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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,872 --> 00:00:07,306 Captioning made possible by A&E TELEVISION NETWORKS 2 00:01:25,553 --> 00:01:27,319 HELLO. 3 00:01:29,656 --> 00:01:31,090 WHO IS THIS? 4 00:01:32,526 --> 00:01:33,892 AH, HELLO? 5 00:01:57,584 --> 00:01:59,264 "MRS. VALDON, 6 00:01:59,352 --> 00:02:01,352 "THIS BABY IS FOR YOU BECAUSE A BOY 7 00:02:01,455 --> 00:02:03,555 SHOULD LIVE IN HIS FATHER'S HOUSE." 8 00:02:03,657 --> 00:02:06,558 IS THIS LIKELY OR MERELY CREDIBLE? 9 00:02:09,797 --> 00:02:12,064 MADAM... MADAM? 10 00:02:12,166 --> 00:02:15,967 YOUR DENDROBIUM APHRODITE HAS AN APHID. 11 00:02:16,069 --> 00:02:17,402 IS... 12 00:02:17,505 --> 00:02:19,837 OH, IT'S JUST DUST, SORRY. 13 00:02:19,939 --> 00:02:22,118 PRETTY, THOUGH, WHO'S YOUR FLORIST? 14 00:02:22,142 --> 00:02:23,475 MADAM! 15 00:02:23,577 --> 00:02:24,654 IS IT LIKELY? 16 00:02:24,678 --> 00:02:26,111 YES, IT IS LIKELY. 17 00:02:26,213 --> 00:02:28,747 DICK HAD A DON JUAN REPUTATION WHEN I MARRIED HIM. 18 00:02:28,848 --> 00:02:30,315 HOW LONG WERE YOU MARRIED? 19 00:02:30,417 --> 00:02:32,695 11 MONTHS, AND I KNOW WHAT PEOPLE WERE SAYING. 20 00:02:32,719 --> 00:02:34,319 THEY WERE SAYING, 21 00:02:34,421 --> 00:02:36,099 "OH, HE'S MARRYING AN ARMSTEAD." 22 00:02:36,123 --> 00:02:38,556 WELL, I WAS MARRYING A FAMOUS AUTHOR. 23 00:02:38,658 --> 00:02:40,658 I WAS MRS. RICHARD VALDON. 24 00:02:42,128 --> 00:02:44,429 WELL, I THOUGHT WE WERE IN LOVE. 25 00:02:44,531 --> 00:02:47,899 FOR ME, THERE WAS NO ONE BUT ME AND HIM. 26 00:02:48,001 --> 00:02:49,701 HOW OLD WAS HE WHEN HE DIED? 27 00:02:49,803 --> 00:02:51,736 AH, 46. 28 00:02:51,838 --> 00:02:53,237 AND HOW OLD ARE YOU? 29 00:02:54,908 --> 00:02:56,341 OLD ENOUGH. 30 00:02:56,443 --> 00:02:59,043 DURING THE LAST YEAR BEFORE HE DIED, 31 00:02:59,146 --> 00:03:03,148 HE COULD'VE HAD ONE WOMAN OR A DOZEN. 32 00:03:03,250 --> 00:03:05,083 I JUST DON'T KNOW. 33 00:03:06,987 --> 00:03:09,354 OH, IS THIS A CARLYLE? 34 00:03:09,456 --> 00:03:10,956 UH... 35 00:03:11,058 --> 00:03:12,757 YES, IT IS. 36 00:03:12,859 --> 00:03:14,392 CAN YOU GET TO THE PROBLEM, MADAM? 37 00:03:14,494 --> 00:03:15,893 OF COURSE, THE BABY. 38 00:03:15,996 --> 00:03:18,463 WELL, I ALWAYS INTENDED TO HAVE TWO OR THREE 39 00:03:18,565 --> 00:03:21,332 AND I JUST PUT IT OFF, I KEPT PUTTING IT OFF. 40 00:03:21,434 --> 00:03:24,969 AND, NOW, I DO HAVE ONE AND THE NOTE IS CORRECT. 41 00:03:25,071 --> 00:03:29,074 A CHILD SHOULD LIVE IN HIS FATHER'S HOUSE. 42 00:03:29,176 --> 00:03:31,843 THE QUESTION IS, IS DICK THE FATHER? 43 00:03:31,945 --> 00:03:33,978 PHOOEY... NEVER TO BE ANSWERED AND YOU KNOW IT. 44 00:03:34,080 --> 00:03:35,147 PHOOEY? 45 00:03:35,249 --> 00:03:36,526 YOU ARE THE BEST DETECTIVE IN THE WORLD. 46 00:03:36,550 --> 00:03:37,694 THE BEST DETECTIVE IN THE WORLD 47 00:03:37,718 --> 00:03:41,052 MAY BE A RUDE TRIBESMAN WITH A LIMITED VOCABULARY. 48 00:03:41,155 --> 00:03:43,554 I CANNOT HELP YOU, MADAM, NO ONE CAN. 49 00:03:43,656 --> 00:03:46,792 YOU CAN HELP ME FIND THE MOTHER. 50 00:03:46,893 --> 00:03:48,961 NOW, I HAVE SOMETHING HERE. 51 00:03:49,062 --> 00:03:50,928 PLEASE... 52 00:03:51,030 --> 00:03:53,164 GLASSES. 53 00:03:53,266 --> 00:03:56,401 YES... OH, HERE IT IS. 54 00:03:56,503 --> 00:03:59,371 THE DOCTOR SAID THE BABY IS FIVE MONTHS OLD. 55 00:03:59,473 --> 00:04:02,774 WHICH MEANS THAT HE WAS BORN LAST JUNE 56 00:04:02,876 --> 00:04:05,776 AND CONCEIVED LAST FALL. 57 00:04:08,782 --> 00:04:10,114 IT COULD TAKE MONTHS. 58 00:04:10,217 --> 00:04:11,928 HAVE YOU ARRANGED FOR CUSTODY OF THIS CHILD? 59 00:04:11,952 --> 00:04:14,192 OH, YES, MY LAWYER TOOK CARE OF THAT. 60 00:04:14,288 --> 00:04:16,187 IS HE AWARE THAT YOU HAVE CONSULTED ME? 61 00:04:16,290 --> 00:04:19,324 YES, AND HE DISAPPROVES AND I DON'T CARE. 62 00:04:19,426 --> 00:04:23,261 IT'S MY BUSINESS, HIS BUSINESS IS JUST THE LAW. 63 00:04:23,363 --> 00:04:24,796 HMM. 64 00:04:26,366 --> 00:04:28,934 IT WILL BE NECESSARY TO GET INFORMATION FROM YOU, HMM. 65 00:04:29,036 --> 00:04:32,303 AND TO EXAMINE THE CLOTHES THAT THE BABY ARRIVED IN. 66 00:04:32,406 --> 00:04:34,005 THESE PINHOLES, 67 00:04:34,107 --> 00:04:37,308 THE NOTE WAS NOT ATTACHED WITH A SAFETY PIN. 68 00:04:37,410 --> 00:04:39,188 NO, JUST AN ORDINARY PIN. 69 00:04:39,212 --> 00:04:41,145 WHAT ARE THE ODDS, MR. GOODWIN, 70 00:04:41,247 --> 00:04:43,615 THAT A WOMAN WOULD EXPOSE A BABY TO A BARE PIN? 71 00:04:43,717 --> 00:04:45,049 SAY, TEN TO ONE. 72 00:04:45,151 --> 00:04:47,018 YES, WELL... 73 00:04:47,120 --> 00:04:50,188 WERE YOU ALONE IN THE HOUSE WHEN THE CALL CAME? 74 00:04:50,290 --> 00:04:53,759 AH, YES, I CAME HOME FROM THE COUNTRY A DAY EARLY. 75 00:04:53,861 --> 00:04:55,305 MY STAFF HAD THE WEEKEND OFF. 76 00:04:55,329 --> 00:04:57,595 WHY IS THAT IMPORTANT? 77 00:04:57,697 --> 00:04:59,665 WHOEVER DID THIS, MADAM, IS SOMEONE YOU KNOW. 78 00:04:59,766 --> 00:05:02,300 HOW COULD YOU KNOW THAT? 79 00:05:02,402 --> 00:05:04,769 IF YOU CANNOT USE YOUR OWN BRAIN, 80 00:05:04,872 --> 00:05:07,072 MR. GOODWIN WILL EXPLAIN, EXCUSE ME. 81 00:05:07,173 --> 00:05:10,208 WELL, AH... ISN'T THERE SOME SORT OF RETAINER? 82 00:05:10,310 --> 00:05:11,977 YES, A DOLLAR, A HUNDRED, 83 00:05:12,079 --> 00:05:13,444 A THOUSAND, IT DOESN'T MATTER. 84 00:05:13,547 --> 00:05:15,391 WOLFE'S MIND WAS ON THE SHAD ROE CASSEROLE 85 00:05:15,415 --> 00:05:16,681 SLATED FOR LUNCH. 86 00:05:16,783 --> 00:05:18,895 HE AND FRITZ HAD A DISAGREEMENT OVER THE USE OF ONION, 87 00:05:18,919 --> 00:05:20,730 WHICH HAD NEVER BEEN RESOLVED. 88 00:05:20,754 --> 00:05:22,620 MRS. VALDON, PERHAPS WE SHOULD GO TO YOUR PLACE 89 00:05:22,723 --> 00:05:25,023 AND RETRIEVE THE BABY'S CLOTHES AND, AH... 90 00:05:25,125 --> 00:05:26,457 WHOA... 91 00:05:26,560 --> 00:05:28,727 AH, CONDUCT THE REST OF THE INTERVIEW THERE. 92 00:05:28,829 --> 00:05:30,729 OH, YES, ALL RIGHT. 93 00:05:30,831 --> 00:05:32,530 WELL, HERE WE ARE. 94 00:05:32,633 --> 00:05:33,965 MRS. VALDON. 95 00:05:34,067 --> 00:05:35,934 WELL, NICE DIGS. 96 00:05:36,036 --> 00:05:38,970 YES, I LOVE THIS HOUSE. 97 00:05:39,072 --> 00:05:41,773 MY GREAT GRANDFATHER BUILT IT. 98 00:05:41,875 --> 00:05:46,477 ONE THING I KNOW FOR SURE IS THAT DICK LOVED THIS HOUSE. 99 00:05:46,580 --> 00:05:48,546 MRS. VALDON... 100 00:05:48,648 --> 00:05:50,159 HERE ARE YOUR INVITATIONS. 101 00:05:50,183 --> 00:05:52,016 OH, THANK YOU, MISS MIMM. 102 00:05:52,118 --> 00:05:55,586 YES, RIGHT THIS WAY, WE'LL SIT IN THE SALON. 103 00:05:57,090 --> 00:05:58,890 NO. 104 00:05:58,992 --> 00:06:03,761 AH... YES, YES. 105 00:06:03,864 --> 00:06:05,997 OH, YES, IN FACT, BUY A WHOLE TABLE. 106 00:06:06,100 --> 00:06:07,732 SIT. 107 00:06:07,835 --> 00:06:10,535 IS THERE ANYONE WHO MIGHT HAVE 108 00:06:10,637 --> 00:06:12,148 HAD IT IN FOR YOU, MRS. VALDON? 109 00:06:12,172 --> 00:06:13,572 IN FOR ME? 110 00:06:13,674 --> 00:06:16,307 NO, BUT SEND THEM REGRETS. 111 00:06:16,409 --> 00:06:19,710 HATED YOU ENOUGH TO SADDLE YOU WITH A LOOSE BABY? 112 00:06:19,812 --> 00:06:22,447 NO... NO, BUT WRITE THEM A NOTE. 113 00:06:25,085 --> 00:06:27,952 THE ARMSTEAD'S ARE A RATHER DULL BUT RESPONSIBLE FAMILY. 114 00:06:28,054 --> 00:06:29,454 NO ONE HATES US. 115 00:06:29,556 --> 00:06:32,524 MY ONLY CONTROVERSIAL HOBBY IS KILLER FOG. 116 00:06:32,625 --> 00:06:34,458 FOG KILLS? 117 00:06:34,560 --> 00:06:37,061 32 PEOPLE IN 1948. 118 00:06:37,163 --> 00:06:39,197 A SMALL, LITTLE COAL TOWN IN PENNSYLVANIA. 119 00:06:39,299 --> 00:06:41,411 WHAT DID THEY DO, GET LOST IN THE FOG 120 00:06:41,435 --> 00:06:43,813 AND FALL DOWN INTO THE MINE OR SOMETHING LIKE THAT? 121 00:06:43,837 --> 00:06:45,470 THERE IS NO HUMOR IN IT. 122 00:06:45,572 --> 00:06:48,106 OH NO, NO, NONE, REALLY. 123 00:06:48,208 --> 00:06:51,242 IT'S GOING TO HAPPEN RIGHT HERE IN NEW YORK CITY. 124 00:06:51,344 --> 00:06:53,144 YOU MARK MY WORDS. 125 00:06:54,847 --> 00:06:56,047 IT'S THE CARS. 126 00:06:56,149 --> 00:06:57,660 I SAY BAN THEM ALL, BAN THE CARS, 127 00:06:57,684 --> 00:06:59,629 BAN THE SUBWAY, WE SHOULD ALL WALK TO WORK. 128 00:06:59,653 --> 00:07:01,319 THAT'S WHAT I SAY! 129 00:07:02,689 --> 00:07:04,589 OH, THERE HE IS. 130 00:07:04,691 --> 00:07:07,892 WELL, HELLO, HELLO, HELLO. 131 00:07:07,994 --> 00:07:10,695 I'D INTRODUCE YOU BUT I'M NOT GONNA NAME HIM 132 00:07:10,797 --> 00:07:13,865 UNTIL I DECIDE TO KEEP HIM. 133 00:07:13,967 --> 00:07:17,568 AH... HELLO. 134 00:07:17,671 --> 00:07:19,470 YOU KNOW, I BETTER NOT. 135 00:07:19,572 --> 00:07:21,484 I HAVEN'T READ THE INSTRUCTION MANUAL. 136 00:07:21,508 --> 00:07:23,474 SORRY, THERE. 137 00:07:23,576 --> 00:07:25,710 WELL, I'M CONSIDERING MOSES 138 00:07:25,812 --> 00:07:29,948 'CAUSE MOSES DIDN'T KNOW WHO HIS FATHER WAS, EITHER. 139 00:07:30,050 --> 00:07:32,683 AH, MISS MIMM, SHOW MR. GOODWIN TO THE NURSERY 140 00:07:32,786 --> 00:07:35,454 AND HELP HIM PACK UP THE CLOTHING THE BABY CAME IN. 141 00:07:35,556 --> 00:07:36,888 NOW? 142 00:07:36,990 --> 00:07:38,623 YES, PLEASE, GO ALONG. 143 00:07:38,725 --> 00:07:41,859 HELLO... YOU WANNA PLAY THE PIANO? 144 00:08:05,118 --> 00:08:07,451 OH... HELLO. 145 00:08:07,554 --> 00:08:09,687 HELLO, YES, I NEED THOSE NAMES, NOW. 146 00:08:09,789 --> 00:08:13,191 OH, I TOLD YOU, HIS BEST FRIENDS WERE LEO BINGHAM, 147 00:08:13,293 --> 00:08:15,192 WILLIS KRUG AND JULIAN HAFT. 148 00:08:15,295 --> 00:08:17,929 NO, NO, NO, I MEAN THE FEMALE ONES... 149 00:08:18,031 --> 00:08:19,831 CANDIDATES. 150 00:08:19,933 --> 00:08:23,301 LOOK, I KNOW IT MUST BE HARD TO NAME... 151 00:08:23,403 --> 00:08:27,172 WOMEN THAT DICK MIGHT HAVE PLAYED HOUSE WITH BUT... 152 00:08:27,274 --> 00:08:29,840 THE PROBLEM IS NOT THAT IT'S HARD, MR. GOODWIN. 153 00:08:29,942 --> 00:08:32,911 IT'S THAT IT'S SO EASY. 154 00:08:33,013 --> 00:08:34,679 THERE'S A LIST. 155 00:08:34,781 --> 00:08:36,314 YOU KNOW WHAT? 156 00:08:36,416 --> 00:08:37,960 I WOULD LIKE A MARTINI, WOULD YOU? 157 00:08:37,984 --> 00:08:39,884 IS IT TOO EARLY, OR WHAT? 158 00:08:39,986 --> 00:08:42,153 WELL, AH... 159 00:08:42,256 --> 00:08:46,357 I, AH... AHEM, I MIGHT AS WELL BE SOCIABLE. 160 00:08:46,459 --> 00:08:49,460 ONE OF MY FUNCTIONS IS TO UNDERSTAND THE WOMEN 161 00:08:49,563 --> 00:08:52,363 WE'RE DEALING WITH SINCE WOLFE IS SO HOPELESS AT IT. 162 00:08:52,465 --> 00:08:55,400 OH, SO IT'S PART OF YOUR JOB? 163 00:08:55,502 --> 00:08:57,102 SURE. 164 00:08:57,204 --> 00:08:59,604 ARE YOU AN EXPERT AT IT? 165 00:08:59,706 --> 00:09:01,472 SOME HAVE SAID SO, YES. 166 00:09:01,574 --> 00:09:04,875 AH, KEEP PLAYING AND I'LL, UH... 167 00:09:04,977 --> 00:09:06,912 MAKE SOME MARTINIS. 168 00:09:07,013 --> 00:09:08,713 I LIKE IT FIVE TO ONE, YOU? 169 00:09:08,815 --> 00:09:10,382 OH, OF COURSE. 170 00:09:26,600 --> 00:09:28,099 THERE WE ARE. 171 00:09:30,771 --> 00:09:34,439 OH, NO, NO, NO, YOU CAN'T JUST DRINK IT. 172 00:09:34,541 --> 00:09:37,575 WE MUST BE CIVILIZED AND OBSERVE A RITUAL. 173 00:09:37,677 --> 00:09:40,978 YOU TAKE A SIP OF MINE AND I TAKE A SIP OF YOURS. 174 00:09:41,080 --> 00:09:43,147 THAT'S A FINE, OLD, PERSIAN CUSTOM 175 00:09:43,249 --> 00:09:45,116 USED TO FOIL POISONINGS. 176 00:09:50,657 --> 00:09:52,023 WHAT AM I DOING? 177 00:09:52,125 --> 00:09:53,858 WHY DID I DO THAT? 178 00:09:53,960 --> 00:09:55,893 YOU KNOW, MR. WOLFE SAYS WE NEVER 179 00:09:55,996 --> 00:09:58,496 GET TO THE "WHY" OF ANYTHING, SO... 180 00:09:58,599 --> 00:10:01,043 AND EARLIER, I ALMOST CALLED YOU "ARCHIE". 181 00:10:01,067 --> 00:10:02,934 WELL, MY NAME'S ARCHIE. 182 00:10:03,036 --> 00:10:04,435 ARE YOU A HYPNOTIST? 183 00:10:04,537 --> 00:10:05,703 NO. 184 00:10:05,805 --> 00:10:07,450 WELL, I'M NOT TRYING TO FLIRT. 185 00:10:07,474 --> 00:10:09,574 I DON'T EVEN KNOW HOW TO FLIRT. 186 00:10:09,676 --> 00:10:12,076 YOU KNOW, MEN AND WOMEN FLIRT. 187 00:10:12,178 --> 00:10:13,944 HORSES FLIRT, PARAKEETS FLIRT. 188 00:10:14,046 --> 00:10:15,880 UNDOUBTEDLY, OYSTERS FLIRT 189 00:10:15,982 --> 00:10:17,622 BUT THEY MUST HAVE SOME SPECIAL, LITTLE... 190 00:10:21,354 --> 00:10:23,921 DON'T FORGET THE BABY'S CLOTHES WHEN YOU GO, MR. GOODWIN. 191 00:10:26,926 --> 00:10:28,926 WAS IT THE OYSTERS? 192 00:10:34,467 --> 00:10:36,100 WHAT THE DEVIL IS THIS? 193 00:10:36,202 --> 00:10:38,135 AH, THIS IS BABY PARAPHERNALIA. 194 00:10:38,237 --> 00:10:41,872 THERE ARE NO LAUNDRY MARKS OR STORE LABELS. 195 00:10:41,975 --> 00:10:44,041 BUT THERE IS ONE ITEM THAT MIGHT HELP 196 00:10:44,144 --> 00:10:45,476 IF YOU DON'T SPOT IT YOURSELF, 197 00:10:45,578 --> 00:10:46,978 THEN IT MAY NOT BE WORTH MENTIONING. 198 00:10:50,083 --> 00:10:51,549 DID YOU GET THE NAMES? 199 00:10:51,651 --> 00:10:53,217 YES, WOULD YOU LIKE IT VERBATIM? 200 00:10:53,319 --> 00:10:55,219 NOT IF YOU'RE SATISFIED. 201 00:10:55,321 --> 00:10:56,353 I AM. 202 00:10:56,455 --> 00:10:57,689 WHAT ELSE? 203 00:10:57,791 --> 00:10:59,902 WELL, THERE IS A MONET AND A MUNCH IN THE FRONT HALLWAY 204 00:10:59,926 --> 00:11:02,927 AND, ALSO, AN ANTIQUE SALOR RUG. 205 00:11:03,029 --> 00:11:04,295 IS IT A REAL SALOR? 206 00:11:04,397 --> 00:11:06,631 YES, I BELIEVE IT WAS... NOW, I'M IN BAD WITH HER 207 00:11:06,733 --> 00:11:08,900 'CAUSE I FORGOT SHE WAS AN ARMSTEAD AND I'M A PEASANT. 208 00:11:09,002 --> 00:11:10,234 BUT SHE'LL SLEEP IT OFF. 209 00:11:10,336 --> 00:11:12,515 MAYBE YOU BETTER REPORT VERBATIM. 210 00:11:12,539 --> 00:11:14,338 OH, NO, NOT NECESSARY, I'M SATISFIED. 211 00:11:14,441 --> 00:11:16,574 ANY SUGGESTIONS? 212 00:11:16,677 --> 00:11:19,043 YES, TELL HER THAT YOU'VE DISCOVERED 213 00:11:19,145 --> 00:11:20,512 THAT THE BABY IS MINE 214 00:11:20,613 --> 00:11:22,024 AND IF SHE'LL MARRY ME, SHE CAN HAVE IT... 215 00:11:22,048 --> 00:11:23,615 SHUT UP. 216 00:11:23,717 --> 00:11:27,318 THE BUTTONS ON THAT GARMENT SEEM INAPPROPRIATE. 217 00:11:27,420 --> 00:11:29,131 THEY APPEAR TO BE MADE OF HORSEHAIR. 218 00:11:29,155 --> 00:11:32,290 THERE'S A CONSIDERABLE VARIATION IN SIZE AND SHAPE. 219 00:11:32,392 --> 00:11:34,437 COULDN'T POSSIBLY HAVE BEEN MADE BY A MACHINE. 220 00:11:34,461 --> 00:11:35,793 WELL, CONGRATULATIONS. 