Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,872 --> 00:00:07,306
Captioning made possible by
A&E TELEVISION NETWORKS
2
00:01:25,553 --> 00:01:27,319
HELLO.
3
00:01:29,656 --> 00:01:31,090
WHO IS THIS?
4
00:01:32,526 --> 00:01:33,892
AH, HELLO?
5
00:01:57,584 --> 00:01:59,264
"MRS. VALDON,
6
00:01:59,352 --> 00:02:01,352
"THIS BABY IS FOR
YOU BECAUSE A BOY
7
00:02:01,455 --> 00:02:03,555
SHOULD LIVE IN HIS
FATHER'S HOUSE."
8
00:02:03,657 --> 00:02:06,558
IS THIS LIKELY OR
MERELY CREDIBLE?
9
00:02:09,797 --> 00:02:12,064
MADAM... MADAM?
10
00:02:12,166 --> 00:02:15,967
YOUR DENDROBIUM
APHRODITE HAS AN APHID.
11
00:02:16,069 --> 00:02:17,402
IS...
12
00:02:17,505 --> 00:02:19,837
OH, IT'S JUST DUST, SORRY.
13
00:02:19,939 --> 00:02:22,118
PRETTY, THOUGH,
WHO'S YOUR FLORIST?
14
00:02:22,142 --> 00:02:23,475
MADAM!
15
00:02:23,577 --> 00:02:24,654
IS IT LIKELY?
16
00:02:24,678 --> 00:02:26,111
YES, IT IS LIKELY.
17
00:02:26,213 --> 00:02:28,747
DICK HAD A DON JUAN
REPUTATION WHEN I MARRIED HIM.
18
00:02:28,848 --> 00:02:30,315
HOW LONG WERE YOU MARRIED?
19
00:02:30,417 --> 00:02:32,695
11 MONTHS, AND I KNOW
WHAT PEOPLE WERE SAYING.
20
00:02:32,719 --> 00:02:34,319
THEY WERE SAYING,
21
00:02:34,421 --> 00:02:36,099
"OH, HE'S MARRYING AN ARMSTEAD."
22
00:02:36,123 --> 00:02:38,556
WELL, I WAS MARRYING
A FAMOUS AUTHOR.
23
00:02:38,658 --> 00:02:40,658
I WAS MRS. RICHARD VALDON.
24
00:02:42,128 --> 00:02:44,429
WELL, I THOUGHT WE WERE IN LOVE.
25
00:02:44,531 --> 00:02:47,899
FOR ME, THERE WAS
NO ONE BUT ME AND HIM.
26
00:02:48,001 --> 00:02:49,701
HOW OLD WAS HE WHEN HE DIED?
27
00:02:49,803 --> 00:02:51,736
AH, 46.
28
00:02:51,838 --> 00:02:53,237
AND HOW OLD ARE YOU?
29
00:02:54,908 --> 00:02:56,341
OLD ENOUGH.
30
00:02:56,443 --> 00:02:59,043
DURING THE LAST
YEAR BEFORE HE DIED,
31
00:02:59,146 --> 00:03:03,148
HE COULD'VE HAD ONE
WOMAN OR A DOZEN.
32
00:03:03,250 --> 00:03:05,083
I JUST DON'T KNOW.
33
00:03:06,987 --> 00:03:09,354
OH, IS THIS A CARLYLE?
34
00:03:09,456 --> 00:03:10,956
UH...
35
00:03:11,058 --> 00:03:12,757
YES, IT IS.
36
00:03:12,859 --> 00:03:14,392
CAN YOU GET TO THE
PROBLEM, MADAM?
37
00:03:14,494 --> 00:03:15,893
OF COURSE, THE BABY.
38
00:03:15,996 --> 00:03:18,463
WELL, I ALWAYS INTENDED
TO HAVE TWO OR THREE
39
00:03:18,565 --> 00:03:21,332
AND I JUST PUT IT OFF,
I KEPT PUTTING IT OFF.
40
00:03:21,434 --> 00:03:24,969
AND, NOW, I DO HAVE ONE
AND THE NOTE IS CORRECT.
41
00:03:25,071 --> 00:03:29,074
A CHILD SHOULD LIVE
IN HIS FATHER'S HOUSE.
42
00:03:29,176 --> 00:03:31,843
THE QUESTION IS,
IS DICK THE FATHER?
43
00:03:31,945 --> 00:03:33,978
PHOOEY... NEVER TO BE
ANSWERED AND YOU KNOW IT.
44
00:03:34,080 --> 00:03:35,147
PHOOEY?
45
00:03:35,249 --> 00:03:36,526
YOU ARE THE BEST
DETECTIVE IN THE WORLD.
46
00:03:36,550 --> 00:03:37,694
THE BEST DETECTIVE IN THE WORLD
47
00:03:37,718 --> 00:03:41,052
MAY BE A RUDE TRIBESMAN
WITH A LIMITED VOCABULARY.
48
00:03:41,155 --> 00:03:43,554
I CANNOT HELP YOU,
MADAM, NO ONE CAN.
49
00:03:43,656 --> 00:03:46,792
YOU CAN HELP ME FIND THE MOTHER.
50
00:03:46,893 --> 00:03:48,961
NOW, I HAVE SOMETHING HERE.
51
00:03:49,062 --> 00:03:50,928
PLEASE...
52
00:03:51,030 --> 00:03:53,164
GLASSES.
53
00:03:53,266 --> 00:03:56,401
YES... OH, HERE IT IS.
54
00:03:56,503 --> 00:03:59,371
THE DOCTOR SAID THE
BABY IS FIVE MONTHS OLD.
55
00:03:59,473 --> 00:04:02,774
WHICH MEANS THAT
HE WAS BORN LAST JUNE
56
00:04:02,876 --> 00:04:05,776
AND CONCEIVED LAST FALL.
57
00:04:08,782 --> 00:04:10,114
IT COULD TAKE MONTHS.
58
00:04:10,217 --> 00:04:11,928
HAVE YOU ARRANGED FOR
CUSTODY OF THIS CHILD?
59
00:04:11,952 --> 00:04:14,192
OH, YES, MY LAWYER
TOOK CARE OF THAT.
60
00:04:14,288 --> 00:04:16,187
IS HE AWARE THAT YOU
HAVE CONSULTED ME?
61
00:04:16,290 --> 00:04:19,324
YES, AND HE DISAPPROVES
AND I DON'T CARE.
62
00:04:19,426 --> 00:04:23,261
IT'S MY BUSINESS, HIS
BUSINESS IS JUST THE LAW.
63
00:04:23,363 --> 00:04:24,796
HMM.
64
00:04:26,366 --> 00:04:28,934
IT WILL BE NECESSARY TO GET
INFORMATION FROM YOU, HMM.
65
00:04:29,036 --> 00:04:32,303
AND TO EXAMINE THE CLOTHES
THAT THE BABY ARRIVED IN.
66
00:04:32,406 --> 00:04:34,005
THESE PINHOLES,
67
00:04:34,107 --> 00:04:37,308
THE NOTE WAS NOT
ATTACHED WITH A SAFETY PIN.
68
00:04:37,410 --> 00:04:39,188
NO, JUST AN ORDINARY PIN.
69
00:04:39,212 --> 00:04:41,145
WHAT ARE THE ODDS, MR. GOODWIN,
70
00:04:41,247 --> 00:04:43,615
THAT A WOMAN WOULD
EXPOSE A BABY TO A BARE PIN?
71
00:04:43,717 --> 00:04:45,049
SAY, TEN TO ONE.
72
00:04:45,151 --> 00:04:47,018
YES, WELL...
73
00:04:47,120 --> 00:04:50,188
WERE YOU ALONE IN THE
HOUSE WHEN THE CALL CAME?
74
00:04:50,290 --> 00:04:53,759
AH, YES, I CAME HOME FROM
THE COUNTRY A DAY EARLY.
75
00:04:53,861 --> 00:04:55,305
MY STAFF HAD THE WEEKEND OFF.
76
00:04:55,329 --> 00:04:57,595
WHY IS THAT IMPORTANT?
77
00:04:57,697 --> 00:04:59,665
WHOEVER DID THIS, MADAM,
IS SOMEONE YOU KNOW.
78
00:04:59,766 --> 00:05:02,300
HOW COULD YOU KNOW THAT?
79
00:05:02,402 --> 00:05:04,769
IF YOU CANNOT USE
YOUR OWN BRAIN,
80
00:05:04,872 --> 00:05:07,072
MR. GOODWIN WILL
EXPLAIN, EXCUSE ME.
81
00:05:07,173 --> 00:05:10,208
WELL, AH... ISN'T THERE
SOME SORT OF RETAINER?
82
00:05:10,310 --> 00:05:11,977
YES, A DOLLAR, A HUNDRED,
83
00:05:12,079 --> 00:05:13,444
A THOUSAND, IT DOESN'T MATTER.
84
00:05:13,547 --> 00:05:15,391
WOLFE'S MIND WAS ON
THE SHAD ROE CASSEROLE
85
00:05:15,415 --> 00:05:16,681
SLATED FOR LUNCH.
86
00:05:16,783 --> 00:05:18,895
HE AND FRITZ HAD A DISAGREEMENT
OVER THE USE OF ONION,
87
00:05:18,919 --> 00:05:20,730
WHICH HAD NEVER BEEN RESOLVED.
88
00:05:20,754 --> 00:05:22,620
MRS. VALDON, PERHAPS WE
SHOULD GO TO YOUR PLACE
89
00:05:22,723 --> 00:05:25,023
AND RETRIEVE THE
BABY'S CLOTHES AND, AH...
90
00:05:25,125 --> 00:05:26,457
WHOA...
91
00:05:26,560 --> 00:05:28,727
AH, CONDUCT THE REST
OF THE INTERVIEW THERE.
92
00:05:28,829 --> 00:05:30,729
OH, YES, ALL RIGHT.
93
00:05:30,831 --> 00:05:32,530
WELL, HERE WE ARE.
94
00:05:32,633 --> 00:05:33,965
MRS. VALDON.
95
00:05:34,067 --> 00:05:35,934
WELL, NICE DIGS.
96
00:05:36,036 --> 00:05:38,970
YES, I LOVE THIS HOUSE.
97
00:05:39,072 --> 00:05:41,773
MY GREAT GRANDFATHER BUILT IT.
98
00:05:41,875 --> 00:05:46,477
ONE THING I KNOW FOR SURE
IS THAT DICK LOVED THIS HOUSE.
99
00:05:46,580 --> 00:05:48,546
MRS. VALDON...
100
00:05:48,648 --> 00:05:50,159
HERE ARE YOUR INVITATIONS.
101
00:05:50,183 --> 00:05:52,016
OH, THANK YOU, MISS MIMM.
102
00:05:52,118 --> 00:05:55,586
YES, RIGHT THIS WAY,
WE'LL SIT IN THE SALON.
103
00:05:57,090 --> 00:05:58,890
NO.
104
00:05:58,992 --> 00:06:03,761
AH... YES, YES.
105
00:06:03,864 --> 00:06:05,997
OH, YES, IN FACT,
BUY A WHOLE TABLE.
106
00:06:06,100 --> 00:06:07,732
SIT.
107
00:06:07,835 --> 00:06:10,535
IS THERE ANYONE WHO MIGHT HAVE
108
00:06:10,637 --> 00:06:12,148
HAD IT IN FOR YOU, MRS. VALDON?
109
00:06:12,172 --> 00:06:13,572
IN FOR ME?
110
00:06:13,674 --> 00:06:16,307
NO, BUT SEND THEM REGRETS.
111
00:06:16,409 --> 00:06:19,710
HATED YOU ENOUGH TO
SADDLE YOU WITH A LOOSE BABY?
112
00:06:19,812 --> 00:06:22,447
NO... NO, BUT WRITE THEM A NOTE.
113
00:06:25,085 --> 00:06:27,952
THE ARMSTEAD'S ARE A RATHER
DULL BUT RESPONSIBLE FAMILY.
114
00:06:28,054 --> 00:06:29,454
NO ONE HATES US.
115
00:06:29,556 --> 00:06:32,524
MY ONLY CONTROVERSIAL
HOBBY IS KILLER FOG.
116
00:06:32,625 --> 00:06:34,458
FOG KILLS?
117
00:06:34,560 --> 00:06:37,061
32 PEOPLE IN 1948.
118
00:06:37,163 --> 00:06:39,197
A SMALL, LITTLE COAL
TOWN IN PENNSYLVANIA.
119
00:06:39,299 --> 00:06:41,411
WHAT DID THEY DO,
GET LOST IN THE FOG
120
00:06:41,435 --> 00:06:43,813
AND FALL DOWN INTO THE
MINE OR SOMETHING LIKE THAT?
121
00:06:43,837 --> 00:06:45,470
THERE IS NO HUMOR IN IT.
122
00:06:45,572 --> 00:06:48,106
OH NO, NO, NONE, REALLY.
123
00:06:48,208 --> 00:06:51,242
IT'S GOING TO HAPPEN
RIGHT HERE IN NEW YORK CITY.
124
00:06:51,344 --> 00:06:53,144
YOU MARK MY WORDS.
125
00:06:54,847 --> 00:06:56,047
IT'S THE CARS.
126
00:06:56,149 --> 00:06:57,660
I SAY BAN THEM
ALL, BAN THE CARS,
127
00:06:57,684 --> 00:06:59,629
BAN THE SUBWAY, WE
SHOULD ALL WALK TO WORK.
128
00:06:59,653 --> 00:07:01,319
THAT'S WHAT I SAY!
129
00:07:02,689 --> 00:07:04,589
OH, THERE HE IS.
130
00:07:04,691 --> 00:07:07,892
WELL, HELLO, HELLO, HELLO.
131
00:07:07,994 --> 00:07:10,695
I'D INTRODUCE YOU BUT
I'M NOT GONNA NAME HIM
132
00:07:10,797 --> 00:07:13,865
UNTIL I DECIDE TO KEEP HIM.
133
00:07:13,967 --> 00:07:17,568
AH... HELLO.
134
00:07:17,671 --> 00:07:19,470
YOU KNOW, I BETTER NOT.
135
00:07:19,572 --> 00:07:21,484
I HAVEN'T READ THE
INSTRUCTION MANUAL.
136
00:07:21,508 --> 00:07:23,474
SORRY, THERE.
137
00:07:23,576 --> 00:07:25,710
WELL, I'M CONSIDERING MOSES
138
00:07:25,812 --> 00:07:29,948
'CAUSE MOSES DIDN'T KNOW
WHO HIS FATHER WAS, EITHER.
139
00:07:30,050 --> 00:07:32,683
AH, MISS MIMM, SHOW
MR. GOODWIN TO THE NURSERY
140
00:07:32,786 --> 00:07:35,454
AND HELP HIM PACK UP THE
CLOTHING THE BABY CAME IN.
141
00:07:35,556 --> 00:07:36,888
NOW?
142
00:07:36,990 --> 00:07:38,623
YES, PLEASE, GO ALONG.
143
00:07:38,725 --> 00:07:41,859
HELLO... YOU WANNA
PLAY THE PIANO?
144
00:08:05,118 --> 00:08:07,451
OH... HELLO.
145
00:08:07,554 --> 00:08:09,687
HELLO, YES, I NEED
THOSE NAMES, NOW.
146
00:08:09,789 --> 00:08:13,191
OH, I TOLD YOU, HIS BEST
FRIENDS WERE LEO BINGHAM,
147
00:08:13,293 --> 00:08:15,192
WILLIS KRUG AND JULIAN HAFT.
148
00:08:15,295 --> 00:08:17,929
NO, NO, NO, I MEAN
THE FEMALE ONES...
149
00:08:18,031 --> 00:08:19,831
CANDIDATES.
150
00:08:19,933 --> 00:08:23,301
LOOK, I KNOW IT MUST
BE HARD TO NAME...
151
00:08:23,403 --> 00:08:27,172
WOMEN THAT DICK MIGHT
HAVE PLAYED HOUSE WITH BUT...
152
00:08:27,274 --> 00:08:29,840
THE PROBLEM IS NOT THAT
IT'S HARD, MR. GOODWIN.
153
00:08:29,942 --> 00:08:32,911
IT'S THAT IT'S SO EASY.
154
00:08:33,013 --> 00:08:34,679
THERE'S A LIST.
155
00:08:34,781 --> 00:08:36,314
YOU KNOW WHAT?
156
00:08:36,416 --> 00:08:37,960
I WOULD LIKE A
MARTINI, WOULD YOU?
157
00:08:37,984 --> 00:08:39,884
IS IT TOO EARLY, OR WHAT?
158
00:08:39,986 --> 00:08:42,153
WELL, AH...
159
00:08:42,256 --> 00:08:46,357
I, AH... AHEM, I MIGHT
AS WELL BE SOCIABLE.
160
00:08:46,459 --> 00:08:49,460
ONE OF MY FUNCTIONS IS
TO UNDERSTAND THE WOMEN
161
00:08:49,563 --> 00:08:52,363
WE'RE DEALING WITH SINCE
WOLFE IS SO HOPELESS AT IT.
162
00:08:52,465 --> 00:08:55,400
OH, SO IT'S PART OF YOUR JOB?
163
00:08:55,502 --> 00:08:57,102
SURE.
164
00:08:57,204 --> 00:08:59,604
ARE YOU AN EXPERT AT IT?
165
00:08:59,706 --> 00:09:01,472
SOME HAVE SAID SO, YES.
166
00:09:01,574 --> 00:09:04,875
AH, KEEP PLAYING AND I'LL, UH...
167
00:09:04,977 --> 00:09:06,912
MAKE SOME MARTINIS.
168
00:09:07,013 --> 00:09:08,713
I LIKE IT FIVE TO ONE, YOU?
169
00:09:08,815 --> 00:09:10,382
OH, OF COURSE.
170
00:09:26,600 --> 00:09:28,099
THERE WE ARE.
171
00:09:30,771 --> 00:09:34,439
OH, NO, NO, NO, YOU
CAN'T JUST DRINK IT.
172
00:09:34,541 --> 00:09:37,575
WE MUST BE CIVILIZED
AND OBSERVE A RITUAL.
173
00:09:37,677 --> 00:09:40,978
YOU TAKE A SIP OF MINE
AND I TAKE A SIP OF YOURS.
174
00:09:41,080 --> 00:09:43,147
THAT'S A FINE, OLD,
PERSIAN CUSTOM
175
00:09:43,249 --> 00:09:45,116
USED TO FOIL POISONINGS.
176
00:09:50,657 --> 00:09:52,023
WHAT AM I DOING?
177
00:09:52,125 --> 00:09:53,858
WHY DID I DO THAT?
178
00:09:53,960 --> 00:09:55,893
YOU KNOW, MR. WOLFE
SAYS WE NEVER
179
00:09:55,996 --> 00:09:58,496
GET TO THE "WHY"
OF ANYTHING, SO...
180
00:09:58,599 --> 00:10:01,043
AND EARLIER, I ALMOST
CALLED YOU "ARCHIE".
181
00:10:01,067 --> 00:10:02,934
WELL, MY NAME'S ARCHIE.
182
00:10:03,036 --> 00:10:04,435
ARE YOU A HYPNOTIST?
183
00:10:04,537 --> 00:10:05,703
NO.
184
00:10:05,805 --> 00:10:07,450
WELL, I'M NOT TRYING TO FLIRT.
185
00:10:07,474 --> 00:10:09,574
I DON'T EVEN KNOW HOW TO FLIRT.
186
00:10:09,676 --> 00:10:12,076
YOU KNOW, MEN AND WOMEN FLIRT.
187
00:10:12,178 --> 00:10:13,944
HORSES FLIRT, PARAKEETS FLIRT.
188
00:10:14,046 --> 00:10:15,880
UNDOUBTEDLY, OYSTERS FLIRT
189
00:10:15,982 --> 00:10:17,622
BUT THEY MUST HAVE
SOME SPECIAL, LITTLE...
190
00:10:21,354 --> 00:10:23,921
DON'T FORGET THE BABY'S CLOTHES
WHEN YOU GO, MR. GOODWIN.
191
00:10:26,926 --> 00:10:28,926
WAS IT THE OYSTERS?
192
00:10:34,467 --> 00:10:36,100
WHAT THE DEVIL IS THIS?
193
00:10:36,202 --> 00:10:38,135
AH, THIS IS BABY PARAPHERNALIA.
194
00:10:38,237 --> 00:10:41,872
THERE ARE NO LAUNDRY
MARKS OR STORE LABELS.
195
00:10:41,975 --> 00:10:44,041
BUT THERE IS ONE
ITEM THAT MIGHT HELP
196
00:10:44,144 --> 00:10:45,476
IF YOU DON'T SPOT IT YOURSELF,
197
00:10:45,578 --> 00:10:46,978
THEN IT MAY NOT BE
WORTH MENTIONING.
198
00:10:50,083 --> 00:10:51,549
DID YOU GET THE NAMES?
199
00:10:51,651 --> 00:10:53,217
YES, WOULD YOU LIKE IT VERBATIM?
200
00:10:53,319 --> 00:10:55,219
NOT IF YOU'RE SATISFIED.
201
00:10:55,321 --> 00:10:56,353
I AM.
202
00:10:56,455 --> 00:10:57,689
WHAT ELSE?
203
00:10:57,791 --> 00:10:59,902
WELL, THERE IS A MONET AND A
MUNCH IN THE FRONT HALLWAY
204
00:10:59,926 --> 00:11:02,927
AND, ALSO, AN ANTIQUE SALOR RUG.
205
00:11:03,029 --> 00:11:04,295
IS IT A REAL SALOR?
206
00:11:04,397 --> 00:11:06,631
YES, I BELIEVE IT WAS...
NOW, I'M IN BAD WITH HER
207
00:11:06,733 --> 00:11:08,900
'CAUSE I FORGOT SHE WAS AN
ARMSTEAD AND I'M A PEASANT.
208
00:11:09,002 --> 00:11:10,234
BUT SHE'LL SLEEP IT OFF.
209
00:11:10,336 --> 00:11:12,515
MAYBE YOU BETTER
REPORT VERBATIM.
210
00:11:12,539 --> 00:11:14,338
OH, NO, NOT
NECESSARY, I'M SATISFIED.
211
00:11:14,441 --> 00:11:16,574
ANY SUGGESTIONS?
212
00:11:16,677 --> 00:11:19,043
YES, TELL HER THAT
YOU'VE DISCOVERED
213
00:11:19,145 --> 00:11:20,512
THAT THE BABY IS MINE
214
00:11:20,613 --> 00:11:22,024
AND IF SHE'LL MARRY
ME, SHE CAN HAVE IT...
215
00:11:22,048 --> 00:11:23,615
SHUT UP.
216
00:11:23,717 --> 00:11:27,318
THE BUTTONS ON THAT
GARMENT SEEM INAPPROPRIATE.
217
00:11:27,420 --> 00:11:29,131
THEY APPEAR TO BE
MADE OF HORSEHAIR.
218
00:11:29,155 --> 00:11:32,290
THERE'S A CONSIDERABLE
VARIATION IN SIZE AND SHAPE.
219
00:11:32,392 --> 00:11:34,437
COULDN'T POSSIBLY HAVE
BEEN MADE BY A MACHINE.
220
00:11:34,461 --> 00:11:35,793
WELL, CONGRATULATIONS.
221
00:11:35,895 --> 00:11:38,863
SHOULD I APOLOGIZE FOR PULLING
A FEATHER FROM YOUR CAP?
222
00:11:38,965 --> 00:11:40,765
NAH, WE'LL SPLIT IT.
223
00:11:40,867 --> 00:11:43,768
AH, THE BRAND LABEL
APPEARS TO BE "LITTLE CHERUB"
224
00:11:43,870 --> 00:11:46,404
WHICH IS LOCATED IN
THE GARMENT DISTRICT.
