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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,201 --> 00:00:02,512 PREVIOUSLY ON THE L WORD... 2 00:00:02,536 --> 00:00:03,613 DON'T DO IT, TINA. 3 00:00:03,637 --> 00:00:05,014 THAT WOMAN WILL EAT YOU ALIVE. 4 00:00:05,038 --> 00:00:06,015 SHE IS A VAMPIRE. 5 00:00:06,039 --> 00:00:07,517 YEAH, AND A DRAGON. 6 00:00:07,541 --> 00:00:08,284 THAT'S RIGHT. SHE IS A MONSTER. 7 00:00:08,308 --> 00:00:10,119 MEET MY EX, 8 00:00:10,143 --> 00:00:11,554 WINNIE MANN. 9 00:00:11,578 --> 00:00:12,522 I SHOULD GO. 10 00:00:12,546 --> 00:00:13,323 DON'T BE INTIMIDATED BY HER. 11 00:00:13,347 --> 00:00:15,692 NO, DO. 12 00:00:15,716 --> 00:00:17,360 LEO HERRERA. NICE TO MEET YOU. 13 00:00:17,384 --> 00:00:19,195 I'M HERE TO RAISE MONEY, BETTE, NOT TAKE YOUR JOB. 14 00:00:19,219 --> 00:00:20,697 THEY WOULD BE SILLY TO LET ME GO. 15 00:00:20,721 --> 00:00:22,499 THERE IS A HAPPY NEW COUPLE IN THE HOUSE, 16 00:00:22,523 --> 00:00:25,502 ALICE AND DANA! 17 00:00:25,526 --> 00:00:27,704 I DON'T KNOW WHY I LEFT LAST NIGHT. 18 00:00:27,728 --> 00:00:29,139 I THINK BECAUSE YOU LIKE SHANE. 19 00:00:29,163 --> 00:00:30,840 OH, GOODNESS. 20 00:00:30,864 --> 00:00:32,224 THAT'S WHAT I CALL GOOD FILMMAKING. 21 00:00:33,367 --> 00:00:34,310 I WANT YOU TO CALL MY FRIEND 22 00:00:34,334 --> 00:00:35,545 BURR CONNOR. 23 00:00:35,569 --> 00:00:37,413 DO YOU KNOW WHO HE IS? 24 00:00:37,437 --> 00:00:38,615 HE'S AN INTERESTING MAN, 25 00:00:38,639 --> 00:00:40,550 AND HE'S WRITING HIS MEMOIRS FOR DUTTON. 26 00:00:40,574 --> 00:00:41,751 FUCKING CRAZY BITCH. 27 00:00:41,775 --> 00:00:42,486 FUCK YOU! 28 00:00:42,510 --> 00:00:43,575 HEY! 29 00:00:44,911 --> 00:00:46,390 GET OFF, MAN. 30 00:00:46,414 --> 00:00:47,991 FUCK! 31 00:00:48,015 --> 00:00:50,993 WE CONCEIVED OF THIS BABY TOGETHER, 32 00:00:51,017 --> 00:00:57,434 AND YOU SHOULD ABSOLUTELY BE PART OF HER LIFE. 33 00:00:57,458 --> 00:00:59,391 HER. 34 00:01:28,722 --> 00:01:30,121 WE'RE DONE FOR NOW. 35 00:01:32,426 --> 00:01:34,604 WE'D BE CLEAR TO BARKER PASS BY NOW 36 00:01:34,628 --> 00:01:35,705 IF YOU HADN'T BROUGHT 37 00:01:35,729 --> 00:01:37,240 THAT UPPITY PREACHER'S DAUGHTER. 38 00:01:37,264 --> 00:01:41,044 SOMETIMES A MAN'S GOT TO DO WHAT A MAN'S GOT TO DO. 39 00:01:41,068 --> 00:01:43,301 YEAH. 40 00:01:44,405 --> 00:01:46,816 LOOKING FOR THESE, BOYS? 41 00:01:46,840 --> 00:01:48,540 WHAT THE... 42 00:01:55,149 --> 00:01:57,827 FOR LAST NIGHT. 43 00:01:57,851 --> 00:01:59,395 FOR THIS MORNING. 44 00:01:59,419 --> 00:02:03,432 NEXT TIME, DON'T UNDERCOOK THE YOLKS. 45 00:02:03,456 --> 00:02:05,189 AND CUT! 46 00:02:06,293 --> 00:02:08,171 ARE YOU OKAY? 47 00:02:08,195 --> 00:02:10,740 DO I GET EXTRA PAY FOR THAT? 48 00:02:10,764 --> 00:02:12,697 BACK TO ONES, EVERYBODY. 49 00:02:46,700 --> 00:02:47,676 GET THE HELL OFF OF HIM. 50 00:02:47,700 --> 00:02:49,179 OH, SHIT! 51 00:02:49,203 --> 00:02:50,647 OH! 52 00:02:50,671 --> 00:02:52,415 BURR, COME ON. 53 00:02:52,439 --> 00:02:53,716 BURR! 54 00:02:55,008 --> 00:02:55,985 BURR! GET THE FUCK OUT OF HERE! 55 00:02:56,009 --> 00:02:58,109 GO ON! 56 00:03:00,314 --> 00:03:01,314 DON'T COME BACK! 57 00:03:02,349 --> 00:03:03,359 WHAT THE FUCK ARE YOU DOING? 58 00:03:03,383 --> 00:03:04,961 NONE OF YOUR BUSINESS. 59 00:03:04,985 --> 00:03:08,231 IT IS ABSOLUTELY MY BUSINESS. 60 00:03:08,255 --> 00:03:09,833 WHAT IF THAT KID TALKS, HUH? 61 00:03:09,857 --> 00:03:12,468 DO YOU EVER THINK OF THAT? 62 00:03:12,492 --> 00:03:13,536 HUH? 63 00:03:13,560 --> 00:03:15,004 WHAT IF HE GOES TO THE STAR, 64 00:03:15,028 --> 00:03:17,207 AND HE SAYS THAT ROD SEBRING IS AN ASS BANDIT? 65 00:03:17,231 --> 00:03:19,341 NO. NO, BEN WOULDN'T DO THAT. 66 00:03:19,365 --> 00:03:20,443 BEN WOULDN'T DO THAT. 67 00:03:20,467 --> 00:03:23,179 NO, HE WOULDN'T. 68 00:03:23,203 --> 00:03:24,603 YOU DON'T KNOW THAT. 69 00:03:27,107 --> 00:03:28,918 AND I HAVE TOO MUCH RIDING ON THIS PICTURE. 70 00:03:28,942 --> 00:03:30,975 BURR. BURR! 71 00:04:33,574 --> 00:04:38,388 ON 88.1 AND KCRU OXNARD-VENTURA... 72 00:05:09,209 --> 00:05:10,186 OH, MY GOD. 73 00:05:10,210 --> 00:05:13,222 OH, MY GOD. 74 00:05:13,246 --> 00:05:14,224 GOD, DON'T FREAK. 75 00:05:14,248 --> 00:05:15,224 IT'S SUNDAY. 76 00:05:15,248 --> 00:05:16,225 WE'RE ALLOWED TO GET UP LATE. 77 00:05:16,249 --> 00:05:18,627 ALICE, IT'S MONDAY. 78 00:05:18,651 --> 00:05:19,863 NO, MM-MM. 79 00:05:19,887 --> 00:05:20,997 NO, IT'S SUNDAY. 80 00:05:21,021 --> 00:05:22,298 ALICE, THINK ABOUT IT. 81 00:05:22,322 --> 00:05:23,699 YESTERDAY WE GOT BRUNCH DELIVERED, 82 00:05:23,723 --> 00:05:24,801 AND THEN THE NIGHT BEFORE 83 00:05:24,825 --> 00:05:26,068 WE WATCHED SATURDAY NIGHT LIVE. 84 00:05:26,092 --> 00:05:27,270 RIGHT! 85 00:05:27,294 --> 00:05:28,738 OH, FUCK! 86 00:05:28,762 --> 00:05:29,739 OH, MY GOD. 87 00:05:29,763 --> 00:05:31,808 I HAVE MY KCRW THING TOMORROW. 88 00:05:31,832 --> 00:05:33,209 I HAVEN'T COME UP WITH A SINGLE IDEA. 89 00:05:33,233 --> 00:05:34,811 I'M TOTALLY FUCKING UP. 90 00:05:34,835 --> 00:05:36,501 OH, GOD. 91 00:05:38,439 --> 00:05:40,083 WHAT AM I GOING TO DO FOR MY AUDITION? 92 00:05:40,107 --> 00:05:42,152 A ONCE-A-WEEK, THREE-MINUTE CULTURE SPOT. 93 00:05:42,176 --> 00:05:42,885 RIGHT. 94 00:05:42,909 --> 00:05:44,353 I NEED FUCKING IDEAS. 95 00:05:44,377 --> 00:05:45,855 PEOPLE WHO RUIN THEIR LIVES 96 00:05:45,879 --> 00:05:47,690 BECAUSE THEY CAN'T STOP HAVING SEX? 97 00:05:47,714 --> 00:05:48,958 OKAY, THAT'S REALLY NOT HELPING. 98 00:05:48,982 --> 00:05:49,959 I'M SORRY. 99 00:05:49,983 --> 00:05:51,894 LOOK, YOU'RE NOT THE ONLY ONE 100 00:05:51,918 --> 00:05:53,196 WHO'S BLOWN OFF IMPORTANT THINGS 101 00:05:53,220 --> 00:05:54,898 TO STAY IN BED FUCKING FOR FIVE DAYS, OKAY? 102 00:05:54,922 --> 00:05:55,931 I SHOULD BE TRAINING. 103 00:05:55,955 --> 00:05:58,100 YOU SHOULD ALWAYS BE TRAINING, SO... 104 00:05:58,124 --> 00:05:59,657 ALL RIGHT, LOOK. 105 00:06:01,594 --> 00:06:03,439 I'M GOING TO GO MAKE US SOME COFFEE, OKAY? 106 00:06:03,463 --> 00:06:04,441 OKAY. 107 00:06:04,465 --> 00:06:06,198 OKAY. 108 00:06:08,268 --> 00:06:09,278 WORK. 109 00:06:09,302 --> 00:06:11,581 OKAY. GET TO WORK. 110 00:06:11,605 --> 00:06:14,417 OKAY, OKAY. 111 00:06:52,880 --> 00:06:54,190 HEY. HEY. 112 00:06:54,214 --> 00:06:55,725 HI. 113 00:06:55,749 --> 00:06:59,161 I GOT YOU TEA. 114 00:06:59,185 --> 00:07:00,429 I WASN'T SURE 115 00:07:00,453 --> 00:07:01,831 WHAT ELSE YOU'RE EATING THESE DAYS, BUT... 116 00:07:01,855 --> 00:07:02,832 THANK YOU. 117 00:07:02,856 --> 00:07:05,557 THAT'S NICE. 118 00:07:09,596 --> 00:07:13,276 I SPOKE TO DAN FOXWORTHY THIS MORNING. 119 00:07:13,300 --> 00:07:15,177 I WAS THINKING ABOUT GOING BACK TO THERAPY. 120 00:07:15,201 --> 00:07:18,247 OH, I DON'T KNOW ABOUT THERAPY. 121 00:07:18,271 --> 00:07:20,049 I THINK WE SHOULD JUST FOCUS ON THE BABY. 122 00:07:20,073 --> 00:07:21,817 OH, NOT FOR US. 123 00:07:21,841 --> 00:07:25,321 I WAS THINKING ABOUT GOING TO SEE HIM MYSELF. 124 00:07:25,345 --> 00:07:26,655 OH. 125 00:07:26,679 --> 00:07:28,657 THAT'S GREAT. 126 00:07:28,681 --> 00:07:31,561 THAT'S REALLY GREAT. 127 00:07:31,585 --> 00:07:32,829 IT'LL BE GOOD FOR YOU. 128 00:07:32,853 --> 00:07:34,018 YEAH. 129 00:07:42,095 --> 00:07:43,973 CAN I JUST SAY ONE THING? 