 ♪ HEY! ♪ 490 00:32:07,389 --> 00:32:08,389 ♪ HEY! ♪ 491 00:32:08,424 --> 00:32:09,424 ♪ HEY! ♪ 492 00:32:10,392 --> 00:32:12,026 ♪ HEY! HEY! ♪ 493 00:32:12,094 --> 00:32:14,054 TAKE HER IN THE HOUSE. 494 00:32:17,733 --> 00:32:18,799 ♪ HEY! ♪ 495 00:32:18,868 --> 00:32:19,868 ♪ HEY! ♪ 496 00:32:19,936 --> 00:32:20,968 ♪ HEY! ♪ 497 00:32:21,037 --> 00:32:22,037 ♪ HEY! ♪ 498 00:32:22,104 --> 00:32:23,104 ♪ HEY! ♪ 499 00:32:23,172 --> 00:32:24,104 ♪ HEY! ♪ 500 00:32:24,173 --> 00:32:25,205 ♪ HEY! ♪ 501 00:32:25,274 --> 00:32:26,274 ♪ HEY! ♪ 502 00:32:30,312 --> 00:32:31,312 ♪ HEY! ♪ 503 00:32:31,347 --> 00:32:32,347 ♪ HEY! ♪ 504 00:32:32,415 --> 00:32:33,415 ♪ HEY! ♪ 505 00:32:33,449 --> 00:32:34,449 ♪ HEY! ♪ 506 00:32:47,029 --> 00:32:50,108 ♪ ...ALL AROUND, A LOUSY CANDLE WAS ALL I FOUND ♪ 507 00:32:50,132 --> 00:32:52,566 ♪ WELL, .YOU DON'T KNOW WHAT ♪ 508 00:32:52,635 --> 00:32:54,602 ♪ WE CAN FIND ♪ 509 00:32:54,670 --> 00:32:56,937 ♪ WHY DON'T YOU COME WITH ME, LITTLE GIRL ♪ 510 00:32:57,006 --> 00:32:58,672 ♪ ON A MAGIC CARPET RIDE ♪ 511 00:32:58,741 --> 00:33:01,475 ♪ WELL, YOU DON'T KNOW WHAT WE... ♪ 512 00:33:12,354 --> 00:33:13,621 GOING IN. 513 00:33:13,689 --> 00:33:15,233 ♪ 514 00:33:15,257 --> 00:33:18,325 ♪ I LIKE TO DREAM ♪ 515 00:33:20,129 --> 00:33:21,762 CORPSMAN. CORPSMAN. 516 00:33:21,831 --> 00:33:23,597 CORPSMAN. 517 00:33:23,666 --> 00:33:26,366 ♪ ON A CLOUD OF SOUND I DRIFT IN THE NIGHT ♪ 518 00:33:28,237 --> 00:33:30,905 ♪ GOES FAR, FLIES NEAR ♪ 519 00:33:31,774 --> 00:33:32,907 CORPSMAN. 520 00:33:38,881 --> 00:33:40,648 DID YOU SEE HIM? 521 00:33:41,717 --> 00:33:43,183 CORPSMAN. 522 00:33:50,626 --> 00:33:52,793 ♪ CLOSE YOUR EYES, GIRL ♪ 523 00:33:52,862 --> 00:33:54,962 ♪ LOOK INSIDE, GIRL ♪ 524 00:33:55,030 --> 00:33:57,030 ♪ LET THE SOUND TAKE YOU AWAY ♪ 525 00:34:04,974 --> 00:34:06,474 WHAT? 526 00:34:06,542 --> 00:34:07,975 WHAT ARE YOU DOING HERE? 527 00:34:08,043 --> 00:34:10,177 I JUST... CAN I COME IN? 528 00:34:11,614 --> 00:34:13,246 YOU'RE... NO. 529 00:34:13,983 --> 00:34:15,749 HELL, NO. 530 00:34:15,818 --> 00:34:17,896 HELL, NO, AND A RESTRAINING ORDER, NO. 531 00:34:17,920 --> 00:34:19,932 JUST FOR A MINUTE. I JUST WANT TO LOOK IN ON THE KIDS. 532 00:34:19,956 --> 00:34:22,200 100 YARDS AWAY, YOU'RE SUPPOSED TO BE... 533 00:34:22,224 --> 00:34:23,569 JUST LET ME COME IN FOR A MINUTE. 534 00:34:23,593 --> 00:34:25,337 I JUST WANT TO LOOK IN ON THEM. 535 00:34:25,361 --> 00:34:27,138 WELL, NEXT TIME THEY'RE AT YOUR PLACE, 536 00:34:27,162 --> 00:34:28,907 YOU CAN LOOK IN ON THEM ALL YOU WANT. 537 00:34:28,931 --> 00:34:30,664 HEY, HEY, HEY! BUDDY! 538 00:34:30,733 --> 00:34:33,345 ALAN, THIS DOESN'T CONCERN YOU. THERE, YOU SAW HIM. 539 00:34:33,369 --> 00:34:34,409 LET ME JUST COME IN. 540 00:34:34,470 --> 00:34:35,536 WHAT THE HELL? 541 00:34:35,605 --> 00:34:38,038 JUST LET ME GIVE HIM THIS. IT'S A MAGIC DOG DOLL. 542 00:34:38,107 --> 00:34:39,540 YOU SMELL WEIRD. 543 00:34:39,609 --> 00:34:43,310 I TOOK A BATH. JUST LET ME GIVE HIM THIS. TELL ALISHA I GAVE... 544 00:34:43,379 --> 00:34:45,813 WHY DO YOU ALWAYS SHOW UP LIKE THIS? 545 00:34:45,882 --> 00:34:48,248 IT'S SHIT LIKE THIS. ALAN! 546 00:34:48,317 --> 00:34:49,750 IT'S FORCED ENTRY. 547 00:34:49,819 --> 00:34:52,820 I'M GOING TO HAVE YOU AND THIS DOG ARRESTED. 548 00:34:52,889 --> 00:34:56,256 WILL YOU JUST... JUST GIVE HIM THE DOG. 549 00:34:57,126 --> 00:34:58,826 ♪ 550 00:35:19,214 --> 00:35:20,514 GOOD NIGHT, HONEY. 551 00:35:49,745 --> 00:35:54,281 "HIS NAME WAS HONED, OR 'HORSEFLY WITH ONE WING, ' 552 00:35:54,349 --> 00:35:56,361 "BUT THEY CALLED HIM SMOOTH TALKER. 553 00:35:56,385 --> 00:35:59,453 "HE COULD GET ANYONE TO DO ANYTHING HE WANTED. 554 00:35:59,521 --> 00:36:01,889 "BUT HE DIDN'T KNOW WHAT HE WANTED. 555 00:36:01,958 --> 00:36:03,924 "FROM THE RED CREEKS AT ANTIETAM, 556 00:36:03,993 --> 00:36:05,470 "TO THE GLAZED GREEN CATHEDRALS 557 00:36:05,494 --> 00:36:07,334 "OF THE RUONG RUONG VALLEY, 558 00:36:07,396 --> 00:36:09,529 "THE MEN IN HIS FAMILY HAD SOLDIERED UP 559 00:36:09,599 --> 00:36:11,031 "AND COME HOME BROKEN, 560 00:36:11,100 --> 00:36:14,201 "TRAILING HOMESICK YANKEE BRIDES IN THEIR WAKE. 561 00:36:14,269 --> 00:36:16,203 "ONE SHELL-SHOCKED UNCLE 562 00:36:16,271 --> 00:36:18,338 "HAD IMPORTED KUDZU TO THE SOUTH 563 00:36:18,407 --> 00:36:20,841 "AS A PROMISE TO END SOIL EROSION 564 00:36:20,910 --> 00:36:22,977 "AND MAYBE A FEED CROP TO BOOT. 565 00:36:23,045 --> 00:36:24,925 "BUT IT SWALLOWED THE LAND 566 00:36:24,981 --> 00:36:27,147 "AND THE LIVESTOCK WOULDN'T TOUCH IT. 567 00:36:27,216 --> 00:36:30,150 "NOW HIS HOUSE HAD BEEN ENGULFED BY IT, 568 00:36:30,219 --> 00:36:33,954 "HIS FAMILY LOST, ALL OF THEM, SEARCHING FOR EACH OTHER, 569 00:36:34,023 --> 00:36:36,123 "BLIND AMONG THE VINES. 570 00:36:36,191 --> 00:36:38,592 "'IF I EVER ESCAPE, ' HE THOUGHT, 571 00:36:38,661 --> 00:36:42,129 "'I THINK I'LL GO TO MEXICO AND JOIN THE CIRCUS.'" 572 00:37:03,119 --> 00:37:06,219 YOU DON'T CALL. YOU DON'T WRITE. 573 00:37:07,456 --> 00:37:09,089 MR. AARON. 574 00:37:09,158 --> 00:37:12,392 YOU BOYS LOOK LIKE EXTRA-STRONG VAMPIRES. 575 00:37:12,461 --> 00:37:14,394 THAT SUN DON'T QUITE KILL YOU, BUT IT SURE 576 00:37:14,463 --> 00:37:16,764 MAKES YOU LOOK LIKE HOMEMADE SHIT. 577 00:37:16,832 --> 00:37:19,633 OH, WELL, HOW YOU DOING, MR. AARON? 578 00:37:19,702 --> 00:37:21,301 TAKE THE HIGHWAY, SON. 579 00:37:25,908 --> 00:37:28,042 WHEN A LADY CAN'T GO TO A BEAUTY SHOP 580 00:37:28,110 --> 00:37:32,379 WITHOUT SOME SICK BASTARD JUMPING OUT FROM BEHIND A DUMPSTER. 581 00:37:32,447 --> 00:37:35,215 HOW BIG A PECKER WE TALKING ABOUT? 582 00:37:35,284 --> 00:37:38,218 FEW INCHES SHY OF MEMORABLE, I THINK. 583 00:37:38,287 --> 00:37:42,089 HAVING A LITTLE DICK IS LIKE HAVING A MEXICAN-MADE VOLKSWAGEN. 584 00:37:42,158 --> 00:37:44,424 YOU CAN DRIVE IT AROUND THE HOUSE, 585 00:37:44,493 --> 00:37:46,694 BUT YOU DON'T WANT TO TAKE IT ON THE ROAD. 586 00:37:54,036 --> 00:37:56,970 OUGHT TO FIND THAT FELLOW AND SLAP SOME MANNERS INTO HIM. 587 00:37:57,039 --> 00:37:58,839 WELL, THAT'LL HAVE TO WAIT. 588 00:38:00,275 --> 00:38:03,310 ME AND BOBBY GOT A DATE WITH VELMA. 589 00:38:13,689 --> 00:38:17,324 GOD, LOOK AT HER. SHE'S AMAZING. 590 00:38:17,392 --> 00:38:19,159 SHE'S A HELL OF A GARDENER. 591 00:38:20,529 --> 00:38:23,463 YOU SEE WHAT I'M SEEING HERE? 592 00:38:23,532 --> 00:38:25,972 WELL, YEAH, OF COURSE YOU DO. 593 00:38:28,303 --> 00:38:30,938 SO, UH, ABOUT HER COMING OUT WITH US, SEE... 594 00:38:31,006 --> 00:38:32,505 THAT'S FINE. THAT'S FINE. 595 00:38:32,574 --> 00:38:33,574 WELL... 596 00:38:36,612 --> 00:38:39,446 I BEEN LOOKING AT HER A LONG TIME, YOU KNOW? 597 00:38:39,514 --> 00:38:41,693 BUT INSTEAD OF IT WEARING OUT, 598 00:38:41,717 --> 00:38:44,317 IT SEEMS LIKE LATELY IT'S GETTING STRONGER. 599 00:38:46,188 --> 00:38:50,157 I DON'T KNOW WHAT I'M SEEING HERE. I'M TOO OLD TO BE INFATUATED. 600 00:38:51,827 --> 00:38:53,027 LOOK AT HER. 601 00:38:56,598 --> 00:38:59,633 JUST, YOU KNOW, LIKE 602 00:38:59,701 --> 00:39:01,401 OBSERVE US. OK? 603 00:39:01,470 --> 00:39:04,872 JUST TELL ME WHAT YOU SEE WHEN YOU SEE ME AND HER. 604 00:39:09,879 --> 00:39:11,079 OK? 605 00:39:11,113 --> 00:39:12,212 OK. 606 00:39:23,826 --> 00:39:24,858 HI. 607 00:39:27,062 --> 00:39:29,663 MISS VELMA, HERE'S LOOKING AT YOU. 608 00:39:29,731 --> 00:39:32,251 AND WHAT A PLEASURE THAT IS THIS EVENING. 609 00:39:52,387 --> 00:39:54,621 ♪ 610 00:40:16,429 --> 00:40:17,606 CINDY, HONEY, 611 00:40:17,630 --> 00:40:20,030 TAKE ONE OF THEM POLAROIDS. 612 00:40:20,098 --> 00:40:24,200 TAKE ONE OF THEM POLAROIDS WITH... WITH ME AND MY BABY BABY BROTHER BROTHERS. 613 00:40:25,070 --> 00:40:26,070 THANK YOU. 614 00:40:26,138 --> 00:40:27,138 JIMMY. 615 00:40:28,941 --> 00:40:32,075 THE LIMMAT RIVER RUNS ALL THE WAY THROUGH TOWN 616 00:40:32,144 --> 00:40:33,922 ALL THE WAY OUT TO LAKE ZURICH. 617 00:40:33,946 --> 00:40:35,657 SEE? AND THERE'S ALL THESE RIVERBANKS 618 00:40:35,681 --> 00:40:36,958 AND A LOT OF BANKS, TOO. 619 00:40:36,982 --> 00:40:38,660 A LITTLE WORDPLAY FOR YOU THERE. 