All language subtitles for Nuke_General_CompositingSegment[2]

until and then make sure

same with the reveal

to make sure it's always on all

now the normal kind of levels that I normally put

will be something like inside the harness

just put to 0.1 so it doesn't paint too quickly

and now what I wanna do is raise this part up

but as you can see

I can't just paint from here

cause this part has nothing to do with this part

the only part that's similar is

the horizon is over here

so I'm gonna take this part information and again

this is mostly gonna be covered by the factory

so it's not so important

if it's getting a little bit repetitive

pop it

there we go now that part's gonna look fairly good

I need to put this factory on top of it

okay so now what else do we need to do now one second

uh now I need to go through

and try and bring out some parts

I'm gonna add some foreground elements as well

so I'm gonna add

for example

I've got a big machine here somewhere

where is it

no no no this thing I'm gonna take this image

think I've already keyed that anyway

I guess not to do it again

now I wanna put something elements in the foreground

uh cause right now we got this foreground here

but we can add some grass

what I also wanna do is add a kind of nice vignette

created by this image

so again what I need to do

it's already HD

so I need to uh

I need to add a primer

okay I'm gonna pause this video for a few minutes

there's not much point

you watching me prepare this image

I'm simply gonna key this

prepare it same way than before

I'm gonna merge on top

and then I'll um

join you back in a couple of seconds

okay so I just wanted to show you

I added a few little twigs

um now this

just like any kind of painting

you would imagine you were gonna make

uh like an uh

traditional painting or drawing

you're gonna have to spend some time on it

this you know

we're using photographs for the same thing

you're gonna have to spend some time

making the changes that you wanna make

gonna show you

I made quite a few changes um I

okay just look at the bottom for a second

alright now

if I go back

if I just straight

well if I just uh

this is the factory image

if I just hide what I did press by pressing d K

it was like this

so first of all

I graded it to make it darker

right then made most of it darker

I still have these white edges though

which I want to get rid of

I also have all of this

which I want to get rid of as well

so I use the paint node

and I deleted it roughly around these shapes

case if you

if you look at that before that

there's actually people inside that

you definitely want to try and get rid of them

okay so I deleted it around these shapes

to make it look fairly believable

okay I'm actually stuck with a hole there still

that's okay

I can still fix that

that's from the desert

there's a hole in the Alpha from the desert

uh okay so I

I deleted some of the parts of this building

and then I went in with a burn tool

so if I had a paint tool note um

now the bottom here

if I just go to burn

so now the same with any one of these

well same with these ones

uh make sure it's on all

otherwise it'll just affect one frame

now I read if I look at this

it's gonna start make it black straight away

I don't want that at all

so again the values over here

hardness to change that to 0.1

sorry 0.01 and opacity over here 2 0.1

that way I got a bit more control

I can go in

I can just make the parts dark that I want

and generally speaking

the parts that are going toward

you know the edge of the desert

I want them to pretty dark

I might also want to go into the desert

and make that bit darker underneath there

so they kinda blend

in together

okay so what else we done

I have added the moon

right so if I just uh

show you first

I gave you a couple of moon options

um now they're over here somewhere

a different

another moon over here

anyhow so I took the moon

I keyed it very straightforward

transformed into place

transformed into place and then what else do I do

I added a mountain

oh yeah okay

so I took the mountain

uh which again

I gave you over here in the landscapes over here

so mountain

obviously Blue Sky

straightforward

dilates now

what I wanted to do after

after I added a key sorry

after I added a key

I left this little board at the edge there

I don't want that

okay so I could fix that inside the primer

or I could just

if I just look at the alpha for a second

reduce that inside the alpha

so dilate note have a 9 to find of his nephew

cause it's called the a road note um

generally speaking the a road blows better

if I type in arrowed and go to arrowed fast

it says dialect anyway

I use them all

had it pretty similar

K now so this one makes the apple smaller

put it back to RGB

you won't see the difference

until you actually look at the uh primer

and I added the edge blur just slightly

so that I didn't have a pixelated edge along the top

and now and then I transform into place so if I

now if I look at the actual

I added it straight above this background

so I have this

uh the floor

I guess the ground

ground plane

and I extend it to make it a little bit higher

now if I look at this for a second

if I press a over here

that was not too bad okay

these parts I do need to erase

I'll do that in a minute

it's very simple though

now yeah I can

might as well just do it right now

just in case you wanna fix this up

if I just go to uh

cleanse down tool

reveal again

change that to all

basically just go through fix these

get rid of all these holes

these will affect the

affect the Z depth

now once we put this into the 3D stain

it automatically gonna generate the Z depth

which we're gonna be able to use uh

to focus on whatever we want and also create Boca if we

if we want something like that

OK so it's been nicer

you wanna go to any rubbish in the

in the background there

okay so now if I look at RGB

I got this and I got this

I might want to go in and make that bit darker

but before we do anything

let's just look at it

okay got some nice contrast there

so maybe not make it too too much darker

oops put the sky into there

the sky also

it was quite dark

so I gathered it up

added a great note

made it a lot lighter

that'll make for a nicer contrast

we've also got a nice silhouette in here