225
00:11:46,506 --> 00:11:49,173
I'LL GO THERE AND
SEE WHAT THEY KNOW.
226
00:11:53,246 --> 00:11:54,723
THE GARMENT DISTRICT OF NEW YORK
227
00:11:54,747 --> 00:11:56,492
IS NO PLACE TO GO FOR A STROLL.
228
00:11:56,516 --> 00:11:59,050
I VISITED THREE BABY OUTFITTERS
AND FOUR BUTTON FIRMS
229
00:11:59,152 --> 00:12:01,232
ASKING ABOUT HOME-MADE
HORSEHAIR BUTTONS
230
00:12:01,321 --> 00:12:03,787
AND NOBODY KNEW
AND NOBODY CARED.
231
00:12:05,591 --> 00:12:07,358
THEN I SAW A SIGN,
232
00:12:07,460 --> 00:12:09,271
"MR. LOSSOFF'S
DISTINGUISHED BUTTONS".
233
00:12:09,295 --> 00:12:11,462
I WOULD'VE GONE THERE
FIRST HAD I KNOWN.
234
00:12:15,235 --> 00:12:17,201
I AM SEARCHING FOR SOME...
235
00:12:26,112 --> 00:12:27,756
WHAT CAN YOU TELL
ME ABOUT THESE?
236
00:12:27,780 --> 00:12:30,314
OOH... OOH...
237
00:12:30,417 --> 00:12:31,448
MMM...
238
00:12:33,653 --> 00:12:35,920
WHERE DID YOU FIND THIS BUTTON?
239
00:12:36,022 --> 00:12:37,388
HEY, THAT'S MY LINE.
240
00:12:37,490 --> 00:12:39,568
YOU'RE A BUTTON MAN? A WHAT?
241
00:12:39,592 --> 00:12:41,225
BUTTONS, BUTTONS,
ARE YOU A BUTTON MAN?
242
00:12:41,327 --> 00:12:43,005
AH, NO, NO, NO, NO.
243
00:12:43,029 --> 00:12:44,595
SEE, THE THING IS,
244
00:12:44,697 --> 00:12:46,208
I FOUND THESE OVERALLS
AND I WAS TRYING...
245
00:12:46,232 --> 00:12:47,777
LET ME TELL YOU
SOMETHING, YOU LISTEN UP.
246
00:12:47,801 --> 00:12:49,721
I KNOW EVERYTHING THERE
IS TO KNOW ABOUT BUTTONS.
247
00:12:49,803 --> 00:12:53,137
I HAVE, IN FACT, THE MOST
EXTENSIVE BUTTON COLLECTION...
248
00:12:53,239 --> 00:12:54,405
IN ALL THE WORLD.
249
00:12:54,507 --> 00:12:56,374
I HAVE SOLD BUTTONS TO
THE DUCHESS OF WINDSOR,
250
00:12:56,476 --> 00:12:58,176
THE QUEEN OF ENGLAND,
251
00:12:58,278 --> 00:12:59,977
TO THE GREAT, GREAT,
GREAT BETTE DAVIS
252
00:13:00,079 --> 00:13:02,914
AND I ALSO LIKE TO
DONATE BUTTONS.
253
00:13:03,015 --> 00:13:05,015
I HAVE, TO FIVE
DIFFERENT MUSEUMS
254
00:13:05,118 --> 00:13:06,583
IN NINE DIFFERENT COUNTRIES.
255
00:13:06,685 --> 00:13:08,652
AND I HAVE NEVER,
ABSOLUTELY NEVER,
256
00:13:08,754 --> 00:13:10,587
MET A MAN WHO COULD
SHOW ME A BUTTON
257
00:13:10,690 --> 00:13:13,024
THAT I COULD NOT PICK OUT
IMMEDIATELY, PICK 'EM OUT.
258
00:13:13,126 --> 00:13:16,394
THAT IS, OF COURSE,
UH, UNTIL YOU...
259
00:13:16,496 --> 00:13:17,839
ALL RIGHT, YOU LISTEN TO ME.
260
00:13:17,863 --> 00:13:19,241
I'VE LISTENED, NOW
IT'S YOUR TURN.
261
00:13:19,265 --> 00:13:20,910
I KNOW LESS ABOUT BUTTONS THAN
ANY MAN IN THE WORLD, AND YET,
262
00:13:20,934 --> 00:13:22,745
I NEED TO KNOW ABOUT THESE
BUTTONS AND YOU CAN'T TELL ME.
263
00:13:22,769 --> 00:13:23,929
WELL, I ADMIT, THAT'S TRUE...
264
00:13:23,970 --> 00:13:25,781
BUT YOU'RE THE BUTTON
MAN. I AM THE BUTTON MAN!
265
00:13:25,805 --> 00:13:27,349
I KNOW EVERYTHING
THERE IS ABOUT BUTTONS...
266
00:13:27,373 --> 00:13:28,784
ALL RIGHT, LET ME ASK YOU THIS.
267
00:13:28,808 --> 00:13:29,952
WERE THEY MADE BY MACHINE?
268
00:13:29,976 --> 00:13:31,253
OH, COME ON, DON'T
BE RIDICULOUS.
269
00:13:31,277 --> 00:13:32,843
THIS IS... THIS IS HORSEHAIR.
270
00:13:32,945 --> 00:13:34,145
HORSEHAIRS?
271
00:13:34,247 --> 00:13:36,281
YES, EACH BUTTON
WAS MADE BY HAND.
272
00:13:36,382 --> 00:13:39,050
IT TOOK HOURS, THE TECHNIQUE
I'M NOT EVEN FAMILIAR WITH.
273
00:13:39,152 --> 00:13:41,419
I'LL BUY IT FROM YOU,
ADD IT TO MY COLLECTION.
274
00:13:41,521 --> 00:13:42,854
WELL, I'LL SEE IF I CAN.
275
00:13:42,956 --> 00:13:45,267
I RECOGNIZE A BUTTON FIEND
WHEN I SEE ONE, BUT, AH...
276
00:13:45,291 --> 00:13:46,991
NO... NO.
277
00:13:47,093 --> 00:13:48,373
I REALLY MUST GO.
278
00:13:48,428 --> 00:13:49,927
THAT'S RIGHT, EASY.
279
00:13:59,238 --> 00:14:00,471
WELL?
280
00:14:00,574 --> 00:14:02,351
I JUST MET A MAN WHO KNOWS
AS MUCH ABOUT BUTTONS
281
00:14:02,375 --> 00:14:03,655
AS YOU DO ABOUT FOOD.
282
00:14:03,710 --> 00:14:05,087
HE SAID HE'S NEVER SEEN
ANYTHING LIKE THESE BUTTONS.
283
00:14:05,111 --> 00:14:07,679
HE SAID SOMEBODY MUST HAVE
TAKEN HOURS TO MAKE EACH ONE.
284
00:14:07,781 --> 00:14:09,614
SATISFACTORY.
285
00:14:09,716 --> 00:14:13,518
OH, AH, IS THERE TIME TO PUT
AN AD IN TOMORROW'S PAPER?
286
00:14:13,620 --> 00:14:15,053
TIMES, NEWS AND GAZETTE.
287
00:14:15,155 --> 00:14:16,498
WELL, IF I HOP ON IT,
I CAN GET ALL THREE
288
00:14:16,522 --> 00:14:18,334
IF I WAIT, IT'LL BE
THE GAZETTE ONLY.
289
00:14:18,358 --> 00:14:19,724
THEN WE'LL PLACE AN AD IN EACH.
290
00:14:19,826 --> 00:14:21,926
BOLD FACED, 36-POINT TYPE.
291
00:14:22,028 --> 00:14:24,295
$100 TO BE GIVEN
TO THE FIRST PERSON
292
00:14:24,397 --> 00:14:26,297
TO PROVIDE INFORMATION
LEADING TO THE MAKER
293
00:14:26,399 --> 00:14:30,134
BY HAND OF WHITE HORSEHAIR
BUTTONS, IRREGULAR IN SIZE.
294
00:14:35,642 --> 00:14:37,420
BY 8:00 A.M. THE NEXT MORNING,
295
00:14:37,444 --> 00:14:39,477
THE AD HAD FLUSHED
OUT BEATRICE EPPS,
296
00:14:39,579 --> 00:14:42,146
WHO ONLY HAD ONE THING
ON HER BEADY, LITTLE MIND.
297
00:14:42,248 --> 00:14:43,814
HOW DO I KNOW YOU'LL PAY ME?
298
00:14:43,916 --> 00:14:45,149
YOU DON'T.
299
00:14:45,252 --> 00:14:46,796
NATURALLY, WHAT YOU TELL
ME WILL HAVE TO BE USEFUL.
300
00:14:46,820 --> 00:14:48,230
YOU COULD TELL ME YOU
KNEW A MAN IN SINGAPORE
301
00:14:48,254 --> 00:14:50,066
WHO MADE HORSEHAIR
BUTTONS BUT NOW HE'S DEAD.
302
00:14:50,090 --> 00:14:52,756
I'VE NEVER BEEN TO SINGAPORE.
303
00:14:52,858 --> 00:14:56,360
EXACTLY, YES, AH, SO
WHERE'D YOU SEE THEM?
304
00:14:56,462 --> 00:14:58,896
ON A GIRL'S BLOUSE.
305
00:14:58,998 --> 00:15:01,198
SHE FILLED IN AT THE
OFFICE FOR A MONTH.
306
00:15:01,301 --> 00:15:03,067
FROM STOPGAP EMPLOYMENT AGENCY.
307
00:15:03,169 --> 00:15:05,615
AH-HA, DO THEY LOOK
ANYTHING LIKE THESE?
308
00:15:05,639 --> 00:15:07,504
EXACTLY LIKE THAT.
309
00:15:07,606 --> 00:15:09,740
SHE SAID HER AUNT MADE
THEM OUT OF HORSEHAIR.
310
00:15:09,842 --> 00:15:11,276
AND WHAT'S HER NAME?
311
00:15:11,377 --> 00:15:13,444
I SUPPOSE I HAVE TO TELL YOU.
312
00:15:17,717 --> 00:15:19,450
ANNE.
313
00:15:19,552 --> 00:15:21,185
HER NAME'S ANNE TENZER.
314
00:15:21,287 --> 00:15:22,953
YOU'LL PROBABLY
FIND HER ATTRACTIVE.
315
00:15:23,056 --> 00:15:24,621
EVERYBODY ELSE DID.
316
00:15:24,724 --> 00:15:26,690
THANKS.
317
00:15:32,999 --> 00:15:34,298
MISS EPPS WAS RIGHT.
318
00:15:34,400 --> 00:15:36,445
MISS TENZER PROBABLY
AROUSED IN MANY MEN
319
00:15:36,469 --> 00:15:37,568
THE FEELINGS NECESSARY
320
00:15:37,670 --> 00:15:39,314
FOR THE PROPAGATION
OF THE SPECIES.
321
00:15:39,338 --> 00:15:41,405
PERHAPS EVEN RICHARD VALDON.
322
00:15:41,507 --> 00:15:42,773
MR. GOODWIN.
323
00:15:42,875 --> 00:15:44,475
MISS TENZER.
324
00:15:47,413 --> 00:15:50,181
AHEM, YES, YES.
325
00:15:50,283 --> 00:15:54,084
AHEM, YOU RECOGNIZE THESE?
326
00:15:54,186 --> 00:15:55,498
OF COURSE I RECOGNIZE THEM.
327
00:15:55,522 --> 00:15:56,420
DRINKS?
328
00:15:56,522 --> 00:15:58,200
WHAT'LL YOU HAVE? BLOODY MARY.
329
00:15:58,224 --> 00:15:59,623
A GLASS OF MILK FOR ME.
330
00:15:59,725 --> 00:16:01,325
SO...
331
00:16:01,427 --> 00:16:02,872
THEY'RE MADE BY MY AUNT ELLEN.
332
00:16:02,896 --> 00:16:04,707
IT TAKES HER FOREVER
JUST TO MAKE ONE.
333
00:16:04,731 --> 00:16:07,331
WINDING HORSEHAIR
AROUND AND AROUND
334
00:16:07,433 --> 00:16:08,832
ISN'T MUCH OF A HOBBY.
335
00:16:08,934 --> 00:16:12,070
BUT THERE'S NOT REALLY
MUCH ELSE TO DO IN MAHOPAC.
336
00:16:12,172 --> 00:16:16,473
DON'T TELL ME THAT SOMEBODY
SAW ME WEARING THESE.
337
00:16:16,575 --> 00:16:18,976
THEY'D BARELY FIT.
338
00:16:19,078 --> 00:16:21,312
YES... KIND OF
SPECIAL HOW I GOT 'EM,
339
00:16:21,414 --> 00:16:22,558
WOULD YOU LIKE TO HEAR ABOUT IT?
340
00:16:22,582 --> 00:16:24,782
NO. OH.
341
00:16:24,884 --> 00:16:28,152
THAT'S MY ONE FAULT, I'M NOT
REALLY INTERESTED IN ANYTHING
342
00:16:28,254 --> 00:16:29,653
THAT DOESN'T INVOLVE ME.
343
00:16:29,755 --> 00:16:32,123
YEAH...
344
00:16:32,225 --> 00:16:34,236
NOW, HAVEN'T WE HAD
ENOUGH ABOUT BUTTONS?
345
00:16:34,260 --> 00:16:36,227
SURE, SURE, LET'S
TALK ABOUT WORK.
346
00:16:36,329 --> 00:16:37,928
I COLLECT BUTTONS,
347
00:16:38,031 --> 00:16:39,675
AND YOU WORK FOR STOPGAP
EMPLOYMENT SERVICES.
348
00:16:39,699 --> 00:16:41,866
HOW MANY GAPS
NEED TO BE STOPPED?
349
00:16:41,968 --> 00:16:44,201
OH, I'M VERY, VERY BUSY.
350
00:16:44,303 --> 00:16:49,840
VERY SPECIAL, WHEN A PRIVATE
SECRETARY TO A BIG EXECUTIVE
351
00:16:49,942 --> 00:16:55,279
GETS MARRIED OR FIRED
BY THE BOSS'S WIFE,
352
00:16:55,382 --> 00:16:57,414
I'M THE ONE THEY ASK FOR.
353
00:16:57,516 --> 00:17:00,484
HMM, BECAUSE THE
BOSS'S WIVES LIKE YOU?
354
00:17:00,587 --> 00:17:02,420
I'M MORE LIKE REVENGE.
355
00:17:02,522 --> 00:17:03,821
AH.
356
00:17:03,923 --> 00:17:05,389
HERE YOU ARE.
357
00:17:05,491 --> 00:17:08,026
ALL RIGHT, HERE WE ARE.
358
00:17:10,730 --> 00:17:12,029
SO, AHEM...
359
00:17:12,131 --> 00:17:16,934
YOU WORK FOR BIG
EXECUTIVES, TELL ME THIS,
360
00:17:17,036 --> 00:17:21,972
YOU EVER WORK FOR A SCIENTIST
OR, SAY, A FAMOUS AUTHOR?
361
00:17:22,074 --> 00:17:23,373
HA-HA.
362
00:17:23,475 --> 00:17:26,510
NO, NO, NO, THEY
COULDN'T AFFORD ME.
363
00:17:31,117 --> 00:17:33,028
I GOT HOME AND GAVE
WOLFE THE FACTS.
364
00:17:33,052 --> 00:17:34,885
WHEN I FINISHED, HE SAID...
365
00:17:34,987 --> 00:17:36,687
SATISFACTORY.
366
00:17:36,789 --> 00:17:40,023
THEN HE DECIDED THAT
WAS AN UNDERSTATEMENT.
367
00:17:40,126 --> 00:17:41,692
VERY SATISFACTORY.
368
00:17:41,795 --> 00:17:43,427
AND I COULD USE A RAISE.
369
00:17:43,530 --> 00:17:45,296
NO DOUBT.
370
00:17:48,134 --> 00:17:49,366
GET SAUL NOW.
371
00:17:49,468 --> 00:17:50,701
WHY?
372
00:17:50,803 --> 00:17:52,781
I DIDN'T SAY I'D QUIT
IF I DIDN'T GET A RAISE.
373
00:17:52,805 --> 00:17:54,105
MERELY THAT I COULD USE ONE.
374
00:17:54,207 --> 00:17:56,474
AND I SAID, "NO DOUBT."
YOU WILL GO TO MAHOPAC.
375
00:17:56,576 --> 00:17:58,776
MEANWHILE, SAUL WILL
LEARN WHETHER MISS TENZER
376
00:17:58,878 --> 00:18:00,178
GAVE BIRTH TO THAT BABY.
377
00:18:00,280 --> 00:18:02,279
HE WILL DO SO
WITHOUT STIRRING DUST.
378
00:18:02,381 --> 00:18:06,216
INDUBITABLY, HE IS THE
SEVENTH SON OF A SEVENTH SON.
379
00:18:08,721 --> 00:18:10,387
AND SADLY, MY FRIENDS,
380
00:18:10,490 --> 00:18:13,524
THAT IS HOW THE GOVERNMENT
HAS LEFT THE SITUATION
381
00:18:13,626 --> 00:18:15,626
IN EASTERN PENNSYLVANIA.
382
00:18:15,728 --> 00:18:18,862
NOW, LAST DECEMBER,
WHEN A THICK FOG
383
00:18:18,964 --> 00:18:24,768
INTENSIFIED BY COAL TAR SMOKE
COVERED LONDON FOR THREE DAYS,
384
00:18:24,870 --> 00:18:28,305
4,703 PEOPLE DIED.
385
00:18:30,075 --> 00:18:34,044
NOW, AN ANALYSIS OF
THE AIR SHOWS LEVELS OF
386
00:18:34,146 --> 00:18:37,181
SULFUR DIOXIDE AND
CARBON MONOXIDE
387
00:18:37,283 --> 00:18:39,683
WHICH INCREASED WHENEVER
THE TEMPERATURE ROSE
388
00:18:39,785 --> 00:18:42,153
OVER A FOUR-DAY PERIOD.
389
00:18:42,255 --> 00:18:44,622
YOU COULD NOT SEE
ACROSS THE STREET.
390
00:18:44,724 --> 00:18:48,058
THE FOG WAS SO THICK.
391
00:18:48,161 --> 00:18:50,881
I STOPPED BY ON
MY WAY OUT OF TOWN
392
00:18:50,963 --> 00:18:53,664
TO BRIEF THE CLIENT ON
OUR REMARKABLE PROGRESS.
393
00:18:53,766 --> 00:18:56,033
BUT SHE WAS ALL
WRAPPED UP IN FOG.
394
00:18:56,135 --> 00:18:57,401
ON HER, IT LOOKED GOOD.
395
00:18:57,503 --> 00:19:01,339
DENY THAT THE FOG HAD
ANYTHING TO DO WITH THE DEATHS.
396
00:19:14,020 --> 00:19:15,497
THERE'S A CHURCH ON THE ONE SIDE
397
00:19:15,521 --> 00:19:17,499
AND A RESTAURANT
ON THE OTHER SIDE.
398
00:19:17,523 --> 00:19:19,390
AND MAKE A LEFT-HAND TURN
399
00:19:19,492 --> 00:19:21,570
THREE OR FOUR MILES
DOWN THE ROAD THERE,
400
00:19:21,594 --> 00:19:23,572
YOU'LL REACH YOUR POINT, OKAY?
401
00:19:23,596 --> 00:19:24,676
FINE.
402
00:19:29,601 --> 00:19:30,761
GOOD LUCK.
403
00:19:32,071 --> 00:19:34,104
AFTER CONFERRING
WITH THE LOCAL SAGE,
404
00:19:34,207 --> 00:19:36,574
I FOUND AUNT ELLEN'S
COTTAGE OFF THE BEATEN PATH.
405
00:19:54,260 --> 00:19:57,428
WELL, WHAT BRINGS
YOU OUT THIS WAY?
406
00:19:57,530 --> 00:19:59,496
AH, ELLEN TENZER?
407
00:19:59,598 --> 00:20:01,032
YES?
408
00:20:01,133 --> 00:20:02,977
MY NAME'S ARCHIE GOODWIN,
I'M IN THE BUTTON BUSINESS.
409
00:20:03,001 --> 00:20:04,135
I UNDERSTAND YOU ARE, TOO.
410
00:20:04,237 --> 00:20:06,282
I'M PARTICULARLY INTERESTED
IN YOUR HORSEHAIR BUTTONS.
411
00:20:06,306 --> 00:20:07,638
BUTTONS, NOW...
412
00:20:07,740 --> 00:20:09,685
WHY WOULD YOU THINK
THAT I MAKE BUTTONS?
413
00:20:09,709 --> 00:20:12,149
AH, WELL, YOU'D LIKE ME BETTER
IF I SAID IT WAS FOR ART'S SAKE
414
00:20:12,245 --> 00:20:14,478
BUT, WELL, I'M IN THE
BUTTON BUSINESS.
415
00:20:14,580 --> 00:20:15,946
YEAH, SO YOU SAID.
416
00:20:16,048 --> 00:20:19,216
WELL, I ONLY HAVE
ABOUT 17 RIGHT NOW.
417
00:20:19,319 --> 00:20:20,517
17, HUH?
418
00:20:20,620 --> 00:20:22,920
WELL, YOU DON'T SUPPOSE I
COULD GET A GLASS OF WATER?
419
00:20:23,022 --> 00:20:24,922
IT WAS A VERY
LONG DRIVE UP HERE.
420
00:20:25,024 --> 00:20:26,957
SURE, COME ON IN.
421
00:20:27,060 --> 00:20:28,404
AUNT ELLEN DIDN'T SEEM SURPRISED
422
00:20:28,428 --> 00:20:31,028
TO FIND A BUTTON
COLLECTOR ON HER DOORSTEP.
423
00:20:31,130 --> 00:20:36,601
AND WHEN I SAW WOLFE'S AD ON
HER KITCHEN TABLE, I KNEW WHY.
424
00:20:36,702 --> 00:20:39,147
SO, HOW DID YOU HEAR
ABOUT MY BUTTONS?
425
00:20:39,171 --> 00:20:41,338
AH, THE BUTTON MAN.
426
00:20:41,441 --> 00:20:45,142
THIS IS VERY GOOD
WATER, DEEP WELL?
427
00:20:45,244 --> 00:20:47,945
ALL RIGHT, BUB, YOU'VE HAD
YOUR WATER, NOW MOVE ON.
428
00:20:48,047 --> 00:20:50,214
MISS TENZER, I JUST
DROVE 60 MILES...
429
00:20:50,316 --> 00:20:52,361
I DON'T CARE IF YOU
DROVE 600 MILES.
430
00:20:52,385 --> 00:20:53,662
I'M NOT GONNA SHOW
YOU MY BUTTONS
431
00:20:53,686 --> 00:20:55,330
AND I'M NOT GONNA
TALK TO YOU ABOUT THEM.
432
00:20:55,354 --> 00:20:56,854
NOW GET OUT!
433
00:21:01,594 --> 00:21:02,893
THE AUNT'S NOT THE MOTHER
434
00:21:02,995 --> 00:21:05,329
BUT SHE KNOWS WHO PUT
THE OVERALLS ON THE BABY.
435
00:21:05,431 --> 00:21:07,175
SHE MAY BE PHONING
THAT SOMEBODY RIGHT NOW
436
00:21:07,199 --> 00:21:08,310
BUT THAT CAN'T BE HELPED.
437
00:21:08,334 --> 00:21:09,878
NOW, I'M GONNA GO
BACK AND STAKE HER OUT.