221 00:11:35,895 --> 00:11:38,863 SHOULD I APOLOGIZE FOR PULLING A FEATHER FROM YOUR CAP? 222 00:11:38,965 --> 00:11:40,765 NAH, WE'LL SPLIT IT. 223 00:11:40,867 --> 00:11:43,768 AH, THE BRAND LABEL APPEARS TO BE "LITTLE CHERUB" 224 00:11:43,870 --> 00:11:46,404 WHICH IS LOCATED IN THE GARMENT DISTRICT. 225 00:11:46,506 --> 00:11:49,173 I'LL GO THERE AND SEE WHAT THEY KNOW. 226 00:11:53,246 --> 00:11:54,723 THE GARMENT DISTRICT OF NEW YORK 227 00:11:54,747 --> 00:11:56,492 IS NO PLACE TO GO FOR A STROLL. 228 00:11:56,516 --> 00:11:59,050 I VISITED THREE BABY OUTFITTERS AND FOUR BUTTON FIRMS 229 00:11:59,152 --> 00:12:01,232 ASKING ABOUT HOME-MADE HORSEHAIR BUTTONS 230 00:12:01,321 --> 00:12:03,787 AND NOBODY KNEW AND NOBODY CARED. 231 00:12:05,591 --> 00:12:07,358 THEN I SAW A SIGN, 232 00:12:07,460 --> 00:12:09,271 "MR. LOSSOFF'S DISTINGUISHED BUTTONS". 233 00:12:09,295 --> 00:12:11,462 I WOULD'VE GONE THERE FIRST HAD I KNOWN. 234 00:12:15,235 --> 00:12:17,201 I AM SEARCHING FOR SOME... 235 00:12:26,112 --> 00:12:27,756 WHAT CAN YOU TELL ME ABOUT THESE? 236 00:12:27,780 --> 00:12:30,314 OOH... OOH... 237 00:12:30,417 --> 00:12:31,448 MMM... 238 00:12:33,653 --> 00:12:35,920 WHERE DID YOU FIND THIS BUTTON? 239 00:12:36,022 --> 00:12:37,388 HEY, THAT'S MY LINE. 240 00:12:37,490 --> 00:12:39,568 YOU'RE A BUTTON MAN? A WHAT? 241 00:12:39,592 --> 00:12:41,225 BUTTONS, BUTTONS, ARE YOU A BUTTON MAN? 242 00:12:41,327 --> 00:12:43,005 AH, NO, NO, NO, NO. 243 00:12:43,029 --> 00:12:44,595 SEE, THE THING IS, 244 00:12:44,697 --> 00:12:46,208 I FOUND THESE OVERALLS AND I WAS TRYING... 245 00:12:46,232 --> 00:12:47,777 LET ME TELL YOU SOMETHING, YOU LISTEN UP. 246 00:12:47,801 --> 00:12:49,721 I KNOW EVERYTHING THERE IS TO KNOW ABOUT BUTTONS. 247 00:12:49,803 --> 00:12:53,137 I HAVE, IN FACT, THE MOST EXTENSIVE BUTTON COLLECTION... 248 00:12:53,239 --> 00:12:54,405 IN ALL THE WORLD. 249 00:12:54,507 --> 00:12:56,374 I HAVE SOLD BUTTONS TO THE DUCHESS OF WINDSOR, 250 00:12:56,476 --> 00:12:58,176 THE QUEEN OF ENGLAND, 251 00:12:58,278 --> 00:12:59,977 TO THE GREAT, GREAT, GREAT BETTE DAVIS 252 00:13:00,079 --> 00:13:02,914 AND I ALSO LIKE TO DONATE BUTTONS. 253 00:13:03,015 --> 00:13:05,015 I HAVE, TO FIVE DIFFERENT MUSEUMS 254 00:13:05,118 --> 00:13:06,583 IN NINE DIFFERENT COUNTRIES. 255 00:13:06,685 --> 00:13:08,652 AND I HAVE NEVER, ABSOLUTELY NEVER, 256 00:13:08,754 --> 00:13:10,587 MET A MAN WHO COULD SHOW ME A BUTTON 257 00:13:10,690 --> 00:13:13,024 THAT I COULD NOT PICK OUT IMMEDIATELY, PICK 'EM OUT. 258 00:13:13,126 --> 00:13:16,394 THAT IS, OF COURSE, UH, UNTIL YOU... 259 00:13:16,496 --> 00:13:17,839 ALL RIGHT, YOU LISTEN TO ME. 260 00:13:17,863 --> 00:13:19,241 I'VE LISTENED, NOW IT'S YOUR TURN. 261 00:13:19,265 --> 00:13:20,910 I KNOW LESS ABOUT BUTTONS THAN ANY MAN IN THE WORLD, AND YET, 262 00:13:20,934 --> 00:13:22,745 I NEED TO KNOW ABOUT THESE BUTTONS AND YOU CAN'T TELL ME. 263 00:13:22,769 --> 00:13:23,929 WELL, I ADMIT, THAT'S TRUE... 264 00:13:23,970 --> 00:13:25,781 BUT YOU'RE THE BUTTON MAN. I AM THE BUTTON MAN! 265 00:13:25,805 --> 00:13:27,349 I KNOW EVERYTHING THERE IS ABOUT BUTTONS... 266 00:13:27,373 --> 00:13:28,784 ALL RIGHT, LET ME ASK YOU THIS. 267 00:13:28,808 --> 00:13:29,952 WERE THEY MADE BY MACHINE? 268 00:13:29,976 --> 00:13:31,253 OH, COME ON, DON'T BE RIDICULOUS. 269 00:13:31,277 --> 00:13:32,843 THIS IS... THIS IS HORSEHAIR. 270 00:13:32,945 --> 00:13:34,145 HORSEHAIRS? 271 00:13:34,247 --> 00:13:36,281 YES, EACH BUTTON WAS MADE BY HAND. 272 00:13:36,382 --> 00:13:39,050 IT TOOK HOURS, THE TECHNIQUE I'M NOT EVEN FAMILIAR WITH. 273 00:13:39,152 --> 00:13:41,419 I'LL BUY IT FROM YOU, ADD IT TO MY COLLECTION. 274 00:13:41,521 --> 00:13:42,854 WELL, I'LL SEE IF I CAN. 275 00:13:42,956 --> 00:13:45,267 I RECOGNIZE A BUTTON FIEND WHEN I SEE ONE, BUT, AH... 276 00:13:45,291 --> 00:13:46,991 NO... NO. 277 00:13:47,093 --> 00:13:48,373 I REALLY MUST GO. 278 00:13:48,428 --> 00:13:49,927 THAT'S RIGHT, EASY. 279 00:13:59,238 --> 00:14:00,471 WELL? 280 00:14:00,574 --> 00:14:02,351 I JUST MET A MAN WHO KNOWS AS MUCH ABOUT BUTTONS 281 00:14:02,375 --> 00:14:03,655 AS YOU DO ABOUT FOOD. 282 00:14:03,710 --> 00:14:05,087 HE SAID HE'S NEVER SEEN ANYTHING LIKE THESE BUTTONS. 283 00:14:05,111 --> 00:14:07,679 HE SAID SOMEBODY MUST HAVE TAKEN HOURS TO MAKE EACH ONE. 284 00:14:07,781 --> 00:14:09,614 SATISFACTORY. 285 00:14:09,716 --> 00:14:13,518 OH, AH, IS THERE TIME TO PUT AN AD IN TOMORROW'S PAPER? 286 00:14:13,620 --> 00:14:15,053 TIMES, NEWS AND GAZETTE. 287 00:14:15,155 --> 00:14:16,498 WELL, IF I HOP ON IT, I CAN GET ALL THREE 288 00:14:16,522 --> 00:14:18,334 IF I WAIT, IT'LL BE THE GAZETTE ONLY. 289 00:14:18,358 --> 00:14:19,724 THEN WE'LL PLACE AN AD IN EACH. 290 00:14:19,826 --> 00:14:21,926 BOLD FACED, 36-POINT TYPE. 291 00:14:22,028 --> 00:14:24,295 $100 TO BE GIVEN TO THE FIRST PERSON 292 00:14:24,397 --> 00:14:26,297 TO PROVIDE INFORMATION LEADING TO THE MAKER 293 00:14:26,399 --> 00:14:30,134 BY HAND OF WHITE HORSEHAIR BUTTONS, IRREGULAR IN SIZE. 294 00:14:35,642 --> 00:14:37,420 BY 8:00 A.M. THE NEXT MORNING, 295 00:14:37,444 --> 00:14:39,477 THE AD HAD FLUSHED OUT BEATRICE EPPS, 296 00:14:39,579 --> 00:14:42,146 WHO ONLY HAD ONE THING ON HER BEADY, LITTLE MIND. 297 00:14:42,248 --> 00:14:43,814 HOW DO I KNOW YOU'LL PAY ME? 298 00:14:43,916 --> 00:14:45,149 YOU DON'T. 299 00:14:45,252 --> 00:14:46,796 NATURALLY, WHAT YOU TELL ME WILL HAVE TO BE USEFUL. 300 00:14:46,820 --> 00:14:48,230 YOU COULD TELL ME YOU KNEW A MAN IN SINGAPORE 301 00:14:48,254 --> 00:14:50,066 WHO MADE HORSEHAIR BUTTONS BUT NOW HE'S DEAD. 302 00:14:50,090 --> 00:14:52,756 I'VE NEVER BEEN TO SINGAPORE. 303 00:14:52,858 --> 00:14:56,360 EXACTLY, YES, AH, SO WHERE'D YOU SEE THEM? 304 00:14:56,462 --> 00:14:58,896 ON A GIRL'S BLOUSE. 305 00:14:58,998 --> 00:15:01,198 SHE FILLED IN AT THE OFFICE FOR A MONTH. 306 00:15:01,301 --> 00:15:03,067 FROM STOPGAP EMPLOYMENT AGENCY. 307 00:15:03,169 --> 00:15:05,615 AH-HA, DO THEY LOOK ANYTHING LIKE THESE? 308 00:15:05,639 --> 00:15:07,504 EXACTLY LIKE THAT. 309 00:15:07,606 --> 00:15:09,740 SHE SAID HER AUNT MADE THEM OUT OF HORSEHAIR. 310 00:15:09,842 --> 00:15:11,276 AND WHAT'S HER NAME? 311 00:15:11,377 --> 00:15:13,444 I SUPPOSE I HAVE TO TELL YOU. 312 00:15:17,717 --> 00:15:19,450 ANNE. 313 00:15:19,552 --> 00:15:21,185 HER NAME'S ANNE TENZER. 314 00:15:21,287 --> 00:15:22,953 YOU'LL PROBABLY FIND HER ATTRACTIVE. 315 00:15:23,056 --> 00:15:24,621 EVERYBODY ELSE DID. 316 00:15:24,724 --> 00:15:26,690 THANKS. 317 00:15:32,999 --> 00:15:34,298 MISS EPPS WAS RIGHT. 318 00:15:34,400 --> 00:15:36,445 MISS TENZER PROBABLY AROUSED IN MANY MEN 319 00:15:36,469 --> 00:15:37,568 THE FEELINGS NECESSARY 320 00:15:37,670 --> 00:15:39,314 FOR THE PROPAGATION OF THE SPECIES. 321 00:15:39,338 --> 00:15:41,405 PERHAPS EVEN RICHARD VALDON. 322 00:15:41,507 --> 00:15:42,773 MR. GOODWIN. 323 00:15:42,875 --> 00:15:44,475 MISS TENZER. 324 00:15:47,413 --> 00:15:50,181 AHEM, YES, YES. 325 00:15:50,283 --> 00:15:54,084 AHEM, YOU RECOGNIZE THESE? 326 00:15:54,186 --> 00:15:55,498 OF COURSE I RECOGNIZE THEM. 327 00:15:55,522 --> 00:15:56,420 DRINKS? 328 00:15:56,522 --> 00:15:58,200 WHAT'LL YOU HAVE? BLOODY MARY. 329 00:15:58,224 --> 00:15:59,623 A GLASS OF MILK FOR ME. 330 00:15:59,725 --> 00:16:01,325 SO... 331 00:16:01,427 --> 00:16:02,872 THEY'RE MADE BY MY AUNT ELLEN. 332 00:16:02,896 --> 00:16:04,707 IT TAKES HER FOREVER JUST TO MAKE ONE. 333 00:16:04,731 --> 00:16:07,331 WINDING HORSEHAIR AROUND AND AROUND 334 00:16:07,433 --> 00:16:08,832 ISN'T MUCH OF A HOBBY. 335 00:16:08,934 --> 00:16:12,070 BUT THERE'S NOT REALLY MUCH ELSE TO DO IN MAHOPAC. 336 00:16:12,172 --> 00:16:16,473 DON'T TELL ME THAT SOMEBODY SAW ME WEARING THESE. 337 00:16:16,575 --> 00:16:18,976 THEY'D BARELY FIT. 338 00:16:19,078 --> 00:16:21,312 YES... KIND OF SPECIAL HOW I GOT 'EM, 339 00:16:21,414 --> 00:16:22,558 WOULD YOU LIKE TO HEAR ABOUT IT? 340 00:16:22,582 --> 00:16:24,782 NO. OH. 341 00:16:24,884 --> 00:16:28,152 THAT'S MY ONE FAULT, I'M NOT REALLY INTERESTED IN ANYTHING 342 00:16:28,254 --> 00:16:29,653 THAT DOESN'T INVOLVE ME. 343 00:16:29,755 --> 00:16:32,123 YEAH... 344 00:16:32,225 --> 00:16:34,236 NOW, HAVEN'T WE HAD ENOUGH ABOUT BUTTONS? 345 00:16:34,260 --> 00:16:36,227 SURE, SURE, LET'S TALK ABOUT WORK. 346 00:16:36,329 --> 00:16:37,928 I COLLECT BUTTONS, 347 00:16:38,031 --> 00:16:39,675 AND YOU WORK FOR STOPGAP EMPLOYMENT SERVICES. 348 00:16:39,699 --> 00:16:41,866 HOW MANY GAPS NEED TO BE STOPPED? 349 00:16:41,968 --> 00:16:44,201 OH, I'M VERY, VERY BUSY. 350 00:16:44,303 --> 00:16:49,840 VERY SPECIAL, WHEN A PRIVATE SECRETARY TO A BIG EXECUTIVE 351 00:16:49,942 --> 00:16:55,279 GETS MARRIED OR FIRED BY THE BOSS'S WIFE, 352 00:16:55,382 --> 00:16:57,414 I'M THE ONE THEY ASK FOR. 353 00:16:57,516 --> 00:17:00,484 HMM, BECAUSE THE BOSS'S WIVES LIKE YOU? 354 00:17:00,587 --> 00:17:02,420 I'M MORE LIKE REVENGE. 355 00:17:02,522 --> 00:17:03,821 AH. 356 00:17:03,923 --> 00:17:05,389 HERE YOU ARE. 357 00:17:05,491 --> 00:17:08,026 ALL RIGHT, HERE WE ARE. 358 00:17:10,730 --> 00:17:12,029 SO, AHEM... 359 00:17:12,131 --> 00:17:16,934 YOU WORK FOR BIG EXECUTIVES, TELL ME THIS, 360 00:17:17,036 --> 00:17:21,972 YOU EVER WORK FOR A SCIENTIST OR, SAY, A FAMOUS AUTHOR? 361 00:17:22,074 --> 00:17:23,373 HA-HA. 362 00:17:23,475 --> 00:17:26,510 NO, NO, NO, THEY COULDN'T AFFORD ME. 363 00:17:31,117 --> 00:17:33,028 I GOT HOME AND GAVE WOLFE THE FACTS. 364 00:17:33,052 --> 00:17:34,885 WHEN I FINISHED, HE SAID... 365 00:17:34,987 --> 00:17:36,687 SATISFACTORY. 366 00:17:36,789 --> 00:17:40,023 THEN HE DECIDED THAT WAS AN UNDERSTATEMENT. 367 00:17:40,126 --> 00:17:41,692 VERY SATISFACTORY. 368 00:17:41,795 --> 00:17:43,427 AND I COULD USE A RAISE. 369 00:17:43,530 --> 00:17:45,296 NO DOUBT. 370 00:17:48,134 --> 00:17:49,366 GET SAUL NOW. 371 00:17:49,468 --> 00:17:50,701 WHY? 372 00:17:50,803 --> 00:17:52,781 I DIDN'T SAY I'D QUIT IF I DIDN'T GET A RAISE. 373 00:17:52,805 --> 00:17:54,105 MERELY THAT I COULD USE ONE. 374 00:17:54,207 --> 00:17:56,474 AND I SAID, "NO DOUBT." YOU WILL GO TO MAHOPAC. 375 00:17:56,576 --> 00:17:58,776 MEANWHILE, SAUL WILL LEARN WHETHER MISS TENZER 376 00:17:58,878 --> 00:18:00,178 GAVE BIRTH TO THAT BABY. 377 00:18:00,280 --> 00:18:02,279 HE WILL DO SO WITHOUT STIRRING DUST. 378 00:18:02,381 --> 00:18:06,216 INDUBITABLY, HE IS THE SEVENTH SON OF A SEVENTH SON. 379 00:18:08,721 --> 00:18:10,387 AND SADLY, MY FRIENDS, 380 00:18:10,490 --> 00:18:13,524 THAT IS HOW THE GOVERNMENT HAS LEFT THE SITUATION 381 00:18:13,626 --> 00:18:15,626 IN EASTERN PENNSYLVANIA. 382 00:18:15,728 --> 00:18:18,862 NOW, LAST DECEMBER, WHEN A THICK FOG 383 00:18:18,964 --> 00:18:24,768 INTENSIFIED BY COAL TAR SMOKE COVERED LONDON FOR THREE DAYS, 384 00:18:24,870 --> 00:18:28,305 4,703 PEOPLE DIED. 385 00:18:30,075 --> 00:18:34,044 NOW, AN ANALYSIS OF THE AIR SHOWS LEVELS OF 386 00:18:34,146 --> 00:18:37,181 SULFUR DIOXIDE AND CARBON MONOXIDE 387 00:18:37,283 --> 00:18:39,683 WHICH INCREASED WHENEVER THE TEMPERATURE ROSE 388 00:18:39,785 --> 00:18:42,153 OVER A FOUR-DAY PERIOD. 389 00:18:42,255 --> 00:18:44,622 YOU COULD NOT SEE ACROSS THE STREET. 390 00:18:44,724 --> 00:18:48,058 THE FOG WAS SO THICK. 391 00:18:48,161 --> 00:18:50,881 I STOPPED BY ON MY WAY OUT OF TOWN 392 00:18:50,963 --> 00:18:53,664 TO BRIEF THE CLIENT ON OUR REMARKABLE PROGRESS. 393 00:18:53,766 --> 00:18:56,033 BUT SHE WAS ALL WRAPPED UP IN FOG. 394 00:18:56,135 --> 00:18:57,401 ON HER, IT LOOKED GOOD. 395 00:18:57,503 --> 00:19:01,339 DENY THAT THE FOG HAD ANYTHING TO DO WITH THE DEATHS. 396 00:19:14,020 --> 00:19:15,497 THERE'S A CHURCH ON THE ONE SIDE 397 00:19:15,521 --> 00:19:17,499 AND A RESTAURANT ON THE OTHER SIDE. 398 00:19:17,523 --> 00:19:19,390 AND MAKE A LEFT-HAND TURN 399 00:19:19,492 --> 00:19:21,570 THREE OR FOUR MILES DOWN THE ROAD THERE, 400 00:19:21,594 --> 00:19:23,572 YOU'LL REACH YOUR POINT, OKAY? 401 00:19:23,596 --> 00:19:24,676 FINE. 402 00:19:29,601 --> 00:19:30,761 GOOD LUCK. 403 00:19:32,071 --> 00:19:34,104 AFTER CONFERRING WITH THE LOCAL SAGE, 404 00:19:34,207 --> 00:19:36,574 I FOUND AUNT ELLEN'S COTTAGE OFF THE BEATEN PATH. 405 00:19:54,260 --> 00:19:57,428 WELL, WHAT BRINGS YOU OUT THIS WAY? 406 00:19:57,530 --> 00:19:59,496 AH, ELLEN TENZER? 407 00:19:59,598 --> 00:20:01,032 YES? 408 00:20:01,133 --> 00:20:02,977 MY NAME'S ARCHIE GOODWIN, I'M IN THE BUTTON BUSINESS. 409 00:20:03,001 --> 00:20:04,135 I UNDERSTAND YOU ARE, TOO. 410 00:20:04,237 --> 00:20:06,282 I'M PARTICULARLY INTERESTED IN YOUR HORSEHAIR BUTTONS. 411 00:20:06,306 --> 00:20:07,638 BUTTONS, NOW... 412 00:20:07,740 --> 00:20:09,685 WHY WOULD YOU THINK THAT I MAKE BUTTONS? 413 00:20:09,709 --> 00:20:12,149 AH, WELL, YOU'D LIKE ME BETTER IF I SAID IT WAS FOR ART'S SAKE 414 00:20:12,245 --> 00:20:14,478 BUT, WELL, I'M IN THE BUTTON BUSINESS. 415 00:20:14,580 --> 00:20:15,946 YEAH, SO YOU SAID. 416 00:20:16,048 --> 00:20:19,216 WELL, I ONLY HAVE ABOUT 17 RIGHT NOW. 417 00:20:19,319 --> 00:20:20,517 17, HUH? 418 00:20:20,620 --> 00:20:22,920 WELL, YOU DON'T SUPPOSE I COULD GET A GLASS OF WATER? 419 00:20:23,022 --> 00:20:24,922 IT WAS A VERY LONG DRIVE UP HERE. 420 00:20:25,024 --> 00:20:26,957 SURE, COME ON IN. 421 00:20:27,060 --> 00:20:28,404 AUNT ELLEN DIDN'T SEEM SURPRISED 422 00:20:28,428 --> 00:20:31,028 TO FIND A BUTTON COLLECTOR ON HER DOORSTEP. 423 00:20:31,130 --> 00:20:36,601 AND WHEN I SAW WOLFE'S AD ON HER KITCHEN TABLE, I KNEW WHY. 424 00:20:36,702 --> 00:20:39,147 SO, HOW DID YOU HEAR ABOUT MY BUTTONS? 425 00:20:39,171 --> 00:20:41,338 AH, THE BUTTON MAN. 426 00:20:41,441 --> 00:20:45,142 THIS IS VERY GOOD WATER, DEEP WELL? 427 00:20:45,244 --> 00:20:47,945 ALL RIGHT, BUB, YOU'VE HAD YOUR WATER, NOW MOVE ON. 428 00:20:48,047 --> 00:20:50,214 MISS TENZER, I JUST DROVE 60 MILES... 429 00:20:50,316 --> 00:20:52,361 I DON'T CARE IF YOU DROVE 600 MILES. 430 00:20:52,385 --> 00:20:53,662 I'M NOT GONNA SHOW YOU MY BUTTONS 431 00:20:53,686 --> 00:20:55,330 AND I'M NOT GONNA TALK TO YOU ABOUT THEM. 432 00:20:55,354 --> 00:20:56,854 NOW GET OUT! 433 00:21:01,594 --> 00:21:02,893 THE AUNT'S NOT THE MOTHER 434 00:21:02,995 --> 00:21:05,329 BUT SHE KNOWS WHO PUT THE OVERALLS ON THE BABY. 435 00:21:05,431 --> 00:21:07,175 SHE MAY BE PHONING THAT SOMEBODY RIGHT NOW 436 00:21:07,199 --> 00:21:08,310 BUT THAT CAN'T BE HELPED. 