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1
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♪ PAH PAH LA RAH ♪
2
00:00:09,543 --> 00:00:11,143
♪ POOP POOP-A-DOO ♪
3
00:00:11,212 --> 00:00:12,244
♪ OOH ♪
4
00:00:12,313 --> 00:00:15,580
♪ I WANNA BE LOVED BY YOU ♪
5
00:00:15,649 --> 00:00:21,120
♪ BY YOU AND NOBODY
ELSE BUT YOU ♪
6
00:00:21,188 --> 00:00:24,656
♪ I WANNA BE LOVED BY YOU ♪
7
00:00:24,725 --> 00:00:26,691
♪ ALONE ♪
8
00:00:26,760 --> 00:00:29,794
♪ POOP POOP-A-DO OOH ♪
9
00:00:32,699 --> 00:00:36,168
OH, SHE'S WONDERFUL!
ISN'T SHE JUST FANTASTIC?!
10
00:00:36,237 --> 00:00:38,037
THANK YOU.
11
00:00:38,105 --> 00:00:39,738
ONCE AGAIN, MAESTRO?
12
00:00:50,117 --> 00:00:53,318
♪ I WANNA BE LOVED BY YOU ♪
13
00:00:53,387 --> 00:00:56,888
♪ BY YOU AND NOBODY
ELSE BUT YOU... ♪
14
00:00:56,957 --> 00:00:58,001
SKIPPER, ARE YOU HUNGRY?
15
00:00:58,025 --> 00:01:00,137
OH, BE QUIET, WILL YOU?
16
00:01:00,161 --> 00:01:01,905
PROFESSOR, ARE YOU HUNGRY?
17
00:01:01,929 --> 00:01:02,929
SHH!
18
00:01:02,996 --> 00:01:05,375
MRS. HOWELL, ARE YOU
HUNGRY? DOUBLE SHH!
19
00:01:05,399 --> 00:01:07,666
GILLIGAN, PLEASE BE QUIET.
20
00:01:07,734 --> 00:01:11,336
♪ I WANNA BE KISSED BY YOU... ♪
21
00:01:11,405 --> 00:01:12,882
GILLIGAN, ARE YOU HUNGRY?
22
00:01:12,906 --> 00:01:15,474
BOY, AM I HUNGRY! I'M STARVIN'!
23
00:01:15,543 --> 00:01:16,920
WHAT WOULD YOU LIKE FOR DINNER?
24
00:01:16,944 --> 00:01:18,355
OH, I'D LIKE TO HAVE A STEAK
25
00:01:18,379 --> 00:01:20,590
SMOTHERED IN HAMBURGERS
AND AN ICE CREAM SUNDAE...
26
00:01:20,614 --> 00:01:23,449
GILLIGAN, PLEASE! I'LL FIX DINNER
AS SOON AS GINGER'S FINISHED,
27
00:01:23,517 --> 00:01:25,084
BUT BE QUIET NOW, HUH?
28
00:01:25,152 --> 00:01:27,252
OH... SHE'S WONDERFUL!
29
00:01:27,321 --> 00:01:29,654
I'D GIVE ANYTHING TO
BE LIKE GINGER GRANT.
30
00:01:29,723 --> 00:01:32,491
A REAL MOVIE STAR!
31
00:01:32,560 --> 00:01:35,994
♪ THAN TO FILL A DESIRE ♪
32
00:01:36,063 --> 00:01:39,264
♪ TO MAKE YOU MY OWN ♪
33
00:01:39,333 --> 00:01:41,100
♪ PAH PAH LA RAH ♪
34
00:01:41,168 --> 00:01:43,135
♪ POOP POOP-A-DO, OOH ♪
35
00:01:43,204 --> 00:01:47,239
♪ I WANNA BE LOVED BY YOU ♪
36
00:01:47,308 --> 00:01:51,843
♪ BY YOU, AND
NOBODY ELSE BUT YOU ♪
37
00:01:51,912 --> 00:01:56,148
♪ I WANNA BE LOVED BY YOU ♪
38
00:01:56,217 --> 00:01:58,584
♪ ALONE ♪
39
00:01:58,652 --> 00:02:01,820
♪ POOP POOP-A-DO OOH! ♪
40
00:02:01,888 --> 00:02:04,789
OH, WONDERFUL, GINGER!
41
00:02:04,858 --> 00:02:05,902
SHE'S FINISHED.
42
00:02:05,926 --> 00:02:07,859
OK, GILLIGAN, OK. OH,
YOU'RE WONDERFUL!
43
00:02:07,928 --> 00:02:09,328
YOU'RE WONDERFUL, GINGER!
44
00:02:09,396 --> 00:02:10,462
OHH!
45
00:02:11,565 --> 00:02:13,098
HEY, MARY ANN.
46
00:02:13,167 --> 00:02:15,445
MARY ANN. MARY ANN,
ARE YOU ALL RIGHT?
47
00:02:15,469 --> 00:02:17,636
MARY ANN. HEY, MARY ANN.
48
00:02:19,873 --> 00:02:21,784
ARE YOU OK, MARY ANN?
49
00:02:21,808 --> 00:02:24,209
I'M FINE, BUT...
50
00:02:24,278 --> 00:02:25,910
WHY DID YOU CALL ME MARY ANN?
51
00:02:25,979 --> 00:02:27,357
WHY DID I CALL YOU MARY ANN?
52
00:02:27,381 --> 00:02:28,647
YES.
53
00:02:28,715 --> 00:02:30,048
YOU'RE NOT MARY ANN?
54
00:02:30,117 --> 00:02:32,217
GILLIGAN, ARE YOU
FEELING ALL RIGHT?
55
00:02:32,286 --> 00:02:33,585
YEAH, I'M FINE.
56
00:02:33,654 --> 00:02:35,720
WELL, DON'T YOU RECOGNIZE ME?
57
00:02:35,789 --> 00:02:37,055
I'M GINGER.
58
00:02:37,124 --> 00:02:38,257
YOU'RE GINGER?
59
00:02:38,325 --> 00:02:39,958
OF COURSE I'M GINGER.
60
00:02:45,533 --> 00:02:48,500
♪ JUST SIT RIGHT BACK,
AND YOU'LL HEAR A TALE ♪
61
00:02:48,569 --> 00:02:50,636
♪ A TALE OF A FATEFUL TRIP ♪
62
00:02:50,704 --> 00:02:53,205
♪ THAT STARTED FROM
THIS TROPIC PORT ♪
63
00:02:53,274 --> 00:02:55,240
♪ ABOARD THIS TINY SHIP ♪
64
00:02:55,309 --> 00:02:57,976
♪ THE MATE WAS A
MIGHTY SAILIN' MAN ♪
65
00:02:58,045 --> 00:03:00,045
♪ THE SKIPPER BRAVE AND SURE ♪
66
00:03:00,113 --> 00:03:04,416
♪ 5 PASSENGERS SET SAIL
THAT DAY FOR A 3-HOUR TOUR ♪
67
00:03:04,485 --> 00:03:07,586
♪ A 3-HOUR TOUR ♪
68
00:03:09,523 --> 00:03:11,690
♪ THE WEATHER
STARTED GETTING ROUGH ♪
69
00:03:11,758 --> 00:03:14,125
♪ THE TINY SHIP WAS TOSSED ♪
70
00:03:14,195 --> 00:03:16,339
♪ IF NOT FOR THE COURAGE
OF THE FEARLESS CREW ♪
71
00:03:16,363 --> 00:03:20,765
♪ THE MINNOW WOULD BE LOST,
THE MINNOW WOULD BE LOST ♪
72
00:03:20,834 --> 00:03:23,268
♪ THE SHIP'S AGROUND
ON THE SHORE OF THIS ♪
73
00:03:23,337 --> 00:03:25,571
♪ UNCHARTED DESERT ISLE ♪
74
00:03:25,639 --> 00:03:27,806
♪ WITH GILLIGAN ♪
75
00:03:27,874 --> 00:03:30,141
♪ THE SKIPPER, TOO ♪
76
00:03:30,211 --> 00:03:34,813
♪ THE MILLIONAIRE AND HIS WIFE ♪
77
00:03:34,881 --> 00:03:37,082
♪ THE MOVIE STAR ♪
78
00:03:37,150 --> 00:03:40,151
♪ THE PROFESSOR AND MARY ANN ♪
79
00:03:40,221 --> 00:03:44,323
♪ HERE ON GILLIGAN'S ISLE ♪
80
00:03:47,828 --> 00:03:50,829
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
81
00:04:06,313 --> 00:04:08,547
WELL, THERE'S NO
EVIDENCE OF A CONCUSSION.