438
00:21:09,902 --> 00:21:11,413
WE CAN COVER HER
AROUND THE CLOCK
439
00:21:11,437 --> 00:21:13,449
IF YOU SEND OUT
SAUL, FRED, AND ORRIE.
440
00:21:13,473 --> 00:21:14,772
WHEN WILL YOU EAT?
441
00:21:14,874 --> 00:21:16,240
MAYBE TOMORROW.
442
00:21:16,342 --> 00:21:17,641
Tomorrow?
443
00:21:24,517 --> 00:21:25,749
SHE'D LEFT.
444
00:21:25,851 --> 00:21:28,419
IT CALLED FOR PROFANITY
AND I USED SOME.
445
00:21:28,521 --> 00:21:30,654
I DON'T APOLOGIZE.
446
00:22:47,166 --> 00:22:49,010
WHO WOULD HAVE THOUGHT
THAT I COULD GET PLEASURE
447
00:22:49,034 --> 00:22:50,734
LOOKING AT BABY CLOTHES?
448
00:22:55,441 --> 00:22:57,519
FOR THE NEXT 18 HOURS,
SAUL PANZER, FRED DURKIN
449
00:22:57,543 --> 00:22:59,121
AND ORRIE CATHER, IN SHIFTS,
450
00:22:59,145 --> 00:23:02,045
HAD ELLEN TENZER'S
HOUSE UNDER WRAPS...
451
00:23:02,147 --> 00:23:03,947
BUT NOBODY CAME.
452
00:23:41,387 --> 00:23:43,554
DAMN IT, ORRIE, ARE YOU
SURE IT WAS STEBBINS?
453
00:23:43,656 --> 00:23:45,656
NO, NO, JUST COME IN.
454
00:23:45,758 --> 00:23:48,191
ALL RIGHT, THAT WAS
ORRIE, I TOLD HIM TO COME IN
455
00:23:48,293 --> 00:23:50,761
BECAUSE THE AUNT WILL NOT
BE COMING HOME, SHE'S DEAD.
456
00:23:50,863 --> 00:23:52,930
THREE MEN IN A STATE
POLICE CAR SHOWED UP
457
00:23:53,032 --> 00:23:54,498
AND ONE OF THEM
WAS PURLEY STEBBINS.
458
00:23:54,600 --> 00:23:55,977
NOW, IT DOESN'T TAKE
LUCK OR BRAINS TO KNOW
459
00:23:56,001 --> 00:23:57,479
THAT A HOMICIDE
SERGEANT DOES NOT GO TO
460
00:23:57,503 --> 00:23:59,736
PUTNAM COUNTY LOOKING
FOR WHITE HORSEHAIR BUTTONS.
461
00:23:59,838 --> 00:24:02,273
A PRESUMPTION IS
NOT A CERTAINTY.
462
00:24:02,375 --> 00:24:04,475
INVITE LON COHEN FOR LUNCH.
463
00:24:10,049 --> 00:24:13,117
ALL RIGHT, COME ON,
WHAT DO YOU WANNA KNOW?
464
00:24:13,219 --> 00:24:15,785
I'M NOT HERE BECAUSE
YOU ENJOY MY COMPANY.
465
00:24:19,725 --> 00:24:22,125
WHAT DO YOU KNOW ABOUT A
WOMAN NAMED TENZER, ELLEN TENZER?
466
00:24:22,228 --> 00:24:23,905
NO NEED TO BE SO DAMN
ROUNDABOUT, ARCHIE,
467
00:24:23,929 --> 00:24:25,840
IF YOU WANNA KNOW ABOUT
A MURDER, JUST SAY SO.
468
00:24:25,864 --> 00:24:27,965
SO.
469
00:24:30,302 --> 00:24:33,103
OKAY, ELLEN TENZER, HUH?
470
00:24:33,205 --> 00:24:34,537
WELL, ABOUT 6:00 THIS MORNING
471
00:24:34,639 --> 00:24:36,172
A COP WAS ASKED TO
INVESTIGATE A BODY
472
00:24:36,274 --> 00:24:37,875
THAT WAS ON A FIRE
ESCAPE ON 38th STREET.
473
00:24:37,977 --> 00:24:39,843
HE INVESTIGATED, IT WAS...
474
00:24:39,946 --> 00:24:41,978
ELLEN TENZER AND
SHE'D BEEN STRANGLED.
475
00:24:42,080 --> 00:24:43,280
THERE WAS A PIECE OF CORD
476
00:24:43,382 --> 00:24:45,302
STILL WRAPPED AROUND HER THROAT.
477
00:24:45,351 --> 00:24:47,217
HAPPY NOW?
478
00:24:47,320 --> 00:24:49,252
WHO WAS SHE?
479
00:24:49,354 --> 00:24:50,933
WELL, SHE WAS A
REGISTERED NURSE.
480
00:24:50,957 --> 00:24:52,322
AHHH.
481
00:24:52,424 --> 00:24:53,424
WHAT?
482
00:24:53,492 --> 00:24:55,024
"AHHH."
483
00:24:55,127 --> 00:24:58,028
OH, "AHHH"?
484
00:24:58,130 --> 00:25:01,164
OKAY, ANYWAY, SHE'D
INHERITED SOME PROPERTY
485
00:25:01,267 --> 00:25:03,187
IN UPSTATE NEW YORK, UH, MAHOPAC
486
00:25:03,235 --> 00:25:05,180
AND HAD ENOUGH TO LIVE
ON SO SHE QUIT HER JOB
487
00:25:05,204 --> 00:25:07,837
AND STARTED BOARDING BABIES.
488
00:25:07,939 --> 00:25:10,808
DID SHE BOARD
ILLEGITIMATE CHILDREN?
489
00:25:10,910 --> 00:25:12,275
I DON'T KNOW.
490
00:25:12,377 --> 00:25:13,377
WHY?
491
00:25:13,445 --> 00:25:14,712
SOME DO.
492
00:25:14,814 --> 00:25:16,992
YEAH, BUT WHY SPECIFICALLY
ASKING ABOUT ILLEGITIMATE...
493
00:25:17,016 --> 00:25:19,049
UH, WHERE DID THEY COME FROM?
494
00:25:19,151 --> 00:25:20,795
NO ONE KNOWS, WHY DO YOU ASK...
495
00:25:20,819 --> 00:25:22,486
YOU KNOW, STRANGE.
496
00:25:22,588 --> 00:25:24,566
LITTLE TOWN LIKE
MAHOPAC, NOBODY KNOWS.
497
00:25:24,590 --> 00:25:25,800
THAT'S RIGHT, STRANGE, HUH?
498
00:25:25,824 --> 00:25:28,424
WHY DO YOU ASK
SPECIFICALLY ABOUT...
499
00:25:28,527 --> 00:25:30,761
UH, WHO WAS THE LAST BOARDER?
500
00:25:30,863 --> 00:25:32,707
NO ONE KNOWS ANYTHING,
EXCEPT IT WAS A BOY.
501
00:25:32,731 --> 00:25:34,909
OH, AND THAT IT WAS A
MONTH OLD WHEN IT ARRIVED
502
00:25:34,933 --> 00:25:36,478
AND THAT SHE CALLED IT "BUSTER".
503
00:25:36,502 --> 00:25:37,534
AHH.
504
00:25:37,637 --> 00:25:39,247
BUSTER, THAT'S SOMETHING.
505
00:25:39,271 --> 00:25:40,103
ARE YOU DONE NOW?
506
00:25:40,205 --> 00:25:41,415
THANKS. HAPPY NOW?
507
00:25:41,439 --> 00:25:44,875
GOOD, I RAISE, WHAT ABOUT
THOSE BUTTONS, FELLAS?
508
00:25:44,977 --> 00:25:46,455
THOSE BUTTONS
THAT YOU ADVERTISED?
509
00:25:46,479 --> 00:25:47,744
NAHH.
510
00:25:47,846 --> 00:25:49,223
DID YOU GET THEM? YES OR NO.
511
00:25:49,247 --> 00:25:52,615
YOU WOULD NOT DO THAT IF YOU
HAD A TRAINED MIND LIKE MINE.
512
00:25:52,717 --> 00:25:54,262
SEE, WE RUN AN AD FOR BUTTONS
513
00:25:54,286 --> 00:25:56,664
AND THEN WE ASK YOU
ABOUT ELLEN TENZER.
514
00:25:56,688 --> 00:25:57,866
YOU ASSUME THERE'S A CONNECTION.
515
00:25:57,890 --> 00:25:59,356
YEAH, LOGIC IS LIKE THAT.
516
00:25:59,458 --> 00:26:00,691
NOT AT ALL, NO.
517
00:26:00,793 --> 00:26:03,071
MR. WOLFE LIKES HORSEHAIR
BUTTONS FOR HIS PANTS.
518
00:26:03,095 --> 00:26:05,029
HE DOES, HUH?
519
00:26:05,131 --> 00:26:07,564
YES, FOR HIS SUSPENDERS.
520
00:26:07,666 --> 00:26:08,732
SUSPENDERS?
521
00:26:08,834 --> 00:26:10,234
SURE, SEE?
522
00:26:10,336 --> 00:26:11,336
AHH.
523
00:26:11,403 --> 00:26:12,443
HEH.
524
00:26:18,177 --> 00:26:19,576
WELL, YOU TALK ABOUT IFS.
525
00:26:19,678 --> 00:26:20,844
FUTILE.
526
00:26:20,946 --> 00:26:22,957
IF I'D STUCK WITH HER,
SHE MIGHT STILL BE ALIVE.
527
00:26:22,981 --> 00:26:24,592
NOW WE HAVE CRAMER
AND STEBBINS ON OUR TRAIL
528
00:26:24,616 --> 00:26:26,761
AND MY FINGERPRINTS
ALL OVER HER HOUSE.
529
00:26:26,785 --> 00:26:29,520
YOU CAN SUPPLY NO INFORMATION
RELEVANT TO THE MURDER.
530
00:26:29,622 --> 00:26:30,822
THE HELL I CAN'T.
531
00:26:30,856 --> 00:26:33,157
YOU WERE HIRED TO
FIND HORSEHAIR BUTTONS
532
00:26:33,258 --> 00:26:34,558
AND YOU DON'T KNOW WHY.
533
00:26:34,660 --> 00:26:37,327
THEN I'M WITHHOLDING EVIDENCE,
UH, DO I NAME THE CLIENT?
534
00:26:37,429 --> 00:26:38,796
CERTAINLY NOT,
WE'RE NOT OBLIGED TO
535
00:26:38,897 --> 00:26:40,497
DISCLOSE THE NAME OF A CLIENT
536
00:26:40,600 --> 00:26:42,700
SIMPLY BECAUSE THE POLICE
WANT TO TEST AN ASSUMPTION.
537
00:26:42,801 --> 00:26:45,302
I WAS AT HER HOUSE, SHE
POURED ME A GLASS OF WATER.
538
00:26:49,475 --> 00:26:50,674
ARCHIE...
539
00:26:50,776 --> 00:26:52,676
DO YOU THINK I CAN
IDENTIFY THE MOTHER
540
00:26:52,778 --> 00:26:54,744
WITHOUT LEARNING
WHO KILLED THAT WOMAN?
541
00:26:54,847 --> 00:26:55,887
NO.
542
00:26:55,947 --> 00:26:57,580
WELL THEN, DON'T BADGER ME.
543
00:26:57,682 --> 00:26:59,683
IT'S BAD ENOUGH WITHOUT THAT.
544
00:27:06,392 --> 00:27:08,670
SINCE THE GENIUS WAS
NOT INCLINED TO WORK,
545
00:27:08,694 --> 00:27:10,934
I USED MY FIRST-RATE
DETECTIVE SKILLS TO FIND OUT
546
00:27:10,963 --> 00:27:14,131
HOW MUCH THE POLICE KNEW
BEFORE THEY CAME TO HAUL ME AWAY.
547
00:27:14,233 --> 00:27:17,200
MY FIRST STOP WAS ANNE TENZER,
548
00:27:17,302 --> 00:27:19,770
WHO HAD BEEN HAULED DOWN
TO HEADQUARTERS AND WAS SORE.
549
00:27:19,872 --> 00:27:21,992
YOU'RE NOT A BUTTON COLLECTOR.
550
00:27:22,073 --> 00:27:25,709
YOU'RE NERO WOLFE'S
LEGMAN, ARCHIE GOODWIN.
551
00:27:25,811 --> 00:27:27,644
I'M REALLY MORE OF
AN ASSISTANT, REALLY.
552
00:27:27,746 --> 00:27:31,514
WELL, IT'S NOT THAT YOU
LIED, THAT'S YOUR JOB.
553
00:27:31,616 --> 00:27:34,084
AND IT'S NOT MY AUNT ELLEN.
554
00:27:34,186 --> 00:27:36,164
WHOEVER KILLED HER,
YOU DIDN'T START IT.
555
00:27:36,188 --> 00:27:37,454
AND STILL YOU'RE SORE AT ME?
556
00:27:37,556 --> 00:27:40,824
YES... ALTHOUGH
I'M NOT SURE WHY.
557
00:27:40,926 --> 00:27:42,692
I AM AN HEIRESS NOW,
558
00:27:42,794 --> 00:27:44,572
TO A CREAKY OLD
COTTAGE IN MAHOPAC
559
00:27:44,596 --> 00:27:46,307
AND A DOG WITH
REALLY BAD BREATH.
560
00:27:46,331 --> 00:27:47,531
MMM.
561
00:27:47,633 --> 00:27:48,910
MAYBE YOU JUST WANTED
TO SEE MY FACE AGAIN
562
00:27:48,934 --> 00:27:50,600
AND YOU DIDN'T KNOW HOW TO ASK.
563
00:27:50,702 --> 00:27:53,803
NO, NO, THAT'S NOT IT.
564
00:27:53,906 --> 00:27:59,543
NOT PRECISELY... BUT IT'S CLOSE.
565
00:28:11,957 --> 00:28:13,323
AHEM.
566
00:28:13,426 --> 00:28:15,526
OH, MR. GOODWIN!
567
00:28:15,627 --> 00:28:16,960
MRS. VALDON.
568
00:28:17,062 --> 00:28:19,662
I TAKE IT YOU HAVE NOT
SEEN THE EVENING EDITION.
569
00:28:19,764 --> 00:28:22,043
WELL, I'VE SEEN IT, I
JUST HAVEN'T READ IT.
570
00:28:22,067 --> 00:28:23,266
WELL, LET ME BRIEF YOU.
571
00:28:23,368 --> 00:28:26,737
ON FRIDAY MORNING, I CALLED
ON A WOMAN NAMED ELLEN TENZER.
572
00:28:26,839 --> 00:28:29,539
THE BABY...
573
00:28:29,641 --> 00:28:32,209
HAD BEEN WITH HER IN HER
HOUSE FOR THREE MONTHS.
574
00:28:32,311 --> 00:28:34,122
OH, SO, SHE'S THE MOTHER.
575
00:28:34,146 --> 00:28:35,245
NO.
576
00:28:35,347 --> 00:28:37,392
UH, SHE KNOWS WHO THE MOTHER IS?
577
00:28:37,416 --> 00:28:38,416
SHE PROBABLY DID.
578
00:28:38,483 --> 00:28:39,961
YOU MEAN SHE FORGOT? WHAT?
579
00:28:39,985 --> 00:28:41,351
HOW COULD SHE FORGET?
580
00:28:41,453 --> 00:28:42,486
WELL, SHE DIDN'T.
581
00:28:42,588 --> 00:28:44,521
THE GRANDMOTHER? NO.
582
00:28:44,623 --> 00:28:46,735
THE AUNT, THE UNCLE,
THE SECOND COUSIN?
583
00:28:46,759 --> 00:28:48,024
SHE'S DEAD.
584
00:28:48,127 --> 00:28:49,804
DEAD? YEAH, STRANGLED.
585
00:28:49,828 --> 00:28:51,161
MURDERED?
586
00:28:51,263 --> 00:28:52,629
YEAH.
587
00:28:54,933 --> 00:28:56,133
NOW, IT'S ALMOST CERTAIN
588
00:28:56,235 --> 00:28:58,735
THAT THE POLICE WILL FIND
OUT THAT I WAS AT HER HOUSE,
589
00:28:58,837 --> 00:29:00,237
ASK ME WHY, AND...
590
00:29:00,338 --> 00:29:02,839
SO YOU'RE SAYING
IT WAS MY FAULT.
591
00:29:04,309 --> 00:29:08,845
WELL, LISTEN, IF I TELL
THEM THAT YOU'RE MY CLIENT,
592
00:29:08,948 --> 00:29:12,282
YOU'LL GET INVITED
DOWNTOWN FOR A CHAT.
593
00:29:12,384 --> 00:29:14,262
I'M RESPONSIBLE FOR A MURDER.
594
00:29:14,286 --> 00:29:17,487
NO, NO, NO, I WAS THE ONE
WHO LEFT HER ALONE, SEE.
595
00:29:17,589 --> 00:29:19,255
WELL, I SENT YOU THERE.
596
00:29:19,358 --> 00:29:22,059
THE RESPONSIBILITY BELONGS
TO WHOEVER LEFT THE BABY
597
00:29:22,161 --> 00:29:24,528
IN YOUR VESTIBULE, SEE?
SO, DON'T TRY TO CLAIM IT.
598
00:29:24,629 --> 00:29:27,397
I DON'T LIKE THIS.
599
00:29:27,499 --> 00:29:31,334
MURDER, IT'S
SO... IT'S JUST BAD.
600
00:29:34,272 --> 00:29:36,417
WHAT DO YOU MEAN, I'M
GONNA BE SENT DOWNTOWN?
601
00:29:36,441 --> 00:29:37,674
BY THE POLICE?
602
00:29:37,776 --> 00:29:42,012
THAT WAS AN "IF", MRS. VALDON
IF WE NAME YOU AS THE CLIENT.
603
00:29:47,586 --> 00:29:49,820
WHY DON'T YOU CALL ME LUCY?
604
00:29:49,922 --> 00:29:52,856
YOU'RE PRETTY GIDDY FOR A GIRL
WHO DOESN'T KNOW HOW TO FLIRT.
605
00:29:52,958 --> 00:29:55,726
BUT, PUT IT IN
WRITING AND I WILL.
606
00:29:55,828 --> 00:29:59,829
SO, YOU'VE COME HERE TO TELL ME
607
00:29:59,931 --> 00:30:02,899
NOT TO TELL ANYONE
THAT I'VE HIRED YOU.
608
00:30:03,001 --> 00:30:05,401
WERE YOU FOLLOWED?
609
00:30:05,503 --> 00:30:08,271
ONLY IF HE WAS VERY GOOD.
610
00:30:08,374 --> 00:30:11,207
NOW, IF YOU THINK WE
OWE YOU AN APOLOGY
611
00:30:11,309 --> 00:30:13,910
FOR LETTING A MOTHER HUNT
HATCH A MURDER, WELL, HERE IT IS.
612
00:30:14,013 --> 00:30:19,048
OH NO, NO, I'M THE ONE
THAT OWES YOU AN APOLOGY.
613
00:30:19,151 --> 00:30:21,651
I WAS SO RUDE THE OTHER DAY.
614
00:30:21,754 --> 00:30:24,287
OH, LUCY, THAT'S NOT THE WORD.
615
00:30:24,389 --> 00:30:27,224
I WAS SUCH A... A NITWIT.
616
00:30:30,295 --> 00:30:31,405
OH, YOU'RE GOING?
617
00:30:31,429 --> 00:30:33,129
WELL, I'VE DONE MY ERRAND, SO.
618
00:30:33,231 --> 00:30:37,266
OH, WELL THEN.
619
00:30:37,369 --> 00:30:39,603
GOOD-BYE.
620
00:30:39,705 --> 00:30:41,404
GOOD-BYE.
621
00:30:48,446 --> 00:30:50,625
I CAME HOME TO FIND INSPECTOR
CRAMER AND MR. WOLFE
622
00:30:50,649 --> 00:30:53,016
ENGAGED IN A FRIENDLY
INTERROGATION.
623
00:30:55,787 --> 00:30:57,754
AND GOODWIN'S PRINTS
ARE EVERYWHERE.
624
00:30:57,856 --> 00:30:59,433
AND IF I DON'T GET AN
EXPLANATION FROM YOU
625
00:30:59,457 --> 00:31:00,457
I'M GONNA TAKE YOU IN
626
00:31:00,559 --> 00:31:02,036
AND YOU CAN TALK TO
THE DISTRICT ATTORNEY.
627
00:31:02,060 --> 00:31:04,439
OR I'M GONNA TAKE YOU IN AND
YOU CAN TALK TO THE COMMISSIONER.
628
00:31:04,463 --> 00:31:05,795
ANY WAY, I'M GONNA TAKE YOU IN!
629
00:31:05,897 --> 00:31:06,762
YOU'RE TAKING ME IN?!
630
00:31:06,865 --> 00:31:08,898
YEAH, THAT'S RIGHT.
631
00:31:09,000 --> 00:31:10,778
IF YOU TAKE ME IN,
I WILL STAND MUTE!
632
00:31:10,802 --> 00:31:13,637
I WOULD SLEEP UNDER A BRIDGE
AND EAT SCRAPS BEFORE I WOULD
633
00:31:13,739 --> 00:31:16,083
SUBMIT A CLIENT TO
OFFICIAL HARASSMENT.
634
00:31:16,107 --> 00:31:17,974
HA-HA-HA, YOU? EATING SCRAPS?
635
00:31:18,076 --> 00:31:18,975
YES, I WOULD!
636
00:31:19,078 --> 00:31:20,543
HA-HA! NEVER HAPPEN.
637
00:31:20,645 --> 00:31:23,080
INSPECTOR CRAMER,
FANCY MEETING YOU HERE.
638
00:31:23,182 --> 00:31:26,383
GOODWIN, I'M GLAD YOU'RE HERE.
639
00:31:26,485 --> 00:31:28,385
I HOPE YOU'RE PACKED
640
00:31:28,487 --> 00:31:30,654
BECAUSE I'M TAKING YOU DOWNTOWN.
641
00:31:30,756 --> 00:31:32,489
LET'S GO.
642
00:31:34,393 --> 00:31:36,492
OH, COME ON, LET'S GO!
643
00:31:39,465 --> 00:31:41,632
I WAS IN CUSTODY
FROM 10:04 P.M. SUNDAY
644
00:31:41,734 --> 00:31:43,166
TO 10:05 A.M. MONDAY,
645
00:31:43,268 --> 00:31:44,946
WHEN NATHANIEL PARKER,
WOLFE'S ATTORNEY,
646
00:31:44,970 --> 00:31:46,302
ARRIVED WITH MY BAIL.
647
00:31:46,405 --> 00:31:49,705
WELL, WELL, I SEE YOU'VE
KEPT BUSY... I'M GOING UPSTAIRS.
648
00:31:49,808 --> 00:31:51,841
I HAD A ONE-HOUR NAP
WITH A DICK STANDING BY.
649
00:31:51,943 --> 00:31:53,143
WHAT'S FOR LUNCH?
650
00:31:53,245 --> 00:31:55,389
SWEETBREADS WITH BECHAMEL SAUCE,
651
00:31:55,413 --> 00:31:57,580
CHERVIL AND TRUFFLES,
652
00:31:57,683 --> 00:32:00,983
WATERCRESS AND
BEET SALAD AND BRIE.
653
00:32:01,086 --> 00:32:03,130
WELL, IF THERE'S ENOUGH LEFT
OVER, YOU SHOULD HAVE SOME.
654
00:32:03,154 --> 00:32:05,889
ARCHIE... ARCHIE!
655
00:32:05,991 --> 00:32:08,302
BEFORE YOU GO, IF YOU
COULD ARRANGE TO HAVE
656
00:32:08,326 --> 00:32:11,194
MRS. VALDON HERE AT 2:00.