437 00:21:08,334 --> 00:21:09,878 NOW, I'M GONNA GO BACK AND STAKE HER OUT. 438 00:21:09,902 --> 00:21:11,413 WE CAN COVER HER AROUND THE CLOCK 439 00:21:11,437 --> 00:21:13,449 IF YOU SEND OUT SAUL, FRED, AND ORRIE. 440 00:21:13,473 --> 00:21:14,772 WHEN WILL YOU EAT? 441 00:21:14,874 --> 00:21:16,240 MAYBE TOMORROW. 442 00:21:16,342 --> 00:21:17,641 Tomorrow? 443 00:21:24,517 --> 00:21:25,749 SHE'D LEFT. 444 00:21:25,851 --> 00:21:28,419 IT CALLED FOR PROFANITY AND I USED SOME. 445 00:21:28,521 --> 00:21:30,654 I DON'T APOLOGIZE. 446 00:22:47,166 --> 00:22:49,010 WHO WOULD HAVE THOUGHT THAT I COULD GET PLEASURE 447 00:22:49,034 --> 00:22:50,734 LOOKING AT BABY CLOTHES? 448 00:22:55,441 --> 00:22:57,519 FOR THE NEXT 18 HOURS, SAUL PANZER, FRED DURKIN 449 00:22:57,543 --> 00:22:59,121 AND ORRIE CATHER, IN SHIFTS, 450 00:22:59,145 --> 00:23:02,045 HAD ELLEN TENZER'S HOUSE UNDER WRAPS... 451 00:23:02,147 --> 00:23:03,947 BUT NOBODY CAME. 452 00:23:41,387 --> 00:23:43,554 DAMN IT, ORRIE, ARE YOU SURE IT WAS STEBBINS? 453 00:23:43,656 --> 00:23:45,656 NO, NO, JUST COME IN. 454 00:23:45,758 --> 00:23:48,191 ALL RIGHT, THAT WAS ORRIE, I TOLD HIM TO COME IN 455 00:23:48,293 --> 00:23:50,761 BECAUSE THE AUNT WILL NOT BE COMING HOME, SHE'S DEAD. 456 00:23:50,863 --> 00:23:52,930 THREE MEN IN A STATE POLICE CAR SHOWED UP 457 00:23:53,032 --> 00:23:54,498 AND ONE OF THEM WAS PURLEY STEBBINS. 458 00:23:54,600 --> 00:23:55,977 NOW, IT DOESN'T TAKE LUCK OR BRAINS TO KNOW 459 00:23:56,001 --> 00:23:57,479 THAT A HOMICIDE SERGEANT DOES NOT GO TO 460 00:23:57,503 --> 00:23:59,736 PUTNAM COUNTY LOOKING FOR WHITE HORSEHAIR BUTTONS. 461 00:23:59,838 --> 00:24:02,273 A PRESUMPTION IS NOT A CERTAINTY. 462 00:24:02,375 --> 00:24:04,475 INVITE LON COHEN FOR LUNCH. 463 00:24:10,049 --> 00:24:13,117 ALL RIGHT, COME ON, WHAT DO YOU WANNA KNOW? 464 00:24:13,219 --> 00:24:15,785 I'M NOT HERE BECAUSE YOU ENJOY MY COMPANY. 465 00:24:19,725 --> 00:24:22,125 WHAT DO YOU KNOW ABOUT A WOMAN NAMED TENZER, ELLEN TENZER? 466 00:24:22,228 --> 00:24:23,905 NO NEED TO BE SO DAMN ROUNDABOUT, ARCHIE, 467 00:24:23,929 --> 00:24:25,840 IF YOU WANNA KNOW ABOUT A MURDER, JUST SAY SO. 468 00:24:25,864 --> 00:24:27,965 SO. 469 00:24:30,302 --> 00:24:33,103 OKAY, ELLEN TENZER, HUH? 470 00:24:33,205 --> 00:24:34,537 WELL, ABOUT 6:00 THIS MORNING 471 00:24:34,639 --> 00:24:36,172 A COP WAS ASKED TO INVESTIGATE A BODY 472 00:24:36,274 --> 00:24:37,875 THAT WAS ON A FIRE ESCAPE ON 38th STREET. 473 00:24:37,977 --> 00:24:39,843 HE INVESTIGATED, IT WAS... 474 00:24:39,946 --> 00:24:41,978 ELLEN TENZER AND SHE'D BEEN STRANGLED. 475 00:24:42,080 --> 00:24:43,280 THERE WAS A PIECE OF CORD 476 00:24:43,382 --> 00:24:45,302 STILL WRAPPED AROUND HER THROAT. 477 00:24:45,351 --> 00:24:47,217 HAPPY NOW? 478 00:24:47,320 --> 00:24:49,252 WHO WAS SHE? 479 00:24:49,354 --> 00:24:50,933 WELL, SHE WAS A REGISTERED NURSE. 480 00:24:50,957 --> 00:24:52,322 AHHH. 481 00:24:52,424 --> 00:24:53,424 WHAT? 482 00:24:53,492 --> 00:24:55,024 "AHHH." 483 00:24:55,127 --> 00:24:58,028 OH, "AHHH"? 484 00:24:58,130 --> 00:25:01,164 OKAY, ANYWAY, SHE'D INHERITED SOME PROPERTY 485 00:25:01,267 --> 00:25:03,187 IN UPSTATE NEW YORK, UH, MAHOPAC 486 00:25:03,235 --> 00:25:05,180 AND HAD ENOUGH TO LIVE ON SO SHE QUIT HER JOB 487 00:25:05,204 --> 00:25:07,837 AND STARTED BOARDING BABIES. 488 00:25:07,939 --> 00:25:10,808 DID SHE BOARD ILLEGITIMATE CHILDREN? 489 00:25:10,910 --> 00:25:12,275 I DON'T KNOW. 490 00:25:12,377 --> 00:25:13,377 WHY? 491 00:25:13,445 --> 00:25:14,712 SOME DO. 492 00:25:14,814 --> 00:25:16,992 YEAH, BUT WHY SPECIFICALLY ASKING ABOUT ILLEGITIMATE... 493 00:25:17,016 --> 00:25:19,049 UH, WHERE DID THEY COME FROM? 494 00:25:19,151 --> 00:25:20,795 NO ONE KNOWS, WHY DO YOU ASK... 495 00:25:20,819 --> 00:25:22,486 YOU KNOW, STRANGE. 496 00:25:22,588 --> 00:25:24,566 LITTLE TOWN LIKE MAHOPAC, NOBODY KNOWS. 497 00:25:24,590 --> 00:25:25,800 THAT'S RIGHT, STRANGE, HUH? 498 00:25:25,824 --> 00:25:28,424 WHY DO YOU ASK SPECIFICALLY ABOUT... 499 00:25:28,527 --> 00:25:30,761 UH, WHO WAS THE LAST BOARDER? 500 00:25:30,863 --> 00:25:32,707 NO ONE KNOWS ANYTHING, EXCEPT IT WAS A BOY. 501 00:25:32,731 --> 00:25:34,909 OH, AND THAT IT WAS A MONTH OLD WHEN IT ARRIVED 502 00:25:34,933 --> 00:25:36,478 AND THAT SHE CALLED IT "BUSTER". 503 00:25:36,502 --> 00:25:37,534 AHH. 504 00:25:37,637 --> 00:25:39,247 BUSTER, THAT'S SOMETHING. 505 00:25:39,271 --> 00:25:40,103 ARE YOU DONE NOW? 506 00:25:40,205 --> 00:25:41,415 THANKS. HAPPY NOW? 507 00:25:41,439 --> 00:25:44,875 GOOD, I RAISE, WHAT ABOUT THOSE BUTTONS, FELLAS? 508 00:25:44,977 --> 00:25:46,455 THOSE BUTTONS THAT YOU ADVERTISED? 509 00:25:46,479 --> 00:25:47,744 NAHH. 510 00:25:47,846 --> 00:25:49,223 DID YOU GET THEM? YES OR NO. 511 00:25:49,247 --> 00:25:52,615 YOU WOULD NOT DO THAT IF YOU HAD A TRAINED MIND LIKE MINE. 512 00:25:52,717 --> 00:25:54,262 SEE, WE RUN AN AD FOR BUTTONS 513 00:25:54,286 --> 00:25:56,664 AND THEN WE ASK YOU ABOUT ELLEN TENZER. 514 00:25:56,688 --> 00:25:57,866 YOU ASSUME THERE'S A CONNECTION. 515 00:25:57,890 --> 00:25:59,356 YEAH, LOGIC IS LIKE THAT. 516 00:25:59,458 --> 00:26:00,691 NOT AT ALL, NO. 517 00:26:00,793 --> 00:26:03,071 MR. WOLFE LIKES HORSEHAIR BUTTONS FOR HIS PANTS. 518 00:26:03,095 --> 00:26:05,029 HE DOES, HUH? 519 00:26:05,131 --> 00:26:07,564 YES, FOR HIS SUSPENDERS. 520 00:26:07,666 --> 00:26:08,732 SUSPENDERS? 521 00:26:08,834 --> 00:26:10,234 SURE, SEE? 522 00:26:10,336 --> 00:26:11,336 AHH. 523 00:26:11,403 --> 00:26:12,443 HEH. 524 00:26:18,177 --> 00:26:19,576 WELL, YOU TALK ABOUT IFS. 525 00:26:19,678 --> 00:26:20,844 FUTILE. 526 00:26:20,946 --> 00:26:22,957 IF I'D STUCK WITH HER, SHE MIGHT STILL BE ALIVE. 527 00:26:22,981 --> 00:26:24,592 NOW WE HAVE CRAMER AND STEBBINS ON OUR TRAIL 528 00:26:24,616 --> 00:26:26,761 AND MY FINGERPRINTS ALL OVER HER HOUSE. 529 00:26:26,785 --> 00:26:29,520 YOU CAN SUPPLY NO INFORMATION RELEVANT TO THE MURDER. 530 00:26:29,622 --> 00:26:30,822 THE HELL I CAN'T. 531 00:26:30,856 --> 00:26:33,157 YOU WERE HIRED TO FIND HORSEHAIR BUTTONS 532 00:26:33,258 --> 00:26:34,558 AND YOU DON'T KNOW WHY. 533 00:26:34,660 --> 00:26:37,327 THEN I'M WITHHOLDING EVIDENCE, UH, DO I NAME THE CLIENT? 534 00:26:37,429 --> 00:26:38,796 CERTAINLY NOT, WE'RE NOT OBLIGED TO 535 00:26:38,897 --> 00:26:40,497 DISCLOSE THE NAME OF A CLIENT 536 00:26:40,600 --> 00:26:42,700 SIMPLY BECAUSE THE POLICE WANT TO TEST AN ASSUMPTION. 537 00:26:42,801 --> 00:26:45,302 I WAS AT HER HOUSE, SHE POURED ME A GLASS OF WATER. 538 00:26:49,475 --> 00:26:50,674 ARCHIE... 539 00:26:50,776 --> 00:26:52,676 DO YOU THINK I CAN IDENTIFY THE MOTHER 540 00:26:52,778 --> 00:26:54,744 WITHOUT LEARNING WHO KILLED THAT WOMAN? 541 00:26:54,847 --> 00:26:55,887 NO. 542 00:26:55,947 --> 00:26:57,580 WELL THEN, DON'T BADGER ME. 543 00:26:57,682 --> 00:26:59,683 IT'S BAD ENOUGH WITHOUT THAT. 544 00:27:06,392 --> 00:27:08,670 SINCE THE GENIUS WAS NOT INCLINED TO WORK, 545 00:27:08,694 --> 00:27:10,934 I USED MY FIRST-RATE DETECTIVE SKILLS TO FIND OUT 546 00:27:10,963 --> 00:27:14,131 HOW MUCH THE POLICE KNEW BEFORE THEY CAME TO HAUL ME AWAY. 547 00:27:14,233 --> 00:27:17,200 MY FIRST STOP WAS ANNE TENZER, 548 00:27:17,302 --> 00:27:19,770 WHO HAD BEEN HAULED DOWN TO HEADQUARTERS AND WAS SORE. 549 00:27:19,872 --> 00:27:21,992 YOU'RE NOT A BUTTON COLLECTOR. 550 00:27:22,073 --> 00:27:25,709 YOU'RE NERO WOLFE'S LEGMAN, ARCHIE GOODWIN. 551 00:27:25,811 --> 00:27:27,644 I'M REALLY MORE OF AN ASSISTANT, REALLY. 552 00:27:27,746 --> 00:27:31,514 WELL, IT'S NOT THAT YOU LIED, THAT'S YOUR JOB. 553 00:27:31,616 --> 00:27:34,084 AND IT'S NOT MY AUNT ELLEN. 554 00:27:34,186 --> 00:27:36,164 WHOEVER KILLED HER, YOU DIDN'T START IT. 555 00:27:36,188 --> 00:27:37,454 AND STILL YOU'RE SORE AT ME? 556 00:27:37,556 --> 00:27:40,824 YES... ALTHOUGH I'M NOT SURE WHY. 557 00:27:40,926 --> 00:27:42,692 I AM AN HEIRESS NOW, 558 00:27:42,794 --> 00:27:44,572 TO A CREAKY OLD COTTAGE IN MAHOPAC 559 00:27:44,596 --> 00:27:46,307 AND A DOG WITH REALLY BAD BREATH. 560 00:27:46,331 --> 00:27:47,531 MMM. 561 00:27:47,633 --> 00:27:48,910 MAYBE YOU JUST WANTED TO SEE MY FACE AGAIN 562 00:27:48,934 --> 00:27:50,600 AND YOU DIDN'T KNOW HOW TO ASK. 563 00:27:50,702 --> 00:27:53,803 NO, NO, THAT'S NOT IT. 564 00:27:53,906 --> 00:27:59,543 NOT PRECISELY... BUT IT'S CLOSE. 565 00:28:11,957 --> 00:28:13,323 AHEM. 566 00:28:13,426 --> 00:28:15,526 OH, MR. GOODWIN! 567 00:28:15,627 --> 00:28:16,960 MRS. VALDON. 568 00:28:17,062 --> 00:28:19,662 I TAKE IT YOU HAVE NOT SEEN THE EVENING EDITION. 569 00:28:19,764 --> 00:28:22,043 WELL, I'VE SEEN IT, I JUST HAVEN'T READ IT. 570 00:28:22,067 --> 00:28:23,266 WELL, LET ME BRIEF YOU. 571 00:28:23,368 --> 00:28:26,737 ON FRIDAY MORNING, I CALLED ON A WOMAN NAMED ELLEN TENZER. 572 00:28:26,839 --> 00:28:29,539 THE BABY... 573 00:28:29,641 --> 00:28:32,209 HAD BEEN WITH HER IN HER HOUSE FOR THREE MONTHS. 574 00:28:32,311 --> 00:28:34,122 OH, SO, SHE'S THE MOTHER. 575 00:28:34,146 --> 00:28:35,245 NO. 576 00:28:35,347 --> 00:28:37,392 UH, SHE KNOWS WHO THE MOTHER IS? 577 00:28:37,416 --> 00:28:38,416 SHE PROBABLY DID. 578 00:28:38,483 --> 00:28:39,961 YOU MEAN SHE FORGOT? WHAT? 579 00:28:39,985 --> 00:28:41,351 HOW COULD SHE FORGET? 580 00:28:41,453 --> 00:28:42,486 WELL, SHE DIDN'T. 581 00:28:42,588 --> 00:28:44,521 THE GRANDMOTHER? NO. 582 00:28:44,623 --> 00:28:46,735 THE AUNT, THE UNCLE, THE SECOND COUSIN? 583 00:28:46,759 --> 00:28:48,024 SHE'S DEAD. 584 00:28:48,127 --> 00:28:49,804 DEAD? YEAH, STRANGLED. 585 00:28:49,828 --> 00:28:51,161 MURDERED? 586 00:28:51,263 --> 00:28:52,629 YEAH. 587 00:28:54,933 --> 00:28:56,133 NOW, IT'S ALMOST CERTAIN 588 00:28:56,235 --> 00:28:58,735 THAT THE POLICE WILL FIND OUT THAT I WAS AT HER HOUSE, 589 00:28:58,837 --> 00:29:00,237 ASK ME WHY, AND... 590 00:29:00,338 --> 00:29:02,839 SO YOU'RE SAYING IT WAS MY FAULT. 591 00:29:04,309 --> 00:29:08,845 WELL, LISTEN, IF I TELL THEM THAT YOU'RE MY CLIENT, 592 00:29:08,948 --> 00:29:12,282 YOU'LL GET INVITED DOWNTOWN FOR A CHAT. 593 00:29:12,384 --> 00:29:14,262 I'M RESPONSIBLE FOR A MURDER. 594 00:29:14,286 --> 00:29:17,487 NO, NO, NO, I WAS THE ONE WHO LEFT HER ALONE, SEE. 595 00:29:17,589 --> 00:29:19,255 WELL, I SENT YOU THERE. 596 00:29:19,358 --> 00:29:22,059 THE RESPONSIBILITY BELONGS TO WHOEVER LEFT THE BABY 597 00:29:22,161 --> 00:29:24,528 IN YOUR VESTIBULE, SEE? SO, DON'T TRY TO CLAIM IT. 598 00:29:24,629 --> 00:29:27,397 I DON'T LIKE THIS. 599 00:29:27,499 --> 00:29:31,334 MURDER, IT'S SO... IT'S JUST BAD. 600 00:29:34,272 --> 00:29:36,417 WHAT DO YOU MEAN, I'M GONNA BE SENT DOWNTOWN? 601 00:29:36,441 --> 00:29:37,674 BY THE POLICE? 602 00:29:37,776 --> 00:29:42,012 THAT WAS AN "IF", MRS. VALDON IF WE NAME YOU AS THE CLIENT. 603 00:29:47,586 --> 00:29:49,820 WHY DON'T YOU CALL ME LUCY? 604 00:29:49,922 --> 00:29:52,856 YOU'RE PRETTY GIDDY FOR A GIRL WHO DOESN'T KNOW HOW TO FLIRT. 605 00:29:52,958 --> 00:29:55,726 BUT, PUT IT IN WRITING AND I WILL. 606 00:29:55,828 --> 00:29:59,829 SO, YOU'VE COME HERE TO TELL ME 607 00:29:59,931 --> 00:30:02,899 NOT TO TELL ANYONE THAT I'VE HIRED YOU. 608 00:30:03,001 --> 00:30:05,401 WERE YOU FOLLOWED? 609 00:30:05,503 --> 00:30:08,271 ONLY IF HE WAS VERY GOOD. 610 00:30:08,374 --> 00:30:11,207 NOW, IF YOU THINK WE OWE YOU AN APOLOGY 611 00:30:11,309 --> 00:30:13,910 FOR LETTING A MOTHER HUNT HATCH A MURDER, WELL, HERE IT IS. 612 00:30:14,013 --> 00:30:19,048 OH NO, NO, I'M THE ONE THAT OWES YOU AN APOLOGY. 613 00:30:19,151 --> 00:30:21,651 I WAS SO RUDE THE OTHER DAY. 614 00:30:21,754 --> 00:30:24,287 OH, LUCY, THAT'S NOT THE WORD. 615 00:30:24,389 --> 00:30:27,224 I WAS SUCH A... A NITWIT. 616 00:30:30,295 --> 00:30:31,405 OH, YOU'RE GOING? 617 00:30:31,429 --> 00:30:33,129 WELL, I'VE DONE MY ERRAND, SO. 618 00:30:33,231 --> 00:30:37,266 OH, WELL THEN. 619 00:30:37,369 --> 00:30:39,603 GOOD-BYE. 620 00:30:39,705 --> 00:30:41,404 GOOD-BYE. 621 00:30:48,446 --> 00:30:50,625 I CAME HOME TO FIND INSPECTOR CRAMER AND MR. WOLFE 622 00:30:50,649 --> 00:30:53,016 ENGAGED IN A FRIENDLY INTERROGATION. 623 00:30:55,787 --> 00:30:57,754 AND GOODWIN'S PRINTS ARE EVERYWHERE. 624 00:30:57,856 --> 00:30:59,433 AND IF I DON'T GET AN EXPLANATION FROM YOU 625 00:30:59,457 --> 00:31:00,457 I'M GONNA TAKE YOU IN 626 00:31:00,559 --> 00:31:02,036 AND YOU CAN TALK TO THE DISTRICT ATTORNEY. 627 00:31:02,060 --> 00:31:04,439 OR I'M GONNA TAKE YOU IN AND YOU CAN TALK TO THE COMMISSIONER. 628 00:31:04,463 --> 00:31:05,795 ANY WAY, I'M GONNA TAKE YOU IN! 629 00:31:05,897 --> 00:31:06,762 YOU'RE TAKING ME IN?! 630 00:31:06,865 --> 00:31:08,898 YEAH, THAT'S RIGHT. 631 00:31:09,000 --> 00:31:10,778 IF YOU TAKE ME IN, I WILL STAND MUTE! 632 00:31:10,802 --> 00:31:13,637 I WOULD SLEEP UNDER A BRIDGE AND EAT SCRAPS BEFORE I WOULD 633 00:31:13,739 --> 00:31:16,083 SUBMIT A CLIENT TO OFFICIAL HARASSMENT. 634 00:31:16,107 --> 00:31:17,974 HA-HA-HA, YOU? EATING SCRAPS? 635 00:31:18,076 --> 00:31:18,975 YES, I WOULD! 636 00:31:19,078 --> 00:31:20,543 HA-HA! NEVER HAPPEN. 637 00:31:20,645 --> 00:31:23,080 INSPECTOR CRAMER, FANCY MEETING YOU HERE. 638 00:31:23,182 --> 00:31:26,383 GOODWIN, I'M GLAD YOU'RE HERE. 639 00:31:26,485 --> 00:31:28,385 I HOPE YOU'RE PACKED 640 00:31:28,487 --> 00:31:30,654 BECAUSE I'M TAKING YOU DOWNTOWN. 641 00:31:30,756 --> 00:31:32,489 LET'S GO. 642 00:31:34,393 --> 00:31:36,492 OH, COME ON, LET'S GO! 643 00:31:39,465 --> 00:31:41,632 I WAS IN CUSTODY FROM 10:04 P.M. SUNDAY 644 00:31:41,734 --> 00:31:43,166 TO 10:05 A.M. MONDAY, 645 00:31:43,268 --> 00:31:44,946 WHEN NATHANIEL PARKER, WOLFE'S ATTORNEY, 646 00:31:44,970 --> 00:31:46,302 ARRIVED WITH MY BAIL. 647 00:31:46,405 --> 00:31:49,705 WELL, WELL, I SEE YOU'VE KEPT BUSY... I'M GOING UPSTAIRS. 648 00:31:49,808 --> 00:31:51,841 I HAD A ONE-HOUR NAP WITH A DICK STANDING BY. 649 00:31:51,943 --> 00:31:53,143 WHAT'S FOR LUNCH? 650 00:31:53,245 --> 00:31:55,389 SWEETBREADS WITH BECHAMEL SAUCE, 651 00:31:55,413 --> 00:31:57,580 CHERVIL AND TRUFFLES, 652 00:31:57,683 --> 00:32:00,983 WATERCRESS AND BEET SALAD AND BRIE. 653 00:32:01,086 --> 00:32:03,130 WELL, IF THERE'S ENOUGH LEFT OVER, YOU SHOULD HAVE SOME. 654 00:32:03,154 --> 00:32:05,889 ARCHIE... ARCHIE! 655 00:32:05,991 --> 00:32:08,302 BEFORE YOU GO, IF YOU COULD ARRANGE TO HAVE 656 00:32:08,326 --> 00:32:11,194 MRS. VALDON HERE AT 2:00. 