Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,580 --> 00:00:17,570
Hi everybody welcome back but again Brownie's and dot tv I'm going to show you how to mix your audience
2
00:00:17,620 --> 00:00:19,340
just like the way I've done it here.
3
00:00:19,480 --> 00:00:20,780
And one of my logs.
4
00:00:20,950 --> 00:00:27,000
So they have my pretty amazing blogs pretty amazing audio and everything is pretty clear.
5
00:00:27,100 --> 00:00:31,550
And you can have some background music and your dialogue.
6
00:00:31,600 --> 00:00:35,320
And it's not going to it's going to sound nice and really nice.
7
00:00:35,320 --> 00:00:38,030
Are you going to show you how to do that in the short video.
8
00:00:38,280 --> 00:00:43,780
OK so the first thing you do when you're editing your audiophile lugs is to make sure that you never
9
00:00:43,780 --> 00:00:45,200
peek out over here.
10
00:00:45,370 --> 00:00:50,130
So this is your audio output here the audio output monitor up here.
11
00:00:50,320 --> 00:00:53,610
So if that hits the red you're in trouble.
12
00:00:53,630 --> 00:00:58,620
It should never hit the red and if it hits the red then we need to fix it.
13
00:00:58,720 --> 00:00:59,830
So I'll show you what I mean.
14
00:00:59,830 --> 00:01:05,110
So if I play this back and I've already put these clips into my time on that I want for my final product
15
00:01:05,350 --> 00:01:10,010
if I hit play what's the audion monitor over there.
16
00:01:10,900 --> 00:01:11,840
We're in the red.
17
00:01:12,220 --> 00:01:14,790
I keep playing now I've stopped it.
18
00:01:14,920 --> 00:01:17,650
And when I hit play it's going to reset that
19
00:01:26,710 --> 00:01:28,640
OK.
20
00:01:28,720 --> 00:01:31,840
So what you're hearing you're hearing like Robin in the background.
21
00:01:31,870 --> 00:01:36,010
So she's around here you can see if you look at the waveform and I'll expand this out.
22
00:01:36,210 --> 00:01:37,220
It's quite low.
23
00:01:37,250 --> 00:01:39,700
I can't really hear her too much.
24
00:01:39,700 --> 00:01:42,040
You can hear me I'm a little bit loud.
25
00:01:42,190 --> 00:01:46,400
Then there's like banging and that kind of stuff.
26
00:01:47,020 --> 00:01:48,950
And they're picked out before.
27
00:01:49,060 --> 00:01:51,900
So at the moment we have audio that's all over the place.
28
00:01:51,910 --> 00:01:52,300
Right.
29
00:01:52,300 --> 00:01:56,660
So what we want to do first before we even mix the audio is to level the audience.
30
00:01:56,680 --> 00:02:02,410
All of our levels are about the same and we're not going to kill grandma speakers when she's watching
31
00:02:02,410 --> 00:02:04,560
this vlog on her very old TV.
32
00:02:04,650 --> 00:02:05,500
All right.
33
00:02:05,560 --> 00:02:12,380
So the first thing we do is this is what I do for all my blogs is I go to.
34
00:02:12,700 --> 00:02:14,720
It's just so we're on the same page.
35
00:02:14,770 --> 00:02:17,050
I want you to make sure that you're in editing.
36
00:02:17,110 --> 00:02:22,570
So if you click up here editing and then I want to make sure that when you click on these two areas
37
00:02:22,660 --> 00:02:29,410
that you've got audio track Mixu and gevalt you click on that you'll see something like this if you
38
00:02:29,410 --> 00:02:34,420
do it there might be two little arrows up here which you click on first and then you'll see this pop
39
00:02:34,420 --> 00:02:34,990
up.
40
00:02:34,990 --> 00:02:37,950
So you got track 1 track to track three.
41
00:02:37,960 --> 00:02:39,300
This is for your audio.
42
00:02:39,490 --> 00:02:40,090
Right.
43
00:02:40,310 --> 00:02:43,870
So what we're going to do is follow along and this looks confusing but once you do this a couple of
44
00:02:43,870 --> 00:02:45,420
times it's pretty straightforward.
45
00:02:45,420 --> 00:02:47,210
You be very fast at doing it.
46
00:02:47,260 --> 00:02:51,000
Click on this go to amplitude and compression.