82
00:04:08,616 --> 00:04:10,059
EVERYTHING SEEMS TO
BE PERFECTLY NORMAL.
83
00:04:10,083 --> 00:04:12,495
WHY SHOULDN'T IT? I FEEL FINE.
84
00:04:12,519 --> 00:04:15,186
WELL, GOOD. THEN YOU WON'T
MIND COMPLETING THE EXAMINATION.
85
00:04:15,256 --> 00:04:16,655
BUT WHAT'S IT FOR?
86
00:04:16,724 --> 00:04:18,189
JUST HUMOR ME.
87
00:04:18,259 --> 00:04:19,524
ALL RIGHT.
88
00:04:20,527 --> 00:04:22,527
WHO AM I? THE PROFESSOR.
89
00:04:22,596 --> 00:04:23,607
SHE'S FINE.
90
00:04:23,631 --> 00:04:24,730
WHO ARE THEY?
91
00:04:24,798 --> 00:04:26,209
GILLIGAN AND SKIPPER.
92
00:04:26,233 --> 00:04:27,233
SHE'S OK.
93
00:04:27,268 --> 00:04:28,933
AND OF COURSE YOU
KNOW WHO YOU ARE.
94
00:04:29,002 --> 00:04:30,502
I'M GINGER.
95
00:04:30,571 --> 00:04:31,870
SHE'S SICK.
96
00:04:34,808 --> 00:04:38,644
WHAT'S HAPPENED TO MARY ANN HAS A
VERY SIMPLE PSYCHOLOGICAL EXPLANATION.
97
00:04:38,712 --> 00:04:41,146
I MEAN, ALMOST EVERY GIRL
AT SOME TIME IN HER LIFE
98
00:04:41,214 --> 00:04:42,814
WISHES SHE WERE
A FAMOUS ACTRESS.
99
00:04:42,883 --> 00:04:44,761
BUT MARY ANN ISN'T
WISHING, PROFESSOR.
100
00:04:44,785 --> 00:04:46,696
SHE REALLY THINKS THAT SHE'S ME.
101
00:04:46,720 --> 00:04:48,030
WELL, GINGER, THE
BLOW TO HER HEAD
102
00:04:48,054 --> 00:04:49,532
CAUSED MARY ANN TO
ASSUME THE IDENTITY
103
00:04:49,556 --> 00:04:51,668
OF THE ONLY FAMOUS ACTRESS
SHE'S EVER KNOWN. YOU.
104
00:04:51,692 --> 00:04:53,525
IT'S A LUCKY THING
SHE DIDN'T KNOW LASSIE.
105
00:04:53,594 --> 00:04:56,328
BUT SHE CAN'T BE
ME BECAUSE... I'M ME.
106
00:04:56,397 --> 00:04:57,763
SHE'S RIGHT. SHE IS GINGER.
107
00:04:57,831 --> 00:04:59,831
SHOW HIM YOUR DRIVER'S LICENSE.
108
00:04:59,900 --> 00:05:01,344
GILLIGAN, WOULD YOU BE QUIET?
109
00:05:01,368 --> 00:05:03,248
NOW, WHAT CAN WE DO TO HELP HER?
110
00:05:03,304 --> 00:05:06,037
WELL, UNTIL I CAN COME UP WITH A
PSYCHIATRIC APPROACH TO THE PROBLEM,
111
00:05:06,106 --> 00:05:07,684
WE'RE GONNA HAVE TO TO
ALONG WITH HER FANTASY.
112
00:05:07,708 --> 00:05:10,754
YOU MEAN WE'RE GONNA STILL HAVE
TO PRETEND THAT MARY ANN IS GINGER?
113
00:05:10,778 --> 00:05:13,679
EXACTLY. YOU SEE, AS GINGER,
114
00:05:13,747 --> 00:05:16,047
MARY ANN WILL EXPECT TO
SEE A MARY ANN AMONG US.
115
00:05:16,116 --> 00:05:18,784
WELL, WHERE ARE WE
GOING TO FIND A MARY ANN?
116
00:05:18,852 --> 00:05:20,619
WELL, ONE OF US WILL
HAVE TO BE MARY ANN.
117
00:05:22,723 --> 00:05:25,535
OH, NO. I'M NOT GONNA BE MARY
ANN. I LOOK TERRIBLE IN PIGTAILS.
118
00:05:25,559 --> 00:05:28,593
OH, NOT YOU, GILLIGAN. GINGER'S
THE OBVIOUS ONE TO BE MARY ANN.
119
00:05:28,662 --> 00:05:30,206
ME? WELL, OF COURSE.
120
00:05:30,230 --> 00:05:32,497
IN A SUITABLE WIG AND
COSTUME, WHY NOT?
121
00:05:32,566 --> 00:05:34,866
LOOK, MY DEAR,
IT'S QUITE SIMPLE.
122
00:05:34,935 --> 00:05:37,168
GINGER NEEDS A WIG
SO SHE CAN BE MARY ANN
123
00:05:37,237 --> 00:05:38,870
BECAUSE MARY ANN IS GINGER.
124
00:05:38,939 --> 00:05:43,141
THURSTON, HAVE YOU BEEN EATING BRANDY
PEACHES WITHOUT THE PEACHES AGAIN?
125
00:05:43,210 --> 00:05:45,744
LET ME EXPLAIN, AND
FOLLOW AFTER ME.
126
00:05:45,813 --> 00:05:48,380
GINGER ISN'T GINGER
ANYMORE. SHE'S MARY ANN.
127
00:05:48,449 --> 00:05:51,194
GINGER ISN'T GINGER
ANYMORE. SHE'S MARY ANN.
128
00:05:51,218 --> 00:05:53,952
AND MARY ANN ISN'T MARY ANN
ANYMORE BECAUSE SHE'S GINGER.
129
00:05:54,020 --> 00:05:57,180
AND MARY ANN ISN'T MARY ANN
ANYMORE BECAUSE SHE'S GINGER.
130
00:05:57,224 --> 00:05:59,491
BY JOVE, I THINK SHE'S GOT IT!
131
00:05:59,560 --> 00:06:02,339
AND MARY ANN WANTS TO
BORROW A WIG BECAUSE SHE...
132
00:06:02,363 --> 00:06:04,173
OH, WHO IS SHE, ANYWAY?
133
00:06:04,197 --> 00:06:05,564
NOW, LOOK, MY LITTLE ANNUITY,
134
00:06:05,632 --> 00:06:08,299
PLEASE LET ME EXPLAIN
ONE MORE TIME, DARLING!
135
00:06:08,369 --> 00:06:11,147
AH, MR. AND MRS. HOWELL. HAVE
YOU FOUND A WIG FOR GINGER YET?