657 00:32:11,296 --> 00:32:13,007 AS WE ARE UNDER SURVEILLANCE, 658 00:32:13,031 --> 00:32:14,509 SHE SHOULD ENTER THROUGH THE BACK. 659 00:32:14,533 --> 00:32:17,634 AND I SHOULD RESIGN ON THE SPOT, BUT I'M TOO TIRED. 660 00:32:20,572 --> 00:32:23,039 I TOLD ARCHIE THAT I WAS SORRY THAT I WAS LATE. 661 00:32:23,141 --> 00:32:26,376 I HAD NO IDEA THAT HE HAD TO WAIT AT THE BACK GATE FOR ME. 662 00:32:26,478 --> 00:32:28,111 IT WAS A BAD START. 663 00:32:28,213 --> 00:32:29,958 NO CLIENT HAS EVER CALLED HIM "NERO" 664 00:32:29,982 --> 00:32:31,793 SO, HER SAYING "ARCHIE" MEANT TO HIM 665 00:32:31,817 --> 00:32:34,918 THAT SHE WAS TAKING LIBERTIES OR THAT I ALREADY HAD. 666 00:32:37,789 --> 00:32:39,022 ARE YOU READY? 667 00:32:39,124 --> 00:32:40,356 YES. 668 00:32:40,458 --> 00:32:44,995 MR. GOODWIN AND I ARE IN A PICKLE, MRS. VALDON. 669 00:32:45,097 --> 00:32:46,496 ELLEN TENZER IS DEAD, 670 00:32:46,598 --> 00:32:49,565 AND, FOR THE PRESENT, WE SHALL LEAVE HER TO THE POLICE 671 00:32:49,668 --> 00:32:52,935 BECAUSE WE KNOW THAT SHE DIDN'T PUT THE BABY IN THE VESTIBULE. 672 00:32:53,037 --> 00:32:54,504 HOW DO WE KNOW THAT? 673 00:32:54,606 --> 00:32:55,939 INFERENCE. 674 00:32:56,041 --> 00:32:59,008 A NURSE WOULDN'T USE A BARE PIN. 675 00:32:59,110 --> 00:33:00,810 YES. 676 00:33:00,912 --> 00:33:03,846 NOW, THE POINT IS THAT, 677 00:33:03,948 --> 00:33:06,416 IF WE ASSUME THAT ELLEN TENZER WAS KILLED 678 00:33:06,518 --> 00:33:09,819 TO PREVENT HER FROM REVEALING THE ORIGIN OF THE BABY, 679 00:33:09,921 --> 00:33:14,157 AND WE CONTINUE TO CONCEAL YOUR CONNECTION TO HER, 680 00:33:14,259 --> 00:33:15,692 THEN MR. GOODWIN AND I 681 00:33:15,794 --> 00:33:18,106 ARE WITHHOLDING EVIDENCE OF A HOMICIDE AND THAT IS A FELONY. 682 00:33:18,130 --> 00:33:20,163 SO, YOU ASSUME THAT IS WHY SHE WAS KILLED? 683 00:33:20,265 --> 00:33:21,832 IT WOULD BE VACUOUS NOT TO. 684 00:33:21,934 --> 00:33:22,934 WHY? 685 00:33:23,001 --> 00:33:25,213 FOCUS ON THE POINT, IF YOU CAN. 686 00:33:25,237 --> 00:33:27,637 IF WE CONTINUE TO CONCEAL WHAT WE KNOW 687 00:33:27,739 --> 00:33:30,573 TO PREVENT YOU FROM BEING BADGERED BY THE POLICE, 688 00:33:30,675 --> 00:33:35,178 THEN IT WON'T DO TO MERELY FIND OUT WHO THE MOTHER IS. 689 00:33:35,280 --> 00:33:37,814 WE MUST ALSO DISCOVER WHO THE MURDERER IS. 690 00:33:37,916 --> 00:33:39,849 WHY? BE... 691 00:33:39,951 --> 00:33:42,152 ARCHIE! 692 00:33:42,254 --> 00:33:44,854 I DON'T WANT TO HAVE ANYTHING TO DO WITH A MURDERER. 693 00:33:44,956 --> 00:33:46,923 YOU DON'T, MRS. VALDON, BUT WE DO. 694 00:33:47,025 --> 00:33:48,291 LOOK, WHAT HE'S SAYING IS, 695 00:33:48,393 --> 00:33:51,027 IF YOU DROP US WE'RE GONNA HAVE TO OPEN UP TO THE COPS 696 00:33:51,129 --> 00:33:54,297 AND THEN, YOU'LL HAVE COPS, YOU'LL HAVE REPORTERS 697 00:33:54,399 --> 00:33:57,334 ON YOUR DOORSTEP ASKING YOU, YOUR FRIENDS, YOUR FAMILY, 698 00:33:57,436 --> 00:33:59,669 ALL ABOUT THE BABY, YOU SEE? 699 00:33:59,771 --> 00:34:01,370 BUT, IF YOU STICK WITH US, 700 00:34:01,472 --> 00:34:03,912 WELL, THE COPS WILL NEVER HAVE TO KNOW ANYTHING ABOUT YOUR, 701 00:34:03,975 --> 00:34:07,043 UH, CONNECTION TO ELLEN TENZER, PROVIDED YOU DON'T SAY ANYTHING. 702 00:34:26,297 --> 00:34:27,975 NOT IF YOU'RE NO LONGER A CLIENT. 703 00:34:27,999 --> 00:34:28,865 AHEM. 704 00:34:28,967 --> 00:34:30,500 OH, I AM! OF COURSE, I AM. 705 00:34:30,602 --> 00:34:31,612 ARCHIE! 706 00:34:31,636 --> 00:34:34,404 OH, UH... MRS. VALDON... 707 00:34:34,506 --> 00:34:37,540 LUCY, LUCY... PREFERS US OVER THE COPS. 708 00:34:37,642 --> 00:34:40,676 IT'S UH... GOOD FOR THE SELF-ESTEEM. 709 00:34:40,779 --> 00:34:43,079 I... I CAN PROCEED? 710 00:34:43,181 --> 00:34:44,280 OH, YES, PLEASE. 711 00:34:44,382 --> 00:34:46,126 WE SHALL NEED YOUR HELP, MRS. VALDON. 712 00:34:46,150 --> 00:34:48,162 I WOULD LIKE AN EXPANDED LIST OF THE NAMES OF THE WOMEN 713 00:34:48,186 --> 00:34:51,421 WHO MIGHT HAVE CONSORTED WITH YOUR HUSBAND LAST FALL. 714 00:34:51,523 --> 00:34:52,956 I WANT TO MEET WITH FOUR MEN 715 00:34:53,058 --> 00:34:56,326 WHO KNEW MORE THAN YOU DID ABOUT HIS ESCAPADES. 716 00:34:56,428 --> 00:34:59,328 THAT WOULD BE, UM, LEO, JULIAN, WILLIS 717 00:34:59,431 --> 00:35:02,532 AND, I ASSUME, MANNY UPTON. 718 00:35:02,634 --> 00:35:05,368 AND I HAVE YOUR PROMISE THAT IF YOU ARE CONTACTED BY THE POLICE, 719 00:35:05,470 --> 00:35:07,003 YOU WILL STAND MUTE. 720 00:35:07,105 --> 00:35:08,938 YES. 721 00:35:12,844 --> 00:35:14,044 ONE MORE QUESTION. 722 00:35:14,112 --> 00:35:17,046 WHERE WERE YOU LAST FRIDAY EVENING AFTER 8:00? 723 00:35:17,149 --> 00:35:19,849 THE NIGHT SHE WAS MURDERED? 724 00:35:19,951 --> 00:35:20,850 YES. 725 00:35:20,952 --> 00:35:22,519 HA, YOU CAN'T MEAN THAT. 726 00:35:22,621 --> 00:35:25,455 YOU SHOULD BE GRATIFIED THAT I CONSIDER IT IMAGINABLE. 727 00:35:25,557 --> 00:35:29,492 YOU HAVE A FUNNY NOTION OF WHAT GRATIFIES PEOPLE, MR. WOLFE. 728 00:35:29,594 --> 00:35:32,962 I DINED WITH THE GOVERNOR TO DISCUSS KILLER FOG 729 00:35:33,064 --> 00:35:35,799 AND WAS HOME FOR THE 10:00 FEEDING. 730 00:35:35,901 --> 00:35:37,612 ARE YOU REFERRING TO THE LONDON EVENT? 731 00:35:37,636 --> 00:35:38,996 YES. AH. 732 00:35:39,037 --> 00:35:41,638 MRS. VALDON THINKS THAT THE AIR HAS SOMEHOW, UH, 733 00:35:41,740 --> 00:35:43,540 BECOME POISONOUS, SEE. 734 00:35:43,642 --> 00:35:44,886 IT PROBABLY IS. 735 00:35:44,910 --> 00:35:46,943 ARCHIE, IT IS SULFUR DIOXIDE. 736 00:35:47,045 --> 00:35:48,845 WE ARE GOING TO POISON OURSELVES 737 00:35:48,947 --> 00:35:51,848 TO GET HOME FROM THE OFFICE FIVE MINUTES SOONER. 738 00:35:51,950 --> 00:35:55,451 NOW, TO ADDRESS YOUR QUERY, MR. WOLFE. 739 00:35:55,553 --> 00:35:58,487 IT IS UTTER NONSENSE TO SUSPECT ME. 740 00:35:58,589 --> 00:36:03,426 NOTHING IS NONSENSE CONCERNING THE VAGARIES OF HUMAN CONDUCT. 741 00:36:03,528 --> 00:36:05,662 GOOD DAY, MRS. VALDON. 742 00:36:05,764 --> 00:36:07,397 GOOD DAY. 743 00:36:07,499 --> 00:36:08,619 FOR THE NEXT TWO HOURS, 744 00:36:08,700 --> 00:36:10,545 WE ARRANGED A VERY DIFFERENT SOCIAL EVENT 745 00:36:10,569 --> 00:36:12,736 FROM THE ONES MRS. VALDON WAS USED TO. 746 00:36:12,838 --> 00:36:14,303 I CALLED HER LUCY ONCE, 747 00:36:14,406 --> 00:36:16,472 AND SHE CALLED ME ARCHIE TWICE. 748 00:36:22,514 --> 00:36:23,613 HMM. 749 00:36:27,752 --> 00:36:29,285 THANK YOU. 750 00:36:31,590 --> 00:36:36,626 WELL, I, UM... I HAD A LOVELY AFTERNOON. 751 00:36:36,728 --> 00:36:38,762 AS DID I. 752 00:36:46,037 --> 00:36:47,269 GOOD-BYE. 753 00:36:47,372 --> 00:36:48,538 GOOD-BYE. 754 00:36:55,347 --> 00:36:58,247 AH, THE PARTY HAS BEEN ARRANGED FOR 9:00. 755 00:36:58,349 --> 00:37:00,461 YOU ARE AWARE THAT I AM NOT GOING TO ASK YOU WHAT WAS ON 756 00:37:00,485 --> 00:37:02,463 THAT PIECE OF PAPER THAT WOMAN HANDED YOU. 757 00:37:02,487 --> 00:37:05,355 OH, NOW IT CAN BE MENTIONED, SEE, SHE WROTE IN LONG-HAND 758 00:37:05,457 --> 00:37:07,357 "MY DEAREST ARCHIE, LIZZIE BORDEN TOOK AN AX 759 00:37:07,458 --> 00:37:10,326 GAVE HER MOTHER 40 WHACKS, YOUR LOVING LUCY." 760 00:37:10,429 --> 00:37:12,061 IN CASE YOU'RE WONDERING WHAT... 761 00:37:12,164 --> 00:37:13,897 SHUT UP. 762 00:37:17,168 --> 00:37:19,102 UH, FRITZ? 763 00:37:19,204 --> 00:37:21,237 YOU DON'T DUST. 764 00:37:30,281 --> 00:37:32,215 THE PARTY BEGAN ON TIME. 765 00:37:32,317 --> 00:37:35,985 I PROFILED THEM NEATLY FOR WOLFE AND WILL DO SO FOR YOU. 766 00:37:36,087 --> 00:37:39,422 MANUAL UPTON, THE EDITOR OF DISTAFF MAGAZINE, 767 00:37:39,524 --> 00:37:41,891 DISCOVERED DICK VALDON AND PUBLISHED HIS FIRST STORIES. 768 00:37:45,330 --> 00:37:47,263 WILLIS KRUG WAS VALDON'S AGENT 769 00:37:47,365 --> 00:37:49,499 AND ANXIOUS TO GET BACK TO WORK. 770 00:37:51,269 --> 00:37:54,303 THE DISTINGUISHED JULIAN HAFT PUBLISHED MR. VALDON'S NOVELS 771 00:37:54,405 --> 00:37:56,806 AND CLAIMED TO BE HIS GOOD FRIEND. 772 00:37:56,908 --> 00:37:59,109 LEO BINGHAM WAS DICK VALDON'S OLDEST FRIEND 773 00:37:59,211 --> 00:38:01,844 AND FELLOW CONNOISSEUR OF THE FEMALE OF THE SPECIES. 774 00:38:01,946 --> 00:38:03,245 MMM, INCREDIBLE! 775 00:38:03,348 --> 00:38:06,349 SERVING THIS ELIXIR OFFHAND AND TO A STRANGER, MY GOD! 776 00:38:06,451 --> 00:38:08,884 IN MY HOUSE, A GUEST IS A GUEST, 777 00:38:08,987 --> 00:38:10,453 STRANGER OR NOT. 778 00:38:10,555 --> 00:38:13,189 YOU ARE A RADIO PRODUCER, ARE YOU NOT? 779 00:38:13,291 --> 00:38:14,868 AND GLAD OF THE CHANCE TO MEET YOU. 780 00:38:14,892 --> 00:38:17,332 I'VE OFTEN THOUGHT YOU'D HAVE ENORMOUS POSSIBILITIES FOR RADIO 781 00:38:17,362 --> 00:38:19,106 AND NOW THAT I'VE HEARD YOUR VOICE, 782 00:38:19,130 --> 00:38:21,010 MY GOD, IT WOULD BE STUPENDOUS! 783 00:38:21,099 --> 00:38:22,643 THIS IS THE WAY IT GOES, MR. WOLFE. 784 00:38:22,667 --> 00:38:25,101 MASS CULTURE, HE'S INTERESTED IN YOUR VOICE. 785 00:38:25,203 --> 00:38:27,737 I'M INTERESTED IN YOUR MIND. 786 00:38:27,839 --> 00:38:28,839 AH. 787 00:38:28,874 --> 00:38:30,218 HAVE YOU EVER WRITTEN A BOOK? 788 00:38:30,242 --> 00:38:31,874 UNTHINKABLE, MR. HAFT. 789 00:38:31,977 --> 00:38:35,244 NOTHING CORRUPTS A MAN SO DEEPLY AS WRITING A BOOK. 790 00:38:35,346 --> 00:38:36,779 I WOULDN'T PRESUME. 791 00:38:36,881 --> 00:38:39,081 COULD WE GET STARTED? I'VE GOT CALLS TO MAKE. 792 00:38:48,526 --> 00:38:50,059 IT'S SIMPLE. 793 00:38:50,161 --> 00:38:53,562 YOUR FRIEND, LUCY VALDON, IS BEING BLACKMAILED. 794 00:38:53,665 --> 00:38:56,532 SHE HAS RECEIVED SEVERAL ANONYMOUS LETTERS 795 00:38:56,635 --> 00:39:00,403 FROM A WOMAN CLAIMING TO HAVE BEEN INTIMATE WITH HER HUSBAND. 796 00:39:00,505 --> 00:39:04,107 WHAT I REQUEST FROM YOU IS A LIST OF EVERY WOMAN 797 00:39:04,209 --> 00:39:06,308 WITH WHOM YOU THINK THAT POSSIBLE. 798 00:39:06,410 --> 00:39:10,479 MRS. VALDON HAS TOLD ME THAT YOU WOULD BE OF HELP. 799 00:39:10,582 --> 00:39:12,281 MORE BRANDY, MR. BINGHAM? 800 00:39:12,383 --> 00:39:13,849 MM, PAYOLA. 801 00:39:13,951 --> 00:39:17,120 HE POURS, THE BRIBE... 802 00:39:17,222 --> 00:39:18,502 HE SIPS. 803 00:39:22,126 --> 00:39:23,425 BUT WHAT A BRIBE. 804 00:39:23,528 --> 00:39:25,472 WHAT DOES THIS LOVER SAY, EXACTLY? 805 00:39:25,496 --> 00:39:26,962 THAT WOULD VIOLATE A FIRM ASSURANCE 806 00:39:27,065 --> 00:39:28,398 THAT I'VE GIVEN MY CLIENT. 807 00:39:28,500 --> 00:39:30,900 HELL, I'M HOOKED, I'M BRIBED. 808 00:39:31,002 --> 00:39:32,401 YES. 809 00:39:32,503 --> 00:39:34,281 I'M AGAINST ANYONE SENDING ANONYMOUS LETTERS, 810 00:39:34,305 --> 00:39:35,605 NO MATTER WHO. 811 00:39:35,707 --> 00:39:37,819 I'LL CALL IN LATER WITH MY LIST, CAN I GO NOW? 812 00:39:37,843 --> 00:39:40,203 YOU SHOULD BE LOOKING INTO THAT BABY SHE HAS UP THERE. 813 00:39:40,278 --> 00:39:42,022 IF YOU DON'T, YOU'RE GONNA HASH IT UP. 814 00:39:42,046 --> 00:39:44,580 LUCY VALDON WANTS A FAVOR FROM ME, SHE CAN ASK ME. 815 00:39:49,020 --> 00:39:50,631 THANK YOU FOR COMING, GENTLEMEN. 816 00:39:50,655 --> 00:39:52,021 WELL, I DON'T MIND. 817 00:39:52,123 --> 00:39:54,557 IT MIGHT TAKE SOME TIME, I'M A VERY BUSY MAN. 818 00:39:54,659 --> 00:39:58,694 UPTON WAS THE ONLY ONE WHO REFUSED. 819 00:39:58,796 --> 00:40:01,998 AND WHEN THE LISTS WERE GATHERED AND CROSS-REFERENCED, 820 00:40:02,100 --> 00:40:04,367 WE HAD 148 NAMES. 821 00:40:04,469 --> 00:40:07,170 AND SO, CONCEIVED BY WOLFE, EXECUTED BY GOODWIN 822 00:40:07,272 --> 00:40:10,339 AND FUELED BY THE CLIENT'S HARD-EARNED, INHERITED CASH, 823 00:40:10,442 --> 00:40:12,074 THE GREAT MOTHER HUNT BEGAN. 824 00:41:04,696 --> 00:41:06,529 WHEN THE RESULTS WERE IN, 825 00:41:06,631 --> 00:41:08,409 FOUR MYSTERY BABIES HAD BEEN ACCOUNTED FOR 826 00:41:08,433 --> 00:41:10,378 AND SEVEN WOMEN WHO HAD BEEN AWAY IN JUNE 827 00:41:10,402 --> 00:41:12,402 HAD BEEN TRACKED DOWN. 828 00:41:18,043 --> 00:41:21,344 ORRIE HAD FLOWN TO THE RIVIERA AND FRED TO ARIZONA. 829 00:41:21,446 --> 00:41:24,113 WHEN SAUL PHONED IN TO REPORT THAT HE'D CLOSED THE LAST GAP... 830 00:41:24,215 --> 00:41:27,950 26 DAYS AND $8,670 LATER... 831 00:41:28,052 --> 00:41:30,920 WE WERE PRECISELY WHERE WE HAD BEEN WHEN WE STARTED. 832 00:41:31,022 --> 00:41:33,455 NOWHERE. 833 00:41:33,557 --> 00:41:34,791 THERE WERE, HOWEVER, 834 00:41:34,893 --> 00:41:37,760 TWO SIGNIFICANT DEVELOPMENTS. 835 00:41:37,862 --> 00:41:41,931 THE FIRST WAS THAT MY RELATIONSHIP WITH THE CLIENT 836 00:41:42,033 --> 00:41:46,069 HAD GROWN INCREASINGLY CORDIAL. 837 00:41:46,171 --> 00:41:48,404 WHEN A CLIENT IS SHELLING OUT $300 A DAY 838 00:41:48,506 --> 00:41:50,117 AND GETTING NOTHING FOR HER DOUGH, 839 00:41:50,141 --> 00:41:52,708 THE LEAST YOU CAN DO IS DROP IN AND SAY HELLO. 840 00:42:01,152 --> 00:42:03,392 I DISCOVERED THAT AS A DANCER, SHE WAS NO SLOUCH. 841 00:42:10,628 --> 00:42:13,062 SHE WAS GOOD ENOUGH TO TAKE TO THE "FLAMINGO CLUB". 842 00:42:54,972 --> 00:42:56,984 THE SECOND DEVELOPMENT WAS THAT LUCY CAME 843 00:42:57,008 --> 00:42:59,341 WITHIN AN ACE OF QUITTING AS A CLIENT. 844 00:42:59,443 --> 00:43:01,455 CRAMER PUT TWO AND TWO TOGETHER AND GOT FOUR 845 00:43:01,479 --> 00:43:03,491 AND SENT STEBBINS TO DO THE COUNTING. 846 00:43:03,515 --> 00:43:04,347 YES? 847 00:43:04,448 --> 00:43:05,660 SERGEANT STEBBINS, HOMICIDE, 848 00:43:05,684 --> 00:43:07,127 NEW YORK CITY POLICE DEPARTMENT. 849 00:43:07,151 --> 00:43:08,751 IS MRS. VALDON AT HOME? 850 00:43:08,853 --> 00:43:11,721 IT'S ALL RIGHT, EVE, I'LL TALK TO THE GENTLEMAN. 851 00:43:11,822 --> 00:43:13,056 MAY I HELP YOU? 852 00:43:13,158 --> 00:43:14,735 MRS. VALDON? SERGEANT STEBBINS, 853 00:43:14,759 --> 00:43:16,737 NEW YORK CITY POLICE DEPARTMENT, HOMICIDE. 854 00:43:16,761 --> 00:43:18,272 DID YOU KNOW AN ELLEN TENZER? 855 00:43:18,296 --> 00:43:20,296 WHAT BUSINESS IS THAT OF YOURS? 856 00:43:20,398 --> 00:43:22,565 I'M ON THE PEOPLE'S BUSINESS. 857 00:43:22,667 --> 00:43:26,002 WELL, DO YOU HAVE A WRIT OR A WARRANT 858 00:43:26,104 --> 00:43:27,670 OR WHATEVER IT IS THAT YOU NEED? 859 00:43:27,772 --> 00:43:29,016 DO YOU HAVE ALL THE PAPERS 860 00:43:29,040 --> 00:43:31,151 FOR THAT LITTLE FOUNDLING YOU TOOK IN? 861 00:43:31,175 --> 00:43:32,307 OF COURSE. 862 00:43:32,409 --> 00:43:34,569 I'VE GOTTA WARN YOU, MRS. VALDON, 863 00:43:34,612 --> 00:43:36,957 IF WE MAKE THE CONNECTION BETWEEN YOU AND TENZER 864 00:43:36,981 --> 00:43:39,148 AND NERO WOLFE ON OUR OWN, 865 00:43:39,250 --> 00:43:41,984 OUR NEXT INTERVIEW IS GONNA BE DOWNTOWN AT HEADQUARTERS. 