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These are the user uploaded subtitles that are being translated: 1 00:01:28,958 --> 00:01:31,091 ♪ TROOPER HOOK UPON HIS HORSE ♪ 2 00:01:31,178 --> 00:01:32,396 ♪ IS A MIGHTY WONDROUS THING ♪ 3 00:01:32,570 --> 00:01:35,269 ♪ AS THE CAVALRY COMES A-CHARGING ♪ 4 00:01:35,356 --> 00:01:37,401 ♪ AND THE INDIAN ARROWS SING ♪ 5 00:01:37,575 --> 00:01:39,186 ♪ RAWHIDE STRONG, TROOPER HOOK ♪ 6 00:01:39,360 --> 00:01:41,362 ♪ KNEW THE WEST LIKE A BOOK ♪ 7 00:01:41,536 --> 00:01:43,059 ♪ SOLDIER TRUE ♪ 8 00:01:43,233 --> 00:01:45,627 ♪ HIS FIGHTING NEVER THROUGH ♪ 9 00:01:45,801 --> 00:01:47,890 ♪ NEVER THROUGH... ♪ 10 00:01:56,725 --> 00:01:58,857 ♪ THE MOUNTAINS THRUST THEIR LONELY PEAKS ♪ 11 00:01:59,031 --> 00:02:01,121 ♪ AGAINST THE COPPER SKY ♪ 12 00:02:01,208 --> 00:02:02,992 ♪ THE DUSTY EARTH RESOUNDED ♪ 13 00:02:03,079 --> 00:02:04,907 ♪ AS THE TROOPER, HE RODE BY ♪ 14 00:02:05,081 --> 00:02:07,127 ♪ SHINING SPURS, ARMY RIG ♪ 15 00:02:07,301 --> 00:02:08,389 ♪ MAKES A MAN FEEL BIG ♪ 16 00:02:08,476 --> 00:02:11,522 ♪ GIVE ME EARTH, GIVE ME SKY ♪ 17 00:02:11,696 --> 00:02:13,481 ♪ LET ME LIVE, LET ME DIE ♪ 18 00:02:13,655 --> 00:02:15,744 ♪ AS A TROOPER! ♪ 19 00:03:18,110 --> 00:03:20,025 FOLLOW MY LEAD! 20 00:04:07,856 --> 00:04:11,468 ACCORDING TO PLAN, WE ATTACKED THE VILLAGE AT NOON. 21 00:04:12,774 --> 00:04:17,779 ORDERS TO TAKE NANCHEZ ALIVE AT ANY COST WERE CARRIED OUT. 22 00:04:17,909 --> 00:04:19,737 MOST OF HIS BRAVES WERE KILLED OR TAKEN PRISONER. 23 00:04:22,087 --> 00:04:23,828 A HANDFUL ESCAPED. 24 00:04:26,222 --> 00:04:28,920 FAMILIES WERE ROUNDED UP, 25 00:04:29,007 --> 00:04:32,881 THE VILLAGE BURNED. 26 00:04:33,011 --> 00:04:35,449 LIEUTENANT GIROUX LED THE FIRST CHARGE 27 00:04:35,579 --> 00:04:38,408 BUT WAS OVERPOWERED. 28 00:04:38,539 --> 00:04:41,672 HE AND HIS MEN WERE KILLED IN ACTION. 29 00:04:43,718 --> 00:04:44,718 NO... 30 00:04:46,329 --> 00:04:47,330 MAKE THAT "EXECUTED." 31 00:04:52,814 --> 00:04:55,251 THE MARCH BACK TO THE FORT 32 00:04:55,338 --> 00:04:58,820 WILL BE SLOW BECAUSE OF THE NUMBER OF PRISONERS TAKEN. 33 00:04:58,950 --> 00:05:01,301 THAT'S ABOUT IT. 34 00:05:01,431 --> 00:05:03,303 HOW DO YOU WANT THIS SIGNED, GENERAL? 35 00:05:03,433 --> 00:05:06,218 SERGEANT CLOVIS HOOK. 36 00:05:06,349 --> 00:05:08,003 YES, SIR. 37 00:05:08,133 --> 00:05:09,265 NEVERMIND THE SIR. 38 00:05:09,396 --> 00:05:11,311 HEY, SERGEANT. 39 00:05:16,881 --> 00:05:20,058 TIME FOR YOU AND ME TO GET SOMETHING OFF MY CHEST. 40 00:05:20,189 --> 00:05:21,886 THAT'S ALL THE LOUSY WATER WE GOT. 41 00:05:21,973 --> 00:05:23,148 STAND EASY, SOLDIER. 42 00:05:23,235 --> 00:05:24,585 WHERE DOES IT SAY WE GOT TO DIE OF THIRST 43 00:05:24,715 --> 00:05:26,021 TO KEEP THE DEAD FROM PUTRIFYING? 44 00:05:26,108 --> 00:05:28,240 YOU GOT YOUR ORDERS. 45 00:05:28,371 --> 00:05:31,635 I ALSO GOT A RATION OF WATER COMING, AND I'M TAKIN' IT. 46 00:05:31,766 --> 00:05:33,158 RYAN, YOU'VE ALREADY COST YOURSELF 47 00:05:33,289 --> 00:05:36,466 A 10-DAY TOUR ON LATRINE DUTY. 48 00:05:36,597 --> 00:05:38,903 ONE SWALLOW AND I'LL MAKE YOUR LIFE'S WORK. 49 00:05:44,300 --> 00:05:45,606 DON'T WORRY, MISTER, 50 00:05:45,693 --> 00:05:47,651 YOU DIE OF THIRST I'LL PUT YOU IN FOR CORPORAL. 51 00:05:55,485 --> 00:05:57,748 SERGEANT! OVER HERE! 52 00:06:00,142 --> 00:06:01,839 UP HERE, SERGEANT. 53 00:06:08,890 --> 00:06:10,848 SHE'S WHITE. WHITE, SERGEANT. 54 00:06:10,935 --> 00:06:12,894 WELL, I DECLARE. 55 00:06:13,024 --> 00:06:14,374 I'M SERGEANT HOOK, MA'AM. 56 00:06:17,812 --> 00:06:19,030 SHE KEEPS NOT SAYIN' NOTHIN'. 57 00:06:19,161 --> 00:06:22,120 WELL, GIVE HER TIME. 58 00:06:22,251 --> 00:06:25,036 AIN'T YOU GOT NO IDEA WHAT SHE MUST'VE BEEN GOIN' THROUGH. 59 00:06:27,778 --> 00:06:29,998 IT'S GONNA BE ALL RIGHT NOW, MA'AM. 60 00:06:30,128 --> 00:06:31,173 YOU JUST DON'T WORRY ABOUT A THING. 61 00:06:31,303 --> 00:06:34,350 DIJEA! DIJEA! 62 00:06:34,481 --> 00:06:36,004 DIJEA! DIJEA! 63 00:06:36,134 --> 00:06:39,964 DIJEA! DIJEA! 64 00:06:40,095 --> 00:06:42,184 NANCHEZ IS THE BOY'S FATHER. 65 00:06:43,794 --> 00:06:45,666 HEY, WAIT A MINUTE. 66 00:06:45,796 --> 00:06:46,797 YOU DON'T THINK THAT SHE- 67 00:06:48,016 --> 00:06:49,234 THE BOY, MA'AM- 68 00:06:49,365 --> 00:06:50,714 HE YOURS? 69 00:06:53,151 --> 00:06:57,068 YOU AND NANCHEZ? 70 00:06:57,199 --> 00:06:59,984 YOU MEAN YOU LET YOURSELF WHELP THAT BUTCHER'S KID? 71 00:07:00,071 --> 00:07:03,379 Courier: YOU AIN'T NO WHITE WOMAN. NO MORE YOU AIN'T. 72 00:07:03,510 --> 00:07:05,860 JUST SAY IN YOUR DISPATCH WE'RE BRINGIN' BACK A WHITE WOMAN. 73 00:07:05,990 --> 00:07:07,644 BEGGIN' THE SERGEANT'S PARDON, 74 00:07:07,731 --> 00:07:09,777 BUT DON'T YOU RECKON FOLKS BACK AT THE POST 75 00:07:09,907 --> 00:07:12,823 OUGHTA KNOW THEY'LL BE ROLLIN' OUT THE CARPET FOR NANCHEZ'S SQUAW 76 00:07:12,910 --> 00:07:15,173 AND THEIR REDSKIN MONGREL? 77 00:07:15,304 --> 00:07:17,872 JUST SAY THE WOMAN IS THE MOTHER OF NANCHEZ'S CHILD. 78 00:07:41,286 --> 00:07:44,115 THAT MUST BE THE ONE. 79 00:07:46,335 --> 00:07:48,250 DETAIL... 80 00:07:48,337 --> 00:07:49,337 HALT! 81 00:08:07,008 --> 00:08:08,008 WHITAKER! 82 00:08:10,968 --> 00:08:12,056 TAKE HIM TO THE GUARDHOUSE. 83 00:08:12,187 --> 00:08:15,320 STRANGE MAN, THE SERGEANT. 84 00:08:15,451 --> 00:08:18,193 MAKIN' SUCH A POINT OF HONORABLE SURRENDER 85 00:08:18,323 --> 00:08:19,629 FOR THE WORST BUTCHER IN THE TERRITORY. 86 00:08:29,987 --> 00:08:31,511 IMMLER. 87 00:08:31,641 --> 00:08:33,338 MARY IMMLER? 88 00:08:39,606 --> 00:08:40,911 CORA SUTLIFF? 89 00:08:46,003 --> 00:08:47,396 I THINK YOU HIT IT, SIR. 90 00:08:47,527 --> 00:08:50,399 CORA SUTLIFF? 91 00:08:50,530 --> 00:08:52,357 IS THAT YOU? 92 00:08:55,578 --> 00:08:58,973 THIS REPORT SAYS YOU WERE ON YOUR WAY TO JOIN YOUR HUSBAND 93 00:08:59,103 --> 00:09:02,063 WHEN THE WAGON TRAIN WAS ATTACKED BY A BAND OF CHIRICAHUAS. 94 00:09:02,193 --> 00:09:04,979 YOU WERE THE ONLY ONE TAKEN ALIVE. 95 00:09:11,942 --> 00:09:13,683 THIS IS DEVILISH, SERGEANT. 96 00:09:13,814 --> 00:09:16,207 I CAN'T EVEN BE SURE THAT THIS WOMAN IS IN HER RIGHT MIND. 97 00:09:16,338 --> 00:09:18,514 HASN'T SHE SAID ONE WORD SINCE YOU FOUND HER? 98 00:09:18,601 --> 00:09:20,342 NOT A WORD, SIR. 99 00:09:25,739 --> 00:09:28,393 THERE'S NOTHING HERE TO INDICATE WHERE YOUR HUSBAND MIGHT BE NOW, MA'AM. 100 00:09:28,480 --> 00:09:31,266 I'LL START AN INQUIRY AND SEE IF WE CAN'T LOCATE HIM. 101 00:09:33,747 --> 00:09:36,140 WE'LL BE SENDING NANCHEZ AND HIS PEOPLE 102 00:09:36,271 --> 00:09:38,621 TO THE RESERVATION IN SAN CARLOS IN A FEW DAYS. 103 00:09:39,317 --> 00:09:41,406 THE BOY CAN GO WITH THEM. 104 00:09:41,537 --> 00:09:44,801 I WOULDN'T COUNT ON NANCHEZ GOING TO SAN CARLOS, SIR. 105 00:09:44,888 --> 00:09:45,888 WHAT? 106 00:09:45,933 --> 00:09:47,369 I KNOW HIM. HE WON'T. 107 00:09:47,499 --> 00:09:49,284 HE THINKS THE PLACE IS A PEST HOLE. 108 00:09:49,414 --> 00:09:52,548 A FEW DAYS ON THE PLATFORM WILL CHANGE HIS MIND. 109 00:09:55,551 --> 00:09:58,554 AM I TO UNDERSTAND YOU INTEND TO KEEP THIS BOY? 110 00:10:02,340 --> 00:10:03,340 WHAT ABOUT YOUR HUSBAND, MA'AM? 111 00:10:05,474 --> 00:10:07,345 YOU'LL BE WISHING THIS CHILD ON HIM, TOO. 112 00:10:09,173 --> 00:10:10,173 DOESN'T SHE REALIZE SHE'S PLAYING THE FOOL? 113 00:10:10,373 --> 00:10:12,786 HE'S HER SON, SIR. 114 00:10:12,873 --> 00:10:14,265 BUT HE'S... 115 00:10:14,352 --> 00:10:17,529 OH, WELL, IT'S NOT OUR AFFAIR. 116 00:10:20,750 --> 00:10:22,360 WHERE DO YOU WANT MRS. SUTLIFF TO STAY, SIR? 117 00:10:22,491 --> 00:10:24,493 OH... 118 00:10:24,580 --> 00:10:27,757 PUT HER IN THE EMPTY QUARTERS ALONG SUDS ROW. 119 00:10:27,888 --> 00:10:29,803 YES, SIR. 120 00:10:35,156 --> 00:10:36,853 YOU'LL BE FINE THERE, MA'AM. 121 00:10:36,984 --> 00:10:38,333 YOU'LL BE ALL TO YOURSELF. 122 00:11:00,181 --> 00:11:02,009 I... 123 00:11:02,096 --> 00:11:04,228 ANN... 124 00:11:15,457 --> 00:11:18,242 ADAM... 125 00:11:18,373 --> 00:11:21,245 WHAT WOULD YOUR FEELINGS BE IF I WERE IN HER PLACE? 126 00:11:21,376 --> 00:11:24,292 THAT DOESN'T EVEN DESERVE AN ANSWER. 127 00:11:24,422 --> 00:11:26,250 DOESN'T IT? 128 00:11:26,381 --> 00:11:28,775 YOU WOULD'VE KILLED YOURSELF BEFORE YOU LET IT HAPPEN TO YOU. 129 00:11:30,994 --> 00:11:32,779 I WONDER. 