657
00:32:11,296 --> 00:32:13,007
AS WE ARE UNDER SURVEILLANCE,
658
00:32:13,031 --> 00:32:14,509
SHE SHOULD ENTER
THROUGH THE BACK.
659
00:32:14,533 --> 00:32:17,634
AND I SHOULD RESIGN ON
THE SPOT, BUT I'M TOO TIRED.
660
00:32:20,572 --> 00:32:23,039
I TOLD ARCHIE THAT I WAS
SORRY THAT I WAS LATE.
661
00:32:23,141 --> 00:32:26,376
I HAD NO IDEA THAT HE HAD TO
WAIT AT THE BACK GATE FOR ME.
662
00:32:26,478 --> 00:32:28,111
IT WAS A BAD START.
663
00:32:28,213 --> 00:32:29,958
NO CLIENT HAS EVER
CALLED HIM "NERO"
664
00:32:29,982 --> 00:32:31,793
SO, HER SAYING
"ARCHIE" MEANT TO HIM
665
00:32:31,817 --> 00:32:34,918
THAT SHE WAS TAKING
LIBERTIES OR THAT I ALREADY HAD.
666
00:32:37,789 --> 00:32:39,022
ARE YOU READY?
667
00:32:39,124 --> 00:32:40,356
YES.
668
00:32:40,458 --> 00:32:44,995
MR. GOODWIN AND I ARE
IN A PICKLE, MRS. VALDON.
669
00:32:45,097 --> 00:32:46,496
ELLEN TENZER IS DEAD,
670
00:32:46,598 --> 00:32:49,565
AND, FOR THE PRESENT, WE
SHALL LEAVE HER TO THE POLICE
671
00:32:49,668 --> 00:32:52,935
BECAUSE WE KNOW THAT SHE
DIDN'T PUT THE BABY IN THE VESTIBULE.
672
00:32:53,037 --> 00:32:54,504
HOW DO WE KNOW THAT?
673
00:32:54,606 --> 00:32:55,939
INFERENCE.
674
00:32:56,041 --> 00:32:59,008
A NURSE WOULDN'T USE A BARE PIN.
675
00:32:59,110 --> 00:33:00,810
YES.
676
00:33:00,912 --> 00:33:03,846
NOW, THE POINT IS THAT,
677
00:33:03,948 --> 00:33:06,416
IF WE ASSUME THAT
ELLEN TENZER WAS KILLED
678
00:33:06,518 --> 00:33:09,819
TO PREVENT HER FROM
REVEALING THE ORIGIN OF THE BABY,
679
00:33:09,921 --> 00:33:14,157
AND WE CONTINUE TO CONCEAL
YOUR CONNECTION TO HER,
680
00:33:14,259 --> 00:33:15,692
THEN MR. GOODWIN AND I
681
00:33:15,794 --> 00:33:18,106
ARE WITHHOLDING EVIDENCE OF
A HOMICIDE AND THAT IS A FELONY.
682
00:33:18,130 --> 00:33:20,163
SO, YOU ASSUME THAT
IS WHY SHE WAS KILLED?
683
00:33:20,265 --> 00:33:21,832
IT WOULD BE VACUOUS NOT TO.
684
00:33:21,934 --> 00:33:22,934
WHY?
685
00:33:23,001 --> 00:33:25,213
FOCUS ON THE POINT, IF YOU CAN.
686
00:33:25,237 --> 00:33:27,637
IF WE CONTINUE TO
CONCEAL WHAT WE KNOW
687
00:33:27,739 --> 00:33:30,573
TO PREVENT YOU FROM BEING
BADGERED BY THE POLICE,
688
00:33:30,675 --> 00:33:35,178
THEN IT WON'T DO TO MERELY
FIND OUT WHO THE MOTHER IS.
689
00:33:35,280 --> 00:33:37,814
WE MUST ALSO DISCOVER
WHO THE MURDERER IS.
690
00:33:37,916 --> 00:33:39,849
WHY? BE...
691
00:33:39,951 --> 00:33:42,152
ARCHIE!
692
00:33:42,254 --> 00:33:44,854
I DON'T WANT TO HAVE ANYTHING
TO DO WITH A MURDERER.
693
00:33:44,956 --> 00:33:46,923
YOU DON'T, MRS.
VALDON, BUT WE DO.
694
00:33:47,025 --> 00:33:48,291
LOOK, WHAT HE'S SAYING IS,
695
00:33:48,393 --> 00:33:51,027
IF YOU DROP US WE'RE GONNA
HAVE TO OPEN UP TO THE COPS
696
00:33:51,129 --> 00:33:54,297
AND THEN, YOU'LL HAVE
COPS, YOU'LL HAVE REPORTERS
697
00:33:54,399 --> 00:33:57,334
ON YOUR DOORSTEP ASKING
YOU, YOUR FRIENDS, YOUR FAMILY,
698
00:33:57,436 --> 00:33:59,669
ALL ABOUT THE BABY, YOU SEE?
699
00:33:59,771 --> 00:34:01,370
BUT, IF YOU STICK WITH US,
700
00:34:01,472 --> 00:34:03,912
WELL, THE COPS WILL NEVER HAVE
TO KNOW ANYTHING ABOUT YOUR,
701
00:34:03,975 --> 00:34:07,043
UH, CONNECTION TO ELLEN TENZER,
PROVIDED YOU DON'T SAY ANYTHING.
702
00:34:26,297 --> 00:34:27,975
NOT IF YOU'RE NO
LONGER A CLIENT.
703
00:34:27,999 --> 00:34:28,865
AHEM.
704
00:34:28,967 --> 00:34:30,500
OH, I AM! OF COURSE, I AM.
705
00:34:30,602 --> 00:34:31,612
ARCHIE!
706
00:34:31,636 --> 00:34:34,404
OH, UH... MRS. VALDON...
707
00:34:34,506 --> 00:34:37,540
LUCY, LUCY... PREFERS
US OVER THE COPS.
708
00:34:37,642 --> 00:34:40,676
IT'S UH... GOOD FOR
THE SELF-ESTEEM.
709
00:34:40,779 --> 00:34:43,079
I... I CAN PROCEED?
710
00:34:43,181 --> 00:34:44,280
OH, YES, PLEASE.
711
00:34:44,382 --> 00:34:46,126
WE SHALL NEED YOUR
HELP, MRS. VALDON.
712
00:34:46,150 --> 00:34:48,162
I WOULD LIKE AN EXPANDED
LIST OF THE NAMES OF THE WOMEN
713
00:34:48,186 --> 00:34:51,421
WHO MIGHT HAVE CONSORTED
WITH YOUR HUSBAND LAST FALL.
714
00:34:51,523 --> 00:34:52,956
I WANT TO MEET WITH FOUR MEN
715
00:34:53,058 --> 00:34:56,326
WHO KNEW MORE THAN YOU
DID ABOUT HIS ESCAPADES.
716
00:34:56,428 --> 00:34:59,328
THAT WOULD BE, UM,
LEO, JULIAN, WILLIS
717
00:34:59,431 --> 00:35:02,532
AND, I ASSUME, MANNY UPTON.
718
00:35:02,634 --> 00:35:05,368
AND I HAVE YOUR PROMISE THAT IF
YOU ARE CONTACTED BY THE POLICE,
719
00:35:05,470 --> 00:35:07,003
YOU WILL STAND MUTE.
720
00:35:07,105 --> 00:35:08,938
YES.
721
00:35:12,844 --> 00:35:14,044
ONE MORE QUESTION.
722
00:35:14,112 --> 00:35:17,046
WHERE WERE YOU LAST
FRIDAY EVENING AFTER 8:00?
723
00:35:17,149 --> 00:35:19,849
THE NIGHT SHE WAS MURDERED?
724
00:35:19,951 --> 00:35:20,850
YES.
725
00:35:20,952 --> 00:35:22,519
HA, YOU CAN'T MEAN THAT.
726
00:35:22,621 --> 00:35:25,455
YOU SHOULD BE GRATIFIED
THAT I CONSIDER IT IMAGINABLE.
727
00:35:25,557 --> 00:35:29,492
YOU HAVE A FUNNY NOTION OF
WHAT GRATIFIES PEOPLE, MR. WOLFE.
728
00:35:29,594 --> 00:35:32,962
I DINED WITH THE GOVERNOR
TO DISCUSS KILLER FOG
729
00:35:33,064 --> 00:35:35,799
AND WAS HOME FOR
THE 10:00 FEEDING.
730
00:35:35,901 --> 00:35:37,612
ARE YOU REFERRING
TO THE LONDON EVENT?
731
00:35:37,636 --> 00:35:38,996
YES. AH.
732
00:35:39,037 --> 00:35:41,638
MRS. VALDON THINKS THAT
THE AIR HAS SOMEHOW, UH,
733
00:35:41,740 --> 00:35:43,540
BECOME POISONOUS, SEE.
734
00:35:43,642 --> 00:35:44,886
IT PROBABLY IS.
735
00:35:44,910 --> 00:35:46,943
ARCHIE, IT IS SULFUR DIOXIDE.
736
00:35:47,045 --> 00:35:48,845
WE ARE GOING TO POISON OURSELVES
737
00:35:48,947 --> 00:35:51,848
TO GET HOME FROM THE
OFFICE FIVE MINUTES SOONER.
738
00:35:51,950 --> 00:35:55,451
NOW, TO ADDRESS
YOUR QUERY, MR. WOLFE.
739
00:35:55,553 --> 00:35:58,487
IT IS UTTER NONSENSE
TO SUSPECT ME.
740
00:35:58,589 --> 00:36:03,426
NOTHING IS NONSENSE CONCERNING
THE VAGARIES OF HUMAN CONDUCT.
741
00:36:03,528 --> 00:36:05,662
GOOD DAY, MRS. VALDON.
742
00:36:05,764 --> 00:36:07,397
GOOD DAY.
743
00:36:07,499 --> 00:36:08,619
FOR THE NEXT TWO HOURS,
744
00:36:08,700 --> 00:36:10,545
WE ARRANGED A VERY
DIFFERENT SOCIAL EVENT
745
00:36:10,569 --> 00:36:12,736
FROM THE ONES MRS.
VALDON WAS USED TO.
746
00:36:12,838 --> 00:36:14,303
I CALLED HER LUCY ONCE,
747
00:36:14,406 --> 00:36:16,472
AND SHE CALLED ME ARCHIE TWICE.
748
00:36:22,514 --> 00:36:23,613
HMM.
749
00:36:27,752 --> 00:36:29,285
THANK YOU.
750
00:36:31,590 --> 00:36:36,626
WELL, I, UM... I HAD A
LOVELY AFTERNOON.
751
00:36:36,728 --> 00:36:38,762
AS DID I.
752
00:36:46,037 --> 00:36:47,269
GOOD-BYE.
753
00:36:47,372 --> 00:36:48,538
GOOD-BYE.
754
00:36:55,347 --> 00:36:58,247
AH, THE PARTY HAS
BEEN ARRANGED FOR 9:00.
755
00:36:58,349 --> 00:37:00,461
YOU ARE AWARE THAT I AM NOT
GOING TO ASK YOU WHAT WAS ON
756
00:37:00,485 --> 00:37:02,463
THAT PIECE OF PAPER
THAT WOMAN HANDED YOU.
757
00:37:02,487 --> 00:37:05,355
OH, NOW IT CAN BE MENTIONED,
SEE, SHE WROTE IN LONG-HAND
758
00:37:05,457 --> 00:37:07,357
"MY DEAREST ARCHIE,
LIZZIE BORDEN TOOK AN AX
759
00:37:07,458 --> 00:37:10,326
GAVE HER MOTHER 40
WHACKS, YOUR LOVING LUCY."
760
00:37:10,429 --> 00:37:12,061
IN CASE YOU'RE WONDERING WHAT...
761
00:37:12,164 --> 00:37:13,897
SHUT UP.
762
00:37:17,168 --> 00:37:19,102
UH, FRITZ?
763
00:37:19,204 --> 00:37:21,237
YOU DON'T DUST.
764
00:37:30,281 --> 00:37:32,215
THE PARTY BEGAN ON TIME.
765
00:37:32,317 --> 00:37:35,985
I PROFILED THEM NEATLY FOR
WOLFE AND WILL DO SO FOR YOU.
766
00:37:36,087 --> 00:37:39,422
MANUAL UPTON, THE
EDITOR OF DISTAFF MAGAZINE,
767
00:37:39,524 --> 00:37:41,891
DISCOVERED DICK VALDON AND
PUBLISHED HIS FIRST STORIES.
768
00:37:45,330 --> 00:37:47,263
WILLIS KRUG WAS VALDON'S AGENT
769
00:37:47,365 --> 00:37:49,499
AND ANXIOUS TO GET BACK TO WORK.
770
00:37:51,269 --> 00:37:54,303
THE DISTINGUISHED JULIAN HAFT
PUBLISHED MR. VALDON'S NOVELS
771
00:37:54,405 --> 00:37:56,806
AND CLAIMED TO
BE HIS GOOD FRIEND.
772
00:37:56,908 --> 00:37:59,109
LEO BINGHAM WAS DICK
VALDON'S OLDEST FRIEND
773
00:37:59,211 --> 00:38:01,844
AND FELLOW CONNOISSEUR
OF THE FEMALE OF THE SPECIES.
774
00:38:01,946 --> 00:38:03,245
MMM, INCREDIBLE!
775
00:38:03,348 --> 00:38:06,349
SERVING THIS ELIXIR OFFHAND
AND TO A STRANGER, MY GOD!
776
00:38:06,451 --> 00:38:08,884
IN MY HOUSE, A GUEST IS A GUEST,
777
00:38:08,987 --> 00:38:10,453
STRANGER OR NOT.
778
00:38:10,555 --> 00:38:13,189
YOU ARE A RADIO
PRODUCER, ARE YOU NOT?
779
00:38:13,291 --> 00:38:14,868
AND GLAD OF THE
CHANCE TO MEET YOU.
780
00:38:14,892 --> 00:38:17,332
I'VE OFTEN THOUGHT YOU'D HAVE
ENORMOUS POSSIBILITIES FOR RADIO
781
00:38:17,362 --> 00:38:19,106
AND NOW THAT I'VE
HEARD YOUR VOICE,
782
00:38:19,130 --> 00:38:21,010
MY GOD, IT WOULD BE STUPENDOUS!
783
00:38:21,099 --> 00:38:22,643
THIS IS THE WAY IT
GOES, MR. WOLFE.
784
00:38:22,667 --> 00:38:25,101
MASS CULTURE, HE'S
INTERESTED IN YOUR VOICE.
785
00:38:25,203 --> 00:38:27,737
I'M INTERESTED IN YOUR MIND.
786
00:38:27,839 --> 00:38:28,839
AH.
787
00:38:28,874 --> 00:38:30,218
HAVE YOU EVER WRITTEN A BOOK?
788
00:38:30,242 --> 00:38:31,874
UNTHINKABLE, MR. HAFT.
789
00:38:31,977 --> 00:38:35,244
NOTHING CORRUPTS A MAN
SO DEEPLY AS WRITING A BOOK.
790
00:38:35,346 --> 00:38:36,779
I WOULDN'T PRESUME.
791
00:38:36,881 --> 00:38:39,081
COULD WE GET STARTED?
I'VE GOT CALLS TO MAKE.
792
00:38:48,526 --> 00:38:50,059
IT'S SIMPLE.
793
00:38:50,161 --> 00:38:53,562
YOUR FRIEND, LUCY VALDON,
IS BEING BLACKMAILED.
794
00:38:53,665 --> 00:38:56,532
SHE HAS RECEIVED SEVERAL
ANONYMOUS LETTERS
795
00:38:56,635 --> 00:39:00,403
FROM A WOMAN CLAIMING TO HAVE
BEEN INTIMATE WITH HER HUSBAND.
796
00:39:00,505 --> 00:39:04,107
WHAT I REQUEST FROM YOU
IS A LIST OF EVERY WOMAN
797
00:39:04,209 --> 00:39:06,308
WITH WHOM YOU
THINK THAT POSSIBLE.
798
00:39:06,410 --> 00:39:10,479
MRS. VALDON HAS TOLD ME
THAT YOU WOULD BE OF HELP.
799
00:39:10,582 --> 00:39:12,281
MORE BRANDY, MR. BINGHAM?
800
00:39:12,383 --> 00:39:13,849
MM, PAYOLA.
801
00:39:13,951 --> 00:39:17,120
HE POURS, THE BRIBE...
802
00:39:17,222 --> 00:39:18,502
HE SIPS.
803
00:39:22,126 --> 00:39:23,425
BUT WHAT A BRIBE.
804
00:39:23,528 --> 00:39:25,472
WHAT DOES THIS
LOVER SAY, EXACTLY?
805
00:39:25,496 --> 00:39:26,962
THAT WOULD VIOLATE
A FIRM ASSURANCE
806
00:39:27,065 --> 00:39:28,398
THAT I'VE GIVEN MY CLIENT.
807
00:39:28,500 --> 00:39:30,900
HELL, I'M HOOKED, I'M BRIBED.
808
00:39:31,002 --> 00:39:32,401
YES.
809
00:39:32,503 --> 00:39:34,281
I'M AGAINST ANYONE
SENDING ANONYMOUS LETTERS,
810
00:39:34,305 --> 00:39:35,605
NO MATTER WHO.
811
00:39:35,707 --> 00:39:37,819
I'LL CALL IN LATER WITH
MY LIST, CAN I GO NOW?
812
00:39:37,843 --> 00:39:40,203
YOU SHOULD BE LOOKING INTO
THAT BABY SHE HAS UP THERE.
813
00:39:40,278 --> 00:39:42,022
IF YOU DON'T, YOU'RE
GONNA HASH IT UP.
814
00:39:42,046 --> 00:39:44,580
LUCY VALDON WANTS A FAVOR
FROM ME, SHE CAN ASK ME.
815
00:39:49,020 --> 00:39:50,631
THANK YOU FOR COMING, GENTLEMEN.
816
00:39:50,655 --> 00:39:52,021
WELL, I DON'T MIND.
817
00:39:52,123 --> 00:39:54,557
IT MIGHT TAKE SOME
TIME, I'M A VERY BUSY MAN.
818
00:39:54,659 --> 00:39:58,694
UPTON WAS THE ONLY
ONE WHO REFUSED.
819
00:39:58,796 --> 00:40:01,998
AND WHEN THE LISTS WERE
GATHERED AND CROSS-REFERENCED,
820
00:40:02,100 --> 00:40:04,367
WE HAD 148 NAMES.
821
00:40:04,469 --> 00:40:07,170
AND SO, CONCEIVED BY
WOLFE, EXECUTED BY GOODWIN
822
00:40:07,272 --> 00:40:10,339
AND FUELED BY THE CLIENT'S
HARD-EARNED, INHERITED CASH,
823
00:40:10,442 --> 00:40:12,074
THE GREAT MOTHER HUNT BEGAN.
824
00:41:04,696 --> 00:41:06,529
WHEN THE RESULTS WERE IN,
825
00:41:06,631 --> 00:41:08,409
FOUR MYSTERY BABIES
HAD BEEN ACCOUNTED FOR
826
00:41:08,433 --> 00:41:10,378
AND SEVEN WOMEN WHO
HAD BEEN AWAY IN JUNE
827
00:41:10,402 --> 00:41:12,402
HAD BEEN TRACKED DOWN.
828
00:41:18,043 --> 00:41:21,344
ORRIE HAD FLOWN TO THE
RIVIERA AND FRED TO ARIZONA.
829
00:41:21,446 --> 00:41:24,113
WHEN SAUL PHONED IN TO REPORT
THAT HE'D CLOSED THE LAST GAP...
830
00:41:24,215 --> 00:41:27,950
26 DAYS AND $8,670 LATER...
831
00:41:28,052 --> 00:41:30,920
WE WERE PRECISELY WHERE
WE HAD BEEN WHEN WE STARTED.
832
00:41:31,022 --> 00:41:33,455
NOWHERE.
833
00:41:33,557 --> 00:41:34,791
THERE WERE, HOWEVER,
834
00:41:34,893 --> 00:41:37,760
TWO SIGNIFICANT DEVELOPMENTS.
835
00:41:37,862 --> 00:41:41,931
THE FIRST WAS THAT MY
RELATIONSHIP WITH THE CLIENT
836
00:41:42,033 --> 00:41:46,069
HAD GROWN INCREASINGLY CORDIAL.
837
00:41:46,171 --> 00:41:48,404
WHEN A CLIENT IS
SHELLING OUT $300 A DAY
838
00:41:48,506 --> 00:41:50,117
AND GETTING NOTHING
FOR HER DOUGH,
839
00:41:50,141 --> 00:41:52,708
THE LEAST YOU CAN DO
IS DROP IN AND SAY HELLO.
840
00:42:01,152 --> 00:42:03,392
I DISCOVERED THAT AS A
DANCER, SHE WAS NO SLOUCH.
841
00:42:10,628 --> 00:42:13,062
SHE WAS GOOD ENOUGH TO
TAKE TO THE "FLAMINGO CLUB".
842
00:42:54,972 --> 00:42:56,984
THE SECOND DEVELOPMENT
WAS THAT LUCY CAME
843
00:42:57,008 --> 00:42:59,341
WITHIN AN ACE OF
QUITTING AS A CLIENT.
844
00:42:59,443 --> 00:43:01,455
CRAMER PUT TWO AND TWO
TOGETHER AND GOT FOUR
845
00:43:01,479 --> 00:43:03,491
AND SENT STEBBINS
TO DO THE COUNTING.
846
00:43:03,515 --> 00:43:04,347
YES?
847
00:43:04,448 --> 00:43:05,660
SERGEANT STEBBINS, HOMICIDE,
848
00:43:05,684 --> 00:43:07,127
NEW YORK CITY POLICE DEPARTMENT.
849
00:43:07,151 --> 00:43:08,751
IS MRS. VALDON AT HOME?
850
00:43:08,853 --> 00:43:11,721
IT'S ALL RIGHT, EVE, I'LL
TALK TO THE GENTLEMAN.
851
00:43:11,822 --> 00:43:13,056
MAY I HELP YOU?
852
00:43:13,158 --> 00:43:14,735
MRS. VALDON? SERGEANT STEBBINS,
853
00:43:14,759 --> 00:43:16,737
NEW YORK CITY POLICE
DEPARTMENT, HOMICIDE.
854
00:43:16,761 --> 00:43:18,272
DID YOU KNOW AN ELLEN TENZER?
855
00:43:18,296 --> 00:43:20,296
WHAT BUSINESS IS THAT OF YOURS?
856
00:43:20,398 --> 00:43:22,565
I'M ON THE PEOPLE'S BUSINESS.
857
00:43:22,667 --> 00:43:26,002
WELL, DO YOU HAVE
A WRIT OR A WARRANT
858
00:43:26,104 --> 00:43:27,670
OR WHATEVER IT IS THAT YOU NEED?
859
00:43:27,772 --> 00:43:29,016
DO YOU HAVE ALL THE PAPERS
860
00:43:29,040 --> 00:43:31,151
FOR THAT LITTLE
FOUNDLING YOU TOOK IN?
861
00:43:31,175 --> 00:43:32,307
OF COURSE.
862
00:43:32,409 --> 00:43:34,569
I'VE GOTTA WARN
YOU, MRS. VALDON,
863
00:43:34,612 --> 00:43:36,957
IF WE MAKE THE CONNECTION
BETWEEN YOU AND TENZER
864
00:43:36,981 --> 00:43:39,148
AND NERO WOLFE ON OUR OWN,
865
00:43:39,250 --> 00:43:41,984
OUR NEXT INTERVIEW IS GONNA
BE DOWNTOWN AT HEADQUARTERS.