866 00:43:42,086 --> 00:43:44,520 GOOD, I'VE ALWAYS WANTED TO SEE THEM. 867 00:43:44,622 --> 00:43:47,723 MY GRANDFATHER'S COMPANY POURED THE FOUNDATIONS. 868 00:43:47,825 --> 00:43:49,158 GOOD DAY. 869 00:43:51,763 --> 00:43:54,396 AFTER PURLEY LEFT, THE QUEEN STORMED OUT OF HER CASTLE 870 00:43:54,498 --> 00:43:56,832 AND PAID A VISIT TO THE PEASANT. 871 00:43:58,502 --> 00:44:01,070 IT WAS SUCH AN INTRUSION, IT WAS RUDE! 872 00:44:01,172 --> 00:44:03,172 OH, I'M SO CONFUSED, ARCHIE. 873 00:44:03,274 --> 00:44:04,852 YOU SAID YOU WERE GONNA PROTECT ME. 874 00:44:04,876 --> 00:44:06,308 YOU WANNA HOLD HANDS, FINE. 875 00:44:06,411 --> 00:44:07,910 YOU WANNA BE A HUFFY CLIENT, FINE. 876 00:44:08,012 --> 00:44:10,413 BUT IT'S NOT FAIR FOR A HUFFY CLIENT TO CALL ME ARCHIE. 877 00:44:10,515 --> 00:44:11,747 I'M NOT HUFFY. 878 00:44:11,849 --> 00:44:12,849 CRABBY. 879 00:44:12,950 --> 00:44:14,483 I'M NOT CRABBY. 880 00:44:14,586 --> 00:44:16,018 IRRITABLE. 881 00:44:16,120 --> 00:44:18,020 ALL RIGHT, THE POINT IS THIS. 882 00:44:18,123 --> 00:44:21,223 MIXING PERSONAL AND BUSINESS IS NOT GOOD FOR EITHER ONE OF US. 883 00:44:23,895 --> 00:44:25,795 DON'T BE SILLY, ARCHIE. 884 00:44:25,897 --> 00:44:29,131 WE'VE BEEN MIXING BUSINESS AND PERSONAL FOR OVER A MONTH NOW. 885 00:44:29,233 --> 00:44:30,666 YOU PROMISED MR. WOLFE... 886 00:44:30,768 --> 00:44:34,170 THEY KNOW ABOUT THE BABY AND THEY KNOW THAT I'M YOUR CLIENT. 887 00:44:34,272 --> 00:44:36,472 ARE YOU GONNA KEEP YOUR MOUTH SHUT? 888 00:44:36,574 --> 00:44:38,841 HE CAME TO MY HOME 889 00:44:38,943 --> 00:44:41,243 AND STARTED ASKING ME QUESTIONS. 890 00:44:41,345 --> 00:44:44,880 LUCY... ARE YOU? 891 00:44:53,524 --> 00:44:55,102 I WON'T BE JOINING YOU FOR COFFEE, 892 00:44:55,126 --> 00:44:56,203 I HAVE A DATE, OF SORTS. 893 00:44:56,227 --> 00:44:57,571 AND I KNOW WE'RE EXPECTING CRAMER 894 00:44:57,595 --> 00:44:59,139 BUT HE ALMOST NEVER COMES AFTER DINNER. 895 00:44:59,163 --> 00:45:01,763 HE'LL PROBABLY BE HERE TOMORROW AT 11:02 ANYWAY, SO. 896 00:45:01,866 --> 00:45:04,534 WHERE CAN YOU BE REACHED? 897 00:45:04,636 --> 00:45:07,536 UH, YOU CAN REACH ME AT MRS. VALDON'S NUMBER. 898 00:45:07,638 --> 00:45:09,972 SHE WAS JUST HERE THIS AFTERNOON. 899 00:45:10,074 --> 00:45:12,286 YES, SHE WAS SHYING A LITTLE, YOU KNOW. 900 00:45:12,310 --> 00:45:14,321 SHE WANTS SOME ASSURANCE THAT YOU COULD STAY IN THE SADDLE 901 00:45:14,345 --> 00:45:15,945 AND I SUPPLIED IT. 902 00:45:16,047 --> 00:45:18,213 IS SHE, IN FACT, IN A PUCKER? 903 00:45:18,315 --> 00:45:20,983 AH, SHE, UH... SHE JUST WANTS TO MAKE SURE 904 00:45:21,085 --> 00:45:22,362 YOU'RE NOT GOING TO PULL OUT 905 00:45:22,386 --> 00:45:24,398 AND SHE ASKED ME TO REPORT WHAT YOU SAID. 906 00:45:24,422 --> 00:45:25,988 FLUMMERY. 907 00:45:26,090 --> 00:45:29,324 RIGHT, I'LL TELL HER THAT. 908 00:45:34,566 --> 00:45:36,265 I WAS OFF BY THREE MINUTES. 909 00:45:36,367 --> 00:45:38,801 CRAMER ARRIVED AT 11:05 THE NEXT MORNING. 910 00:45:38,903 --> 00:45:40,981 WHAT'S THE MATTER, YOU BLOCKED? 911 00:45:41,005 --> 00:45:42,771 YES. 912 00:45:42,873 --> 00:45:44,974 OH, THE HELL YOU ARE. 913 00:45:45,076 --> 00:45:48,243 DO YOU DENY THAT THERE IS A DIRECT CONNECTION BETWEEN 914 00:45:48,346 --> 00:45:51,247 GOODWIN SEEING ELLEN TENZER AND THE MURDER? 915 00:45:51,349 --> 00:45:54,517 NO, NOR AFFIRM IT. 916 00:45:54,619 --> 00:45:57,352 I DON'T KNOW, MR. CRAMER, NEITHER DO YOU. 917 00:45:57,455 --> 00:46:00,423 NUTS... YOU CAN ADD JUST AS WELL AS I CAN. 918 00:46:00,525 --> 00:46:03,659 YOU'VE BEEN SPENDING LUCY VALDON'S MONEY LIKE IT'S WATER. 919 00:46:03,761 --> 00:46:06,006 I DON'T KNOW WHAT PANZER, DURKIN AND CATHER ARE DOING 920 00:46:06,030 --> 00:46:07,674 BUT I KNOW WHAT THEY'RE NOT DOING. 921 00:46:07,698 --> 00:46:10,699 THEY'RE NOT INVESTIGATING THE DEATH OF ELLEN TENZER. 922 00:46:10,801 --> 00:46:14,536 THEREFORE, YOU ALREADY KNOW WHO KILLED HER. 923 00:46:14,638 --> 00:46:17,206 AS REASONING, THAT IS ADMIRABLY SPECIOUS. 924 00:46:17,308 --> 00:46:19,242 BUT I GIVE YOU MY WORD, MR. CRAMER, 925 00:46:19,344 --> 00:46:21,677 I HAVEN'T THE SLIGHTEST NOTION WHO KILLED ELLEN TENZER. 926 00:46:21,779 --> 00:46:23,311 YOUR WORD. 927 00:46:23,414 --> 00:46:25,148 MY WORD. 928 00:46:25,249 --> 00:46:27,127 AND WHAT THE HELL ARE GOODWIN AND HIS MONKEYS DOING? 929 00:46:27,151 --> 00:46:29,051 THEY'RE NOT INVESTIGATING A HOMICIDE. 930 00:46:33,424 --> 00:46:36,124 WHAT TIME DID YOU LEAVE LUCY VALDON'S HOUSE LAST NIGHT? 931 00:46:36,226 --> 00:46:38,627 UH, WHAT HAS THAT GOT TO DO 932 00:46:38,729 --> 00:46:40,362 WITH THE PRICE OF EGGS IN REYKJAVIK? 933 00:46:40,464 --> 00:46:44,132 WELL, THE 8-TO-2 MAN SAYS YOU ENTERED AT 9 934 00:46:44,235 --> 00:46:47,203 AND NEVER CAME OUT. 935 00:46:47,305 --> 00:46:51,207 AND MY 2-TO-8 MAN SAYS YOU DIDN'T COME OUT, EITHER. 936 00:46:51,308 --> 00:46:54,710 YOU SPENT THE NIGHT THERE, GOODWIN. 937 00:46:54,812 --> 00:46:56,645 THIS WAS ALL WOLFE NEEDED. 938 00:46:56,747 --> 00:46:59,028 FIRST, A WOMAN PASSES A NOTE TO ME UNDER HIS NOSE 939 00:46:59,083 --> 00:47:02,018 NOW CRAMER WAS TAKING NOTES UNDER MY WINDOW. 940 00:47:02,119 --> 00:47:03,386 UH, WHAT NIGHT? 941 00:47:03,488 --> 00:47:04,920 LAST NIGHT. 942 00:47:05,022 --> 00:47:07,623 OH, UH, ACTUALLY, UH, 943 00:47:07,725 --> 00:47:09,925 MRS. VALDON AND I, WE WERE FEELING SOMEWHAT HIGH 944 00:47:10,027 --> 00:47:12,161 AND WE DECIDED TO GO DANCE ON THE SIDEWALK. 945 00:47:12,263 --> 00:47:14,630 SO, WE WENT OUTSIDE AT ABOUT A QUARTER TO TWO. 946 00:47:14,732 --> 00:47:17,366 ABOUT A QUARTER AFTER TWO, SHE WENT BACK INSIDE. 947 00:47:17,468 --> 00:47:19,212 I LEFT AND BOTH YOUR MEN MISSED ME. 948 00:47:19,236 --> 00:47:20,035 HOW DO YOU LIKE THAT? 949 00:47:20,137 --> 00:47:21,203 YOU'RE A LIAR! 950 00:47:21,305 --> 00:47:22,504 AND YOU'RE PIG-HEADED! 951 00:47:22,606 --> 00:47:24,740 AND I WANT TO KNOW THE REAL REASON WHY MRS. VALDON 952 00:47:24,842 --> 00:47:27,209 IS SPENDING A FORTUNE ON SOME STRAY BABY 953 00:47:27,311 --> 00:47:29,078 AND KEEPING HER LIP BUTTONED ABOUT IT. 954 00:47:29,180 --> 00:47:31,113 AND IF I DON'T GET THE ANSWER FROM YOU, 955 00:47:31,215 --> 00:47:33,616 BY GOD, I'M GONNA GET IT FROM HER. 956 00:47:33,718 --> 00:47:35,151 AFTER ALL THIS? 957 00:47:35,253 --> 00:47:37,686 AFTER I HAVE INDULGED YOU TO THE UTMOST? 958 00:47:37,788 --> 00:47:39,421 YOU DARE MOLEST MY CLIENT? 959 00:47:39,523 --> 00:47:41,334 YOU'RE DAMN RIGHT I WOULD. 960 00:47:41,358 --> 00:47:44,226 I DON'T CARE WHAT HER NAME IS. 961 00:47:54,572 --> 00:47:57,439 CRAMER'S BARK WAS WORSE THAN THE D.A.'S BITE. 962 00:47:57,542 --> 00:47:59,808 THEY ONLY KEPT LUCY DOWNTOWN FOR FOUR HOURS 963 00:47:59,910 --> 00:48:01,621 BUT, FOR AN ARMSTEAD, THAT WAS ENOUGH 964 00:48:01,645 --> 00:48:04,647 AND SHE WENT TO RECOVER AT HER COUNTRY COTTAGE. 965 00:48:04,749 --> 00:48:07,215 SHE TOOK HER BABY, THE NURSE, 966 00:48:07,317 --> 00:48:10,018 THE MAID AND THE COOK... 967 00:48:10,121 --> 00:48:11,620 AND ME. 968 00:48:19,931 --> 00:48:21,811 IT WAS A MODEST LITTLE COTTAGE 969 00:48:21,900 --> 00:48:24,060 WITH JUST ENOUGH ROOM FOR THE RUSSIAN ARMY. 970 00:48:57,634 --> 00:48:59,534 WON'T MR. WOLFE OBJECT TO YOU 971 00:48:59,637 --> 00:49:01,681 BEING HERE WITH ME, THE CLIENT? 972 00:49:01,705 --> 00:49:03,205 YES, BUT HE CAN'T FIRE ME. 973 00:49:03,307 --> 00:49:05,073 WHY NOT? 974 00:49:05,175 --> 00:49:06,275 BECAUSE, IF I WASN'T AROUND 975 00:49:06,377 --> 00:49:08,289 HE'D BE SLEEPING UNDER A BRIDGE AND EATING SCRAPS. 976 00:49:08,313 --> 00:49:12,214 HE HATES TO WORK AND HALF MY SALARY COMES FROM POKING HIM. 977 00:49:12,316 --> 00:49:13,682 SOUNDS DANGEROUS. 978 00:49:13,784 --> 00:49:16,284 YEAH, SEE, WHEN I POKE HARD, HE ASKS FOR SUGGESTIONS 979 00:49:16,386 --> 00:49:19,355 THEN AVOIDS WORK BY DISMISSING MY IDEAS. 980 00:49:19,457 --> 00:49:23,592 SO, MY STRATEGY THIS WEEKEND, 981 00:49:23,694 --> 00:49:25,194 WAS TO PROD HIM ALONG 982 00:49:25,295 --> 00:49:28,230 AND MAKE MYSELF UNAVAILABLE FOR HIM TO SCOWL AT. 983 00:49:28,332 --> 00:49:29,898 YOU THINK IT'LL WORK? 984 00:49:30,001 --> 00:49:32,268 I WILL SEE IN A FEW HOURS. 985 00:49:34,539 --> 00:49:36,072 GOOD MORNING... GOOD MORNING! 986 00:49:36,174 --> 00:49:37,873 AW, YOU SHOULD HAVE JOINED US THIS WEEKEND. 987 00:49:37,975 --> 00:49:39,041 WHAT A WEEKEND! 988 00:49:39,143 --> 00:49:40,876 TRAMPING THE MOORS, THE FRESH AIR, 989 00:49:40,978 --> 00:49:43,979 THE LATE-NIGHT FIRES CRACKLING AS THEY WERE. 990 00:49:44,081 --> 00:49:45,114 THE BEAUTIFUL... 991 00:49:45,216 --> 00:49:46,916 GET YOUR NOTEBOOK! 992 00:49:50,154 --> 00:49:52,888 THUS STARTED THE SECOND STAGE OF THE MOTHER HUNT. 993 00:49:52,991 --> 00:49:55,824 AND IT WAS ELABORATE, EVEN BY WOLFE'S STANDARDS. 994 00:49:55,926 --> 00:49:57,592 BUT I DON'T WANNA GO BACK TO TOWN. 995 00:49:57,695 --> 00:50:00,862 IT'S NOT SO MUCH THE GOING BACK I OBJECT TO, 996 00:50:00,964 --> 00:50:03,499 IT'S PUBLICITY... PERIOD. 997 00:50:03,601 --> 00:50:05,134 I'M AN ARM... 998 00:50:05,236 --> 00:50:07,013 YOU'RE AN ARMSTEAD, YOU'RE AN ARMSTEAD, YES, YES, I KNOW. 999 00:50:07,037 --> 00:50:08,782 BUT I THOUGHT YOU WERE TIRED OF BEING AN ARMSTEAD 1000 00:50:08,806 --> 00:50:10,250 AND THAT'S WHY YOU'VE TAKEN UP WITH 1001 00:50:10,274 --> 00:50:12,074 A RAFFISH CHARACTER LIKE ME. 1002 00:50:12,176 --> 00:50:13,309 TRUE. 1003 00:50:13,411 --> 00:50:14,977 YES, TRUE, SO? 1004 00:50:17,148 --> 00:50:18,413 OHH, ALL RIGHT. 1005 00:50:18,516 --> 00:50:20,360 ALL RIGHT, GREAT, NOW, I AM GOING TO SEE YOU TOMORROW 1006 00:50:20,384 --> 00:50:22,262 AND I'M GONNA GO PLANT A STORY NOW. 1007 00:50:22,286 --> 00:50:24,786 ALL RIGHT, SEE IT, THE SUNDAY FEATURE 1008 00:50:24,888 --> 00:50:27,389 WITH A GOOD, WHOLESOME TITLE, "WOMEN LIKE BABIES" 1009 00:50:27,491 --> 00:50:28,723 MOSTLY PICTURES. 1010 00:50:28,825 --> 00:50:30,837 WHAT TEXT THERE IS, WILL TALK ABOUT HOW LUCY VALDON, 1011 00:50:30,861 --> 00:50:32,939 THE BEAUTIFUL WIDOW TO RICHARD VALDON, FAMOUS AUTHOR, 1012 00:50:32,963 --> 00:50:35,175 HAS TAKEN A BABY INTO HER LUXURIOUS HOME. 1013 00:50:35,199 --> 00:50:37,966 HOW SHE'S HIRED A NURSE WHO'S SO DEVOTED TO THE LITTLE LAMBKIN 1014 00:50:38,068 --> 00:50:39,713 SHE TAKES IT OUT TO WASHINGTON SQUARE PARK 1015 00:50:39,737 --> 00:50:42,371 EVERY MORNING AT 8:30 TO ENJOY THE BEAUTIES OF NATURE. 1016 00:50:42,473 --> 00:50:43,605 LAMBKIN? 1017 00:50:43,707 --> 00:50:45,552 AH, ANGEL PIE, SHMOOKIE... I'M NOT WRITING IT, YOU ARE. 1018 00:50:45,576 --> 00:50:47,387 GOODWIN, YOU'VE GOT THE NERVE OF A ONE-LEGGED MAN 1019 00:50:47,411 --> 00:50:48,822 AT AN ASS-KICKING CONTEST... GET OUT OF HERE. 1020 00:50:48,846 --> 00:50:50,557 THAT'S NOT ONLY VULGAR, IT'S IRRELEVANT. 1021 00:50:50,581 --> 00:50:52,326 ELLEN TENZER WAS MURDERED BECAUSE OF THAT BABY. 1022 00:50:52,350 --> 00:50:54,049 YOU WANT US TO PUT A SPOTLIGHT ON THAT? 1023 00:50:54,152 --> 00:50:55,417 NEXT DAY THE BABY'S SNATCHED 1024 00:50:55,519 --> 00:50:57,653 AND THEN THE GAZETTE GETS BLAMED FOR IT, PASS-ADENA. 1025 00:50:57,755 --> 00:50:59,767 DID I MENTION TO YOU THAT THE NURSE WILL BE A DETECTIVE? 1026 00:50:59,791 --> 00:51:02,257 THAT'S RIGHT, SALLY CORBETT, THE BEST FEMALE OP AROUND 1027 00:51:02,359 --> 00:51:04,504 ASIDE FROM DOL BONNER, AND THAT FRED DURKIN 1028 00:51:04,528 --> 00:51:06,840 SAUL PANZER AND ORRIE CATHER WILL BE WATCHING HER BACK. 1029 00:51:06,864 --> 00:51:08,363 OH. 1030 00:51:08,466 --> 00:51:09,597 WHO KILLED ELLEN TENZER? 1031 00:51:09,700 --> 00:51:12,267 THAT'S WHY WE'RE DOING THIS, THAT'S THE BEAUTY OF THIS. 1032 00:51:12,370 --> 00:51:14,136 AH. 1033 00:51:16,407 --> 00:51:19,708 ALL RIGHT, THE PICTURE... 1034 00:51:21,612 --> 00:51:23,624 I'M TALKING TO SOMEBODY, CAN YOU WAIT A MINUTE? 1035 00:51:23,648 --> 00:51:25,425 THE PICTURE DEADLINE FOR SUNDAY IS THURSDAY, 6:00. 1036 00:51:25,449 --> 00:51:26,693 WHAT DO YOU OWE ME? DINNER. 1037 00:51:26,717 --> 00:51:27,750 WHAT DO YOU OWE ME? 1038 00:51:27,852 --> 00:51:29,196 AN EXCLUSIVE! GET OUT OF HERE. 1039 00:51:29,220 --> 00:51:30,619 WHAT DO YOU WANT? 1040 00:51:33,324 --> 00:51:35,002 I SPENT THE NEXT DAY OF THE MOTHER HUNT 1041 00:51:35,026 --> 00:51:36,091 WITH SALLY CORBETT, 1042 00:51:36,193 --> 00:51:37,537 WHO HAD MADE IT NECESSARY FOR ME 1043 00:51:37,561 --> 00:51:40,462 TO REVISE MY PREJUDICE AGAINST FEMALE OPS. 1044 00:51:40,565 --> 00:51:41,997 AND I HELD IT AGAINST HER 1045 00:51:42,099 --> 00:51:43,743 LIKE WOLFE HELD IT AGAINST JANE AUSTEN 1046 00:51:43,767 --> 00:51:45,734 FOR PROVING WOMEN COULD WRITE. 1047 00:51:45,836 --> 00:51:47,814 DID YOU EVER FIND MY HAT? 1048 00:51:47,838 --> 00:51:50,005 I DON'T REMEMBER YOU IN A HAT. 1049 00:51:58,248 --> 00:51:59,615 OH, HERE WE GO. 1050 00:51:59,716 --> 00:52:02,117 I TRIED THE FISH-EYE LENS BUT THE APERTURE IS TOO BIG. 1051 00:52:02,219 --> 00:52:03,363 SO I'M TRYING THE 16 MILLIMETER, 1052 00:52:03,387 --> 00:52:05,232 BUT I'M CONCERNED ABOUT THE DISTORTION. 1053 00:52:05,256 --> 00:52:06,655 HUH. 1054 00:52:06,757 --> 00:52:09,102 THE REMOTE CABLE SHUTTER RELEASE WORKS LIKE A CHARM. 1055 00:52:09,126 --> 00:52:11,693 YES, YOU KNOW, YOU SAY THE MOST POETIC THINGS. 1056 00:52:11,796 --> 00:52:14,296 HOW LONG BEFORE YOU'RE READY FOR THE SHOOT? 1057 00:52:14,398 --> 00:52:16,598 JUST GOT TO GET GLAMOROUS FIRST. 1058 00:52:24,942 --> 00:52:26,875 "WOMEN LOVE BABIES". 1059 00:52:26,978 --> 00:52:28,922 AH, IT'S A MATTER OF TASTE, I THINK. 1060 00:52:28,946 --> 00:52:31,058 I WOULD HAVE PREFERRED, "WOMEN LIKE BABIES". 1061 00:52:31,082 --> 00:52:32,848 A LITTLE MORE SUBTLE. 1062 00:52:32,950 --> 00:52:34,994 AH, HAVE A LOOK AT THAT. 1063 00:52:35,018 --> 00:52:38,387 OH, DEAR, LUCY ARMSTEAD IN THE GAZETTE. 1064 00:52:38,489 --> 00:52:39,688 SHOCKING. 1065 00:52:39,790 --> 00:52:41,668 I'VE ALREADY HAD CALLS FROM THREE OF MY FRIENDS, 1066 00:52:41,692 --> 00:52:44,012 UNCLE WIMMIE AND MY SISTER IN BOSTON. 1067 00:52:44,095 --> 00:52:45,194 UNCLE WIMMIE? 1068 00:52:45,296 --> 00:52:47,708 OH, YES, HE'S A LITTLE TOUCHED IN THE HEAD. 1069 00:52:47,732 --> 00:52:50,999 GREAT STORYTELLER, THOUGH, HA-HA. 1070 00:52:51,101 --> 00:52:53,068 UM, CROISSANT? 