136
00:06:11,171 --> 00:06:12,671
NO. I'M HAVING A
LITTLE DIFFICULTY
137
00:06:12,740 --> 00:06:14,406
EXPLAINING IT TO MRS. HOWELL.
138
00:06:14,475 --> 00:06:17,743
PLEASE! I UNDERSTAND
EVERYTHING PERFECTLY.
139
00:06:17,811 --> 00:06:20,957
GINGER ISN'T GINGER ANYMORE
BECAUSE MARY ANN ISN'T WHO SHE WAS
140
00:06:20,981 --> 00:06:24,148
WHEN GINGER WASN'T WHO
SHE IS. ISN'T THAT RIGHT, SKIPPER?
141
00:06:24,217 --> 00:06:27,619
SKIPPER? I'M YOUR LITTLE
DARLING THURSTON-POO.
142
00:06:27,688 --> 00:06:29,954
PLEASE. WE MUST
FIND A WIG FOR GINGER.
143
00:06:30,023 --> 00:06:32,836
NOW, I'VE SENT GILLIGAN TO FIND
MARY ANN AND KEEP HER BUSY.
144
00:06:32,860 --> 00:06:35,472
IT'S EXTREMELY IMPORTANT THAT
MARY ANN DOESN'T SEE GINGER
145
00:06:35,496 --> 00:06:38,274
UNTIL GINGER HAS HAD A CHANCE
TO ASSUME MARY ANN'S IDENTITY.
146
00:06:38,298 --> 00:06:40,499
IS THAT MARY ANN
ONE OR MARY ANN 2?
147
00:06:40,567 --> 00:06:43,702
IT'S GETTING SO YOU CAN'T TELL
THE PLAYERS WITHOUT A PROGRAM.
148
00:06:47,574 --> 00:06:50,041
I NEED SOMEONE TO LOVE ME.
149
00:06:50,110 --> 00:06:52,310
I NEED SOMEONE TO KISS ME.
150
00:06:52,379 --> 00:06:54,546
I NEED SOMEONE TO WANT ME.
151
00:06:55,849 --> 00:06:56,948
I NEED YOU!
152
00:06:57,017 --> 00:06:58,428
I NEED TO GET OUTTA HERE.
153
00:06:58,452 --> 00:07:01,420
GILLIGAN, YOU'RE JUST IN TIME.
154
00:07:01,488 --> 00:07:04,489
I NEED YOU TO HELP ME
REHEARSE THIS SCENE.
155
00:07:04,558 --> 00:07:06,569
SCENE? OH, YEAH, I FORGOT
THAT YOU WERE GINGER...
156
00:07:06,593 --> 00:07:08,226
NO, NEVER MIND.
157
00:07:08,295 --> 00:07:11,029
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT, BUT...
158
00:07:11,097 --> 00:07:13,632
YOU WILL HELP ME... WON'T YOU?
159
00:07:13,700 --> 00:07:15,780
YEAH, SURE, BUT
AFTER WE'RE FINISHED,
160
00:07:15,836 --> 00:07:17,213
BETTER HAVE YOUR EYES CHECKED.
161
00:07:17,237 --> 00:07:20,204
OH, GILLIGAN.
NOW, IN THIS SCENE,
162
00:07:20,273 --> 00:07:22,507
YOU PLAY THE PART OF
SCOTT... MY BOYFRIEND.
163
00:07:22,576 --> 00:07:25,677
SCOTT IS, UH, UNFRIENDLY AND
WON'T HAVE ANYTHING TO DO WITH ME.
164
00:07:25,746 --> 00:07:26,790
I LIKE THAT.
165
00:07:26,814 --> 00:07:28,179
BUT I'M FRIENDLY.
166
00:07:28,248 --> 00:07:29,948
OOPS.
167
00:07:30,016 --> 00:07:33,151
OH, PLEASE, SCOTT,
DON'T GO OUT TONIGHT.
168
00:07:33,219 --> 00:07:36,354
STAY HERE WITH
ME. WE'RE ALL ALONE
169
00:07:36,423 --> 00:07:39,658
AND THERE'S A
FIRE... SOFT MUSIC.
170
00:07:39,726 --> 00:07:41,760
YOU CAN HAVE ANYTHING YOU WANT.
171
00:07:41,829 --> 00:07:42,872
EVEN ROOT BEER?
172
00:07:42,896 --> 00:07:44,062
ROOT BEER?
173
00:07:44,130 --> 00:07:45,831
GILLIGAN, READ YOUR LINES.
174
00:07:45,899 --> 00:07:48,711
UM... "WHEN ARE YOU
GOING TO REALIZE
175
00:07:48,735 --> 00:07:50,447
"THAT I'VE GOT
IMPORTANT THINGS TO DO
176
00:07:50,471 --> 00:07:53,638
"AND YOU DON'T FIT
IN MY PLANS... BABY"?
177
00:07:53,707 --> 00:07:56,608
OH, YOU DON'T MEAN
IT. YOU'RE MY LIFE.
178
00:07:56,677 --> 00:07:59,043
WHEN I'M WITH YOU,
MY TEMPERATURE RISES.
179
00:07:59,112 --> 00:08:01,245
FLAMES LEAP UP AROUND ME.
180
00:08:01,314 --> 00:08:03,181
SMOKE FILLS THE AIR.
181
00:08:03,249 --> 00:08:04,382
I'M ON FIRE.
182
00:08:04,451 --> 00:08:06,295
YOU DON'T NEED ME. YOU
NEED SMOKY THE BEAR.
183
00:08:06,319 --> 00:08:08,553
OH, PLEASE, SCOTT, LOOK AT ME!
184
00:08:08,622 --> 00:08:10,388
DON'T YOU KNOW?
185
00:08:10,457 --> 00:08:12,190
DON'T YOU KNOW?!
186
00:08:13,827 --> 00:08:14,827
UMMHH!
187
00:08:14,862 --> 00:08:16,561
I'M YOURS FOREVER!
188
00:08:16,630 --> 00:08:18,864
OH, GILLIGAN, WHERE
ARE YOU GOING?
189
00:08:18,932 --> 00:08:20,632
WE HAVEN'T FINISHED THE SCENE.
190
00:08:20,701 --> 00:08:21,867
I HAVE!
191
00:08:21,935 --> 00:08:23,034
OH!
192
00:08:26,707 --> 00:08:27,873
WAIT A MINUTE, LITTLE BUDDY!
193
00:08:27,941 --> 00:08:29,307
WHERE'S THE FIRE?
194
00:08:29,376 --> 00:08:30,920
BACK THERE IN MARY
GIN... GIN MARY...
195
00:08:30,944 --> 00:08:31,988
WHATEVER HER NAME IS.
196
00:08:32,012 --> 00:08:33,255
NOT SO FAST. YOU'RE
NOT GOING ANYWHERE.
197
00:08:33,279 --> 00:08:34,399
I'M NOT?
198
00:08:34,447 --> 00:08:36,180
NO. GINGER ISN'T READY
YET, SO I WANT YOU
199
00:08:36,249 --> 00:08:37,827
TO MARCH RIGHT BACK
AND KEEP MARY ANN BUSY.
200
00:08:37,851 --> 00:08:39,762
OH, NO. SHE WANTS TO KISS
AND HUG AND STUFF LIKE THAT.
201
00:08:39,786 --> 00:08:41,052
BUT MARY ANN ISN'T HERSELF!
202
00:08:41,121 --> 00:08:42,264
YOU'RE TELLING ME!
203
00:08:42,288 --> 00:08:43,766
NOW, LOOK, IF WE
WANT HER TO GET WELL,
204
00:08:43,790 --> 00:08:45,256
WE'VE ALL GOTTA
HELP HER OUT. RIGHT?