620 00:40:38,684 --> 00:40:42,820 YOU WANT A RIVER? YOU TRY THE AENEID, BOOKS 7, 8. 621 00:40:42,888 --> 00:40:45,823 GOD OF THE TIBER SHOWS UP IN A DREAM... 622 00:40:45,891 --> 00:40:48,459 WE'RE A FEW CLICKS NORTH OF THE TIBER HERE, BOBBY. 623 00:40:48,527 --> 00:40:50,794 HE SAYS, "AENEAS, YOU GO DOWN TO THE RIVER, 624 00:40:50,863 --> 00:40:53,096 "YOU'RE GOING TO SEE A BIG WHITE SOW." 625 00:40:53,165 --> 00:40:55,833 THE WHOLE DREAM TURNS OUT TO BE A PROPHECY 626 00:40:55,901 --> 00:40:58,702 ABOUT WHITE SWINE ON THE TIBER. 627 00:40:58,771 --> 00:41:01,583 NO, NO. THE LIMMAT. AND THERE'S THESE 2 CATHEDRALS, 628 00:41:01,607 --> 00:41:04,875 UH, GROSSMUNSTER AND FRAUMUNSTER. 629 00:41:04,944 --> 00:41:09,145 FUCK IT. YOU KNOW, VIRGIL STOLE ALL THAT FROM HOMER ANYWAY. 630 00:41:09,214 --> 00:41:11,414 START WITH THE ILIAD. 631 00:41:11,484 --> 00:41:15,719 NOW THERE IS A BOOK YOU CAN WEAR LIKE BY-GOD HIP WADERS. 632 00:41:15,788 --> 00:41:17,766 THERE'S THESE WINDOWS PAINTED BY CHAGALL. 633 00:41:17,790 --> 00:41:19,670 I MEAN, YOU CAN'T EVEN BELIEVE IT. 634 00:41:30,703 --> 00:41:32,168 ♪ 635 00:42:01,867 --> 00:42:03,500 WHOO... 636 00:42:03,569 --> 00:42:05,268 LOOK, SHE'S GOT... 637 00:42:05,337 --> 00:42:07,817 SHE'S A HELL OF A PROM QUEEN. 638 00:42:09,074 --> 00:42:10,841 LOOK AT HER. 639 00:42:10,910 --> 00:42:13,309 OHHH... I LOVE HER. 640 00:42:28,861 --> 00:42:30,204 SAYONARA. 641 00:42:30,228 --> 00:42:32,308 SHE'S A HELL OF A DANCER. 642 00:42:32,531 --> 00:42:35,098 JUMP OUTSIDE. 643 00:42:35,167 --> 00:42:39,402 DOWN THE WORMHOLE PILGRIMAGE OF TIME 644 00:42:39,471 --> 00:42:42,973 AS TIME BENT BACK AND TURNED ON ITSELF. 645 00:42:43,042 --> 00:42:46,043 COMET GAS FIERY TRAIL OF EXHAUST. 646 00:42:46,111 --> 00:42:49,145 IT'S WAKE OF DARK ROWS AND YOUR SEA RIVERS. 647 00:42:49,214 --> 00:42:52,749 ARE YOU LISTENING TO ME? EARTH OF AMERICANS. 648 00:42:52,818 --> 00:42:54,551 DARK MOTHER! 649 00:42:54,620 --> 00:42:58,488 CROSSED YOUR WIDE SEA OF AMERICA TO BE BORN. 650 00:43:00,325 --> 00:43:03,126 YOU KNOW WHEN YOU'RE A KID 651 00:43:03,195 --> 00:43:05,596 DRIVING AT NIGHT WITH YOUR FOLKS? 652 00:43:05,664 --> 00:43:09,332 YOU'RE LYING IN THE BACK. YOU FEEL SO SAFE. 653 00:43:10,102 --> 00:43:12,135 THIS IS NOT LIKE THAT. 654 00:43:14,139 --> 00:43:16,339 THIS IS NOT LIKE THAT AT ALL. 655 00:43:18,343 --> 00:43:20,343 THEY GOT MY LADDER, BOBBY. 656 00:43:22,514 --> 00:43:24,247 WHERE'S VELMA? 657 00:43:26,752 --> 00:43:28,151 WHERE'S VELMA? 658 00:43:28,854 --> 00:43:30,753 OHH! 659 00:43:30,822 --> 00:43:32,382 SATURDAY! 660 00:43:33,025 --> 00:43:34,491 ♪ 661 00:43:47,539 --> 00:43:49,259 I'LL SEE YOU LATER. 662 00:44:12,831 --> 00:44:14,131 WELL, 663 00:44:15,367 --> 00:44:18,068 WE HAVE HAD A NICE LONG CHAT 664 00:44:18,137 --> 00:44:20,257 ON THE PORCH HERE, HAVEN'T WE? 665 00:44:21,840 --> 00:44:24,052 WE TALKED ABOUT THE GARDEN CLUB MEETING 666 00:44:24,076 --> 00:44:25,708 I HAD TO CANCEL, 667 00:44:25,777 --> 00:44:28,823 ABOUT THE PHONE CALLS I HAD TO MAKE TO CANCEL IT. 668 00:44:28,847 --> 00:44:30,925 HOW MANY CALLS DID WE MAKE ON THIS PHONE, ALAN? 669 00:44:30,949 --> 00:44:32,015 12, MAMAW. 670 00:44:32,084 --> 00:44:33,383 12. 671 00:44:33,452 --> 00:44:35,185 AND AS THE SUN 672 00:44:35,254 --> 00:44:39,256 WENT FROM A FRIENDLY- MORNING SMILEY FACE OVER THERE 673 00:44:39,324 --> 00:44:42,225 TO A HOT, ANGRY BLAZE UP THERE, 674 00:44:42,294 --> 00:44:45,628 WE DISCUSSED THE SUMMER WEATHER 675 00:44:46,498 --> 00:44:48,298 AND BEING HERE IN IT 676 00:44:48,367 --> 00:44:52,569 WITH NEITHER A HOUSE KEY NOR A DADDY IN SIGHT. 677 00:44:52,637 --> 00:44:54,815 WHAT ELSE DID WE DISCUSS? 678 00:44:54,839 --> 00:44:56,473 BIKES, MAMAW. 679 00:44:56,542 --> 00:44:57,752 BIKES. 680 00:44:57,776 --> 00:45:01,545 WE SAW A BICYCLE RACE, RIGHT OUT HERE. 681 00:45:01,613 --> 00:45:03,980 AND WE COUNTED THEM AS THEY WENT BY. 682 00:45:04,049 --> 00:45:06,094 ONE OF THE GROUPS OF CYCLISTS 683 00:45:06,118 --> 00:45:10,019 WAS SO LARGE, WE LOST COUNT. 684 00:45:10,089 --> 00:45:14,558 AND WE WONDERED, WHAT DO YOU CALL A GROUP OF CYCLISTS? 685 00:45:15,394 --> 00:45:17,205 A... A CLUSTER? 686 00:45:17,229 --> 00:45:18,928 A HERD? 687 00:45:18,997 --> 00:45:20,263 A GAGGLE. 688 00:45:21,066 --> 00:45:22,332 PELOTON. 689 00:45:22,401 --> 00:45:26,703 A PELOTON OF CYCLISTS. 690 00:45:26,771 --> 00:45:28,716 YOU KNOW A WORD LIKE THAT, 691 00:45:28,740 --> 00:45:31,541 AND YOU DON'T KNOW THE MEANING OF "MORNING." 692 00:45:31,610 --> 00:45:33,243 I'VE BEEN PRETTY BUSY. 693 00:45:33,312 --> 00:45:37,013 AND I HAVE ABSOLUTELY NOTHING TO DO, GETTING THEM FED, 694 00:45:37,082 --> 00:45:39,363 MAKING AN EMERGENCY RUN TO THE DRUGSTORE. 695 00:45:39,418 --> 00:45:40,418 EMERGENCY RUN? 696 00:45:40,452 --> 00:45:41,529 NEVER MIND. 697 00:45:41,553 --> 00:45:43,465 HOT, BLAZING SUN HALF THE DAY. 698 00:45:43,489 --> 00:45:44,921 I SAID I WAS SORRY. 699 00:45:44,990 --> 00:45:46,590 NO, YOU DIDN'T. 700 00:45:48,427 --> 00:45:50,093 NOT A WHIFF OF IT. 701 00:45:53,132 --> 00:45:55,732 I'M SORRY. I'M SORRY. I'M SORRY. 702 00:46:08,079 --> 00:46:10,360 I'M SORRY. I'M SORRY. I'M SORRY I'M LATE. 703 00:46:12,167 --> 00:46:13,962 THE POINT IS THAT YOUR MOTHER 704 00:46:13,986 --> 00:46:15,764 BROUGHT THE KIDS TO YOUR HOUSE 705 00:46:15,788 --> 00:46:18,221 AND SHE HAD TO CANCEL HER ENTIRE DAY 706 00:46:18,290 --> 00:46:19,934 WHILE YOU WERE, I DON'T KNOW, 707 00:46:19,958 --> 00:46:22,959 CRAWLING OUT OF SOME DITCH SOMEWHERE, NO DOUBT? 708 00:46:25,130 --> 00:46:28,165 SO WHY ARE YOU CALLING ME? HMM? 709 00:46:28,233 --> 00:46:30,533 DO YOU KNOW THAT THIS IS THE FIRST NIGHT 710 00:46:30,602 --> 00:46:33,636 THAT I'VE HAD TO MYSELF IN 2 WEEKS? 711 00:46:33,705 --> 00:46:36,039 HERE YOU ARE, CHATTING ME UP. 712 00:46:37,042 --> 00:46:38,708 YOU IN THE BATHTUB? 713 00:46:39,511 --> 00:46:40,511 NO. 714 00:46:44,817 --> 00:46:45,817 NO. 715 00:46:47,219 --> 00:46:50,453 THAT'S JUST THE SOUND OF YOU PISSING UP A ROPE. 716 00:46:54,893 --> 00:46:56,860 WHY DON'T YOU COME OVER? 717 00:47:07,572 --> 00:47:08,805 MARILYN? 718 00:47:15,214 --> 00:47:16,379 MARILYN? 719 00:47:33,465 --> 00:47:34,364 MONROE. 720 00:47:34,432 --> 00:47:35,498 ♪ 721 00:47:35,567 --> 00:47:37,600 THAT'S ME AND MONROE. 722 00:47:38,803 --> 00:47:40,470 THAT'S ME AND MONROE. 723 00:47:47,479 --> 00:47:49,346 I'VE GOT TO MEET MONROE. 724 00:47:52,918 --> 00:47:53,958 MONROE. 725 00:48:49,641 --> 00:48:51,319 WHAT DO YOU THINK? 726 00:48:51,343 --> 00:48:54,122 CAN'T THINK AT ALL WITH YOUR JACKET TURNED UP SO LOUD. 727 00:48:55,414 --> 00:48:58,181 LITTLE PARTY OUT AT THE RANCH TONIGHT. 728 00:48:58,250 --> 00:48:59,983 UH, WELL, UH, IT'S NOT REALLY A PARTY. 729 00:49:00,052 --> 00:49:02,285 IT'S MORE LIKE A RECEPTION. 730 00:49:02,354 --> 00:49:05,755 WE WENT OUT TO VEGAS TO MAKE IT LEGAL ON THE CHEAP. 731 00:49:05,824 --> 00:49:08,058 WELL, SHE DIDN'T WANT HER OLD MAN PULLING 732 00:49:08,126 --> 00:49:10,293 SOME CRAZY SHIT DURING THE VOWS, AND 733 00:49:10,362 --> 00:49:13,529 I WAS GOING TO ASK YOU TO STAND UP WITH ME, BUT... 734 00:49:13,598 --> 00:49:15,398 WHEN YOU'RE IN THE FUNERAL GAME, 735 00:49:15,467 --> 00:49:17,667 LIKE VELMA'S FAMILY, IT'S HARD FOR HER TO SEE A WEDDING 736 00:49:17,735 --> 00:49:19,635 AS ANYTHING BUT BUSINESS. 737 00:49:19,704 --> 00:49:20,704 BUT NOW THIS PARTY... 738 00:49:20,738 --> 00:49:21,983 SORRY, 739 00:49:22,007 --> 00:49:24,941 I CAN'T TAKE ANYTHING YOU SAY SERIOUSLY 740 00:49:25,010 --> 00:49:26,609 WITH THAT HAT ON. 741 00:49:33,852 --> 00:49:35,251 SAID VOWS, HUH? 742 00:49:35,320 --> 00:49:37,753 YEAH, YEAH. I DID. NOW LOOK... 743 00:49:37,822 --> 00:49:40,056 NOPE, NOPE, CAN'T LOOK. 744 00:49:42,927 --> 00:49:44,294 I CAN'T EVEN SEE YOU. 745 00:49:46,831 --> 00:49:50,333 YOUR FACE IS SO SUNNY. 746 00:49:50,402 --> 00:49:52,135 SO EBULLIENT. 