1071 00:52:53,170 --> 00:52:54,870 AH, YEAH. YES, AHEM. 1072 00:52:54,972 --> 00:52:58,006 TAMARA, DON'T YOU HAVE DIAPERS TO WASH OR SOMETHING? 1073 00:53:03,680 --> 00:53:04,791 WITH THE TEDDY BEAR WIRED 1074 00:53:04,815 --> 00:53:06,793 AND SALLY MADE TO LOOK LIKE A NURSE, 1075 00:53:06,817 --> 00:53:09,651 WE WERE READY FOR ANYONE WHO WANTED TO LOOK AT THE BABY. 1076 00:53:15,726 --> 00:53:18,046 WHAT THEY DIDN'T KNOW WAS THAT WE WERE LOOKING BACK, 1077 00:53:18,128 --> 00:53:20,088 HOPING ONE OF THEM WAS THE MOTHER. 1078 00:53:52,663 --> 00:53:55,597 HELLO, LITTLE SOLDIER, HOW ARE YOU? 1079 00:54:19,022 --> 00:54:21,756 THE, UH, CAMERA IS CONCEALED IN THE TEDDY BEAR, 1080 00:54:21,859 --> 00:54:23,425 YOU SEE THE EYE? 1081 00:54:23,527 --> 00:54:24,393 YES. 1082 00:54:24,495 --> 00:54:25,495 IT'S A LENS. 1083 00:54:25,562 --> 00:54:27,340 YES, IT'S, UH, REMOTE CONTROL. 1084 00:54:27,364 --> 00:54:28,397 YES. 1085 00:54:28,498 --> 00:54:30,398 I GOT THE FOCUSING DOWN PAT YESTERDAY. 1086 00:54:30,500 --> 00:54:32,801 ANYONE LOOKING AT THE BABY FROM SIX YARDS OR LESS 1087 00:54:32,903 --> 00:54:34,703 IS GONNA GET SHOT IN FOCUS. 1088 00:54:34,805 --> 00:54:37,372 I TRIED THE 16-MILLIMETER LENS BUT BECAUSE OF THE DISTOR... 1089 00:54:37,475 --> 00:54:39,952 MADAM, IF YOU WOULD FOCUS! 1090 00:54:39,976 --> 00:54:42,644 DID MRS. VALDON RECOGNIZE ANY OF THESE? 1091 00:54:42,747 --> 00:54:44,880 UH, NO, WE'RE WAITING FOR REPORTS 1092 00:54:44,981 --> 00:54:46,849 FROM HER HUSBAND'S FRIENDS. 1093 00:54:46,951 --> 00:54:50,152 HOW MUCH DID THIS CONTRAPTION COST ME? 1094 00:54:50,254 --> 00:54:53,822 OH, 3,000, BETWEEN 3 AND 4,000. 1095 00:54:53,924 --> 00:54:56,224 UH, THE BEAUTY OF THIS TEDDY BEAR 1096 00:54:56,326 --> 00:54:58,727 IS THAT IT COULD HAVE BEEN THE RIGHT EYE 1097 00:54:58,829 --> 00:55:01,196 BUT SALLY FIGURED THAT IF IT WAS THE LEFT EYE 1098 00:55:01,298 --> 00:55:03,532 BECAUSE PEOPLE TEND TO KINDA LOOK INTO A BABY, 1099 00:55:03,633 --> 00:55:04,833 YOU KNOW, LIKE THAT. 1100 00:55:04,935 --> 00:55:07,602 THAT'S RIDICULOUS. 1101 00:55:11,107 --> 00:55:13,708 THE TEDDY BEAR PICTURES WERE SHIPPED TO DICK'S THREE FRIENDS, 1102 00:55:13,810 --> 00:55:15,377 JULIAN, WILLIS AND LEO, 1103 00:55:15,479 --> 00:55:17,880 TO SEE IF THEY COULD SPOT ONE OF HIS PLAYMATES. 1104 00:55:21,352 --> 00:55:22,917 NO. 1105 00:55:33,630 --> 00:55:35,508 Don't recognize any of them. 1106 00:55:35,532 --> 00:55:37,031 NOPE, NOT A ONE. 1107 00:55:37,133 --> 00:55:38,967 LET'S HOPE TODAY'S CROP IS BETTER. 1108 00:55:49,647 --> 00:55:51,647 TODAY'S CROP WAS A LOT BETTER. 1109 00:55:51,749 --> 00:55:52,869 A WOMAN ARRIVED IN A CAB 1110 00:55:52,950 --> 00:55:55,883 AND SEEMED TO KNOW EXACTLY WHY SHE WAS THERE. 1111 00:56:53,543 --> 00:56:55,911 W... WAIT, SHE TOOK A CAB THERE TO SEE THE BABY? 1112 00:56:56,013 --> 00:56:57,579 WELL, LET'S GO FIND THE HACKIE. 1113 00:56:57,681 --> 00:57:00,948 IF YOU CANNOT ABIDE ONION, 1114 00:57:01,051 --> 00:57:03,129 YOU MUST HAVE SOMETHING TO CUT THE OIL. 1115 00:57:03,153 --> 00:57:04,419 PARSLEY. 1116 00:57:04,522 --> 00:57:06,088 HMM. 1117 00:57:06,190 --> 00:57:07,667 SORREL. AH! 1118 00:57:07,691 --> 00:57:08,823 CONGRATULATIONS. 1119 00:57:08,926 --> 00:57:10,903 YOUR THEORY THAT A WOMAN WHO HAD A BABY SIX MONTHS AGO 1120 00:57:10,927 --> 00:57:12,104 MIGHT WANNA SEE WHAT IT LOOKS LIKE NOW... 1121 00:57:12,128 --> 00:57:14,696 IT WAS SOUND, TWO TO ONE, WE HAVE HOOKED THE MOTHER. 1122 00:57:14,798 --> 00:57:16,431 AH, SATISFACTORY. 1123 00:57:16,533 --> 00:57:17,966 HOW MANY LEAVES? 1124 00:57:18,068 --> 00:57:20,146 I WOULD THINK ABOUT ONE PER SERVING. 1125 00:57:20,170 --> 00:57:21,669 ONE? 1126 00:57:21,771 --> 00:57:23,371 MONDAY MORNING'S CROP 1127 00:57:23,473 --> 00:57:25,707 WAS THREE ROLLS, 26 EXPOSURES ALTOGETHER 1128 00:57:25,809 --> 00:57:28,777 AND ONE OF THEM WAS WORTH ITS WEIGHT IN RUBIES. 1129 00:57:32,449 --> 00:57:34,315 THAT'S HER. 1130 00:57:34,417 --> 00:57:38,887 NOW, IF I MAY, I'M GOING TO TAKE THAT TO MRS. VALDON 1131 00:57:38,989 --> 00:57:40,722 SEE IF SHE KNOWS HER. 1132 00:57:40,824 --> 00:57:41,968 YOU CAN REACH ME AT HER NUMBER. 1133 00:57:41,992 --> 00:57:44,893 AND YOU ARE TO STAY OUT OF MY DESK. 1134 00:57:48,098 --> 00:57:50,043 AFTER THE STRAIN OF APPEARING IN THE PRESS, 1135 00:57:50,067 --> 00:57:51,377 I THOUGHT IT WOULD CHEER THE CLIENT UP 1136 00:57:51,401 --> 00:57:54,002 TO KNOW THE MOTHER HUNT MIGHT BE OVER. 1137 00:57:54,104 --> 00:57:58,040 CAROL MARDUS... I SHOULD HAVE KNOWN. 1138 00:57:58,142 --> 00:58:00,586 I HAVEN'T SEEN YOU BEATEN 'TIL NOW. 1139 00:58:00,610 --> 00:58:03,812 DICK SAID IT WAS ALL IN THE PAST. 1140 00:58:03,914 --> 00:58:09,017 BUT, WHEN THEY WERE TOGETHER, YOU COULD STILL SEE IT. 1141 00:58:09,119 --> 00:58:14,456 SHE AND DICK... THEY WEREN'T TAME. 1142 00:58:14,558 --> 00:58:17,625 YEAH, BUT IT ENDED. 1143 00:58:17,727 --> 00:58:19,694 YES. 1144 00:58:19,796 --> 00:58:23,031 BUT WHEN SHE GOT MANNY UPTON TO TAKE DICK'S STORIES, 1145 00:58:23,133 --> 00:58:24,911 MANNY MADE HER A FICTION EDITOR 1146 00:58:24,935 --> 00:58:26,634 AND SHE WAS WITH MANNY. 1147 00:58:26,736 --> 00:58:29,017 SHE LEFT MANNY TO MARRY WILLIS KRUG. 1148 00:58:29,072 --> 00:58:31,272 WELL, THAT DIDN'T LAST EITHER. 1149 00:58:36,446 --> 00:58:41,083 NOW... SHE WASN'T ON YOUR LIST. 1150 00:58:41,185 --> 00:58:45,153 WELL, I DIDN'T THINK OF HER, I MEAN, NOT WITH A BABY. 1151 00:58:45,255 --> 00:58:47,266 SHE TOLD ME WHEN SHE WAS MARRIED TO WILLIS 1152 00:58:47,290 --> 00:58:49,602 THAT SHE GOT PREGNANT AND GOT RID OF IT. 1153 00:58:49,626 --> 00:58:51,125 MM-HMM. 1154 00:58:51,228 --> 00:58:54,162 NOW, IF SHE DIDN'T WANT A BABY, WHY WOULD SHE... 1155 00:58:54,265 --> 00:58:56,364 BECAUSE IT WAS DICK'S. 1156 00:59:00,303 --> 00:59:02,584 OH, I AM BEAT, ARCHIE. 1157 00:59:04,374 --> 00:59:06,408 CAROL MARDUS, HMM. 1158 00:59:32,736 --> 00:59:36,071 NO... NO. 1159 00:59:36,173 --> 00:59:39,808 NO. 1160 00:59:39,910 --> 00:59:43,011 UH... NO. 1161 00:59:43,113 --> 00:59:44,946 CAROL MARDUS WAS ABSENT FROM HER JOB 1162 00:59:45,048 --> 00:59:47,048 AT THE DISTAFF FOR NEARLY SIX MONTHS LAST YEAR 1163 00:59:47,150 --> 00:59:49,384 ON VACATION IN SARASOTA, FLORIDA. 1164 00:59:51,288 --> 00:59:53,566 NERO WOLFE'S OFFICE, ARCHIE GOODWIN SPEAKING. 1165 00:59:53,590 --> 00:59:55,190 YES. 1166 00:59:57,360 --> 00:59:59,161 ARE YOU SURE? 1167 00:59:59,263 --> 01:00:01,303 WELL, ALL RIGHTY, THANK YOU VERY MUCH. 1168 01:00:01,331 --> 01:00:03,865 WELL, KRUG JUST MADE IT UNANIMOUS. 1169 01:00:03,967 --> 01:00:06,435 DESPITE THE FACT THAT ALL THEM KNEW CAROL MARDUS, 1170 01:00:06,537 --> 01:00:08,348 NONE OF THEM COULD PICK HER OUT OF A PILE. 1171 01:00:08,372 --> 01:00:10,571 SHE MUST INSPIRE EITHER GREAT FEAR 1172 01:00:10,674 --> 01:00:12,274 OR THE INSTINCT TO PROTECT. 1173 01:00:12,376 --> 01:00:14,642 I THINK SHE'S JUST GOT HER HOOKS IN DEEP. 1174 01:00:14,744 --> 01:00:16,077 CONTINUE, SAUL. 1175 01:00:16,179 --> 01:00:19,781 ON JUNE 16th, SHE WAS ADMITTED TO SARASOTA GENERAL HOSPITAL 1176 01:00:19,883 --> 01:00:22,083 UNDER THE NAME OF CLARA WALDRON. 1177 01:00:22,185 --> 01:00:24,452 GAVE BIRTH TO A BABY BOY. 1178 01:00:24,555 --> 01:00:26,554 SATISFACTORY. 1179 01:00:26,657 --> 01:00:28,557 SO? 1180 01:00:28,659 --> 01:00:30,503 THAT'S THE END OF THE MOTHER HUNT. 1181 01:00:30,527 --> 01:00:31,893 NO, IT IS NOT. 1182 01:00:31,995 --> 01:00:33,862 IT COULD BE, BUT NOT FOR THAT WOMAN. 1183 01:00:33,964 --> 01:00:36,898 THAT DEAD ONE, THE ONE WHO GAVE YOU A DRINK OF WATER. 1184 01:00:37,000 --> 01:00:38,878 WELL, IF CAROL MARDUS IS THE MOTHER 1185 01:00:38,902 --> 01:00:40,902 THEN SHE EITHER KILLED HER, 1186 01:00:41,004 --> 01:00:43,171 OR KNOWS WHO DID. 1187 01:00:43,273 --> 01:00:46,975 HOW MUCH OF MRS. VALDON'S MONEY HAVE WE SPENT ALREADY? 1188 01:00:47,077 --> 01:00:48,877 AROUND 14 GRAND. 1189 01:00:48,979 --> 01:00:50,912 PHOOEY. 1190 01:00:51,015 --> 01:00:52,714 YOU WILL SEE CAROL MARDUS. 1191 01:00:52,816 --> 01:00:54,649 I WON'T, NO, YOU WILL. 1192 01:00:54,751 --> 01:00:56,830 I'VE SEEN ELLEN TENZER, I'VE SEEN ANNE TENZER. 1193 01:00:56,854 --> 01:01:00,122 AND I'VE SEEN MRS. VALDON 20 TIMES TO YOUR ONE. 1194 01:01:00,224 --> 01:01:02,257 YES, YOU HAVE. 1195 01:01:04,094 --> 01:01:06,194 UH, NERO WOLFE'S OFFICE, ARCHIE GOODWIN SPEAKING. 1196 01:01:06,296 --> 01:01:07,674 You're Archie Goodwin? 1197 01:01:07,698 --> 01:01:08,730 RIGHT. 1198 01:01:08,832 --> 01:01:11,266 You may have heard my name, Carol Mardus. 1199 01:01:11,368 --> 01:01:13,535 CAROL MARDUS. 1200 01:01:13,636 --> 01:01:15,670 YES, I HAVE HEARD YOUR NAME. 1201 01:01:18,408 --> 01:01:20,420 WHEN THE DOORBELL RANG LATER THAT DAY, 1202 01:01:20,444 --> 01:01:22,678 I FINALLY SAW THE MOTHER IN THE FLESH. 1203 01:01:22,780 --> 01:01:24,079 AND MY FIRST IMPRESSION WAS 1204 01:01:24,181 --> 01:01:26,326 THAT IF RICHARD VALDON PLAYED MARBLES WITH THIS 1205 01:01:26,350 --> 01:01:30,485 WHEN HE HAD LUCY, HE WAS CUCKOO. 1206 01:01:30,587 --> 01:01:33,755 I UNDERSTAND INQUIRIES ARE BEING MADE ABOUT ME. 1207 01:01:33,857 --> 01:01:36,524 HERE IN NEW YORK AND ALSO IN FLORIDA. 1208 01:01:36,626 --> 01:01:38,960 IT GRATIFIES ME TO MEET YOU, MADAM. 1209 01:01:39,062 --> 01:01:40,829 I HAVE BEEN SEEKING YOU FOR SIX WEEKS. 1210 01:01:40,931 --> 01:01:42,108 I'M IN THE PHONE BOOK. 1211 01:01:42,132 --> 01:01:44,232 I... I DIDN'T KNOW THAT. 1212 01:01:44,334 --> 01:01:46,701 YOU WENT TO A GREAT DEAL OF TROUBLE 1213 01:01:46,803 --> 01:01:48,336 TO KEEP THIS BABY... 1214 01:01:48,438 --> 01:01:49,671 BABY? 1215 01:01:49,773 --> 01:01:51,372 WHAT BABY? 1216 01:01:51,474 --> 01:01:53,207 ARCHIE, THE PICTURE. 1217 01:01:59,683 --> 01:02:00,782 WHAT IS THIS? 1218 01:02:00,884 --> 01:02:02,884 THERE WERE CAMERAS ATTACHED TO THE BABY CARRIAGE 1219 01:02:02,986 --> 01:02:05,086 IN WASHINGTON SQUARE PARK. 1220 01:02:10,060 --> 01:02:13,494 ON JUNE 16th, UNDER THE NAME OF CLARA WALDRON, 1221 01:02:13,596 --> 01:02:16,097 YOU GAVE BIRTH TO A CHILD AT SARASOTA GENERAL HOSPITAL. 1222 01:02:16,199 --> 01:02:18,799 MY GOD, SO THAT'S WHY SHE DID THAT. 1223 01:02:18,901 --> 01:02:20,946 I KNEW SHE COULDN'T HAVE THOUGHT OF IT HERSELF. 1224 01:02:20,970 --> 01:02:22,170 YOU DID IT. 1225 01:02:22,272 --> 01:02:23,571 NO, I SUGGESTED IT. 1226 01:02:23,673 --> 01:02:25,073 DO YOU KNOW MR. LEO BINGHAM? 1227 01:02:25,175 --> 01:02:26,073 YOU KNOW I DO. 1228 01:02:26,175 --> 01:02:27,342 DO YOU KNOW MR. JULIAN HAFT? 1229 01:02:27,444 --> 01:02:28,509 YES. 1230 01:02:28,612 --> 01:02:30,712 AND YOU KNOW WILLIS KRUG, YOU WERE MARRIED TO HIM. 1231 01:02:30,814 --> 01:02:33,414 WE SHOWED THESE THREE GENTLEMEN THOSE PHOTOGRAPHS. 1232 01:02:33,516 --> 01:02:36,084 NONE OF THEM IDENTIFIED YOU. 1233 01:02:36,186 --> 01:02:38,153 IS ONE OF THEM THE FATHER OF YOUR BABY? 1234 01:02:38,255 --> 01:02:40,088 HMM-HMM, NO. 1235 01:02:40,190 --> 01:02:43,424 IS MR. RICHARD VALDON THE FATHER OF THIS CHILD? 1236 01:02:43,526 --> 01:02:45,293 WILL YOU ANSWER ME, MADAM? 1237 01:02:45,395 --> 01:02:46,395 NO. 1238 01:02:46,429 --> 01:02:48,196 I ADVISE YOU TO. 1239 01:02:48,298 --> 01:02:50,098 FURTHER INQUIRIES WILL REVEAL 1240 01:02:50,200 --> 01:02:54,102 YOUR RENEWED INTIMACIES WITH HIM LAST YEAR. 1241 01:02:54,204 --> 01:02:55,648 DID YOU LEAVE THE BABY IN THE VESTIBULE 1242 01:02:55,672 --> 01:02:58,239 AT MRS. VALDON'S HOUSE ON 11th STREET? 1243 01:02:58,341 --> 01:02:59,507 WILL YOU ANSWER, MADAM? 1244 01:02:59,609 --> 01:03:00,642 NO. 1245 01:03:00,744 --> 01:03:02,544 WHERE WERE YOU ON THE EVENING OF MAY 20th? 1246 01:03:02,646 --> 01:03:03,789 NONE OF YOUR BUSINESS. 1247 01:03:03,813 --> 01:03:06,614 WHERE WERE YOU THE NIGHT ELLEN TENZER WAS KILLED? 1248 01:03:11,655 --> 01:03:14,589 WELL, THAT LAST QUESTION WAS A LITTLE, UM, DIRECT. 1249 01:03:14,691 --> 01:03:17,211 IF SHE IS THE KILLER, THEN IT WAS WELL TO INFORM HER 1250 01:03:17,260 --> 01:03:19,620 THAT WE HAVE CONNECTED THE BABY TO ELLEN TENZER. 1251 01:03:19,696 --> 01:03:21,096 YEAH, AND IT'S WELL TO REMEMBER 1252 01:03:21,198 --> 01:03:23,565 THAT IF CRAMER CONNECTS ELLEN TENZER TO CAROL MARDUS, 1253 01:03:23,667 --> 01:03:25,599 WE LOSE OUR LICENSES. 1254 01:03:25,701 --> 01:03:28,870 TAKE MRS. VALDON TO THE COUNTRY. 1255 01:03:28,972 --> 01:03:30,183 IF YOU'RE ANCHORED HERE, 1256 01:03:30,207 --> 01:03:32,452 YOU'LL BADGER ME AND WE'LL SQUABBLE. 1257 01:03:32,476 --> 01:03:34,142 BUT COME BACK THIS EVENING. 1258 01:03:34,244 --> 01:03:36,204 WHAT ABOUT CHECKING ON CAROL MARDUS FOR MAY 20th? 1259 01:03:36,280 --> 01:03:37,345 NO! 1260 01:03:37,447 --> 01:03:39,280 A JACKASS COULD DO THAT! 1261 01:03:39,382 --> 01:03:41,260 HAVE I NO IMAGINATION? 1262 01:03:41,284 --> 01:03:44,986 AM I A... A DOLT? HAVE I NO WIT? 1263 01:03:47,491 --> 01:03:48,689 I'M NOT AFRAID OF HEIGHTS 1264 01:03:48,792 --> 01:03:50,224 AND, AS YOU KNOW, I LOVE ELEPHANTS. 1265 01:03:50,326 --> 01:03:51,326 WE'RE GLIDING ALONG 1266 01:03:51,428 --> 01:03:53,528 AT ABOUT THREE FEET ON THIS BEAUTIFUL SAVANNA, 1267 01:03:53,630 --> 01:03:55,330 THAT'S WHAT THEY CALL THEM, A SAVANNA. 1268 01:03:55,431 --> 01:03:57,431 WHAT ELSE DID CAROL SAY? 1269 01:03:57,534 --> 01:03:59,134 HUH? CAROL MARDUS. 1270 01:03:59,236 --> 01:04:02,203 I'VE GIVEN IT TO YOU, WORD FOR WORD, TWICE. 1271 01:04:02,306 --> 01:04:05,273 OKAY, SO, WE'RE ON THE SAVANNA 1272 01:04:05,375 --> 01:04:07,475 AND WE'RE HOVERING ABOUT THREE FEET OVER IT 1273 01:04:07,577 --> 01:04:09,177 AND THERE'S THIS HERD, SEE, OF ELEPHANTS 1274 01:04:09,279 --> 01:04:10,377 AND THEY CAN RUN VERY FAST, 1275 01:04:10,480 --> 01:04:12,560 NOT AS FAST AS RHINOS, BUT THEY CAN RUN VERY, VERY... 1276 01:04:12,649 --> 01:04:13,949 WHAT WAS SHE WEARING? 1277 01:04:14,050 --> 01:04:15,395 WHAT WAS SHE WEARING? YES. 1278 01:04:15,419 --> 01:04:17,118 DOES THAT HAVE SOME BEARING ON THE QUESTION 1279 01:04:17,220 --> 01:04:19,621 OF WHETHER RICHARD VALDON IS THE FATHER? 1280 01:04:19,722 --> 01:04:21,156 I JUST... 1281 01:04:21,258 --> 01:04:22,357 YOU JUST WHAT? 1282 01:04:22,459 --> 01:04:24,437 I JUST WANTED TO KNOW WHAT YOU THOUGHT OF HER. 1283 01:04:24,461 --> 01:04:26,661 YOU MEAN, DID I FIND HER ATTRACTIVE? 1284 01:04:26,763 --> 01:04:28,563 NO... 1285 01:04:28,665 --> 01:04:30,143 OKAY, SO THERE WE WERE ON THE SAVANNA. 