130 00:12:54,208 --> 00:12:56,384 CORA? 131 00:13:18,319 --> 00:13:19,319 HE CAN COME DOWN ANYTIME HE SAYS THE WORD, SERGEANT. 132 00:13:19,519 --> 00:13:22,018 I KNOW. 133 00:13:22,149 --> 00:13:23,237 ALL HE HAS TO DO IS PROMISE TO TAKE HIS PEOPLE 134 00:13:23,367 --> 00:13:25,065 TO SAN CARLOS, AND STAY THERE. 135 00:13:25,195 --> 00:13:27,154 HE WON'T. 136 00:13:27,284 --> 00:13:30,070 I SAW YOU UNTIE HIS BONDS. 137 00:13:30,157 --> 00:13:31,332 YOU RESPECT HIM, DON'T YOU? 138 00:13:31,419 --> 00:13:34,117 HE'S A CRUEL, TREACHEROUS MAN, SIR. 139 00:13:34,248 --> 00:13:35,684 WELL? 140 00:13:35,815 --> 00:13:38,426 HE DOESN'T PARTICULARLY CARE FOR ME EITHER. 141 00:13:38,513 --> 00:13:40,123 HE FIGHTS HIS WAY, I FIGHT MINE. 142 00:13:40,254 --> 00:13:42,560 PUTTING YOURSELF ON HIS LEVEL? 143 00:13:42,691 --> 00:13:47,043 WE'RE JUST A COUPLE OF DOGS HAGGLIN' OVER THE SAME BONE. 144 00:13:47,174 --> 00:13:49,350 ONLY IT HAPPENS TO BE HIS BONE. 145 00:13:50,917 --> 00:13:52,701 DIJEA! 146 00:13:57,880 --> 00:13:59,099 DIJEA! 147 00:14:01,188 --> 00:14:03,059 LEAVE HIM TO ME, WHITAKER. 148 00:14:03,190 --> 00:14:04,800 YOU CAN HAVE HIM, SERGEANT. 149 00:14:16,464 --> 00:14:19,119 Hook: THE BOY GOES WITH HIS MOTHER, NANCHEZ. 150 00:14:19,249 --> 00:14:20,598 THAT'S THE WAY IT HAS TO BE. 151 00:14:23,166 --> 00:14:26,430 WHO KNOWS WHAT HAS TO BE? 152 00:14:53,457 --> 00:14:57,070 PLEASE, MRS. SUTLIFF, I'VE BROUGHT YOU A DRESS. 153 00:14:58,071 --> 00:14:59,899 WON'T YOU LET ME IN? 154 00:15:04,816 --> 00:15:06,166 PLEASE ACCEPT IT. 155 00:15:06,296 --> 00:15:08,908 I'LL PUT IT DOWN BY THE DOOR. 156 00:15:54,997 --> 00:15:56,564 Boy: DOTA! 157 00:16:05,834 --> 00:16:07,053 BAHOJA. 158 00:16:22,242 --> 00:16:24,505 - AT EASE, SERGEANT. - THANK YOU, SIR. 159 00:16:24,635 --> 00:16:27,290 MRS. SUTLIFF- WE'VE LOCATED HER HUSBAND. 160 00:16:27,421 --> 00:16:29,075 SHE'LL BE GLAD TO HEAR THAT, COLONEL. 161 00:16:29,205 --> 00:16:32,295 FRED SUTLIFF. THE NAME IS RIGHT, AND EVERYTHING ELSE CHECKS. 162 00:16:32,426 --> 00:16:36,038 HE'S GOT SOME KIND OF A RANCH OUTSIDE SAN MIGUEL, NEAR TUSCON. 163 00:16:36,169 --> 00:16:38,649 I DARESAY YOU'LL RUN INTO A FEW COMPLICATIONS. 164 00:16:38,780 --> 00:16:40,042 - I DARESAY, SIR. - BUT I KNOW YOU WON'T LET US DOWN. 165 00:16:40,129 --> 00:16:43,132 WHEN DO WE START, SIR? 166 00:16:43,263 --> 00:16:45,482 YOU'LL DRAW EXPENSE MONEY AND BE ON YOUR WAY BEFORE REVEILLE. 167 00:16:45,569 --> 00:16:47,397 TAKE ONE OF THE MEN ALONG AS ESCORT 168 00:16:47,484 --> 00:16:48,484 AS FAR AS THE SETTLEMENT WHERE YOU CAN GET THE STAGE. 169 00:16:48,684 --> 00:16:50,009 YES, SIR. 170 00:16:51,619 --> 00:16:52,619 THAT'S ALL. 171 00:17:07,200 --> 00:17:09,811 ONAHI! ONAHI! ONAHI! 172 00:17:29,918 --> 00:17:33,095 DIJEA! DIJEA! 173 00:17:37,317 --> 00:17:39,884 ONAHI! ONAHI! 174 00:17:39,971 --> 00:17:42,104 HEY, SERGEANT! 175 00:17:45,716 --> 00:17:47,718 WE GOTTA DO SOMETHING ABOUT THE CHIEF RIGHT NOW. 176 00:17:47,805 --> 00:17:50,504 YOU SHOULD BE GRATEFUL I'M LETTIN' YOU MAKE THIS TRIP. 177 00:17:50,634 --> 00:17:54,725 WHEN A MAN'S ON LATRINE DUTY TOO LONG, HE CAN TURN REAL BITTER. 178 00:17:54,856 --> 00:17:56,814 ALL RIGHT, THAT DID IT! I'M GONNA TIE YOU DOWN WITH MY BELT. 179 00:17:56,945 --> 00:17:58,555 OH, KIDS DON'T NEED TYING. 180 00:18:04,300 --> 00:18:07,129 HEY, SERGEANT, HOW MANY YEARS YOU GOT TO BE MARRIED 181 00:18:07,260 --> 00:18:08,348 BEFORE YOU LEARN TO HANDLE A KID LIKE THAT? 182 00:18:08,478 --> 00:18:11,786 - YOU TALK TOO MUCH, SOLDIER. - 183 00:18:30,283 --> 00:18:32,372 YOU KNOW WHO SHE BE, DON'T YOU? 184 00:18:32,502 --> 00:18:35,592 THE ONE WE BEEN HEARING ABOUT, 185 00:18:35,679 --> 00:18:36,854 THE ONE NANCHEZ HAD. 186 00:18:42,512 --> 00:18:45,254 YOU LOOK LIKE A THIRSTY JACKASS SNIFFIN' OUT A RAIN BARREL. 187 00:18:45,385 --> 00:18:46,821 I'M HUMAN. 188 00:18:46,951 --> 00:18:48,170 GRAB YOURSELF A DRINK AND GET BACK TO THE FORT. 189 00:18:48,301 --> 00:18:50,346 - YES, SIR! - AND RYAN... 190 00:18:50,477 --> 00:18:53,175 DON'T FORGET, YOU HAVE TO TAKE THESE HORSES BACK. 191 00:18:54,742 --> 00:18:55,873 THANKS. 192 00:18:58,572 --> 00:19:01,314 HOWDY, GENTLEMAN. 193 00:19:05,144 --> 00:19:07,842 SIT DOWN, MA'AM. 194 00:19:10,845 --> 00:19:13,152 MAY I HELP YOU? 195 00:19:13,282 --> 00:19:14,936 YEAH, DO YOU THINK YOU COULD RUSTLE UP 196 00:19:15,066 --> 00:19:16,285 SOME CHEESE AND CRACKERS FOR 'EM? I'D BE OBLIGED. 197 00:19:16,416 --> 00:19:21,072 I GUESS WE CAN MANAGE THAT, SERGEANT. 198 00:19:21,160 --> 00:19:23,336 I'M GOING ACROSS THE STREET TO SEE ABOUT THE STAGE FARES 199 00:19:23,466 --> 00:19:25,686 AND GET MY GEAR ABOARD. WON'T BE A MINUTE. 200 00:19:25,816 --> 00:19:27,644 JUST REST YOURSELVES. 201 00:19:35,391 --> 00:19:36,871 THIS OUGHT TO BE MIGHTY INTERESTING. 202 00:19:43,007 --> 00:19:45,358 YOU AIM TO WASTE GOOD VITTLES FATTENING UP NANCHEZ'S KID, MR. BEAN? 203 00:19:45,488 --> 00:19:48,535 AH, TAKE IT EASY, KEECH. 204 00:19:48,665 --> 00:19:49,840 NO TROUBLE, EH? 205 00:19:52,408 --> 00:19:54,584 I'M RIGHT ABOUT HIM BELONGIN' TO THAT INDIAN SCUM, AIN'T I? 206 00:19:54,715 --> 00:19:56,325 WELL, AIN'T I? 207 00:19:56,456 --> 00:19:58,849 I THOUGHT SO. 208 00:19:58,980 --> 00:20:00,895 MAYBE YOU LIKED HAVIN' HIM, 209 00:20:01,025 --> 00:20:02,331 BUT YOU DON'T HAVE TO COME FLAUNTIN' HIM AROUND DECENT WHITE WOMEN! 210 00:20:02,418 --> 00:20:04,768 TAKE YOUR HANDS OFF MY SON! 211 00:20:04,899 --> 00:20:06,335 OH, GOD! 212 00:20:06,466 --> 00:20:07,902 PUT THAT DOWN! 213 00:20:08,032 --> 00:20:09,947 ANIMALS! ALL OF YOU! 214 00:20:10,078 --> 00:20:11,688 ANIMALS! 215 00:20:14,082 --> 00:20:15,823 IF ONE OF YOU SO MUCH AS TOUCHES MY BOY, I'LL KILL YOU! 216 00:20:17,999 --> 00:20:20,175 WELL, GENTLEMAN. 217 00:20:26,573 --> 00:20:30,098 THIS YOUNG FELLA HERE NEEDS SOME TRAVELING CLOTHES. 218 00:20:30,185 --> 00:20:31,230 JUST BECAUSE YOU'RE WEARING THAT UNIFORM 219 00:20:31,360 --> 00:20:33,014 DON'T MEAN WE GOTTA HELP INDIAN LEAVIN'S. 220 00:20:36,539 --> 00:20:39,107 MAYBE SOME OF YOU'LL GET OUT AND SCROUNGE UP SOMETHING FOR THE BOY TO WEAR. 221 00:20:39,194 --> 00:20:41,675 MUST BE SOME SMALL KIDS AROUND THIS PLACE. 222 00:20:51,380 --> 00:20:52,642 GET OUT. 223 00:21:14,011 --> 00:21:15,011 THANK YOU. 224 00:21:18,799 --> 00:21:21,671 THOSE WERE THE FIRST WORDS I'VE HEARD OUT OF YOU, MA'AM. 225 00:21:21,802 --> 00:21:25,109 MIGHTY POWERFUL SENTIMENTS, BUT THEY SOUNDED REAL GOOD. 226 00:21:25,240 --> 00:21:27,547 I DON'T WANT TO CAUSE YOU ANY TROUBLE. 227 00:21:27,677 --> 00:21:30,419 TROUBLE? 228 00:21:30,550 --> 00:21:31,725 NO TROUBLE. 229 00:21:41,735 --> 00:21:42,910 THANK YOU, MA'AM. 230 00:21:54,356 --> 00:21:56,532 ONAHI! ONAHI! 231 00:22:01,363 --> 00:22:03,626 COULD HE USE A HAT, SERGEANT? 232 00:22:03,757 --> 00:22:05,976 WELL, THANKS, BUT BOYS DON'T NEED HATS- ONLY IN WINTER. 233 00:22:06,063 --> 00:22:07,630 SERGEANT... 234 00:22:07,761 --> 00:22:10,241 NEARLY TIME FOR MR. TRUDE TO SHOW UP. 235 00:22:10,372 --> 00:22:11,372 YOU'D BETTER BE INSIDE THAT COACH BEFORE HE GETS THERE. 236 00:22:11,417 --> 00:22:13,810 THANK YOU, MA'AM. GENTLEMEN. 237 00:22:39,575 --> 00:22:42,752 ALL RIGHT, FOLKS, YOU'RE TRAVELING WITH A GLORY RIDER 238 00:22:42,883 --> 00:22:44,188 WHO MAKES FIGHTIN' WAGES AND DON'T WAIT FOR NOBODY. 239 00:22:44,275 --> 00:22:46,495 I MAY NOT BE A COLT ANYMORE, 240 00:22:46,626 --> 00:22:49,237 BUT I AIN'T LOST NONE OF MY PITCH. 241 00:22:49,324 --> 00:22:51,500 I'M HALF MUSTANG AND HALF ALLIGATOR. 242 00:22:51,631 --> 00:22:53,197 NOW GET GOIN', YOU CRITTERS. 243 00:22:53,328 --> 00:22:57,376 HE-ROO-RAH-ROO! 244 00:22:59,508 --> 00:23:01,380 ♪ THEY FOUND A CAPTIVE WIFE ♪ 245 00:23:01,554 --> 00:23:05,035 ♪ OF AN APACHE INDIAN CHIEF ♪ 246 00:23:05,209 --> 00:23:07,429 ♪ TROOPER'S DUTY TO RESTORE HER ♪ 247 00:23:07,603 --> 00:23:09,300 ♪ TO HER HUSBAND BOWED WITH GRIEF ♪ 248 00:23:09,475 --> 00:23:12,347 ♪ BUT SHE WOULD NOT PART ♪ 249 00:23:12,521 --> 00:23:14,218 ♪ WITH THE CHILD OF HER HEART ♪ 250 00:23:14,393 --> 00:23:17,700 ♪ SCORN SHE KNEW ♪ 251 00:23:17,874 --> 00:23:20,224 ♪ FEAR AND DANGER, TOO ♪ 252 00:23:20,355 --> 00:23:23,837 - ♪ DANGER TOO... ♪ - 253 00:23:29,843 --> 00:23:31,758 THE INDIAN... 254 00:23:31,888 --> 00:23:33,673 HE TREAT YOU ALL RIGHT? 