130 00:07:43,997 --> 00:07:46,042 YOU CAN SAY ANYTHING YOU WANT. 131 00:07:46,066 --> 00:07:48,244 NO, I CAN'T. 132 00:07:48,268 --> 00:07:49,979 THAT YOU DON'T EXACTLY WANT TO HEAR 133 00:07:50,003 --> 00:07:50,746 WHAT I HAVE TO SAY RIGHT NOW, 134 00:07:50,770 --> 00:07:51,747 AND THAT'S FINE, 135 00:07:51,771 --> 00:07:55,251 BUT I... 136 00:07:55,275 --> 00:08:03,275 I NEVER GOT TO SAY HOW HAPPY I AM FOR YOU... 137 00:08:03,383 --> 00:08:05,416 FOR US. 138 00:08:08,889 --> 00:08:10,233 I'M GLAD YOU'RE HAPPY. 139 00:08:10,257 --> 00:08:13,825 IT SHOULD BE YOUR HAPPINESS, TOO. 140 00:08:16,829 --> 00:08:23,045 LET'S, UM, JUST FOCUS ON BEING REALLY GOOD PARENTS. 141 00:08:25,071 --> 00:08:27,151 IT'LL BE A NEW KIND OF PARTNERSHIP FOR US. 142 00:08:28,909 --> 00:08:30,341 YEAH. 143 00:08:40,454 --> 00:08:42,031 MY TEACHER, CHARLOTTE BIRCH, 144 00:08:42,055 --> 00:08:43,065 IS PUSHING ME, 145 00:08:43,089 --> 00:08:44,566 AND I'M REALLY FREAKED OUT. 146 00:08:44,590 --> 00:08:45,935 BECAUSE SHE'S INTIMATING 147 00:08:45,959 --> 00:08:47,937 THERE'S SOME KIND OF MYSTERIOUS CHALLENGE 148 00:08:47,961 --> 00:08:49,172 IN ALL OF THIS FOR ME. 149 00:08:49,196 --> 00:08:50,606 OKAY, WELL, CAN I TELL YOU 150 00:08:50,630 --> 00:08:52,408 WHAT I THINK ABOUT CHARLOTTE? 151 00:08:52,432 --> 00:08:54,109 I THINK... WHAT? 152 00:08:54,133 --> 00:08:55,111 YOU HAVE A CRUSH ON HER. 153 00:08:55,135 --> 00:08:56,145 NO, I DON'T. 154 00:08:56,169 --> 00:08:57,246 I THINK YOU DO, 155 00:08:57,270 --> 00:08:58,681 AND I THINK IT'S TOTALLY OKAY, 156 00:08:58,705 --> 00:09:02,418 AND I THINK THAT YOU ARE ALLOWED 157 00:09:02,442 --> 00:09:04,987 TO HAVE A CRUSH ON YOUR TEACHER, 158 00:09:05,011 --> 00:09:06,055 AND YOU KNOW WHAT? 159 00:09:06,079 --> 00:09:08,291 I THINK YOU SHOULD GO FOR IT. 160 00:09:08,315 --> 00:09:09,892 TOTALLY GO FOR IT. 161 00:09:09,916 --> 00:09:13,062 FUCK YOU. 162 00:09:13,086 --> 00:09:14,366 WHAT? 163 00:09:18,090 --> 00:09:19,390 YOU WANT ME TO BE JEALOUS? 164 00:09:30,437 --> 00:09:32,982 WELL, IF YOU THINK ABOUT FUCKING HER, 165 00:09:33,006 --> 00:09:35,005 I WILL KILL YOU. 166 00:09:41,381 --> 00:09:42,992 MY NEXT SONOGRAM 167 00:09:43,016 --> 00:09:45,595 IS WEDNESDAY THE 7th AT 10:00 A.M. 168 00:09:45,619 --> 00:09:47,129 WELL, I'D LOVE TO BE THERE. 169 00:09:47,153 --> 00:09:49,432 I MEAN, IF THAT'S OKAY WITH YOU. 170 00:09:49,456 --> 00:09:52,334 I'D REALLY LIKE TO SEE OUR BABY. 171 00:09:52,358 --> 00:09:54,292 HOW EXCITING. 172 00:09:55,662 --> 00:09:56,839 ARE YOU READY TO GO? 173 00:09:56,863 --> 00:09:58,407 THE AGENT HAS FOUR LISTINGS 174 00:09:58,431 --> 00:09:59,976 LINED UP FOR US. 175 00:10:00,000 --> 00:10:02,178 WE'RE REAL ESTATE HUNTING. 176 00:10:02,202 --> 00:10:03,846 REAL ESTATE HUNTING. 177 00:10:03,870 --> 00:10:05,381 OH, HELENA WANTS TO 178 00:10:05,405 --> 00:10:06,715 RENT A HOUSE IN L.A. 179 00:10:06,739 --> 00:10:09,786 THE CHATEAU MARMONT IS GETTING SO TEDIOUS. 180 00:10:09,810 --> 00:10:11,020 I CAN'T WALK 181 00:10:11,044 --> 00:10:12,121 FROM ONE END OF THE LOBBY TO THE OTHER 182 00:10:12,145 --> 00:10:13,356 WITHOUT BEING OFFERED TO DO BLOW 183 00:10:13,380 --> 00:10:15,258 OR FINANCE FOUR INDEPENDENT FILMS 184 00:10:15,282 --> 00:10:17,326 STARRING MAGGIE GYLLENHAAL. 185 00:10:17,350 --> 00:10:20,329 ALL TOTALLY UNSOLICITED, I'M SURE. 186 00:10:20,353 --> 00:10:22,064 TOTALLY. 187 00:10:22,088 --> 00:10:23,733 UM... 188 00:10:23,757 --> 00:10:26,135 I'LL SEE YOU ON THE 7th, OKAY? 189 00:10:26,159 --> 00:10:28,271 I'LL CALL YOU. 190 00:10:28,295 --> 00:10:29,295 OKAY. 191 00:10:34,734 --> 00:10:36,679 LOOK, THE THING ABOUT REALITY 192 00:10:36,703 --> 00:10:38,514 IS IT'S GOING TO DRAW THE AUDIENCE IN. 193 00:10:38,538 --> 00:10:39,415 RIGHT. 194 00:10:39,439 --> 00:10:40,583 BASICALLY, 195 00:10:40,607 --> 00:10:42,251 I NEED PUSSY THAT WE CAN SMELL AND TASTE. 196 00:10:42,275 --> 00:10:43,786 ABSOLUTELY. RIGHT. OF COURSE. 197 00:10:43,810 --> 00:10:45,821 I MEAN... 198 00:10:45,845 --> 00:10:47,090 THE THING ABOUT THIS FILM, THOUGH, 199 00:10:47,114 --> 00:10:48,524 IS IT'S GOT THAT, BUT IT'S GOT MORE. 200 00:10:48,548 --> 00:10:50,126 IT'S... 201 00:10:50,150 --> 00:10:51,126 IT'S FASCINATING. 202 00:10:51,150 --> 00:10:52,428 I MEAN, 203 00:10:52,452 --> 00:10:53,696 WE'RE GIVING PEOPLE ACCESS TO A WORLD 204 00:10:53,720 --> 00:10:55,865 THEY'VE NEVER SEEN BEFORE, YOU KNOW? 205 00:10:55,889 --> 00:11:00,369 IT'S LIKE JOURNALISTS WHO INFILTRATE MOSQUES. IT'S... 206 00:11:00,393 --> 00:11:03,139 WHY AREN'T YOU SHOWING ME FOOTAGE? 207 00:11:03,163 --> 00:11:04,941 USUALLY I DON'T WRITE CHECKS SIGHT UNSEEN. 208 00:11:04,965 --> 00:11:07,743 I COMPLETELY UNDERSTAND. 209 00:11:07,767 --> 00:11:08,911 I JUST NEED A LITTLE MORE TIME. 210 00:11:08,935 --> 00:11:10,880 I MEAN, THIS ISN'T SCRIPTED, SO... 211 00:11:10,904 --> 00:11:11,680 SOMETHING HAPPENING THAT'S REAL, 212 00:11:11,704 --> 00:11:13,082 BUT WE CAN'T FORCE... 213 00:11:13,106 --> 00:11:15,851 WE'LL CUT YOU SOMETHING TOGETHER, ERIC, 214 00:11:15,875 --> 00:11:19,154 AND IT WILL BE DRIPPING WITH HOT LESBIAN PUSSY, 215 00:11:19,178 --> 00:11:20,844 WON'T IT, DUDE? 216 00:11:22,481 --> 00:11:24,394 YEAH, YEAH. 217 00:11:24,418 --> 00:11:27,029 I'LL WORK ON CUTTING SOMETHING TOGETHER. 218 00:11:27,053 --> 00:11:31,033 YOU CAN SHOW YOURSELVES OUT. 219 00:11:31,057 --> 00:11:33,735 GREAT. WELL, THANK YOU. 220 00:11:33,759 --> 00:11:34,937 YEAH, THANKS. 221 00:11:34,961 --> 00:11:37,173 DID YOU SEE THE MOVIE HANNIBAL? 222 00:11:37,197 --> 00:11:38,441 FREDDY VS. JASON? 223 00:11:38,465 --> 00:11:41,276 OH, PLEASE, YOU DON'T HONESTLY THINK 224 00:11:41,300 --> 00:11:43,612 WITH A LIST OF THE OWNER'S MEDIOCRE MOVIES 225 00:11:43,636 --> 00:11:44,947 IS REALLY GOING TO INFLUENCE 226 00:11:44,971 --> 00:11:47,516 WHETHER I RENT THIS PROPERTY OR NOT? 227 00:11:47,540 --> 00:11:50,475 MAY I SEE THE SPECS, PLEASE? 228 00:11:56,716 --> 00:11:58,961 I THINK I'M GOING TO GO TAKE A LOOK AROUND. 229 00:11:58,985 --> 00:12:00,463 OKAY... 230 00:12:00,487 --> 00:12:04,255 BUT DON'T GO TOO FAR. 231 00:12:14,700 --> 00:12:16,112 SO I'M ASSUMING 232 00:12:16,136 --> 00:12:18,147 THE TENANT WILL MOVE OUT OF THE GUEST HOUSE 233 00:12:18,171 --> 00:12:20,091 IF I DECIDE TO RENT THIS BEHEMOTH. 234 00:12:22,275 --> 00:12:24,253 NOW, WHY DON'T YOU TELL ME 235 00:12:24,277 --> 00:12:26,321 ABOUT THE HOUSEHOLD STAFF 236 00:12:26,345 --> 00:12:28,279 THAT COME ALONG WITH THIS PROPERTY? 237 00:12:31,184 --> 00:12:34,497 OKAY, LISTEN TO THIS. 238 00:12:34,521 --> 00:12:35,764 "WALKING THROUGH FRED SEGAL 239 00:12:35,788 --> 00:12:36,999 "EARLIER THIS WEEK, 240 00:12:37,023 --> 00:12:38,634 "I COULD SENSE ALL WAS NOT RIGHT 241 00:12:38,658 --> 00:12:40,236 "IN THE WORLD OF CONSUMERISM. 242 00:12:40,260 --> 00:12:42,505 SOMETHING'S WRONG." 243 00:12:42,529 --> 00:12:43,506 YOU SAID THAT. 244 00:12:43,530 --> 00:12:45,641 WHAT? 245 00:12:45,665 --> 00:12:48,010 WELL, YOU SAID, "ALL WAS NOT RIGHT," 246 00:12:48,034 --> 00:12:49,345 AND THEN YOU SAID, "SOMETHING'S WRONG." 247 00:12:49,369 --> 00:12:50,346 JUST... 248 00:12:50,370 --> 00:12:53,249 IT SEEMS REDUNDANT. 249 00:12:53,273 --> 00:12:55,118 OKAY? MAY I? 250 00:12:55,142 --> 00:12:56,051 YEAH. YES. 251 00:12:56,075 --> 00:12:57,153 OKAY. 252 00:12:58,178 --> 00:12:59,755 "THERE'S AN INVASION UNDERWAY. 253 00:12:59,779 --> 00:13:02,091 "OUR TROOPS ARE IN IRAQ, IN AFGHANISTAN, 254 00:13:02,115 --> 00:13:04,160 AND WE ARE HERE, SHOPPING." 255 00:13:04,184 --> 00:13:06,329 WHAT ARE YOU DOING TO YOUR VOICE? 256 00:13:06,353 --> 00:13:07,997 IT'S MY RADIO COMMENTATOR VOICE. 257 00:13:08,021 --> 00:13:10,432 YOU HAVE TO HAVE ONE. 258 00:13:10,456 --> 00:13:11,500 CAN I CONTINUE NOW? 259 00:13:11,524 --> 00:13:12,801 YEAH, SORRY. 