47
00:02:51,000 --> 00:02:56,030
Go to multiband compressor click on that then it'll show up in here.
48
00:02:56,500 --> 00:03:01,110
So what we're doing is we're applying this effect to the entire track.
49
00:03:01,120 --> 00:03:10,230
Track one audio track one so all of the audio clips on this track are going to be impacted by this multiband
50
00:03:10,240 --> 00:03:10,820
compressor.
51
00:03:10,840 --> 00:03:15,350
If we double click on this what we're going to do this looks confusing.
52
00:03:15,420 --> 00:03:16,560
Will keep it super simple.
53
00:03:16,570 --> 00:03:17,820
This is all I do.
54
00:03:18,010 --> 00:03:19,330
I want to hit the drop down box.
55
00:03:19,360 --> 00:03:22,140
I'm going to like anything on my list anything.
56
00:03:22,170 --> 00:03:23,300
Get a toy.
57
00:03:23,560 --> 00:03:27,310
And then click on this again and then click on broadcast.
58
00:03:27,340 --> 00:03:33,550
So we want to set our preset to broadcast Adobe Premiere Pro is going to work its magic over here by
59
00:03:33,550 --> 00:03:35,370
adjusting all the sliders.
60
00:03:35,380 --> 00:03:38,770
The only other thing you need to change is your margin right.
61
00:03:38,770 --> 00:03:45,370
What I usually do said it's like minus four minus five minus three even.
62
00:03:45,370 --> 00:03:53,470
So what we're doing just real quick if I said that to Mondas for click off it close that what it's doing
63
00:03:53,470 --> 00:03:55,430
is the quiet areas of my audio.
64
00:03:55,470 --> 00:04:01,720
It's going to bring those levels up and the louder parts of my audio it's going to bring them down so
65
00:04:01,720 --> 00:04:04,750
that they're opaque above minus four.
66
00:04:05,290 --> 00:04:08,450
So if I play that if I play this back this is what happens.
67
00:04:08,470 --> 00:04:09,930
Remember when it peaked out before.
68
00:04:09,940 --> 00:04:11,850
Watch this.
69
00:04:12,700 --> 00:04:15,360
What are these levels.
70
00:04:15,650 --> 00:04:17,610
It's not going above minus four
71
00:04:21,690 --> 00:04:22,760
and Robin is now.
72
00:04:22,970 --> 00:04:24,490
She's easier to hear.
73
00:04:26,970 --> 00:04:33,540
Because now the low parts of my audio track have now been brought up those audio levels for the lower
74
00:04:33,540 --> 00:04:37,520
parts have been brought up so she is now easier to hear.
75
00:04:37,710 --> 00:04:40,020
And that literally took me like 30 seconds one minute.
76
00:04:40,050 --> 00:04:40,700
Right.
77
00:04:41,010 --> 00:04:42,770
So that's the first thing I do.
78
00:04:42,780 --> 00:04:49,630
The second thing I do is that I mix my background track to my audio just to give it more flair.
79
00:04:50,040 --> 00:04:51,940
And this is the easiest way of doing it.
80
00:04:52,170 --> 00:04:58,170
And again while I'm mixing these two together this is my background track and this is my audio dialogue
81
00:04:58,620 --> 00:05:03,710
as I'm always looking at my audio output monitor to make sure that I'm never going to peak.
82
00:05:03,750 --> 00:05:10,830
So watch this the background track is slowly coming in.
83
00:05:10,830 --> 00:05:13,860
I haven't paid.
84
00:05:15,470 --> 00:05:16,820
All right so those levels are good.
85
00:05:16,820 --> 00:05:19,930
I'm happy.
86
00:05:22,570 --> 00:05:23,260
Great.
87
00:05:23,280 --> 00:05:25,330
So all I do now.
88
00:05:25,650 --> 00:05:29,270
If you're just dragging your background track this is what it looks like.
89
00:05:29,550 --> 00:05:30,800
Right.
90
00:05:30,870 --> 00:05:32,770
This is what I'll demonstrate it.
91
00:05:33,030 --> 00:05:35,180
This is pretty much what it's going to do.
92
00:05:35,220 --> 00:05:39,920
You're going to have two tracks which are not mixed.
93
00:05:39,950 --> 00:05:45,540
This is how it's going to sound.