866
00:43:42,086 --> 00:43:44,520
GOOD, I'VE ALWAYS
WANTED TO SEE THEM.
867
00:43:44,622 --> 00:43:47,723
MY GRANDFATHER'S COMPANY
POURED THE FOUNDATIONS.
868
00:43:47,825 --> 00:43:49,158
GOOD DAY.
869
00:43:51,763 --> 00:43:54,396
AFTER PURLEY LEFT, THE QUEEN
STORMED OUT OF HER CASTLE
870
00:43:54,498 --> 00:43:56,832
AND PAID A VISIT TO THE PEASANT.
871
00:43:58,502 --> 00:44:01,070
IT WAS SUCH AN
INTRUSION, IT WAS RUDE!
872
00:44:01,172 --> 00:44:03,172
OH, I'M SO CONFUSED, ARCHIE.
873
00:44:03,274 --> 00:44:04,852
YOU SAID YOU WERE
GONNA PROTECT ME.
874
00:44:04,876 --> 00:44:06,308
YOU WANNA HOLD HANDS, FINE.
875
00:44:06,411 --> 00:44:07,910
YOU WANNA BE A
HUFFY CLIENT, FINE.
876
00:44:08,012 --> 00:44:10,413
BUT IT'S NOT FAIR FOR A HUFFY
CLIENT TO CALL ME ARCHIE.
877
00:44:10,515 --> 00:44:11,747
I'M NOT HUFFY.
878
00:44:11,849 --> 00:44:12,849
CRABBY.
879
00:44:12,950 --> 00:44:14,483
I'M NOT CRABBY.
880
00:44:14,586 --> 00:44:16,018
IRRITABLE.
881
00:44:16,120 --> 00:44:18,020
ALL RIGHT, THE POINT IS THIS.
882
00:44:18,123 --> 00:44:21,223
MIXING PERSONAL AND BUSINESS
IS NOT GOOD FOR EITHER ONE OF US.
883
00:44:23,895 --> 00:44:25,795
DON'T BE SILLY, ARCHIE.
884
00:44:25,897 --> 00:44:29,131
WE'VE BEEN MIXING BUSINESS AND
PERSONAL FOR OVER A MONTH NOW.
885
00:44:29,233 --> 00:44:30,666
YOU PROMISED MR. WOLFE...
886
00:44:30,768 --> 00:44:34,170
THEY KNOW ABOUT THE BABY AND
THEY KNOW THAT I'M YOUR CLIENT.
887
00:44:34,272 --> 00:44:36,472
ARE YOU GONNA KEEP
YOUR MOUTH SHUT?
888
00:44:36,574 --> 00:44:38,841
HE CAME TO MY HOME
889
00:44:38,943 --> 00:44:41,243
AND STARTED ASKING ME QUESTIONS.
890
00:44:41,345 --> 00:44:44,880
LUCY... ARE YOU?
891
00:44:53,524 --> 00:44:55,102
I WON'T BE JOINING
YOU FOR COFFEE,
892
00:44:55,126 --> 00:44:56,203
I HAVE A DATE, OF SORTS.
893
00:44:56,227 --> 00:44:57,571
AND I KNOW WE'RE
EXPECTING CRAMER
894
00:44:57,595 --> 00:44:59,139
BUT HE ALMOST NEVER
COMES AFTER DINNER.
895
00:44:59,163 --> 00:45:01,763
HE'LL PROBABLY BE HERE
TOMORROW AT 11:02 ANYWAY, SO.
896
00:45:01,866 --> 00:45:04,534
WHERE CAN YOU BE REACHED?
897
00:45:04,636 --> 00:45:07,536
UH, YOU CAN REACH ME
AT MRS. VALDON'S NUMBER.
898
00:45:07,638 --> 00:45:09,972
SHE WAS JUST HERE
THIS AFTERNOON.
899
00:45:10,074 --> 00:45:12,286
YES, SHE WAS SHYING
A LITTLE, YOU KNOW.
900
00:45:12,310 --> 00:45:14,321
SHE WANTS SOME ASSURANCE
THAT YOU COULD STAY IN THE SADDLE
901
00:45:14,345 --> 00:45:15,945
AND I SUPPLIED IT.
902
00:45:16,047 --> 00:45:18,213
IS SHE, IN FACT, IN A PUCKER?
903
00:45:18,315 --> 00:45:20,983
AH, SHE, UH... SHE JUST
WANTS TO MAKE SURE
904
00:45:21,085 --> 00:45:22,362
YOU'RE NOT GOING TO PULL OUT
905
00:45:22,386 --> 00:45:24,398
AND SHE ASKED ME TO
REPORT WHAT YOU SAID.
906
00:45:24,422 --> 00:45:25,988
FLUMMERY.
907
00:45:26,090 --> 00:45:29,324
RIGHT, I'LL TELL HER THAT.
908
00:45:34,566 --> 00:45:36,265
I WAS OFF BY THREE MINUTES.
909
00:45:36,367 --> 00:45:38,801
CRAMER ARRIVED AT
11:05 THE NEXT MORNING.
910
00:45:38,903 --> 00:45:40,981
WHAT'S THE MATTER, YOU BLOCKED?
911
00:45:41,005 --> 00:45:42,771
YES.
912
00:45:42,873 --> 00:45:44,974
OH, THE HELL YOU ARE.
913
00:45:45,076 --> 00:45:48,243
DO YOU DENY THAT THERE IS A
DIRECT CONNECTION BETWEEN
914
00:45:48,346 --> 00:45:51,247
GOODWIN SEEING ELLEN
TENZER AND THE MURDER?
915
00:45:51,349 --> 00:45:54,517
NO, NOR AFFIRM IT.
916
00:45:54,619 --> 00:45:57,352
I DON'T KNOW, MR. CRAMER,
NEITHER DO YOU.
917
00:45:57,455 --> 00:46:00,423
NUTS... YOU CAN ADD
JUST AS WELL AS I CAN.
918
00:46:00,525 --> 00:46:03,659
YOU'VE BEEN SPENDING LUCY
VALDON'S MONEY LIKE IT'S WATER.
919
00:46:03,761 --> 00:46:06,006
I DON'T KNOW WHAT PANZER,
DURKIN AND CATHER ARE DOING
920
00:46:06,030 --> 00:46:07,674
BUT I KNOW WHAT
THEY'RE NOT DOING.
921
00:46:07,698 --> 00:46:10,699
THEY'RE NOT INVESTIGATING
THE DEATH OF ELLEN TENZER.
922
00:46:10,801 --> 00:46:14,536
THEREFORE, YOU ALREADY
KNOW WHO KILLED HER.
923
00:46:14,638 --> 00:46:17,206
AS REASONING, THAT
IS ADMIRABLY SPECIOUS.
924
00:46:17,308 --> 00:46:19,242
BUT I GIVE YOU MY
WORD, MR. CRAMER,
925
00:46:19,344 --> 00:46:21,677
I HAVEN'T THE SLIGHTEST
NOTION WHO KILLED ELLEN TENZER.
926
00:46:21,779 --> 00:46:23,311
YOUR WORD.
927
00:46:23,414 --> 00:46:25,148
MY WORD.
928
00:46:25,249 --> 00:46:27,127
AND WHAT THE HELL ARE
GOODWIN AND HIS MONKEYS DOING?
929
00:46:27,151 --> 00:46:29,051
THEY'RE NOT
INVESTIGATING A HOMICIDE.
930
00:46:33,424 --> 00:46:36,124
WHAT TIME DID YOU LEAVE LUCY
VALDON'S HOUSE LAST NIGHT?
931
00:46:36,226 --> 00:46:38,627
UH, WHAT HAS THAT GOT TO DO
932
00:46:38,729 --> 00:46:40,362
WITH THE PRICE OF
EGGS IN REYKJAVIK?
933
00:46:40,464 --> 00:46:44,132
WELL, THE 8-TO-2 MAN
SAYS YOU ENTERED AT 9
934
00:46:44,235 --> 00:46:47,203
AND NEVER CAME OUT.
935
00:46:47,305 --> 00:46:51,207
AND MY 2-TO-8 MAN SAYS
YOU DIDN'T COME OUT, EITHER.
936
00:46:51,308 --> 00:46:54,710
YOU SPENT THE NIGHT
THERE, GOODWIN.
937
00:46:54,812 --> 00:46:56,645
THIS WAS ALL WOLFE NEEDED.
938
00:46:56,747 --> 00:46:59,028
FIRST, A WOMAN PASSES A
NOTE TO ME UNDER HIS NOSE
939
00:46:59,083 --> 00:47:02,018
NOW CRAMER WAS TAKING
NOTES UNDER MY WINDOW.
940
00:47:02,119 --> 00:47:03,386
UH, WHAT NIGHT?
941
00:47:03,488 --> 00:47:04,920
LAST NIGHT.
942
00:47:05,022 --> 00:47:07,623
OH, UH, ACTUALLY, UH,
943
00:47:07,725 --> 00:47:09,925
MRS. VALDON AND I, WE
WERE FEELING SOMEWHAT HIGH
944
00:47:10,027 --> 00:47:12,161
AND WE DECIDED TO GO
DANCE ON THE SIDEWALK.
945
00:47:12,263 --> 00:47:14,630
SO, WE WENT OUTSIDE AT
ABOUT A QUARTER TO TWO.
946
00:47:14,732 --> 00:47:17,366
ABOUT A QUARTER AFTER
TWO, SHE WENT BACK INSIDE.
947
00:47:17,468 --> 00:47:19,212
I LEFT AND BOTH
YOUR MEN MISSED ME.
948
00:47:19,236 --> 00:47:20,035
HOW DO YOU LIKE THAT?
949
00:47:20,137 --> 00:47:21,203
YOU'RE A LIAR!
950
00:47:21,305 --> 00:47:22,504
AND YOU'RE PIG-HEADED!
951
00:47:22,606 --> 00:47:24,740
AND I WANT TO KNOW THE
REAL REASON WHY MRS. VALDON
952
00:47:24,842 --> 00:47:27,209
IS SPENDING A FORTUNE
ON SOME STRAY BABY
953
00:47:27,311 --> 00:47:29,078
AND KEEPING HER LIP
BUTTONED ABOUT IT.
954
00:47:29,180 --> 00:47:31,113
AND IF I DON'T GET
THE ANSWER FROM YOU,
955
00:47:31,215 --> 00:47:33,616
BY GOD, I'M GONNA
GET IT FROM HER.
956
00:47:33,718 --> 00:47:35,151
AFTER ALL THIS?
957
00:47:35,253 --> 00:47:37,686
AFTER I HAVE INDULGED
YOU TO THE UTMOST?
958
00:47:37,788 --> 00:47:39,421
YOU DARE MOLEST MY CLIENT?
959
00:47:39,523 --> 00:47:41,334
YOU'RE DAMN RIGHT I WOULD.
960
00:47:41,358 --> 00:47:44,226
I DON'T CARE WHAT HER NAME IS.
961
00:47:54,572 --> 00:47:57,439
CRAMER'S BARK WAS
WORSE THAN THE D.A.'S BITE.
962
00:47:57,542 --> 00:47:59,808
THEY ONLY KEPT LUCY
DOWNTOWN FOR FOUR HOURS
963
00:47:59,910 --> 00:48:01,621
BUT, FOR AN ARMSTEAD,
THAT WAS ENOUGH
964
00:48:01,645 --> 00:48:04,647
AND SHE WENT TO RECOVER
AT HER COUNTRY COTTAGE.
965
00:48:04,749 --> 00:48:07,215
SHE TOOK HER BABY, THE NURSE,
966
00:48:07,317 --> 00:48:10,018
THE MAID AND THE COOK...
967
00:48:10,121 --> 00:48:11,620
AND ME.
968
00:48:19,931 --> 00:48:21,811
IT WAS A MODEST LITTLE COTTAGE
969
00:48:21,900 --> 00:48:24,060
WITH JUST ENOUGH ROOM
FOR THE RUSSIAN ARMY.
970
00:48:57,634 --> 00:48:59,534
WON'T MR. WOLFE OBJECT TO YOU
971
00:48:59,637 --> 00:49:01,681
BEING HERE WITH ME, THE CLIENT?
972
00:49:01,705 --> 00:49:03,205
YES, BUT HE CAN'T FIRE ME.
973
00:49:03,307 --> 00:49:05,073
WHY NOT?
974
00:49:05,175 --> 00:49:06,275
BECAUSE, IF I WASN'T AROUND
975
00:49:06,377 --> 00:49:08,289
HE'D BE SLEEPING UNDER A
BRIDGE AND EATING SCRAPS.
976
00:49:08,313 --> 00:49:12,214
HE HATES TO WORK AND HALF MY
SALARY COMES FROM POKING HIM.
977
00:49:12,316 --> 00:49:13,682
SOUNDS DANGEROUS.
978
00:49:13,784 --> 00:49:16,284
YEAH, SEE, WHEN I POKE HARD,
HE ASKS FOR SUGGESTIONS
979
00:49:16,386 --> 00:49:19,355
THEN AVOIDS WORK
BY DISMISSING MY IDEAS.
980
00:49:19,457 --> 00:49:23,592
SO, MY STRATEGY THIS WEEKEND,
981
00:49:23,694 --> 00:49:25,194
WAS TO PROD HIM ALONG
982
00:49:25,295 --> 00:49:28,230
AND MAKE MYSELF UNAVAILABLE
FOR HIM TO SCOWL AT.
983
00:49:28,332 --> 00:49:29,898
YOU THINK IT'LL WORK?
984
00:49:30,001 --> 00:49:32,268
I WILL SEE IN A FEW HOURS.
985
00:49:34,539 --> 00:49:36,072
GOOD MORNING... GOOD MORNING!
986
00:49:36,174 --> 00:49:37,873
AW, YOU SHOULD HAVE
JOINED US THIS WEEKEND.
987
00:49:37,975 --> 00:49:39,041
WHAT A WEEKEND!
988
00:49:39,143 --> 00:49:40,876
TRAMPING THE
MOORS, THE FRESH AIR,
989
00:49:40,978 --> 00:49:43,979
THE LATE-NIGHT FIRES
CRACKLING AS THEY WERE.
990
00:49:44,081 --> 00:49:45,114
THE BEAUTIFUL...
991
00:49:45,216 --> 00:49:46,916
GET YOUR NOTEBOOK!
992
00:49:50,154 --> 00:49:52,888
THUS STARTED THE SECOND
STAGE OF THE MOTHER HUNT.
993
00:49:52,991 --> 00:49:55,824
AND IT WAS ELABORATE,
EVEN BY WOLFE'S STANDARDS.
994
00:49:55,926 --> 00:49:57,592
BUT I DON'T WANNA
GO BACK TO TOWN.
995
00:49:57,695 --> 00:50:00,862
IT'S NOT SO MUCH THE
GOING BACK I OBJECT TO,
996
00:50:00,964 --> 00:50:03,499
IT'S PUBLICITY... PERIOD.
997
00:50:03,601 --> 00:50:05,134
I'M AN ARM...
998
00:50:05,236 --> 00:50:07,013
YOU'RE AN ARMSTEAD, YOU'RE
AN ARMSTEAD, YES, YES, I KNOW.
999
00:50:07,037 --> 00:50:08,782
BUT I THOUGHT YOU WERE
TIRED OF BEING AN ARMSTEAD
1000
00:50:08,806 --> 00:50:10,250
AND THAT'S WHY
YOU'VE TAKEN UP WITH
1001
00:50:10,274 --> 00:50:12,074
A RAFFISH CHARACTER LIKE ME.
1002
00:50:12,176 --> 00:50:13,309
TRUE.
1003
00:50:13,411 --> 00:50:14,977
YES, TRUE, SO?
1004
00:50:17,148 --> 00:50:18,413
OHH, ALL RIGHT.
1005
00:50:18,516 --> 00:50:20,360
ALL RIGHT, GREAT, NOW, I AM
GOING TO SEE YOU TOMORROW
1006
00:50:20,384 --> 00:50:22,262
AND I'M GONNA GO
PLANT A STORY NOW.
1007
00:50:22,286 --> 00:50:24,786
ALL RIGHT, SEE IT,
THE SUNDAY FEATURE
1008
00:50:24,888 --> 00:50:27,389
WITH A GOOD, WHOLESOME
TITLE, "WOMEN LIKE BABIES"
1009
00:50:27,491 --> 00:50:28,723
MOSTLY PICTURES.
1010
00:50:28,825 --> 00:50:30,837
WHAT TEXT THERE IS, WILL
TALK ABOUT HOW LUCY VALDON,
1011
00:50:30,861 --> 00:50:32,939
THE BEAUTIFUL WIDOW TO
RICHARD VALDON, FAMOUS AUTHOR,
1012
00:50:32,963 --> 00:50:35,175
HAS TAKEN A BABY INTO
HER LUXURIOUS HOME.
1013
00:50:35,199 --> 00:50:37,966
HOW SHE'S HIRED A NURSE WHO'S
SO DEVOTED TO THE LITTLE LAMBKIN
1014
00:50:38,068 --> 00:50:39,713
SHE TAKES IT OUT TO
WASHINGTON SQUARE PARK
1015
00:50:39,737 --> 00:50:42,371
EVERY MORNING AT 8:30 TO
ENJOY THE BEAUTIES OF NATURE.
1016
00:50:42,473 --> 00:50:43,605
LAMBKIN?
1017
00:50:43,707 --> 00:50:45,552
AH, ANGEL PIE, SHMOOKIE...
I'M NOT WRITING IT, YOU ARE.
1018
00:50:45,576 --> 00:50:47,387
GOODWIN, YOU'VE GOT THE
NERVE OF A ONE-LEGGED MAN
1019
00:50:47,411 --> 00:50:48,822
AT AN ASS-KICKING
CONTEST... GET OUT OF HERE.
1020
00:50:48,846 --> 00:50:50,557
THAT'S NOT ONLY
VULGAR, IT'S IRRELEVANT.
1021
00:50:50,581 --> 00:50:52,326
ELLEN TENZER WAS MURDERED
BECAUSE OF THAT BABY.
1022
00:50:52,350 --> 00:50:54,049
YOU WANT US TO PUT
A SPOTLIGHT ON THAT?
1023
00:50:54,152 --> 00:50:55,417
NEXT DAY THE BABY'S SNATCHED
1024
00:50:55,519 --> 00:50:57,653
AND THEN THE GAZETTE GETS
BLAMED FOR IT, PASS-ADENA.
1025
00:50:57,755 --> 00:50:59,767
DID I MENTION TO YOU THAT
THE NURSE WILL BE A DETECTIVE?
1026
00:50:59,791 --> 00:51:02,257
THAT'S RIGHT, SALLY CORBETT,
THE BEST FEMALE OP AROUND
1027
00:51:02,359 --> 00:51:04,504
ASIDE FROM DOL BONNER,
AND THAT FRED DURKIN
1028
00:51:04,528 --> 00:51:06,840
SAUL PANZER AND ORRIE CATHER
WILL BE WATCHING HER BACK.
1029
00:51:06,864 --> 00:51:08,363
OH.
1030
00:51:08,466 --> 00:51:09,597
WHO KILLED ELLEN TENZER?
1031
00:51:09,700 --> 00:51:12,267
THAT'S WHY WE'RE DOING
THIS, THAT'S THE BEAUTY OF THIS.
1032
00:51:12,370 --> 00:51:14,136
AH.
1033
00:51:16,407 --> 00:51:19,708
ALL RIGHT, THE PICTURE...
1034
00:51:21,612 --> 00:51:23,624
I'M TALKING TO SOMEBODY,
CAN YOU WAIT A MINUTE?
1035
00:51:23,648 --> 00:51:25,425
THE PICTURE DEADLINE FOR
SUNDAY IS THURSDAY, 6:00.
1036
00:51:25,449 --> 00:51:26,693
WHAT DO YOU OWE ME? DINNER.
1037
00:51:26,717 --> 00:51:27,750
WHAT DO YOU OWE ME?
1038
00:51:27,852 --> 00:51:29,196
AN EXCLUSIVE! GET OUT OF HERE.
1039
00:51:29,220 --> 00:51:30,619
WHAT DO YOU WANT?
1040
00:51:33,324 --> 00:51:35,002
I SPENT THE NEXT DAY
OF THE MOTHER HUNT
1041
00:51:35,026 --> 00:51:36,091
WITH SALLY CORBETT,
1042
00:51:36,193 --> 00:51:37,537
WHO HAD MADE IT NECESSARY FOR ME
1043
00:51:37,561 --> 00:51:40,462
TO REVISE MY PREJUDICE
AGAINST FEMALE OPS.
1044
00:51:40,565 --> 00:51:41,997
AND I HELD IT AGAINST HER
1045
00:51:42,099 --> 00:51:43,743
LIKE WOLFE HELD IT
AGAINST JANE AUSTEN
1046
00:51:43,767 --> 00:51:45,734
FOR PROVING WOMEN COULD WRITE.
1047
00:51:45,836 --> 00:51:47,814
DID YOU EVER FIND MY HAT?
1048
00:51:47,838 --> 00:51:50,005
I DON'T REMEMBER YOU IN A HAT.
1049
00:51:58,248 --> 00:51:59,615
OH, HERE WE GO.
1050
00:51:59,716 --> 00:52:02,117
I TRIED THE FISH-EYE LENS
BUT THE APERTURE IS TOO BIG.
1051
00:52:02,219 --> 00:52:03,363
SO I'M TRYING THE 16 MILLIMETER,
1052
00:52:03,387 --> 00:52:05,232
BUT I'M CONCERNED
ABOUT THE DISTORTION.
1053
00:52:05,256 --> 00:52:06,655
HUH.
1054
00:52:06,757 --> 00:52:09,102
THE REMOTE CABLE SHUTTER
RELEASE WORKS LIKE A CHARM.
1055
00:52:09,126 --> 00:52:11,693
YES, YOU KNOW, YOU SAY
THE MOST POETIC THINGS.
1056
00:52:11,796 --> 00:52:14,296
HOW LONG BEFORE YOU'RE
READY FOR THE SHOOT?
1057
00:52:14,398 --> 00:52:16,598
JUST GOT TO GET GLAMOROUS FIRST.
1058
00:52:24,942 --> 00:52:26,875
"WOMEN LOVE BABIES".
1059
00:52:26,978 --> 00:52:28,922
AH, IT'S A MATTER
OF TASTE, I THINK.
1060
00:52:28,946 --> 00:52:31,058
I WOULD HAVE PREFERRED,
"WOMEN LIKE BABIES".
1061
00:52:31,082 --> 00:52:32,848
A LITTLE MORE SUBTLE.
1062
00:52:32,950 --> 00:52:34,994
AH, HAVE A LOOK AT THAT.
1063
00:52:35,018 --> 00:52:38,387
OH, DEAR, LUCY
ARMSTEAD IN THE GAZETTE.
1064
00:52:38,489 --> 00:52:39,688
SHOCKING.
1065
00:52:39,790 --> 00:52:41,668
I'VE ALREADY HAD CALLS
FROM THREE OF MY FRIENDS,
1066
00:52:41,692 --> 00:52:44,012
UNCLE WIMMIE AND
MY SISTER IN BOSTON.
1067
00:52:44,095 --> 00:52:45,194
UNCLE WIMMIE?
1068
00:52:45,296 --> 00:52:47,708
OH, YES, HE'S A LITTLE
TOUCHED IN THE HEAD.
1069
00:52:47,732 --> 00:52:50,999
GREAT STORYTELLER,
THOUGH, HA-HA.
1070
00:52:51,101 --> 00:52:53,068
UM, CROISSANT?
1071
00:52:53,170 --> 00:52:54,870
AH, YEAH. YES, AHEM.