1286 01:04:30,167 --> 01:04:32,500 NOW, RHINOCEROSES, THEY'RE VERY FAST... 1287 01:04:32,603 --> 01:04:33,646 DID YOU? 1288 01:04:33,670 --> 01:04:35,069 DID I WHAT? 1289 01:04:35,171 --> 01:04:37,739 DID I FIND HER ATTRACTIVE? 1290 01:04:37,841 --> 01:04:39,686 DID YOU FIND HER ATTRACTIVE? 1291 01:04:39,710 --> 01:04:41,976 NO... I DON'T WANNA KNOW. 1292 01:04:42,078 --> 01:04:44,512 PLEASE GO ON WITH THE STORY. 1293 01:04:44,614 --> 01:04:46,447 OKAY, SO WE'RE ON THE SAVANNA, YOU KNOW, 1294 01:04:46,550 --> 01:04:49,316 WE'RE KIND OF TRAVELING AROUND, HOVERING AND EVERYTHING... 1295 01:04:49,418 --> 01:04:50,897 I LET IT SLIDE. 1296 01:04:50,921 --> 01:04:54,289 NO MAN WITH ANY SENSE ASSUMES THAT A WOMAN'S WORDS MEAN TO HER 1297 01:04:54,391 --> 01:04:56,524 EXACTLY WHAT THEY MEAN TO HIM. 1298 01:05:01,732 --> 01:05:03,798 NO WORD FROM UPSTAIRS? 1299 01:05:03,901 --> 01:05:05,333 NO, ARCHIE. 1300 01:05:05,435 --> 01:05:07,246 I GUESS I'M GONNA HAVE TO POKE... 1301 01:05:13,943 --> 01:05:15,442 NERO WOLFE'S KITCHEN. 1302 01:05:15,545 --> 01:05:17,257 ARCHIE, IT'S SAUL, ARE YOU LISTENING TO THE RADIO? 1303 01:05:17,281 --> 01:05:19,614 UH, THE RADIO? NO, NO, I WAS BROODING. 1304 01:05:19,716 --> 01:05:21,482 THEN I'M BAD NEWS. 1305 01:05:31,595 --> 01:05:33,328 AHEM. YES. 1306 01:05:33,430 --> 01:05:36,898 UH, YEAH, SAUL JUST PHONED WITH AN ITEM FROM THE 8:30 NEWS. 1307 01:05:37,000 --> 01:05:40,301 THE BODY OF CAROL MARDUS WAS FOUND IN AN ALLEY BY A COP. 1308 01:05:40,403 --> 01:05:42,170 STRANGLED WITH A CORD AROUND HER NECK, 1309 01:05:42,272 --> 01:05:45,673 JUST LIKE AUNT ELLEN. 1310 01:05:45,775 --> 01:05:47,775 NO! 1311 01:05:49,078 --> 01:05:50,278 UH... YES. 1312 01:05:57,621 --> 01:05:58,953 THEODORE, GOOD MORNING. 1313 01:05:59,055 --> 01:06:01,455 I WILL NOT BE WITH YOU IN THE PLANT ROOMS THIS MORNING. 1314 01:06:07,930 --> 01:06:09,730 WHERE ARE YOU BOUND FOR? 1315 01:06:09,833 --> 01:06:11,532 THE PLANT ROOMS, OF COURSE. 1316 01:06:11,634 --> 01:06:13,379 LISTEN, IF CRAMER SHOWS UP HERE 1317 01:06:13,403 --> 01:06:15,648 WE CAN NO LONGER SAY WE HAVE NO EVIDENCE IN A MURDER 1318 01:06:15,672 --> 01:06:17,783 BECAUSE NOW THE MOTHER HUNT HAS CAUSED TWO MURDERS. 1319 01:06:17,807 --> 01:06:20,341 PHOOEY! 1320 01:06:20,443 --> 01:06:22,543 OH, BOY. 1321 01:06:22,645 --> 01:06:24,423 WOLFE WENT OFF TO HIS PLANTS. 1322 01:06:24,447 --> 01:06:26,614 I PHONED LON COHEN FOR DETAILS. 1323 01:06:35,158 --> 01:06:37,169 CAROL MARDUS WAS MURDERED LESS THAN A BLOCK 1324 01:06:37,193 --> 01:06:39,761 FROM HER EX-HUSBAND'S APARTMENT. 1325 01:06:39,863 --> 01:06:43,665 HER EMPLOYER CAME TO IDENTIFY HER. 1326 01:06:46,002 --> 01:06:48,736 AS SOON AS I KNEW THE FACTS, I HEADED FOR THE COTTAGE. 1327 01:06:48,838 --> 01:06:51,873 I DIDN'T WANT LUCY TO FIND OUT FROM THE RADIO. 1328 01:06:51,974 --> 01:06:53,441 NO! 1329 01:06:58,748 --> 01:07:01,615 OKAY, IT'S TOUGH, IT'S DAMN TOUGH. 1330 01:07:01,717 --> 01:07:04,285 ALL THE IFS. 1331 01:07:04,387 --> 01:07:08,856 YEAH, BUT NOW THERE ARE RISKS, SEE? 1332 01:07:08,958 --> 01:07:11,504 DO YOU WANNA TURN LOOSE? 1333 01:07:11,528 --> 01:07:12,993 NO! 1334 01:07:13,096 --> 01:07:14,962 I DON'T WANNA TURN LOOSE. 1335 01:07:15,064 --> 01:07:15,964 YOU DON'T? 1336 01:07:16,066 --> 01:07:17,066 THE MAN WHO KILLED THEM 1337 01:07:17,133 --> 01:07:19,500 PUT THE BABY IN MY VESTIBULE, DIDN'T HE? 1338 01:07:19,603 --> 01:07:21,436 YES. 1339 01:07:21,538 --> 01:07:23,737 THEN I WANT NERO WOLFE TO GET HIM. 1340 01:07:29,146 --> 01:07:30,989 THE COPS WILL GET HIM SOONER OR LATER. 1341 01:07:31,013 --> 01:07:33,447 I WANT NERO WOLFE TO GET HIM. 1342 01:07:36,652 --> 01:07:39,787 ALL RIGHT... HE WILL. 1343 01:07:39,889 --> 01:07:43,958 AND I'M GONNA GO BACK AND HELP HIM, ALL RIGHT? 1344 01:07:47,930 --> 01:07:49,597 I JUST HAD AN IDEA. 1345 01:07:49,699 --> 01:07:52,032 I HAVE ONE A YEAR, YOU KNOW. 1346 01:07:52,135 --> 01:07:54,736 I MAY BE WALKING BY YOUR HOUSE AND FEEL LIKE DROPPING IN, 1347 01:07:54,838 --> 01:07:56,771 MAY I HAVE A KEY? 1348 01:08:08,584 --> 01:08:13,154 999 WOMEN OUT OF A THOUSAND WOULD HAVE ASKED ME WHY. 1349 01:08:19,129 --> 01:08:22,007 I CAME HOME TO FIND WOLFE WAITING FOR ME. 1350 01:08:22,031 --> 01:08:24,666 A PARTY HAD BEEN ARRANGED IN MY ABSENCE. 1351 01:08:24,767 --> 01:08:27,201 WHO THE HELL DO YOU THINK YOU ARE? 1352 01:08:27,303 --> 01:08:28,836 SIT DOWN. 1353 01:08:28,938 --> 01:08:30,615 I ASKED YOU A QUESTION. 1354 01:08:30,639 --> 01:08:31,839 SIT DOWN. 1355 01:08:31,941 --> 01:08:34,709 BY GOD, IF YOU DON'T ANSWER ME, I... 1356 01:08:42,619 --> 01:08:44,752 IN MY HOUSE, I DO THE BAWLING. 1357 01:08:44,854 --> 01:08:47,454 NOW, IT SAVES TIME TO HAVE ALL THREE OF YOU HERE TOGETHER 1358 01:08:47,556 --> 01:08:50,358 BECAUSE I WISH TO ASK EACH OF YOU THE SAME QUESTION. 1359 01:08:50,460 --> 01:08:51,704 AS A PREAMBLE, YOU SHOULD KNOW 1360 01:08:51,728 --> 01:08:53,439 THAT THERE WERE NO ANONYMOUS LETTERS. 1361 01:08:53,463 --> 01:08:55,229 I KNEW IT, I KNEW IT. 1362 01:08:55,331 --> 01:08:56,931 IT DID SEEM ODD. 1363 01:08:57,033 --> 01:09:00,068 MRS. VALDON HIRED ME TO LEARN WHO HER BABY'S MOTHER WAS. 1364 01:09:00,170 --> 01:09:01,068 I KNEW IT. 1365 01:09:01,171 --> 01:09:02,614 WHY DID NONE OF YOU PUT CAROL MARDUS 1366 01:09:02,638 --> 01:09:04,416 ON THE LISTS YOU WERE ASKED TO PRODUCE? 1367 01:09:04,440 --> 01:09:06,452 CAROL? SHE'S DEAD. 1368 01:09:06,476 --> 01:09:07,609 SHE IS INDEED, YES. 1369 01:09:07,710 --> 01:09:10,211 YOU ALL KNOW HER, AND HER PICTURE WAS AMONG THOSE 1370 01:09:10,313 --> 01:09:12,313 I SENT TO YOU ON TUESDAY, 1371 01:09:12,415 --> 01:09:14,375 WHY DID NONE OF YOU IDENTIFY IT? 1372 01:09:16,453 --> 01:09:18,252 A CONSPIRACY OF SILENCE? 1373 01:09:18,354 --> 01:09:19,999 WHEN CAROL MARDUS WAS HERE YESTERDAY... 1374 01:09:20,023 --> 01:09:21,722 SHE WAS HERE? 1375 01:09:21,824 --> 01:09:23,803 DID SHE SAY SHE WAS THE MOTHER OF THE BABY? 1376 01:09:23,827 --> 01:09:26,360 IN WORDS, NO, BUT IT IS INDUBITABLE. 1377 01:09:26,462 --> 01:09:28,228 AND NOW, WITH HER DEATH, 1378 01:09:28,330 --> 01:09:30,643 IT IS ALSO INDUBITABLE THAT SHE TOLD SOME OTHER PERSON, 1379 01:09:30,667 --> 01:09:31,733 CALL HIM "X", 1380 01:09:31,835 --> 01:09:34,101 OF HER CONVERSATION WITH ME AND THAT "X", 1381 01:09:34,203 --> 01:09:37,105 FEARING SHE WOULD DISCLOSE HIS INVOLVEMENT, KILLED HER. 1382 01:09:37,207 --> 01:09:39,473 THIS IS FANTASTIC! 1383 01:09:39,575 --> 01:09:42,209 I PRESUME THAT YOU WISH THE MURDERER OF CAROL MARDUS 1384 01:09:42,312 --> 01:09:44,192 BE BROUGHT TO JUSTICE, AS DO I. 1385 01:09:44,280 --> 01:09:46,847 I WOULD PREFER NOT TO ABET INSPECTOR CRAMER'S EFFORTS 1386 01:09:46,949 --> 01:09:48,949 TO FIND THE MALIGNANT WRETCH 1387 01:09:49,051 --> 01:09:52,020 BECAUSE I WISH TO NAME HIM MYSELF. 1388 01:09:52,122 --> 01:09:54,455 TO THAT END, I HAVE QUESTIONS TO ASK. 1389 01:09:54,557 --> 01:09:56,323 WILL YOU ANSWER THEM? 1390 01:09:57,861 --> 01:10:03,364 WELL, CAROL AND I WERE MARRIED FOR EXACTLY 18 MONTHS AND... 1391 01:10:03,466 --> 01:10:06,100 WELL, THERE WERE TIMES I COULD HAVE 1392 01:10:06,202 --> 01:10:09,036 STRANGLED HER MYSELF, IF I HAD IT IN ME. 1393 01:10:09,138 --> 01:10:11,772 CAROL MARDUS WAS A FASCINATING, 1394 01:10:11,875 --> 01:10:14,675 ARISTOCRATIC TRAMP... TO CAROL. 1395 01:10:14,777 --> 01:10:16,389 THIS IS SO DISTRESSING! 1396 01:10:16,413 --> 01:10:17,490 TO EVEN BE ASKED. 1397 01:10:17,514 --> 01:10:18,645 SHE MADE IT PLAIN. 1398 01:10:18,748 --> 01:10:21,349 SHE MARRIED ME BECAUSE SHE WANTED TO GO TAME. 1399 01:10:21,451 --> 01:10:23,129 SHE COULD HAVE HAD ME BY SNAPPING HER FINGERS 1400 01:10:23,153 --> 01:10:24,233 BUT THERE WAS A DIFFICULTY. 1401 01:10:24,286 --> 01:10:27,155 SHE BELONGED TO MY GOOD FRIEND DICK VALDON. 1402 01:10:27,257 --> 01:10:30,357 SHE STAYED TAME FOR THREE OR FOUR MONTHS. 1403 01:10:30,460 --> 01:10:32,070 ALTHOUGH, WITH HER, YOU NEVER COULD TELL. 1404 01:10:32,094 --> 01:10:33,794 BELONGED... THAT'S NOT THE RIGHT WORD. 1405 01:10:33,896 --> 01:10:36,030 CAROL BELONGED TO NO ONE. 1406 01:10:36,132 --> 01:10:39,099 I JUST DON'T SEE HER WITH A BABY. 1407 01:10:39,202 --> 01:10:41,969 BUT IF SHE HAD ONE, DICK VALDON'S THE FATHER. 1408 01:10:42,071 --> 01:10:43,871 SO, WHO DID SHE TURN TO FOR HELP? 1409 01:10:43,974 --> 01:10:45,306 YOU, JULIAN? 1410 01:10:45,408 --> 01:10:47,386 SHE ALWAYS SAID YOU WERE THE ONE MAN SHE COULD GO TO DINNER WITH 1411 01:10:47,410 --> 01:10:49,510 AND THEN GO HOME AND READ MANUSCRIPTS. 1412 01:10:49,613 --> 01:10:53,914 I SUPPOSE I SHOULD BE FLATTERED, LEO. 1413 01:10:54,016 --> 01:10:55,416 YOUR THOUGHT THAT CAROL 1414 01:10:55,518 --> 01:10:59,186 CONSIDERED ME WORTHY OF HER CONFIDENCE. 1415 01:10:59,288 --> 01:11:01,054 AND, OF COURSE, SHE DIDN'T. 1416 01:11:01,156 --> 01:11:03,824 DID YOU KILL CAROL MARDUS? 1417 01:11:03,927 --> 01:11:05,359 OH, FOR GOD'S SAKE, NO! 1418 01:11:05,461 --> 01:11:07,661 CERTAINLY. 1419 01:11:07,764 --> 01:11:10,664 NO... OF COURSE NOT. 1420 01:11:13,670 --> 01:11:15,469 WHY? 1421 01:11:15,572 --> 01:11:18,773 GENTLEMEN... 1422 01:11:18,875 --> 01:11:22,376 WE MAY NOT HAVE MUTUAL TRUST 1423 01:11:22,478 --> 01:11:24,746 BUT WE HAVE A MUTUAL INTEREST. 1424 01:11:24,848 --> 01:11:27,948 IN ANY CASE, I'M OBLIGED TO YOU ON BEHALF OF MY CLIENT. 1425 01:11:35,992 --> 01:11:37,391 ALL RIGHT, BOSS, 1426 01:11:37,493 --> 01:11:39,405 NOW, I CALL YOU BOSS BECAUSE I KNOW IT IRRITATES YOU 1427 01:11:39,429 --> 01:11:41,440 BUT THAT'S PART OF MY JOB, TO IRRITATE YOU. 1428 01:11:41,464 --> 01:11:43,609 NOW, EITHER YOU CALL CRAMER RIGHT NOW AND EMPTY THE BAG 1429 01:11:43,633 --> 01:11:44,865 OR I WILL. 1430 01:11:44,967 --> 01:11:46,100 IMPOSSIBLE. 1431 01:11:46,202 --> 01:11:48,669 NO, THE MURDERER HAS DARED ME WITH FLAGRANT IMPUDENCE 1432 01:11:48,771 --> 01:11:50,237 AND IT IS I, NOT THE POLICE, 1433 01:11:50,340 --> 01:11:51,939 WHO WILL BE THE INSTRUMENT OF HIS DOOM. 1434 01:11:53,976 --> 01:11:56,944 LET'S GO, WOLFE! 1435 01:11:57,046 --> 01:11:58,057 KITCHEN! 1436 01:11:58,081 --> 01:12:00,248 COME ON, WOLFE, OPEN UP. 1437 01:12:00,350 --> 01:12:02,250 I KNOW YOU'RE IN THERE! 1438 01:12:03,820 --> 01:12:07,488 CRIPES, OPEN THIS DOOR! 1439 01:12:07,590 --> 01:12:09,724 ARCHIE, THE COATS. 1440 01:12:09,826 --> 01:12:11,237 MR. CRAMER IS AT THE FRONT DOOR. 1441 01:12:11,261 --> 01:12:12,471 I CANNOT SPEAK WITH HIM 1442 01:12:12,495 --> 01:12:14,907 WITHOUT REVEALING THAT WHICH I DO NOT WANT HIM TO KNOW. 1443 01:12:14,931 --> 01:12:16,731 PUT A CHAIN BOLT ON THE DOOR. 1444 01:12:16,833 --> 01:12:19,077 ARCHIE AND I HAVE GONE, YOU DON'T KNOW WHEN WE'LL RETURN. 1445 01:12:19,101 --> 01:12:22,336 IF HE RETURNS WITH A SEARCH WARRANT... 1446 01:12:22,439 --> 01:12:24,683 YOU'LL HAVE TO ADMIT HIM, BUT TELL HIM NOTHING. 1447 01:12:24,707 --> 01:12:26,840 BUT... THE SHAD ROE? 1448 01:12:26,942 --> 01:12:28,309 YES... 1449 01:12:30,146 --> 01:12:31,412 GO! 1450 01:12:34,617 --> 01:12:37,485 YOU REALIZE, THIS IS THE LAST DAY OF THE SEASON. 1451 01:12:37,587 --> 01:12:39,787 THERE WILL BE NO MORE AFTER THIS. 1452 01:12:39,889 --> 01:12:41,989 YES, YES. 1453 01:12:48,264 --> 01:12:50,030 MUST IT BE A HOTEL? 1454 01:12:50,133 --> 01:12:51,832 NO, I HAD THE IDEA WE MIGHT NEED A DUGOUT 1455 01:12:51,935 --> 01:12:54,001 SO I ASKED MRS. VALDON FOR A KEY TO HER HOUSE. 1456 01:12:54,104 --> 01:12:55,770 IT'S TWO MILES THAT WAY. 1457 01:12:55,872 --> 01:12:57,683 WE WILL STOP ON THE WAY FOR ACCOUTERMENTS. 1458 01:12:57,707 --> 01:12:59,340 EASY, EASY. 1459 01:13:01,010 --> 01:13:03,877 FOUR CHEESES, ROAST BEEF, STURGEON, ANCHOVIES... 1460 01:13:03,979 --> 01:13:05,324 WOLFE KNEW THERE WAS ONLY ONE WAY 1461 01:13:05,348 --> 01:13:06,959 TO GET HOME TO HIS ORCHIDS... 1462 01:13:06,983 --> 01:13:09,383 AND HIS CHAIR AND HIS UNFINISHED BOOK. 1463 01:13:09,485 --> 01:13:10,952 WHY WASN'T HE WORKING? 1464 01:13:11,053 --> 01:13:13,054 YOU'RE PLAYING HOUSE. 1465 01:13:13,156 --> 01:13:14,800 LOOK, SIR, THERE'S TIMES TO BE ECCENTRIC 1466 01:13:14,824 --> 01:13:16,468 AND THERE'S TIMES WHEN ONE MUST PUT THEIR MIND 1467 01:13:16,492 --> 01:13:17,636 TO THE MATTERS AT HAND. 1468 01:13:17,660 --> 01:13:20,361 ARCHIE, TOMORROW IS SUNDAY AND WE'RE BOXED UP HERE. 1469 01:13:20,463 --> 01:13:22,663 WE CAN'T EVEN CHANGE OUR SOCKS. 1470 01:13:22,765 --> 01:13:23,925 MOVE THAT PLATE. 1471 01:13:23,967 --> 01:13:24,967 WHY... 1472 01:13:25,034 --> 01:13:27,001 JUST GET IT OUT OF THE WAY. 1473 01:13:27,103 --> 01:13:31,272 NOW, DESPITE ALL THIS, I AM CONSIDERING MRS. VALDON. 1474 01:13:31,374 --> 01:13:34,408 I WANT YOU TO ASK HER TO COME HERE THIS EVENING, ALONE. 1475 01:13:34,510 --> 01:13:37,044 AND SINCE YOU'RE FUMING, GET SAUL HERE TOMORROW MORNING. 1476 01:13:37,146 --> 01:13:38,146 RIGHT, WHAT FOR? 1477 01:13:38,247 --> 01:13:40,225 I AM CONSIDERING ELLEN TENZER'S NIECE, 1478 01:13:40,249 --> 01:13:41,689 ANNE, IS IT? YES. 1479 01:13:41,751 --> 01:13:43,295 IF I PROPERLY UNDERSTOOD HER METIER, 1480 01:13:43,319 --> 01:13:46,120 SHE REPLACES OFFICE WORKERS WHO ARE TEMPORARILY ABSENT. 1481 01:13:46,222 --> 01:13:47,702 THAT'S RIGHT, IT WAS CALLED STOPGAP... 1482 01:13:51,093 --> 01:13:52,237 I'LL BE DAMNED, I'LL BE DAMNED. 1483 01:13:52,261 --> 01:13:53,828 I SHOULD HAVE THOUGHT OF THAT MYSELF. 1484 01:13:53,930 --> 01:13:55,463 YOU WERE TOO BUSY FUMING. 1485 01:13:55,565 --> 01:13:56,565 I WASN'T FUMING. 1486 01:13:56,632 --> 01:13:57,532 YES, YOU WERE. 1487 01:13:57,634 --> 01:13:59,333 NO, NO, YOU CAN'T SAY I WAS FUMING. 1488 01:13:59,435 --> 01:14:00,913 YES, YOU WERE. I WAS HARDLY FUMING. 1489 01:14:00,937 --> 01:14:02,214 YOU WERE CLEARLY FUMING. 1490 01:14:02,238 --> 01:14:03,103 I WASN'T FUMING. 1491 01:14:03,205 --> 01:14:04,817 ONE CANNOT THINK IF ONE FUMES. 1492 01:14:04,841 --> 01:14:06,085 DO HAVE ENOUGH THERE, BY THE WAY? 1493 01:14:06,109 --> 01:14:07,886 HERE, HAVE SOME CORNED BEEF, YOU LIKE CORNED BEEF. 1494 01:14:07,910 --> 01:14:09,243 OH, NO, NO, I WOULDN'T WANT TO... 1495 01:14:09,345 --> 01:14:11,122 SOME WONDERFUL MUSTARD THERE. 1496 01:14:11,146 --> 01:14:14,514 OLIVES, ANCHOVIES, ARTICHOKE. 1497 01:14:14,616 --> 01:14:15,928 CHEESE AND CRACKERS... YOU LIKE CRACKERS... 1498 01:14:15,952 --> 01:14:17,051 OLIVES... 1499 01:14:18,587 --> 01:14:20,165 right up the middle... 