94
00:05:46,280 --> 00:05:49,110
So at the moment this is not mixed properly.
95
00:05:49,280 --> 00:05:52,670
The background track in my dialogue haven't been mixed properly.
96
00:05:52,670 --> 00:05:55,500
The background track is actually drowning out my dialogue.
97
00:05:55,760 --> 00:05:56,730
And that's a problem.
98
00:05:56,780 --> 00:06:03,620
And as you can see because the output or the monitor is like the it puts these two together and as you
99
00:06:03,620 --> 00:06:07,310
can see when you add these two together it's going to pick out
100
00:06:10,730 --> 00:06:15,580
even with their multiband compressor turned on because now factoring in these two put together and then
101
00:06:15,710 --> 00:06:16,950
overlapping.
102
00:06:17,070 --> 00:06:19,250
So a lot of people complain about this.
103
00:06:19,250 --> 00:06:25,880
When I first started doing the blog like back in 2016 people like you know it's hurting my speakers
104
00:06:26,120 --> 00:06:29,200
because I didn't know anything about audio mixing When I first started.
105
00:06:29,240 --> 00:06:30,380
This is what you don't.
106
00:06:30,540 --> 00:06:33,890
This is what I do is I get my pencil like this.
107
00:06:33,890 --> 00:06:34,670
I click on that.
108
00:06:34,740 --> 00:06:42,380
I press P on the keyboard and then what I do is I click on anywhere along this line.
109
00:06:42,890 --> 00:06:43,440
Right.
110
00:06:43,760 --> 00:06:48,210
And with my pen tool and as you can see when I click on that it creates a little dot.
111
00:06:48,380 --> 00:06:49,510
Right.
112
00:06:49,640 --> 00:06:51,940
I'll zoom in a little bit more so you can see it.
113
00:06:52,400 --> 00:06:54,330
And what I can do is I can drag it down.
114
00:06:54,620 --> 00:06:56,040
I can drag it up.
115
00:06:56,690 --> 00:06:58,400
And so what I want to do.
116
00:06:58,410 --> 00:07:03,740
The ultimate aim in this industry standards here they say like you're you know the output levels need
117
00:07:03,740 --> 00:07:06,620
to be a certain certain level for broadcast standard.
118
00:07:06,620 --> 00:07:08,080
Now we're doing of log.
119
00:07:08,330 --> 00:07:13,190
And the most sensible thing is to make sure that your background music is not going to be so distracting
120
00:07:13,190 --> 00:07:17,890
that people are not going to hear or not going to be focused on what you're saying.
121
00:07:17,960 --> 00:07:21,050
Right so you want that's pretty much what we're working toward.
122
00:07:21,260 --> 00:07:27,800
If you play this back and you find the background track is too loud too distracting then you need to
123
00:07:27,800 --> 00:07:29,570
decrease it until it's not.
124
00:07:29,600 --> 00:07:35,210
And that's pretty much the industry standard that I play by and make sure that it never picks out right.
125
00:07:35,210 --> 00:07:36,270
That's pretty much it.
126
00:07:36,290 --> 00:07:37,850
That's all you need to worry about.
127
00:07:38,180 --> 00:07:40,690
So these votes are on Amazon Prime.
128
00:07:40,730 --> 00:07:44,740
You can watch them on Amazon Prime and Amazon Prime haven't complained.
129
00:07:44,750 --> 00:07:45,810
Right.
130
00:07:45,830 --> 00:07:49,920
So all you going to do is you click and you drag down the line.
131
00:07:50,360 --> 00:07:54,210
And as you can see the decibels are dropping.
132
00:07:54,620 --> 00:08:02,930
And then of course when I start talking I want the music to increase a little bit if I don't put a little
133
00:08:02,930 --> 00:08:06,970
point there if I just delayed that by hitting the delete key on my keyboard.
134
00:08:07,130 --> 00:08:10,630
It deletes that what they call the K frame.
135
00:08:10,820 --> 00:08:17,240
And then what sort of which is I want that background track to be louder.
136
00:08:17,300 --> 00:08:21,470
So I hit my pen two credit points around here.
137
00:08:22,920 --> 00:08:28,350
It's like drawing you pretty much like drawing on top of the rifle and you can see where my dialogue
138
00:08:28,350 --> 00:08:36,330
finishes and at the moment where it finishes out the music to increase quite substantially.