747 00:49:52,204 --> 00:49:56,106 HEY, I PUT THE "BULL" IN "EBULLIENT," BROTHER. COME ON. 748 00:49:56,174 --> 00:49:58,241 LITTLE DRINKING, LITTLE DANCING, 749 00:49:58,310 --> 00:50:00,143 LITTLE MARIACHI BAND. 750 00:50:00,212 --> 00:50:01,889 YOU CAN SLEEP IN THE BARN LIKE YOU LIKE. 751 00:50:01,913 --> 00:50:03,746 I'M BUSY. 752 00:50:03,815 --> 00:50:06,883 LITTLE TECHNOLOGICAL FIX TO A SPIRITUAL PROBLEM. 753 00:50:06,951 --> 00:50:08,662 WELL, THAT SOUNDS REAL PROMISING. 754 00:50:08,686 --> 00:50:11,488 WELL, NOTHING TO IT, JUST A LITTLE... 755 00:50:11,556 --> 00:50:14,824 TINKERING, A LITTLE SOLITUDE, 756 00:50:14,893 --> 00:50:16,126 NAVEL-GAZING. 757 00:50:22,934 --> 00:50:25,668 "MEN MET EACH OTHER WITH ERECTED LOOK 758 00:50:25,737 --> 00:50:28,271 "THE STEPS WERE HIGHER THAT THEY TOOK 759 00:50:28,340 --> 00:50:31,674 "FRIENDS TO CONGRATULATE THEIR FRIENDS 760 00:50:32,544 --> 00:50:34,044 "MADE HASTE" 761 00:50:34,112 --> 00:50:38,214 THAT SHIT NEVER HAPPENED! BUT THOSE WERE THE DAYS! 762 00:50:52,431 --> 00:50:54,097 INCOMING, BROTHER. 763 00:51:26,531 --> 00:51:29,332 ♪ 764 00:51:29,401 --> 00:51:33,269 ♪ BROKEN LINES, BROKEN STRINGS ♪ 765 00:51:33,338 --> 00:51:37,207 ♪ BROKEN THREADS, BROKEN SPRINGS ♪ 766 00:51:37,275 --> 00:51:41,077 ♪ BROKEN IDOLS, BROKEN HEADS ♪ 767 00:51:41,146 --> 00:51:44,414 ♪ PEOPLE SLEEPING IN BROKEN BEDS ♪ 768 00:51:45,317 --> 00:51:47,217 NOW, YOUR CHEST FREEZER 769 00:51:49,087 --> 00:51:51,221 CAN GO DOWN IN YOUR BASEMENT. 770 00:51:53,992 --> 00:51:56,126 NOT IN YOUR GARAGE. 771 00:51:56,894 --> 00:51:59,596 IT'S SUB-SUBTERRANEAN. 772 00:51:59,664 --> 00:52:02,932 BUT YOUR... YOUR UPRIGHT FREEZER GOES IN YOUR KITCHEN 773 00:52:03,935 --> 00:52:06,002 OR TUCKED IN BEHIND YOUR DOOR 774 00:52:06,070 --> 00:52:08,104 IN YOUR DEN OR SOMETHING. 775 00:52:08,173 --> 00:52:09,805 WHY IS THAT? 776 00:52:18,716 --> 00:52:19,782 OH. 777 00:52:19,851 --> 00:52:20,851 OH. 778 00:52:21,753 --> 00:52:22,985 THANK GOD. 779 00:52:23,655 --> 00:52:25,421 IT FELL OUT. 780 00:52:25,490 --> 00:52:27,123 DIDN'T EVEN KNOW. 781 00:52:27,192 --> 00:52:30,160 TRUCK'S ON UP THE ROAD. WENT TO TURN AROUND. 782 00:52:30,228 --> 00:52:34,230 RAN OUT OF GAS. FUCKING STUPID! RUN BACK HERE. 783 00:52:34,299 --> 00:52:36,566 MUST HAVE BEEN HALF A MILE. 784 00:52:36,635 --> 00:52:38,535 YOU GONNA WATCH IT FOR ME? 785 00:52:38,603 --> 00:52:40,203 UH... NO. 786 00:52:40,272 --> 00:52:42,250 GIVE ME YOUR KEYS. GIVE ME YOUR KEYS. 787 00:52:42,274 --> 00:52:43,606 I'LL BORROW YOUR CAR. 788 00:52:43,675 --> 00:52:46,776 I'LL GO GET SOME GAS. THEN I'LL COME BACK HERE. 789 00:52:46,844 --> 00:52:48,911 YOU GOING TO HELP ME LOAD IT, RIGHT? 790 00:52:48,980 --> 00:52:50,012 NO. 791 00:52:51,650 --> 00:52:54,817 HERE. YOU GO GET SOME GAS. 792 00:52:54,886 --> 00:52:57,446 ALL RIGHT. I'LL GO GET SOME GAS. 793 00:52:58,823 --> 00:53:02,063 YOU WEREN'T GOING TO TAKE IT, WERE YOU? DON'T TAKE IT. 794 00:53:02,727 --> 00:53:04,360 DON'T TAKE IT, ALL RIGHT? 795 00:53:04,429 --> 00:53:09,131 CHEST FREEZERS SEEM LIKE IT'S SEPULCHRAL. 796 00:53:12,870 --> 00:53:14,970 IT'S SEPULCHRAL. 797 00:53:19,544 --> 00:53:21,644 "SOME SAY 798 00:53:21,713 --> 00:53:25,615 "AND SOME FEW MAY STILL BELIEVE IS LOST... 799 00:53:25,684 --> 00:53:27,617 "SOME SAY. 800 00:53:27,686 --> 00:53:30,720 "IS LOST A PLUMMETING OF SUNS." 801 00:53:30,788 --> 00:53:32,121 "SHADOWS PAST..." 802 00:53:32,190 --> 00:53:34,524 SO LOVELY AREN'T THEY? 803 00:53:34,593 --> 00:53:36,626 DON'T THEY DRIVE YOU MAD? 804 00:53:36,695 --> 00:53:39,562 THEIR SELF-CONTAINED, IMPLACABLE GREEN CALM. 805 00:53:39,631 --> 00:53:42,498 YOU WANT TO PICK ONE. UPROOT WORLDS. 806 00:53:42,567 --> 00:53:44,078 YOU'VE HAD YOUR HAND OUT NOW FOR 8 YEARS... 807 00:53:44,102 --> 00:53:46,347 TOWARD DARKENED POOLS OF EVENING. 808 00:53:46,371 --> 00:53:48,738 YET IF THE BLOOD TIDE RISES, 809 00:53:48,806 --> 00:53:52,375 THE MOON DRAWS BACK THE SILVER MYSTERIES. 810 00:53:52,444 --> 00:53:54,577 IF HANDS REACH UPWARDS 811 00:53:54,646 --> 00:53:58,514 TOWARDS THE BREAST OF LIFE DESIRES PAROBALA. 812 00:53:59,917 --> 00:54:01,751 DESIRES PAROBALA. 813 00:54:01,819 --> 00:54:03,397 PARABOLA. PARABOLA. 814 00:54:03,421 --> 00:54:05,755 HOPES. EARTHWARD. 815 00:54:05,823 --> 00:54:08,324 PLUNGE, DESCEND... 816 00:54:10,495 --> 00:54:12,094 COMES THE FALL OF NIGHT. 817 00:54:12,163 --> 00:54:15,298 COMES THE FALL OF NIGHT. 818 00:54:15,367 --> 00:54:18,167 HEY, MOTHERFUCKER, GET OUT OF THE ROAD! 819 00:54:23,775 --> 00:54:27,310 MEN'S TONGUES DROWN IN THE HONEY OF YOUR NAMES. 820 00:54:28,280 --> 00:54:29,280 CORPSMAN! 821 00:54:30,047 --> 00:54:30,980 CORPSMAN! 822 00:54:31,048 --> 00:54:32,649 CORPSMAN! 823 00:54:35,052 --> 00:54:36,319 CORPSMAN! 824 00:55:37,448 --> 00:55:40,449 THERE'S POEMS, AND THERE'S POEMS. 825 00:55:40,518 --> 00:55:42,985 I NEVER READ ANYTHING LIKE IT. 826 00:55:44,522 --> 00:55:46,622 CONGRATULATIONS. 827 00:55:46,691 --> 00:55:48,691 I WISH YOU BOTH THE BEST. 828 00:55:51,963 --> 00:55:53,074 ALL RIGHT, THAT'S ENOUGH. 829 00:55:53,098 --> 00:55:54,098 ALL RIGHT. 830 00:56:00,905 --> 00:56:02,705 HERE'S LOOKING AT YOU... 831 00:56:02,774 --> 00:56:04,334 ASKANCE! 832 00:56:05,409 --> 00:56:06,909 OH! 833 00:56:06,978 --> 00:56:09,824 I REMEMBER THIS LITTLE EXPERIMENTAL PIECE OF CRAP. 834 00:56:09,848 --> 00:56:12,715 I BET THEY DO, TOO. THEY JUST DIDN'T KNOW HOW TO HANDLE IT. 835 00:56:12,784 --> 00:56:15,051 WITH RUBBER GLOVES. 836 00:56:15,120 --> 00:56:17,098 "DEEP IN THE DREAM OF ANDROMEDA, 837 00:56:17,122 --> 00:56:19,033 "THE QUEEN OF THE VOID MOUNTS HER HORSE 838 00:56:19,057 --> 00:56:22,759 "OF FIRE AND DUST, HER NEBULOUS MAYFLOWER STEED 839 00:56:22,827 --> 00:56:26,562 "FULL CARGO OF LONG-AGO LIGHT." 840 00:56:26,631 --> 00:56:28,231 "FULL CARGO." 841 00:56:30,101 --> 00:56:32,902 "FULL CARGO OF LONG AGO LIGHT!" 842 00:56:32,971 --> 00:56:34,470 YEAH. 843 00:56:34,538 --> 00:56:39,341 "DRINK DEEP, DREAMER, AND TAKE THE BURNING ONE INSIDE YOU. 844 00:56:39,410 --> 00:56:43,445 "HOLD HIM UNDER, HOLD HIM, MAKE HIM SHOUT, 'I SURRENDER!'" 845 00:56:49,687 --> 00:56:50,887 ♪ 846 00:57:13,744 --> 00:57:15,711 YOU BOYS GO ON HOME NOW. 847 00:57:16,614 --> 00:57:17,614 AND MONROE, 848 00:57:17,682 --> 00:57:19,882 DON'T LET BARLOW GET BEHIND THAT WHEEL. 849 00:57:25,957 --> 00:57:29,069 "THE ANNUNCIATION OF VIRGINS, 850 00:57:29,093 --> 00:57:32,228 "OF MAIDEN VOYAGES. 851 00:57:32,297 --> 00:57:36,065 "MAPS THAT CURL AT THEIR EDGES LIKE SPACE" 852 00:57:36,134 --> 00:57:38,445 THE WHOLE BASEMENT'S A STUDIO. 853 00:57:38,469 --> 00:57:41,603 I TOOK ALL THE FURNITURE OUT AND IT'S ALL SET UP. 854 00:57:41,672 --> 00:57:44,440 I GOT SOUNDPROOFING OUT THE ASS DOWN THERE. 855 00:57:44,508 --> 00:57:47,243 IF I HAD YOUR ASS, I'D SOUNDPROOF IT, TOO. 856 00:57:48,813 --> 00:57:51,292 THE BOARD'S A MONSTER, TOO. IT'S ALL DIGITAL. 857 00:57:51,316 --> 00:57:56,052 I CAN RECORD MAJOR ARTISTS, ONCE I FIGURE OUT WHAT I'M DOING. 858 00:57:58,556 --> 00:58:00,301 ANYWAY, I'LL GET A CD PLAYER IN HERE, 859 00:58:00,325 --> 00:58:02,903 I WON'T HAVE TO FUCK WITH THESE TAPES. LOOK AT THIS. 860 00:58:02,927 --> 00:58:04,171 HEY. SHIT. 861 00:58:04,195 --> 00:58:05,527 HEY LOOK... LOOK HERE. 862 00:58:06,597 --> 00:58:09,031 IS THAT... THAT'S THAT GUY. 863 00:58:09,100 --> 00:58:10,599 WHAT GUY? 864 00:58:10,668 --> 00:58:13,602 THAT GUY, THE FLASHER. MR. POINT-AND-SHOOT. 865 00:58:13,671 --> 00:58:14,871 YEAH? 866 00:58:16,341 --> 00:58:17,351 TURN AROUND. 867 00:58:17,375 --> 00:58:20,076 LET'S JUST HAVE A RUN AT THAT FELLOW. 868 00:58:20,144 --> 00:58:21,755 TURN AROUND. TURN AROUND. 869 00:58:21,779 --> 00:58:23,279 YEAH. OK, PENIS-BOY. 870 00:58:23,348 --> 00:58:26,349 LEGION OF DECENCY IS ON YOUR ASS. 871 00:58:27,518 --> 00:58:29,051 SICK BASTARD. 872 00:58:29,120 --> 00:58:32,154 YOU KNOW, HE JUST CAN'T GET ANY. 873 00:58:32,223 --> 00:58:35,135 CLEAN HIM UP, A NEW PAIR OF LEVI'S, A LITTLE EDUCATION, 874 00:58:35,159 --> 00:58:38,839 WHO'S TO SAY HE COULDN'T QUALIFY FOR A BLOWJOB IN ATLANTA? 