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So what's
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the difference between a1d light
and a3d light?
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One D lot in 3D.
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It's just the way the way
that you will change D on a one you love.
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It will never.
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It will be always constant.
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But a treaty that look,
it doesn't have this constancy.
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It moves with the image really.
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You know, it bounces with the image
and the one D lot, you know, it's
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like a straight black and oh,
we have a curve in the black dots
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and that's why you have saturation
and that's it.
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That's all.
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I mean, it's like a very simple way
of seeing color.
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Great.
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And then you arrive to a certain amount
of modification around the image.
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But they're, they're linked together.
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They're not separate.
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So if you change the blue,
it will affect the red, etc., etc.,
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because the red needs the blue
to produce the magenta, etc..
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You know, this sort of they're linked
together into one the yellow.
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So when we are talking about 3D, right,
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it's like the channel
are represented in a spherical way.
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So in that sphere
and because it has a limitation
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on the file itself, this balloon.
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Okay,
so you can move the caller independently
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and the number of vectors that you have,
it's a number the precision of the curves.
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I knew 3D world,
so you have the Z, the Y, the X curve
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and the precision of that curve that
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working to this spherical space.
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So you can really take a film scan
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and reproduce that film scan personality
in that 3D world
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because the color can shift
in a chaotic world,
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which is not the case with one D with it,
and that's impossible to imitate.
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Film stock scan
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with the one D.
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