255 00:23:38,155 --> 00:23:41,550 HE BEAT ME ONCE. 256 00:23:44,292 --> 00:23:46,686 MAYBE IT WAS RIGHT. I WOULDN'T WORK. 257 00:23:50,254 --> 00:23:53,780 IT WAS THE SQUAWS MADE ME WISH I WERE DEAD. 258 00:23:53,867 --> 00:23:54,955 FIGURED THAT. 259 00:23:57,827 --> 00:23:59,916 BUT THEY STOPPED WHEN I BECAME ONE OF THEM... 260 00:24:02,528 --> 00:24:04,094 LOOKED LIKE THEM... 261 00:24:05,966 --> 00:24:07,271 SMELLED LIKE THEM. 262 00:24:09,883 --> 00:24:11,362 HI'YA! 263 00:24:16,367 --> 00:24:18,108 HE-ROO-RAH-ROO! 264 00:24:38,868 --> 00:24:40,391 WELL...? 265 00:24:40,522 --> 00:24:43,351 WELL, I GUESS IT LOOKS LIKE WHAT IT IS, DON'T IT? 266 00:24:43,438 --> 00:24:45,440 WHEN I HIT THAT ROCK, ME'N THE WAGON STOPPED, BUT THE HORSE DIDN'T. 267 00:24:45,571 --> 00:24:47,268 HOW MUCH TO TAKE ME TO THE NEXT TOWN? 268 00:24:47,398 --> 00:24:50,358 A DOLLAR, TWO BITS. NOW GET IN FAST. 269 00:24:50,445 --> 00:24:52,142 YOU MADE ME LOSE A HALF A MINUTE ALREADY. 270 00:24:53,970 --> 00:24:55,755 HI'YA! HI'YA! 271 00:25:00,368 --> 00:25:03,371 GIDDYUP! HI'YA! 272 00:25:06,330 --> 00:25:08,376 WINDMILLS IS MY LINE. 273 00:25:08,507 --> 00:25:10,465 ECLIPSE WINDMILLS FROM BATAVIA, ILLINOIS. 274 00:25:10,596 --> 00:25:12,946 I SELL 'EM. 275 00:25:13,076 --> 00:25:14,687 YOU THREE TOGETHER? 276 00:25:14,774 --> 00:25:16,253 YES. 277 00:25:16,384 --> 00:25:18,081 OH, YOUR WIFE THEN, EH? 278 00:25:18,212 --> 00:25:19,822 NO. 279 00:25:22,085 --> 00:25:24,697 PARDON ME, LADY. 280 00:25:24,827 --> 00:25:26,742 THEM MOCASSINS? 281 00:25:26,873 --> 00:25:29,136 YOU FIND 'EM MORE COMFORTABLE THAN SHOES? 282 00:25:37,448 --> 00:25:39,450 THAT THE FASHION IN THESE PARTS? 283 00:25:39,581 --> 00:25:42,845 I MEAN YOUR HAIR. CUT A MITE SHORT, LOOKS TO ME. 284 00:25:42,976 --> 00:25:44,673 ANY REASON FOR IT? 285 00:25:44,804 --> 00:25:46,632 LICE. 286 00:25:48,503 --> 00:25:51,332 SHE'S JOKIN' ME, HUH? 287 00:25:51,462 --> 00:25:52,725 PULLIN' MY LEG! 288 00:25:55,466 --> 00:25:58,948 DUST'S PRETTY BAD OUT HERE, SO'S THE FLIES THIS TIME OF YEAR. 289 00:25:59,079 --> 00:26:00,689 BEST KEEP YOUR MOUTH CLOSED. 290 00:26:02,169 --> 00:26:04,127 ONAHI! ONAHI! 291 00:26:04,258 --> 00:26:07,827 - ONAHI! - WHAT'S THAT? 292 00:26:07,957 --> 00:26:09,611 HEY, WHERE'D YOU PICK UP THAT KID, ANYWAY? 293 00:26:10,003 --> 00:26:12,353 MR. TRUDE! 294 00:26:12,483 --> 00:26:14,050 Trude: WHOA, THERE! 295 00:26:20,709 --> 00:26:22,493 I GOT ME A SCHEDULE TO MEET. WHAT'S THE TROUBLE? 296 00:26:22,624 --> 00:26:25,801 OUR FRIEND HERE WANTS TO RIDE UP ON THE BOX WITH YOU. 297 00:26:25,932 --> 00:26:29,326 A REAL FINE VIEW UP THERE. HEALTHY. 298 00:26:29,457 --> 00:26:30,457 NOW, WAIT A MINUTE! WHERE'D YOU GET THE IDEA THAT I WOU- 299 00:26:30,657 --> 00:26:32,460 HEALTHY! 300 00:26:34,070 --> 00:26:36,290 I RECKON HE'S RIGHT. COME ALONG, MISTER. 301 00:26:36,420 --> 00:26:38,466 YOU CAN WATCH ME SNAP OFF RATTLER HEADS. 302 00:26:51,392 --> 00:26:54,874 WHAT'S HE MEAN, DOIN' THIS TO ME? 303 00:26:55,004 --> 00:26:57,964 IT AIN'T WHAT HE'S LIKELY TO DO I'D BE WORRIED ABOUT, MISTER. 304 00:26:58,094 --> 00:27:00,183 - IT'S HER. - WHAT ARE YOU TALKIN' ABOUT? 305 00:27:00,314 --> 00:27:02,925 THAT'S NANCHEZ'S WOMAN DOWN THERE. YOU'VE HEARD OF NANCHEZ? 306 00:27:03,056 --> 00:27:05,319 - THE APACHE? - YOU GET HER RILED UP 307 00:27:05,449 --> 00:27:08,452 AND SHE'S LIKELY TO CUT YOUR HEART OUT WITH A DULL KNIFE. 308 00:27:08,583 --> 00:27:10,629 FROM THE LOOKS OF YOU, YOU'D BLEED ENOUGH TO FILL A BOG-HOLE. 309 00:27:10,759 --> 00:27:13,675 HE-ROO-RAH-ROO! 310 00:27:13,806 --> 00:27:15,459 YOU KNOW SOMETHIN'... 311 00:27:15,546 --> 00:27:16,722 QUITO. 312 00:27:16,852 --> 00:27:18,593 ...QUITO? 313 00:27:18,724 --> 00:27:20,290 WITH YOUR COMMAND OF LANGUAGE, 314 00:27:20,421 --> 00:27:22,815 YOU GOT ALL THE MAKIN'S OF A SERGEANT. 315 00:27:55,238 --> 00:27:57,632 WELL, HERE'S YOUR MAIL, MR. WILSON. 316 00:27:57,719 --> 00:27:59,068 AND IT'S RIGHT ON SCHEDULE. 317 00:27:59,155 --> 00:28:00,635 THANK YOU, MR. TRUDE. 318 00:28:09,513 --> 00:28:11,820 SORRY, SERGEANT, BUT THE DINING ROOM'S FILLED UP. 319 00:28:17,608 --> 00:28:19,262 WE'RE NOT HUNGRY. 320 00:28:35,409 --> 00:28:37,541 Trude: BEEN BUCKIN' THE TIGER AGAIN, EH, COWBOY? 321 00:28:37,672 --> 00:28:39,761 SEE YOU LOST YOUR HORSE. 322 00:28:39,848 --> 00:28:41,807 I SWEAR THAT BLACKJACK DEALER 323 00:28:41,937 --> 00:28:43,939 CAN SEE BOTH SIDES OF THEM CARDS. 324 00:28:44,070 --> 00:28:45,332 WELL, YOU AIN'T HOOKIN' NO MORE RIDE WITH ME 325 00:28:45,462 --> 00:28:48,727 JUST ON THE STRENGTH OF YOUR JAWBONE, SON. 326 00:28:48,814 --> 00:28:51,294 I SURE WISH YOU'D TALK GENTLE, MR. TRUDE. 327 00:28:51,425 --> 00:28:54,036 I'M HUNG OVER SO FAR, I'M CARRYIN' A HUMP ON MY BACK. 328 00:28:56,256 --> 00:28:57,387 THAT'S WHAT A FOOL BOY GETS FOR COYOTIN' AROUND 329 00:28:57,518 --> 00:29:00,173 WITHOUT A MAN'S CONSTITUTION. 330 00:29:33,336 --> 00:29:35,121 Quito: BAHOJA. 331 00:29:35,251 --> 00:29:37,732 Cora: UNA. UNA, QUITO. 332 00:29:37,863 --> 00:29:40,039 Quito: BAHOJA. 333 00:29:40,169 --> 00:29:42,128 UNA, QUITO. 334 00:29:42,258 --> 00:29:44,783 Quito: BAHOJA. 335 00:29:45,131 --> 00:29:48,656 - Hook: GOOD? - MMM... 336 00:29:48,787 --> 00:29:50,832 CLEAR, COLD WATER. 337 00:29:50,919 --> 00:29:52,747 LIKE A STREAM BACK HOME. 338 00:29:55,315 --> 00:29:57,099 BOY SEEMS TO LIKE THE WATER, TOO. 339 00:29:57,186 --> 00:30:00,059 YES. 340 00:30:00,189 --> 00:30:01,625 HE LEARN HOW TO SWIM YET? 341 00:30:01,712 --> 00:30:03,062 NO. 342 00:30:03,192 --> 00:30:06,108 SORRY ABOUT WILSON. 343 00:30:06,239 --> 00:30:07,239 IT DOESN'T MATTER. 344 00:30:15,509 --> 00:30:18,468 THE COOK IN WILSON'S KITCHEN USED TO BE A MESS SERGEANT. 345 00:30:31,525 --> 00:30:34,006 GOOD THING NOBODY'S HUNGRY. 346 00:30:51,850 --> 00:30:53,634 WHY DON'T YOU ASK ME? 347 00:30:54,809 --> 00:30:56,202 ASK YOU WHAT? 348 00:30:58,117 --> 00:30:59,683 HOW I FELT WHEN HE PUT HIS HANDS ON ME. 349 00:30:59,814 --> 00:31:01,294 WAS IT LIKE ANY OTHER MAN? 350 00:31:01,424 --> 00:31:04,210 THAT'S NONE OF MY BUSINESS. 351 00:31:04,340 --> 00:31:06,734 THAT'S NOT TRUE- EVERY MAN THAT LOOKS AT ME MAKES IT HIS BUSINESS. 352 00:31:07,953 --> 00:31:09,693 I GUESS YOU'RE RIGHT. 353 00:31:09,824 --> 00:31:13,436 THEY CAN'T HELP IT. 354 00:31:13,567 --> 00:31:16,787 THEY HATE THE INDIAN FOR WHAT THEY THEMSELVES MIGHT HAVE DONE, BUT... 355 00:31:18,877 --> 00:31:21,009 THEY HATE ME EVEN MORE. 356 00:31:21,140 --> 00:31:23,316 I DON'T HATE YOU. 357 00:31:23,446 --> 00:31:26,580 THAT'S THE DIFFERENCE. 358 00:31:26,710 --> 00:31:28,712 THAT'S WHY I CAN TALK TO YOU THIS WAY. 359 00:31:28,843 --> 00:31:30,714 TALKIN' HELPS. 360 00:31:35,328 --> 00:31:38,287 I GOT USED TO BEING HIS SQUAW. 361 00:31:38,418 --> 00:31:40,376 IT WAS JUST ONE OF THOSE THINGS I HAD TO LEARN 362 00:31:40,507 --> 00:31:42,726 AND ACCEPT IN ORDER TO SURVIVE. 363 00:31:45,425 --> 00:31:47,993 BUT JUST NOW, DOWN THERE IN THE COLD, CLEAR WATER... 364 00:31:50,909 --> 00:31:52,780 WATCHING MY SON, LISTENING TO HIM LAUGH... 365 00:31:56,349 --> 00:32:00,527 THAT ONE MOMENT WAS WORTH ALL THOSE YEARS. 366 00:32:08,230 --> 00:32:11,668 CAN YOU UNDERSTAND WANTING SO MUCH TO LIVE? 367 00:32:11,799 --> 00:32:14,149 I GUESS I GOT GOOD REASON TO UNDERSTAND REAL WELL, MA'AM. 368 00:32:24,812 --> 00:32:26,901 COME. 369 00:32:27,032 --> 00:32:28,381 HACO! 370 00:32:41,263 --> 00:32:42,263 DON'T CUT YOURSELF. 371 00:32:42,463 --> 00:32:44,049 WAKESH! 372 00:32:56,235 --> 00:32:58,802 THERE WAS ONCE I WANTED TO LIVE SO BAD, 373 00:32:58,933 --> 00:33:01,022 I TURNED MYSELF INTO A DOG. 374 00:33:01,153 --> 00:33:02,153 FOR A WHOLE MONTH I WAS A DOG. 375 00:33:05,505 --> 00:33:07,724 YOU EVER HEARD OF ANDERSONVILLE? 376 00:33:10,031 --> 00:33:12,773 THE REBS CALLED IT A PRISON CAMP. 377 00:33:12,903 --> 00:33:16,646 THE DEVIL HIMSELF COULDN'T HAVE THOUGHT UP A WORSE CRAWLIN' HELL. 378 00:33:16,777 --> 00:33:20,911 ALL AROUND, MEN DYING OF SCURVY AND DYSENTERY. 379 00:33:20,999 --> 00:33:24,350 MUSH AND SICK BACON ALL THERE WAS TO EAT, AND NEVER ENOUGH OF THAT. 380 00:33:24,480 --> 00:33:26,830 EVERYTHING PUTRID, 381 00:33:26,961 --> 00:33:27,961 INSIDE AND OUT. 382 00:33:31,313 --> 00:33:34,795 LOOK, MAYBE YOU DON'T WANT TO HEAR ANYMORE OF THIS. 383 00:33:34,882 --> 00:33:36,666 YOU SAID TALKING HELPS. 