875 00:58:40,765 --> 00:58:42,676 JUST NEEDS A WARM PLACE TO PUT IT. 876 00:58:42,700 --> 00:58:44,166 GIVE ME A BEER, WON'T YOU? 877 00:58:44,235 --> 00:58:45,101 YEAH. 878 00:58:45,169 --> 00:58:46,969 YOU KNOW, 879 00:58:47,038 --> 00:58:49,083 I KIND OF FEEL SORRY FOR HIM. 880 00:58:49,107 --> 00:58:51,473 KIND OF, BUT NOT THAT MUCH. 881 00:58:51,542 --> 00:58:55,102 THAT'S RIGHT. LET'S KNOCK HIS DICK RIGHT IN THE DIRT. 882 00:58:55,413 --> 00:58:56,413 LITTLE DICK, 883 00:58:56,447 --> 00:58:59,248 LIKE A MEXICAN-MADE VOLKSWAGEN. 884 00:59:01,386 --> 00:59:04,531 NO, NO, NO. IT'S LIKE AN INDOCHINESE CUSTOMS AGENT. 885 00:59:04,555 --> 00:59:08,002 YOU WAVE ENOUGH MONEY AROUND, HE'LL JUST LOAD THE DUFFLE BAG HIMSELF. 886 00:59:08,026 --> 00:59:10,059 LIKE A CLARKSDALE BLUES JOINT. 887 00:59:10,128 --> 00:59:13,562 IT'S TOO DARK TO SEE THE MUSIC, YOU GOT TO HEAR IT TWICE. 888 00:59:13,631 --> 00:59:14,671 HUH? 889 00:59:16,500 --> 00:59:19,701 LET'S LIGHT HIM UP. THERE WE GO. 890 00:59:19,770 --> 00:59:22,816 PULL AROUND, BOBBY. PULL AROUND. LET'S TAKE A LOOK AT HIM. 891 00:59:22,840 --> 00:59:24,051 LET'S TAKE A GOOD LOOK AT HIM. 892 00:59:24,075 --> 00:59:25,441 HEY, YOU LITTLE SHIT! 893 00:59:27,312 --> 00:59:28,577 PULL UP! PULL UP! 894 00:59:31,749 --> 00:59:34,116 DID YOU SEE HIS FACE? DID YOU SEE WHO IT WAS? 895 00:59:34,185 --> 00:59:35,684 NO. I CAN'T TELL. 896 00:59:35,753 --> 00:59:39,021 TURN AROUND. NO, BACK UP. 897 00:59:39,090 --> 00:59:41,223 HE GO DOWN ROBERT FORD ROAD? DID YOU SEE HIM? 898 00:59:41,292 --> 00:59:43,492 NO, HE'S GONE. 899 00:59:43,561 --> 00:59:44,905 HE'S GONE, BOBBY, YOU LOST HIM. 900 00:59:44,929 --> 00:59:47,363 NO, I DIDN'T LOSE HIM. WE GOT HIM NOW. 901 00:59:49,233 --> 00:59:51,267 THERE WE GO. ALL RIGHT. 902 00:59:51,336 --> 00:59:52,868 A LITTLE DICK... 903 00:59:52,937 --> 00:59:56,305 A LITTLE DICK'S LIKE A... A FOREIGN EXCHANGE STUDENT ON CRACK. 904 00:59:56,374 --> 01:00:00,242 IT DON'T MAKE FOR MUCH OF A SLIDE SHOW WHEN YOU GET BACK HOME. 905 01:00:01,379 --> 01:00:03,812 THERE HE IS NOW! 906 01:00:03,881 --> 01:00:06,401 RIGHT. BACK UP. BACK UP. BACK UP. 907 01:00:07,118 --> 01:00:09,518 I'M GONNA KNOCK HIS ASS OUT. 908 01:00:09,753 --> 01:00:11,053 THERE HE GOES. 909 01:00:11,122 --> 01:00:13,489 OOH, YOU CAN GET HIM. YOU CAN GET HIM. 910 01:00:13,557 --> 01:00:14,601 OOH, TURN AROUND. 911 01:00:14,625 --> 01:00:15,625 WE GOT HIM NOW. 912 01:00:15,659 --> 01:00:18,059 HE'S GOING. SEE HIM? 913 01:00:23,534 --> 01:00:24,611 ALL RIGHT. 914 01:00:24,635 --> 01:00:25,734 GOT HIM NOW. 915 01:00:26,304 --> 01:00:27,970 STEP ON IT! 916 01:00:28,039 --> 01:00:29,405 NO, NO, STEP ON IT! 917 01:00:32,043 --> 01:00:33,542 WHAT THE HELL? 918 01:00:34,879 --> 01:00:36,379 WE OUT OF GAS? 919 01:00:42,186 --> 01:00:43,919 WELL, SHIT THE BED. 920 01:00:49,527 --> 01:00:51,060 I'M GOING TO TAKE ME A TRAVELER. 921 01:00:51,129 --> 01:00:53,095 I'M GONNA GET SOMETHING TO READ, 922 01:00:53,164 --> 01:00:55,064 I'M GONNA WALK OUT OF HERE, GET SOME GAS. 923 01:00:55,133 --> 01:00:56,532 NO, YOU GOT TO HELP ME. 924 01:00:56,600 --> 01:01:00,102 WE GOT TO PUSH IT OUT OF THE STREET. 925 01:01:00,171 --> 01:01:02,349 IT WON'T OPEN LIKE THAT. 926 01:01:02,373 --> 01:01:04,818 YOU CAN'T REACH OUTSIDE. OPEN THE... 927 01:01:06,877 --> 01:01:09,311 ALL RIGHT, I'LL JUST GO OUT. 928 01:01:16,587 --> 01:01:18,332 WHERE YOU GOING? 929 01:01:34,672 --> 01:01:36,650 DR. CLAYBURN'S GONNA HAVE TO REFUEL, 930 01:01:36,674 --> 01:01:38,594 SO HE'LL BE BREAKING STATION SHORTLY. 931 01:01:38,643 --> 01:01:42,111 I JUST WANT YOU TO CHECK FOR PROBLEMS, SEE IF HE CAN, UH, 932 01:01:42,179 --> 01:01:45,598 PUT AN ADJUSTMENT ON THIS OR TELL HIM THAT WE GOT PROGRAM... 933 01:01:45,666 --> 01:01:47,416 ♪ CRAZY ♪ 934 01:01:49,120 --> 01:01:53,789 ♪ I'M CRAZY FOR FEELING ♪ 935 01:01:56,360 --> 01:01:59,861 ♪ SO LONELY ♪ 936 01:02:05,603 --> 01:02:09,305 ♪ I'M CRAZY ♪ 937 01:02:12,743 --> 01:02:16,979 ♪ CRAZY FOR FEELING ♪ 938 01:02:19,117 --> 01:02:22,585 ♪ SO BLUE ♪ 939 01:02:22,653 --> 01:02:25,754 ♪ 940 01:02:25,823 --> 01:02:27,956 ♪ I KNEW ♪ 941 01:02:28,025 --> 01:02:33,162 ♪ YOU'D LOVE ME AS LONG AS YOU WANT ME ♪ 942 01:02:34,698 --> 01:02:35,797 I'M PISSING. 943 01:02:35,866 --> 01:02:38,467 ♪ AND THEN SOMEDAY ♪ 944 01:02:38,536 --> 01:02:39,935 ♪ YOU'D LEAVE ME... ♪ 945 01:02:40,004 --> 01:02:42,444 WHEN IT GETS TO $28, SELL IT. 946 01:02:46,644 --> 01:02:48,511 ♪ WORRY ♪ 947 01:02:49,447 --> 01:02:53,215 ♪ WHY DO I LET MYSELF WORRY? ♪ 948 01:02:57,321 --> 01:02:59,955 ♪ WONDERING ♪ 949 01:03:00,024 --> 01:03:03,609 ♪ WHAT IN THE WORLD DID I DO? ♪ 950 01:03:04,879 --> 01:03:06,679 GET UP, FUCKER! 951 01:03:06,748 --> 01:03:08,280 GET UP! 952 01:03:08,349 --> 01:03:09,948 ♪ CRAZY ♪ 953 01:03:10,685 --> 01:03:13,285 STAY RIGHT HERE. 954 01:03:13,354 --> 01:03:15,487 ♪ COULD HOLD YOU ♪ 955 01:03:16,190 --> 01:03:17,623 GO OVER THERE. 956 01:03:17,692 --> 01:03:20,826 ♪ I'M CRAZY FOR TRYIN' ♪ 957 01:03:20,895 --> 01:03:23,395 ♪ AND CRAZY FOR CRYIN' ♪ 958 01:03:23,464 --> 01:03:26,648 ♪ AND I'M CRAZY FOR LOVING YOU ♪ 959 01:03:26,717 --> 01:03:27,984 MONROE? 960 01:03:28,052 --> 01:03:29,185 MONROE? 961 01:03:29,653 --> 01:03:30,819 MONROE? 962 01:03:31,255 --> 01:03:32,255 MONROE? 963 01:03:34,892 --> 01:03:36,470 I NEED SOME HELP, HERE. 964 01:03:36,494 --> 01:03:37,994 MONROE? 965 01:03:38,062 --> 01:03:39,195 MONROE? 966 01:03:39,797 --> 01:03:41,130 MONROE! 967 01:03:41,565 --> 01:03:42,565 MONROE! 968 01:03:42,633 --> 01:03:44,066 ♪ AND CRAZY FOR CRYIN' ♪ 969 01:03:44,135 --> 01:03:45,868 ♪ 970 01:03:45,936 --> 01:03:47,436 ♪ AND I'M CRAZY ♪ 971 01:03:47,505 --> 01:03:51,307 ♪ FOR LOVIN' ♪ 972 01:03:52,643 --> 01:03:55,011 ♪ YOU ♪ 973 01:04:04,655 --> 01:04:05,854 MY HAT. 974 01:04:05,923 --> 01:04:07,056 MY HAT. 975 01:04:07,125 --> 01:04:08,402 YOUR HAT? 976 01:04:08,426 --> 01:04:09,492 I LOST MY HAT. 977 01:04:09,560 --> 01:04:11,280 LEON BARLOW? 978 01:04:11,929 --> 01:04:13,062 MY HAT. 979 01:04:13,831 --> 01:04:15,064 IT'S MISS MURPHY. 980 01:04:16,434 --> 01:04:19,568 MISS MURPHY, FROM THE 3RD GRADE? 981 01:04:19,637 --> 01:04:23,539 LEON, LEON! SHH! WE NEED TO GET YOU HOME. ALL RIGHT? 982 01:04:23,607 --> 01:04:26,142 M-I, A CROOKED LETTER? CROOKED LETTER? 983 01:04:26,210 --> 01:04:27,943 I... CROOKED LETTER. 984 01:04:28,012 --> 01:04:29,711 CROOKED LETTER. I... 985 01:04:29,780 --> 01:04:31,880 HUMPBACK. HUMPBACK. I... 986 01:04:31,949 --> 01:04:34,550 LOOK, LISTEN TO ME. MONROE'S ALIVE. 987 01:04:34,618 --> 01:04:37,819 ALL RIGHT? HE'S BREATHING ON HIS OWN. HE COULD WAKE UP ANY TIME. 988 01:04:37,888 --> 01:04:38,888 MONROE? 989 01:04:38,956 --> 01:04:41,090 LET'S KEEP HIM BREATHING, BREATHING. 990 01:04:41,159 --> 01:04:42,769 LET'S GO! HURRY UP, DAMN IT! 991 01:04:42,793 --> 01:04:45,039 GET SOME REST. THAT'S THE BEST YOU CAN DO. 992 01:04:45,063 --> 01:04:46,343 I'M DOING IT! 993 01:04:46,397 --> 01:04:48,230 YOUR EX-MOTHER-IN-LAW'S ON THE PHONE. 994 01:04:48,299 --> 01:04:51,033 ALL RIGHT, I'LL GET BACK TO HER. STOP IT. 995 01:04:52,370 --> 01:04:55,171 WH-WHAT? GOD, LEON! 996 01:05:05,433 --> 01:05:06,532 LEON? 997 01:05:11,338 --> 01:05:14,673 SHE'S GOT CF. SHE'S ASTHMATIC. SHE'S GOT A PORT ON HER RIGHT SIDE. 998 01:05:14,742 --> 01:05:17,109 LEON, MOVE! 999 01:05:17,178 --> 01:05:19,723 SHE DIDN'T EVEN CR... SHE DIDN'T EVEN CRY WHEN SHE WENT TO SLEEP. 1000 01:05:19,747 --> 01:05:22,380 ALMA, I NEED YOU! LEON, GET ALAN. 1001 01:05:22,449 --> 01:05:23,682 GO GET ALAN! 1002 01:05:23,751 --> 01:05:25,851 SHE WAS FINE. 1003 01:05:25,920 --> 01:05:28,331 WAS SHE BREATHING WHEN YOU FOUND HER? 1004 01:05:28,355 --> 01:05:31,190 DID SHE DO HER TREATMENT? 1005 01:05:31,258 --> 01:05:35,260 ONE-BETA-12? DID YOU GET THE BARLOW GIRL? 1006 01:05:35,329 --> 01:05:37,140 ONE-BETA-12, DO YOU COPY? 1007 01:05:37,164 --> 01:05:39,231 DID YOU GET THE BARLOW GIRL? 1008 01:05:39,299 --> 01:05:41,179 WHERE ARE HER SHOES? 1009 01:05:41,719 --> 01:05:43,652 "SEE THEY RISE 1010 01:05:43,721 --> 01:05:46,388 "AND BECOME THE FIRST FRUITS OF THEM THAT SLEPT. 