which will actually feed quite well into

nicely into the fact that we're creating a silhouette

from the factory

yeah we want to add

we essentially needed to add

many different kinds of depths

layers of depth

so we got foreground depth

okay then we got depth in the background

with depth in the clouds

we've got a silhouette in the background in the middle

which helps the feeling of the depth okay so

uh oh yes okay now I did a small great note

didn't really very much anyway

now I'm adding

I also wanted to add something to the foreground

which I mentioned

so again I took this image primer and a nothing new

now again a roto paint note just to get rid of there

let's just view it off to the RGB

now transform it to make it enormous okay

how big you make it

you don't necessarily have to do this

I think the image works quite well without it

but I quite like the idea

I like I like vignettes

it gives you a sense of issue

that you're looking through something into this world

so I made this image very big

transformed it

and I made it very dark

so if I just look at highlights for a second

it was very light

I made it darker

that makes it too red though

and even darker oops

before I made it darker again

I went to saturation

got rid of most of the colour

made a bit darker again

maybe that's a bit too dark

it doesn't need to be black

okay alright not bad

I don't know the great note

gonna punch up some of the values

okay now you know

I would go ahead I would uh

I would go through

I think this one here is still too light

and if you got any holes

I've got a hole here

I need to go and fix that I can

let's just work out where that's coming from

okay so back again and uh

what I've done is I've gone ahead

and I've cleaned up the script a little bit

uh any kind of transforms or anything like that

that I've added

I've actually just gone through and rendered it out

just to keep this as simple as possible

it will also make it more obvious

what we're doing with the 3D scene

so again I've gone ahead and I've actually added uh

a sample of what a 3D scene needs to look like

I'll explain that in one second

and the only part that I didn't actually render out

is this four grand element

uh because I actually added a massive blur onto it

now I'm gonna get rid of that after

because a desert depth is gonna create that for us

K so I can worry about that in a second

but for right now

what we wanna do is essentially move the script around

to make it easier

uh for us to put into the 3D scene

now of course

also I've got

the way the 3D scene has

should be set up

well I think should be set up

is that all these things can fade into a card

separately okay

so I can't really have a universal transformer

this transform here

if I look at this for a second

I can't really have you having this

cause it's not gonna be inside the 3D scene

guess what I wanna do

is add that transform just into each of these

and

that's gonna be separate

that might be a bit silly doing to all of them

but now I know that they're all gonna be the same

I can get rid of this one

that's gonna be exactly the same as what I just had

I think

yep

and despite the fact

that factories are slightly different

everything is roughly the same place again

you can go ahead and move anything you want anyhow

now also the fact that

um what what

one of the things I wanna do

I wanna put everything to the 3D scene

from the 2D scene

but I also wanna keep it running in the 2D scene

so you can compare it

to make sure that what you're making in the 3D scene

is exactly the same as what you're making in a 2D scene

now if someone gives you the smart painting

you don't wanna change it

um you wanna keep

become the same

so we're gonna use this as a reference

to make sure we're making the same thing

now also depending on where you're working

um you know

if you're just making them up painting

this is kinda your job

done then um

after we've done this

after 3D scene

I'm gonna explain how to extend that a little bit

in case you wanna try doing that again

start a little bit

so if your job is

I need to make them up painting

then this is

you know you'd pass this on now to composer

who can then use this matte painting

and put it into the 3D stain

put you know

put the cameras into it

put the uh some more CG into it

perhaps uh put

um you know

put the live action of figures into it uh

something in the foreground perhaps

k but you know

if you're working for a small company

or perhaps if you're just making this as a project uh

for yourself then uh

you're gonna wanna proceed and take this through uh

take this for yourself

k so what I need for the 3D scene

alright let me just delete this for a second

try and get used to this

there's a few steps

so you need a scene

everything's gonna plugged into the scene

k everything needs to go into a card as well

right so you only need one stain

you can have more

of course you only need one stain

oh I'm gonna just squeeze this up for a second

we don't need to see this for a few minutes

okay so any type of scene

all of these are gonna be fed into the scene

okay alright

and I need a card

everything's gonna be

all the cards are gonna go into the scene

need a camera

which we gonna use to look through

now I'm not

I'm not worried about

the placements of any of the stuff

all the stuff will be put into

correct three dimensional space soon

now to connect these together into we need

after the 3D scene

in order for it to be able to get back into

the 2D scene

you need to connect these things together

with a scan line renderer

so just type in scan line renderer

oops where did it go

I went up there

right now what you need to do

you look at this for a second

you've got cam for camera

that goes to the camera

very obvious okay

object that says scenes hmm

so scene goes into the scene

now the PG we don't need that one if you

you can't plug that into the background

we're not gonna

use that one right now

it's not necessary okay

now the camera is what we're gonna be looking through

that's now attached to the scan line renderer

that's fine

now the card

basically all these uh

all these nodes

and now gonna be fed into the cards

and the card goes into the 3D scene like this

this one over here maybe

doesn't really matter right now