1072
00:52:54,972 --> 00:52:58,006
TAMARA, DON'T YOU HAVE
DIAPERS TO WASH OR SOMETHING?
1073
00:53:03,680 --> 00:53:04,791
WITH THE TEDDY BEAR WIRED
1074
00:53:04,815 --> 00:53:06,793
AND SALLY MADE TO
LOOK LIKE A NURSE,
1075
00:53:06,817 --> 00:53:09,651
WE WERE READY FOR ANYONE
WHO WANTED TO LOOK AT THE BABY.
1076
00:53:15,726 --> 00:53:18,046
WHAT THEY DIDN'T KNOW WAS
THAT WE WERE LOOKING BACK,
1077
00:53:18,128 --> 00:53:20,088
HOPING ONE OF THEM
WAS THE MOTHER.
1078
00:53:52,663 --> 00:53:55,597
HELLO, LITTLE
SOLDIER, HOW ARE YOU?
1079
00:54:19,022 --> 00:54:21,756
THE, UH, CAMERA IS
CONCEALED IN THE TEDDY BEAR,
1080
00:54:21,859 --> 00:54:23,425
YOU SEE THE EYE?
1081
00:54:23,527 --> 00:54:24,393
YES.
1082
00:54:24,495 --> 00:54:25,495
IT'S A LENS.
1083
00:54:25,562 --> 00:54:27,340
YES, IT'S, UH, REMOTE CONTROL.
1084
00:54:27,364 --> 00:54:28,397
YES.
1085
00:54:28,498 --> 00:54:30,398
I GOT THE FOCUSING
DOWN PAT YESTERDAY.
1086
00:54:30,500 --> 00:54:32,801
ANYONE LOOKING AT THE
BABY FROM SIX YARDS OR LESS
1087
00:54:32,903 --> 00:54:34,703
IS GONNA GET SHOT IN FOCUS.
1088
00:54:34,805 --> 00:54:37,372
I TRIED THE 16-MILLIMETER LENS
BUT BECAUSE OF THE DISTOR...
1089
00:54:37,475 --> 00:54:39,952
MADAM, IF YOU WOULD FOCUS!
1090
00:54:39,976 --> 00:54:42,644
DID MRS. VALDON
RECOGNIZE ANY OF THESE?
1091
00:54:42,747 --> 00:54:44,880
UH, NO, WE'RE
WAITING FOR REPORTS
1092
00:54:44,981 --> 00:54:46,849
FROM HER HUSBAND'S FRIENDS.
1093
00:54:46,951 --> 00:54:50,152
HOW MUCH DID THIS
CONTRAPTION COST ME?
1094
00:54:50,254 --> 00:54:53,822
OH, 3,000, BETWEEN 3 AND 4,000.
1095
00:54:53,924 --> 00:54:56,224
UH, THE BEAUTY
OF THIS TEDDY BEAR
1096
00:54:56,326 --> 00:54:58,727
IS THAT IT COULD HAVE
BEEN THE RIGHT EYE
1097
00:54:58,829 --> 00:55:01,196
BUT SALLY FIGURED THAT
IF IT WAS THE LEFT EYE
1098
00:55:01,298 --> 00:55:03,532
BECAUSE PEOPLE TEND
TO KINDA LOOK INTO A BABY,
1099
00:55:03,633 --> 00:55:04,833
YOU KNOW, LIKE THAT.
1100
00:55:04,935 --> 00:55:07,602
THAT'S RIDICULOUS.
1101
00:55:11,107 --> 00:55:13,708
THE TEDDY BEAR PICTURES WERE
SHIPPED TO DICK'S THREE FRIENDS,
1102
00:55:13,810 --> 00:55:15,377
JULIAN, WILLIS AND LEO,
1103
00:55:15,479 --> 00:55:17,880
TO SEE IF THEY COULD
SPOT ONE OF HIS PLAYMATES.
1104
00:55:21,352 --> 00:55:22,917
NO.
1105
00:55:33,630 --> 00:55:35,508
Don't recognize any of them.
1106
00:55:35,532 --> 00:55:37,031
NOPE, NOT A ONE.
1107
00:55:37,133 --> 00:55:38,967
LET'S HOPE TODAY'S
CROP IS BETTER.
1108
00:55:49,647 --> 00:55:51,647
TODAY'S CROP WAS A LOT BETTER.
1109
00:55:51,749 --> 00:55:52,869
A WOMAN ARRIVED IN A CAB
1110
00:55:52,950 --> 00:55:55,883
AND SEEMED TO KNOW
EXACTLY WHY SHE WAS THERE.
1111
00:56:53,543 --> 00:56:55,911
W... WAIT, SHE TOOK A CAB
THERE TO SEE THE BABY?
1112
00:56:56,013 --> 00:56:57,579
WELL, LET'S GO FIND THE HACKIE.
1113
00:56:57,681 --> 00:57:00,948
IF YOU CANNOT ABIDE ONION,
1114
00:57:01,051 --> 00:57:03,129
YOU MUST HAVE
SOMETHING TO CUT THE OIL.
1115
00:57:03,153 --> 00:57:04,419
PARSLEY.
1116
00:57:04,522 --> 00:57:06,088
HMM.
1117
00:57:06,190 --> 00:57:07,667
SORREL. AH!
1118
00:57:07,691 --> 00:57:08,823
CONGRATULATIONS.
1119
00:57:08,926 --> 00:57:10,903
YOUR THEORY THAT A WOMAN
WHO HAD A BABY SIX MONTHS AGO
1120
00:57:10,927 --> 00:57:12,104
MIGHT WANNA SEE
WHAT IT LOOKS LIKE NOW...
1121
00:57:12,128 --> 00:57:14,696
IT WAS SOUND, TWO TO ONE,
WE HAVE HOOKED THE MOTHER.
1122
00:57:14,798 --> 00:57:16,431
AH, SATISFACTORY.
1123
00:57:16,533 --> 00:57:17,966
HOW MANY LEAVES?
1124
00:57:18,068 --> 00:57:20,146
I WOULD THINK ABOUT
ONE PER SERVING.
1125
00:57:20,170 --> 00:57:21,669
ONE?
1126
00:57:21,771 --> 00:57:23,371
MONDAY MORNING'S CROP
1127
00:57:23,473 --> 00:57:25,707
WAS THREE ROLLS, 26
EXPOSURES ALTOGETHER
1128
00:57:25,809 --> 00:57:28,777
AND ONE OF THEM WAS
WORTH ITS WEIGHT IN RUBIES.
1129
00:57:32,449 --> 00:57:34,315
THAT'S HER.
1130
00:57:34,417 --> 00:57:38,887
NOW, IF I MAY, I'M GOING TO
TAKE THAT TO MRS. VALDON
1131
00:57:38,989 --> 00:57:40,722
SEE IF SHE KNOWS HER.
1132
00:57:40,824 --> 00:57:41,968
YOU CAN REACH ME AT HER NUMBER.
1133
00:57:41,992 --> 00:57:44,893
AND YOU ARE TO
STAY OUT OF MY DESK.
1134
00:57:48,098 --> 00:57:50,043
AFTER THE STRAIN OF
APPEARING IN THE PRESS,
1135
00:57:50,067 --> 00:57:51,377
I THOUGHT IT WOULD
CHEER THE CLIENT UP
1136
00:57:51,401 --> 00:57:54,002
TO KNOW THE MOTHER
HUNT MIGHT BE OVER.
1137
00:57:54,104 --> 00:57:58,040
CAROL MARDUS... I
SHOULD HAVE KNOWN.
1138
00:57:58,142 --> 00:58:00,586
I HAVEN'T SEEN YOU
BEATEN 'TIL NOW.
1139
00:58:00,610 --> 00:58:03,812
DICK SAID IT WAS
ALL IN THE PAST.
1140
00:58:03,914 --> 00:58:09,017
BUT, WHEN THEY WERE
TOGETHER, YOU COULD STILL SEE IT.
1141
00:58:09,119 --> 00:58:14,456
SHE AND DICK...
THEY WEREN'T TAME.
1142
00:58:14,558 --> 00:58:17,625
YEAH, BUT IT ENDED.
1143
00:58:17,727 --> 00:58:19,694
YES.
1144
00:58:19,796 --> 00:58:23,031
BUT WHEN SHE GOT MANNY
UPTON TO TAKE DICK'S STORIES,
1145
00:58:23,133 --> 00:58:24,911
MANNY MADE HER A FICTION EDITOR
1146
00:58:24,935 --> 00:58:26,634
AND SHE WAS WITH MANNY.
1147
00:58:26,736 --> 00:58:29,017
SHE LEFT MANNY TO
MARRY WILLIS KRUG.
1148
00:58:29,072 --> 00:58:31,272
WELL, THAT DIDN'T LAST EITHER.
1149
00:58:36,446 --> 00:58:41,083
NOW... SHE WASN'T ON YOUR LIST.
1150
00:58:41,185 --> 00:58:45,153
WELL, I DIDN'T THINK OF
HER, I MEAN, NOT WITH A BABY.
1151
00:58:45,255 --> 00:58:47,266
SHE TOLD ME WHEN SHE
WAS MARRIED TO WILLIS
1152
00:58:47,290 --> 00:58:49,602
THAT SHE GOT PREGNANT
AND GOT RID OF IT.
1153
00:58:49,626 --> 00:58:51,125
MM-HMM.
1154
00:58:51,228 --> 00:58:54,162
NOW, IF SHE DIDN'T WANT
A BABY, WHY WOULD SHE...
1155
00:58:54,265 --> 00:58:56,364
BECAUSE IT WAS DICK'S.
1156
00:59:00,303 --> 00:59:02,584
OH, I AM BEAT, ARCHIE.
1157
00:59:04,374 --> 00:59:06,408
CAROL MARDUS, HMM.
1158
00:59:32,736 --> 00:59:36,071
NO... NO.
1159
00:59:36,173 --> 00:59:39,808
NO.
1160
00:59:39,910 --> 00:59:43,011
UH... NO.
1161
00:59:43,113 --> 00:59:44,946
CAROL MARDUS WAS
ABSENT FROM HER JOB
1162
00:59:45,048 --> 00:59:47,048
AT THE DISTAFF FOR NEARLY
SIX MONTHS LAST YEAR
1163
00:59:47,150 --> 00:59:49,384
ON VACATION IN
SARASOTA, FLORIDA.
1164
00:59:51,288 --> 00:59:53,566
NERO WOLFE'S OFFICE,
ARCHIE GOODWIN SPEAKING.
1165
00:59:53,590 --> 00:59:55,190
YES.
1166
00:59:57,360 --> 00:59:59,161
ARE YOU SURE?
1167
00:59:59,263 --> 01:00:01,303
WELL, ALL RIGHTY,
THANK YOU VERY MUCH.
1168
01:00:01,331 --> 01:00:03,865
WELL, KRUG JUST
MADE IT UNANIMOUS.
1169
01:00:03,967 --> 01:00:06,435
DESPITE THE FACT THAT ALL
THEM KNEW CAROL MARDUS,
1170
01:00:06,537 --> 01:00:08,348
NONE OF THEM COULD
PICK HER OUT OF A PILE.
1171
01:00:08,372 --> 01:00:10,571
SHE MUST INSPIRE
EITHER GREAT FEAR
1172
01:00:10,674 --> 01:00:12,274
OR THE INSTINCT TO PROTECT.
1173
01:00:12,376 --> 01:00:14,642
I THINK SHE'S JUST
GOT HER HOOKS IN DEEP.
1174
01:00:14,744 --> 01:00:16,077
CONTINUE, SAUL.
1175
01:00:16,179 --> 01:00:19,781
ON JUNE 16th, SHE WAS ADMITTED
TO SARASOTA GENERAL HOSPITAL
1176
01:00:19,883 --> 01:00:22,083
UNDER THE NAME OF CLARA WALDRON.
1177
01:00:22,185 --> 01:00:24,452
GAVE BIRTH TO A BABY BOY.
1178
01:00:24,555 --> 01:00:26,554
SATISFACTORY.
1179
01:00:26,657 --> 01:00:28,557
SO?
1180
01:00:28,659 --> 01:00:30,503
THAT'S THE END OF
THE MOTHER HUNT.
1181
01:00:30,527 --> 01:00:31,893
NO, IT IS NOT.
1182
01:00:31,995 --> 01:00:33,862
IT COULD BE, BUT
NOT FOR THAT WOMAN.
1183
01:00:33,964 --> 01:00:36,898
THAT DEAD ONE, THE ONE WHO
GAVE YOU A DRINK OF WATER.
1184
01:00:37,000 --> 01:00:38,878
WELL, IF CAROL
MARDUS IS THE MOTHER
1185
01:00:38,902 --> 01:00:40,902
THEN SHE EITHER KILLED HER,
1186
01:00:41,004 --> 01:00:43,171
OR KNOWS WHO DID.
1187
01:00:43,273 --> 01:00:46,975
HOW MUCH OF MRS. VALDON'S
MONEY HAVE WE SPENT ALREADY?
1188
01:00:47,077 --> 01:00:48,877
AROUND 14 GRAND.
1189
01:00:48,979 --> 01:00:50,912
PHOOEY.
1190
01:00:51,015 --> 01:00:52,714
YOU WILL SEE CAROL MARDUS.
1191
01:00:52,816 --> 01:00:54,649
I WON'T, NO, YOU WILL.
1192
01:00:54,751 --> 01:00:56,830
I'VE SEEN ELLEN TENZER,
I'VE SEEN ANNE TENZER.
1193
01:00:56,854 --> 01:01:00,122
AND I'VE SEEN MRS. VALDON
20 TIMES TO YOUR ONE.
1194
01:01:00,224 --> 01:01:02,257
YES, YOU HAVE.
1195
01:01:04,094 --> 01:01:06,194
UH, NERO WOLFE'S OFFICE,
ARCHIE GOODWIN SPEAKING.
1196
01:01:06,296 --> 01:01:07,674
You're Archie Goodwin?
1197
01:01:07,698 --> 01:01:08,730
RIGHT.
1198
01:01:08,832 --> 01:01:11,266
You may have heard
my name, Carol Mardus.
1199
01:01:11,368 --> 01:01:13,535
CAROL MARDUS.
1200
01:01:13,636 --> 01:01:15,670
YES, I HAVE HEARD YOUR NAME.
1201
01:01:18,408 --> 01:01:20,420
WHEN THE DOORBELL
RANG LATER THAT DAY,
1202
01:01:20,444 --> 01:01:22,678
I FINALLY SAW THE
MOTHER IN THE FLESH.
1203
01:01:22,780 --> 01:01:24,079
AND MY FIRST IMPRESSION WAS
1204
01:01:24,181 --> 01:01:26,326
THAT IF RICHARD VALDON
PLAYED MARBLES WITH THIS
1205
01:01:26,350 --> 01:01:30,485
WHEN HE HAD LUCY, HE WAS CUCKOO.
1206
01:01:30,587 --> 01:01:33,755
I UNDERSTAND INQUIRIES
ARE BEING MADE ABOUT ME.
1207
01:01:33,857 --> 01:01:36,524
HERE IN NEW YORK
AND ALSO IN FLORIDA.
1208
01:01:36,626 --> 01:01:38,960
IT GRATIFIES ME TO
MEET YOU, MADAM.
1209
01:01:39,062 --> 01:01:40,829
I HAVE BEEN SEEKING
YOU FOR SIX WEEKS.
1210
01:01:40,931 --> 01:01:42,108
I'M IN THE PHONE BOOK.
1211
01:01:42,132 --> 01:01:44,232
I... I DIDN'T KNOW THAT.
1212
01:01:44,334 --> 01:01:46,701
YOU WENT TO A GREAT
DEAL OF TROUBLE
1213
01:01:46,803 --> 01:01:48,336
TO KEEP THIS BABY...
1214
01:01:48,438 --> 01:01:49,671
BABY?
1215
01:01:49,773 --> 01:01:51,372
WHAT BABY?
1216
01:01:51,474 --> 01:01:53,207
ARCHIE, THE PICTURE.
1217
01:01:59,683 --> 01:02:00,782
WHAT IS THIS?
1218
01:02:00,884 --> 01:02:02,884
THERE WERE CAMERAS
ATTACHED TO THE BABY CARRIAGE
1219
01:02:02,986 --> 01:02:05,086
IN WASHINGTON SQUARE PARK.
1220
01:02:10,060 --> 01:02:13,494
ON JUNE 16th, UNDER THE
NAME OF CLARA WALDRON,
1221
01:02:13,596 --> 01:02:16,097
YOU GAVE BIRTH TO A CHILD AT
SARASOTA GENERAL HOSPITAL.
1222
01:02:16,199 --> 01:02:18,799
MY GOD, SO THAT'S
WHY SHE DID THAT.
1223
01:02:18,901 --> 01:02:20,946
I KNEW SHE COULDN'T HAVE
THOUGHT OF IT HERSELF.
1224
01:02:20,970 --> 01:02:22,170
YOU DID IT.
1225
01:02:22,272 --> 01:02:23,571
NO, I SUGGESTED IT.
1226
01:02:23,673 --> 01:02:25,073
DO YOU KNOW MR. LEO BINGHAM?
1227
01:02:25,175 --> 01:02:26,073
YOU KNOW I DO.
1228
01:02:26,175 --> 01:02:27,342
DO YOU KNOW MR. JULIAN HAFT?
1229
01:02:27,444 --> 01:02:28,509
YES.
1230
01:02:28,612 --> 01:02:30,712
AND YOU KNOW WILLIS KRUG,
YOU WERE MARRIED TO HIM.
1231
01:02:30,814 --> 01:02:33,414
WE SHOWED THESE THREE
GENTLEMEN THOSE PHOTOGRAPHS.
1232
01:02:33,516 --> 01:02:36,084
NONE OF THEM IDENTIFIED YOU.
1233
01:02:36,186 --> 01:02:38,153
IS ONE OF THEM THE
FATHER OF YOUR BABY?
1234
01:02:38,255 --> 01:02:40,088
HMM-HMM, NO.
1235
01:02:40,190 --> 01:02:43,424
IS MR. RICHARD VALDON
THE FATHER OF THIS CHILD?
1236
01:02:43,526 --> 01:02:45,293
WILL YOU ANSWER ME, MADAM?
1237
01:02:45,395 --> 01:02:46,395
NO.
1238
01:02:46,429 --> 01:02:48,196
I ADVISE YOU TO.
1239
01:02:48,298 --> 01:02:50,098
FURTHER INQUIRIES WILL REVEAL
1240
01:02:50,200 --> 01:02:54,102
YOUR RENEWED INTIMACIES
WITH HIM LAST YEAR.
1241
01:02:54,204 --> 01:02:55,648
DID YOU LEAVE THE
BABY IN THE VESTIBULE
1242
01:02:55,672 --> 01:02:58,239
AT MRS. VALDON'S
HOUSE ON 11th STREET?
1243
01:02:58,341 --> 01:02:59,507
WILL YOU ANSWER, MADAM?
1244
01:02:59,609 --> 01:03:00,642
NO.
1245
01:03:00,744 --> 01:03:02,544
WHERE WERE YOU ON
THE EVENING OF MAY 20th?
1246
01:03:02,646 --> 01:03:03,789
NONE OF YOUR BUSINESS.
1247
01:03:03,813 --> 01:03:06,614
WHERE WERE YOU THE NIGHT
ELLEN TENZER WAS KILLED?
1248
01:03:11,655 --> 01:03:14,589
WELL, THAT LAST QUESTION
WAS A LITTLE, UM, DIRECT.
1249
01:03:14,691 --> 01:03:17,211
IF SHE IS THE KILLER, THEN
IT WAS WELL TO INFORM HER
1250
01:03:17,260 --> 01:03:19,620
THAT WE HAVE CONNECTED
THE BABY TO ELLEN TENZER.
1251
01:03:19,696 --> 01:03:21,096
YEAH, AND IT'S WELL TO REMEMBER
1252
01:03:21,198 --> 01:03:23,565
THAT IF CRAMER CONNECTS
ELLEN TENZER TO CAROL MARDUS,
1253
01:03:23,667 --> 01:03:25,599
WE LOSE OUR LICENSES.
1254
01:03:25,701 --> 01:03:28,870
TAKE MRS. VALDON TO THE COUNTRY.
1255
01:03:28,972 --> 01:03:30,183
IF YOU'RE ANCHORED HERE,
1256
01:03:30,207 --> 01:03:32,452
YOU'LL BADGER ME
AND WE'LL SQUABBLE.
1257
01:03:32,476 --> 01:03:34,142
BUT COME BACK THIS EVENING.
1258
01:03:34,244 --> 01:03:36,204
WHAT ABOUT CHECKING ON
CAROL MARDUS FOR MAY 20th?
1259
01:03:36,280 --> 01:03:37,345
NO!
1260
01:03:37,447 --> 01:03:39,280
A JACKASS COULD DO THAT!
1261
01:03:39,382 --> 01:03:41,260
HAVE I NO IMAGINATION?
1262
01:03:41,284 --> 01:03:44,986
AM I A... A DOLT? HAVE I NO WIT?
1263
01:03:47,491 --> 01:03:48,689
I'M NOT AFRAID OF HEIGHTS
1264
01:03:48,792 --> 01:03:50,224
AND, AS YOU KNOW,
I LOVE ELEPHANTS.
1265
01:03:50,326 --> 01:03:51,326
WE'RE GLIDING ALONG
1266
01:03:51,428 --> 01:03:53,528
AT ABOUT THREE FEET ON
THIS BEAUTIFUL SAVANNA,
1267
01:03:53,630 --> 01:03:55,330
THAT'S WHAT THEY
CALL THEM, A SAVANNA.
1268
01:03:55,431 --> 01:03:57,431
WHAT ELSE DID CAROL SAY?
1269
01:03:57,534 --> 01:03:59,134
HUH? CAROL MARDUS.
1270
01:03:59,236 --> 01:04:02,203
I'VE GIVEN IT TO YOU,
WORD FOR WORD, TWICE.
1271
01:04:02,306 --> 01:04:05,273
OKAY, SO, WE'RE ON THE SAVANNA
1272
01:04:05,375 --> 01:04:07,475
AND WE'RE HOVERING
ABOUT THREE FEET OVER IT
1273
01:04:07,577 --> 01:04:09,177
AND THERE'S THIS
HERD, SEE, OF ELEPHANTS
1274
01:04:09,279 --> 01:04:10,377
AND THEY CAN RUN VERY FAST,
1275
01:04:10,480 --> 01:04:12,560
NOT AS FAST AS RHINOS, BUT
THEY CAN RUN VERY, VERY...
1276
01:04:12,649 --> 01:04:13,949
WHAT WAS SHE WEARING?
1277
01:04:14,050 --> 01:04:15,395
WHAT WAS SHE WEARING? YES.
1278
01:04:15,419 --> 01:04:17,118
DOES THAT HAVE SOME
BEARING ON THE QUESTION
1279
01:04:17,220 --> 01:04:19,621
OF WHETHER RICHARD
VALDON IS THE FATHER?
1280
01:04:19,722 --> 01:04:21,156
I JUST...
1281
01:04:21,258 --> 01:04:22,357
YOU JUST WHAT?
1282
01:04:22,459 --> 01:04:24,437
I JUST WANTED TO KNOW
WHAT YOU THOUGHT OF HER.
1283
01:04:24,461 --> 01:04:26,661
YOU MEAN, DID I FIND
HER ATTRACTIVE?
1284
01:04:26,763 --> 01:04:28,563
NO...
1285
01:04:28,665 --> 01:04:30,143
OKAY, SO THERE WE
WERE ON THE SAVANNA.