1011 01:05:47,891 --> 01:05:52,294 "FOR WE ARE BORN OF WOMAN AND LIVE BUT A SHORT TIME. 1012 01:05:52,363 --> 01:05:56,064 "WE COME UP LIKE A FLOWER. WE FLEE AS SHADOW. 1013 01:05:57,668 --> 01:06:01,337 "SO GRANT TO THE CHILDREN A TABERNACLE IN THE SUN. 1014 01:06:04,942 --> 01:06:07,309 "AND THE DISCIPLES CAME UNTO JESUS 1015 01:06:07,378 --> 01:06:09,711 "AND SAID, 'WHO SHALL BE GREATEST?' 1016 01:06:11,149 --> 01:06:14,016 "HE SET A CHILD IN THEIR MIDST 1017 01:06:14,084 --> 01:06:17,786 "AND SAID 'EXCEPT YE BECOME AS LITTLE CHILDREN, 1018 01:06:17,855 --> 01:06:21,723 "'YE SHALL NOT ENTER THE KINGDOM OF HEAVEN. 1019 01:06:21,792 --> 01:06:27,263 "'SO SUFFER THE LITTLE CHILDREN TO COME UNTO ME AND FORBID THEM NOT.' 1020 01:06:27,331 --> 01:06:30,666 "FOR OF SUCH... FOR OF SUCH IS THE KINGDOM. 1021 01:06:32,336 --> 01:06:34,570 "FOR WE ARE BORN OF WOMAN 1022 01:06:34,639 --> 01:06:37,673 "AND LIVE BUT A SHORT TIME. 1023 01:06:37,741 --> 01:06:40,276 "WE COME UP LIKE A FLOWER. 1024 01:06:40,344 --> 01:06:44,012 "WE FLEE AS SHADOW. SEE THEY RISE. 1025 01:06:44,081 --> 01:06:47,249 "AND ARE BECOME THE FIRST FRUITS OF THEM THAT SLEPT. 1026 01:06:47,318 --> 01:06:53,255 "BLAH, BLAH, SHE SHALL SUFFER NO MORE. BLAH, BLAH. 1027 01:06:53,324 --> 01:06:57,493 "PLATITUDE ABOUT THE MYSTERIOUS WAYS IN WHICH GOD WORKS. 1028 01:06:57,562 --> 01:07:00,529 "PLATITUDE ABOUT FAITH. 1029 01:07:00,598 --> 01:07:04,633 "PLATITUDE ABOUT GRIEF. 1030 01:07:04,702 --> 01:07:08,937 "CLICHE ABOUT GOD CALLING HIS CHILDREN HOME. 1031 01:07:09,006 --> 01:07:14,009 "CLICHE ABOUT ANGELS. BLAH, BLAH. 1032 01:07:14,078 --> 01:07:17,846 "SHE SHALL SUFFER NO MORE, BLAH, BLAH. 1033 01:07:17,915 --> 01:07:20,115 "IN THE TWINKLING OF AN EYE, BLAH. 1034 01:07:21,519 --> 01:07:25,053 "FOR THE TRUMPET SHALL SOUND, BLAH, BLAH. 1035 01:07:25,122 --> 01:07:28,524 "AND THE DEAD SHALL BE RAISED INCORRUPTIBLE, BLAH, BLAH. 1036 01:07:29,059 --> 01:07:30,059 "BLAH. 1037 01:07:31,662 --> 01:07:33,629 "AND WE SHALL BE CHANGED." 1038 01:09:08,559 --> 01:09:09,825 GOOD TO SEE YOU. 1039 01:09:11,829 --> 01:09:14,262 MUCH OBLIGED. 1040 01:09:14,332 --> 01:09:15,864 GLAD YOU COULD MAKE IT. 1041 01:09:15,933 --> 01:09:18,853 I JUST LOVE THE SMELL OF FRESH-CUT LEMONS. 1042 01:09:19,737 --> 01:09:22,504 I REMEMBER I WAS ON A TRIP 1043 01:09:22,573 --> 01:09:25,341 IN A BEAUTIFUL HOTEL IN PORTUGAL AND... 1044 01:09:26,711 --> 01:09:29,978 AND THIS YOUNG MAN BROUGHT IN MY BREAKFAST. 1045 01:09:30,715 --> 01:09:33,615 AND RIGHT THERE, 1046 01:09:33,684 --> 01:09:36,952 HE CUT THE LEMON FOR MY TEA, 1047 01:09:37,020 --> 01:09:38,654 AND I SHALL NEVER... 1048 01:10:31,174 --> 01:10:32,974 EXCUSE ME. 1049 01:10:47,224 --> 01:10:49,357 AUNT SALLY, 1050 01:10:49,427 --> 01:10:51,760 MISS HARRISON, MISS GRACE, 1051 01:10:53,363 --> 01:10:54,797 AUNT BETSY, I... 1052 01:10:57,968 --> 01:11:00,448 Y'ALL OUGHT TO COME OUTSIDE. 1053 01:11:03,674 --> 01:11:05,994 PRETTY NICE OUTSIDE. 1054 01:11:12,750 --> 01:11:14,360 BIG BLACK CAR ON A GRAVEL ROAD. 1055 01:11:14,384 --> 01:11:16,251 BIG BLACK CAR ON A GRAVEL ROAD. 1056 01:11:16,320 --> 01:11:18,160 BIG BLACK CAR ON A GRAVEL ROAD. 1057 01:11:18,188 --> 01:11:20,028 BIG BLACK CAR ON A GRAVEL ROAD. 1058 01:11:20,090 --> 01:11:21,957 BIG BLACK CAR ON A GRAVEL ROAD. 1059 01:11:22,025 --> 01:11:23,926 BIG BLACK CAR ON A GRAVEL ROAD. 1060 01:11:23,994 --> 01:11:25,894 BIG BLACK CAR ON A GRAVEL ROAD. 1061 01:11:30,634 --> 01:11:32,067 OH, HEY. 1062 01:11:35,473 --> 01:11:37,150 IT'S NOT RAINING, IS IT? 1063 01:11:37,174 --> 01:11:38,206 NO. 1064 01:11:42,179 --> 01:11:44,513 WERE YOU SAYING SOMETHING? 1065 01:11:44,582 --> 01:11:46,422 NO. HUH? 1066 01:11:47,952 --> 01:11:49,863 WHAT WERE YOU SAYING? 1067 01:11:49,887 --> 01:11:50,887 STORY. 1068 01:11:50,955 --> 01:11:52,555 WHAT? STORY. 1069 01:11:52,590 --> 01:11:53,633 WHAT STORY? 1070 01:11:53,657 --> 01:11:54,657 I DON'T KNOW. 1071 01:11:56,259 --> 01:11:57,539 WHAT WAS YOUR STORY? 1072 01:11:57,595 --> 01:11:58,660 I DON'T KNOW. 1073 01:12:00,097 --> 01:12:01,374 YOU DON'T WANT TO TALK TO ME? 1074 01:12:01,398 --> 01:12:02,564 NO. 1075 01:12:03,868 --> 01:12:05,200 TELL ME YOUR STORY. 1076 01:12:05,268 --> 01:12:06,535 NO. 1077 01:12:12,309 --> 01:12:13,241 WHAT? 1078 01:12:13,310 --> 01:12:15,110 THIS IS BROKE. WHAT? 1079 01:12:15,746 --> 01:12:16,845 ALAN. 1080 01:12:17,347 --> 01:12:18,347 ALAN. 1081 01:12:20,183 --> 01:12:21,183 ALAN! 1082 01:12:22,686 --> 01:12:23,686 ALAN. 1083 01:12:54,484 --> 01:12:55,484 HEY. 1084 01:13:11,401 --> 01:13:12,601 MAMA? 1085 01:13:21,344 --> 01:13:22,644 MOTHER? 1086 01:13:35,258 --> 01:13:37,492 VELMA AND HER FRIEND ARE HERE. 1087 01:14:02,853 --> 01:14:06,154 FIRST WOMAN IN SPACE, MY ASS. I BEEN THERE ALL MY LIFE. 1088 01:14:08,225 --> 01:14:10,792 SO SORRY WE DIDN'T MAKE IT TO THE CEMETERY. 1089 01:14:10,861 --> 01:14:12,728 I'M SO, SO SORRY WE'RE LATE. 1090 01:14:13,597 --> 01:14:14,796 MONROE? 1091 01:14:17,701 --> 01:14:20,301 HE WON'T GET OUT NOW. 1092 01:14:20,370 --> 01:14:23,939 MADE ME HAUL HIM ALL OVER, ALL UPSET ABOUT ALISHA. 1093 01:14:24,008 --> 01:14:26,920 HALFWAY HERE, HE CAN'T REMEMBER WHY HE'S IN THE CAR. 1094 01:14:26,944 --> 01:14:31,246 THEN WE PULL UP AND HE SAID THE PLACE IS HAUNTED. 1095 01:14:31,314 --> 01:14:34,883 NOW HE'S ON ABOUT, "GOING TO GET BACK IN THE DOPE BUSINESS. 1096 01:14:34,952 --> 01:14:38,186 "GOING TO SELL THAI STICK TO RUSSIAN COSMONAUTS." 1097 01:14:38,255 --> 01:14:40,956 BE NICE IF WE COULD BE A LITTLE SUPPORTIVE, YOU KNOW. 1098 01:14:44,294 --> 01:14:46,594 DID I TELL YOU HOW SORRY I AM? 1099 01:14:46,664 --> 01:14:48,363 IS THERE ANYTHING I CAN DO? 1100 01:14:48,431 --> 01:14:49,431 OH! 1101 01:14:50,600 --> 01:14:52,701 BLEEDING WOUNDS OF THE MARTYRS. 1102 01:14:58,876 --> 01:15:00,241 AW, SWEETIE. 1103 01:15:03,847 --> 01:15:06,548 HEY, VEL. THANKS FOR COMING. 1104 01:15:09,619 --> 01:15:11,286 HOW'S THE BIG GUY DOING? 1105 01:15:11,354 --> 01:15:14,834 WELL, YOU KNOW, HIS BRAINS ARE ALL MIX-MASTERED ALL TO HELL. 1106 01:15:16,126 --> 01:15:17,804 YOU GOT TO HELP HIM, BARLOW! 1107 01:15:17,828 --> 01:15:19,973 HE'S GOT NO... WHAT DO YOU CALL IT? 1108 01:15:19,997 --> 01:15:21,396 EQUILIBRIUM. 1109 01:15:27,137 --> 01:15:28,369 COME ON NOW. 1110 01:15:30,540 --> 01:15:31,740 COME ON. 1111 01:15:35,012 --> 01:15:36,344 LET GO. 1112 01:15:38,615 --> 01:15:39,615 OH, CHRIST. 1113 01:15:41,051 --> 01:15:44,052 STOP IT! JACOB BITES GABRIEL. STOP IT! 1114 01:15:48,491 --> 01:15:50,158 SHOULD WE STOP IT? 1115 01:15:52,229 --> 01:15:53,628 NO, NO, NO. WHY? 1116 01:15:54,531 --> 01:15:55,363 YEAH. 1117 01:15:55,432 --> 01:15:57,465 SEE, THIS IS IT. 1118 01:15:58,869 --> 01:16:00,802 THIS IS IT, EXACTLY. 1119 01:16:03,607 --> 01:16:07,475 SEE, YOU ALWAYS, ALWAYS THINK THAT SOMETHING ELSE IS MEANT TO HAPPEN. 1120 01:16:09,379 --> 01:16:12,547 TINY LITTLE COFFIN, TINY LITTLE GRAVE. 1121 01:16:12,616 --> 01:16:14,783 GET ALL DRESSED UP. 1122 01:16:14,852 --> 01:16:18,353 YOU'D THINK THAT THE TWO OF THEM COULD JUST SIT TOGETHER AND, 1123 01:16:18,421 --> 01:16:20,388 I DON'T KNOW, MURMUR? 1124 01:16:21,058 --> 01:16:22,657 BUT INSTEAD, THIS. 1125 01:16:27,330 --> 01:16:29,898 WE'VE LIVED FOR 4 YEARS KNOWING SHE'LL DIE. 1126 01:16:29,967 --> 01:16:33,835 BUT WHEN THE DAY COMES, YOU JUST DON'T KNOW ANYTHING. 1127 01:16:35,739 --> 01:16:37,839 YOU'D THINK, ON A DAY LIKE TODAY, 1128 01:16:37,908 --> 01:16:39,975 HE COULD JUST STOP AND TAKE A BREATH. 1129 01:16:41,178 --> 01:16:42,844 BUT INSTEAD, THIS. 1130 01:16:44,982 --> 01:16:47,082 STOP TELLING US THIS STORY. 1131 01:16:54,191 --> 01:16:55,556 STOP... 1132 01:16:55,625 --> 01:16:57,292 STOP TELLING US THIS. 1133 01:16:57,360 --> 01:16:58,459 STOP 1134 01:16:58,528 --> 01:17:00,128 TELLING US THIS! 1135 01:17:03,066 --> 01:17:04,299 SORRY. 1136 01:17:04,367 --> 01:17:05,834 OK. 1137 01:17:05,903 --> 01:17:08,270 IT'S A BEAUTIFUL FRUIT SALAD. 1138 01:17:08,338 --> 01:17:10,672 COME ON, LET'S GO INSIDE. 1139 01:17:10,740 --> 01:17:14,142 WE'LL HELP ALMA RUN THE SHOW. 1140 01:17:14,211 --> 01:17:16,878 WE'LL SIT WITH THE MATRIARCHY AND WHISPER. 