now what also

what we're gonna do

I'm gonna explain this more visually

once we actually go into the 3D scene

we want to add another node into there

called a project 3D node

I'll explain that why

in a minute

but basically

the project

the card goes into that

and you have to copy the camera

paste it over here

put the camera onto there

and that one goes now goes

and that one now goes onto there

k so that simple process

I'll explain more visually

once we actually get into the 3D thing

but uh this is what we have to do to all of them

okay and then again there's more variations

there's lots of different ways to doing this

but uh this is what we're gonna use for now okay

I'm gonna copy this and paste out there

no I don't want okay

I also want to make sure that scene

all these cards have to go into the scene

now they're not in the correct three dimensional space

doesn't matter right now

we're gonna move them there

alright now this project card I don't want to copy

if I put this projector onto here

it'll copy this and this

I don't want that

I just wanna copy this

I still wanna leave these things attached

so that the totally same works as well

that way we compare what we keep

so we can compare what we are doing

now just move this stuff over

nah move over a little bit more

okay now I'm gonna copy that again oop sugar

now again this uh

Project 3 note goes

needs to go under the transform

not that that will be the wrong place

and then again doesn't

as soon as you connect one

you see another option there

as soon as you connect another one

you see another one there

okay so this might start to look a bit messy

we can organise this a bit after

but right now let's just plug everything into the sink

after that we can worry about how nice it looks

okay now also uh

I'm gonna move this stuff around to make it easier

perhaps to uh

to plug into the scene

so I'm just gonna move this one over here

move this one over here

okay it's gonna get a bit messy for a few minutes

and try and tidy up after that

now also what you can do

everything needs to go into the stain

but you can have stains going into other stains

so you can have little

sections of parts that are similar together

but yeah first of all

let's just get everything working into one stain

it's gonna look like a bit of a spider diagram

okay so let's take that one hope sugar

let's copy this for all of them

now one of the reasons that actually

we have to copy all of this and then paste it here

but when we're copying it

we're actually keeping the same cameras here

here here and here

now that's important

it can be important

it should be important in the

it should be the same as this one from the beginning

and after that

if you wanna move in into the three dimensional space

you can use this to move it in 3D space

and this of course

the card position but again

I'll visually demonstrate that once we get there

first of all

let's just plug everything in

oh no that's wrong to there

okay card to there

oops okay let's just get that one to there

that's that's the fire okay great

okay now he wants oops we want this one as well

now I know uh

we have to create the three dimensional scene ourselves

now there is no depth in this automatically given

we need to go in and we need to create the ground

playing we need to see how far the distance is gonna be

we need to put the sky further backwards

we need to put the mountains in the

roughly the correct place

so all these cards are in the wrong place right now

the camera is in the right place so far roughly

so we're gonna need to go in and tweak all of this

to make it uh

look at ourselves okay

we'll do that until once I just get all of these done

okay that will do that

oops

look look

look look

and then that onto that

onto that

and then this will really warm off this

get down to there

and that one

we don't need the blur

because we're gonna create the blur ourselves

okay so now what I've got here

once it's all set up properly

this will look exactly the same as this

okay right now it won't look the same

because none of the cards are in the right place

so what I need to do is first of all

go in and get the cards in the right place

so what if I want to go into the 3D scene

now this is gonna roughly set up right

okay so remember 3D stain

I still got the 2D stain on the right hand side

fitting in there

now if I go on top of here

scroll down for a second

now if I press tab on top of here

okay I can zoom out with the mouse

the same way it's zoom out in wire

you can just scroll out

if you have a mouse with the wheel

you can just scroll in or out

if I right click and the hold down alts

or at command at the apple key

sorry I can uh

add kind of move the camera around

rotate the camera

okay now the reason we can't see anything

if I double click onto anything here

these are the cards

which the images are gonna go on top of

if I click onto one of these

you will see that it gets highlighted now

right now they're all in exactly the same place

cause I copied them

now what I wanna do is uh

go onto this

click onto this card

and if you double click onto it

you'll see that there is a little uh

little arrows

okay so you can just about see the blue one

if I just hold down over here

and click and move backwards

you'll see that I'm actually

putting something into three dimensional space

now this is quite difficult to see right now

okay so what I'm gonna do uh

I'm gonna go ahead and put the background in

and then the flooring

and that cause they're brighter

it'll make it more obvious what we're doing

but then also they're important

especially to put the flooring

to know where the ground plan is gonna be

and after we know where the ground plan is gonna be

everything else will kinda fall

and sit into the right place

so I'm not gonna do any

I'm gonna go back to these ones in a minute

work out where the ground plane is here it is

so the ground plane

the card for that one is right here

alright now I also wanted the same thing for this one

I just want to zoom

I'd to scroll backwards to this one and there you go

OK so you can see

just give me one second

I'll zoom in

okay so you can see

this image here is giving

this image is fading onto this card

now because we're using a project mode