205
00:08:45,325 --> 00:08:47,003
RIGHT. WE ALL GOTTA HELP
HER OUT. YOU HELP HER.
206
00:08:47,027 --> 00:08:50,962
GILLIGAN. NOW, I WANT YOU TO GET
RIGHT BACK THERE, AND THAT'S AN ORDER.
207
00:08:55,268 --> 00:08:58,003
PLEASE... LOOK AT ME.
208
00:08:58,071 --> 00:08:59,971
DON'T YOU KNOW?
209
00:09:00,040 --> 00:09:01,640
DON'T YOU KNOW?
210
00:09:01,708 --> 00:09:04,275
OK. WHERE WERE WE?
211
00:09:04,344 --> 00:09:05,476
SCOTT.
212
00:09:09,482 --> 00:09:11,049
WELL, IT WASN'T TOO BAD,
213
00:09:11,117 --> 00:09:13,563
CONSIDERING THE LAST
HAIR I PUT A RIBBON ON
214
00:09:13,587 --> 00:09:15,754
WAS THE TAIL OF MY
POLO PONY BRUCE.
215
00:09:15,822 --> 00:09:17,582
I THINK YOU DID A
REMARKABLE JOB, MR. HOWELL.
216
00:09:17,624 --> 00:09:20,425
MARY ANN WEARS HER
HAIR EXACTLY LIKE THAT.
217
00:09:21,795 --> 00:09:23,795
WHAT DO YOU THINK, PROFESSOR?
218
00:09:23,864 --> 00:09:25,642
WELL, I'M NOT SURE
WHAT IT IS, GINGER,
219
00:09:25,666 --> 00:09:27,877
BUT SOMETHING ABOUT YOUR
DISGUISE ISN'T QUITE RIGHT.
220
00:09:27,901 --> 00:09:29,679
I KNOW WHAT IT
IS. IT'S HER WALK.
221
00:09:29,703 --> 00:09:32,381
SHE DOESN'T... SHE
DOESN'T WALK LIKE MARY ANN.
222
00:09:32,405 --> 00:09:36,307
MR. HOWELL IS RIGHT. MARY ANN HAS A
MUCH MORE CASUAL STRIDE, LIKE THIS.
223
00:09:40,413 --> 00:09:42,113
NO, PROFESSOR, NOT LIKE THAT.
224
00:09:42,182 --> 00:09:44,248
SHE PUTS HER HAND
ON HER HIP, LIKE THIS.
225
00:09:46,787 --> 00:09:48,653
NO, NO, YOU'RE BOTH WRONG.
226
00:09:48,722 --> 00:09:50,855
SHE WALKS MORE
LIKE... LIKE BOB HOPE.
227
00:09:53,326 --> 00:09:55,193
WELL, I... I DON'T
KNOW WHO'S RIGHT.
228
00:09:55,261 --> 00:09:58,196
COULD YOU TRY IT AGAIN
SO I COULD COMPARE IT?
229
00:09:58,264 --> 00:10:00,531
OH, UH... PROFESSOR, UH...
230
00:10:03,203 --> 00:10:04,903
UH... I'M SO SORRY.
231
00:10:04,972 --> 00:10:09,574
I REALLY DIDN'T KNOW YOU WERE
REHEARSING FOR THE DEBUTANTE COTILLION.
232
00:10:16,750 --> 00:10:21,352
SINCE I'M GOING TO BE MARY ANN, I
GUESS I'D BETTER CHECK ON DINNER.
233
00:10:21,421 --> 00:10:23,287
OH, I FORGOT TO TELL YOU.
234
00:10:23,356 --> 00:10:26,658
UH, I MAY, UH, DRESS LIKE MARY
ANN AND WALK LIKE MARY ANN,
235
00:10:26,727 --> 00:10:29,393
BUT I STILL COOK LIKE GINGER
GRANT. SORRY ABOUT THAT.
236
00:10:29,462 --> 00:10:31,440
IN THAT CASE, I DON'T
THINK YOU'D BETTER EAT,
237
00:10:31,464 --> 00:10:34,077
THURSTON, DARLING. I
REMEMBER THE EXACT WORDS
238
00:10:34,101 --> 00:10:35,778
YOUR STOMACH SPECIALIST SAID...
239
00:10:35,802 --> 00:10:38,447
AVOID, UH,
CHOLESTEROL, STARCHES,
240
00:10:38,471 --> 00:10:39,804
AND LOUSY COOKING.
241
00:10:39,873 --> 00:10:42,373
HERE SHE IS! HERE'S GINGER!
242
00:10:42,442 --> 00:10:43,642
HERE COMES GINGER.
243
00:10:43,677 --> 00:10:44,677
HI, GINGER.
244
00:10:44,745 --> 00:10:45,788
HELLO, GINGER.
245
00:10:45,812 --> 00:10:47,045
HI, EVERYBODY.
246
00:10:47,114 --> 00:10:49,681
IS DINNER READY
YET? I'M STARVED.
247
00:10:49,750 --> 00:10:51,149
WELL, MARY ANN SAID THAT
248
00:10:51,217 --> 00:10:53,162
DINNER IS JUST ABOUT
READY TO BE SERVED.
249
00:10:53,186 --> 00:10:55,920
MARY ANN! MARY
ANN! WE'RE ALL HERE!
250
00:10:56,957 --> 00:10:58,768
I HOPE YOU LIKE
WHAT I'VE PREPARED.
251
00:10:58,792 --> 00:11:00,025
WHAT IS IT?
252
00:11:00,093 --> 00:11:02,861
YES, WHAT IS IT, MARY ANN?
253
00:11:02,929 --> 00:11:05,329
SOMETHING SIMPLE. FISH PIE.
254
00:11:07,233 --> 00:11:08,800
FISH PIE?!
255
00:11:14,775 --> 00:11:15,985
HI, GINGER.
256
00:11:16,009 --> 00:11:17,375
HI, MARY ANN.
257
00:11:17,443 --> 00:11:19,944
WHAT ARE YOU DOING
TO MY... YOUR DRESS?
258
00:11:20,013 --> 00:11:22,446
WELL, I'VE BEEN TRYING THEM ON.
259
00:11:22,515 --> 00:11:24,215
YOU KNOW, FOR SOME REASON,
260
00:11:24,284 --> 00:11:26,417
WELL, THEY'RE ALL
MUCH TOO BIG FOR ME.
261
00:11:26,486 --> 00:11:28,097
OH, WELL. MAYBE
YOU'VE LOST WEIGHT.
262
00:11:28,121 --> 00:11:29,387
THEY'RE ALL STRETCHED.
263
00:11:29,455 --> 00:11:31,089
THAT'S WHAT IT IS.
264
00:11:31,158 --> 00:11:33,591
IT MUST BE THE TROPICAL WEATHER.
265
00:11:44,838 --> 00:11:47,116
OH! WHAT ARE YOU DOING
TO MY... YOUR DRESS?
266
00:11:47,140 --> 00:11:48,707
I'M MAKING IT FIT.
267
00:11:50,210 --> 00:11:53,277
OH... OHHH...
268
00:11:58,451 --> 00:12:00,484
THERE. THAT'S MORE LIKE IT.
269
00:12:00,553 --> 00:12:02,653
I'M GOING TO CUT ALL MY
DRESSES DOWN TO FIT...
270
00:12:02,723 --> 00:12:04,789
EVEN IF IT TAKES ALL NIGHT.
271
00:12:10,463 --> 00:12:13,031
OHHH... NO!
272
00:12:13,100 --> 00:12:14,298
OHHH...
273
00:12:16,603 --> 00:12:18,970
YOU'D BETTER PUT THAT WIG
BACK ON. MARY ANN MIGHT SEE YOU.