384 00:33:40,235 --> 00:33:43,282 THERE WAS A MAN DYING OF LUNG FEVER, JUST WAITING TO DIE. 385 00:33:43,412 --> 00:33:45,458 OUT OF HIS HEAD MOST OF THE TIME. 386 00:33:45,545 --> 00:33:47,503 HE HAPPENED TO LOVE DOGS, 387 00:33:47,634 --> 00:33:48,634 AND I FOUND IF I BARKED ONCE OR TWICE, 388 00:33:48,635 --> 00:33:51,899 HE'D GIVE ME SOME OF HIS RATIONS. 389 00:33:51,986 --> 00:33:54,336 THAT'S HOW IT STARTED. 390 00:33:54,467 --> 00:33:58,340 THEN I USED TO WAKE UP IN THE MORNING PLANNING ON BEING A DOG. 391 00:33:58,471 --> 00:34:02,127 I EVEN GOT DOWN ON MY HANDS AND KNEES TO PUT ON A GOOD SHOW. 392 00:34:02,214 --> 00:34:03,824 FOR A WHOLE MONTH I WAS A DOG. 393 00:34:06,957 --> 00:34:09,351 POOR FELLA DIED THINKIN' I WAS ONE. 394 00:34:09,482 --> 00:34:11,440 BUT I LIVED. 395 00:34:11,571 --> 00:34:14,835 IT ALL DEPENDS ON HOW HARD YOU WANT TO LIVE, I GUESS. 396 00:34:17,229 --> 00:34:18,229 WE BETTER GET MOVIN', MA'AM. 397 00:34:18,429 --> 00:34:19,796 QUITO. 398 00:34:49,478 --> 00:34:52,829 NOW GIT FLYIN'! LET ME SEE YOUR HEELS! 399 00:34:52,960 --> 00:34:54,222 ROO-RAH! 400 00:35:05,320 --> 00:35:09,368 EVENING, MA'AM. AND YOU, GENERAL. 401 00:35:09,498 --> 00:35:11,021 EVENING. 402 00:35:13,633 --> 00:35:14,633 YOU TOO, BUB. 403 00:35:18,899 --> 00:35:21,162 SORRY TO DISAPPOINT YOU, MR. TRUDE, 404 00:35:21,293 --> 00:35:22,293 BUT YOU GOT THE PLEASURE OF MY COMPANY AGAIN! 405 00:35:30,563 --> 00:35:33,087 IS THERE SOME TOPIC OF GENTEEL CONVERSATION 406 00:35:33,218 --> 00:35:34,610 YOU FOLKS'D LIKE TO WORRY SOME? 407 00:35:34,741 --> 00:35:36,743 NO. 408 00:35:40,964 --> 00:35:42,705 MAYBE YOU'LL PARDON ME. 409 00:35:42,792 --> 00:35:47,057 I JUST PUT IN A COUPLE OF ROUGH DAYS FOR A SUNPECKED WRANGLER. 410 00:35:48,624 --> 00:35:49,624 GOT ME COMIN' AND GOIN'. 411 00:36:02,421 --> 00:36:05,075 IF I START SLIDIN', GENERAL, 412 00:36:05,206 --> 00:36:07,600 JUST RAISE A HOOF AN' GIVE ME A SHOVE, WILL YA? 413 00:36:29,665 --> 00:36:32,625 RAA! RAA! 414 00:36:36,237 --> 00:36:37,847 MA'AM... 415 00:36:37,934 --> 00:36:39,719 YES? 416 00:36:39,849 --> 00:36:41,982 YOU WERE SAYIN' BACK THERE ABOUT THE KIND OF THOUGHTS 417 00:36:42,112 --> 00:36:43,112 MEN CAN'T HELP GETTIN' INTO THEIR MINDS. 418 00:36:43,157 --> 00:36:45,464 YES. 419 00:36:45,594 --> 00:36:47,814 THAT'S DIFFERENT WHEN A MAN'S YOUR HUSBAND. 420 00:36:52,253 --> 00:36:53,863 YOU THINK I'M AFRAID TO FACE HIM, DON'T YOU? 421 00:36:53,994 --> 00:36:56,301 NO. 422 00:36:56,388 --> 00:36:58,999 I JUST DON'T WANT YOU TO FRET ABOUT IT. 423 00:36:59,086 --> 00:37:00,827 MY HUSBAND IS GOOD. HE'S KIND. 424 00:37:00,957 --> 00:37:02,394 I'M SURE HE IS. 425 00:37:04,439 --> 00:37:07,834 WE WERE MARRIED NINE YEARS. 426 00:37:07,964 --> 00:37:10,358 WE NEVER DID HAVE ANY CHILDREN. 427 00:37:10,489 --> 00:37:12,708 THAT'S TOO BAD. 428 00:37:12,839 --> 00:37:14,493 WELL... 429 00:37:14,623 --> 00:37:17,147 FRED ALWAYS SAID I WAS ALL HE EVER NEEDED. 430 00:37:21,326 --> 00:37:23,545 FRED ALWAYS WANTED A BOY. 431 00:37:24,416 --> 00:37:28,115 ONCE HE GETS USED TO THE IDEA, AND- 432 00:37:28,246 --> 00:37:31,684 AND EVERYTHING... 433 00:37:33,860 --> 00:37:34,948 HE WON'T BE ABLE TO HELP LOVING QUITO. 434 00:37:38,212 --> 00:37:41,955 SO YOU SEE, I REALLY HAVEN'T ANYTHING TO FRET ABOUT. 435 00:37:42,085 --> 00:37:43,696 WELL, THAT'S FINE THEN. 436 00:37:55,360 --> 00:37:58,711 YOU MUST MISS YOUR FAMILY VERY MUCH. 437 00:37:59,712 --> 00:38:03,368 HOW CAN YOU STAY AWAY FROM THEM SO LONG? 438 00:38:03,498 --> 00:38:06,501 SOLDIERING'S THE ONLY THING I KNOW. 439 00:38:09,809 --> 00:38:12,464 IT MUST BE AWFULLY LONELY FOR YOU. 440 00:38:15,380 --> 00:38:18,774 ♪ OH, GREAT AND STRONG A MAN WAS HE ♪ 441 00:38:18,948 --> 00:38:21,821 ♪ AND HIS HEART WITHIN WAS KIND ♪ 442 00:38:21,908 --> 00:38:25,390 ♪ HE AIMED TO GIVE THEM PEACE AND REST ♪ 443 00:38:25,564 --> 00:38:28,871 ♪ NO BLAME WAS IN HIS MIND ♪ 444 00:38:28,958 --> 00:38:32,092 ♪ FAIR AND SQUARE, TROOPER HOOK ♪ 445 00:38:32,266 --> 00:38:34,050 ♪ COMFORT GAVE, WHICH THEY TOOK ♪ 446 00:38:34,224 --> 00:38:38,098 ♪ AND SHE KNEW ♪ 447 00:38:38,272 --> 00:38:41,710 ♪ THIS FRIEND WOULD TAKE THEM THROUGH ♪ 448 00:38:41,884 --> 00:38:46,715 ♪ TAKE THEM THROUGH. ♪ 449 00:39:16,528 --> 00:39:18,312 YOU BEEN SITTIN' LIKE THAT ALL NIGHT? 450 00:39:21,054 --> 00:39:23,448 MUST BE STIFF AS A BRANDIN' IRON. 451 00:39:29,454 --> 00:39:32,370 - GOOD MORNING, MA'AM. - MORNING. 452 00:39:51,389 --> 00:39:53,739 YOU CAN SURE SEE THE INDIAN STRAIN IN HIM ALL RIGHT. 453 00:39:55,567 --> 00:39:57,046 YOU CAN'T HELP THAT, CAN YOU? 454 00:39:57,133 --> 00:39:59,179 NO, HE CAN'T. 455 00:40:00,006 --> 00:40:02,922 OH-HO! 456 00:40:03,009 --> 00:40:04,314 QUITO! QUITO! 457 00:40:07,100 --> 00:40:09,624 LOOKS LIKE HE DON'T FANCY ME MUCH AS A NURSEMAID. 458 00:40:09,711 --> 00:40:12,932 LOOKS LIKE THERE'S SOME KIND OF A TOWN UP AHEAD. 459 00:40:13,062 --> 00:40:14,629 AH, JUST A CHANGE STATION, 460 00:40:14,716 --> 00:40:16,414 WITH A CHURCH, A TELEGRAPH AND A COUPLE OF 'DOBES. 461 00:40:16,544 --> 00:40:20,026 THAT'S THE END OF THE LINE FOR ME. 462 00:40:20,156 --> 00:40:21,156 SOMETHIN' THERE TO HOLD YOU, COWBOY? 463 00:40:21,157 --> 00:40:24,683 YEAH, KINCAID RANCH. 464 00:40:24,813 --> 00:40:26,424 THAT'S THE BIGGEST SPREAD IN THESE HERE PARTS. 465 00:40:28,687 --> 00:40:31,211 THEY OUGHT TO BE PEELING BRONCS ABOUT NOW. 466 00:40:31,341 --> 00:40:32,517 THE FOREMAN THERE KNOWS I CAN SIT A SADDLE, 467 00:40:32,647 --> 00:40:34,954 ALL I GOT TO DO IS TALK HIM INTO TAKIN' ME ON. 468 00:40:43,092 --> 00:40:44,920 WHOA! HOO-RAH. 469 00:40:45,051 --> 00:40:47,532 HAA... 470 00:40:47,662 --> 00:40:49,534 WASN'T EXPECTING YOU, MR. TRUDE. 471 00:40:49,664 --> 00:40:52,014 COMPANY GOT YOU DRIVING CLEAN THROUGH TO TUSCON. 472 00:40:52,145 --> 00:40:54,495 - YEAH, SHORT-HANDED. - AH, YOU MUST BE SORE WORN OUT. 473 00:40:54,626 --> 00:40:56,497 JUST CATCHIN' MY SECOND BREATH, JUNIUS. 474 00:40:56,628 --> 00:40:58,412 BUT YOU BETTER CHANGE THESE POOR WEAKLIN' HORSES. 475 00:40:58,499 --> 00:41:00,936 YEAH. GOT THREE PASSENGERS FOR YA. 476 00:41:01,023 --> 00:41:02,677 AND THERE'S PLENTY OF ROOM. 477 00:41:05,288 --> 00:41:07,334 ONE OF THEM UPSHOT SPANISH LADIES AND HER GRANDDAUGHTER. 478 00:41:07,421 --> 00:41:09,249 THE GAL'S KIND OF REFINED, 479 00:41:09,336 --> 00:41:10,380 SO THEY LAID OFF FROM THE LAST STAGE TO REST UP. 480 00:41:10,511 --> 00:41:13,688 AND A RANCHER, COME DOWN FROM FORT APACHE. 481 00:41:13,819 --> 00:41:16,212 AN EMIGRANT WAGON DROPPED HIM OFF. 482 00:41:16,343 --> 00:41:17,910 - YOU BETTER CHANGE THEM HORSES, JUNIUS. - OKAY. 483 00:41:19,389 --> 00:41:22,262 YOU CAN LET ME HAVE THAT SADDLE, SON, 484 00:41:22,392 --> 00:41:23,959 UNLESS YOU GOT THE MONEY FOR YOUR FARE. 485 00:41:24,090 --> 00:41:25,570 WELL, I'M BUSTED AND YOU KNOW IT, MR. TRUDE. 486 00:41:25,700 --> 00:41:29,922 BESIDES, DON'T I ALWAYS PAY YOU WHEN I GET SOME CASH? 487 00:41:30,009 --> 00:41:32,533 CAN'T HEAR YOU. I'M DEAFER THAN A WOODPECKER IN A HAILSTORM. 488 00:41:32,664 --> 00:41:35,144 BESIDES, THE COMPANY'S ON MY TAIL FOR BEIN' SO DAMNED EASY-GOIN'! 489 00:41:35,275 --> 00:41:36,885 NOW YOU GET THIS STRAIGHT, YOU OLD BUZZARD, 490 00:41:37,016 --> 00:41:39,018 NOW YOU AIN'T LEAVIN' ME HERE NAKED WITHOUT MY SADDLE! 491 00:41:39,148 --> 00:41:41,020 OH... ROO-RAH-ROO! 492 00:41:41,150 --> 00:41:42,412 STAND EASY, COWBOY. 493 00:41:46,242 --> 00:41:47,940 SOMETHIN' ON THE SEAT IN HERE. 494 00:41:50,246 --> 00:41:51,552 MUST'VE DROPPED OUT OF YOUR POCKET. 495 00:41:55,425 --> 00:41:58,864 GUESS- GUESS YOU'VE BEEN IN SOME TIGHT SPOTS YOURSELF, HUH? 496 00:41:58,994 --> 00:42:01,867 WHEN I WAS A YOUNG SQUIRT WITH MORE ENERGY THAN BRAINS. 497 00:42:01,997 --> 00:42:05,000 WELL, AGE AIN'T HURTIN' YA NONE, GENERAL. 498 00:42:05,131 --> 00:42:08,134 IS THIS WHAT YOU'VE BEEN TALKIN' ABOUT, MR. TRUDE? 499 00:42:08,264 --> 00:42:09,744 THAT'S SOMETHIN' LIKE IT, SONNY. 500 00:42:28,371 --> 00:42:29,372 HE'S NICE. 501 00:42:29,503 --> 00:42:33,115 YEAH, A MAN RAISES A SON LIKE THAT, 502 00:42:33,246 --> 00:42:34,769 HE CAN FIGURE HE'S DONE SOMETHING WITH HIS LIFE. 503 00:42:34,900 --> 00:42:37,467 BUT YOU HAVE CHILDREN. 504 00:42:37,598 --> 00:42:40,775 OH, YEAH, BUT THEY'RE GIRLS- TWO OF 'EM. 505 00:42:40,906 --> 00:42:41,906 I WAS THINKIN' ABOUT BOYS. 506 00:42:44,083 --> 00:42:45,867 OH. 507 00:42:45,998 --> 00:42:46,998 YOU GOT 15 MINUTES TILL BREAKFAST, FOLKS. 