if I move this backwards or forwards

it will stay exactly the same

when you put it back through the 2D 2D

K so I'll look at this in a minute

once we got a couple of things set up

but this thing here

doesn't matter where you put it

in the back

in the 2D view

it'll be exactly the same

because it's being projected

that's why it's actually scaling in the 3D view

so make sure it's exactly the same um

in a 2D view

so when it gets further back

it's bigger

when it's closer

it's uh smaller

now also this is the ground plane

that's what I'm gonna need to do is rotate it here

so I'm gonna bring over the properties a little bit

the properties for the card alright

now I'm gonna scroll over so I can see this roughly

and then where it says rotate down here

I'm just gonna select that 0

and then I can with the mouse if I want to

or just press with the upkill

the down key

gonna select that

now this is the ground plane

so I obviously wanted to go the other way

so hold down for a second

and I want the ground plane to be coming towards us

now the camera

okay the camera was not filmed exactly on the floor

it's probably filmed from someone standing up

so this part here

doesn't need to go all the way to the camera

if we do it will add too much parallax

and it basically will stretch it a lot

and it won't look very good if you try and move it

so I can just uh

oops a bit too much

if I if I realise that I'm actually

moving this card too much

I can just press right to go to a lower value

and again up

down and I can translate it much smoother

I just hold up and down

okay

now let's have a quick look at this

see what it looks like

now if you look at uh

we're gonna move this uh

card in a second to get it in a bit of space

but if right now

if I look at um

if I look at this scene

it keeps you in the 3D space

if I look at this salary renderer

this is how you look in a 2D scene

but I have to press tab

so if I go on top of here

press tab to go back to the 2D scene

I can see now that I've got the floor in there

just camera up for a second

got the floor in there and I got this in there

if I press one onto there

this is the 3D scene remember

and I go over to here and I got the 2D scene

okay the floors in exactly the same place

even though it's been projected

okay this is what we wanna try and do

we wanna rebuild it exactly

get this camera up

it looks normal

okay now this one has a grey node on it

so any grey nodes that you add after this

you can also just add a course

after here so this is one of nice things about 3D Scene

is that you go into 3 D's

use of functions to create take uh

to be able to use the cameras

and then after that you can just go in

but it's like uh

as if it was never in 3D

goes back into 2D

and you can mode it together with another 2D comp

alright so now I got the floor into place

let's put the sky rough into place

so again if I just move this mouse on top of here

uh yeah arrow on top of here

and press tab

there you go back to here

now where was that thing

now if I just click onto something in here

it should automatically show me which one is selected

so remember

I go this and click onto it

it will automatically show me which one selected

now what's also quite important

is that I get inside the properties of the card

okay all properties

I really don't want to have a massive card

okay especially now

once I put all

sort of fit 10 of these into it

if these are all huge cards

they're gonna be really annoying to select

so what I wanna do

where it says

first of all

uniform scale

if I just drag this down a little bit

obviously it needs to be big enough

so you can actually fit the image on

but let's just keep it fairly reasonable

let's keep it something like that

okay now I'm cropping it off

so this I just drag this down a little bit

there we go

now I'm gonna scale it inwards a little bit

so if I just go to scale X

and if I just press up

that's going too wide

so I just press down

and there we go

it's much more reasonable

so you wanna keep everything

once you put this cards into the right place

scale uh the cards down a little bit

so they fit fairly roughly

these are not gonna move

nothing here is gonna move

the only thing that's gonna move is the camera

okay so you can uh

keep this roughly the same size

and I'll be fine

alright so I have done the ground

now I'm gonna do uh

I'm gonna actually

you know what

I'm gonna add one more card for the ground

I'll explain why in a second

case that's right there

let's just move all the stuff down

I don't wanna make it more complicated

it's just that if I look at this image in a 2D view

can camera for a second

okay this part here is really kind of

this lot of paradox between here and here

but this part here is pretty much just like

vertical plants

and these are just plants standing up

hey so what I wanna have

is another kind of card at the back

with this part

it's just vertical and this part is leaning towards it

so if I just press tab again over here

to get back to the 3D thing

so what I wanna do

oops okay so

what I wanna do is select that for a second

okay now I'm gonna

I'm gonna just copy uh

yeah copy both of them now

cause these parts gonna use the same camera

I'm gonna copy down to there

down to there and feed that

into here alright

so I'm using the same camera

that's absolutely fine this one

so I basically got this card and this card

but they're exactly the same three dimensional space

right now if I just go to this card for a second

and remember I rotated on the X scale

if I just spread that back to zero

great now I've got

and the reason I can't see what I'm doing

is because I need to look at this

there you go okay perfect

so if I look at this for a second

you'll see that I've got

this card which is kind of fading off onto there

and just about see it

it'll be more clear once I put this guy in and which

and now I've got another card

which is just giving me a little bit of an edge

which shows the edge of the rocks

okay I'm gonna put the sky now so you can see

it'll show be a lot more clear what I'm doing

right so now do the same thing for the sky

okay where's this guy

this guy is here

card is here

now as soon as you replace all these cards into it

none of them are in the right place

that's why you can't see anything