274
00:12:19,039 --> 00:12:21,383
OH, DON'T WORRY, GILLIGAN.
SHE WAS UP ALL NIGHT
275
00:12:21,407 --> 00:12:24,168
CUTTING MY DRESSES IN
HALF. SHE'S STILL ASLEEP.
276
00:12:28,648 --> 00:12:33,151
OHHH... MY DRESS...
IT'S ALL RUINED.
277
00:12:43,529 --> 00:12:46,197
OH... I TOLD YOU. I TOLD YOU.
278
00:12:49,369 --> 00:12:50,609
GINGER.
279
00:12:52,705 --> 00:12:54,038
GINGER.
280
00:12:56,709 --> 00:13:00,478
I'M AFRAID SHE'S IN
A TRAUMATIC SHOCK.
281
00:13:00,546 --> 00:13:02,046
SKIPPER.
282
00:13:05,218 --> 00:13:09,154
YOU KNOW, WHEN SHE SAW
THE GIRL SHE THOUGHT SHE WAS,
283
00:13:09,222 --> 00:13:11,667
I'M AFRAID IT WAS MORE
THAN HER MIND COULD ACCEPT.
284
00:13:11,691 --> 00:13:13,724
ISN'T THERE
SOMETHING YOU CAN DO?
285
00:13:13,794 --> 00:13:17,039
WELL, I'VE READ WHERE HYPNOSIS
HAS BEEN USED IN CASES LIKE THIS,
286
00:13:17,063 --> 00:13:20,209
BUT IN HER PRESENT CONDITION,
I'M AFRAID IT MIGHT NOT WORK.
287
00:13:20,233 --> 00:13:22,433
WE CAN'T LEAVE HER LIKE THIS.
288
00:13:24,104 --> 00:13:26,671
YOU'RE RIGHT.
I'LL HAVE TO TRY IT.
289
00:13:26,739 --> 00:13:28,539
I'LL LEAVE YOU TWO ALONE.
290
00:13:40,921 --> 00:13:42,187
GINGER.
291
00:13:43,924 --> 00:13:46,757
GINGER!
292
00:13:46,827 --> 00:13:50,361
GILLIGAN. THE PROFESSOR
SAYS THAT MARY ANN'S IN SHOCK.
293
00:13:50,430 --> 00:13:51,941
HE'S GONNA HAVE TO
TRY AND HYPNOTIZE HER.
294
00:13:51,965 --> 00:13:53,965
HYPNOTIZE HER? OH, BOY!
295
00:13:54,034 --> 00:13:56,813
HERE COMES GINGER. WE'D BETTER
TELL HER TO STAY AWAY FROM HERE
296
00:13:56,837 --> 00:13:59,677
SO THE PROFESSOR CAN
WORK WITH MARY ANN. COME ON.
297
00:14:03,009 --> 00:14:04,108
GINGER?
298
00:14:05,478 --> 00:14:06,522
GINGER!
299
00:14:06,546 --> 00:14:11,382
OHHH... OH, PROFESSOR,
I'M SO CONFUSED.
300
00:14:11,451 --> 00:14:12,451
I SAW MYSELF.
301
00:14:12,518 --> 00:14:14,297
GINGER, EVERYTHING IS ALL RIGHT.
302
00:14:14,321 --> 00:14:15,965
EVERYTHING IS
GOING TO BE ALL RIGHT.
303
00:14:15,989 --> 00:14:18,890
I SAW GILLIGAN AND ME
HANGING UP THE WASH.
304
00:14:18,959 --> 00:14:21,603
GINGER, SOMETIMES THE
GLARE FROM THE TROPICAL SUN
305
00:14:21,627 --> 00:14:23,172
CAN PLAY TRICKS
WITH WHAT WE SEE.
306
00:14:23,196 --> 00:14:25,541
NOW, I'M SURE IT WAS
ALL IN YOUR IMAGINATION.
307
00:14:25,565 --> 00:14:27,805
AND I THINK I CAN HELP
YOU WITH HYPNOSIS.
308
00:14:27,868 --> 00:14:29,234
HYPNOSIS?
309
00:14:29,302 --> 00:14:30,534
YES.
310
00:14:30,603 --> 00:14:34,205
NOW, YOU JUST WATCH
THIS SHINY OBJECT.
311
00:14:34,274 --> 00:14:36,040
JUST RELAX.
312
00:14:36,109 --> 00:14:38,109
WATCH.
313
00:14:38,178 --> 00:14:39,710
WATCH IT SWING.
314
00:14:39,779 --> 00:14:41,645
BACK AND FORTH.
315
00:14:41,714 --> 00:14:44,015
BACK AND FORTH.
316
00:14:45,252 --> 00:14:47,263
YOU'RE GETTING VERY DROWSY.
317
00:14:47,287 --> 00:14:49,031
YOUR EYELIDS ARE GETTING HEAVY.
318
00:14:49,055 --> 00:14:51,495
YOU CAN HARDLY KEEP THEM OPEN.
319
00:14:52,658 --> 00:14:58,229
YOU'RE GOING INTO
A DEEP... DEEP...
320
00:14:59,933 --> 00:15:02,433
DEEP... SLEEP.
321
00:15:07,007 --> 00:15:08,339
IT'S BEEN SOME DAY.
322
00:15:08,408 --> 00:15:11,020
I'M GOING BACK TO
THE HUT AND REST.
323
00:15:11,044 --> 00:15:14,512
GILLIGAN AND I WANTED
TO TELL YOU NOT TO GO TO...
324
00:15:14,580 --> 00:15:15,780
GILLIGAN?
325
00:15:15,848 --> 00:15:17,782
I BET HE'S OVER AT
THE HUT RIGHT NOW,
326
00:15:17,850 --> 00:15:19,017
ANNOYING THE PROFESSOR.
327
00:15:19,085 --> 00:15:20,518
WAIT'LL I GET MY HANDS ON HIM.
328
00:15:20,586 --> 00:15:24,022
YOU'RE IN A DEEP, SOUND SLEEP...
329
00:15:24,090 --> 00:15:26,357
A VERY RELAXING SLEEP.
330
00:15:26,426 --> 00:15:29,027
NOW, WHEN I AWAKEN YOU,
331
00:15:29,095 --> 00:15:32,297
I'M GOING TO SAY
THE NAME "MARY ANN."
332
00:15:32,365 --> 00:15:37,135
AND WHEN YOU HEAR
THE NAME "MARY ANN,"
333
00:15:37,203 --> 00:15:40,504
YOU ARE GOING TO
BECOME MARY ANN.
334
00:15:41,707 --> 00:15:44,775
NOW, I WANT YOU TO
REPEAT AFTER ME...
335
00:15:44,844 --> 00:15:47,912
"WHEN I HEAR THE
NAME MARY ANN..."
336
00:15:47,981 --> 00:15:50,915
WHEN I HEAR THE
NAME "MARY ANN..."
337
00:15:50,984 --> 00:15:52,951
WHEN I HEAR THE
NAME "MARY ANN..."
338
00:15:53,019 --> 00:15:56,187
"I WILL BECOME MARY ANN."
339
00:15:56,256 --> 00:15:59,057
I WILL BECOME MARY ANN.
340
00:15:59,125 --> 00:16:01,025
I WILL BECOME MARY ANN.
341
00:16:01,094 --> 00:16:02,134
EXCELLENT.
342
00:16:02,162 --> 00:16:04,273
NOW I'M GOING TO AWAKEN YOU.
343
00:16:04,297 --> 00:16:07,865
WHEN I SNAP MY FINGERS,
YOU WILL BECOME WIDE AWAKE.
344
00:16:12,172 --> 00:16:13,812
Skipper: GILLIGAN.