260 00:13:12,825 --> 00:13:13,825 THANK YOU. 261 00:13:14,827 --> 00:13:15,805 OKAY. 262 00:13:15,829 --> 00:13:17,506 "IS THE MAIN MISSION OF OUR TROOPS 263 00:13:17,530 --> 00:13:19,275 "THE PROTECTION OF OUR WAY OF LIFE? 264 00:13:19,299 --> 00:13:22,945 "AND IS OUR WAY OF LIFE DEFINED BY CONSUMERISM? 265 00:13:22,969 --> 00:13:24,847 "ARE WOMEN AND MEN DYING IN IRAQ 266 00:13:24,871 --> 00:13:25,848 "SO THAT BACK HOME 267 00:13:25,872 --> 00:13:28,050 WE CAN STILL SHOP TILL WE DROP?" 268 00:13:28,074 --> 00:13:30,007 IS CONSUMERISM THE RIGHT WORD? 269 00:13:46,292 --> 00:13:50,539 WELL, IT'S A LITTLE VULGAR... 270 00:13:50,563 --> 00:13:52,408 BUT IT'S AMUSING. 271 00:13:52,432 --> 00:13:55,366 COULD YOU LIVE LIKE THIS? 272 00:14:00,340 --> 00:14:02,885 WHY DON'T WE FIND OUT? 273 00:14:02,909 --> 00:14:04,352 HEY? 274 00:14:04,376 --> 00:14:05,822 WHAT ARE YOU DOING? 275 00:14:05,846 --> 00:14:07,456 WELL, I COULDN'T BE EXPECTED 276 00:14:07,480 --> 00:14:09,991 TO RENT A PROPERTY LIKE THIS 277 00:14:10,015 --> 00:14:12,350 WITHOUT SEEING IF IT'S CONDUCIVE... 278 00:14:14,420 --> 00:14:16,387 TO THIS. 279 00:14:28,335 --> 00:14:30,735 COULD YOU LIVE LIKE THIS? 280 00:14:39,479 --> 00:14:41,223 HELENA, DID YOU SEE 281 00:14:41,247 --> 00:14:43,047 THE MATCHING HIS-AND-HERS WALK-IN CLOSETS? 282 00:14:46,452 --> 00:14:48,331 OR SHOULD I SAY HERS-AND-HERS? 283 00:15:00,066 --> 00:15:02,277 SHANE. 284 00:15:02,301 --> 00:15:03,812 HEY. HEY. 285 00:15:03,836 --> 00:15:06,949 YOU'RE ALIVE. 286 00:15:06,973 --> 00:15:08,050 I HAVEN'T SEEN YOU AROUND. 287 00:15:08,074 --> 00:15:09,417 HOW HAVE YOU BEEN? 288 00:15:09,441 --> 00:15:10,519 GOOD. 289 00:15:10,543 --> 00:15:11,120 YEAH? 290 00:15:11,144 --> 00:15:12,788 HOW'S, UH... 291 00:15:12,812 --> 00:15:14,557 OH, IT'S BETTER. 292 00:15:14,581 --> 00:15:15,858 THANK YOU. 293 00:15:15,882 --> 00:15:18,461 I'VE BEEN WORRIED ABOUT IT. 294 00:15:18,485 --> 00:15:20,495 THANKS. 295 00:15:20,519 --> 00:15:24,366 UM, SO WHERE ARE YOU OFF TO? 296 00:15:24,390 --> 00:15:25,467 WORK. 297 00:15:25,491 --> 00:15:27,603 HAIR JOB OR VERONICA BLOOM JOB? 298 00:15:27,627 --> 00:15:28,771 THE HAIR JOB. 299 00:15:28,795 --> 00:15:31,106 IT'S A DAY CALL. 300 00:15:31,130 --> 00:15:32,441 UH, WELL... 301 00:15:32,465 --> 00:15:34,543 HAVE A GOOD ONE. 302 00:15:34,567 --> 00:15:35,847 YOU TOO. 303 00:15:42,342 --> 00:15:44,986 OKAY, 304 00:15:45,010 --> 00:15:49,658 WHO WOULD MAKE OUT WITH A GUY FOR A MILLION DOLLARS? 305 00:15:51,484 --> 00:15:54,930 MOST OF THIS STUFF IS JUST CRAP, MAN. 306 00:15:54,954 --> 00:15:57,300 THEY'RE NOT DOING NOTHING BUT TALKING. 307 00:15:57,324 --> 00:15:58,734 SOMETIMES THEY EAT. 308 00:15:58,758 --> 00:15:59,868 WHAT DO YOU THINK, 309 00:15:59,892 --> 00:16:03,172 LESBIANS JUST FUCK ALL THE TIME? 310 00:16:03,196 --> 00:16:07,142 BUT IF THEY DON'T START SOON, WE'RE NOT GOING TO... 311 00:16:07,166 --> 00:16:10,713 WHAT THE FUCK IS THIS, MAN? 312 00:16:10,737 --> 00:16:11,814 IT'S NONE OF YOUR FUCKING... 313 00:16:11,838 --> 00:16:13,615 WHY ARE YOU SO FUCKING NOSY? 314 00:16:13,639 --> 00:16:14,616 GOD. 315 00:16:14,640 --> 00:16:17,720 I'LL TELL YOU WHAT IT IS. 316 00:16:17,744 --> 00:16:19,021 WHO'S NEVER GOING TO GIVE YOU THE TIME OF DAY, 317 00:16:19,045 --> 00:16:21,690 AND YOU'RE ROCK HARD FOR HER. 318 00:16:21,714 --> 00:16:23,592 JESUS. 319 00:16:23,616 --> 00:16:25,294 I BET YOU JUST FUCKING SIT HERE 320 00:16:25,318 --> 00:16:26,295 ALL NIGHT 321 00:16:26,319 --> 00:16:27,799 JACKING OFF WHILE YOU WATCH HER SLEEP. 322 00:16:29,255 --> 00:16:30,866 GREAT. 323 00:16:30,890 --> 00:16:32,401 THIS IS JUST FUCKING PERFECT. 324 00:16:32,425 --> 00:16:34,970 WE'VE BEEN BEST FRIENDS FOR HOW LONG, HUH? 325 00:16:34,994 --> 00:16:36,505 AND NOW YOU'RE GOING TO FUCK UP THIS GIG 326 00:16:36,529 --> 00:16:37,973 WE'VE BEEN WORKING OUR ASSES OFF ON 327 00:16:37,997 --> 00:16:39,541 FOR SOME CHICK? 328 00:16:39,565 --> 00:16:41,243 NEWS FLASH, MAN. 329 00:16:41,267 --> 00:16:44,080 THIS GIRL YOU'RE CRUSHING ON IS NEVER GOING TO BE WITH YOU. 330 00:16:44,104 --> 00:16:45,781 YOU'VE GOT A REAL LIVE DICK, 331 00:16:45,805 --> 00:16:49,273 AND THAT DISQUALIFIES YOU FROM GETTING UP IN THERE. 332 00:16:58,984 --> 00:17:00,518 BETTE. 333 00:17:01,988 --> 00:17:02,964 LEO AND I HAVE SOMETHING 334 00:17:02,988 --> 00:17:04,033 WE'RE VERY EXCITED ABOUT 335 00:17:04,057 --> 00:17:04,967 WE'D LIKE TO SHARE WITH YOU. 336 00:17:04,991 --> 00:17:05,968 LEO? 337 00:17:05,992 --> 00:17:07,703 WE JUST WANTED TO LET YOU KNOW 338 00:17:07,727 --> 00:17:09,371 THAT HELENA PEABODY IS GOING TO BE JOINING 339 00:17:09,395 --> 00:17:11,240 THE CAC STEERING COMMITTEE. 340 00:17:11,264 --> 00:17:12,808 WHAT? 341 00:17:12,832 --> 00:17:13,775 WE'RE GOING TO WELCOME HER 342 00:17:13,799 --> 00:17:14,810 AT OUR REGULAR BOARD MEETING TOMORROW. 343 00:17:14,834 --> 00:17:16,077 I'M SURE YOU CAN APPRECIATE 344 00:17:16,101 --> 00:17:17,413 WHAT A COUP IT IS FOR THE CAC 345 00:17:17,437 --> 00:17:19,081 TO HAVE A PEABODY ON OUR BOARD OF DIRECTORS, 346 00:17:19,105 --> 00:17:22,785 AND NOT TO PUT TOO FINE A POINT ON IT, 347 00:17:22,809 --> 00:17:23,919 BUT SHE'S BRINGING ALLYN BARNES WITH HER 348 00:17:23,943 --> 00:17:25,387 TO HER FIRST BOARD OF DIRECTORS MEETING. 349 00:17:25,411 --> 00:17:27,723 ALLYN BARNES IS COMING TO OUR BOARD MEETING? 350 00:17:27,747 --> 00:17:28,857 MM-HMM. 351 00:17:28,881 --> 00:17:29,792 ALLYN AND PEGGY ARE OLD FRIENDS. 352 00:17:29,816 --> 00:17:30,859 SHE'S KNOWN HELENA 353 00:17:30,883 --> 00:17:32,161 SINCE SHE WAS A LITTLE GIRL. 354 00:17:32,185 --> 00:17:34,397 THERE'S A RUMOR THAT ALLYN BARNES 355 00:17:34,421 --> 00:17:37,099 HAS BEEN CONTEMPLATING A CAREER RETROSPECTIVE. 356 00:17:37,123 --> 00:17:40,168 THE MODERN'S BEEN AFTER HER FOR YEARS. 357 00:17:40,192 --> 00:17:41,837 SHE'S PRETTY RESISTANT. 358 00:17:41,861 --> 00:17:42,838 I MEAN, EVERYBODY KNOWS 359 00:17:42,862 --> 00:17:44,373 ALLYN HATES THE ART WORLD, 360 00:17:44,397 --> 00:17:46,408 BUT HELENA THINKS SHE MIGHT BE READY. 361 00:17:46,432 --> 00:17:47,910 NOW, I'VE ASKED YOUR DEPARTMENT 362 00:17:47,934 --> 00:17:49,845 TO PUT TOGETHER SOME PRESS CLIPPINGS 363 00:17:49,869 --> 00:17:51,046 OF THE CAC 364 00:17:51,070 --> 00:17:52,481 SO WE CAN PRESENT IT TO HER TOMORROW. 365 00:17:52,505 --> 00:17:54,350 WELL, I'D LIKE TO GO OVER THOSE MATERIALS. 366 00:17:54,374 --> 00:17:56,152 YOU KNOW, THIS IS LEO'S STRENGTH, BETTE. 367 00:17:56,176 --> 00:17:58,320 WHY DON'T WE JUST LET HIM DO HIS THING. 368 00:17:58,344 --> 00:18:00,056 WE'LL SEE YOU TOMORROW AT 6:00, HMM? 369 00:18:00,080 --> 00:18:01,679 COME ON, LEO. 370 00:18:29,709 --> 00:18:31,320 THIS IS MORE LIKE IT. 371 00:18:31,344 --> 00:18:32,487 DO YOU THINK? 372 00:18:32,511 --> 00:18:34,690 BETTE SAW THIS HOUSE IN ARCHITECTURAL DIGEST. 373 00:18:34,714 --> 00:18:35,857 SHE SAID IT WAS 374 00:18:35,881 --> 00:18:37,726 THE QUINTESSENTIAL CALIFORNIA BEACH HOUSE. 375 00:18:37,750 --> 00:18:39,395 HMM, DID SHE NOW? 376 00:18:39,419 --> 00:18:41,263 THERE ARE EIGHT BEDROOMS ALTOGETHER, 377 00:18:41,287 --> 00:18:42,565 NOT INCLUDING THE GUEST HOUSE. 378 00:18:43,823 --> 00:18:46,769 THERE'S A NANNY'S QUARTERS DOWN BELOW.. 379 00:18:46,793 --> 00:18:48,859 WHAT, WALTER? 380 00:18:51,497 --> 00:18:53,075 PLEASE JUST TELL ME WHAT YOU HAVE TO TELL ME, 381 00:18:53,099 --> 00:18:54,076 NO DIGRESSIONS. 