so you need to go in

and move everything into the right place

so again double click on the card

and then you move it backwards and forwards

you have to

how far we're moving it back

it's kind of up to you

how much depth do you wanna be able to create

hey if I put the sky there

there's not gonna be very much depth

it's also not gonna be very real

sky is actually quite far away normally

so it's moving quite far away now

also the top of the sky is basically closer to

you think than the

the horizon line

so we're gonna rotate it

almost the opposite to the ground plane

so again rotate X

press arrow key up here we go

now the top of the sky is not so close to us

that is touching the camera obviously

so we don't need to go crazy and do anything like this

but if we just have the top of the sky

a bit closer than the background

that should be fine

okay and then you can already

oh we can almost already see uh

how you can use this kind of thing

because you can have the camera

and it can be panny across

for example

it can be Zonian slowly

and it'll move differently to the background

which is parallax

called parallax

alright so now once again

I've now done this card

and then I've done the sky uh kinda card as well

alright one second

okay so I've done this card

I've done this card

don't worry about this uh

factory machine right

now let's just see if they're exactly the same place

as the 2D image

so again this is the 3D scene here

let's just view that

Kay get rid of this camera

cause we have this information there now

and now if I just view this

you could see perfect

just wait for that

it's only moving cause it's updating

there you go

so we re reboot uh

we are rebuilding this in exactly the same method

and that's really important

we don't wanna be uh

rebuilding it um

and have things moving around the place

okay also if

if for some reason

you're using some images from the internet

and they weren't reformatted to the same size

when you rebuilt in a 3D scene

they would definitely not be in the same place

when you pre has the 2D scene

okay so 3D scene

absolutely very important to make sure everything is

reformated to the same size

alright now let me just explain the difference between

okay regular card and then

using a card with the projection out of the camera

so if I just

okay I'm gonna do the same thing

I'm gonna show you with an example of this guy

so if I just copy that same card

copy and paste

oop I stole that

I stole that lid though okay

now I can of course

just plug the card straight into there

just move this over here

might be a bit more easy to understand

right so I've got this card

and it's going to this project 3D note uh

project by the camera onto this note and onto the card

and the difference between this and this

if I just tie this for a second

if I go into the 3D scene again over here press tab

I make sure

I'm looking at the camera

okay so I can just project straight onto a card

no problem but then your image is gonna be stretched

to exactly the same size

as you can see

that card is filled with my image

okay and it basically

it doesn't work if you're gonna be using parallax

so if I look at this now

hmm pardon me

if I look at this in the 20 view and now I look at this

K it's completely different

right and it doesn't work with a parallax either

so that's why I'm gonna be using um

um that's why I'm gonna be using a project 3D note

so I'm gonna disable that

you can use this one of course

just keep in mind that it's gonna

if you move this

so if I move this one back

the image is still gonna be projected on top of us

okay so it's basically not really gonna work

um it doesn't

it works if it's flat basically but not uh

but we're not gonna use it

this is a better technique

okay so right now I got this 3D note

so once again everything there matches that perfectly

it's really important

okay great so if I go to here again and press tab

so I can see what I'm doing

if you can't see anything

just make sure you're onto here

alright great so I got this I got this floor plane oops

and you can see okay now let's put some

let's put some of the building blocks into there

let's put the factory in there for example

so where's the factory

this is the factory and transforms to there

there's a card for the factory let's go into the 3D C

let's make sure we're looking at the same

press one onto there

okay so which one was it this one here

now on the card again

you can't see it cause it's not in the right 3D space

and it's also sorry

the reason you can't see it

cause it's behind the camera

so let's just move it

scroll up for a second

k now where do you put this in three dimensional space

it really depends on where you put the ground plane

um so essentially what everything

everything needs to be touched in the ground plane

cause in reality

this factory is not floating in the sky

it's not like this

you see if I go like this

see you don't have factories floating around the sky

so where do I put it

I move it backwards until it touches the floor

and in this case

it's literally just there

you can see it's just overtake

overlapping

and for now it's in front

now once I've got this all done

I can actually get a project

this onto a cube or something like that

but for right now

let's just get everything done into simple cards

right now obviously

this is onto a massive card it doesn't

this is quite a small building compared to this card

so I'll click on to the properties on the card

go over here

you know about a uniform scale

so I can just zoom out for a second

and there you go

you see oops

if I just uh

scroll in for a second

you want to make it big enough so that obviously

it covers the image where that should be

let's make it a bit bigger

just in case

okay alright

so I wanna go through and um

I'm gonna do

put everything exactly the same technique

I have the floor plane now there

right I want some of the factory pieces

gaps to be in front of it

some of them perhaps to be behind us

and the bridge to be over here somewhere

the mountain is gonna be somewhere over here

so go ahead and try and uh

go through all these images

move them into the correct three dimensional space

just remember

click onto the card and double click

and then straight away