345
00:16:15,208 --> 00:16:17,320
STAY AWAY FROM THAT WINDOW,
OR YOU'LL BOTHER THE PROFESSOR.
346
00:16:17,344 --> 00:16:20,911
BUT, SKIPPER... NO
BUTS. NOW, COME ON.
347
00:16:20,981 --> 00:16:23,547
WELL, NOW... HOW DO YOU FEEL?
348
00:16:23,616 --> 00:16:25,516
ALL RIGHT... I GUESS.
349
00:16:25,585 --> 00:16:29,820
FINE. NOW, SUPPOSE
YOU AND I DISCUSS...
350
00:16:29,889 --> 00:16:31,356
MARY ANN.
351
00:16:31,424 --> 00:16:35,460
FORGET ABOUT MARY
ANN. WHAT ABOUT ME?
352
00:16:35,528 --> 00:16:37,595
WHY DID I SEE ANOTHER GINGER?
353
00:16:42,469 --> 00:16:45,903
♪ ROW, ROW YOUR SUB
GENTLY DOWN THE TUB ♪
354
00:16:45,972 --> 00:16:48,406
♪ MERRILY, MERRILY,
MERRILY, MERRILY ♪
355
00:16:48,475 --> 00:16:50,475
♪ LIFE IS BUT A DREAM ♪
356
00:16:50,543 --> 00:16:52,243
♪ ROW, ROW, ROW YOUR SUB ♪
357
00:16:52,312 --> 00:16:55,291
GILLIGAN, WHAT'S THIS? TAKING A
BATH IN THE MIDDLE OF THE DAY?
358
00:16:55,315 --> 00:16:58,282
SKIPPER, DID YOU SEE THE BIG
MUD PUDDLE BEHIND THE HUT?
359
00:16:58,351 --> 00:16:59,351
YES.
360
00:16:59,419 --> 00:17:00,651
I DIDN'T.
361
00:17:00,720 --> 00:17:02,131
WOULD YOU HAND ME
THAT BRUSH, PLEASE?
362
00:17:02,155 --> 00:17:04,900
YEAH, CERTAINLY. I JUST
CAME BY TO TELL YOU
363
00:17:04,924 --> 00:17:07,525
I SAW THE PROFESSOR, AND, WELL,
364
00:17:07,593 --> 00:17:09,038
THE HYPNOTISM
DIDN'T WORK AT ALL.
365
00:17:09,062 --> 00:17:10,228
POOR MARY ANN.
366
00:17:11,964 --> 00:17:14,110
WHAT'S WRONG? ALL I
SAID WAS, "POOR MARY ANN."
367
00:17:14,134 --> 00:17:16,467
AAH! HOW DARE YOU COME IN HERE
368
00:17:16,536 --> 00:17:18,102
WHEN A LADY'S TAKING A BATH?
369
00:17:18,171 --> 00:17:20,116
A LADY TAKING A
BATH?! ARE YOU NUTS?
370
00:17:20,140 --> 00:17:22,306
GET OUT OF HERE, YOU
PEEPING TOM! OUT! OUT!
371
00:17:22,375 --> 00:17:24,086
GILLIGAN, WHAT'S
WRONG WITH YOU?!
372
00:17:24,110 --> 00:17:26,144
"GILLIGAN"? WHAT'S
WRONG WITH YOU?
373
00:17:26,212 --> 00:17:27,912
I'M MARY ANN!
374
00:17:27,980 --> 00:17:29,280
GET OUT! GET OUT!
375
00:17:30,383 --> 00:17:34,118
OH... NOW GILLIGAN
THINKS HE'S MARY ANN.
376
00:17:34,187 --> 00:17:35,753
OH, BROTHER!
377
00:17:35,821 --> 00:17:37,255
OHHH...
378
00:17:38,758 --> 00:17:41,803
GOOD HEAVENS. THE
SKIPPER'S SOAKED TO THE SKIN.
379
00:17:41,827 --> 00:17:43,839
THERE ISN'T A RAIN
CLOUD IN THE SKY.
380
00:17:43,863 --> 00:17:47,698
MAYBE IT'S RAINING
INSIDE THE HUT.
381
00:17:47,767 --> 00:17:49,900
MARY ANN STILL THINKS SHE'S
GINGER, AND NOW GILLIGAN
382
00:17:49,969 --> 00:17:51,436
THINKS HE'S MARY ANN!
383
00:17:51,504 --> 00:17:53,404
I'VE GOT TO TALK
TO THE PROFESSOR.
384
00:17:53,473 --> 00:17:55,706
DID I HEAR CORRECTLY?
385
00:17:55,775 --> 00:17:58,242
GILLIGAN IS MARY ANN?
386
00:17:58,311 --> 00:18:00,478
I THOUGHT, UH,
GINGER WAS MARY ANN.
387
00:18:00,547 --> 00:18:05,249
WE'VE GOT 3 MARY ANNS, AND WE'RE
FRESH OUT OF GILLIGANS AND GINGERS.
388
00:18:05,318 --> 00:18:08,319
♪ ROW, ROW, ROW YOUR BOAT... ♪
389
00:18:09,722 --> 00:18:12,190
THAT'S STRANGE. THERE'S
THE SKIPPERS DUFFEL BAG
390
00:18:12,258 --> 00:18:13,891
AND THE BOYS' CLOTHES.
391
00:18:13,960 --> 00:18:16,194
WHAT ARE THEY DOING
HERE IN THE GIRLS' HUT?
392
00:18:18,698 --> 00:18:20,264
I'M IN THE BOYS' HUT BY MISTAKE!
393
00:18:20,333 --> 00:18:23,534
I GOTTA GET OUT OF HERE!
OH, GOODNESS GRACIOUS!
394
00:18:26,239 --> 00:18:29,073
NOW, LET ME SEE IF I
HAVE IT RIGHT, THURSTON.
395
00:18:29,142 --> 00:18:31,175
UH, MARY ANN IS GILLIGAN.
396
00:18:31,244 --> 00:18:33,777
UH, NO, GINGER IS
MARY ANN BECAUSE...
397
00:18:33,846 --> 00:18:35,824
WILL YOU BE SILENT,
LOVEY? I JUST WANT TO HAVE
398
00:18:35,848 --> 00:18:38,461
A SMALL, QUIET NERVOUS
BREAKDOWN. YAHH!
399
00:18:38,485 --> 00:18:39,628
OH, EXCUSE ME.
400
00:18:39,652 --> 00:18:41,885
I DIDN'T KNOW ANYBODY
WAS UP. EXCUSE ME.
401
00:18:41,954 --> 00:18:43,588
GILLIGAN?!
402
00:18:43,656 --> 00:18:44,855
MARY ANN?!
403
00:18:44,924 --> 00:18:49,127
WHOEVER YOU ARE...
WHATEVER YOU ARE.
404
00:18:50,230 --> 00:18:51,496
SAFE AT LAST!
405
00:18:53,566 --> 00:18:55,333
GINGER, WHAT ARE YOU
DOING IN MY CLOTHES?
406
00:18:55,401 --> 00:18:56,900
I'M FILING MY NAILS.
407
00:18:56,969 --> 00:19:01,172
OHH! GILLIGAN, WHAT ARE YOU
DOING WITH THAT TOWEL ON?
408
00:19:01,241 --> 00:19:04,442
GET OUT OF HERE! GO ON!
409
00:19:04,511 --> 00:19:06,043
GET OUT!
410
00:19:06,112 --> 00:19:07,856
THAT'S THE ONLY
EXPLANATION, SKIPPER.
411
00:19:07,880 --> 00:19:10,092
GILLIGAN MUST'VE GONE UNDER
WHILE I WAS HYPNOTIZING MARY ANN.