1500 01:14:20,189 --> 01:14:22,222 RUN, YOU GOTTA RUN, RUN, RUN, RUN. 1501 01:14:22,324 --> 01:14:24,057 PICK UP THE BALL, PICK UP THE BALL... 1502 01:14:24,159 --> 01:14:25,393 going around first... 1503 01:14:25,495 --> 01:14:29,362 YES, THAT'S IT, THAT'S IT. 1504 01:14:29,465 --> 01:14:30,898 Safe on third! 1505 01:14:31,000 --> 01:14:32,299 NO! 1506 01:14:35,237 --> 01:14:38,105 WELL, WELL, WELL, AREN'T YOU A COZY PAIR? 1507 01:14:38,208 --> 01:14:39,985 YOU'RE ASTONISHED THAT YOUR HOUSE IS NOT A MESS 1508 01:14:40,009 --> 01:14:41,787 WITH TWO MEN LOOSE IN IT, AREN'T YOU? 1509 01:14:41,811 --> 01:14:44,011 YOU ARE CONCEITED. 1510 01:14:44,113 --> 01:14:46,113 MMM. 1511 01:14:46,215 --> 01:14:47,581 BUT I LIKE YOU ANYWAY. 1512 01:14:47,684 --> 01:14:48,964 HOW WAS THE GOVERNOR? 1513 01:14:49,052 --> 01:14:50,351 YOU KNOW, HE ASKED ABOUT YOU. 1514 01:14:50,453 --> 01:14:51,185 AH, YES. 1515 01:14:51,287 --> 01:14:52,287 HE MISSED YOU... 1516 01:14:52,321 --> 01:14:55,522 MADAM, I THANK YOU HEARTILY FOR THIS HAVEN. 1517 01:14:55,624 --> 01:14:56,424 WELL, I HOPE, SIR, 1518 01:14:56,526 --> 01:14:57,925 THAT YOU'VE BEEN QUITE COMFORTABLE. 1519 01:14:58,027 --> 01:15:00,728 I HAVE NEVER BEEN MORE UNCOMFORTABLE IN MY LIFE. 1520 01:15:00,829 --> 01:15:04,098 NO REFLECTION ON YOUR HOSPITALITY IS INTENDED 1521 01:15:04,200 --> 01:15:06,440 BUT, MR. GOODWIN AND I ARE IN A PICKLE. 1522 01:15:06,535 --> 01:15:07,835 AGAIN? 1523 01:15:07,937 --> 01:15:09,882 I NEED TO SEE YOUR HUSBAND'S FRIENDS. 1524 01:15:09,906 --> 01:15:12,272 CAN YOU GET THEM HERE TOMORROW, 1525 01:15:12,374 --> 01:15:14,775 WITHOUT REVEALING MY PRESENCE? 1526 01:15:14,877 --> 01:15:16,889 MR. UPTON MIGHT NEED SOME PERSUADING 1527 01:15:16,913 --> 01:15:18,378 BUT HE IS ESSENTIAL. 1528 01:15:18,481 --> 01:15:23,017 AND MR. CRAMER, IT WOULD BE GOOD TO HAVE HIM HERE. 1529 01:15:23,119 --> 01:15:25,853 DO YOU LIKE EGGS? 1530 01:15:28,157 --> 01:15:29,935 CONFOUND IT, ARE EGGS COMICAL? 1531 01:15:29,959 --> 01:15:30,959 WELL, NO. 1532 01:15:31,060 --> 01:15:33,260 DO YOU KNOW HOW TO SCRAMBLE EGGS, MRS. VALDON? 1533 01:15:33,362 --> 01:15:34,861 OF COURSE I DO. 1534 01:15:34,964 --> 01:15:37,376 TO USE MR. GOODWIN'S FAVORITE LOCUTION, 1535 01:15:37,400 --> 01:15:39,900 ONE WILL GET YOU 10 THAT YOU DON'T. 1536 01:15:40,002 --> 01:15:42,436 I WILL PREPARE SCRAMBLED EGGS FOR YOU 1537 01:15:42,538 --> 01:15:44,905 TOMORROW MORNING FOR BREAKFAST. 1538 01:15:45,008 --> 01:15:47,975 TELL ME 40 MINUTES BEFORE YOU'RE READY. 1539 01:15:48,077 --> 01:15:50,144 40 MINUTES? YES. 1540 01:15:50,246 --> 01:15:51,979 I KNEW YOU DIDN'T KNOW. 1541 01:16:08,397 --> 01:16:11,332 IF YOU'RE TIRED, ARCHIE, YOU SHOULD GO TO BED. 1542 01:16:11,434 --> 01:16:14,602 UM... 1543 01:16:14,704 --> 01:16:18,138 WELL, MR. WOLFE, YOU MUST BE EXHAUSTED. 1544 01:16:18,240 --> 01:16:19,551 OH, YES, WHAT, WITH ALL THE EGGS 1545 01:16:19,575 --> 01:16:20,853 YOU'VE GOT TO COOK TOMORROW MORNING. 1546 01:16:20,877 --> 01:16:23,210 NO, NO, I'M NOT. 1547 01:16:23,312 --> 01:16:28,282 GOOD BOOK, A GOOD CHAIR, SATISFACTORY, MADAM. 1548 01:16:31,320 --> 01:16:33,053 HMM. 1549 01:16:43,132 --> 01:16:44,972 GOOD MORNING. 'MORNING. 1550 01:16:57,613 --> 01:16:58,824 'MORNING. 1551 01:16:58,848 --> 01:17:00,113 GOOD MORNING. 1552 01:17:00,215 --> 01:17:02,015 'MORNING. AH, GOOD MORNING. 1553 01:17:07,489 --> 01:17:08,689 SLEEP WELL? 1554 01:17:08,791 --> 01:17:10,658 OH, YES. YES, I DID, YES. 1555 01:17:10,760 --> 01:17:12,259 SMELLS DELICIOUS, HEH. 1556 01:17:23,773 --> 01:17:26,173 MMM. 1557 01:17:26,275 --> 01:17:28,041 THERE WE ARE. 1558 01:17:28,143 --> 01:17:29,943 THANK YOU. 1559 01:17:39,154 --> 01:17:41,288 MMM. 1560 01:17:41,390 --> 01:17:42,923 WELL, I HAVE GOT TO ADMIT, 1561 01:17:43,025 --> 01:17:45,392 THESE ARE RIGHT UP THERE WITH FRITZ'S. 1562 01:17:45,494 --> 01:17:47,394 I'M GONNA HAVE TO TELL HIM. 1563 01:17:47,496 --> 01:17:49,963 MMM. 1564 01:17:50,065 --> 01:17:52,933 I GUESS I DIDN'T KNOW HOW TO SCRAMBLE AN EGG. 1565 01:17:53,035 --> 01:17:56,904 OF COURSE, 40 MINUTES IS MORE TIME THAN ONE COULD EXPECT 1566 01:17:57,006 --> 01:17:59,206 A HOUSEWIFE TO SPEND SCRAMBLING EGGS 1567 01:17:59,308 --> 01:18:01,775 BUT, IT'S IMPOSSIBLE TO DO IT TO PERFECTION 1568 01:18:01,877 --> 01:18:04,245 IN ANY LESS. 1569 01:18:04,347 --> 01:18:06,313 NOW I KNOW. 1570 01:18:10,419 --> 01:18:12,319 THE BEST I'VE EVER HAD, REALLY. 1571 01:18:13,622 --> 01:18:15,022 AH, SAUL. 1572 01:18:15,124 --> 01:18:16,490 EXCUSE ME. 1573 01:18:19,895 --> 01:18:24,765 YOU KNOW, I READ SOMETHING WHICH MIGHT INTEREST YOU. 1574 01:18:24,867 --> 01:18:27,901 IT'S A MONOGRAPH BY R.P. ARMSTEAD 1575 01:18:28,003 --> 01:18:29,748 ON THE ACIDIC EFFECT OF LONDON FOG 1576 01:18:29,772 --> 01:18:31,716 ON THE LEAVES OF FLOWERING PLANTS. 1577 01:18:31,740 --> 01:18:36,277 YES, WELL, MY UNCLE PUBLISHED IT UNDER HIS NAME. 1578 01:18:36,378 --> 01:18:37,856 R.P. ARMSTEAD DID NOT WRITE IT? 1579 01:18:37,880 --> 01:18:40,480 NO... I DID. YOU? 1580 01:18:40,582 --> 01:18:43,284 I WANTED IT TO BE TAKEN SERIOUSLY. 1581 01:18:48,157 --> 01:18:50,056 WELL, SAUL. 1582 01:18:50,159 --> 01:18:52,192 I SPOKE WITH FRITZ. 1583 01:18:52,294 --> 01:18:55,695 THERE WERE TWO HOMICIDE DICKS CAMPED OUT IN YOUR OFFICE... 1584 01:18:55,798 --> 01:18:58,399 SMOKING CIGARS. 1585 01:18:58,501 --> 01:19:02,169 ARCHIE, GIVE SAUL TENZER'S ADDRESS. 1586 01:19:05,240 --> 01:19:07,074 NEVER BETTER. 1587 01:19:13,249 --> 01:19:16,016 OH, HELLO, MANNY, WON'T YOU COME IN? 1588 01:19:16,118 --> 01:19:17,262 THE OTHERS ARE HERE. 1589 01:19:17,286 --> 01:19:18,286 OTHERS? 1590 01:19:18,320 --> 01:19:20,821 WHAT IS ALL THIS, LUCY, WHO IS THIS MAN? 1591 01:19:20,923 --> 01:19:22,835 HE WORKS FOR NERO WOLFE. 1592 01:19:22,859 --> 01:19:24,725 YOU'RE STILL INVOLVED WITH THAT FAT FOOL? 1593 01:19:24,827 --> 01:19:26,460 HEY! 1594 01:19:26,562 --> 01:19:28,095 THIS WAY, SIR. 1595 01:19:28,197 --> 01:19:29,730 NOW WAIT A MINUTE! 1596 01:19:29,832 --> 01:19:31,543 YOU KNOW, I KEEP THINKING 1597 01:19:31,567 --> 01:19:34,401 TOMORROW, I'LL NO LONGER BE A CLIENT. 1598 01:19:34,503 --> 01:19:37,104 NO MORE BUSINESS RELATIONS. 1599 01:19:37,206 --> 01:19:38,984 YEAH, WELL, THAT'S WHY I'VE MADE A RESERVATION 1600 01:19:39,008 --> 01:19:40,574 AT THE "FLAMINGO CLUB". 1601 01:19:40,676 --> 01:19:42,943 SO THE WHOLE WORLD CAN SEE HOW YOU CAN DANCE. 1602 01:19:43,045 --> 01:19:46,113 ARE YOU FLIRTING WITH ME, ARCHIE? 1603 01:19:54,689 --> 01:19:56,457 MRS. VALDON. 1604 01:19:56,559 --> 01:19:58,025 MR. GOODWIN. 1605 01:20:13,042 --> 01:20:16,210 PANZER, WHAT ARE YOU DOING HERE? 1606 01:20:16,312 --> 01:20:18,345 WHOSE LITTLE PARTY IS THIS? 1607 01:20:20,449 --> 01:20:22,516 MINE. 1608 01:20:28,357 --> 01:20:30,290 ARREST HIM... THEM. 1609 01:20:30,392 --> 01:20:31,637 THAT IS A FORMAL DEMAND. 1610 01:20:31,661 --> 01:20:33,071 THEY HAVE ME HERE AGAINST MY WILL. 1611 01:20:33,095 --> 01:20:35,196 DON'T BE A DONKEY! 1612 01:20:35,298 --> 01:20:37,197 I'M HERE TO NAME A MURDERER. 1613 01:20:37,300 --> 01:20:39,165 MR. CRAMER KNOWS THAT. 1614 01:20:39,267 --> 01:20:41,235 YEAH... 1615 01:20:41,336 --> 01:20:43,336 YEAH. 1616 01:20:55,184 --> 01:20:57,184 OH, COME ON, WOLFE. 1617 01:20:57,286 --> 01:21:00,020 LET'S GET ON WITH IT, I HAVEN'T GOT ALL DAY. 1618 01:21:03,592 --> 01:21:07,394 WHEN CAROL MARDUS NEEDED TO GET RID OF HER BABY, 1619 01:21:07,496 --> 01:21:10,097 SHE ENLISTED THE HELP OF A FRIEND, A MAN, 1620 01:21:10,199 --> 01:21:11,765 LET US CALL HIM "X". 1621 01:21:11,867 --> 01:21:13,934 MAKE IT "Z", "X" IS OVERWORKED. 1622 01:21:17,473 --> 01:21:20,607 IT WAS A FATAL MISTAKE, FOR "X" WAS ONE OF THE FEW 1623 01:21:20,709 --> 01:21:24,611 WHO HAD BEEN DENIED HER INTIMATE FAVORS 1624 01:21:24,713 --> 01:21:25,979 AND HE RESENTED IT. 1625 01:21:26,081 --> 01:21:27,314 SUCH PURPLE PROSE. 1626 01:21:27,416 --> 01:21:29,694 WHEN SHE TOLD HIM THAT RICHARD VALDON WAS THE FATHER 1627 01:21:29,718 --> 01:21:31,685 HE INDULGED HIMSELF IN A PRANK. 1628 01:21:31,787 --> 01:21:35,155 HE LEFT THE BABY AND A NOTE IN MRS. VALDON'S VESTIBULE. 1629 01:21:35,257 --> 01:21:38,225 GOD, WHAT A STORY THIS IS, IS ANYONE GETTING IT DOWN? 1630 01:21:39,995 --> 01:21:42,035 WHEN ELLEN TENZER COMMUNICATED TO "X" 1631 01:21:42,131 --> 01:21:44,664 THAT WE WERE ON HIS TRAIL, HE STRANGLED HER. 1632 01:21:44,766 --> 01:21:47,100 THE PRANK WAS PERMISSIBLE, 1633 01:21:47,203 --> 01:21:49,836 BUT THE THREAT OF ITS DISCLOSURE WAS NOT. 1634 01:21:49,938 --> 01:21:51,058 AFTER HER TALK WITH ME, 1635 01:21:51,107 --> 01:21:54,107 MISS MARDUS DID WHAT ELLEN TENZER HAD DONE. 1636 01:21:54,209 --> 01:21:55,475 SHE WAS PROBABLY SCORNFUL. 1637 01:21:55,577 --> 01:21:58,779 YEAH, YEAH, YEAH. BLAH, BLAH, BLAH... 1638 01:21:58,881 --> 01:22:00,258 NOW, WAIT A MINUTE, WAIT A MINUTE. 1639 01:22:00,282 --> 01:22:01,559 ARE YOU SAYING THIS IS THE SAME BABY 1640 01:22:01,583 --> 01:22:03,461 THAT WAS BOARDED BY ELLEN TENZER? 1641 01:22:03,485 --> 01:22:07,420 YES, I SEE THIS WON'T DO, I MUST NAME HIM... ARCHIE? 1642 01:22:17,500 --> 01:22:19,833 THIS IS ANNE TENZER, 1643 01:22:19,935 --> 01:22:22,369 THE NIECE OF ELLEN TENZER. 1644 01:22:22,471 --> 01:22:24,738 SHE WORKS FOR AN EMPLOYMENT SERVICE 1645 01:22:24,840 --> 01:22:29,075 AND FILLS TEMPORARY VACANCIES AT THE SENIOR EXECUTIVE LEVEL. 1646 01:22:29,177 --> 01:22:31,678 MISS TENZER, LOOK AROUND. 1647 01:22:31,780 --> 01:22:36,583 IS THERE ANYONE IN THIS ROOM WHO YOU HAVE EVER WORKED FOR? 1648 01:22:36,685 --> 01:22:40,854 OH, HELLO, MR. HAFT. 1649 01:22:40,956 --> 01:22:43,123 HE'S THE PRESIDENT OF PARTHENON PRESS. 1650 01:22:43,225 --> 01:22:46,760 IS THIS ONE OF YOUR FAMOUS DRAMAS, MR. WOLFE? 1651 01:22:46,862 --> 01:22:48,729 YOU DON'T REMEMBER ME, MR. HAFT? 1652 01:22:48,831 --> 01:22:51,464 I THINK IT WAS THE LAST TWO WEEKS IN JUNE 1653 01:22:51,566 --> 01:22:53,333 AND THE FIRST WEEK IN JULY. 1654 01:22:53,435 --> 01:22:54,868 I'VE HEARD OF YOUR TACTICS 1655 01:22:54,970 --> 01:22:56,847 AND I'M NOT PUTTING UP WITH THEM. 1656 01:22:56,871 --> 01:22:58,005 SIT DOWN. 1657 01:22:58,107 --> 01:23:01,141 DID YOU DISCUSS YOUR AUNT ELLEN'S WORK WITH MR. HAFT? 1658 01:23:01,243 --> 01:23:02,342 WELL, I MUST HAVE. 1659 01:23:02,444 --> 01:23:04,511 BECAUSE IT WAS LAST JANUARY THAT HE CALLED ME 1660 01:23:04,613 --> 01:23:07,981 TO SEE IF MY AUNT ELLEN STILL BOARDED BABIES. 1661 01:23:08,083 --> 01:23:09,516 DID THAT WORK OUT, MR. HAFT? 1662 01:23:09,618 --> 01:23:10,750 SHE'S LYING? 1663 01:23:10,853 --> 01:23:13,098 DO YOU CONTRADICT HER? DO YOU SAY SHE LIES? 1664 01:23:13,122 --> 01:23:16,490 NO, I DON'T SAY SHE LIES, I SAY SHE'S MISTAKEN. 1665 01:23:16,592 --> 01:23:19,059 SHE MISTOOK ME FOR SOMEONE ELSE. 1666 01:23:19,161 --> 01:23:22,329 PUERILE, EITHER ACKNOWLEDGE THE FACTS AND CALL HER A LIAR 1667 01:23:22,431 --> 01:23:23,541 OR TELL ME THE TRUTH! 1668 01:23:23,565 --> 01:23:25,031 I CALLED YOU A LIAR! 1669 01:23:25,133 --> 01:23:27,133 AND YOU ARE A DUNCE. 1670 01:23:27,235 --> 01:23:29,603 MR. CRAMER, ASK MR. UPTON IF CAROL MARDUS 1671 01:23:29,705 --> 01:23:32,338 TOLD HIM WHO HELPED DISPOSE OF THE BABY. 1672 01:23:32,440 --> 01:23:33,585 HE WAS HER EMPLOYER, 1673 01:23:33,609 --> 01:23:35,620 HE WOULD NOT ALLOW HER A SIX-MONTH VACATION 1674 01:23:35,644 --> 01:23:37,544 WITHOUT ASKING WHY. 1675 01:23:37,646 --> 01:23:41,547 JULIAN, I'M SORRY, BUT YOU CAN'T EXPECT ME... 1676 01:23:41,650 --> 01:23:43,217 OH, GOD. 1677 01:23:43,319 --> 01:23:47,587 OH, GOD, OH, GOD, OH, GOD, OH, GOD... 1678 01:23:47,689 --> 01:23:50,023 OH, GOD, OH, GOD... 1679 01:23:50,125 --> 01:23:53,994 OH, GOD, OH, GOD... OH, GOD. 1680 01:23:57,165 --> 01:23:59,366 MRS. VALDON, YOU HAVE INDULGED ME... 1681 01:23:59,468 --> 01:24:01,580 WOLFE SAW THAT CRAMER WAS ABOUT TO BLOW HIS TOP 1682 01:24:01,604 --> 01:24:03,348 SO HE TOLD LUCY TO GO UPSTAIRS 1683 01:24:03,372 --> 01:24:05,872 AND BARRICADE HERSELF INSIDE HER TOWER. 1684 01:24:05,974 --> 01:24:07,819 OTHERWISE, SHE'D BE SPENDING THE NIGHT DOWNTOWN 1685 01:24:07,843 --> 01:24:09,943 WITH THE REST OF US PEASANTS. 1686 01:24:12,414 --> 01:24:15,415 MR. HAFT, YOU ARE A MALIGNANT, IMPUDENT WORM. 1687 01:24:15,517 --> 01:24:17,094 BUT NOW THAT I HAVE EXPOSED YOU, 1688 01:24:17,118 --> 01:24:19,953 I OFFER ADVICE... GO PREPARE YOUR DEFENSE. 1689 01:24:20,055 --> 01:24:21,199 THERE MUST BE TRACES, LETTERS, 1690 01:24:21,223 --> 01:24:24,124 CANCELED CHECKS, A STRAY HAIR IN YOUR CAR. 1691 01:24:24,226 --> 01:24:26,070 IT'S A SIMPLE MATTER TO PRODUCE EVIDENCE 1692 01:24:26,094 --> 01:24:28,628 WHEN YOU KNOW WHO YOU ARE LOOKING FOR. 1693 01:24:28,730 --> 01:24:30,163 WELL... GO. 1694 01:24:30,265 --> 01:24:32,265 YOU KNOW DAMN WELL HE'S NOT GOING. 1695 01:24:32,367 --> 01:24:34,267 NOBODY IS. 1696 01:24:34,369 --> 01:24:36,269 GOOD GOD, THIS IS BRUTAL! 1697 01:24:36,372 --> 01:24:38,805 ALL OF YOU... I'M SENDING FOR CARS. 1698 01:24:38,908 --> 01:24:41,808 I'M TAKING YOU ALL DOWN TO THE DISTRICT ATTORNEY'S OFFICE, 1699 01:24:41,910 --> 01:24:43,610 ESPECIALLY YOU. 1700 01:24:43,712 --> 01:24:45,592 NEVER LEAVE YOUR HOUSE, HUH? 1701 01:24:45,647 --> 01:24:48,915 WELL, NOW THAT YOU'VE LEFT IT, YOU'LL GO BACK WHEN I SAY SO. 1702 01:24:49,017 --> 01:24:50,828 WE'VE HAD OUR LITTLE TRIUMPH. 1703 01:24:50,852 --> 01:24:52,986 LET'S GO. 1704 01:24:58,527 --> 01:25:00,572 UH, MR. CRAMER, I REALIZE THAT THIS IS NOW 1705 01:25:00,596 --> 01:25:01,962 YOUR MOMENT OF TRIUMPH, 1706 01:25:02,064 --> 01:25:04,424 BUT DON'T YOU WANNA TAKE THE MURDERER ALONG WITH YOU? 1707 01:25:04,500 --> 01:25:05,665 ALL RIGHT, GET HIM... 1708 01:25:05,767 --> 01:25:07,601 COME ON! 1709 01:25:09,838 --> 01:25:12,272 ALL RIGHT, LET'S GO, EVERYBODY OUT OF HERE. 1710 01:25:12,374 --> 01:25:16,943 COME ON, COME ON, COME ON, GO, GO. 1711 01:25:31,526 --> 01:25:34,061 UNHAND ME, YOU BARBARIC PEON! 1712 01:25:34,163 --> 01:25:36,530 IT TOOK EIGHT HOURS TO SORT THINGS OUT. 1713 01:25:36,632 --> 01:25:38,143 BUT AS SOON AS HE MADE THE CASE, 1714 01:25:38,167 --> 01:25:39,811 WOLFE RETURNED TO THE BROWNSTONE, 1715 01:25:39,835 --> 01:25:42,435 GOT INTO BED AND DIDN'T EMERGE FOR FOUR DAYS. 1716 01:25:56,485 --> 01:25:59,753 Captioning made possible by A&E TELEVISION NETWORKS 1717 01:25:59,855 --> 01:26:02,755 Captioned by Soundwriters™ 124241

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