you'll see this little axis

if you want to rotate it

you can hold down control

but I wouldn't recommend it

or you can hold down the um

the Mac key on the Mac

but um it's much better

much more control

if just go to rotates

press up or down K

go to the y up or down

much more control

you can see exactly what you're doing if you

if you hold down the control oops

where is it

never 100% sure what's gonna happen

so I always just go into here

and you got much more control

exactly what you're doing

okay alright

so I'm gonna pause this video at the video for a second

sorry and go ahead

try and put everything into the correct

three dimensional space

okay now I wanna show you uh

another couple of important tricks which uh

we're gonna have to use

um I'll show you a trick with the sky

first of all

now if I just copy this and I put it over here

after that I'll explain what I've done here

alright so now I have the sky

now if I look in the eye for a second

there's no alpha in there

let's drag this down for a second

so we can see better what I'm doing

now I wanna put an offer into this

so if I just add a

a right turn note

and I'm gonna click on this a couple time

until I see the square

and I just wanna drag that to there

make sure that kind of covers

yeah okay it goes to that

great so now have a look at this

great there's obviously gonna be an alpha there

I don't want this to be inside the RGBA

so I'm gonna change where it says Roto

I'll try to change where it says RGBA to alpha

great now I'm gonna add a premult after that

okay so that just cuts out of this part

this is the only one that's of the sky

now what I wanna create is like a trick

as if the sky is moving

now obviously

the clouds here

are closer than the clouds all the way over here

so these ones are gonna move quicker

than the ones all the way down there

so if I have the transform mode now

transform mode

now I wanna move the tick um

the rotation point

the axis of the transformers

if I hold down

if I select this

hold down the control key

or on the Mac

hold down the Mac key

if I just drag this

it will rotate around that point

so I just wanna put on there roughly

that's fine

Okey dokey now

what I wanna do

imagine this shot is a hundred frames

if it's not

I'm just gonna go over to here

press s okay

so it's one

if it doesn't say hundred

now just type in 100

just make the shot 100 frames

okay now I wanna make sure I'm on frame 100 uh sorry

I want to make sure I'm on frame one

so I go over there

type in one

that puts me onto frame one great

now so the transform mode

if I click onto this

you'll see I got some options here

I got scale

making it bigger obviously

and I got skew

right so on here

on the right hand side

if I wanna animate any of these values

I just click onto this little squarely line

click on to the angle to set key

excellent now

nothing's happened yet

but I'm looking to transform now

if I go to where it says key

and I move this across like this

hey there there

here we go so

this is how we're gonna trick

people into thinking that the clouds are moving

and again we're gonna have images in the foreground

to hide anything that doesn't look good

okay so I'm gonna move this just a little bit

just like that

maybe I wanna frame one

now I'm gonna frame 100

press enter

so that's jumped all the way to the end

now i'mma go the other way

like this maybe

great so now

so the transform

your sky is gonna be about to panic cross

if the clouds are supposed to do this

this is not supposed to bend like that

so what we're gonna have to do

is separate the clouds from here

K so what you can do is add a paint note

this is what I've done already over here

so I've got the sky

and I had a paint note and I painted over

right

oops sorry pardon me silly me

post a look at this now there we go I am painted over

yes I need to improve a little bit

that doesn't look very good

but anyway okay so I painted this part out

oh not too bad

K I'll fix this in a little bit

first you have to get rid of that

and then on a set

on another note

we have to put it back in

cause we wanna keep the hell

we don't wanna get rid of the hell completely

so when I put the hell back in to a separate card

so again I'm gonna do the opposite

to get that

I'm gonna try and key the hill

so if I press a

I can see what I'm doing in the Alpha

Wanna try and keep this

this part here

get rid of this

so after that

I've got a rotor note

get rid of most of that

another rotor note

try and clean it up

so we're still keeping some of the nice shape

from those hedges

okay now if I look at this for a second

you'll see I got this nice alpha shape from here

was that like that and take that

okay great so now I want to basically uh

for highlight for a second

okay I got this nice shape there I wanna get rid of

I wanna get rid of that makes that black as well

so I add another roto note

it's made it black

great I can look at that

great now I've got a nice looking alpha

which will also cut out the hill

so I got the hill cut out

and I've also got this cut out

so one way to cut all this stuff out

if I look at this for a second and I look in the RGBI

now I've got white everywhere

it shouldn't be there because I should have gone in

and make sure these are all set to alpha

but if I can't be bothered to do that

I can just add a copy note

oh sorry

I can add a copy note

cause if the alpha is looking good from here

if I look in the a

if the alpha is looking good from here

I can put a copy note

put the a for alpha

and a B goes to the image

so puts the alpha into the image

then I can uh

if I pre multiply this after that

it's gonna keep everything that's white

and I wanna keep everything that's black right now

so I need to invert this

and there we go

now when I pre multiply

I'll keep everything that's inside there

now I change this alpha to RGBA

and there we go

you can't really see what I'm doing

because it's a very dark background

but it all makes sense um

and I'm gonna show you for a second what I've done

just in case it's not clear

by another constant

uh make the colour

make it lighter

okay so all I did was cut that out and I

there you go

it's very black but it's a silhouette

that's what exactly what it's supposed to look like

so I can delete that