412
00:19:10,116 --> 00:19:11,127
WELL, YOU'VE GOTTA MAKE
HIM SNAP OUT OF IT, PROFESSOR,
413
00:19:11,151 --> 00:19:12,428
OR I GOTTA GET A NEW ROOMMATE.
414
00:19:12,452 --> 00:19:13,852
WELL, IF YOU'RE
LOOKING FOR GILLIGAN
415
00:19:13,886 --> 00:19:15,764
OR MARY ANN, WHOEVER
THAT SKINNY ONE IS,
416
00:19:15,788 --> 00:19:17,733
YOU'LL FIND HIM OR
HER IN THE GIRLS' HUT.
417
00:19:17,757 --> 00:19:19,990
OR PERHAPS NOW
IT'S THE BOYS' HUT.
418
00:19:20,059 --> 00:19:21,837
IT'S A GOOD POINT, LOVEY.
419
00:19:21,861 --> 00:19:24,362
COME ON, PROFESSOR.
420
00:19:24,430 --> 00:19:27,476
FOR THE LAST TIME, ARE YOU GOING
TO COME OUT OF THERE, GILLIGAN?
421
00:19:27,500 --> 00:19:30,434
WHY DO YOU KEEP CALLING ME GILLIGAN
AND WHY DO YOU HAVE MY CLOTHES ON?
422
00:19:30,503 --> 00:19:31,547
Professor: GINGER.
423
00:19:31,571 --> 00:19:32,581
OH, PROFESSOR.
424
00:19:32,605 --> 00:19:34,138
COME ON. NO!
425
00:19:34,207 --> 00:19:35,139
GILLIGAN!
426
00:19:35,208 --> 00:19:36,774
JUST LISTEN TO ME.
427
00:19:36,842 --> 00:19:38,742
I WANT YOU TO RELAX.
428
00:19:38,811 --> 00:19:41,423
I WANT YOU TO RELAX.
NOW, JUST RELAX, MARY ANN.
429
00:19:41,447 --> 00:19:42,980
HE'S MARY ANN?
430
00:19:43,049 --> 00:19:44,809
WHAT'S HAPPENING TO EVERYONE?
431
00:19:44,850 --> 00:19:46,717
I'LL EXPLAIN IT LATER, MARY ANN.
432
00:19:46,786 --> 00:19:48,952
WELL, I'M GINGER... I THINK.
433
00:19:49,021 --> 00:19:51,055
JUST WATCH THE LITTLE BALL,
434
00:19:51,123 --> 00:19:54,192
AND YOU'LL FALL INTO
A DEEP, SOUND SLEEP.
435
00:19:54,260 --> 00:19:55,804
I DON'T WANT TO
WATCH THE LITTLE BALL.
436
00:19:55,828 --> 00:19:58,707
I DON'T WANT TO WATCH THE
LITTLE BALL. I DON'T WANT TO GO TO...
437
00:19:58,731 --> 00:20:01,131
YOU ARE NOT MARY ANN.
438
00:20:01,201 --> 00:20:02,201
YOU ARE GILLIGAN.
439
00:20:02,268 --> 00:20:04,602
YOU ARE NOT MARY ANN.
440
00:20:04,671 --> 00:20:08,239
YOU ARE GILLIGAN.
441
00:20:08,308 --> 00:20:11,509
BOY, AM I HUNGRY. LET'S GO
GET SOMETHING TO EAT. OH.
442
00:20:12,545 --> 00:20:14,512
GINGER?
443
00:20:14,581 --> 00:20:16,247
GINGER.
444
00:20:24,224 --> 00:20:26,357
I'VE GOT IT. I'VE GOT IT!
445
00:20:26,426 --> 00:20:28,070
I BELIEVE I'VE FOUND A PLAN
446
00:20:28,094 --> 00:20:30,472
TO HELP MARY ANN
REGAIN HER IDENTITY.
447
00:20:30,496 --> 00:20:32,341
WOULDN'T IT BE BETTER IF SHE
WENT BACK TO BEING HERSELF?
448
00:20:32,365 --> 00:20:34,365
WHAT'S YOUR IDEA?
449
00:20:34,434 --> 00:20:37,145
WE'LL ASK MARY ANN TO PUT
ON A SHOW FOR US TONIGHT.
450
00:20:37,169 --> 00:20:38,703
A SHOW? WHY, SURE.
451
00:20:38,771 --> 00:20:40,616
AS GINGER, SHE'LL
WANT TO PERFORM,
452
00:20:40,640 --> 00:20:43,452
BUT UNDERNEATH, AS MARY
ANN, SHE'LL KNOW SHE CAN'T.
453
00:20:43,476 --> 00:20:45,042
OH, I'M BEGINNING
TO SEE THE LIGHT.
454
00:20:45,111 --> 00:20:46,151
YEAH, ME, TOO!
455
00:20:46,178 --> 00:20:47,811
IT'S STILL DARK WHERE I AM.
456
00:20:47,880 --> 00:20:50,080
ALL RIGHT, GILLIGAN,
I'LL EXPLAIN IT.
457
00:20:50,149 --> 00:20:52,082
NOW, MARY ANN WON'T BE
ABLE TO PERFORM AS GINGER,
458
00:20:52,151 --> 00:20:54,852
AND THIS WILL CREATE A
TREMENDOUS CONFLICT IN HER MIND.
459
00:20:54,920 --> 00:20:56,920
AND I'M SURE THE REAL
WORLD OF MARY ANN
460
00:20:56,989 --> 00:20:58,623
WILL PUSH OUT THE
DREAM WORLD OF GINGER,
461
00:20:58,691 --> 00:21:01,024
AND MARY ANN WILL
BECOME MARY ANN AGAIN.
462
00:21:01,093 --> 00:21:03,606
BOY, PROFESSOR, I SURE
WISH I HAD YOUR BRAINS.
463
00:21:03,630 --> 00:21:05,874
IF YOU DID, THE PROFESSOR'D
HAVE AN AWFUL BIG HOLE IN HIS HEAD.
464
00:21:05,898 --> 00:21:07,131
YES.
465
00:21:09,969 --> 00:21:11,380
GOOD EVENING,
LADIES AND GENTLEMEN,
466
00:21:11,404 --> 00:21:13,148
AND I WANT TO
WELCOME YOU TO A TRULY,
467
00:21:13,172 --> 00:21:15,332
I THINK A TRULY GREAT,
GREAT SHOW HERE TONIGHT.
468
00:21:15,375 --> 00:21:16,918
I'D LIKE TO INTRODUCE
AT THIS TIME
469
00:21:16,942 --> 00:21:19,755
ONE OF THE OUTSTANDING
PERSONALITIES OF THE CINEMA,
470
00:21:19,779 --> 00:21:22,079
THE STAGE, THE RECORDING MEDIUM,
471
00:21:22,148 --> 00:21:23,959
YOU NAME IT, AND SHE'S GOT IT...
472
00:21:23,983 --> 00:21:26,795
HERE SHE IS, A FINE, YOUNG
STAR IN HER OWN RIGHT,
473
00:21:26,819 --> 00:21:29,387
THE ONE AND ONLY,
AMERICA'S SWEETHEART...
474
00:21:29,455 --> 00:21:31,555
MISS GINGER GRANT.