1286
01:04:30,167 --> 01:04:32,500
NOW, RHINOCEROSES,
THEY'RE VERY FAST...
1287
01:04:32,603 --> 01:04:33,646
DID YOU?
1288
01:04:33,670 --> 01:04:35,069
DID I WHAT?
1289
01:04:35,171 --> 01:04:37,739
DID I FIND HER ATTRACTIVE?
1290
01:04:37,841 --> 01:04:39,686
DID YOU FIND HER ATTRACTIVE?
1291
01:04:39,710 --> 01:04:41,976
NO... I DON'T WANNA KNOW.
1292
01:04:42,078 --> 01:04:44,512
PLEASE GO ON WITH THE STORY.
1293
01:04:44,614 --> 01:04:46,447
OKAY, SO WE'RE ON
THE SAVANNA, YOU KNOW,
1294
01:04:46,550 --> 01:04:49,316
WE'RE KIND OF TRAVELING AROUND,
HOVERING AND EVERYTHING...
1295
01:04:49,418 --> 01:04:50,897
I LET IT SLIDE.
1296
01:04:50,921 --> 01:04:54,289
NO MAN WITH ANY SENSE ASSUMES
THAT A WOMAN'S WORDS MEAN TO HER
1297
01:04:54,391 --> 01:04:56,524
EXACTLY WHAT THEY MEAN TO HIM.
1298
01:05:01,732 --> 01:05:03,798
NO WORD FROM UPSTAIRS?
1299
01:05:03,901 --> 01:05:05,333
NO, ARCHIE.
1300
01:05:05,435 --> 01:05:07,246
I GUESS I'M GONNA
HAVE TO POKE...
1301
01:05:13,943 --> 01:05:15,442
NERO WOLFE'S KITCHEN.
1302
01:05:15,545 --> 01:05:17,257
ARCHIE, IT'S SAUL, ARE YOU
LISTENING TO THE RADIO?
1303
01:05:17,281 --> 01:05:19,614
UH, THE RADIO? NO,
NO, I WAS BROODING.
1304
01:05:19,716 --> 01:05:21,482
THEN I'M BAD NEWS.
1305
01:05:31,595 --> 01:05:33,328
AHEM. YES.
1306
01:05:33,430 --> 01:05:36,898
UH, YEAH, SAUL JUST PHONED
WITH AN ITEM FROM THE 8:30 NEWS.
1307
01:05:37,000 --> 01:05:40,301
THE BODY OF CAROL MARDUS
WAS FOUND IN AN ALLEY BY A COP.
1308
01:05:40,403 --> 01:05:42,170
STRANGLED WITH A
CORD AROUND HER NECK,
1309
01:05:42,272 --> 01:05:45,673
JUST LIKE AUNT ELLEN.
1310
01:05:45,775 --> 01:05:47,775
NO!
1311
01:05:49,078 --> 01:05:50,278
UH... YES.
1312
01:05:57,621 --> 01:05:58,953
THEODORE, GOOD MORNING.
1313
01:05:59,055 --> 01:06:01,455
I WILL NOT BE WITH YOU IN THE
PLANT ROOMS THIS MORNING.
1314
01:06:07,930 --> 01:06:09,730
WHERE ARE YOU BOUND FOR?
1315
01:06:09,833 --> 01:06:11,532
THE PLANT ROOMS, OF COURSE.
1316
01:06:11,634 --> 01:06:13,379
LISTEN, IF CRAMER SHOWS UP HERE
1317
01:06:13,403 --> 01:06:15,648
WE CAN NO LONGER SAY WE
HAVE NO EVIDENCE IN A MURDER
1318
01:06:15,672 --> 01:06:17,783
BECAUSE NOW THE MOTHER
HUNT HAS CAUSED TWO MURDERS.
1319
01:06:17,807 --> 01:06:20,341
PHOOEY!
1320
01:06:20,443 --> 01:06:22,543
OH, BOY.
1321
01:06:22,645 --> 01:06:24,423
WOLFE WENT OFF TO HIS PLANTS.
1322
01:06:24,447 --> 01:06:26,614
I PHONED LON COHEN FOR DETAILS.
1323
01:06:35,158 --> 01:06:37,169
CAROL MARDUS WAS
MURDERED LESS THAN A BLOCK
1324
01:06:37,193 --> 01:06:39,761
FROM HER EX-HUSBAND'S APARTMENT.
1325
01:06:39,863 --> 01:06:43,665
HER EMPLOYER
CAME TO IDENTIFY HER.
1326
01:06:46,002 --> 01:06:48,736
AS SOON AS I KNEW THE FACTS,
I HEADED FOR THE COTTAGE.
1327
01:06:48,838 --> 01:06:51,873
I DIDN'T WANT LUCY TO
FIND OUT FROM THE RADIO.
1328
01:06:51,974 --> 01:06:53,441
NO!
1329
01:06:58,748 --> 01:07:01,615
OKAY, IT'S TOUGH,
IT'S DAMN TOUGH.
1330
01:07:01,717 --> 01:07:04,285
ALL THE IFS.
1331
01:07:04,387 --> 01:07:08,856
YEAH, BUT NOW
THERE ARE RISKS, SEE?
1332
01:07:08,958 --> 01:07:11,504
DO YOU WANNA TURN LOOSE?
1333
01:07:11,528 --> 01:07:12,993
NO!
1334
01:07:13,096 --> 01:07:14,962
I DON'T WANNA TURN LOOSE.
1335
01:07:15,064 --> 01:07:15,964
YOU DON'T?
1336
01:07:16,066 --> 01:07:17,066
THE MAN WHO KILLED THEM
1337
01:07:17,133 --> 01:07:19,500
PUT THE BABY IN MY
VESTIBULE, DIDN'T HE?
1338
01:07:19,603 --> 01:07:21,436
YES.
1339
01:07:21,538 --> 01:07:23,737
THEN I WANT NERO
WOLFE TO GET HIM.
1340
01:07:29,146 --> 01:07:30,989
THE COPS WILL GET
HIM SOONER OR LATER.
1341
01:07:31,013 --> 01:07:33,447
I WANT NERO WOLFE TO GET HIM.
1342
01:07:36,652 --> 01:07:39,787
ALL RIGHT... HE WILL.
1343
01:07:39,889 --> 01:07:43,958
AND I'M GONNA GO BACK
AND HELP HIM, ALL RIGHT?
1344
01:07:47,930 --> 01:07:49,597
I JUST HAD AN IDEA.
1345
01:07:49,699 --> 01:07:52,032
I HAVE ONE A YEAR, YOU KNOW.
1346
01:07:52,135 --> 01:07:54,736
I MAY BE WALKING BY YOUR
HOUSE AND FEEL LIKE DROPPING IN,
1347
01:07:54,838 --> 01:07:56,771
MAY I HAVE A KEY?
1348
01:08:08,584 --> 01:08:13,154
999 WOMEN OUT OF A THOUSAND
WOULD HAVE ASKED ME WHY.
1349
01:08:19,129 --> 01:08:22,007
I CAME HOME TO FIND
WOLFE WAITING FOR ME.
1350
01:08:22,031 --> 01:08:24,666
A PARTY HAD BEEN
ARRANGED IN MY ABSENCE.
1351
01:08:24,767 --> 01:08:27,201
WHO THE HELL DO
YOU THINK YOU ARE?
1352
01:08:27,303 --> 01:08:28,836
SIT DOWN.
1353
01:08:28,938 --> 01:08:30,615
I ASKED YOU A QUESTION.
1354
01:08:30,639 --> 01:08:31,839
SIT DOWN.
1355
01:08:31,941 --> 01:08:34,709
BY GOD, IF YOU
DON'T ANSWER ME, I...
1356
01:08:42,619 --> 01:08:44,752
IN MY HOUSE, I DO THE BAWLING.
1357
01:08:44,854 --> 01:08:47,454
NOW, IT SAVES TIME TO HAVE
ALL THREE OF YOU HERE TOGETHER
1358
01:08:47,556 --> 01:08:50,358
BECAUSE I WISH TO ASK EACH
OF YOU THE SAME QUESTION.
1359
01:08:50,460 --> 01:08:51,704
AS A PREAMBLE, YOU SHOULD KNOW
1360
01:08:51,728 --> 01:08:53,439
THAT THERE WERE NO
ANONYMOUS LETTERS.
1361
01:08:53,463 --> 01:08:55,229
I KNEW IT, I KNEW IT.
1362
01:08:55,331 --> 01:08:56,931
IT DID SEEM ODD.
1363
01:08:57,033 --> 01:09:00,068
MRS. VALDON HIRED ME TO LEARN
WHO HER BABY'S MOTHER WAS.
1364
01:09:00,170 --> 01:09:01,068
I KNEW IT.
1365
01:09:01,171 --> 01:09:02,614
WHY DID NONE OF YOU
PUT CAROL MARDUS
1366
01:09:02,638 --> 01:09:04,416
ON THE LISTS YOU WERE
ASKED TO PRODUCE?
1367
01:09:04,440 --> 01:09:06,452
CAROL? SHE'S DEAD.
1368
01:09:06,476 --> 01:09:07,609
SHE IS INDEED, YES.
1369
01:09:07,710 --> 01:09:10,211
YOU ALL KNOW HER, AND HER
PICTURE WAS AMONG THOSE
1370
01:09:10,313 --> 01:09:12,313
I SENT TO YOU ON TUESDAY,
1371
01:09:12,415 --> 01:09:14,375
WHY DID NONE OF YOU IDENTIFY IT?
1372
01:09:16,453 --> 01:09:18,252
A CONSPIRACY OF SILENCE?
1373
01:09:18,354 --> 01:09:19,999
WHEN CAROL MARDUS
WAS HERE YESTERDAY...
1374
01:09:20,023 --> 01:09:21,722
SHE WAS HERE?
1375
01:09:21,824 --> 01:09:23,803
DID SHE SAY SHE WAS
THE MOTHER OF THE BABY?
1376
01:09:23,827 --> 01:09:26,360
IN WORDS, NO, BUT
IT IS INDUBITABLE.
1377
01:09:26,462 --> 01:09:28,228
AND NOW, WITH HER DEATH,
1378
01:09:28,330 --> 01:09:30,643
IT IS ALSO INDUBITABLE THAT
SHE TOLD SOME OTHER PERSON,
1379
01:09:30,667 --> 01:09:31,733
CALL HIM "X",
1380
01:09:31,835 --> 01:09:34,101
OF HER CONVERSATION
WITH ME AND THAT "X",
1381
01:09:34,203 --> 01:09:37,105
FEARING SHE WOULD DISCLOSE
HIS INVOLVEMENT, KILLED HER.
1382
01:09:37,207 --> 01:09:39,473
THIS IS FANTASTIC!
1383
01:09:39,575 --> 01:09:42,209
I PRESUME THAT YOU WISH THE
MURDERER OF CAROL MARDUS
1384
01:09:42,312 --> 01:09:44,192
BE BROUGHT TO JUSTICE, AS DO I.
1385
01:09:44,280 --> 01:09:46,847
I WOULD PREFER NOT TO ABET
INSPECTOR CRAMER'S EFFORTS
1386
01:09:46,949 --> 01:09:48,949
TO FIND THE MALIGNANT WRETCH
1387
01:09:49,051 --> 01:09:52,020
BECAUSE I WISH TO
NAME HIM MYSELF.
1388
01:09:52,122 --> 01:09:54,455
TO THAT END, I HAVE
QUESTIONS TO ASK.
1389
01:09:54,557 --> 01:09:56,323
WILL YOU ANSWER THEM?
1390
01:09:57,861 --> 01:10:03,364
WELL, CAROL AND I WERE MARRIED
FOR EXACTLY 18 MONTHS AND...
1391
01:10:03,466 --> 01:10:06,100
WELL, THERE WERE
TIMES I COULD HAVE
1392
01:10:06,202 --> 01:10:09,036
STRANGLED HER
MYSELF, IF I HAD IT IN ME.
1393
01:10:09,138 --> 01:10:11,772
CAROL MARDUS WAS A FASCINATING,
1394
01:10:11,875 --> 01:10:14,675
ARISTOCRATIC TRAMP... TO CAROL.
1395
01:10:14,777 --> 01:10:16,389
THIS IS SO DISTRESSING!
1396
01:10:16,413 --> 01:10:17,490
TO EVEN BE ASKED.
1397
01:10:17,514 --> 01:10:18,645
SHE MADE IT PLAIN.
1398
01:10:18,748 --> 01:10:21,349
SHE MARRIED ME BECAUSE
SHE WANTED TO GO TAME.
1399
01:10:21,451 --> 01:10:23,129
SHE COULD HAVE HAD ME
BY SNAPPING HER FINGERS
1400
01:10:23,153 --> 01:10:24,233
BUT THERE WAS A DIFFICULTY.
1401
01:10:24,286 --> 01:10:27,155
SHE BELONGED TO MY
GOOD FRIEND DICK VALDON.
1402
01:10:27,257 --> 01:10:30,357
SHE STAYED TAME FOR
THREE OR FOUR MONTHS.
1403
01:10:30,460 --> 01:10:32,070
ALTHOUGH, WITH HER,
YOU NEVER COULD TELL.
1404
01:10:32,094 --> 01:10:33,794
BELONGED... THAT'S
NOT THE RIGHT WORD.
1405
01:10:33,896 --> 01:10:36,030
CAROL BELONGED TO NO ONE.
1406
01:10:36,132 --> 01:10:39,099
I JUST DON'T SEE
HER WITH A BABY.
1407
01:10:39,202 --> 01:10:41,969
BUT IF SHE HAD ONE,
DICK VALDON'S THE FATHER.
1408
01:10:42,071 --> 01:10:43,871
SO, WHO DID SHE
TURN TO FOR HELP?
1409
01:10:43,974 --> 01:10:45,306
YOU, JULIAN?
1410
01:10:45,408 --> 01:10:47,386
SHE ALWAYS SAID YOU WERE THE
ONE MAN SHE COULD GO TO DINNER WITH
1411
01:10:47,410 --> 01:10:49,510
AND THEN GO HOME
AND READ MANUSCRIPTS.
1412
01:10:49,613 --> 01:10:53,914
I SUPPOSE I SHOULD
BE FLATTERED, LEO.
1413
01:10:54,016 --> 01:10:55,416
YOUR THOUGHT THAT CAROL
1414
01:10:55,518 --> 01:10:59,186
CONSIDERED ME WORTHY
OF HER CONFIDENCE.
1415
01:10:59,288 --> 01:11:01,054
AND, OF COURSE, SHE DIDN'T.
1416
01:11:01,156 --> 01:11:03,824
DID YOU KILL CAROL MARDUS?
1417
01:11:03,927 --> 01:11:05,359
OH, FOR GOD'S SAKE, NO!
1418
01:11:05,461 --> 01:11:07,661
CERTAINLY.
1419
01:11:07,764 --> 01:11:10,664
NO... OF COURSE NOT.
1420
01:11:13,670 --> 01:11:15,469
WHY?
1421
01:11:15,572 --> 01:11:18,773
GENTLEMEN...
1422
01:11:18,875 --> 01:11:22,376
WE MAY NOT HAVE MUTUAL TRUST
1423
01:11:22,478 --> 01:11:24,746
BUT WE HAVE A MUTUAL INTEREST.
1424
01:11:24,848 --> 01:11:27,948
IN ANY CASE, I'M OBLIGED TO
YOU ON BEHALF OF MY CLIENT.
1425
01:11:35,992 --> 01:11:37,391
ALL RIGHT, BOSS,
1426
01:11:37,493 --> 01:11:39,405
NOW, I CALL YOU BOSS
BECAUSE I KNOW IT IRRITATES YOU
1427
01:11:39,429 --> 01:11:41,440
BUT THAT'S PART OF
MY JOB, TO IRRITATE YOU.
1428
01:11:41,464 --> 01:11:43,609
NOW, EITHER YOU CALL CRAMER
RIGHT NOW AND EMPTY THE BAG
1429
01:11:43,633 --> 01:11:44,865
OR I WILL.
1430
01:11:44,967 --> 01:11:46,100
IMPOSSIBLE.
1431
01:11:46,202 --> 01:11:48,669
NO, THE MURDERER HAS DARED
ME WITH FLAGRANT IMPUDENCE
1432
01:11:48,771 --> 01:11:50,237
AND IT IS I, NOT THE POLICE,
1433
01:11:50,340 --> 01:11:51,939
WHO WILL BE THE
INSTRUMENT OF HIS DOOM.
1434
01:11:53,976 --> 01:11:56,944
LET'S GO, WOLFE!
1435
01:11:57,046 --> 01:11:58,057
KITCHEN!
1436
01:11:58,081 --> 01:12:00,248
COME ON, WOLFE, OPEN UP.
1437
01:12:00,350 --> 01:12:02,250
I KNOW YOU'RE IN THERE!
1438
01:12:03,820 --> 01:12:07,488
CRIPES, OPEN THIS DOOR!
1439
01:12:07,590 --> 01:12:09,724
ARCHIE, THE COATS.
1440
01:12:09,826 --> 01:12:11,237
MR. CRAMER IS AT THE FRONT DOOR.
1441
01:12:11,261 --> 01:12:12,471
I CANNOT SPEAK WITH HIM
1442
01:12:12,495 --> 01:12:14,907
WITHOUT REVEALING THAT
WHICH I DO NOT WANT HIM TO KNOW.
1443
01:12:14,931 --> 01:12:16,731
PUT A CHAIN BOLT ON THE DOOR.
1444
01:12:16,833 --> 01:12:19,077
ARCHIE AND I HAVE GONE, YOU
DON'T KNOW WHEN WE'LL RETURN.
1445
01:12:19,101 --> 01:12:22,336
IF HE RETURNS WITH
A SEARCH WARRANT...
1446
01:12:22,439 --> 01:12:24,683
YOU'LL HAVE TO ADMIT
HIM, BUT TELL HIM NOTHING.
1447
01:12:24,707 --> 01:12:26,840
BUT... THE SHAD ROE?
1448
01:12:26,942 --> 01:12:28,309
YES...
1449
01:12:30,146 --> 01:12:31,412
GO!
1450
01:12:34,617 --> 01:12:37,485
YOU REALIZE, THIS IS THE
LAST DAY OF THE SEASON.
1451
01:12:37,587 --> 01:12:39,787
THERE WILL BE NO
MORE AFTER THIS.
1452
01:12:39,889 --> 01:12:41,989
YES, YES.
1453
01:12:48,264 --> 01:12:50,030
MUST IT BE A HOTEL?
1454
01:12:50,133 --> 01:12:51,832
NO, I HAD THE IDEA WE
MIGHT NEED A DUGOUT
1455
01:12:51,935 --> 01:12:54,001
SO I ASKED MRS. VALDON
FOR A KEY TO HER HOUSE.
1456
01:12:54,104 --> 01:12:55,770
IT'S TWO MILES THAT WAY.
1457
01:12:55,872 --> 01:12:57,683
WE WILL STOP ON THE
WAY FOR ACCOUTERMENTS.
1458
01:12:57,707 --> 01:12:59,340
EASY, EASY.
1459
01:13:01,010 --> 01:13:03,877
FOUR CHEESES, ROAST
BEEF, STURGEON, ANCHOVIES...
1460
01:13:03,979 --> 01:13:05,324
WOLFE KNEW THERE
WAS ONLY ONE WAY
1461
01:13:05,348 --> 01:13:06,959
TO GET HOME TO HIS ORCHIDS...
1462
01:13:06,983 --> 01:13:09,383
AND HIS CHAIR AND
HIS UNFINISHED BOOK.
1463
01:13:09,485 --> 01:13:10,952
WHY WASN'T HE WORKING?
1464
01:13:11,053 --> 01:13:13,054
YOU'RE PLAYING HOUSE.
1465
01:13:13,156 --> 01:13:14,800
LOOK, SIR, THERE'S
TIMES TO BE ECCENTRIC
1466
01:13:14,824 --> 01:13:16,468
AND THERE'S TIMES WHEN
ONE MUST PUT THEIR MIND
1467
01:13:16,492 --> 01:13:17,636
TO THE MATTERS AT HAND.
1468
01:13:17,660 --> 01:13:20,361
ARCHIE, TOMORROW IS SUNDAY
AND WE'RE BOXED UP HERE.
1469
01:13:20,463 --> 01:13:22,663
WE CAN'T EVEN CHANGE OUR SOCKS.
1470
01:13:22,765 --> 01:13:23,925
MOVE THAT PLATE.
1471
01:13:23,967 --> 01:13:24,967
WHY...
1472
01:13:25,034 --> 01:13:27,001
JUST GET IT OUT OF THE WAY.
1473
01:13:27,103 --> 01:13:31,272
NOW, DESPITE ALL THIS, I AM
CONSIDERING MRS. VALDON.
1474
01:13:31,374 --> 01:13:34,408
I WANT YOU TO ASK HER TO
COME HERE THIS EVENING, ALONE.
1475
01:13:34,510 --> 01:13:37,044
AND SINCE YOU'RE FUMING, GET
SAUL HERE TOMORROW MORNING.
1476
01:13:37,146 --> 01:13:38,146
RIGHT, WHAT FOR?
1477
01:13:38,247 --> 01:13:40,225
I AM CONSIDERING
ELLEN TENZER'S NIECE,
1478
01:13:40,249 --> 01:13:41,689
ANNE, IS IT? YES.
1479
01:13:41,751 --> 01:13:43,295
IF I PROPERLY
UNDERSTOOD HER METIER,
1480
01:13:43,319 --> 01:13:46,120
SHE REPLACES OFFICE WORKERS
WHO ARE TEMPORARILY ABSENT.
1481
01:13:46,222 --> 01:13:47,702
THAT'S RIGHT, IT WAS
CALLED STOPGAP...
1482
01:13:51,093 --> 01:13:52,237
I'LL BE DAMNED, I'LL BE DAMNED.
1483
01:13:52,261 --> 01:13:53,828
I SHOULD HAVE THOUGHT
OF THAT MYSELF.
1484
01:13:53,930 --> 01:13:55,463
YOU WERE TOO BUSY FUMING.
1485
01:13:55,565 --> 01:13:56,565
I WASN'T FUMING.
1486
01:13:56,632 --> 01:13:57,532
YES, YOU WERE.
1487
01:13:57,634 --> 01:13:59,333
NO, NO, YOU CAN'T
SAY I WAS FUMING.
1488
01:13:59,435 --> 01:14:00,913
YES, YOU WERE. I
WAS HARDLY FUMING.
1489
01:14:00,937 --> 01:14:02,214
YOU WERE CLEARLY FUMING.
1490
01:14:02,238 --> 01:14:03,103
I WASN'T FUMING.
1491
01:14:03,205 --> 01:14:04,817
ONE CANNOT THINK IF ONE FUMES.
1492
01:14:04,841 --> 01:14:06,085
DO HAVE ENOUGH
THERE, BY THE WAY?
1493
01:14:06,109 --> 01:14:07,886
HERE, HAVE SOME CORNED
BEEF, YOU LIKE CORNED BEEF.
1494
01:14:07,910 --> 01:14:09,243
OH, NO, NO, I
WOULDN'T WANT TO...
1495
01:14:09,345 --> 01:14:11,122
SOME WONDERFUL MUSTARD THERE.
1496
01:14:11,146 --> 01:14:14,514
OLIVES, ANCHOVIES, ARTICHOKE.
1497
01:14:14,616 --> 01:14:15,928
CHEESE AND CRACKERS...
YOU LIKE CRACKERS...
1498
01:14:15,952 --> 01:14:17,051
OLIVES...
1499
01:14:18,587 --> 01:14:20,165
right up the middle...
1500
01:14:20,189 --> 01:14:22,222
RUN, YOU GOTTA
RUN, RUN, RUN, RUN.