382 00:18:54,100 --> 00:18:55,366 AMAZING VIEW. 383 00:18:57,670 --> 00:19:00,949 NO, NO, WALTER, I DO NOT EX... 384 00:19:00,973 --> 00:19:03,252 WALTER, WHAT DID I CHARGE YOU WITH? 385 00:19:03,276 --> 00:19:04,820 DON'T TELL ME THINGS I DON'T WANT TO HEAR. 386 00:19:04,844 --> 00:19:07,489 THAT'S NOT WHAT I PAY YOU FOR. 387 00:19:07,513 --> 00:19:11,059 DO YOU WANT TO SHOW ME THE KITCHEN? 388 00:19:11,083 --> 00:19:12,461 WALTER, NO. 389 00:19:12,485 --> 00:19:13,595 HERE'S WHAT'S HAPPENING. 390 00:19:13,619 --> 00:19:14,796 I'M MOVING TO LOS ANGELES, 391 00:19:14,820 --> 00:19:16,031 AND I WANT MY CHILDREN HERE WITH ME, 392 00:19:16,055 --> 00:19:17,599 SO JUST FUCKING WELL MAKE IT HAPPEN 393 00:19:17,623 --> 00:19:19,657 AND CALL ME WHEN IT'S DONE. 394 00:19:24,163 --> 00:19:28,376 SO DO WE LIKE IT? 395 00:19:28,400 --> 00:19:29,833 IT'S SPECTACULAR. 396 00:19:31,770 --> 00:19:33,115 OKAY. 397 00:19:33,139 --> 00:19:34,338 I'LL MOVE IN TOMORROW. 398 00:19:36,975 --> 00:19:38,487 OKAY. 399 00:19:41,113 --> 00:19:42,590 HI. I'M WINNIE MANN. 400 00:19:42,614 --> 00:19:43,525 THANKS FOR SEEING ME. 401 00:19:43,549 --> 00:19:45,293 REALLY NICE TO MEET YOU. 402 00:19:45,317 --> 00:19:48,597 I, UM, I DIDN'T KNOW THAT YOU WOULD BE BRINGING... 403 00:19:48,621 --> 00:19:49,998 WELL, I DON'T HAVE A NANNY, 404 00:19:50,022 --> 00:19:52,300 SO WHEN THE KIDS ARE WITH ME, THEY ARE WITH ME. 405 00:19:52,324 --> 00:19:53,302 I HOPE IT'S NOT... 406 00:19:53,326 --> 00:19:54,636 OH, NO, NO, IT'S FINE. 407 00:19:54,660 --> 00:19:55,770 IT'S GREAT. 408 00:19:55,794 --> 00:19:58,340 DO YOU REMEMBER ME? 409 00:19:58,364 --> 00:20:00,175 WE MET IN NEW YORK. 410 00:20:00,199 --> 00:20:02,010 DON'T TAKE IT PERSONALLY. 411 00:20:02,034 --> 00:20:03,345 IT TAKES MORE THAN ONE MEETING. 412 00:20:03,369 --> 00:20:04,980 OKAY. 413 00:20:05,004 --> 00:20:06,981 WILSON, WAIT. UM, UH... 414 00:20:07,005 --> 00:20:08,650 SWEETIE, SWEETIE, NO, NO, NO, NO. 415 00:20:08,674 --> 00:20:11,119 OH... 416 00:20:11,143 --> 00:20:15,290 SEE, THIS IS A RICHARD PRINCE, 417 00:20:15,314 --> 00:20:18,393 AND IT GOES RIGHT THERE. 418 00:20:19,452 --> 00:20:22,163 HEY, WOULD YOU GUYS LIKE TO GO SWIMMING? 419 00:20:22,187 --> 00:20:23,332 YEAH, THAT'D BE GREAT! 420 00:20:23,356 --> 00:20:25,034 YEAH, CAN WE? 421 00:20:25,058 --> 00:20:27,536 UH, WELL, I DON'T REALLY SWIM. 422 00:20:27,560 --> 00:20:29,326 DO YOU THINK YOU MIGHT GO IN WITH THEM? 423 00:20:35,434 --> 00:20:36,978 SURE. 424 00:20:37,002 --> 00:20:38,513 IN ORDER TO MAKE THE CREPE BATTER, 425 00:20:38,537 --> 00:20:40,248 WE HAVE TO USE SOME SIFTED FLOUR, 426 00:20:40,272 --> 00:20:41,784 AND WE SIFTED SOME FLOUR ALREADY. 427 00:20:41,808 --> 00:20:44,019 OKAY. 428 00:20:44,043 --> 00:20:45,053 THEN THE NEXT THING THAT WE'RE GOING TO ADD... 429 00:20:45,077 --> 00:20:46,855 OKAY, WILL YOU LISTEN TO THIS ONE? 430 00:20:46,879 --> 00:20:49,024 OKAY, SO BASICALLY, 431 00:20:49,048 --> 00:20:50,526 I'M GOING TO GET SOMEONE FROM THE LEFT, 432 00:20:50,550 --> 00:20:51,526 SOMEONE FROM THE RIGHT, 433 00:20:51,550 --> 00:20:52,594 SOMEONE FROM THE CENTER, 434 00:20:52,618 --> 00:20:54,630 LOCAL ELECTED OFFICIALS, WHATEVER, 435 00:20:54,654 --> 00:20:55,664 AND THEN I'M GOING TO 436 00:20:55,688 --> 00:20:58,434 INTERVIEW THEM ABOUT TRENDS, OKAY? 437 00:20:58,458 --> 00:21:00,202 SO, "STATE ATTORNEY GENERAL WACHTEL, 438 00:21:00,226 --> 00:21:02,204 "HAVE YOU SHOPPED FOR YOUR NEW GRANDDAUGHTER 439 00:21:02,228 --> 00:21:04,139 "AT THE NEW LA LA LING BABY STORE 440 00:21:04,163 --> 00:21:07,342 IN LOS FELIZ?" 441 00:21:07,366 --> 00:21:09,878 MM-HMM. 442 00:21:09,902 --> 00:21:10,879 SO I'M TRYING TO GET AT THAT INTERSECTION 443 00:21:10,903 --> 00:21:13,015 BETWEEN CULTURE AND POLITICS. 444 00:21:13,039 --> 00:21:16,251 I DON'T KNOW. 445 00:21:16,275 --> 00:21:17,252 AL, IT'S GOOD. 446 00:21:17,276 --> 00:21:18,287 IT'S JUST... 447 00:21:18,311 --> 00:21:19,487 IT'S NOT FUNNY. 448 00:21:19,511 --> 00:21:21,556 IT'S NOT SUPPOSED TO BE FUNNY. 449 00:21:21,580 --> 00:21:23,458 HELLO? HAVE YOU LISTENED TO KCRW? 450 00:21:23,482 --> 00:21:24,493 WELL, YEAH, 451 00:21:24,517 --> 00:21:25,661 BUT DIDN'T MIMI ASK YOU PERSONALLY 452 00:21:25,685 --> 00:21:26,661 TO TRY OUT FOR THIS? 453 00:21:26,685 --> 00:21:27,529 SO? 454 00:21:27,553 --> 00:21:29,364 SO SHE MUST WANT YOU TO BE YOU. 455 00:21:29,388 --> 00:21:34,336 NO, I'M NOT GOING TO BE A FUNNY PERSON ON THE RADIO. 456 00:21:34,360 --> 00:21:36,137 WHY EVERYBODY THINKS I'M SO FUNNY. 457 00:21:36,161 --> 00:21:39,908 BECAUSE YOU ARE. 458 00:21:39,932 --> 00:21:42,310 ALICE, YOU'RE A FUNNY LADY, 459 00:21:42,334 --> 00:21:43,845 AND IT'S ONE OF THE THINGS I LOVE ABOUT YOU, 460 00:21:43,869 --> 00:21:45,669 AND I'M NOT THE ONLY ONE. 461 00:21:47,406 --> 00:21:49,406 I DON'T LIKE YOU VERY MUCH RIGHT NOW. 462 00:21:53,612 --> 00:21:57,592 IT MAKES ME SO HOT WHEN YOU'RE ANGRY. 463 00:21:57,616 --> 00:21:59,416 OH, YEAH? OH, YEAH. 464 00:22:08,060 --> 00:22:10,238 YOU'RE TOTALLY TOPPING ME AGAIN. 465 00:22:10,262 --> 00:22:12,474 I'M SORRY. 466 00:22:12,498 --> 00:22:13,241 I COULDN'T HEAR YOU THROUGH THE FEATHERS, 467 00:22:13,265 --> 00:22:14,265 PILLOW QUEEN. 468 00:22:17,336 --> 00:22:18,313 HAVE YOU ALWAYS BEEN A TOP? 469 00:22:18,337 --> 00:22:19,314 I'M NOT A TOP. 470 00:22:19,338 --> 00:22:20,349 YEAH, YOU ARE. UH-UH. 471 00:22:20,373 --> 00:22:22,106 YEAH, YOU ARE. 472 00:22:24,177 --> 00:22:25,253 YOU KNOW WHAT I WANT YOU TO DO? 473 00:22:25,277 --> 00:22:27,044 WHAT? 474 00:22:30,115 --> 00:22:31,493 I WANT YOU TO FUCK ME REALLY HARD 475 00:22:31,517 --> 00:22:32,797 WITH A STRAP-ON. 476 00:22:36,455 --> 00:22:39,055 BUT YOU'RE DOING IT RIGHT NOW WITHOUT EVEN USING ONE. 477 00:22:45,498 --> 00:22:46,475 OKAY. 478 00:22:46,499 --> 00:22:48,043 YEAH? 479 00:22:48,067 --> 00:22:51,213 TWIST MY ARM. 480 00:22:51,237 --> 00:22:53,148 YOU KNOW, BETTE, I KNOW YOU DON'T KNOW ME, 481 00:22:53,172 --> 00:22:55,517 BUT I'M TAKING A WILD SHOT 482 00:22:55,541 --> 00:22:57,952 THAT MAYBE WE HAVE SOME INTERESTS IN COMMON. 483 00:22:57,976 --> 00:23:00,121 WHAT ARE YOU ASKING ME TO DO? 484 00:23:00,145 --> 00:23:02,290 I'D LIKE YOU TO BE A CHARACTER WITNESS 485 00:23:02,314 --> 00:23:04,259 AGAINST YOU-KNOW-WHO. 486 00:23:04,283 --> 00:23:07,228 I KNOW SHE'S COMING ON TO YOUR BOARD OF DIRECTORS. 487 00:23:07,252 --> 00:23:08,530 YEAH, SHE'S EVERYWHERE. 488 00:23:08,554 --> 00:23:10,399 I CAN'T SEEM TO GET AWAY FROM HER. 489 00:23:10,423 --> 00:23:11,566 THAT'S HOW SHE DEALS. 490 00:23:11,590 --> 00:23:13,268 SHE COLONIZES. 491 00:23:13,292 --> 00:23:14,736 SHE FUCKING PLUNDERS AND PILLAGES. 492 00:23:14,760 --> 00:23:16,537 AHEM. 493 00:23:16,561 --> 00:23:18,239 OOH, I'M SORRY. 494 00:23:18,263 --> 00:23:19,241 I'M SORRY. 495 00:23:19,265 --> 00:23:20,809 THAT WAS BAD. 496 00:23:20,833 --> 00:23:22,944 BETTE, 497 00:23:22,968 --> 00:23:25,414 WE'VE GOT A COURT HEARING IN SIX WEEKS. 498 00:23:25,438 --> 00:23:28,650 YOU WANT ME TO APPEAR IN COURT? 499 00:23:28,674 --> 00:23:29,851 YES. 500 00:23:29,875 --> 00:23:32,053 JESUS, WINNIE, I DON'T KNOW. 501 00:23:32,077 --> 00:23:33,855 I'M REALLY GOING TO HAVE TO THINK ABOUT IT. 502 00:23:33,879 --> 00:23:35,123 IT'S NOT JUST THAT SHE'S ON MY BOARD OF DIRECTORS. 503 00:23:35,147 --> 00:23:37,258 BUT THERE'S TINA, THERE'S... 504 00:23:37,282 --> 00:23:40,862 WELL, LOOK, I UNDERSTAND IF YOU DON'T WANT TO... 505 00:23:40,886 --> 00:23:42,164 NO, IT'S NOT THAT I DON'T WANT TO. 506 00:23:42,188 --> 00:23:43,699 BELIEVE ME, I WOULD LOVE NOTHING MORE 507 00:23:43,723 --> 00:23:47,636 THAN TO STAND UP IN COURT AND SAY WHAT I THINK OF... 508 00:23:47,660 --> 00:23:48,970 YOU-KNOW-WHO. 509 00:23:48,994 --> 00:23:49,771 DO YOU WANT TO PLAY AGAIN? 