508 00:42:52,308 --> 00:42:56,008 HEY, WHAT KIND OF WOMAN AND KID YOU GOT THERE, MR. TRUDE? 509 00:42:56,095 --> 00:42:57,749 PASSENGERS. 510 00:42:57,836 --> 00:43:01,883 THE OLD MAN HERE'LL BE RIGHT IN TO GET YOUR VITTLES. 511 00:43:02,014 --> 00:43:03,798 OLD MAN? 512 00:43:20,815 --> 00:43:25,211 CON SU PERMISO, SENORA, POR FAVOR. 513 00:43:25,341 --> 00:43:27,169 THIS IS TOO DARN HEAVY FOR A LADY LIKE YOU TO BE TOTIN'. 514 00:43:27,300 --> 00:43:28,997 GRACIAS. 515 00:43:29,128 --> 00:43:31,391 LA DAME, SABE AMERICANO, SENORITA? 516 00:43:31,521 --> 00:43:34,568 I UNDERSTAND ENGLISH PERFECTLY, YOUNG MAN. 517 00:43:34,699 --> 00:43:38,224 NOW IF I COULD ONLY SPEAK IT PERFECT WE'D GET ALONG JUST FINE. 518 00:43:38,354 --> 00:43:40,226 THE NAME IS TRAVERS, 519 00:43:40,313 --> 00:43:42,750 CHARLIE TRAVERS, YOUNG MAN. 520 00:43:42,881 --> 00:43:43,925 YES, SIR. JUST FOLLOW ME. 521 00:44:06,905 --> 00:44:08,733 JUST LOOK AT WHAT YOU GOT OUT THERE, SERGEANT. 522 00:44:11,170 --> 00:44:13,389 NOTHIN'. 523 00:44:13,476 --> 00:44:14,476 PLENTY OF NOTHIN', HUH? 524 00:44:14,676 --> 00:44:17,045 NO END TO IT. 525 00:44:17,176 --> 00:44:20,135 BUT THAT IS JUST HOW I GOT MY START. 526 00:44:20,266 --> 00:44:23,356 ON NOTHIN'. 527 00:44:23,486 --> 00:44:26,664 YES, SIR, TRAILED MORE THAN 1,000 HEAD OF CATTLE 528 00:44:26,794 --> 00:44:29,667 FROM FORT GRIFFIN CLEAR UP TO CHEYENNE. 529 00:44:31,277 --> 00:44:35,716 NOW, HOW DID I GET HOLD OF THAT MANY LONGHORNS, YOU'RE ASKIN', HMM? 530 00:44:39,546 --> 00:44:42,505 SAT IN ON A POKER GAME WITH A MONTH'S WAGES IN MY POCKET 531 00:44:42,636 --> 00:44:45,247 AND BLUFFED MY WAY INTO A PILE BIG ENOUGH TO CHOKE A HORSE. 532 00:44:47,641 --> 00:44:49,121 YEAH, I OUGHT TO BE SATISFIED TO STOP RIGHT THERE, 533 00:44:49,251 --> 00:44:50,949 YOU'RE THINKIN', BUT OH, NO, 534 00:44:51,079 --> 00:44:52,733 THAT'S JUST THE BEGINNING. 535 00:44:52,864 --> 00:44:55,518 YES, SIR, I TOOK ALL THAT HARD CASH, 536 00:44:55,649 --> 00:44:57,869 AND EVERY CENT OF CREDIT I COULD WRANGLE, 537 00:44:57,999 --> 00:45:00,262 AND I PUT ME AN OUTFIT ON THE TRAIL. 538 00:45:00,393 --> 00:45:02,525 OH, THAT AIN'T NO LIE. 539 00:45:02,656 --> 00:45:04,005 YEAH, I BOUGHT MY STOCK IN A... 540 00:45:04,092 --> 00:45:07,530 WELL WELL WELL- 541 00:45:07,661 --> 00:45:09,228 WHAT'S EATIN' YOU? 542 00:45:09,358 --> 00:45:10,751 GOT TO GET THIS MESSAGE OVER TO THE RANCHERS. 543 00:45:10,882 --> 00:45:12,579 JUST CAME OVER THE TELEGRAPH- NANCHEZ. 544 00:45:12,666 --> 00:45:14,755 YEAH, WHAT ABOUT HIM? 545 00:45:14,842 --> 00:45:16,888 SOME OF HIS BRAVES BROKE HIM OUT OF FORT WHITNEY TWO NIGHTS AGO. 546 00:45:17,018 --> 00:45:18,585 THEY WAS LAST SPOTTED OVER NEAR LORDSBURG. 547 00:45:18,716 --> 00:45:20,282 NOW THERE'S NO TELLIN' WHERE THEY'RE AT. 548 00:45:22,850 --> 00:45:25,418 - I'M BORROWING ONE OF YOUR HORSES, FRIEND. - YOU'RE WHAT?! 549 00:45:25,548 --> 00:45:28,029 DON'T WORRY ABOUT IT. I'LL LEAVE IT AT THE STATION YARD AT SAN MIGUEL. 550 00:45:28,116 --> 00:45:29,988 NOW SEE HERE! YOU CAN'T DO THAT! 551 00:45:30,118 --> 00:45:31,118 YOU... 552 00:47:04,647 --> 00:47:06,911 Trude: WHOA! 553 00:47:07,041 --> 00:47:08,041 WHOA... 554 00:47:11,567 --> 00:47:12,567 HEY, SERGEANT! 555 00:47:14,222 --> 00:47:17,922 I GOTTA TALK TO YA. 556 00:47:18,009 --> 00:47:19,009 - WELL? - OVER HERE. 557 00:47:26,800 --> 00:47:29,063 NANCHEZ BUSTED OUT. HE'S ON THE LOOSE WITH SOME OF HIS BUCKS. 558 00:47:31,283 --> 00:47:32,762 I KNEW WE HAD COMPANY. 559 00:47:32,850 --> 00:47:34,939 I DIDN'T KNOW IT WAS THAT FANCY. 560 00:47:35,069 --> 00:47:37,680 GUESS THE FIRST THING COME TO HIS MIND WAS GETTING THE LITTLE FELLA BACK. 561 00:47:37,811 --> 00:47:39,857 INDIANS ARE LIKE THAT ABOUT THEIR BOY KIDS. 562 00:47:39,944 --> 00:47:41,684 THANKS, COWBOY. NOW, I BETTER GET ROLLIN'. 563 00:47:41,771 --> 00:47:43,034 YEAH, WE'D BETTER. 564 00:47:43,164 --> 00:47:44,252 CON SU PERMISO, AMIGO. 565 00:47:44,383 --> 00:47:45,993 IF I KNOW WHAT I MEAN. 566 00:47:46,124 --> 00:47:49,083 YEAH. 567 00:47:49,214 --> 00:47:50,780 BESIDES, I OWE YOU $2 WORTH OF SOMETHIN'. 568 00:47:55,437 --> 00:47:58,049 ALL RIGHT, MR. TRUDE, YOU'VE BEEN DOIN' A LOT OF BRAGGIN'. 569 00:47:58,179 --> 00:48:00,529 NOW LET'S SEE YOU LEAN FORWARD AND REALLY PUNCH THE BREEZE. 570 00:48:00,660 --> 00:48:02,357 JUST A MINUTE, SOLDIER. YOU TRYING TO TELL ME HOW TO RUN THIS STAGELINE? 571 00:48:02,488 --> 00:48:04,055 NOT ME- NANCHEZ. 572 00:48:04,185 --> 00:48:06,535 Trude: OH... 573 00:48:06,622 --> 00:48:08,929 WELL, YOU GOT THE RIGHT MAN UP HERE. 574 00:48:09,060 --> 00:48:10,670 YOU JUST TELL 'EM TO SIT TIGHT 'CAUSE WE AIN'T LIKELY 575 00:48:10,800 --> 00:48:11,889 TO TOUCH GROUND AGAIN TILL WE HIT TUSCON. 576 00:48:14,239 --> 00:48:16,328 WHAT'S THIS ABOUT NANCHEZ? 577 00:48:16,458 --> 00:48:18,417 NOW, LOOK HERE... LOOK HERE, YOU'RE THE ARMY, 578 00:48:18,504 --> 00:48:21,681 YOU GOTTA FIGURE SOMETHING TO DO. 579 00:48:21,811 --> 00:48:23,596 I'M CARRYING EVERY CENT I GOT IN THE WORLD 580 00:48:23,726 --> 00:48:26,816 - RIGHT HERE IN THIS MONEY BELT. - Hook: SHUT UP. 581 00:48:26,947 --> 00:48:29,950 IT'S ONLY RIGHT TO TELL YOU THE FIX WE'RE IN. 582 00:48:30,081 --> 00:48:32,518 YOU KNOW ALL ABOUT NANCHEZ, BUT THE THING YOU DON'T KNOW 583 00:48:32,648 --> 00:48:34,955 IS THAT WE'VE GOT SOMETHING HERE HE WANTS BACK MORE THAN ANYTHING IN THE WORLD. 584 00:48:35,086 --> 00:48:37,131 WHAT ARE YOU TALKING ABOUT? 585 00:48:37,262 --> 00:48:39,568 THE BOY- HE'S HIS SON. 586 00:48:42,702 --> 00:48:44,573 WHY HAVEN'T THEY ATTACKED BEFORE, SERGEANT? 587 00:48:44,704 --> 00:48:46,836 THEY'LL DO THAT WHEN IT'S CONVENIENT FOR THEM. 588 00:48:46,967 --> 00:48:49,404 IF THEY DON'T JUMP US BEFORE DARK, 589 00:48:49,535 --> 00:48:52,407 WE'VE GOT THE REST OF THE NIGHT TO GET US CLOSE TO TUSCON AS WE CAN. 590 00:48:52,538 --> 00:48:54,932 THEY'RE SUPERSTITIOUS ABOUT FIGHTING AFTER THE SUN GOES DOWN. 591 00:48:55,062 --> 00:48:57,238 JUST HOLD TIGHT. 592 00:48:57,369 --> 00:48:58,805 WE'LL START WORRYING HARD WHEN IT COUNTS. 593 00:49:04,202 --> 00:49:06,900 INSIDE, COWBOY, AND KEEP YOUR EYES OPEN. 594 00:49:07,031 --> 00:49:08,554 SURE. 595 00:49:08,684 --> 00:49:10,599 Hook: ALL RIGHT, MR. TRUDE! 596 00:49:14,821 --> 00:49:17,041 GOTTA CROSS! GOTTA GET OUT OF THIS CANYON! 597 00:49:17,215 --> 00:49:18,433 ♪ OH, HE SHOUTED "ROO-RAH-ROO" ♪ 598 00:49:18,607 --> 00:49:21,915 ♪ AS HE DROVE THE STAGE ON THROUGH ♪ 599 00:49:22,089 --> 00:49:24,613 ♪ BUT THE INDIAN FOLLOWED TOO ♪ 600 00:49:24,787 --> 00:49:27,442 ♪ AND WITHIN THE COACH THEY KNEW ♪ 601 00:49:27,529 --> 00:49:31,969 ♪ MORTAL DANGER. ♪ 602 00:49:41,717 --> 00:49:43,458 THAT'S A BOY. 603 00:49:45,156 --> 00:49:46,766 EVERYBODY IN ONE PIECE? 604 00:49:46,896 --> 00:49:48,333 I THINK SO, SERGEANT. 605 00:49:56,645 --> 00:49:58,473 HANG ON, QUITO. 606 00:50:03,870 --> 00:50:06,438 Trude: SOMEBODY TAKE HOLD OF THESE FOOL JUGHEADED HORSES AND GENTLE 'EM DOWN. 607 00:50:06,568 --> 00:50:09,702 YEAH YEAH. TRAVERS, GIVE ME A HAND, WILL YOU? 608 00:50:11,225 --> 00:50:12,879 EASY, BOY, EASY. 609 00:50:14,446 --> 00:50:17,014 HOW DOES IT LOOK, MR. TRUDE? 610 00:50:17,144 --> 00:50:19,625 COTTER KEY SHEARED, KINGPIN BENT. 611 00:50:19,755 --> 00:50:21,409 CAN IT BE FIXED? 612 00:50:21,540 --> 00:50:22,845 ALL I CAN DO IS TRY. 613 00:50:22,976 --> 00:50:25,370 BANGIN' ON IT'LL EITHER FIX IT OR BUST IT COMPLETE. 614 00:50:25,500 --> 00:50:26,806 LOOK! 615 00:50:38,122 --> 00:50:39,122 HE WANTS A PARLEY. 616 00:51:34,917 --> 00:51:36,310 NOT-T-DAN-A. 617 00:51:57,157 --> 00:51:59,899 ALL RIGHT, WHAT WAS THE PROPOSITION? 618 00:51:59,986 --> 00:52:02,249 WHY DID YOU TURN IT DOWN? 619 00:52:02,336 --> 00:52:05,122 NANCHEZ SAYS HE'LL LET US GO IF I'LL TURN OVER THE BOY. 620 00:52:07,298 --> 00:52:09,169 WHAT'S THE MATTER WITH THAT? 621 00:52:09,300 --> 00:52:12,129 MY ORDERS ARE TO DELIVER 622 00:52:12,259 --> 00:52:13,782 MRS. SUTLIFF AND THE BOY TO HER HUSBAND. 623 00:52:16,263 --> 00:52:18,396 THAT KID IS MORE... 624 00:52:18,483 --> 00:52:20,006 INDIAN THAN WHITE. 