1141 01:17:18,182 --> 01:17:20,515 WE'LL WHISPER OURSELVES INSANE. 1142 01:17:27,558 --> 01:17:30,678 WHAT DO YOU BET, WHEN IT'S THE END OF THE WORLD, 1143 01:17:32,729 --> 01:17:37,131 SOME DAMN FOOL'S GOING TO SAY, "WELL, IT AIN'T THE END OF THE WORLD." 1144 01:17:37,201 --> 01:17:40,101 PEOPLE USED TO KNOW WHAT TO DO TO GET YOU THROUGH IT. 1145 01:17:40,170 --> 01:17:41,670 LITTLE CEREMONIES, YOU KNOW? 1146 01:17:41,738 --> 01:17:43,338 LIGHT A CANDLE FOR THE DEAD. 1147 01:17:43,407 --> 01:17:45,473 PIN A MEDAL ON YOU FOR BRAVERY. 1148 01:17:45,542 --> 01:17:47,853 DUNK YOU IN THE RIVER TO SAVE YOUR SOUL. 1149 01:17:47,877 --> 01:17:50,778 I JUST GO THROUGH THE GODDAMN MOTIONS. 1150 01:17:50,847 --> 01:17:53,059 YOU GOT A GOOD HEAD ON YOUR SHOULDERS. 1151 01:17:53,083 --> 01:17:55,228 YOU GOT TO START USING IT. 1152 01:17:55,252 --> 01:17:57,497 GOT TO THINK BEFORE YOU TALK TO YOUR BOY. 1153 01:17:57,521 --> 01:17:59,699 YOU GOT TO THINK BEFORE WE FIND SOME 1154 01:17:59,723 --> 01:18:03,391 CROW PICKING WHAT'S LEFT OF YOU OFF THE PAVEMENT. 1155 01:18:03,460 --> 01:18:04,992 OR SHOVELING YOU OFF SOME 1156 01:18:06,663 --> 01:18:08,630 COUNTY 2-LANE LIKE YOUR... 1157 01:18:10,567 --> 01:18:12,300 LOST, DRUNK DADDY. 1158 01:18:15,972 --> 01:18:18,106 FAMILY'S NOT YOUR ENEMY, BOY. 1159 01:18:20,677 --> 01:18:23,237 YOUR FAMILY'S NOT THE ENEMY. 1160 01:18:38,278 --> 01:18:40,478 SHE HAD GERANIUMS. 1161 01:18:40,547 --> 01:18:41,712 GERANIUMS. 1162 01:18:43,383 --> 01:18:46,851 GERANIUMS. LITTLE BLACK NOTEBOOKS CRAMMED FULL OF THEM. 1163 01:18:46,919 --> 01:18:51,756 DON'T KNOW HOW MANY. STARTED COUNTING ONE DAY AT 11:45 P.M. 1164 01:18:51,824 --> 01:18:55,260 I GOT UP TO 372, DOORBELL RANG. 1165 01:18:56,729 --> 01:19:00,165 I GO TO THE DOOR, I'M THINKING 372. 1166 01:19:00,233 --> 01:19:01,866 372. 1167 01:19:01,934 --> 01:19:03,401 372. 1168 01:19:03,770 --> 01:19:05,336 372. 1169 01:19:05,705 --> 01:19:07,672 372. 1170 01:19:07,740 --> 01:19:08,939 BORN WRONG. 1171 01:19:09,008 --> 01:19:10,375 372. 1172 01:19:11,178 --> 01:19:13,611 DROWNING FROM DAY ONE. 1173 01:19:13,680 --> 01:19:18,216 FELLOW FROM CLARK'S, LITTLE BLACK MUSTACHE, LITTLE SLEAZY EYES... 1174 01:19:18,285 --> 01:19:20,185 CRACKED LITTLE HEART. 1175 01:19:20,253 --> 01:19:22,086 HE'S LOOKING ALL AROUND BEHIND ME, 1176 01:19:22,155 --> 01:19:23,299 TRYING TO SEE IN THE HOUSE. 1177 01:19:23,323 --> 01:19:24,355 BORN WRONG. 1178 01:19:24,424 --> 01:19:26,090 I STABBED HIM WITH MY PENCIL. 1179 01:19:26,159 --> 01:19:27,592 CHILD OF GOD. 1180 01:19:27,661 --> 01:19:30,695 A BAKER'S DOZEN CHRYSANTHEMUMS FOR MRS. ROSE DALE BOURDEAUX. 1181 01:19:30,763 --> 01:19:32,096 WAFTING... 1182 01:19:33,200 --> 01:19:34,666 INTO SPACE. 1183 01:19:34,734 --> 01:19:36,668 GERANIUMS. 1184 01:19:36,736 --> 01:19:39,404 I STABBED HIM WITH MY PENCIL. 1185 01:19:39,472 --> 01:19:41,706 9 SHOTS OUGHT TO BE ENOUGH. 1186 01:19:41,774 --> 01:19:44,075 KEEP IT IN SINGLE DIGITS. 1187 01:19:44,143 --> 01:19:48,045 I'M NO STRANGER TO UNDERACHIEVEMENT, DADDY. 1188 01:19:48,114 --> 01:19:50,626 WHAT'S-HIS-NAME SAYS YOU'RE A PRETTY GOOD WRITER. 1189 01:19:50,650 --> 01:19:53,162 THAT FRIEND OF YOURS. MONROE. 1190 01:19:53,186 --> 01:19:55,052 HE HAD A BRAIN INJURY. 1191 01:19:55,722 --> 01:19:57,322 NO, BEFORE. 1192 01:19:57,390 --> 01:19:59,890 HE SAID THAT WAY BEFORE YOU DID THAT NUMBER ON HIM. 1193 01:20:03,763 --> 01:20:05,996 I'D LIKE TO READ SOME OF YOUR STUFF SOMETIME. 1194 01:20:06,065 --> 01:20:07,765 NOBODY READS MY STUFF. 1195 01:20:10,136 --> 01:20:11,769 EXCEPT MONROE. 1196 01:20:11,838 --> 01:20:13,705 TAKE THE HIGHWAY, SON. 1197 01:20:17,076 --> 01:20:18,409 I'M SORRY. 1198 01:21:02,221 --> 01:21:03,488 BARLOW. 1199 01:21:03,556 --> 01:21:06,190 BARLOW? BARLOW? YOU ALL RIGHT? 1200 01:21:10,263 --> 01:21:13,676 YOU LOOK LIKE YOU DONE COME BACK FROM THE DEAD ONCE. 1201 01:21:13,700 --> 01:21:15,740 YOU OUGHT NOT PUSH YOUR LUCK. 1202 01:21:18,638 --> 01:21:20,516 I'M SORRY ABOUT YOUR LITTLE GIRL. 1203 01:21:20,540 --> 01:21:22,340 I WAS FISHING UP NORTH. 1204 01:21:22,409 --> 01:21:23,874 DIDN'T GET A SINGLE BITE. 1205 01:21:24,911 --> 01:21:26,778 HOW'S YOUR MAMA? 1206 01:21:26,846 --> 01:21:28,313 SHE'S STEADY. 1207 01:21:29,081 --> 01:21:30,615 YES, SHE IS. 1208 01:21:32,118 --> 01:21:35,753 WELL, SON, YOU'RE LOOKING AT 30 DAYS. 1209 01:21:35,822 --> 01:21:39,791 IF I WERE YOU, I'D TAKE THE COMMUNITY SERVICE OPTION. 1210 01:21:40,527 --> 01:21:41,926 CUT YOUR TIME IN HALF. 1211 01:21:43,129 --> 01:21:44,829 GET OUT OF JAIL DAYTIME. 1212 01:21:46,132 --> 01:21:47,398 IT'S UP TO YOU. 1213 01:22:04,083 --> 01:22:06,150 WORST PART FOR YOU IS BEING RIGHT UP THE ROAD 1214 01:22:06,219 --> 01:22:08,820 FROM THAT DEVIL'S DEN, AIN'T IT? 1215 01:22:08,888 --> 01:22:12,189 IT DOES SEEM BOTH CRUEL AND UNUSUAL. 1216 01:22:13,960 --> 01:22:15,593 WAKE UP, MAURICE! 1217 01:22:41,153 --> 01:22:43,673 DON'T YOU SMOKE IN MY KITCHEN. 1218 01:22:45,525 --> 01:22:48,426 WELL, LORD HAVE MERCY. 1219 01:22:48,495 --> 01:22:52,930 CLEANEST POTS I'VE SEEN IN 135 YEARS OF GOVERNMENT COOKING. 1220 01:22:56,369 --> 01:22:58,503 COULD I... 1221 01:22:58,571 --> 01:23:01,506 COULD I TROUBLE YOU TO USE YOUR PHONE? 1222 01:23:02,442 --> 01:23:03,602 NO. 1223 01:23:33,440 --> 01:23:35,272 I LOST SOMEBODY ONCE, TOO. 1224 01:23:36,810 --> 01:23:38,309 I KNOW WHAT IT'S LIKE. 1225 01:23:40,012 --> 01:23:43,047 ALL THOSE SURPRISE VISITS IN YOUR MIND. 1226 01:23:45,752 --> 01:23:47,384 OOPS, LOOKY THERE. 1227 01:23:48,455 --> 01:23:50,922 ME TURNING MY BACK, 1228 01:23:50,990 --> 01:23:53,858 NOT KNOWING IF YOU STEP OUT FOR ONE COLD BEER 1229 01:23:53,927 --> 01:23:57,027 AND ONLY ONE ON SUCH A HOT DAY. 1230 01:23:57,096 --> 01:23:59,697 WORKING SINCE DAWN. MM! 1231 01:23:59,766 --> 01:24:01,131 MM, MM, MM. 1232 01:24:11,410 --> 01:24:12,810 ♪ 1233 01:24:19,986 --> 01:24:23,554 HEY, THERE! WHERE YOU BEEN SO LONG, STRANGER? 1234 01:24:23,623 --> 01:24:25,023 JAIL. 1235 01:24:26,158 --> 01:24:28,258 SO WHAT'D YOU DO? 1236 01:24:28,327 --> 01:24:31,028 JUMP THE FENCE JUST SO YOU COULD COME SEE ME? 1237 01:24:32,231 --> 01:24:34,799 COMMUNITY SERVICE, UP THE ROAD. 1238 01:24:36,636 --> 01:24:40,104 BY THE WAY, YOUR CAR KEYS WERE TURNED IN HERE. 1239 01:24:40,172 --> 01:24:42,840 SOME GUY FOUND THEM IN THE PARKING LOT. 1240 01:24:42,909 --> 01:24:45,209 AND I HAD THEM HERE, BUT, UH, 1241 01:24:45,277 --> 01:24:47,578 THIS GIRL SAID SHE WOULD KEEP THEM FOR YOU. 1242 01:24:47,647 --> 01:24:49,446 UH, WHAT'S HER NAME? UM, 1243 01:24:49,516 --> 01:24:51,782 YOU KNOW, THE ONE WITH THE TWIN BROTHERS? 1244 01:24:53,152 --> 01:24:54,919 WHAT'S HER NAME? UH... 1245 01:24:54,988 --> 01:24:57,187 VELMA! VELMA HAS YOUR KEYS. 1246 01:24:58,725 --> 01:24:59,824 HEY! 1247 01:24:59,893 --> 01:25:02,527 GODDAMN IT, YOU TWO! CUT IT OUT! 1248 01:25:02,595 --> 01:25:04,662 YOUR CAR IS STILL IN THE PARKING LOT. 1249 01:25:04,731 --> 01:25:06,797 CUT IT OUT! QUIT FIGHTING IN HERE! 1250 01:25:06,866 --> 01:25:08,699 YOU KNOW I DON'T ALLOW FIGHTING IN HERE! 1251 01:25:08,768 --> 01:25:11,368 QUIT IT! STOP IT! I MEAN NOW! 1252 01:25:32,692 --> 01:25:34,625 ♪ I REMEMBER ♪ 1253 01:25:35,929 --> 01:25:39,496 ♪ HOLDING ON TO YOU ♪ 1254 01:25:45,538 --> 01:25:48,439 ♪ ALL THEM LONG AND ♪ 1255 01:25:48,507 --> 01:25:50,841 ♪ LONELY NIGHTS I'VE ♪ 1256 01:25:50,910 --> 01:25:52,977 ♪ PUT YOU THROUGH ♪ 1257 01:25:58,084 --> 01:25:59,917 ♪ SOMEWHERE IN THERE ♪ 1258 01:26:01,187 --> 01:26:02,920 ♪ I'M SURE I MADE ♪ 1259 01:26:02,989 --> 01:26:04,588 ♪ YOU CRY ♪ 1260 01:26:09,011 --> 01:26:10,311 ♪ WELL, I ♪ 1261 01:26:10,380 --> 01:26:13,381 ♪ CAN'T REMEMBER ♪ 1262 01:26:13,449 --> 01:26:17,451 ♪ IF WE SAID GOODBYE ♪ 1263 01:26:21,023 --> 01:26:23,857 ♪ WELL, I RECALL ♪ 1264 01:26:25,528 --> 01:26:27,628 ♪ ALL OF THEM NIGHTS ♪ 1265 01:26:27,697 --> 01:26:30,964 ♪ DOWN IN MEXICO ♪ 1266 01:26:32,802 --> 01:26:36,671 ♪ ONE PLACE I MAY NEVER GO ♪ 1267 01:26:38,708 --> 01:26:41,709 ♪ IN MY LIFE AGAIN ♪ 1268 01:26:46,349 --> 01:26:48,216 ♪ WAS I ♪ 1269 01:26:48,284 --> 01:26:51,586 ♪ JUST OFF SOMEWHERE ♪ 1270 01:26:51,654 --> 01:26:54,488 ♪ OR JUST TOO HIGH ♪ 1271 01:26:58,794 --> 01:27:00,328 ♪ BUT I ♪ 1272 01:27:00,396 --> 01:27:03,231 ♪ CAN'T REMEMBER ♪ 1273 01:27:03,299 --> 01:27:06,867 ♪ IF WE SAID GOODBYE ♪ 1274 01:27:27,323 --> 01:27:28,923 OH, GOD. 1275 01:27:42,138 --> 01:27:43,937 ♪ I ONLY MISS YOU ♪ 1276 01:27:45,207 --> 01:27:48,942 ♪ EVERY NOW AND THEN ♪ 1277 01:27:54,651 --> 01:27:57,818 ♪ LIKE THE SOFT BREEZE ♪ 1278 01:27:57,887 --> 01:28:02,390 ♪ BLOWIN' UP FROM THE CARIBBEAN ♪ 1279 01:28:07,497 --> 01:28:09,664 ♪ MOST NOVEMBERS ♪ 1280 01:28:10,966 --> 01:28:13,033 I HEARD YOU WAS GETTING OUT TODAY. 