475
00:21:38,431 --> 00:21:41,799
♪ I WANT TO BE LOVED BY YOU ♪
476
00:21:41,867 --> 00:21:47,171
♪ BY YOU, AND
NOBODY ELSE BUT YOU ♪
477
00:21:47,239 --> 00:21:51,208
♪ I WANT TO BE LOVED BY YOU ♪
478
00:21:51,277 --> 00:21:53,678
♪ ALONE ♪
479
00:21:53,746 --> 00:21:56,013
♪ POOP POOP BEE DOO ♪
480
00:21:56,081 --> 00:21:59,717
♪ I WANT TO BE KISSED BY YOU ♪
481
00:21:59,786 --> 00:22:01,029
♪ BY YOU ♪
482
00:22:01,053 --> 00:22:05,055
♪ AND NOBODY ELSE BUT YOU ♪
483
00:22:05,124 --> 00:22:08,759
♪ I WANT TO BE KISSED BY YOU ♪
484
00:22:08,828 --> 00:22:10,328
♪ ALONE ♪
485
00:22:10,396 --> 00:22:12,029
♪ POOP POOP BEE DOO ♪
486
00:22:12,097 --> 00:22:14,465
♪ I COULDN'T ASP... ♪
487
00:22:18,838 --> 00:22:21,772
I SEEM TO HAVE
FORGOTTEN THE WORDS. UH...
488
00:22:21,841 --> 00:22:24,122
MAESTRO, WOULD YOU START
THE RECORD AGAIN, PLEASE?
489
00:22:24,176 --> 00:22:26,977
YES. ANYTHING YOU SAY, GINGER.
490
00:22:28,314 --> 00:22:32,082
♪ I WANT TO BE KISSED BY YOU ♪
491
00:22:32,151 --> 00:22:33,362
♪ BY YOU ♪
492
00:22:33,386 --> 00:22:37,555
♪ AND NOBODY ELSE BUT YOU ♪
493
00:22:37,623 --> 00:22:40,858
♪ I WANT TO BE KISSED BY YOU ♪
494
00:22:40,926 --> 00:22:42,860
♪ ALONE ♪
495
00:22:42,928 --> 00:22:45,596
♪ POOP POOP BEE DOO ♪
496
00:22:45,665 --> 00:22:47,732
I DON'T KNOW WHAT'S
THE MATTER WITH ME.
497
00:22:47,800 --> 00:22:51,469
UM... MAYBE IF I JUST
DANCE IT, I'LL BE ALL RIGHT.
498
00:23:09,121 --> 00:23:11,555
HEY. HERE. LET ME HELP YOU UP.
499
00:23:11,624 --> 00:23:13,591
ARE YOU ALL RIGHT?
500
00:23:13,659 --> 00:23:15,158
COME ON.
501
00:23:16,295 --> 00:23:17,561
WATCH THE STEPS.
502
00:23:20,433 --> 00:23:22,132
ARE YOU ALL RIGHT, GINGER?
503
00:23:22,201 --> 00:23:25,836
GILLIGAN, I'M NOT
GINGER. I'M MARY ANN.
504
00:23:25,905 --> 00:23:28,406
WHAT WAS I DOING UP
THERE ON THE STAGE?
505
00:23:28,474 --> 00:23:30,486
DID YOU HEAR THAT?
MARY ANN WANTS TO KNOW
506
00:23:30,510 --> 00:23:32,543
WHAT SHE WAS DOING ON THE STAGE.
507
00:23:32,612 --> 00:23:35,979
YES! MARY ANN WANTS
TO! OH, THAT'S WONDERFUL!
508
00:23:36,048 --> 00:23:38,248
I COULD KISS HER,
AND I THINK I WILL.
509
00:23:38,317 --> 00:23:41,419
IS THAT THE OLD MARY ANN WHO WANTS
TO KNOW WHAT THE NEW GINGER WAS DOING
510
00:23:41,487 --> 00:23:44,232
OR THE NEW GINGER WHO WANTS TO
KNOW WHAT THE OLD MARY ANN WAS DOING?
511
00:23:44,256 --> 00:23:47,168
WELL, I GUESS WE'RE BACK TO THE
OLD MARY ANN AND THE OLD GINGER.
512
00:23:47,192 --> 00:23:50,728
OH, AND I WAS JUST GETTING
USED TO IT THE OTHER WAY.
513
00:23:50,797 --> 00:23:52,763
PROFESSOR. WHAT, DEAR?
514
00:23:52,832 --> 00:23:55,466
LOOK AT GINGER. SOMETHING
MUST BE THE MATTER WITH HER.
515
00:23:55,535 --> 00:23:56,934
SHE'S WEARING MY CLOTHES.
516
00:23:57,002 --> 00:23:59,904
SHE MUST THINK SHE'S ME.
517
00:24:08,380 --> 00:24:09,980
HI, MARY ANN.
518
00:24:10,049 --> 00:24:13,818
UH, GINGER, I KNOW MINISKIRTS
ARE THE LATEST STYLE BACK HOME,
519
00:24:13,886 --> 00:24:15,953
BUT THAT'S RIDICULOUS.
520
00:24:16,021 --> 00:24:18,021
WELL, RIDICULOUS OR
NOT, IT'S ALL I'VE GOT LEFT
521
00:24:18,090 --> 00:24:19,824
SINCE YOU WENT WILD
WITH THE SCISSORS.
522
00:24:19,892 --> 00:24:21,959
BESIDES, I THINK
IT'S CATCHING ON.
523
00:24:22,027 --> 00:24:23,160
CATCHING ON?
524
00:24:23,228 --> 00:24:24,995
MM-HMM. HAVE YOU SEEN GILLIGAN?
525
00:24:25,064 --> 00:24:25,996
NO.
526
00:24:26,065 --> 00:24:27,065
GILLIGAN!
527
00:24:29,902 --> 00:24:31,168
HI, MARY ANN.
528
00:24:31,236 --> 00:24:33,048
WELL, I FIGURED IF GINGER
CAN WEAR A MINISKIRT,
529
00:24:33,072 --> 00:24:34,738
I CAN WEAR MINIPANTS.
530
00:24:36,909 --> 00:24:39,844
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
531
00:24:39,912 --> 00:24:42,913
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...
532
00:24:44,249 --> 00:24:46,484
♪ NOW THIS IS THE TALE
OF OUR CASTAWAYS ♪
533
00:24:46,552 --> 00:24:48,464
♪ THEY'RE HERE FOR
A LONG, LONG TIME ♪
534
00:24:48,488 --> 00:24:50,888
♪ THEY'LL HAVE TO MAKE
THE BEST OF THINGS ♪
535
00:24:50,957 --> 00:24:52,756
♪ IT'S AN UPHILL CLIMB ♪
536
00:24:52,825 --> 00:24:55,192
♪ THE FIRST MATE
AND HIS SKIPPER, TOO ♪
537
00:24:55,260 --> 00:24:57,094
♪ WILL DO THEIR VERY BEST ♪
538
00:24:57,162 --> 00:24:59,429
♪ TO MAKE THE
OTHERS COMFORTABLE ♪
539
00:24:59,499 --> 00:25:01,398
♪ IN THE TROPIC ISLAND NEST ♪
540
00:25:01,467 --> 00:25:02,911
NO PHONE... NO LIGHTS...
541
00:25:02,935 --> 00:25:05,803
♪ NO MOTORCARS,
NOT A SINGLE LUXURY ♪
542
00:25:05,872 --> 00:25:08,205
♪ LIKE ROBINSON CRUSOE ♪
543
00:25:08,273 --> 00:25:10,207
♪ IT'S PRIMITIVE AS CAN BE ♪
544
00:25:10,275 --> 00:25:12,355
♪ SO JOIN US HERE
EACH WEEK, MY FRIENDS ♪
545
00:25:12,411 --> 00:25:14,411
♪ YOU'RE SURE TO GET A SMILE ♪
546
00:25:14,480 --> 00:25:16,714
♪ FROM 7 STRANDED CASTAWAYS ♪
547
00:25:16,782 --> 00:25:18,949
♪ HERE ON GILLIGAN'S ISLE ♪
39652
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