510 00:23:49,795 --> 00:23:51,073 YEAH. OKAY. 511 00:23:51,097 --> 00:23:52,974 ONE, TWO... 512 00:23:52,998 --> 00:23:54,943 THREE! 513 00:23:54,967 --> 00:23:57,100 WHOA. WHOO! 514 00:24:16,522 --> 00:24:18,188 UM... 515 00:24:20,860 --> 00:24:22,804 I-I JUST SAW YOU OUT THERE 516 00:24:22,828 --> 00:24:25,373 AND IT... 517 00:24:25,397 --> 00:24:27,442 I DON'T KNOW, IT LOOKED LIKE YOU WERE HIDING. 518 00:24:27,466 --> 00:24:30,813 I'M NOT HIDING. 519 00:24:30,837 --> 00:24:32,769 I DON'T BELIEVE YOU. 520 00:24:47,486 --> 00:24:49,931 OH, MY GOD. 521 00:24:49,955 --> 00:24:50,955 OH, MY GOD. 522 00:24:52,925 --> 00:24:54,836 SHANE, WHO DID THIS? 523 00:24:54,860 --> 00:24:56,104 WHO DID THIS TO YOU? IT DOESN'T MATTER. 524 00:24:56,128 --> 00:24:57,105 NO, TELL ME. 525 00:24:57,129 --> 00:24:58,106 I WILL FUCKING KILL THEM. 526 00:24:58,130 --> 00:24:59,107 WHO DID THIS TO YOU? 527 00:24:59,131 --> 00:25:01,943 YOU DID IT. 528 00:25:01,967 --> 00:25:03,901 WHAT? 529 00:25:07,239 --> 00:25:09,173 FUCK YOU. 530 00:25:11,377 --> 00:25:12,821 WAIT. 531 00:25:12,845 --> 00:25:13,822 WAIT, WAIT, WAIT. 532 00:25:13,846 --> 00:25:14,856 LOOK, I'M SORRY. 533 00:25:14,880 --> 00:25:18,093 THAT WAS A FUCKED-UP THING TO SAY. 534 00:25:18,117 --> 00:25:19,427 WELL, I MEAN, MAYBE YOU MEANT SOMETHING BY IT. 535 00:25:19,451 --> 00:25:20,662 MAYBE WE SHOULD JUST TALK AND SEE... 536 00:25:20,686 --> 00:25:22,620 NO, NO. 537 00:25:24,723 --> 00:25:28,070 CAN WE JUST FORGET WHAT I SAID? 538 00:25:28,094 --> 00:25:32,362 AND LET'S GO BACK TO BEING FRIENDS. 539 00:25:35,668 --> 00:25:38,213 IS THAT WHAT YOU WANT? 540 00:25:38,237 --> 00:25:40,370 REALLY. A LOT. 541 00:26:06,699 --> 00:26:07,842 I'M SO ANGRY 542 00:26:07,866 --> 00:26:09,278 I CAN BARELY CONTROL MYSELF, 543 00:26:09,302 --> 00:26:11,479 BUT THEN I KNOW THE MORE I ACT LIKE THAT, 544 00:26:11,503 --> 00:26:14,950 THE MORE THIS PERSON CAN "F" ME UP, 545 00:26:14,974 --> 00:26:17,152 BUT THERE I AM, SCREAMING 546 00:26:17,176 --> 00:26:18,519 LIKE A CRAZY B-I-T-C-H. 547 00:26:18,543 --> 00:26:20,021 THAT'S GOT TO BE HELL. 548 00:26:20,045 --> 00:26:22,913 YEAH, SHE MADE MY LIFE A LIVING HELL. 549 00:26:24,984 --> 00:26:26,294 WHAT WERE YOU DOING WITH HER, WINNIE? 550 00:26:26,318 --> 00:26:28,730 IS THAT SO HARD TO UNDERSTAND? 551 00:26:28,754 --> 00:26:32,033 LOOK AT TINA. 552 00:26:32,057 --> 00:26:34,436 YOU TWO WERE SEPARATED WHEN SHE MET? 553 00:26:34,460 --> 00:26:35,770 YEAH. 554 00:26:35,794 --> 00:26:37,805 YEAH, AND NOW SHE HAS HER COMPLETELY ENTHRALLED. 555 00:26:37,829 --> 00:26:39,073 YEAH. 556 00:26:39,097 --> 00:26:43,178 MY FIRST PLAY HAD JUST DEBUTED AT PS 122. 557 00:26:43,202 --> 00:26:44,579 THE VOICE GAVE IT A RAVE, 558 00:26:44,603 --> 00:26:47,115 AND THIS PERSON SHOWS UP 559 00:26:47,139 --> 00:26:50,718 AND UNDERWRITES THE ENTIRE RUN OF THE SHOW. 560 00:26:50,742 --> 00:26:53,855 NEXT THING YOU KNOW, I'VE GOT MY OWN THEATER COMPANY. 561 00:26:53,879 --> 00:26:55,090 I'M LIVING 562 00:26:55,114 --> 00:26:55,857 IN A FIVE-MILLION DOLLAR LOFT 563 00:26:55,881 --> 00:26:57,292 IN TRIBECA, AND... 564 00:26:57,316 --> 00:26:58,526 STARTING A FAMILY. 565 00:26:58,550 --> 00:26:59,761 YEAH. 566 00:26:59,785 --> 00:27:01,063 "H" HAD NEVER EVEN THOUGHT ABOUT KIDS, 567 00:27:01,087 --> 00:27:03,164 BUT IT WAS A DREAM OF MINE, 568 00:27:03,188 --> 00:27:05,032 AND SHE'S IN THE BUSINESS 569 00:27:05,056 --> 00:27:06,835 OF MAKING PEOPLE'S DREAMS COME TRUE... 570 00:27:06,859 --> 00:27:10,038 UNTIL SHE CO-OPTS THEM AND MAKES THEM HER OWN. 571 00:27:10,062 --> 00:27:11,239 MOMMY? 572 00:27:11,263 --> 00:27:12,240 I FINISHED MY CHICKEN NUGGETS. 573 00:27:12,264 --> 00:27:14,642 CAN I HAVE SOME ICE CREAM? 574 00:27:14,666 --> 00:27:16,044 UH... 575 00:27:16,068 --> 00:27:18,379 I THINK I HAVE SOME, IF IT'S OKAY. 576 00:27:18,403 --> 00:27:20,381 DID YOU AND YOUR SISTER FINISH YOUR SALAD? 577 00:27:20,405 --> 00:27:21,650 YEAH. YES. 578 00:27:21,674 --> 00:27:22,651 ALL RIGHTY. 579 00:27:22,675 --> 00:27:24,641 THEN YOU GET THE BIG PRIZE. 580 00:27:27,246 --> 00:27:29,091 CAN I GIVE YOU SOME ADVICE ABOUT HER? 581 00:27:29,115 --> 00:27:31,693 I COULD SURE USE SOME. 582 00:27:31,717 --> 00:27:34,329 IT DRIVES HER CRAZY WHEN YOU DON'T REACT, 583 00:27:34,353 --> 00:27:36,998 SO SHE'LL BAIT AND BAIT AND BAIT, 584 00:27:37,022 --> 00:27:38,822 AND IF YOU JUST DON'T TAKE IT... 585 00:27:45,264 --> 00:27:46,574 WE'RE DONE FOR NOW. 586 00:27:46,598 --> 00:27:48,409 WE'D BE CLEAR TO BARKER PASS BY NOW, 587 00:27:48,433 --> 00:27:49,577 IF HADN'T BROUGHT 588 00:27:49,601 --> 00:27:51,521 THAT UPPITY PREACHER'S DAUGHTER. 589 00:27:52,938 --> 00:27:55,150 LADIES. 590 00:27:55,174 --> 00:27:57,518 OH, HELLO, MARK. 591 00:27:57,542 --> 00:27:59,220 EXCUSE ME. 592 00:27:59,244 --> 00:28:02,524 IS THAT HOW YOU GREET YOUR ROOMMATE? 593 00:28:02,548 --> 00:28:04,458 WE'RE WATCHING A BURR CONNOR FILM FESTIVAL. 594 00:28:05,284 --> 00:28:06,594 YES, MISS JENNY OVER HERE 595 00:28:06,618 --> 00:28:08,529 IS GOING TO GHOSTWRITE 596 00:28:08,553 --> 00:28:09,831 HIS MEMOIRS. 597 00:28:09,855 --> 00:28:11,800 I'M GOING TO BE HIS STENOGRAPHER. 598 00:28:11,824 --> 00:28:12,968 NO WAY. 599 00:28:12,992 --> 00:28:13,968 YEP. 600 00:28:13,992 --> 00:28:14,969 DO YOU KNOW THAT I HAD 601 00:28:14,993 --> 00:28:16,538 A BURR CONNOR ACTION FIGURE DOLL 602 00:28:16,562 --> 00:28:17,538 AS A CHILD? 603 00:28:17,562 --> 00:28:18,540 YOU DID? I DID, 604 00:28:18,564 --> 00:28:19,540 AND I MADE HIM BEAT UP MY GI JOE 605 00:28:19,564 --> 00:28:20,542 ON A DAILY BASIS. 606 00:28:20,566 --> 00:28:21,542 ARE YOU SERIOUS? TOTALLY. 607 00:28:21,566 --> 00:28:23,077 YOU ACTUALLY THOUGHT 608 00:28:23,101 --> 00:28:25,346 THAT THIS GUY, BURR CONNOR, IS MORE... 609 00:28:25,370 --> 00:28:28,116 IS TOUGHER THAN G.I. JOE? 610 00:28:28,140 --> 00:28:30,118 OH, PFF, LOOK AT HIM. WAY TOUGHER. 611 00:28:30,142 --> 00:28:34,122 THIS IS SENTIMENTAL CLAPTRAP. 612 00:28:34,146 --> 00:28:36,290 HOW COULD YOU POSSIBLY 613 00:28:36,314 --> 00:28:39,694 CALL THESE MACHO MEN SENTIMENTAL? 614 00:28:39,718 --> 00:28:43,731 BECAUSE IT'S A PRETEXT FOR TELLING STORIES 615 00:28:43,755 --> 00:28:48,470 ABOUT, LIKE, THE PURITY OF MALE FRIENDSHIP AND DEVOTION. 616 00:28:48,494 --> 00:28:50,739 I MEAN, MARK, OKAY. 617 00:28:50,763 --> 00:28:52,307 THEY'RE ALL FUCKING THE SAME, RIGHT? 618 00:28:52,331 --> 00:28:53,608 CHICK FLICKS ARE THE SAME. 619 00:28:53,632 --> 00:28:54,809 OKAY, OKAY, OKAY, YOU KNOW WHAT? 620 00:28:54,833 --> 00:28:56,177 YOU CANNOT TELL THAT THEORY TO BURR CONNOR. 621 00:28:56,201 --> 00:28:57,178 NO. KISS NOW. 622 00:28:57,202 --> 00:28:59,981 THELMA AND LOUISE. 623 00:29:00,005 --> 00:29:02,450 NO MORE. 624 00:29:02,474 --> 00:29:03,652 WHERE'S SHANE, BY THE WAY? 625 00:29:03,676 --> 00:29:07,822 UM, I-I THINK SHE WENT OUT. 626 00:29:07,846 --> 00:29:09,124 WHERE? 627 00:29:09,148 --> 00:29:10,124 I DON'T KNOW. 628 00:29:10,148 --> 00:29:11,293 TO A CLUB? 629 00:29:11,317 --> 00:29:13,795 WE DON'T KNOW, MARK. 630 00:29:13,819 --> 00:29:15,463 YEAH. 631 00:29:15,487 --> 00:29:17,999 SIXTEEN CANDLES. 632 00:29:18,023 --> 00:29:20,735 DUKES OF HAZZARD. 633 00:29:20,759 --> 00:29:22,970 GONE WITH THE WIND. 634 00:29:22,994 --> 00:29:24,661 FUNNY GIRL. 635 00:29:26,498 --> 00:29:30,678 BLESS ME, FATHER, FOR I HAVE SINNED. 