1281 01:28:13,102 --> 01:28:15,436 I NEVER HAD A CHANCE TO TELL YOU, 1282 01:28:15,505 --> 01:28:17,215 I'M SORRY ABOUT YOUR LITTLE GIRL. 1283 01:28:17,239 --> 01:28:18,706 I KNOW WHAT THAT'S LIKE. 1284 01:28:19,909 --> 01:28:21,342 GOOD LUCK TO YOU. 1285 01:28:23,045 --> 01:28:26,213 ♪ IF WE SAID GOODBYE ♪ 1286 01:28:30,286 --> 01:28:33,120 ♪ BUT I RECALL ♪ 1287 01:28:34,657 --> 01:28:36,857 ♪ ALL OF THEM NIGHTS ♪ 1288 01:28:36,926 --> 01:28:41,562 ♪ DOWN IN MEXICO ♪ 1289 01:28:41,631 --> 01:28:45,533 ♪ THAT'S ONE PLACE I'LL NEVER GO ♪ 1290 01:28:47,437 --> 01:28:50,805 ♪ IN MY LIFE AGAIN ♪ 1291 01:28:54,477 --> 01:28:56,444 ♪ OH, WAS I ♪ 1292 01:28:57,380 --> 01:28:59,880 ♪ OFF SOMEWHERE ♪ 1293 01:28:59,949 --> 01:29:03,283 ♪ OR MAYBE JUST TOO HIGH ♪ 1294 01:29:07,357 --> 01:29:08,956 ♪ BUT I ♪ 1295 01:29:09,024 --> 01:29:11,892 ♪ CAN'T REMEMBER ♪ 1296 01:29:11,961 --> 01:29:15,663 ♪ IF WE SAID GOODBYE ♪ 1297 01:29:19,535 --> 01:29:21,001 ♪ BUT I ♪ 1298 01:29:21,070 --> 01:29:24,004 ♪ CAN'T REMEMBER ♪ 1299 01:29:24,073 --> 01:29:27,207 ♪ IF WE SAID GOODBYE ♪ 1300 01:29:29,111 --> 01:29:30,511 ♪ GOODBYE ♪ 1301 01:29:31,814 --> 01:29:33,848 ♪ GOODBYE ♪ 1302 01:30:28,070 --> 01:30:29,615 "BRAVO, LEON BARLOW. 1303 01:30:29,639 --> 01:30:32,105 "BACKWARDS WEDDING KNOCKED US ALL OUT. 1304 01:30:32,174 --> 01:30:34,675 "HOW'S IT FEEL NOT GETTING THE STORY BACK? 1305 01:30:34,744 --> 01:30:37,277 "WINTER ISSUE, FRONT AND CENTER. 1306 01:30:37,346 --> 01:30:40,380 "NEED A BIO TO PRINT, SOCIAL SECURITY NUMBER TO PAY. 1307 01:30:40,450 --> 01:30:44,718 "SEND THOSE A.S.A.P. BUT YOU NOW HAVE BIGGER FISH TO FRY. 1308 01:30:44,787 --> 01:30:46,197 "THAT NEW YORK FRIEND OF MINE 1309 01:30:46,221 --> 01:30:47,866 "WANTS TO SEE THE REST OF THE BOOK. 1310 01:30:47,890 --> 01:30:49,301 "IF IT'S ALL GENUINE BARLOW, 1311 01:30:49,325 --> 01:30:51,670 "YOU'RE OUT OF THE SLUSH PILE. ARE YOU READY?" 1312 01:30:51,694 --> 01:30:52,726 AM I READY? 1313 01:30:52,795 --> 01:30:54,795 "CHEERS. BETTI D." 1314 01:31:02,438 --> 01:31:04,738 ♪ 1315 01:31:04,807 --> 01:31:08,809 ♪ WELL, I STUMBLED IN THE DARKNESS ♪ 1316 01:31:08,878 --> 01:31:11,679 ♪ LOST AND ALONE ♪ 1317 01:31:12,815 --> 01:31:16,383 ♪ THOUGH I SEEN HER GO BEFORE ♪ 1318 01:31:17,386 --> 01:31:20,788 ♪ SHOW THE WAY BACK HOME ♪ 1319 01:31:21,991 --> 01:31:26,159 ♪ IS THERE A LIGHT UP AHEAD? ♪ 1320 01:31:26,228 --> 01:31:29,296 ♪ CAN'T HOLD ON VERY LONG ♪ 1321 01:31:30,666 --> 01:31:32,666 ♪ FORGIVE ME, PRETTY BABY ♪ 1322 01:31:32,735 --> 01:31:35,302 ♪ BUT I ALWAYS TAKE THE LONG WAY HOME ♪ 1323 01:31:41,477 --> 01:31:43,377 IT'S SOMETHING, AIN'T IT? 1324 01:31:44,881 --> 01:31:46,714 GET IN, I'LL TELL YOU ALL ABOUT IT. 1325 01:31:48,384 --> 01:31:49,950 HE'S REALLY OUT OF IT. 1326 01:32:02,632 --> 01:32:06,333 YOU KNOW HOW HARD IT IS TO REPLACE SOMETHING SO OLD AND BEAT-UP? 1327 01:32:06,402 --> 01:32:08,268 YOU WOULD NOT BELIEVE. 1328 01:32:09,639 --> 01:32:11,539 A FEW DETAILS ARE OFF, BUT, 1329 01:32:11,607 --> 01:32:13,752 IT'S CLOSE ENOUGH TO THE ORIGINAL TO BE A MINOR MIRACLE. 1330 01:32:13,776 --> 01:32:15,056 ISN'T IT, HONEY BOY? 1331 01:32:16,378 --> 01:32:19,446 HE WAS SO HYPER ABOUT GOING FOR A DRIVE. 1332 01:32:19,515 --> 01:32:21,515 I HAD TO GIVE HIM AN EXTRA DOSE. 1333 01:32:21,584 --> 01:32:23,183 I MIGHT'VE OVERDONE IT. 1334 01:32:26,722 --> 01:32:29,122 OH, HEY, MY CAR'S BACK THAT WAY. 1335 01:32:31,794 --> 01:32:33,160 SLIDE OVER. 1336 01:32:38,333 --> 01:32:40,701 WHY DON'T YOU TAKE ME WHERE I TELL YOU? 1337 01:32:43,238 --> 01:32:45,183 TRY GETTING US THERE IN ONE PIECE. 1338 01:32:59,221 --> 01:33:02,255 I THOUGHT WE'D TAKE A DRIVE OUT TO THE BOULEVARD OF BROKEN HUMAN HEADS. 1339 01:33:04,560 --> 01:33:06,827 YOU REMEMBER THE FIRST TIME WE COME OUT HERE? 1340 01:33:09,331 --> 01:33:11,364 NO. 1341 01:33:11,433 --> 01:33:15,069 I SWEAR, NOTHING'S REAL TO YOU, EXCEPT WHAT'S IN YOUR HEAD. 1342 01:33:20,977 --> 01:33:22,509 YOU GET RAPED IN JAIL? 1343 01:33:25,347 --> 01:33:28,649 MET A COUPLE OF NICE GUYS, IT NEVER WENT ANYWHERE. 1344 01:33:30,720 --> 01:33:33,320 GUESS IT'S NOT EXACTLY STATE PEN. 1345 01:33:36,258 --> 01:33:37,625 BUT YOU KNOW, 1346 01:33:38,560 --> 01:33:40,193 YOU EVER NOTICE HOW, 1347 01:33:41,931 --> 01:33:43,631 YOU KNOW, THERE HE IS? 1348 01:33:46,168 --> 01:33:50,437 YOU EVER HAVE A JOB HE DIDN'T GET FOR YOU OR WORK RIGHT ALONGSIDE YOU? 1349 01:33:51,573 --> 01:33:54,541 EVEN PULPWOOD AND LUMBERJACKING. 1350 01:33:54,610 --> 01:33:57,577 BET YOU NEVER KNEW HOW MUCH HE HATED THAT. 1351 01:33:57,647 --> 01:34:00,380 IF YOU'D HAVE JUST LET HIM GIVE YOU A MILLION OR 2, 1352 01:34:00,449 --> 01:34:04,084 NEITHER ONE OF YOU WOULD HAVE HAD TO WORK SO HARD. 1353 01:34:04,153 --> 01:34:08,255 COURSE NOW, HE MIGHT NOT EVEN REMEMBER HE'S RICH. 1354 01:34:08,323 --> 01:34:10,824 YOU KNOW, HE'S MISSING WHOLE CHUNKS OF HIS LIFE. 1355 01:34:13,529 --> 01:34:16,096 I KNOW HE REMEMBERS THE WAR, 'CAUSE I QUIZ HIM. 1356 01:34:17,867 --> 01:34:20,300 BUT, YOU KNOW, HE MIGHT NOT REMEMBER OWING HIS LIFE TO YOU. 1357 01:34:20,369 --> 01:34:22,435 NO. NO. 1358 01:34:22,504 --> 01:34:24,004 HE SAVED MY LIFE. 1359 01:34:25,207 --> 01:34:27,340 HALF OF ONE, 6 A DOZEN THE OTHER. 1360 01:34:40,322 --> 01:34:42,856 I DON'T THINK HE'S EVER COMING BACK. 1361 01:34:44,560 --> 01:34:46,660 I MEAN... 1362 01:34:46,729 --> 01:34:48,306 HE'LL PROBABLY BE BETTER THAN HE IS NOW, 1363 01:34:48,330 --> 01:34:51,065 BUT IF HE WAS COMING ALL THE WAY BACK, 1364 01:34:51,133 --> 01:34:53,433 HE'D BE WAY FARTHER ALONG BY NOW. 1365 01:34:57,106 --> 01:35:00,407 IT'S ONLY PEOPLE WHO KNEW HIM BEFORE WILL REMEMBER THAT HE... 1366 01:35:01,443 --> 01:35:03,276 WASN'T ALWAYS LIKE THIS. 1367 01:35:05,514 --> 01:35:07,181 THEN AFTER A WHILE, 1368 01:35:08,517 --> 01:35:10,150 WE WON'T REMEMBER EITHER. 1369 01:35:13,438 --> 01:35:14,438 IF... 1370 01:35:16,192 --> 01:35:18,358 OK, OK, HERE'S THE THING. 1371 01:35:20,262 --> 01:35:22,629 I... I CAN'T ASK NOBODY ELSE. 1372 01:35:22,698 --> 01:35:24,164 IT'S GOT TO BE YOU. 1373 01:35:25,901 --> 01:35:27,500 WHAT I REALLY WANT 1374 01:35:28,704 --> 01:35:33,107 IS FOR THE KIND OF MAN HE WAS TO BE KNOWN. 1375 01:35:33,175 --> 01:35:36,276 WILL YOU TELL THE STORIES? WRITE SOME THINGS, 1376 01:35:36,345 --> 01:35:38,078 SO THAT WE DON'T EVER FORGET. 1377 01:35:44,519 --> 01:35:46,359 FRIENDLY PERSUASION. 1378 01:35:47,156 --> 01:35:48,956 WE SAW HALF THE SHOW. 1379 01:35:51,026 --> 01:35:53,827 IT EVENTUALLY ALL COMES BACK TO YOU, DOESN'T IT? 1380 01:35:55,397 --> 01:35:59,099 ♪ WATER'S JUST SOAKING THROUGH ♪ 1381 01:35:59,168 --> 01:36:03,670 ♪ OFF THE BACK OF A TRAIN ♪ 1382 01:36:03,739 --> 01:36:07,274 ♪ THOUGHT WE'RE HEADED FOR LIGHTENING ♪ 1383 01:36:08,244 --> 01:36:11,478 ♪ HAT FULL OF RAIN ♪ 1384 01:36:12,782 --> 01:36:16,917 ♪ AND I KNOW THAT I SAID ♪ 1385 01:36:16,986 --> 01:36:19,920 ♪ I'D NEVER DO IT AGAIN ♪ 1386 01:36:22,124 --> 01:36:27,227 ♪ I LOVE YOU, PRETTY BABY, BUT I ALWAYS TAKE THE LONG WAY HOME ♪ 1387 01:36:31,917 --> 01:36:34,935 YOU'D BETTER GET UP HERE BEFORE YOU SINK. 1388 01:36:51,220 --> 01:36:53,821 GOD, THIS IS HOW BEAT I AM. 1389 01:36:53,889 --> 01:36:56,329 I WENT OUT TO TAKE THE LAUNDRY IN. 1390 01:36:57,860 --> 01:37:00,260 JUST LAID DOWN HERE. 1391 01:37:00,329 --> 01:37:02,129 I BEEN WATCHING THE STORM. 