okay so I wanna wanna render

I wanna want to render that out

okay excellent

just bring that back in

k so now that's uh

k you can see I got this

uh hill there

and I wanna wanna put that on top of this one

which is rendered out

I just rent

I render this mouse already

you can see

oops I go to the igpa

got rid of the hill there

I rendered that out

so I rendered that out already

now if I just merge this one top the other one

so if I go to merge and I got uh

this this mountain on top of this

here you go

puts it back into place except for the now separate

so now if I do the

my little transform trick

hey you got this cards moving

and it's not warping this foreground image

which is exactly what I want k

now these two images need to go separately on the cards

uh originally I put them both her own on one card

but we need to go in and need to say okay

this one can still go to there and keep the transform

and then um

depending on

I can um possibly keep the same camera

I can keep the same camera

cause it can same projection mode

no I can't

uh okay I need to copy that on that

Kay now I wanna put this hell back into place

so I'm gonna look into the 3D view

make sure I'm looking at to this

so here we go

and this which is the sky

you can see I've now got the sky

the mountain back on top of there

I don't wanna rate her that at all

I just wanna bring it further forwards

there you go

got this back into the sky's way behind it

you'll be able to get more of a parallels

kind of going there

push it back a little bit

and it's also enormous

so let's just make that a bit smaller

okay that's fine

okay now I also did um I also added a couple of cards

let's make this building look a bit more

give this building a bit more parallax

hey very simple if I go to the image the building

why does I always do that anyway

originally what I had I had a building

I had it on top of a flat card like this

so I simply took that card

I rotated it on the y axis

sounds like this

okay and I did the same to the other side

so she copied another one

now I'm put um past 25

and this one I literally just put

come on don't be shy

okay so there you go

so these are the angles that I put this house on

I just put them straight into there like this

it's very simple

all I had to do was rotate them

okay so now that's most of the tricks for the 3D sing

there's a few more things I mean

there's a lot of finishing touches to go through still

um for example

uh now that we have

we have created some depth

now you might realise once you render it out this

um perhaps um

you're creating too much parallax

perhaps not creating enough

perhaps your building is moving too quickly

um and you want to move it uh

you want it to move further

so in that case

you need to move the building backwards

you need to move the background backwards

you need to move all the stuff backwards if

for example

the mountain is moving too quickly or too slowly

to move it backwards or forward

so this is a little bit of trial and error um

and you need to have a few tests

to see what it looks like

but you will always have this 3D C

you're not gonna get rid of this

okay uh something else which I like to go through

um whilst we're still here in a 3D scene

if I just press

if I look at the scanline renderer

and go to here oops

about to say that looks a bit weird

K now if I look at this

now look at this

K so still not my

not remote oh yeah

this is obviously changing because

um the sky is now moving

what's going on there

that's obviously a small mistake

I need to go through and fix that

that's because I actually

I put this part of the building backwards

so this part now also needs to go backwards

so I'm just gonna go back into the 3D view

and I should have to see it straight away oops

come on

don't be let me select you

okay alright

not that one

come on

where is it

why won't it let me select it just give me one second

that sound right there okay great

select that one and just move it back

and there you go

see that's behind it

it was crept in front

move back a little bit

right now I'll make it look better

great now so now I wanna show you something else

I look at the scan line

render again

click out of here

press tab holding over the uh 3D scene

now that's gonna go back into the correct

three dimensional space again

it's behind ah

it's not behind it enough

so he was basically still going through like that

that's fine now it will now will now it should be fine

okay I think I know what the problem is

one second

and there's a problem with the Alpha

I might need to get back in and fix that okay

let's just have a look one second

it's definitely behind

okay I'll get over that

I'll work that out in a few minutes

nothing too

I think there's a problem with the Alpha

this actual image

um okay we'll get back to that in a minute

so what I wanted to show you

I forgot to scan my renderer

if I hover hover over here for a second and I press tab

okay this is now the uh

coming out to the 3D scene

now something that the scan I render

automatically kicks out is the Z depths

okay so if I type in Z and then click on to Z blur

now just plug this into here

don't do anything else

nothing will automatically happen

now what we can tell the computer to do is to say what

sorry what we can tell the actual cameras do

remember this is the camera that we're using twice

we're looking through this camera to create this image

okay so what I wanna do inside

scan my renderer

oh no sorry

uh pardon me

what I wanna do inside the zpler

is over here where you see focal plane setup

if I click onto this for a second

you'll see it all goes blue

OK that's just cause it's nothing's in focus

so where it says focus plane I can just move this along

and until you see something go green

it won't be in a focus

and nothing went to green so

let's just go to the point where it stands out the most

and now let's go to depth of field

and there we go

I can adjust these two

until I get exactly what I want into focus

now this is kind of the area that you're focusing on

and this is how much you're actually focusing on it

so if I wanna focus on more

I can just give this more and more

so I got more and more depth fulfilled

okay now now that I can see uh what's being focused on