636 00:29:30,702 --> 00:29:33,181 IT'S BEEN... 637 00:29:34,506 --> 00:29:40,155 16 YEARS SINCE MY LAST CONFESSION. 638 00:29:40,179 --> 00:29:42,824 AND WHAT BROUGHT YOU HERE TONIGHT? 639 00:29:42,848 --> 00:29:45,526 EVERYONE WANTS SOMETHING FROM ME, 640 00:29:45,550 --> 00:29:49,497 AND... I DON'T FEEL 641 00:29:49,521 --> 00:29:51,855 LIKE I HAVE ANYTHING LEFT TO GIVE. 642 00:29:54,192 --> 00:29:55,169 WHAT HAVE YOU BEEN GIVING 643 00:29:55,193 --> 00:29:58,306 UP UNTIL NOW? 644 00:29:58,330 --> 00:30:00,542 SEX. 645 00:30:00,566 --> 00:30:02,966 THAT'S MAINLY WHAT PEOPLE WANT. 646 00:30:04,670 --> 00:30:06,369 ACTUALLY... 647 00:30:09,108 --> 00:30:10,251 I DON'T EVEN KNOW AT THIS POINT. 648 00:30:10,275 --> 00:30:12,020 I DON'T... 649 00:30:12,044 --> 00:30:15,556 I DON'T KNOW. 650 00:30:15,580 --> 00:30:18,093 I DON'T KNOW. 651 00:30:18,117 --> 00:30:19,628 DO YOU FEEL YOU HAVE TO HAVE SEX 652 00:30:19,652 --> 00:30:22,212 WITH EVERYONE WHO WANTS IT? 653 00:30:23,722 --> 00:30:26,501 IN CHURCH, I DIDN'T. 654 00:30:26,525 --> 00:30:31,273 I USED TO LIVE IN A CHURCH SHELTER, SO... 655 00:30:31,297 --> 00:30:34,542 WHEN WAS THAT? 656 00:30:34,566 --> 00:30:36,177 I GUESS I WAS 10, 657 00:30:36,201 --> 00:30:38,580 AND I RAN AWAY FROM MY FOSTER FAMILY 658 00:30:38,604 --> 00:30:41,883 BECAUSE SOMEONE TOLD ME 659 00:30:41,907 --> 00:30:44,908 MY REAL MOM WAS BACK IN AUSTIN... 660 00:30:46,945 --> 00:30:48,389 AND SHE USED TO GO TO THAT SHELTER 661 00:30:48,413 --> 00:30:52,426 WHEN SHE WAS TRYING TO GET CLEAN. 662 00:30:52,450 --> 00:30:55,630 YOUR MOTHER WAS A DRUG ADDICT? 663 00:30:55,654 --> 00:30:57,154 YEAH. 664 00:30:59,858 --> 00:31:03,137 HAVE YOU EVER CONSIDERED JOINING A CHURCH GROUP? 665 00:31:03,161 --> 00:31:05,907 NO. 666 00:31:05,931 --> 00:31:09,332 NO, NO, NO. I DON'T LIKE GROUPS. 667 00:31:11,403 --> 00:31:14,216 THE THING I LIKE ABOUT CONFESSION 668 00:31:14,240 --> 00:31:21,689 IS YOU DON'T HAVE TO SEE THE OTHER PERSON'S FACE, 669 00:31:21,713 --> 00:31:26,661 AND YOU DON'T HAVE TO SEE HOW HURT THEY ARE 670 00:31:26,685 --> 00:31:30,931 WHEN THEY REALIZE THAT YOU CAN'T BE THAT THING 671 00:31:30,955 --> 00:31:32,889 THEY WANT YOU TO BE. 672 00:31:35,961 --> 00:31:37,405 YOU MIGHT FIND THERE ARE PEOPLE 673 00:31:37,429 --> 00:31:39,273 WHO DON'T WANT ANYTHING FROM YOU. 674 00:31:39,297 --> 00:31:40,675 YEAH. 675 00:31:40,699 --> 00:31:44,912 THEY JUST WANT TO KNOW YOU. 676 00:31:44,936 --> 00:31:48,572 YEAH, I HAVEN'T MET ANYONE LIKE THAT. 677 00:31:51,143 --> 00:31:54,756 ANYWAY, THERE'S NOTHING TO KNOW. 678 00:31:54,780 --> 00:31:57,391 MY FRIEND, WOULD YOU JUST CONSIDER IT? 679 00:32:10,295 --> 00:32:11,539 OH, THANK YOU. 680 00:32:11,563 --> 00:32:13,508 SURE. 681 00:32:13,532 --> 00:32:15,076 ALICE! 682 00:32:15,100 --> 00:32:17,045 WHAT? 683 00:32:17,069 --> 00:32:20,047 OH, YEAH. 684 00:32:20,071 --> 00:32:22,484 YEAH, I THOUGHT THAT WOULD GO AWAY. 685 00:32:22,508 --> 00:32:24,685 YOU KNEW YOU DID THIS TO ME? 686 00:32:24,709 --> 00:32:26,321 WELL, I WASN'T DOING IT ON PURPOSE. 687 00:32:26,345 --> 00:32:28,890 YOU BRUISE EASY. 688 00:32:28,914 --> 00:32:31,092 I'M NOT THE ONLY ONE. 689 00:32:31,116 --> 00:32:33,161 OH, MY GOD! 690 00:32:33,185 --> 00:32:34,929 I LOOK LIKE I'VE BEEN BEATEN. 691 00:32:34,953 --> 00:32:36,864 I HAVE MY INTERVIEW TODAY. 692 00:32:36,888 --> 00:32:38,132 IT'S RADIO. 693 00:32:38,156 --> 00:32:40,501 I HAVE TO MAKE AN IMPRESSION. 694 00:32:40,525 --> 00:32:41,502 AND I DON'T? 695 00:32:41,526 --> 00:32:43,004 YOU'RE RIGHT. 696 00:32:43,028 --> 00:32:45,040 I HAVE A PHOTO SHOOT WITH WOMEN'S FITNESS TODAY. 697 00:32:45,064 --> 00:32:46,274 I'M THE FIRST OUT-LESBIAN 698 00:32:46,298 --> 00:32:49,543 THEY'VE EVER PUT ON THE COVER, BUT... 699 00:32:49,567 --> 00:32:50,911 WELL, YOU'LL JUST BE SAYING 700 00:32:50,935 --> 00:32:53,375 YOU CAN BE GAY AND A SLUT. 701 00:32:55,607 --> 00:32:56,607 IS THERE ANY MORE? 702 00:32:57,543 --> 00:32:59,320 YEAH. 703 00:32:59,344 --> 00:33:01,656 WHERE? 704 00:33:04,382 --> 00:33:05,593 OH, REALLY? YEAH. 705 00:33:05,617 --> 00:33:06,761 HI! 706 00:33:06,785 --> 00:33:07,761 HEY, HEY. 707 00:33:07,785 --> 00:33:08,763 HI. 708 00:33:08,787 --> 00:33:10,031 HI. 709 00:33:10,055 --> 00:33:13,068 HI! MY GOD, I HAVEN'T SEEN YOU. 710 00:33:13,092 --> 00:33:14,168 WE HAVEN'T SEEN YOU GUYS 711 00:33:14,192 --> 00:33:15,169 IN A COUPLE OF DAYS. 712 00:33:15,193 --> 00:33:16,471 WHAT HAVE YOU BEEN DOING? 713 00:33:16,495 --> 00:33:18,373 WORKING. TRAINING. 714 00:33:21,232 --> 00:33:23,111 THEY'VE BEEN HAVING SEX ALL WEEKEND. 715 00:33:23,135 --> 00:33:25,313 HI. 716 00:33:25,337 --> 00:33:26,547 HI, EVERYONE. 717 00:33:26,571 --> 00:33:28,137 HI. 718 00:33:31,810 --> 00:33:34,889 WHY DON'T YOU TWO COME JOIN US? 719 00:33:34,913 --> 00:33:37,292 OKAY. 720 00:33:37,316 --> 00:33:38,860 THANK YOU. 721 00:33:38,884 --> 00:33:39,884 THAT'S NICE. 722 00:33:42,920 --> 00:33:44,821 HI. HELLO. 723 00:33:46,658 --> 00:33:50,005 SO, UM... 724 00:33:50,029 --> 00:33:51,005 TINA WAS JUST SAYING 725 00:33:51,029 --> 00:33:53,875 THAT DANA AND ALICE... 726 00:33:53,899 --> 00:33:55,709 ARE HAVING SEX. 727 00:33:57,002 --> 00:33:59,447 THAT'S NOTHING TO BE ASHAMED OF. 728 00:33:59,471 --> 00:34:01,649 THEY'D BE IN GOOD COMPANY. 729 00:34:01,673 --> 00:34:03,151 YEAH, WE HAVEN'T, THOUGH. 730 00:34:03,175 --> 00:34:05,386 I MEAN, I'VE BEEN BUSY, 731 00:34:05,410 --> 00:34:06,721 AND SHE'S BEEN BUSY... 732 00:34:06,745 --> 00:34:08,156 WORKING. 733 00:34:08,180 --> 00:34:11,259 OH, YEAH, LET ME SEE. 734 00:34:11,283 --> 00:34:12,460 BUSY! 735 00:34:12,484 --> 00:34:13,962 OH! 736 00:34:13,986 --> 00:34:16,097 OKAY, LET'S SEE. 737 00:34:16,121 --> 00:34:17,098 NO. 738 00:34:17,122 --> 00:34:19,434 WORKING? 739 00:34:19,458 --> 00:34:20,334 OH, MY GOODNESS! 740 00:34:20,358 --> 00:34:21,236 WORKING IT. 741 00:34:21,260 --> 00:34:22,236 WORKING IT. 742 00:34:22,260 --> 00:34:23,237 UH-HUH. 743 00:34:23,261 --> 00:34:24,639 LET HER SEE IT. LET HER SEE. 744 00:34:24,663 --> 00:34:26,674 OPEN IT UP. 745 00:34:26,698 --> 00:34:29,944 ALL RIGHT, I HAVE... 746 00:34:29,968 --> 00:34:30,945 OH! 747 00:34:30,969 --> 00:34:33,481 OH, MY GOD. 748 00:34:33,505 --> 00:34:34,915 OH, MY GOD. 749 00:34:34,939 --> 00:34:37,551 I HAVE MY KCRW AUDITION, 750 00:34:37,575 --> 00:34:38,786 AND I KIND OF DON'T KNOW WHAT TO DO, 751 00:34:38,810 --> 00:34:41,021 SO I WAS... 752 00:34:41,045 --> 00:34:42,823 WELL, YOU KNOW, 753 00:34:42,847 --> 00:34:45,293 WHY DON'T YOU TAKE THIS? 754 00:34:45,317 --> 00:34:46,627 BECAUSE PASSION 755 00:34:46,651 --> 00:34:49,297 SHOULD NEVER COST YOU RESPECT. 756 00:34:49,321 --> 00:34:50,298 NO, THAT... 757 00:34:50,322 --> 00:34:51,732 HELENA, I COULDN'T ACCEPT THIS. 758 00:34:51,756 --> 00:34:53,434 IT'S HERMES. 759 00:34:53,458 --> 00:34:54,969 IT'S VINTAGE, 760 00:34:54,993 --> 00:34:56,203 AND FOR HAVING SUCH A GOOD EYE, 761 00:34:56,227 --> 00:34:58,773 YOU GET TO KEEP IT. 762 00:34:58,797 --> 00:35:00,441 OH! 763 00:35:00,465 --> 00:35:01,465 WOW. 764 00:35:05,036 --> 00:35:06,480 YOU KNOW, 765 00:35:06,504 --> 00:35:08,283 I THINK I'D BETTER BE GETTING TO WORK. 766 00:35:08,307 --> 00:35:09,517 WELL, THAT'S A SHAME. 767 00:35:09,541 --> 00:35:11,018 WHY DON'T YOU TAKE THE MORNING OFF? 768 00:35:11,042 --> 00:35:13,321 WELL, BECAUSE IT'S NOT REALLY AN OPTION FOR ME. 769 00:35:13,345 --> 00:35:14,321 OF COURSE IT IS. 770 00:35:14,345 --> 00:35:15,423 YOU'RE HAVING BREAKFAST 771 00:35:15,447 --> 00:35:16,824 WITH ONE OF YOUR BOARD MEMBERS, 772 00:35:16,848 --> 00:35:17,992 AND WE'LL DISCUSS WHAT WE'LL TALK ABOUT 773 00:35:18,016 --> 00:35:18,893 WITH ALLYN BARNES TONIGHT. 