625 00:52:20,137 --> 00:52:23,792 IT WON'T HURT HIM NONE TO BE WITH HIS OWN KIND. 626 00:52:23,923 --> 00:52:26,012 LOOK... 627 00:52:26,143 --> 00:52:28,493 FOR THE FIRST TIME, 628 00:52:28,580 --> 00:52:31,496 I'VE GOT ENOUGH MONEY TO MAKE SOMETHING OUT OF MY LIFE. 629 00:52:31,626 --> 00:52:32,845 YOU THINK I'M GONNA CHUCK THAT ALL AWAY JUST ON ACCOUNT OF HIM? 630 00:52:41,245 --> 00:52:45,162 HOW ABOUT YOU, COWBOY? 631 00:52:45,249 --> 00:52:47,773 YOU SEEN HALF THE THINGS YOU WANT TO SEE, HMM? 632 00:52:47,903 --> 00:52:50,123 YOU BEEN WITH ALL THE PRETTY WOMEN YOU EVER DREAMED ABOUT? 633 00:52:50,254 --> 00:52:52,865 YOU READY TO DIE? 634 00:52:55,998 --> 00:52:58,262 I CAN REMEMBER SOME MORNINGS WHEN IT DIDN'T SEEM LIKE SUCH A BAD IDEA. 635 00:52:58,349 --> 00:53:01,961 YOU, MRS. SANDOVAL... 636 00:53:02,091 --> 00:53:04,137 ISN'T YOUR GRANDDAUGHTER 637 00:53:04,268 --> 00:53:07,009 WORTH MORE THAN SOME HALF-BREED KID? 638 00:53:07,140 --> 00:53:09,142 I LOVE MY GRANDDAUGHTER, 639 00:53:09,273 --> 00:53:13,364 IF THAT IS WHAT YOU MEAN. 640 00:53:13,494 --> 00:53:15,801 YOUR GRANDMA... 641 00:53:15,931 --> 00:53:18,934 RAISED YOU UP IN A CONVENT IN SANTA FE 642 00:53:19,065 --> 00:53:20,893 TO MAKE YOU INTO A FINE LADY. 643 00:53:21,023 --> 00:53:22,895 AND NOW SHE'S TAKIN' YOU BACK TO MARRY A RICH MAN. 644 00:53:22,982 --> 00:53:25,811 EVERYTHING IS WAITIN' FOR YOU ON A SILVER PLATTER. 645 00:53:25,941 --> 00:53:28,248 YOU GONNA LOSE ALL THAT JUST BECAUSE SHEDOESN'T KNOW WHAT SHE'S GONNA DO? 646 00:53:28,335 --> 00:53:32,209 STOP IT. LEAVE HER ALONE. 647 00:53:32,339 --> 00:53:34,602 Hook: WE BETTER GET A FIRE STARTED. 648 00:53:34,689 --> 00:53:37,126 IT BLOWS UP REAL COLD HERE AFTER THE SUN GOES DOWN. 649 00:54:14,207 --> 00:54:17,123 IS THERE NOT SOMETHING I CAN DO? 650 00:54:17,210 --> 00:54:18,951 PERHAPS HOLD THE LANTERN. 651 00:54:19,038 --> 00:54:20,648 YOU MUST BE TIRED. 652 00:54:20,779 --> 00:54:22,302 I AIN'T TIRED. 653 00:54:22,433 --> 00:54:25,349 MAYBE IF WE WAS TO TALK A LITTLE, 654 00:54:25,479 --> 00:54:27,699 YOU WOULDN'T BE SO SKITTERY. 655 00:54:30,005 --> 00:54:31,005 HEY, TRAVERS... 656 00:54:32,486 --> 00:54:33,531 TRAVERS, I'D BE MUCH OBLIGED 657 00:54:33,661 --> 00:54:35,750 IF YOU'D HOLD THIS LANTERN FOR A SPELL. 658 00:54:43,062 --> 00:54:45,717 THANK YOU. 659 00:55:07,478 --> 00:55:10,350 YOU KNOW THAT TUNE I WAS WHISTLIN'? 660 00:55:10,481 --> 00:55:13,614 IT'S ALL ABOUT A GIRL NAMED CONSUELITA, 661 00:55:13,701 --> 00:55:16,965 AND A FELLA WHO'S THIRSTIN' SOMETHIN' FIERCE 662 00:55:17,096 --> 00:55:18,402 FOR A LITTLE SIP OF WINE. 663 00:55:18,532 --> 00:55:19,533 SHE HASN'T EVEN GOT A GLASS, 664 00:55:19,620 --> 00:55:22,667 OR ANYTHING ELSE INTO WHICH TO POUR IT. 665 00:55:29,238 --> 00:55:30,849 YOU KNOW IT. 666 00:55:33,591 --> 00:55:34,591 AND THEN SHE SAYS: 667 00:55:34,791 --> 00:55:37,856 "ALAS, WHAT SHALL I DO? 668 00:55:38,247 --> 00:55:41,033 TO QUENCH YOUR THIRST, 669 00:55:41,163 --> 00:55:44,819 I HAVE NAUGHT TO OFFER BUT MY LIPS." 670 00:55:44,950 --> 00:55:46,255 YOU DIDN'T... 671 00:55:46,386 --> 00:55:49,955 PICK THAT UP IN NO CONVENT. 672 00:55:50,085 --> 00:55:53,480 IT'S AN OLD SPANISH SONG. 673 00:55:53,611 --> 00:55:56,527 SPANISH FOLKS, THEY KIND OF... 674 00:55:57,963 --> 00:56:00,313 PUT A LOT OF STORE IN THINGS BEING GOOD AND OLD, DON'T THEY? 675 00:56:00,444 --> 00:56:01,619 I MEAN... 676 00:56:03,490 --> 00:56:05,579 THEY'RE TERRIBLE SET IN THEIR WAYS. 677 00:56:05,710 --> 00:56:08,713 LIKE THIS HERE IDEA 678 00:56:08,843 --> 00:56:10,976 OF HIDIN' A GIRL AWAY AND THEN MARRYING HER OFF 679 00:56:11,106 --> 00:56:13,544 TO SOME FELLA SHE HARDLY EVEN KNOWS. 680 00:56:13,674 --> 00:56:16,851 MY GRANDMOTHER WILL RECEIVE HIM AND SAY: 681 00:56:16,982 --> 00:56:17,982 "HERE IS SHE WHOM YOU WERE PROMISED." 682 00:56:21,378 --> 00:56:23,684 THEIR IDEA WASN'T WORTH MUCH EVEN WHEN IT WAS NEW. 683 00:56:38,699 --> 00:56:40,788 HE'S NEVER GONNA GET THAT KINGPIN FIXED 684 00:56:40,875 --> 00:56:42,964 IN TIME TO DO US ANY GOOD. 685 00:56:43,095 --> 00:56:46,098 AND THEY KNOW THAT TOO. 686 00:56:46,228 --> 00:56:49,101 THOSE AREN'T COYOTES WE'VE BEEN HEARIN'. 687 00:56:49,231 --> 00:56:52,060 THAT'S NANCHEZ AND HIS BUCKS HAVIN' THEIR FUN, 688 00:56:52,191 --> 00:56:53,671 JUST WAITIN' FOR DAYLIGHT TO MAKE US WISH WE- 689 00:56:53,801 --> 00:56:54,976 HOLD IT. 690 00:57:02,027 --> 00:57:03,985 SHACKLES... 691 00:57:04,116 --> 00:57:05,465 THEY'RE COMIN' OFF. 692 00:57:09,513 --> 00:57:11,645 SERGEANT... 693 00:57:11,732 --> 00:57:13,995 YOU GOTTA DO SOMETHING. 694 00:57:14,126 --> 00:57:16,476 GO SOMEPLACE AND SIT DOWN. 695 00:57:16,607 --> 00:57:18,478 TALK TO HER. MAKE HER UNDERSTAND WHAT SHE'S DOING. 696 00:57:18,609 --> 00:57:19,784 I SAID, SIT DOWN! 697 00:57:46,114 --> 00:57:48,508 EASY, COWBOY, EASY! 698 00:57:51,119 --> 00:57:52,119 SLACK OFF! 699 00:57:55,297 --> 00:57:56,690 NOT SO GOOD, MR. TRUDE. 700 00:57:56,821 --> 00:58:00,346 Trude: WELL, I'LL JUST HAVE TO KEEP TRYIN'. 701 00:58:00,433 --> 00:58:02,566 I HOPE I DON'T RUN OUT OF CUSSIN' MATERIAL FROM THE GOOD BOOK! 702 00:58:10,225 --> 00:58:12,924 I GOT $15,000. 703 00:58:15,535 --> 00:58:17,363 MONEY BELT RIGHT HERE. 704 00:58:17,450 --> 00:58:20,192 YOU CAN HAVE HALF OF IT. 705 00:58:20,322 --> 00:58:22,237 LEAVE ME ALONE. 706 00:58:22,368 --> 00:58:25,327 YOU GOT A HUSBAND WAITIN' FOR YOU. 707 00:58:25,414 --> 00:58:27,242 THINK OF WHAT YOU AND HIM COULD DO WITH ALL THAT MONEY. 708 00:58:27,373 --> 00:58:29,114 GO AWAY. 709 00:58:29,244 --> 00:58:31,769 WELL, YOU'LL BE SET FOR LIFE. 710 00:58:31,899 --> 00:58:33,814 IT'LL EVEN MAKE HIM FORGET YOU EVER SPAWNED NANCHEZ'S KID. 711 00:58:36,513 --> 00:58:38,689 ALL YOU GOT TO DO 712 00:58:38,776 --> 00:58:41,605 IS TELL THE SERGEANT YOU WANT TO GIVE THE BOY BACK TO HIS FATHER. 713 00:58:41,735 --> 00:58:43,998 YOU THINK I'D DO THAT FOR MONEY? 714 00:58:45,434 --> 00:58:47,480 I'LL GIVE YOU ALL OF IT. 715 00:58:47,611 --> 00:58:50,483 JUST LET ME KEEP A COUPLE OF THOUSAND. 716 00:58:51,876 --> 00:58:52,964 WHAT ELSE DO YOU WANT? 717 00:58:53,094 --> 00:58:54,269 I DON'T WANT YOUR MONEY! 718 00:58:54,356 --> 00:58:56,358 I DON'T WANT ANYTHING FROM ANYBODY! 719 00:58:56,489 --> 00:58:58,099 DON'T FOLLOW ME! 720 00:58:58,230 --> 00:58:59,230 JUST DON'T FOLLOW ME! 721 00:59:08,022 --> 00:59:09,502 Hook: MRS. SUTLIFF! 722 00:59:14,899 --> 00:59:16,422 WHERE DO YOU THINK YOU'RE GOING? 723 00:59:16,553 --> 00:59:18,685 I DON'T KNOW. I DON'T CARE. I'LL RUN TILL I DROP. 724 00:59:18,772 --> 00:59:22,863 IF NANCHEZ FINDS ME, HE'LL HAVE TO KILL ME BEFORE HE TAKES MY SON! 725 00:59:22,994 --> 00:59:23,994 IF YOU DO ANY RUNNING, IT'LL BE BY YOURSELF. 726 00:59:26,606 --> 00:59:27,955 YOU'RE COMING WITH ME, BOY. 727 00:59:28,086 --> 00:59:30,175 QUITO. HAKO. 728 00:59:58,290 --> 01:00:00,684 ANOTHER PARLEY. 729 01:00:00,814 --> 01:00:03,164 IT SEEMS HE DID SOME THINKIN' LAST NIGHT, TOO. 730 01:00:08,953 --> 01:00:10,911 MR. TRAVERS, COME BACK HERE! 731 01:00:25,143 --> 01:00:28,233 NANCHEZ, YOU AND ME GOTTA TALK. 732 01:00:28,363 --> 01:00:30,017 LISTEN... 733 01:00:30,148 --> 01:00:31,628 DON'T LISTEN TO THOSE OTHERS. 734 01:00:31,715 --> 01:00:33,630 JUST LISTEN TO ME, NANCHEZ. 735 01:00:33,760 --> 01:00:34,935 I STOOD UP AGAINST HOOK. 736 01:00:37,503 --> 01:00:39,810 YEAH... 737 01:00:39,897 --> 01:00:42,290 I TOLD HIM THAT THE KID BELONGED TO YOU. 738 01:00:42,421 --> 01:00:44,423 I WAS ON YOUR SIDE. 739 01:00:44,553 --> 01:00:46,686 THAT'S THE LORD'S TRUTH. 740 01:00:48,253 --> 01:00:50,429 LOOK- LOOK HERE. 741 01:00:50,559 --> 01:00:51,735 LOOK HERE. 742 01:00:54,041 --> 01:00:56,174 MONEY. 743 01:00:56,304 --> 01:00:58,393 THAT'S MONEY. DINERO. 744 01:00:58,524 --> 01:01:00,613 $15,000. 745 01:01:00,700 --> 01:01:01,875 YEAH... 746 01:01:02,006 --> 01:01:03,006 IT'S YOURS. 747 01:01:03,050 --> 01:01:05,879 ALL YOU GOT TO DO IS LET US GO. 748 01:01:06,010 --> 01:01:07,838 HUH? 749 01:01:07,968 --> 01:01:10,710 YOU- YOU CAN BUY GUNS, 750 01:01:10,841 --> 01:01:12,625 AMMUNITION... 751 01:01:15,236 --> 01:01:17,935 YOU CAN BUY ALL THE WHISKEY YOU CAN DRINK. 