139
00:08:36,380 --> 00:08:38,630
Watch this.
140
00:08:39,170 --> 00:08:40,680
Check in my audio levels.
141
00:08:40,700 --> 00:08:41,430
I'm happy.
142
00:08:41,570 --> 00:08:43,060
It's modest too.
143
00:08:43,460 --> 00:08:48,180
I don't want to let it go any higher than mine is too.
144
00:08:48,200 --> 00:08:53,400
There's a problem look at that now that needs to be mixed right back.
145
00:08:53,610 --> 00:08:58,010
Because this not on we can't have that.
146
00:08:58,020 --> 00:08:59,360
So I'll show you this last little bit.
147
00:08:59,360 --> 00:09:02,590
And then you're done and then you can play around with this yourself.
148
00:09:02,600 --> 00:09:10,070
So just before I start talking I want to drop the background sound again.
149
00:09:10,310 --> 00:09:15,560
I pick a point usually around here I can even drag this little point and I can move it to the right
150
00:09:16,220 --> 00:09:21,090
and then I click another point on my line and I drag it down.
151
00:09:21,110 --> 00:09:25,280
Now if you want to get finer points you hold down the key on the keyboard.
152
00:09:25,280 --> 00:09:35,660
This is super awesome and you'll get even finer graduations in the decrease or increase in the decibels.
153
00:09:35,660 --> 00:09:42,790
If I take the test if I take the if I like the key on the keyboard watch this like it's just insane.
154
00:09:42,950 --> 00:09:45,250
You know it's like huge graduations.
155
00:09:45,560 --> 00:09:46,540
I do this all the time.
156
00:09:46,550 --> 00:09:48,500
Hold the key down on the keyboard.
157
00:09:48,500 --> 00:09:53,530
I just drag it down and when I do I need to like obviously fix this up.
158
00:09:53,580 --> 00:09:56,570
I don't really what I want to do is click on this.
159
00:09:56,570 --> 00:10:00,980
If you zoom in hold the key on the keyboard use a scroll on the mouse.
160
00:10:01,010 --> 00:10:02,940
We'll use this here.
161
00:10:03,140 --> 00:10:04,880
You see there's a little dot there.
162
00:10:04,950 --> 00:10:06,120
They call them keyframes.
163
00:10:06,140 --> 00:10:11,810
Click on that hit delete and then I'm going to do is I'm going to Z-man a little bit.
164
00:10:11,900 --> 00:10:18,220
I'm going to grab this keyframe and I ultimately want the background music to just fade out to zero.
165
00:10:18,470 --> 00:10:18,770
Right.
166
00:10:18,800 --> 00:10:22,740
As you can see mine is 0 0 0 which is infinity really.
167
00:10:23,150 --> 00:10:29,030
So as I play this back this is what the end result is.
168
00:10:30,260 --> 00:10:32,550
Now the sound you can't really hear the background sound anymore.
169
00:10:32,570 --> 00:10:38,120
So what I want to do is increase a little bit have a little bit more and then I'm watching my audio
170
00:10:38,120 --> 00:10:39,400
output at the same time.
171
00:10:39,500 --> 00:10:40,410
Let's play it back.
172
00:10:43,500 --> 00:10:44,590
I'm happy with that.
173
00:10:46,840 --> 00:10:49,320
And then the background music has faded off.
174
00:10:49,540 --> 00:10:54,310
And then if I show you real quick what it looks like with the other parts of my blog it's pretty much
175
00:10:54,310 --> 00:10:55,880
the same stuff.
176
00:10:55,900 --> 00:10:59,050
Music fades in gets to this point.
177
00:10:59,320 --> 00:11:01,780
I'm talking a whole lot about something.
178
00:11:01,870 --> 00:11:07,270
I stopped talking the music the background music increases dramatically.
179
00:11:07,840 --> 00:11:15,100
That's pretty much the basics of how I edit my audio in my Volks and how I mix my videos so that my
180
00:11:15,100 --> 00:11:18,690
background sound doesn't drown out my dialogue.
181
00:11:18,800 --> 00:11:20,960
That was helpful if you have any questions let me know.
182
00:11:21,160 --> 00:11:22,750
Enjoy the blogging.
183
00:11:22,790 --> 00:11:24,940
Jenny speak soon.
16574
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.