774 00:35:18,917 --> 00:35:21,562 YOU'VE GOT TO BE KIDDING. 775 00:35:21,586 --> 00:35:23,231 HELENA HAS JUST JOINED 776 00:35:23,255 --> 00:35:26,289 THE BOARD OF DIRECTORS FOR THE CAC. 777 00:35:28,360 --> 00:35:30,572 I'LL SEE YOU AT THE MEETING. 778 00:35:30,596 --> 00:35:31,672 WELL, BETTE, 779 00:35:31,696 --> 00:35:33,007 WHY DON'T YOU COME OVER LATER TONIGHT 780 00:35:33,031 --> 00:35:34,642 AFTER THE MEETING? 781 00:35:34,666 --> 00:35:37,812 TINA AND I HAVE FOUND A HOUSE. 782 00:35:37,836 --> 00:35:38,813 OH, NO, 783 00:35:38,837 --> 00:35:41,337 HELENA HAS FOUND A HOUSE. 784 00:35:43,175 --> 00:35:44,351 WELL, YOU KNOW WHAT? 785 00:35:44,375 --> 00:35:45,652 WHY DON'T YOU ALL COME OVER TONIGHT? 786 00:35:45,676 --> 00:35:48,445 WE'LL HAVE A HOUSEWARMING PARTY. 787 00:35:50,749 --> 00:35:51,859 YOU SHOULD SEE THIS HOUSE. 788 00:35:51,883 --> 00:35:53,160 IT'S AMAZING. 789 00:35:53,184 --> 00:35:54,596 IT'S THE ONE ON BROAD BEACH. 790 00:35:54,620 --> 00:35:56,431 THE ONE IN ARCHITECTURAL DIGEST. 791 00:35:56,455 --> 00:35:57,231 IT'S GORGEOUS. 792 00:35:57,255 --> 00:35:59,656 OF COURSE IT IS. 793 00:36:02,527 --> 00:36:04,772 YOU KNOW, THAT SOUNDS REALLY NICE, HELENA. 794 00:36:04,796 --> 00:36:07,430 MAYBE, IF I'M NOT TOO TIRED. 795 00:36:08,800 --> 00:36:09,932 GOOD. 796 00:36:13,605 --> 00:36:14,582 BYE, BETTE. 797 00:36:14,606 --> 00:36:15,582 BYE. SEE YOU LATER. 798 00:36:15,606 --> 00:36:16,584 GOOD LUCK. 799 00:36:16,608 --> 00:36:19,676 OKAY, THANKS. 800 00:36:24,916 --> 00:36:25,893 HEY. 801 00:36:25,917 --> 00:36:27,350 HEY. 802 00:36:35,093 --> 00:36:36,871 DID I DO SOMETHING TO OFFEND YOU? 803 00:36:36,895 --> 00:36:38,439 NO. 804 00:36:38,463 --> 00:36:39,440 LOOK. 805 00:36:39,464 --> 00:36:42,910 YOU SAVED MY ASS, 806 00:36:42,934 --> 00:36:44,011 AND I'M SORRY 807 00:36:44,035 --> 00:36:45,915 IF I DIDN'T THANK YOU ADEQUATELY. 808 00:36:47,639 --> 00:36:49,383 SO THANK YOU. 809 00:36:49,407 --> 00:36:53,621 DO YOU KNOW ANYTHING ABOUT THE SAMURAI CODE? 810 00:36:53,645 --> 00:36:55,289 RONIN? 811 00:36:55,313 --> 00:36:58,793 IS THAT ONE OF THOSE HONG KONG ACTION FLICKS? 812 00:36:58,817 --> 00:37:00,361 NO, IT'S A BOOK, ACTUALLY. 813 00:37:00,385 --> 00:37:03,231 I WAS REALLY INTO THAT SHIT WHEN I WAS, LIKE, 13 AND 14. 814 00:37:03,255 --> 00:37:06,167 GOT MY FIRST-DEGREE BLACK BELT IN SHOTOKAN. 815 00:37:06,191 --> 00:37:07,534 LUCKY FOR ME, HUH? 816 00:37:07,558 --> 00:37:08,536 YEAH. 817 00:37:08,560 --> 00:37:11,272 WELL, ACCORDING TO THE SAMURAI CODE, 818 00:37:11,296 --> 00:37:12,507 IF YOU SAVE SOMEONE'S ASS, 819 00:37:12,531 --> 00:37:15,342 YOU'RE FOREVER INDEBTED TO THAT PERSON. 820 00:37:15,366 --> 00:37:17,111 IT'S THE GREATEST HONOR AND PRIVILEGE 821 00:37:17,135 --> 00:37:19,614 YOU CAN EVER ACHIEVE. 822 00:37:19,638 --> 00:37:22,483 LOOK, I SAID THANK YOU. 823 00:37:22,507 --> 00:37:24,184 I DON'T KNOW WHAT ELSE YOU WANT ME TO DO. 824 00:37:24,208 --> 00:37:26,921 NOT YOU. ME. 825 00:37:26,945 --> 00:37:29,756 I'M INDEBTED TO YOU FOR GIVING ME THAT OPPORTUNITY. 826 00:37:29,780 --> 00:37:32,393 NO, SO, IT'S LIKE 827 00:37:32,417 --> 00:37:36,030 BASICALLY, I'M YOUR SERVANT NOW. 828 00:37:36,054 --> 00:37:37,498 NO, THANK YOU. 829 00:37:37,522 --> 00:37:39,767 IT'S JUST THE WAY IT'S GOT TO BE. 830 00:37:39,791 --> 00:37:41,969 YOU'RE STUCK WITH ME. 831 00:37:41,993 --> 00:37:42,836 RIGHT. 832 00:37:42,860 --> 00:37:43,838 SIT, PLEASE. 833 00:37:43,862 --> 00:37:45,540 OH, UH, UH. 834 00:37:45,564 --> 00:37:47,363 ALLOW ME. 835 00:37:50,601 --> 00:37:52,480 WILL YOU BE HAVING A BEVERAGE, 836 00:37:52,504 --> 00:37:55,116 MY LORD? 837 00:37:55,140 --> 00:37:56,773 NO. 838 00:38:01,779 --> 00:38:03,223 HELLO? 839 00:38:03,247 --> 00:38:06,994 HI. THIS IS JENNY SCHECTER FOR MR. BURR CONNOR, PLEASE. 840 00:38:07,018 --> 00:38:08,463 YES, MISS SCHECTER, COME ON IN. 841 00:38:08,487 --> 00:38:10,153 THANK YOU. 842 00:38:21,666 --> 00:38:23,744 IT'S A HARD FEELING TO DESCRIBE, 843 00:38:23,768 --> 00:38:27,581 BUT I THINK THAT I'VE KNOWN FOR A REALLY LONG TIME, 844 00:38:27,605 --> 00:38:28,982 AND I FOUGHT AGAINST IT 845 00:38:29,006 --> 00:38:33,520 BECAUSE I KNEW THAT MY FAMILY WOULDN'T APPROVE, 846 00:38:33,544 --> 00:38:37,391 BUT I ACTUALLY THINK THAT I'VE ALWAYS KNOWN. 847 00:38:37,415 --> 00:38:40,061 YEAH, I KNOW EXACTLY WHAT YOU MEAN. 848 00:38:40,085 --> 00:38:41,062 YEAH? 849 00:38:41,086 --> 00:38:43,164 MM-HMM. 850 00:38:43,188 --> 00:38:46,634 FROM THE TIME I WAS A SMALL BOY, 851 00:38:46,658 --> 00:38:48,702 I ALWAYS KNEW I WANTED TO BE AN ACTOR. 852 00:38:48,726 --> 00:38:50,193 HOW COOL. 853 00:38:52,798 --> 00:38:54,041 SO... 854 00:38:54,065 --> 00:38:56,944 LIKE, WHAT KIND OF WRITERS 855 00:38:56,968 --> 00:39:00,014 WOULD YOU SAY YOU MODEL YOURSELF AFTER? 856 00:39:00,038 --> 00:39:01,015 JUDITH KRANTZ? 857 00:39:01,039 --> 00:39:01,749 DANIELLE STEEL? 858 00:39:01,773 --> 00:39:04,285 LIKE THAT? 859 00:39:04,309 --> 00:39:05,519 EW. 860 00:39:05,543 --> 00:39:06,520 YOU'RE KIDDING. NO, SERIOUSLY. 861 00:39:06,544 --> 00:39:07,522 I'M SORRY. LET ME GUESS. 862 00:39:07,546 --> 00:39:09,023 LET ME GUESS? 863 00:39:09,047 --> 00:39:10,257 LOOKING AT YOU, 864 00:39:10,281 --> 00:39:11,859 HAVING SPENT A FEW MINUTES WITH YOU... 865 00:39:11,883 --> 00:39:13,660 UM... 866 00:39:13,684 --> 00:39:15,129 I'M GOOD AT THIS. 867 00:39:15,153 --> 00:39:17,120 MARY GAITSKILL. 868 00:39:18,890 --> 00:39:19,867 WOW. 869 00:39:19,891 --> 00:39:23,370 THANK YOU. 870 00:39:23,394 --> 00:39:25,472 I MEAN, CHARLOTTE'S PUSHING ME REALLY HARD RIGHT NOW, 871 00:39:25,496 --> 00:39:29,042 SO MY STYLE'S JUST EVOLVING PRETTY FAST. 872 00:39:29,066 --> 00:39:30,777 WELL, I WON'T BE PUSHING YOU, OKAY? 873 00:39:30,801 --> 00:39:34,515 I BASICALLY JUST NEED YOU TO CORRECT MY GRAMMAR... 874 00:39:34,539 --> 00:39:35,717 MM-HMM. 875 00:39:35,741 --> 00:39:37,118 AND ADD AN ADJECTIVE OR TWO HERE AND THERE. 876 00:39:37,142 --> 00:39:38,986 OKAY, HAVE YOU... 877 00:39:39,010 --> 00:39:42,089 HAVE YOU EVER WRITTEN ANYTHING BEFORE? 878 00:39:42,113 --> 00:39:43,091 NO, NOT REALLY. 879 00:39:43,115 --> 00:39:44,759 I'VE BEEN TAPE-RECORDING MYSELF. 880 00:39:44,783 --> 00:39:45,959 OH, YEAH? YEAH. 881 00:39:45,983 --> 00:39:47,494 OH, OKAY. 882 00:39:47,518 --> 00:39:51,098 ACTUALLY, I HAVE THIS. 883 00:39:51,122 --> 00:39:52,966 NO, UH... YOU CAN PUT THAT AWAY. 884 00:39:52,990 --> 00:39:55,024 OKAY, I'LL PUT IT AWAY. 885 00:39:56,594 --> 00:40:00,441 CAN I... CAN I JUST USE MY NOTEBOOK? 886 00:40:00,465 --> 00:40:01,676 NO, GO AHEAD. 887 00:40:01,700 --> 00:40:03,744 UM, OKAY, I HAVE A COUPLE OF QUESTIONS FOR YOU 888 00:40:03,768 --> 00:40:04,745 TO BEGIN. 889 00:40:04,769 --> 00:40:05,746 MM-HMM. 890 00:40:05,770 --> 00:40:10,017 ROD SEBRING. 891 00:40:10,041 --> 00:40:13,554 IT APPEARS AS THOUGH YOU HAVE 892 00:40:13,578 --> 00:40:16,023 A VERY PROFOUND CONNECTION WITH HIM. 893 00:40:16,047 --> 00:40:17,358 MM-HMM. 894 00:40:17,382 --> 00:40:19,259 YEAH. 895 00:40:19,283 --> 00:40:20,894 WELL, WE DID THREE PICTURES TOGETHER. 896 00:40:20,918 --> 00:40:22,196 YEAH. 897 00:40:22,220 --> 00:40:26,066 THE SCENE IN HARD MAN TO KNOW 898 00:40:26,090 --> 00:40:31,005 WHERE YOU CARRY MR. SEBRING ACROSS TEXAS 899 00:40:31,029 --> 00:40:32,706 AFTER HE'S BEEN SHOT. 900 00:40:32,730 --> 00:40:35,943 IT'S BEAUTIFUL AND QUITE ROMANTIC. 