1501
01:14:22,324 --> 01:14:24,057
PICK UP THE BALL,
PICK UP THE BALL...
1502
01:14:24,159 --> 01:14:25,393
going around first...
1503
01:14:25,495 --> 01:14:29,362
YES, THAT'S IT, THAT'S IT.
1504
01:14:29,465 --> 01:14:30,898
Safe on third!
1505
01:14:31,000 --> 01:14:32,299
NO!
1506
01:14:35,237 --> 01:14:38,105
WELL, WELL, WELL,
AREN'T YOU A COZY PAIR?
1507
01:14:38,208 --> 01:14:39,985
YOU'RE ASTONISHED THAT
YOUR HOUSE IS NOT A MESS
1508
01:14:40,009 --> 01:14:41,787
WITH TWO MEN LOOSE
IN IT, AREN'T YOU?
1509
01:14:41,811 --> 01:14:44,011
YOU ARE CONCEITED.
1510
01:14:44,113 --> 01:14:46,113
MMM.
1511
01:14:46,215 --> 01:14:47,581
BUT I LIKE YOU ANYWAY.
1512
01:14:47,684 --> 01:14:48,964
HOW WAS THE GOVERNOR?
1513
01:14:49,052 --> 01:14:50,351
YOU KNOW, HE ASKED ABOUT YOU.
1514
01:14:50,453 --> 01:14:51,185
AH, YES.
1515
01:14:51,287 --> 01:14:52,287
HE MISSED YOU...
1516
01:14:52,321 --> 01:14:55,522
MADAM, I THANK YOU
HEARTILY FOR THIS HAVEN.
1517
01:14:55,624 --> 01:14:56,424
WELL, I HOPE, SIR,
1518
01:14:56,526 --> 01:14:57,925
THAT YOU'VE BEEN
QUITE COMFORTABLE.
1519
01:14:58,027 --> 01:15:00,728
I HAVE NEVER BEEN MORE
UNCOMFORTABLE IN MY LIFE.
1520
01:15:00,829 --> 01:15:04,098
NO REFLECTION ON YOUR
HOSPITALITY IS INTENDED
1521
01:15:04,200 --> 01:15:06,440
BUT, MR. GOODWIN
AND I ARE IN A PICKLE.
1522
01:15:06,535 --> 01:15:07,835
AGAIN?
1523
01:15:07,937 --> 01:15:09,882
I NEED TO SEE YOUR
HUSBAND'S FRIENDS.
1524
01:15:09,906 --> 01:15:12,272
CAN YOU GET THEM HERE TOMORROW,
1525
01:15:12,374 --> 01:15:14,775
WITHOUT REVEALING MY PRESENCE?
1526
01:15:14,877 --> 01:15:16,889
MR. UPTON MIGHT
NEED SOME PERSUADING
1527
01:15:16,913 --> 01:15:18,378
BUT HE IS ESSENTIAL.
1528
01:15:18,481 --> 01:15:23,017
AND MR. CRAMER, IT WOULD
BE GOOD TO HAVE HIM HERE.
1529
01:15:23,119 --> 01:15:25,853
DO YOU LIKE EGGS?
1530
01:15:28,157 --> 01:15:29,935
CONFOUND IT, ARE EGGS COMICAL?
1531
01:15:29,959 --> 01:15:30,959
WELL, NO.
1532
01:15:31,060 --> 01:15:33,260
DO YOU KNOW HOW TO
SCRAMBLE EGGS, MRS. VALDON?
1533
01:15:33,362 --> 01:15:34,861
OF COURSE I DO.
1534
01:15:34,964 --> 01:15:37,376
TO USE MR. GOODWIN'S
FAVORITE LOCUTION,
1535
01:15:37,400 --> 01:15:39,900
ONE WILL GET YOU
10 THAT YOU DON'T.
1536
01:15:40,002 --> 01:15:42,436
I WILL PREPARE
SCRAMBLED EGGS FOR YOU
1537
01:15:42,538 --> 01:15:44,905
TOMORROW MORNING FOR BREAKFAST.
1538
01:15:45,008 --> 01:15:47,975
TELL ME 40 MINUTES
BEFORE YOU'RE READY.
1539
01:15:48,077 --> 01:15:50,144
40 MINUTES? YES.
1540
01:15:50,246 --> 01:15:51,979
I KNEW YOU DIDN'T KNOW.
1541
01:16:08,397 --> 01:16:11,332
IF YOU'RE TIRED, ARCHIE,
YOU SHOULD GO TO BED.
1542
01:16:11,434 --> 01:16:14,602
UM...
1543
01:16:14,704 --> 01:16:18,138
WELL, MR. WOLFE, YOU
MUST BE EXHAUSTED.
1544
01:16:18,240 --> 01:16:19,551
OH, YES, WHAT, WITH ALL THE EGGS
1545
01:16:19,575 --> 01:16:20,853
YOU'VE GOT TO COOK
TOMORROW MORNING.
1546
01:16:20,877 --> 01:16:23,210
NO, NO, I'M NOT.
1547
01:16:23,312 --> 01:16:28,282
GOOD BOOK, A GOOD CHAIR,
SATISFACTORY, MADAM.
1548
01:16:31,320 --> 01:16:33,053
HMM.
1549
01:16:43,132 --> 01:16:44,972
GOOD MORNING. 'MORNING.
1550
01:16:57,613 --> 01:16:58,824
'MORNING.
1551
01:16:58,848 --> 01:17:00,113
GOOD MORNING.
1552
01:17:00,215 --> 01:17:02,015
'MORNING. AH, GOOD MORNING.
1553
01:17:07,489 --> 01:17:08,689
SLEEP WELL?
1554
01:17:08,791 --> 01:17:10,658
OH, YES. YES, I DID, YES.
1555
01:17:10,760 --> 01:17:12,259
SMELLS DELICIOUS, HEH.
1556
01:17:23,773 --> 01:17:26,173
MMM.
1557
01:17:26,275 --> 01:17:28,041
THERE WE ARE.
1558
01:17:28,143 --> 01:17:29,943
THANK YOU.
1559
01:17:39,154 --> 01:17:41,288
MMM.
1560
01:17:41,390 --> 01:17:42,923
WELL, I HAVE GOT TO ADMIT,
1561
01:17:43,025 --> 01:17:45,392
THESE ARE RIGHT UP
THERE WITH FRITZ'S.
1562
01:17:45,494 --> 01:17:47,394
I'M GONNA HAVE TO TELL HIM.
1563
01:17:47,496 --> 01:17:49,963
MMM.
1564
01:17:50,065 --> 01:17:52,933
I GUESS I DIDN'T KNOW
HOW TO SCRAMBLE AN EGG.
1565
01:17:53,035 --> 01:17:56,904
OF COURSE, 40 MINUTES IS MORE
TIME THAN ONE COULD EXPECT
1566
01:17:57,006 --> 01:17:59,206
A HOUSEWIFE TO SPEND
SCRAMBLING EGGS
1567
01:17:59,308 --> 01:18:01,775
BUT, IT'S IMPOSSIBLE
TO DO IT TO PERFECTION
1568
01:18:01,877 --> 01:18:04,245
IN ANY LESS.
1569
01:18:04,347 --> 01:18:06,313
NOW I KNOW.
1570
01:18:10,419 --> 01:18:12,319
THE BEST I'VE EVER HAD, REALLY.
1571
01:18:13,622 --> 01:18:15,022
AH, SAUL.
1572
01:18:15,124 --> 01:18:16,490
EXCUSE ME.
1573
01:18:19,895 --> 01:18:24,765
YOU KNOW, I READ SOMETHING
WHICH MIGHT INTEREST YOU.
1574
01:18:24,867 --> 01:18:27,901
IT'S A MONOGRAPH
BY R.P. ARMSTEAD
1575
01:18:28,003 --> 01:18:29,748
ON THE ACIDIC
EFFECT OF LONDON FOG
1576
01:18:29,772 --> 01:18:31,716
ON THE LEAVES OF
FLOWERING PLANTS.
1577
01:18:31,740 --> 01:18:36,277
YES, WELL, MY UNCLE
PUBLISHED IT UNDER HIS NAME.
1578
01:18:36,378 --> 01:18:37,856
R.P. ARMSTEAD DID NOT WRITE IT?
1579
01:18:37,880 --> 01:18:40,480
NO... I DID. YOU?
1580
01:18:40,582 --> 01:18:43,284
I WANTED IT TO BE
TAKEN SERIOUSLY.
1581
01:18:48,157 --> 01:18:50,056
WELL, SAUL.
1582
01:18:50,159 --> 01:18:52,192
I SPOKE WITH FRITZ.
1583
01:18:52,294 --> 01:18:55,695
THERE WERE TWO HOMICIDE
DICKS CAMPED OUT IN YOUR OFFICE...
1584
01:18:55,798 --> 01:18:58,399
SMOKING CIGARS.
1585
01:18:58,501 --> 01:19:02,169
ARCHIE, GIVE SAUL
TENZER'S ADDRESS.
1586
01:19:05,240 --> 01:19:07,074
NEVER BETTER.
1587
01:19:13,249 --> 01:19:16,016
OH, HELLO, MANNY,
WON'T YOU COME IN?
1588
01:19:16,118 --> 01:19:17,262
THE OTHERS ARE HERE.
1589
01:19:17,286 --> 01:19:18,286
OTHERS?
1590
01:19:18,320 --> 01:19:20,821
WHAT IS ALL THIS,
LUCY, WHO IS THIS MAN?
1591
01:19:20,923 --> 01:19:22,835
HE WORKS FOR NERO WOLFE.
1592
01:19:22,859 --> 01:19:24,725
YOU'RE STILL INVOLVED
WITH THAT FAT FOOL?
1593
01:19:24,827 --> 01:19:26,460
HEY!
1594
01:19:26,562 --> 01:19:28,095
THIS WAY, SIR.
1595
01:19:28,197 --> 01:19:29,730
NOW WAIT A MINUTE!
1596
01:19:29,832 --> 01:19:31,543
YOU KNOW, I KEEP THINKING
1597
01:19:31,567 --> 01:19:34,401
TOMORROW, I'LL NO
LONGER BE A CLIENT.
1598
01:19:34,503 --> 01:19:37,104
NO MORE BUSINESS RELATIONS.
1599
01:19:37,206 --> 01:19:38,984
YEAH, WELL, THAT'S WHY
I'VE MADE A RESERVATION
1600
01:19:39,008 --> 01:19:40,574
AT THE "FLAMINGO CLUB".
1601
01:19:40,676 --> 01:19:42,943
SO THE WHOLE WORLD CAN
SEE HOW YOU CAN DANCE.
1602
01:19:43,045 --> 01:19:46,113
ARE YOU FLIRTING
WITH ME, ARCHIE?
1603
01:19:54,689 --> 01:19:56,457
MRS. VALDON.
1604
01:19:56,559 --> 01:19:58,025
MR. GOODWIN.
1605
01:20:13,042 --> 01:20:16,210
PANZER, WHAT ARE YOU DOING HERE?
1606
01:20:16,312 --> 01:20:18,345
WHOSE LITTLE PARTY IS THIS?
1607
01:20:20,449 --> 01:20:22,516
MINE.
1608
01:20:28,357 --> 01:20:30,290
ARREST HIM... THEM.
1609
01:20:30,392 --> 01:20:31,637
THAT IS A FORMAL DEMAND.
1610
01:20:31,661 --> 01:20:33,071
THEY HAVE ME HERE
AGAINST MY WILL.
1611
01:20:33,095 --> 01:20:35,196
DON'T BE A DONKEY!
1612
01:20:35,298 --> 01:20:37,197
I'M HERE TO NAME A MURDERER.
1613
01:20:37,300 --> 01:20:39,165
MR. CRAMER KNOWS THAT.
1614
01:20:39,267 --> 01:20:41,235
YEAH...
1615
01:20:41,336 --> 01:20:43,336
YEAH.
1616
01:20:55,184 --> 01:20:57,184
OH, COME ON, WOLFE.
1617
01:20:57,286 --> 01:21:00,020
LET'S GET ON WITH IT,
I HAVEN'T GOT ALL DAY.
1618
01:21:03,592 --> 01:21:07,394
WHEN CAROL MARDUS NEEDED
TO GET RID OF HER BABY,
1619
01:21:07,496 --> 01:21:10,097
SHE ENLISTED THE
HELP OF A FRIEND, A MAN,
1620
01:21:10,199 --> 01:21:11,765
LET US CALL HIM "X".
1621
01:21:11,867 --> 01:21:13,934
MAKE IT "Z", "X" IS OVERWORKED.
1622
01:21:17,473 --> 01:21:20,607
IT WAS A FATAL MISTAKE,
FOR "X" WAS ONE OF THE FEW
1623
01:21:20,709 --> 01:21:24,611
WHO HAD BEEN DENIED
HER INTIMATE FAVORS
1624
01:21:24,713 --> 01:21:25,979
AND HE RESENTED IT.
1625
01:21:26,081 --> 01:21:27,314
SUCH PURPLE PROSE.
1626
01:21:27,416 --> 01:21:29,694
WHEN SHE TOLD HIM THAT
RICHARD VALDON WAS THE FATHER
1627
01:21:29,718 --> 01:21:31,685
HE INDULGED HIMSELF IN A PRANK.
1628
01:21:31,787 --> 01:21:35,155
HE LEFT THE BABY AND A NOTE
IN MRS. VALDON'S VESTIBULE.
1629
01:21:35,257 --> 01:21:38,225
GOD, WHAT A STORY THIS IS,
IS ANYONE GETTING IT DOWN?
1630
01:21:39,995 --> 01:21:42,035
WHEN ELLEN TENZER
COMMUNICATED TO "X"
1631
01:21:42,131 --> 01:21:44,664
THAT WE WERE ON HIS
TRAIL, HE STRANGLED HER.
1632
01:21:44,766 --> 01:21:47,100
THE PRANK WAS PERMISSIBLE,
1633
01:21:47,203 --> 01:21:49,836
BUT THE THREAT OF ITS
DISCLOSURE WAS NOT.
1634
01:21:49,938 --> 01:21:51,058
AFTER HER TALK WITH ME,
1635
01:21:51,107 --> 01:21:54,107
MISS MARDUS DID WHAT
ELLEN TENZER HAD DONE.
1636
01:21:54,209 --> 01:21:55,475
SHE WAS PROBABLY SCORNFUL.
1637
01:21:55,577 --> 01:21:58,779
YEAH, YEAH, YEAH.
BLAH, BLAH, BLAH...
1638
01:21:58,881 --> 01:22:00,258
NOW, WAIT A MINUTE,
WAIT A MINUTE.
1639
01:22:00,282 --> 01:22:01,559
ARE YOU SAYING
THIS IS THE SAME BABY
1640
01:22:01,583 --> 01:22:03,461
THAT WAS BOARDED
BY ELLEN TENZER?
1641
01:22:03,485 --> 01:22:07,420
YES, I SEE THIS WON'T DO,
I MUST NAME HIM... ARCHIE?
1642
01:22:17,500 --> 01:22:19,833
THIS IS ANNE TENZER,
1643
01:22:19,935 --> 01:22:22,369
THE NIECE OF ELLEN TENZER.
1644
01:22:22,471 --> 01:22:24,738
SHE WORKS FOR AN
EMPLOYMENT SERVICE
1645
01:22:24,840 --> 01:22:29,075
AND FILLS TEMPORARY VACANCIES
AT THE SENIOR EXECUTIVE LEVEL.
1646
01:22:29,177 --> 01:22:31,678
MISS TENZER, LOOK AROUND.
1647
01:22:31,780 --> 01:22:36,583
IS THERE ANYONE IN THIS ROOM
WHO YOU HAVE EVER WORKED FOR?
1648
01:22:36,685 --> 01:22:40,854
OH, HELLO, MR. HAFT.
1649
01:22:40,956 --> 01:22:43,123
HE'S THE PRESIDENT
OF PARTHENON PRESS.
1650
01:22:43,225 --> 01:22:46,760
IS THIS ONE OF YOUR
FAMOUS DRAMAS, MR. WOLFE?
1651
01:22:46,862 --> 01:22:48,729
YOU DON'T REMEMBER ME, MR. HAFT?
1652
01:22:48,831 --> 01:22:51,464
I THINK IT WAS THE
LAST TWO WEEKS IN JUNE
1653
01:22:51,566 --> 01:22:53,333
AND THE FIRST WEEK IN JULY.
1654
01:22:53,435 --> 01:22:54,868
I'VE HEARD OF YOUR TACTICS
1655
01:22:54,970 --> 01:22:56,847
AND I'M NOT PUTTING
UP WITH THEM.
1656
01:22:56,871 --> 01:22:58,005
SIT DOWN.
1657
01:22:58,107 --> 01:23:01,141
DID YOU DISCUSS YOUR AUNT
ELLEN'S WORK WITH MR. HAFT?
1658
01:23:01,243 --> 01:23:02,342
WELL, I MUST HAVE.
1659
01:23:02,444 --> 01:23:04,511
BECAUSE IT WAS LAST
JANUARY THAT HE CALLED ME
1660
01:23:04,613 --> 01:23:07,981
TO SEE IF MY AUNT ELLEN
STILL BOARDED BABIES.
1661
01:23:08,083 --> 01:23:09,516
DID THAT WORK OUT, MR. HAFT?
1662
01:23:09,618 --> 01:23:10,750
SHE'S LYING?
1663
01:23:10,853 --> 01:23:13,098
DO YOU CONTRADICT
HER? DO YOU SAY SHE LIES?
1664
01:23:13,122 --> 01:23:16,490
NO, I DON'T SAY SHE
LIES, I SAY SHE'S MISTAKEN.
1665
01:23:16,592 --> 01:23:19,059
SHE MISTOOK ME FOR SOMEONE ELSE.
1666
01:23:19,161 --> 01:23:22,329
PUERILE, EITHER ACKNOWLEDGE
THE FACTS AND CALL HER A LIAR
1667
01:23:22,431 --> 01:23:23,541
OR TELL ME THE TRUTH!
1668
01:23:23,565 --> 01:23:25,031
I CALLED YOU A LIAR!
1669
01:23:25,133 --> 01:23:27,133
AND YOU ARE A DUNCE.
1670
01:23:27,235 --> 01:23:29,603
MR. CRAMER, ASK
MR. UPTON IF CAROL MARDUS
1671
01:23:29,705 --> 01:23:32,338
TOLD HIM WHO HELPED
DISPOSE OF THE BABY.
1672
01:23:32,440 --> 01:23:33,585
HE WAS HER EMPLOYER,
1673
01:23:33,609 --> 01:23:35,620
HE WOULD NOT ALLOW
HER A SIX-MONTH VACATION
1674
01:23:35,644 --> 01:23:37,544
WITHOUT ASKING WHY.
1675
01:23:37,646 --> 01:23:41,547
JULIAN, I'M SORRY, BUT
YOU CAN'T EXPECT ME...
1676
01:23:41,650 --> 01:23:43,217
OH, GOD.
1677
01:23:43,319 --> 01:23:47,587
OH, GOD, OH, GOD,
OH, GOD, OH, GOD...
1678
01:23:47,689 --> 01:23:50,023
OH, GOD, OH, GOD...
1679
01:23:50,125 --> 01:23:53,994
OH, GOD, OH, GOD... OH, GOD.
1680
01:23:57,165 --> 01:23:59,366
MRS. VALDON, YOU
HAVE INDULGED ME...
1681
01:23:59,468 --> 01:24:01,580
WOLFE SAW THAT CRAMER
WAS ABOUT TO BLOW HIS TOP
1682
01:24:01,604 --> 01:24:03,348
SO HE TOLD LUCY TO GO UPSTAIRS
1683
01:24:03,372 --> 01:24:05,872
AND BARRICADE HERSELF
INSIDE HER TOWER.
1684
01:24:05,974 --> 01:24:07,819
OTHERWISE, SHE'D BE
SPENDING THE NIGHT DOWNTOWN
1685
01:24:07,843 --> 01:24:09,943
WITH THE REST OF US PEASANTS.
1686
01:24:12,414 --> 01:24:15,415
MR. HAFT, YOU ARE A
MALIGNANT, IMPUDENT WORM.
1687
01:24:15,517 --> 01:24:17,094
BUT NOW THAT I HAVE EXPOSED YOU,
1688
01:24:17,118 --> 01:24:19,953
I OFFER ADVICE... GO
PREPARE YOUR DEFENSE.
1689
01:24:20,055 --> 01:24:21,199
THERE MUST BE TRACES, LETTERS,
1690
01:24:21,223 --> 01:24:24,124
CANCELED CHECKS, A
STRAY HAIR IN YOUR CAR.
1691
01:24:24,226 --> 01:24:26,070
IT'S A SIMPLE MATTER
TO PRODUCE EVIDENCE
1692
01:24:26,094 --> 01:24:28,628
WHEN YOU KNOW WHO
YOU ARE LOOKING FOR.
1693
01:24:28,730 --> 01:24:30,163
WELL... GO.
1694
01:24:30,265 --> 01:24:32,265
YOU KNOW DAMN
WELL HE'S NOT GOING.
1695
01:24:32,367 --> 01:24:34,267
NOBODY IS.
1696
01:24:34,369 --> 01:24:36,269
GOOD GOD, THIS IS BRUTAL!
1697
01:24:36,372 --> 01:24:38,805
ALL OF YOU... I'M
SENDING FOR CARS.
1698
01:24:38,908 --> 01:24:41,808
I'M TAKING YOU ALL DOWN TO
THE DISTRICT ATTORNEY'S OFFICE,
1699
01:24:41,910 --> 01:24:43,610
ESPECIALLY YOU.
1700
01:24:43,712 --> 01:24:45,592
NEVER LEAVE YOUR HOUSE, HUH?
1701
01:24:45,647 --> 01:24:48,915
WELL, NOW THAT YOU'VE LEFT
IT, YOU'LL GO BACK WHEN I SAY SO.
1702
01:24:49,017 --> 01:24:50,828
WE'VE HAD OUR LITTLE TRIUMPH.
1703
01:24:50,852 --> 01:24:52,986
LET'S GO.
1704
01:24:58,527 --> 01:25:00,572
UH, MR. CRAMER, I
REALIZE THAT THIS IS NOW
1705
01:25:00,596 --> 01:25:01,962
YOUR MOMENT OF TRIUMPH,
1706
01:25:02,064 --> 01:25:04,424
BUT DON'T YOU WANNA TAKE
THE MURDERER ALONG WITH YOU?
1707
01:25:04,500 --> 01:25:05,665
ALL RIGHT, GET HIM...
1708
01:25:05,767 --> 01:25:07,601
COME ON!
1709
01:25:09,838 --> 01:25:12,272
ALL RIGHT, LET'S GO,
EVERYBODY OUT OF HERE.
1710
01:25:12,374 --> 01:25:16,943
COME ON, COME
ON, COME ON, GO, GO.
1711
01:25:31,526 --> 01:25:34,061
UNHAND ME, YOU BARBARIC PEON!
1712
01:25:34,163 --> 01:25:36,530
IT TOOK EIGHT HOURS
TO SORT THINGS OUT.
1713
01:25:36,632 --> 01:25:38,143
BUT AS SOON AS HE MADE THE CASE,
1714
01:25:38,167 --> 01:25:39,811
WOLFE RETURNED
TO THE BROWNSTONE,
1715
01:25:39,835 --> 01:25:42,435
GOT INTO BED AND DIDN'T
EMERGE FOR FOUR DAYS.
1716
01:25:56,485 --> 01:25:59,753
Captioning made possible by
A&E TELEVISION NETWORKS
1717
01:25:59,855 --> 01:26:02,755
Captioned by Soundwriters™
124241
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.