if I get rid of this focal plane set up for a second

okay guys back to normal

now inside the zibler

uh I can choose how much I want

uh it to be out of focus

the background or the foreground for example

so I forget a size and drag this up

there you go look see now

everything that's not inside here is basically blood

I don't do it too much

okay so now

I actually want to go back into their focal plane

increase the amount that I'm actually focusing on

actually want all the areas be uh green

I don't wanna blur anything in there

okay great now

there's couple small errors popping in there

explain that

why in a second

if you go through the Zeblo for a second

you can see I'm actually

I can control either

the foreground is now out of focus

and it's in focus in the background

there's a few problems there

I can explain why that's happening

if I go over to here to the focal plane setup

all these bits

they're coming through from bits of different images

hey this is all the rubbish that I need

still need to get rid of

so I need to go through the images

and clean up the Alphas

and then it should get rid of all these issues

so I need to go through and do that

or let's just say if I don't have time to do that

I can just go in and I wrote her note and just say

don't mask this area

okay

there we go

so slightly quicker solution

then going through and trying to fixing every

trying to fix everything

okay so I've got a few small issues in here

I'm gonna go through

I'm gonna go through and I wanna check all the geometry

make sure nothing's gonna oh

there you go

something sticking out

that's why it looks funny

I need to go through

and work out which piece is doing that

try and line up some things a little bit better

so go through make sure everything's kind of lined up

oh yeah one more thing if I go to back out of here

if I go back into the zebra for a second

if I really push these values up a lot

hey if I change this filter shape to one

it should start to create kinda nice poker

perhaps I don't have enough images in the foreground

okay I'm gonna stop this recording for a minute

I'm gonna grab a few more images

put them in the foreground

okay so we've got a few more kind of finishing touches

um to add to the shot um

one of the reasons

you know what I realized um

why there was a whole creeping in there

um so something you have to be careful of

which I only actually just realized has

you know there's so many things to think about Nick um

is that when you're using the burn tool

make sure you're using the burn tool only on the RGB

not the RGBA

if you use the burn tool on the RGBA

it actually affects the Alpha and actually makes it

if you're making it darker

the Alpha darker is gonna start to disappear

so when you're using the burn tool

just make sure it's only on your RGBA

and then you can make the image darker

without losing the Alpha

K so that was a problem that I had um

now you're gonna have to think your way around

all this different

these different issues

now I wanna add a little bit of camera movement

we've got a fair amount of paradox in here

now as I said

I just zoom out for

bring this up a little bit so I can see what I'm doing

okay so this is my camera inside here

I've actually added some

a little bit of camera moving already

I'm just gonna go and delete it

and no animation

no animation yes

okay so inside this camera what I wanna do is start off

let's say one and I wanna zoom in a tiny bit

okay now I actually wanna zoom out a tiny bit

so I'm gonna go to frame 100

oops that's 10 frame 100 now on this camera

cause we've not added any movement yet so far

it should still look okay where we are

okay so on this

on this camera

i'mma click on to here and I'm gonna go towards this

translate in a Z and i'mma click key

okay and now I'm gonna go back to frame one

cause all I wanna do right now

is just add the camera movement

while I wanna have the

I want to have the camera slowly kinda zoom me out

very slowly

it's gonna be quite a small difference

and this might even be too much

so I'm on frame one right now

I'm gonna go into the camera again in here

I want to go backwards

so I'm gonna type in minus

oops come on minus 0.04

so it would have zoomed out that much you'll see

I'll see again in one second

okay so once I've done that

you can see that's number one by just typing 0 at 100

it's gonna be a fairly subtle difference but

we're gonna see some nice paradox moving in the floor

we're gonna see this uh

this venue disappearing

we're gonna see para

everything on here is gonna be paralyzing

from the sky to the mountains to the tools everything

the machine

everything is gonna be moving

uh put it very slowly

that's one of the finishing touches

what else wanna show a little bit of

is a little bit of a chromatic aberration

um now that's when uh

the that's when the lens actually kind of

messes up one of the colours and um

budges one of the colours over a little bit so

so effect that

you pretty much always use the bottom of the comps

so what I can do to do this is this part right here

now if I take a shuffle

alright so if I just look here what I have

I'm gonna zoom in for a second as well

now what I wanna do

is separate the colours inside a shuffle

I just type in shuffle for a second

now if I look at this

this is just my image

I've got red green

blue and then Alpha K

so what I wanna do is add a shuffle here

and then add a shuffle here

oops pardon me

sorry pardon me okay alright so I've got a shuffle here

now inside this shuffle

I'm gonna have green and then blue

and then inside this shuffle

I'm gonna have just red

now if I didn't do anything there

when I add these

if I look at this

it's gonna go green

and this one is gonna be oops

this one is gonna be just red

and this one is gonna be kinda green and blue

added together

now if you merge these back together

so if I go to a shuffle copy

inside the shuffle copy

I've got you see

in the one channel

I've got the green and the blue

and then the No. 2 channel

I've got just red

it should basically add them together

to be exactly the same as what they were

so we kinda separated the colours

alright and then merge them back together

but now what I'm gonna do is

I'm gonna add a transform into here

so now the transform

and I wanna move it over in X axis