752 01:01:18,065 --> 01:01:19,588 LOOK AT- 753 01:01:21,286 --> 01:01:22,286 - YOU'RE NOT... - 754 01:01:22,486 --> 01:01:24,463 NO... 755 01:01:24,593 --> 01:01:26,770 NO NO, DON'T DO THAT. 756 01:01:26,900 --> 01:01:28,597 NO. 757 01:01:31,688 --> 01:01:32,993 DON'T KILL ME. 758 01:01:34,865 --> 01:01:35,865 NO, DON'T KILL ME. 759 01:02:00,586 --> 01:02:02,414 SHOOT THAT THING, COWBOY, AND YOU'LL HAVE THOSE BUCKS SWARMIN' ALL OVER US. 760 01:02:02,544 --> 01:02:04,721 YOU THINK A PARLEY'S GONNA CHANGE THAT? 761 01:02:07,158 --> 01:02:08,812 GET DOWN. 762 01:02:13,599 --> 01:02:15,383 WHAT ARE YOU GONNA DO? 763 01:02:15,514 --> 01:02:16,514 TAKE HIM UP ON THE ROCK. I'LL BE RIGHT WITH YOU. 764 01:02:16,714 --> 01:02:18,691 NO! NO! 765 01:02:19,823 --> 01:02:20,911 NO! 766 01:02:20,998 --> 01:02:22,042 - QUITO! - TRUDE! 767 01:02:38,015 --> 01:02:40,060 PUT YOUR GUN TO THE BOY'S HEAD. 768 01:02:40,147 --> 01:02:42,715 DO WHAT? 769 01:02:42,846 --> 01:02:44,499 WHEN I DROP MY RIGHT ARM, PULL THE TRIGGER. 770 01:02:45,413 --> 01:02:47,894 MAYBE THIS IS YOUR WAR, SOLDIER, 771 01:02:48,025 --> 01:02:50,027 BUT I DON'T HAPPEN TO BE IN THE ARMY. 772 01:02:50,157 --> 01:02:53,073 I KNOW I'M ASKIN' AN AWFUL LOT OF YOU, BUT DO AS I TELL YA. 773 01:03:08,001 --> 01:03:10,090 ♪ THE TROOPER WALKED TO MEET THE CHIEF ♪ 774 01:03:10,264 --> 01:03:13,528 ♪ WITH FIRM AND STEADY TREAD ♪ 775 01:03:13,702 --> 01:03:15,835 ♪ BESIDE THE COACH THEY WATCHED THE SCENE ♪ 776 01:03:15,922 --> 01:03:18,446 ♪ IN WONDER AND FEAR OR DREAD ♪ 777 01:03:18,620 --> 01:03:21,319 ♪ LIFE OR DEATH, WHAT WOULD BE? ♪ 778 01:03:21,493 --> 01:03:24,539 ♪ RETURN THE CHILD AND SET THEM FREE ♪ 779 01:03:24,670 --> 01:03:28,979 - ♪ OR DEFY THE CHIEF'S DECREE ♪ - NO! 780 01:03:29,066 --> 01:03:31,329 ♪ COULD THERE BE ANOTHER KEY ♪ 781 01:03:31,503 --> 01:03:34,332 ♪ TO THE DILEMMA? ♪ 782 01:03:41,861 --> 01:03:44,429 ♪ KING SOLOMON ALONE COULD SOLVE ♪ 783 01:03:44,603 --> 01:03:47,301 ♪ THIS PROBLEM, OH, SO GRIM ♪ 784 01:03:47,475 --> 01:03:49,782 ♪ EACH PARENT HAD A NATURAL RIGHT ♪ 785 01:03:49,956 --> 01:03:51,523 ♪ TO DENY IT WAS A SIN ♪ 786 01:03:51,697 --> 01:03:54,395 ♪ THE TROOPER'S DUTY, IT WAS PLAIN ♪ 787 01:03:54,482 --> 01:03:58,965 ♪ AND SO HE CHASED A DESPERATE GAME ♪ 788 01:03:59,139 --> 01:04:01,446 ♪ WOULD THE CHIEF GIVE UP HIS CLAIM? ♪ 789 01:04:01,620 --> 01:04:05,406 ♪ OR PUT A BULLET THROUGH THE BRAIN ♪ 790 01:04:05,580 --> 01:04:07,408 ♪ OF HIS CHILD? ♪ 791 01:04:07,539 --> 01:04:10,847 MY PEOPLE HAVE LONG CALLED YOU "FACE OF STONE." 792 01:04:14,285 --> 01:04:17,505 THEY WERE WRONG. 793 01:04:17,592 --> 01:04:19,333 YOUR NAME SHOULD BE "HEART OF STONE." 794 01:04:19,420 --> 01:04:22,989 I DO WHAT MUST BE DONE. 795 01:04:23,120 --> 01:04:25,513 YOU ARE MORE INDIAN THAN YOU KNOW. 796 01:04:25,644 --> 01:04:29,300 I'VE TAUGHT MYSELF TO THINK LIKE MY ENEMY. 797 01:04:29,430 --> 01:04:33,260 I AM FAMILIAR WITH YOUR MIND. 798 01:04:33,391 --> 01:04:36,611 YOU WILL NOT LET THE BLOOD OF MY SON MAKE YOU SOFT. 799 01:04:36,742 --> 01:04:37,874 YOU LEAVE ME NO CHOICE. 800 01:04:44,358 --> 01:04:47,361 AND YOU THINK YOU HAVE LEFT ME WITH NO CHOICE. 801 01:04:47,492 --> 01:04:51,148 MAYBE YOU'RE MORE WHITE THAN YOU KNOW. 802 01:04:51,278 --> 01:04:53,759 YOU LOVE YOUR SON TOO MUCH TO SEE HIM KILLED. 803 01:04:58,285 --> 01:05:01,506 WITH YOUR PEOPLE, HE WOULD BE LIKE A BAT- 804 01:05:01,593 --> 01:05:03,551 NEITHER A BIRD NOR A MOUSE, 805 01:05:03,638 --> 01:05:05,292 A THING OF SCORN! 806 01:05:05,423 --> 01:05:07,904 LET HIM GO WITH HIS MOTHER, 807 01:05:08,034 --> 01:05:11,820 AND I PLEDGE HE WILL HAVE A CHANCE TO WALK WITH PRIDE AND HONOR. 808 01:05:11,951 --> 01:05:14,649 YOU CANNOT SPEAK FOR YOUR PEOPLE. 809 01:05:14,780 --> 01:05:16,521 YOU CANNOT STAND AGAINST THEM. 810 01:05:16,608 --> 01:05:19,176 YOUR PLEDGE IS WORTHLESS. 811 01:05:19,306 --> 01:05:21,091 AT LEAST THE BOY WILL LIVE. 812 01:05:27,401 --> 01:05:30,535 I DO NOT CHOOSE SUCH A LIFE FOR MY SON. 813 01:05:30,665 --> 01:05:32,885 THEN I HAVE NO MORE TO SAY. 814 01:05:43,026 --> 01:05:45,767 WAIT. 815 01:05:50,294 --> 01:05:53,384 PERHAPS OUR TALK HAS NOT FALLEN TO THE GROUND. 816 01:05:53,514 --> 01:05:56,126 I DO NOT ACCEPT YOUR PLEDGE, 817 01:05:56,256 --> 01:05:58,650 BUT TODAY YOU CAST YOUR SHADOW OVER ME 818 01:05:58,780 --> 01:06:00,478 AND I MUST LET YOU GO. 819 01:06:00,565 --> 01:06:04,961 TOMORROW'S SUN MAY MAKE MY SHADOW LONGER. 820 01:06:05,091 --> 01:06:07,702 YOU WILL REMEMBER THIS. 821 01:06:07,833 --> 01:06:11,010 YOU WILL HAVE IT IN YOUR THOUGHTS DAY AFTER DAY. 822 01:06:56,316 --> 01:06:59,754 SERGEANT... 823 01:06:59,885 --> 01:07:02,018 WOULD YOU DO ME THE GOODNESS TO ANSWER A QUESTION? 824 01:07:02,105 --> 01:07:04,759 IF I CAN. 825 01:07:04,890 --> 01:07:07,066 NOW THAT WE ARE ALL SAFE, 826 01:07:07,197 --> 01:07:09,155 IT MAY SEEM AN IMPERTINENCE. 827 01:07:09,286 --> 01:07:10,852 YES, MA'AM. 828 01:07:10,983 --> 01:07:14,378 WOULD YOU HAVE ORDERED THE BOY KILLED? 829 01:07:16,293 --> 01:07:19,426 YES, IF I HAD TO. 830 01:07:23,300 --> 01:07:25,171 THEN YOU DO BELIEVE ONE HAS HIS DUTY? 831 01:07:25,302 --> 01:07:28,174 DUTY CAN MEAN A LOT OF THINGS. 832 01:07:28,305 --> 01:07:30,002 OH? 833 01:07:30,089 --> 01:07:32,526 MOSTLY IT MEANS LOOKING THINGS SQUARE IN THE FACE. 834 01:07:32,613 --> 01:07:36,052 AND MAYBE FORGETTING THE REGULATIONS, THE RULES. 835 01:07:36,182 --> 01:07:38,967 VERY INTERESTING, SERGEANT. 836 01:07:39,098 --> 01:07:40,795 GRACIAS. 837 01:07:45,191 --> 01:07:48,586 WHY ARE WE SO SOLEMN? 838 01:07:48,716 --> 01:07:50,675 WE SHOULD BE HAPPY, 839 01:07:50,805 --> 01:07:53,765 MOST HAPPY FOR YOU, MRS. SUTLIFF. 840 01:07:53,895 --> 01:07:56,550 YOUR HUSBAND WILL BE WAITING FOR YOU IN SAN MIGUEL, 841 01:07:56,681 --> 01:07:59,379 AND YOUR WHOLE LIFE WILL HAVE A NEW BEGINNING. 842 01:07:59,466 --> 01:08:01,207 SURE, MRS. SUTLIFF, 843 01:08:01,338 --> 01:08:03,209 LIKE THE NATIVES SAY, MUY VERDAD! 844 01:08:05,342 --> 01:08:07,300 SI, ES VERDAD. 845 01:08:20,052 --> 01:08:21,445 SENORA. 846 01:08:27,233 --> 01:08:28,233 SENORITA. 847 01:08:48,950 --> 01:08:50,561 ALL ABOARD, FOLKS! 848 01:08:50,691 --> 01:08:52,258 I'LL HAVE YOU IN TUSCON FOR SUPPER! 849 01:08:52,389 --> 01:08:54,869 THE PALACE HOTEL! 850 01:08:54,956 --> 01:08:57,655 YOU CAN SIT AND LINE YOUR FLUES WITH TURTLE SOUP, 851 01:08:57,742 --> 01:09:00,788 FRIED CHICKEN, DINGLE BERRIES, REAL BAKING-POWDER BREAD, AND ALL THE PIE 852 01:09:00,919 --> 01:09:03,182 WITH CALF-SLOBBER MERINGUE YOU CAN EAT! 853 01:09:07,317 --> 01:09:10,320 YOU PUT ME OFF MY SCHEDULE, SERGEANT, 854 01:09:10,450 --> 01:09:13,410 BUT YOU AND THE LADY'S WELCOME TO RIDE WITH ME ANYTIME. 855 01:09:13,497 --> 01:09:18,197 BE GOOD TO YOUR MA, SON, REAL GOOD. 856 01:09:23,463 --> 01:09:25,726 FOUND THESE ON THE SEAT, SERGEANT. 857 01:09:25,857 --> 01:09:26,945 MUST'VE FELL OUT OF YOUR POCKET. 858 01:09:27,032 --> 01:09:28,032 THANKS. 859 01:09:38,261 --> 01:09:41,307 JUST WANTED TO SAY THANK YOU. 860 01:09:41,438 --> 01:09:43,875 I THINK MAYBE I MIGHT HAVE DONE SOME GROWIN' UP ON THIS TRIP. 861 01:09:43,962 --> 01:09:46,486 I DON'T EVEN KNOW YOUR NAME. 862 01:09:46,617 --> 01:09:48,836 PLEASE, I'D LIKE TO REMEMBER IT. 863 01:09:48,967 --> 01:09:51,796 JEFF BENNET, MA'AM. 864 01:09:51,926 --> 01:09:53,798 JEFF BENNET. 865 01:09:53,885 --> 01:09:55,843 THANK YOU, JEFF. 866 01:09:57,584 --> 01:09:59,064 GOOD LUCK, GENERAL. 867 01:10:00,631 --> 01:10:03,547 YOU TOO, BUB. 868 01:10:03,634 --> 01:10:06,506 IF YOU'VE GOT ON YOUR MIND WHAT I'M THINKIN'- THE SENORITA- 869 01:10:06,637 --> 01:10:08,116 YOU'RE GONNA BE NEEDIN' ALL THE LUCK. 870 01:10:09,770 --> 01:10:11,207 WELL, FAINT HEART NEVER FILLED A FLUSH. 871 01:10:11,337 --> 01:10:12,991 QUIEN SABE? 872 01:10:13,078 --> 01:10:16,777 YEAH, WHO KNOWS? 873 01:10:22,522 --> 01:10:24,829 ROO-RAH-ROO! 874 01:10:31,792 --> 01:10:34,969 I DON'T SUPPOSE FRED KNEW JUST WHAT STAGE WE'D BE ON. 875 01:10:35,056 --> 01:10:37,363 BESIDES, WE GOT IN SO LATE. 876 01:10:37,494 --> 01:10:39,322 MY WIFE DOESN'T ALWAYS MEET ME 877 01:10:39,409 --> 01:10:42,499 WHEN I GO HOME ON FURLOUGH. 878 01:10:42,629 --> 01:10:45,241 I'LL GO TO THE LIVERY AND HIRE A BUCKBOARD. 879 01:10:46,372 --> 01:10:48,287 SERGEANT... 880 01:10:48,374 --> 01:10:49,636 YOU'RE COMING WITH ME? 881 01:10:49,767 --> 01:10:51,029 PLEASE? 882 01:11:10,657 --> 01:11:12,920 YOU WERE RIGHT TO SAVE THE DRESS TILL NOW. 883 01:11:14,618 --> 01:11:16,576 I WOULDN'T WORRY. 884 01:11:16,707 --> 01:11:18,274 IT'LL GROW BACK. 885 01:11:33,071 --> 01:11:35,552 YOU'RE AFRAID? 886 01:11:35,682 --> 01:11:37,597 THEY DIDN'T TELL FRED ABOUT QUITO. 