1392 01:37:05,534 --> 01:37:06,867 DO YOU THINK IT'S OVER? 1393 01:37:10,806 --> 01:37:13,751 YOU KNOW, YOUR BOY, HE WOULDN'T SETTLE FOR A BOOK TONIGHT. 1394 01:37:13,775 --> 01:37:17,477 NO, HE WANTED A REAL STORY. 1395 01:37:17,546 --> 01:37:21,982 I TOLD HIM, "ALAN, YOU'RE GOING TO HAVE TO TELL ME ONE. I'M JUST OUT. 1396 01:37:23,252 --> 01:37:24,584 "MY BRAIN'S..." 1397 01:37:26,956 --> 01:37:29,957 SO HE STARTS RIGHT IN, "ONCE UPON A TIME..." 1398 01:37:32,494 --> 01:37:35,495 AND THE NEXT THING I KNOW, HE'S SHAKING ME. 1399 01:37:35,564 --> 01:37:38,498 HE SAYS, "YOU CAN'T FALL ASLEEP YET. IT'S NOT OVER." 1400 01:37:40,535 --> 01:37:41,935 I OPEN MY EYES. 1401 01:37:44,106 --> 01:37:46,706 THAT COWBOY LAMP. 1402 01:37:46,775 --> 01:37:51,011 THE SHADE'S RIPPED. I'M STARING RIGHT AT THE LIGHT BULB. 1403 01:37:52,281 --> 01:37:53,780 AND IT BLEW. 1404 01:37:55,985 --> 01:37:59,552 USUALLY IT'S WHEN YOU FLIP THE SWITCH, BUT... 1405 01:37:59,621 --> 01:38:02,956 I'D NEVER SEEN ONE JUST GIVE OUT LIKE THAT. 1406 01:38:05,194 --> 01:38:07,995 JUST A TINY LITTLE POP. 1407 01:38:09,698 --> 01:38:12,699 I COULD FEEL IT RIGHT DOWN MY SPINE, LEON. 1408 01:38:13,835 --> 01:38:15,769 INTO MY BONES. 1409 01:38:17,773 --> 01:38:20,073 IT'S LIKE THAT CARTOON LIGHT BULB, YOU KNOW? 1410 01:38:20,142 --> 01:38:24,011 ABOVE YOUR HEAD, ONLY THIS ONE WENT OFF. 1411 01:38:24,880 --> 01:38:26,914 NO IDEA. 1412 01:38:30,452 --> 01:38:32,920 NO IDEA I COULD BE THIS TIRED. 1413 01:38:35,958 --> 01:38:37,791 NO IDEA ABOUT ANYTHING. 1414 01:38:39,461 --> 01:38:44,031 I JUST SAT THERE, AND HE TOLD THE REST OF THE STORY IN THE DARK. 1415 01:38:44,099 --> 01:38:46,433 SOMETHING ABOUT... 1416 01:38:46,501 --> 01:38:49,136 OH, GOD, HE WORKED IT IN JUST THE WAY YOU... 1417 01:38:51,240 --> 01:38:54,107 THE ARMY SHOT OUT THE SUN WITH A BAZOOKA 1418 01:38:54,176 --> 01:38:56,977 OR SOME DAMN THING LIKE THAT. 1419 01:39:00,282 --> 01:39:02,682 JUST GOT UP AND CAME OUT HERE. 1420 01:39:05,587 --> 01:39:07,321 IT MUST BE LATE. 1421 01:39:18,000 --> 01:39:20,233 I'LL LET YOU GO TO BED. 1422 01:39:21,670 --> 01:39:23,110 WHY... 1423 01:39:24,239 --> 01:39:25,772 WHY'D YOU COME HERE? 1424 01:39:35,250 --> 01:39:36,383 SOME... 1425 01:39:36,452 --> 01:39:38,885 SOMETHING HAPPENED TO ME, BUT, UH... 1426 01:39:41,690 --> 01:39:44,291 I FORGOT WHAT IT WAS. 1427 01:39:50,665 --> 01:39:52,165 GOOD NIGHT. 1428 01:40:11,353 --> 01:40:15,322 ♪ I'LL PUT FOOD ON THE TABLE ♪ 1429 01:40:15,391 --> 01:40:19,259 ♪ AND A ROOF OVERHEAD ♪ 1430 01:40:19,328 --> 01:40:22,562 ♪ BUT I'D TRADE IT ALL TOMORROW ♪ 1431 01:40:23,499 --> 01:40:27,967 ♪ FOR THE HIGHWAY INSTEAD ♪ 1432 01:40:28,037 --> 01:40:32,506 ♪ WATCH YOU BACK, THE ASH IS MADE ♪ 1433 01:40:32,574 --> 01:40:35,575 ♪ AND LOVE'S THE ONLY THING I'VE EVER KNOWN ♪ 1434 01:40:36,711 --> 01:40:39,079 ♪ ONE THING'S FOR SURE, PRETTY BABY ♪ 1435 01:40:39,148 --> 01:40:42,615 ♪ I ALWAYS TAKE THE LONG WAY HOME ♪ 1436 01:40:58,367 --> 01:41:01,935 HIS NAME WAS LEON, OR BARLOW, 1437 01:41:02,003 --> 01:41:04,237 OR ANY EPITHET THAT MIGHT APPLY. 1438 01:41:09,778 --> 01:41:13,346 LIKE A LOT OF WORDS, THE NAME DIDN'T MEAN MUCH. 1439 01:41:16,118 --> 01:41:19,219 HE COULDN'T GET ANYONE TO DO ANYTHING HE WANTED. 1440 01:41:20,889 --> 01:41:23,056 BUT AT LEAST HE KNEW WHAT HE WANTED. 1441 01:41:26,895 --> 01:41:31,131 HE REMEMBERED WIND, THE MUSIC IT MADE. 1442 01:41:31,200 --> 01:41:34,334 HE THOUGHT IT MUST SOUND THE SAME IN HIS OWN LUNGS 1443 01:41:34,403 --> 01:41:37,070 RUSHING THROUGH THE DARK CORRIDORS OF THE BODY. 1444 01:41:40,609 --> 01:41:43,443 HIS CURSE WAS REMEMBERING. 1445 01:41:43,512 --> 01:41:45,512 IT WAS ALSO A BLESSING. 1446 01:41:47,916 --> 01:41:49,983 THAT WAS EASY TO FORGET. 1447 01:41:54,823 --> 01:41:56,601 HE WAS SURE THAT WHATEVER IT WAS, 1448 01:41:56,625 --> 01:41:58,492 BACK THERE IN THE DISTANCE, 1449 01:41:58,560 --> 01:42:01,027 IT COULD CHASE ANYONE DOWN IN TIME. 1450 01:42:20,849 --> 01:42:22,749 NO ONE WOULD BE SPARED 1451 01:42:22,817 --> 01:42:24,584 AND FEW SPARED THE GRIEF 1452 01:42:24,653 --> 01:42:26,953 OF LOSING THOSE WHO WOULD GO BEFORE. 1453 01:42:37,732 --> 01:42:39,277 THERE WAS NO BLAME, THEN, 1454 01:42:39,301 --> 01:42:41,468 TO LAY AT THE FEET OF THE LIVING. 1455 01:42:49,911 --> 01:42:52,223 POINT TO YOURSELF, YOU GOT TO POINT TO YOURSELF, 1456 01:42:52,247 --> 01:42:54,492 SO HE KNOWS WHO YOU'RE TALKING ABOUT. 1457 01:42:54,516 --> 01:42:57,016 MONROE, WHY DO YOU CALL HIM BOBBY? 1458 01:42:57,085 --> 01:42:58,885 WHY DOES HE CALL YOU BOBBY? 1459 01:43:01,089 --> 01:43:03,190 I DON'T KNOW, SON. 1460 01:43:10,031 --> 01:43:11,842 THERE WAS ONLY THE OLD STRUGGLE 1461 01:43:11,866 --> 01:43:13,567 TO HOLD ON OR TO LET GO. 1462 01:43:18,473 --> 01:43:20,773 THERE WAS ONLY THE STORY OF THE LOST FAMILY 1463 01:43:20,842 --> 01:43:23,343 RUNNING ALONG IN THE NIGHT STREETS, 1464 01:43:23,412 --> 01:43:25,044 RUNNING FOR HOME. 1465 01:43:27,015 --> 01:43:29,048 WHATEVER THEY WERE RUNNING FROM, 1466 01:43:29,117 --> 01:43:31,117 HE KNEW HE HAD TO SAVE THEM FROM IT 1467 01:43:32,821 --> 01:43:35,121 AND THAT HE WAS THE ONLY ONE WHO COULD. 1468 01:44:13,262 --> 01:44:14,461 THEY WERE RUNNING. 1469 01:44:14,929 --> 01:44:15,995 RUNNING. 1470 01:44:16,064 --> 01:44:17,064 RUNNING. 1471 01:44:18,300 --> 01:44:19,932 THE WIND WAS BLOWING 1472 01:44:20,001 --> 01:44:22,101 AND HE COULD FEEL THE COLD NIGHT AIR. 1473 01:44:26,007 --> 01:44:27,707 HE COULD SEE THE ROAD. 1474 01:44:48,129 --> 01:44:51,964 TO FIND OUT WHERE IT LED, HE HAD ONLY TO GO THERE. 1475 01:44:52,033 --> 01:44:55,001 AND HE RAN AS FAST AS HE COULD, 1476 01:44:56,137 --> 01:44:58,905 NOT KNOWING HOW IT WOULD END, 1477 01:45:02,377 --> 01:45:04,277 KNOWING HE HAD TO KNOW. 1478 01:45:54,479 --> 01:45:56,646 ♪ 1479 01:45:56,714 --> 01:45:58,698 ♪ MMM ♪ 1480 01:45:58,767 --> 01:46:00,533 ♪ MMM ♪ 1481 01:46:02,203 --> 01:46:04,203 ♪ MMM ♪ 1482 01:46:05,540 --> 01:46:07,807 ♪ MMM ♪ 1483 01:46:07,876 --> 01:46:10,677 ♪ YOU KNOW I LOVE YOU, BABY ♪ 1484 01:46:12,213 --> 01:46:15,448 ♪ MORE THAN THE WHOLE WIDE WORLD ♪ 1485 01:46:16,484 --> 01:46:20,620 ♪ YOU'RE MY WOMAN ♪ 1486 01:46:20,689 --> 01:46:24,891 ♪ YOU KNOW YOU WERE MY PEARL ♪ 1487 01:46:24,960 --> 01:46:29,028 ♪ LET'S GO OUT PAST THE PARTY LIGHTS ♪ 1488 01:46:29,097 --> 01:46:32,465 ♪ WHERE WE CAN FINALLY BE ALONE ♪ 1489 01:46:33,635 --> 01:46:35,735 ♪ COME WITH ME ♪ 1490 01:46:35,804 --> 01:46:38,537 ♪ AND WE CAN TAKE THE LONG WAY HOME ♪ 1491 01:46:38,607 --> 01:46:40,640 ♪ MMM ♪ 1492 01:46:40,709 --> 01:46:42,842 ♪ COME WITH ME, TOGETHER ♪ 1493 01:46:42,911 --> 01:46:45,411 ♪ WE CAN TAKE THE LONG WAY HOME ♪ 1494 01:46:45,480 --> 01:46:47,013 ♪ MMM ♪ 1495 01:46:47,082 --> 01:46:49,649 ♪ COME WITH ME, TOGETHER ♪ 1496 01:46:49,718 --> 01:46:53,419 ♪ WE CAN TAKE THE LONG WAY HOME ♪ 1497 01:47:28,556 --> 01:47:32,925 ♪ THE SKY HOLDS ALL OUR WISHES ♪ 1498 01:47:35,964 --> 01:47:40,133 ♪ THE DISH RAN AWAY WITH THE SPOON ♪ 1499 01:47:42,403 --> 01:47:47,974 ♪ CHIMNEY SMOKE TIES THE ROOFS TO THE SKY ♪ 1500 01:47:48,043 --> 01:47:51,544 ♪ THERE'S A HOLE OVERHEAD ♪ 1501 01:47:51,612 --> 01:47:55,314 ♪ BUT IT'S ONLY THE MOON ♪ 1502 01:47:55,383 --> 01:47:58,918 ♪ WILL THERE EVER BE ♪ 1503 01:47:58,987 --> 01:48:01,554 ♪ A TREE ♪ 1504 01:48:03,324 --> 01:48:06,059 ♪ GROWN FROM THE SEEDS ♪ 1505 01:48:06,127 --> 01:48:08,027 ♪ OF SONG ♪ 1506 01:48:10,231 --> 01:48:13,566 ♪ LIFE IS A PATH ♪ 1507 01:48:13,634 --> 01:48:17,303 ♪ LIT ONLY BY ♪ 1508 01:48:17,371 --> 01:48:21,440 ♪ THE LIGHT OF THOSE ♪ 1509 01:48:21,509 --> 01:48:24,376 ♪ I'VE LOVED ♪ 1510 01:48:25,814 --> 01:48:30,116 ♪ THE LIGHT OF THOSE ♪ 1511 01:48:30,185 --> 01:48:33,686 ♪ I'VE LOVED ♪ 1512 01:49:20,769 --> 01:49:23,469 ♪ LIFE'S A PATH ♪ 1513 01:49:24,239 --> 01:49:26,939 ♪ LIT ONLY BY ♪ 1514 01:49:27,876 --> 01:49:31,844 ♪ THE LIGHT OF THOSE ♪ 1515 01:49:31,913 --> 01:49:34,213 ♪ I'VE LOVED ♪ 1516 01:49:36,017 --> 01:49:40,052 ♪ THE LIGHT OF THOSE ♪ 1517 01:49:40,121 --> 01:49:43,656 ♪ I'VE LOVED ♪ 107864

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