887 01:11:37,728 --> 01:11:39,817 I SEE. 888 01:11:39,904 --> 01:11:42,602 COLONEL WEAVER ASKED ME IF I WANTED HIM TO KNOW, 889 01:11:42,733 --> 01:11:44,865 BUT I THOUGHT IT WOULD BE BETTER 890 01:11:44,996 --> 01:11:47,477 IF I WERE THERE WHEN HE FINDS OUT. 891 01:11:47,607 --> 01:11:49,783 YEAH... BETTER. 892 01:12:04,668 --> 01:12:07,279 I WAS HOPING YOU'D BE WAITING WHEN THE STAGE GOT IN. 893 01:12:07,410 --> 01:12:11,022 I'VE BEEN KIND OF MIXED UP, CORA. 894 01:12:11,152 --> 01:12:12,980 SO MUCH TO THINK ABOUT. 895 01:12:16,984 --> 01:12:19,378 THE INDIAN BOY? 896 01:12:21,598 --> 01:12:24,252 FRED, ALL THE WAY HERE I'VE BEEN TRYING TO... 897 01:12:24,383 --> 01:12:26,516 THINK OF A WAY TO TELL YOU. 898 01:12:26,646 --> 01:12:28,605 TELL ME WHAT, CORA? 899 01:12:28,692 --> 01:12:31,129 HE'S MINE, FRED. HE'S MY CHILD. 900 01:12:31,259 --> 01:12:34,262 I HEARD ABOUT IT, 901 01:12:34,393 --> 01:12:37,265 BUT I WOULDN'T BELIEVE IT. 902 01:12:37,396 --> 01:12:40,486 I KNOW HOW HARD IT IS FOR YOU TO ACCEPT THIS ALL AT ONCE. 903 01:12:40,617 --> 01:12:41,835 YOU AND THAT INDIAN, NANCHEZ? 904 01:12:52,672 --> 01:12:55,545 I JUST DON'T KNOW WHY YOU HAD TO BRING THE BOY. 905 01:12:55,675 --> 01:12:57,851 HE'S MY CHILD, FRED. 906 01:12:57,982 --> 01:12:59,462 I COULDN'T LIVE WITHOUT HIM. 907 01:12:59,592 --> 01:13:01,420 AND YOU EXPECT ME TO LIVE WITH HIM. 908 01:13:01,551 --> 01:13:06,207 WELL, HOW DO YOU THINK I FEEL WHEN I LOOK AT HIM? 909 01:13:06,294 --> 01:13:07,294 AND WHAT ABOUT OTHER PEOPLE? 910 01:13:07,339 --> 01:13:10,037 WHAT DO I TELL THEM? 911 01:13:12,605 --> 01:13:13,824 HOW DO I EVEN FACE THEM? 912 01:13:19,090 --> 01:13:22,920 YOU SHOULD'VE LEFT HIM WITH HIS OWN KIND, CORA. 913 01:13:23,050 --> 01:13:24,704 HIS OWN KIND IS ME. 914 01:13:24,835 --> 01:13:25,879 HE'S MINE! 915 01:13:28,621 --> 01:13:31,363 FRED, I-I DO UNDERSTAND HOW YOU FEEL, BUT... 916 01:13:31,494 --> 01:13:33,104 CAN'T WE JUST TRY? 917 01:13:39,719 --> 01:13:40,719 EXCUSE ME, MR. SUTLIFF. 918 01:13:40,720 --> 01:13:42,983 WHAT IS IT? WHAT'S THE MATTER? 919 01:13:43,114 --> 01:13:44,507 MY HORSE THREW A SHOE. 920 01:13:44,594 --> 01:13:46,030 I'D LIKE TO FIX IT BEFORE DARK. 921 01:13:46,160 --> 01:13:47,945 I CAN'T FIND THE HOOF KNIFE. 922 01:14:18,366 --> 01:14:19,977 HOW LONG WERE YOU MARRIED, WHEN IT HAPPENED? 923 01:14:31,554 --> 01:14:33,643 NINE YEARS. 924 01:14:33,773 --> 01:14:36,472 WE LIVED IN PENNSYLVANIA. 925 01:14:36,559 --> 01:14:38,517 I CAME OUT HERE FIRST AND HOMESTEADED, 926 01:14:38,604 --> 01:14:42,303 AND THEN I SENT FOR HER. 927 01:14:42,434 --> 01:14:44,523 SHE NEVER GOT HERE. 928 01:14:44,654 --> 01:14:47,091 ALL THOSE YEARS- NO CHILD? 929 01:14:47,178 --> 01:14:49,920 IT JUST DIDN'T HAPPEN. 930 01:14:50,050 --> 01:14:53,358 SO THAT'S THE WAY YOU'RE LOOKING AT IT- 931 01:14:53,445 --> 01:14:56,056 LIKE I OUGHT TO BE GRATEFUL TO HAVE ANY KIND OF SON, 932 01:14:56,143 --> 01:14:58,145 EVEN ONE BY A DIRTY INDIAN BUTCHER? 933 01:14:58,232 --> 01:14:59,886 WELL, THAT'S ONE WAY OF LOOKING AT IT. 934 01:15:00,017 --> 01:15:01,279 WELL, WHAT OTHER WAY IS THERE? 935 01:15:02,541 --> 01:15:05,718 THE BOY GAVE HER REASON TO LIVE, 936 01:15:05,849 --> 01:15:06,980 AND SHE'S LIVED THROUGH AN AWFUL LOT. 937 01:15:09,679 --> 01:15:11,724 DOESN'T IT COUNT WHAT I WENT THROUGH, 938 01:15:11,855 --> 01:15:13,596 WHAT I'LL HAVE TO GO THROUGH FROM NOW ON? 939 01:15:13,726 --> 01:15:15,641 I DIDN'T SAY IT WAS GONNA BE EASY. 940 01:15:15,728 --> 01:15:17,687 FIRST THINKING SHE WAS DEAD, 941 01:15:17,817 --> 01:15:19,427 THEN LIVING THIS LONELY MISERABLE LIFE, 942 01:15:19,515 --> 01:15:21,517 AND THEN SHE HAS TO COME HOME WITH THIS. 943 01:15:25,042 --> 01:15:26,434 I DON'T WANT TO TALK ANY MORE. 944 01:15:45,062 --> 01:15:46,498 BOY HAD HIS SUPPER? 945 01:15:46,585 --> 01:15:47,847 YES. 946 01:15:51,416 --> 01:15:53,113 SHE PUT A BLANKET ON THE FLOOR FOR HIM TO SLEEP ON. 947 01:16:14,308 --> 01:16:17,181 HAPPY HOMECOMING. 948 01:16:21,098 --> 01:16:23,970 YOU KNOW, YOU'RE PRETTY LUCKY. 949 01:16:24,101 --> 01:16:26,582 YOU DON'T HAVE TO THINK THINGS OUT. 950 01:16:26,712 --> 01:16:29,367 YOU JUST OBEY ORDERS. 951 01:16:36,853 --> 01:16:38,594 LOOK, CORA... 952 01:16:38,724 --> 01:16:40,378 YOU DON'T WANT TO DO THIS THING TO ME. 953 01:16:43,860 --> 01:16:46,514 I DON'T WANT TO HURT YOU, BUT... 954 01:16:46,645 --> 01:16:49,692 WELL, CAN'T WE JUST TRY? 955 01:16:52,129 --> 01:16:53,913 HE'S SUCH A LITTLE BOY. 956 01:16:55,567 --> 01:16:56,786 HE'S NOT MINE, CORA. 957 01:16:56,873 --> 01:16:59,440 OH, FRED. 958 01:16:59,571 --> 01:17:02,487 I KEPT REMEMBERING ONCE WE HAD A GOOD LIFE, 959 01:17:02,618 --> 01:17:05,969 AND I WAS READY TO FORGIVE YOU ABOUT THE INDIAN... 960 01:17:07,274 --> 01:17:08,711 FORGIVE ME? 961 01:17:08,841 --> 01:17:10,190 ...BUT YOU HAD TO GO AND BRING HIS... 962 01:17:11,757 --> 01:17:13,672 FORGIVE ME?! 963 01:17:18,764 --> 01:17:20,940 WHAT KIND OF A MAN DO YOU THINK I AM?! 964 01:17:33,649 --> 01:17:36,869 SHE HAS NO ONE ELSE TO TURN TO, MR. SUTLIFF. 965 01:17:36,956 --> 01:17:39,176 ANY REASON FOR YOU TO BE NOSYING IN, SOLDIER? 966 01:17:39,306 --> 01:17:42,222 WELL, IS THERE? 967 01:17:44,181 --> 01:17:46,487 NO. 968 01:17:46,574 --> 01:17:47,924 I GUESS MY JOB HERE IS DONE. 969 01:18:09,467 --> 01:18:11,512 WHERE YOU GOING? 970 01:18:11,643 --> 01:18:13,079 WITHOUT MY SON, I HAVE NO PLACE HERE. 971 01:18:13,166 --> 01:18:15,603 YES, YOU HAVE. 972 01:18:15,691 --> 01:18:17,214 YOUR PLACE ISHERE. 973 01:18:17,344 --> 01:18:19,085 IF YOU WANT IT. 974 01:18:19,216 --> 01:18:20,216 IF YOU REALLY WANT IT. 975 01:18:20,217 --> 01:18:23,220 I'M SORRY, FRED. 976 01:18:28,573 --> 01:18:30,140 I'VE GOT TO GET AWAY FROM HERE. 977 01:18:44,502 --> 01:18:47,810 I'M HER HUSBAND. SHE BELONGS TO ME. 978 01:18:47,940 --> 01:18:50,638 SHE DOESN'T BELONG TO ANYONE NOW BUT THE BOY. 979 01:18:52,597 --> 01:18:54,338 CORA. 980 01:18:54,468 --> 01:18:56,514 FORGIVE ME FOR COMING BACK, 981 01:18:56,601 --> 01:18:58,168 FOR PUTTING YOU THROUGH ALL THIS. 982 01:18:59,604 --> 01:19:01,301 YOU'RE NOT GONNA TAKE HER. 983 01:19:01,388 --> 01:19:03,260 YOU CAN TAKE THE BOY, 984 01:19:03,390 --> 01:19:04,390 BUT NOT HER. 985 01:19:12,225 --> 01:19:15,141 IS THIS HOW YOU'RE GONNA SOLVE IT, MR. SUTLIFF? 986 01:19:15,272 --> 01:19:16,752 SHOOT ME AND FORCE HER TO STAY? 987 01:19:18,710 --> 01:19:21,234 THEN WHAT DO YOU DO ABOUT THE BOY, SHOOT HIM TOO? 988 01:19:21,365 --> 01:19:24,542 GET IN THAT WAGON AND LEAVE BY YOURSELF, SOLDIER. 989 01:19:24,672 --> 01:19:26,283 YOU'RE NOT THE KIND OF MAN WHO'D... 990 01:19:29,286 --> 01:19:30,766 Hook: THAT'S NANCHEZ! 991 01:19:30,896 --> 01:19:34,595 JUMP ON! JUMP ON! 992 01:19:40,384 --> 01:19:42,429 HI'YA! HI'YA! 993 01:19:48,392 --> 01:19:51,395 - HI'YA! - 994 01:20:30,129 --> 01:20:32,044 WE GOT NANCHEZ. 995 01:20:42,750 --> 01:20:45,231 WITH THEIR LEADER GONE, THEY'RE THROUGH. 996 01:20:58,027 --> 01:20:59,942 GOOD BOY, TAKES THINGS THE INDIAN WAY- WITHOUT YAPPING. 997 01:21:05,208 --> 01:21:06,513 I HAVE RELATIVES BACK EAST. 998 01:21:06,644 --> 01:21:08,385 I COULD GO THERE. 999 01:21:08,515 --> 01:21:09,995 IS THAT WHAT YOU WANT? 1000 01:21:12,780 --> 01:21:15,783 NO. 1001 01:21:15,914 --> 01:21:18,003 I'M 47. 1002 01:21:18,134 --> 01:21:19,265 NEARLY 30 OF THAT IN THE ARMY. 1003 01:21:19,396 --> 01:21:20,876 MAKES A MAN ROUGH. 1004 01:21:23,269 --> 01:21:26,577 I'VE GOT FOUR MONTHS TILL THE END OF MY LAST HITCH. 1005 01:21:26,707 --> 01:21:30,320 YOU COULD GET A ROOM IN THE SETTLEMENT NEAR THE FORT. 1006 01:21:30,450 --> 01:21:34,498 FOUR MONTHS, NOT SUCH A LONG SPELL. 1007 01:21:36,892 --> 01:21:40,112 WHAT ABOUT YOUR FAMILY? 1008 01:21:40,243 --> 01:21:41,984 NOBODY'S LIKELY TO GET HURT THERE. 1009 01:21:42,114 --> 01:21:44,073 OH? 1010 01:21:44,203 --> 01:21:46,466 A MAN GETS DEFENSIVE, 1011 01:21:46,597 --> 01:21:50,122 EVERYBODY IN THE FORT TRYING TO MARRY HIM OFF. 1012 01:21:50,253 --> 01:21:53,430 BUT IF YOU INVENT A FAMILY AND STICK TO IT, 1013 01:21:53,560 --> 01:21:54,866 IT MAKES IT A LOT EASIER FOR EVERYBODY. 1014 01:21:56,868 --> 01:21:58,174 I THINK I ALWAYS KNEW. 1015 01:21:58,304 --> 01:22:01,177 YOU DID? 1016 01:22:01,307 --> 01:22:03,309 UH-HUH. 1017 01:22:03,396 --> 01:22:05,398 BAHOJA. 1018 01:22:05,485 --> 01:22:07,270 YOU GOT TO LEARN TO SPEAK ENGLISH. 73787

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