901 00:40:35,967 --> 00:40:36,878 MM-HMM. 902 00:40:36,902 --> 00:40:37,878 YOU LIKE THAT MOVIE? 903 00:40:37,902 --> 00:40:39,013 I LOVED IT. 904 00:40:39,037 --> 00:40:40,014 I'VE REALLY... 905 00:40:40,038 --> 00:40:41,215 I THOUGHT IT WAS LIKE... 906 00:40:41,239 --> 00:40:41,982 I LOVED IT. 907 00:40:42,006 --> 00:40:43,016 REALLY? 908 00:40:43,040 --> 00:40:44,018 YEAH. 909 00:40:44,042 --> 00:40:45,385 YOU DON'T SEEM LIKE THE TYPE. 910 00:40:45,409 --> 00:40:48,022 OH, MY GOD, I'VE SEEN ALL OF YOUR FILMS. 911 00:40:48,046 --> 00:40:49,189 I'M SURE YOU HAVE, YEAH. 912 00:40:49,213 --> 00:40:50,191 YEAH. 913 00:40:50,215 --> 00:40:51,192 IN THE LAST TWO DAYS, RIGHT? 914 00:40:51,216 --> 00:40:54,028 YES, BUT... 915 00:40:54,052 --> 00:40:56,196 OKAY, BUT MY GIRLFRIEND 916 00:40:56,220 --> 00:40:58,365 ACTUALLY HAS SEEN ALL YOUR FILMS. 917 00:40:58,389 --> 00:40:59,933 YOUR GIRLFRIEND? 918 00:40:59,957 --> 00:41:02,269 YEAH, WHEN SHE WAS A LITTLE KID, 919 00:41:02,293 --> 00:41:03,737 SHE AND HER STEPDAD 920 00:41:03,761 --> 00:41:05,039 USED TO GO TO ALL YOUR FILMS, 921 00:41:05,063 --> 00:41:07,374 AND NOW SHE CAN RECITE ALL OF YOUR DIALOGUE. 922 00:41:07,398 --> 00:41:09,131 SO SHE'S A TOMBOY? 923 00:41:11,569 --> 00:41:12,780 GOSH, I'VE NEVER THOUGHT OF HER 924 00:41:12,804 --> 00:41:15,315 LIKE THAT. 925 00:41:15,339 --> 00:41:18,440 I THINK SHE'S JUST BEAUTIFUL. 926 00:41:21,045 --> 00:41:22,790 WELL, MISS SCHECTER, 927 00:41:22,814 --> 00:41:25,059 THANK YOU SO MUCH FOR COMING ON OVER, 928 00:41:25,083 --> 00:41:26,260 AND I'LL BE IN TOUCH WITH YOU 929 00:41:26,284 --> 00:41:27,995 TO LET YOU KNOW IF I'LL BE NEEDING YOUR HELP. 930 00:41:28,019 --> 00:41:31,264 OH, OKAY. 931 00:41:31,288 --> 00:41:32,956 OKAY. 932 00:41:37,261 --> 00:41:43,277 UM, ARE YOU FIRING ME, UM... 933 00:41:43,301 --> 00:41:46,647 WELL, I WASN'T AWARE THAT I'D ACTUALLY HIRED YOU, 934 00:41:46,671 --> 00:41:47,982 BUT I DO PREFER 935 00:41:48,006 --> 00:41:50,206 NOT TO HAVE CERTAIN THINGS FLAUNTED IN MY FACE. 936 00:42:00,084 --> 00:42:01,462 MY BIG CATCH PHRASE ENDING 937 00:42:01,486 --> 00:42:02,463 COULD BE, 938 00:42:02,487 --> 00:42:04,098 "SO GO ASK ALICE, 939 00:42:04,122 --> 00:42:05,198 BECAUSE SHE KNOWS WHAT'S GOING ON." 940 00:42:05,222 --> 00:42:07,022 LIKE... 941 00:42:09,460 --> 00:42:10,470 NO, THAT'S GOOD. 942 00:42:10,494 --> 00:42:11,906 THAT'S GOOD. 943 00:42:11,930 --> 00:42:14,341 LOOK, I'M GOING TO GO TALK TO MY NEW CHEF. 944 00:42:14,365 --> 00:42:15,609 WHAT? YEAH. 945 00:42:15,633 --> 00:42:17,678 YOU HIRED A NEW CHEF? THAT'S SO COOL. 946 00:42:17,702 --> 00:42:20,380 GIRL, I STOLE HER FROM A.O.C. 947 00:42:20,404 --> 00:42:22,783 SHE WAS TRAINING UNDER SUZANNE GOINS. 948 00:42:22,807 --> 00:42:24,618 MAYBE I SHOULD WRITE ABOUT THAT. 949 00:42:24,642 --> 00:42:27,354 I MEAN, IT'S GOT TO BE BETTER THAN WHAT I HAVE. 950 00:42:27,378 --> 00:42:28,622 NO, NO, YOURS IS REALLY GOOD, ALICE. 951 00:42:28,646 --> 00:42:29,823 I MEAN, 952 00:42:29,847 --> 00:42:35,128 YOU'VE JUST GOT TO RELAX AND BREATHE. 953 00:42:35,152 --> 00:42:36,130 BENJAMIN, RIGHT? 954 00:42:36,154 --> 00:42:37,131 YOU BET. 955 00:42:37,155 --> 00:42:38,132 OKAY? 956 00:42:38,156 --> 00:42:39,156 YEAH. 957 00:42:41,726 --> 00:42:42,670 THIS IS ALICE PIESZECKI 958 00:42:42,694 --> 00:42:44,939 REMINDING YOU TO RELAX AND BREATHE. 959 00:42:44,963 --> 00:42:47,008 RELAX AND... 960 00:42:47,032 --> 00:42:49,810 REMINDING YOU TO RELAX AND BREATHE. 961 00:42:51,969 --> 00:42:53,447 ALICE. 962 00:42:53,471 --> 00:42:54,448 GABBY. 963 00:42:54,472 --> 00:42:55,449 I THOUGHT YOU'D HAVE 964 00:42:55,473 --> 00:42:56,484 A MORE INTERESTING DEMISE 965 00:42:56,508 --> 00:42:57,451 THAN MUTTERING TO YOURSELF 966 00:42:57,475 --> 00:42:58,952 AT THE PLANET. 967 00:42:58,976 --> 00:43:00,054 YEAH, WOW. 968 00:43:00,078 --> 00:43:00,620 GIVE ME A HUG. 969 00:43:00,644 --> 00:43:02,656 OKAY. 970 00:43:02,680 --> 00:43:03,657 HI. 971 00:43:03,681 --> 00:43:04,691 YOU LOOK GOOD. 972 00:43:04,715 --> 00:43:06,259 THANKS. WHAT'S WRONG WITH YOU? 973 00:43:06,283 --> 00:43:07,828 NOTHING, EXCEPT THAT I'M IN LOVE. 974 00:43:07,852 --> 00:43:09,163 YEAH. 975 00:43:09,187 --> 00:43:11,131 GABBY DEVEAUX, IN LOVE. 976 00:43:11,155 --> 00:43:12,700 WOW. 977 00:43:12,724 --> 00:43:14,769 HOW ARE YOU? WHAT'S GOING ON WITH YOU? 978 00:43:14,793 --> 00:43:16,938 UM, I'M IN LOVE TOO. 979 00:43:16,962 --> 00:43:17,871 AW. 980 00:43:17,895 --> 00:43:19,673 YEAH. 981 00:43:19,697 --> 00:43:20,974 YOU CAN'T TELL? 982 00:43:20,998 --> 00:43:22,443 MAYBE I'M NOT SHOWING IT OR SOME... 983 00:43:22,467 --> 00:43:24,178 I'M VERY PRIVATE, SO... 984 00:43:24,202 --> 00:43:25,779 ALICE TELL-ME-ALL-YOUR-SECRETS- 985 00:43:25,803 --> 00:43:28,084 AND-I'LL-SELL-THEM-TO-THE- DAILY-PLANET PIESZECKI? 986 00:43:28,773 --> 00:43:30,184 SO WHO IS THE LUCKY LADY? 987 00:43:30,208 --> 00:43:32,252 UM, SHE... 988 00:43:32,276 --> 00:43:33,654 YOU DON'T KNOW HER. 989 00:43:33,678 --> 00:43:35,055 I PRETTY MUCH KNOW EVERYBODY. 990 00:43:35,079 --> 00:43:36,089 MM-HMM. 991 00:43:36,113 --> 00:43:37,858 WELL, DO I KNOW YOUR NEW PARAMOUR? 992 00:43:37,882 --> 00:43:39,659 SHE'S... 993 00:43:39,683 --> 00:43:40,683 OH, THERE SHE IS. 994 00:43:42,587 --> 00:43:43,864 RIGHT THERE. 995 00:43:43,888 --> 00:43:44,865 LARA? 996 00:43:44,889 --> 00:43:46,000 HEY, ALICE. 997 00:43:46,024 --> 00:43:47,000 I GUESS YOU DO. 998 00:43:47,024 --> 00:43:48,669 HEY, BABY. 999 00:43:48,693 --> 00:43:49,703 HI. 1000 00:43:49,727 --> 00:43:51,905 DID SHE LIKE YOUR RECIPES? 1001 00:43:51,929 --> 00:43:53,073 DISHES, HONEY. 1002 00:43:53,097 --> 00:43:56,010 WE DON'T CALL THEM RECIPES. 1003 00:43:56,034 --> 00:43:58,045 SO, ALICE, HOW'S DANA? 1004 00:43:58,069 --> 00:43:59,046 SHE'S FINE. 1005 00:43:59,070 --> 00:44:01,749 YEAH, SHE'S GREAT, ACTUALLY. 1006 00:44:01,773 --> 00:44:03,017 GREAT. 1007 00:44:03,041 --> 00:44:05,086 YEAH, I'M SURE YOU'LL SEE HER AROUND AND STUFF. 1008 00:44:05,110 --> 00:44:07,387 SO... 1009 00:44:07,411 --> 00:44:09,156 GREAT TO SEE YOU GUYS, THE TWO OF YOU. 1010 00:44:09,180 --> 00:44:10,190 YEAH, OKAY. 1011 00:44:10,214 --> 00:44:11,224 BYE. 1012 00:44:11,248 --> 00:44:12,715 YEAH, BYE. 1013 00:44:14,953 --> 00:44:16,564 POWERED BY REAL NETWORKS. 1014 00:44:16,588 --> 00:44:19,500 KCRW, A COMMUNITY SERVICE OF SANTA MONICA COLLEGE. 1015 00:44:19,524 --> 00:44:21,335 ALL THIS AT KCRW.COM... 1016 00:44:21,359 --> 00:44:22,569 ALICE. HI, MIMI. 1017 00:44:22,593 --> 00:44:24,004 I'M SO HAPPY TO SEE YOU. 1018 00:44:24,028 --> 00:44:25,272 YOU'RE NOT GOING TO BELIEVE 1019 00:44:25,296 --> 00:44:26,606 WHAT JUST HAPPENED TO ME. 1020 00:44:26,630 --> 00:44:28,075 WHAT? 1021 00:44:28,099 --> 00:44:29,076 ARE YOU READY? 1022 00:44:29,100 --> 00:44:30,076 YEAH, I AM READY. 1023 00:44:30,100 --> 00:44:31,611 OKAY. I AM READY. 1024 00:44:31,635 --> 00:44:32,613 CAN YOU SAY A FEW WORDS, PLEASE? 1025 00:44:32,637 --> 00:44:34,114 YES, I... 1026 00:44:34,138 --> 00:44:35,816 YES. YEAH. GO? 1027 00:44:35,840 --> 00:44:36,817 IS IT GOOD? 1028 00:44:36,841 --> 00:44:39,519 HELLO. HI. 1029 00:44:39,543 --> 00:44:41,655 HI, THIS IS ALICE PIESZECKI 1030 00:44:41,679 --> 00:44:42,723 THIS IS... 1031 00:44:42,747 --> 00:44:43,757 ONE, TWO, IS THAT GOOD? ONE. 1032 00:44:43,781 --> 00:44:46,426 THAT'S GOOD. 1033 00:44:46,450 --> 00:44:48,195 YEAH, SO OUT WALKS LARA, 1034 00:44:48,219 --> 00:44:50,597 WHO'S THE EX OF MY CURRENT GIRLFRIEND, 1035 00:44:50,621 --> 00:44:53,100 AND WHAT DOES SHE DO? 1036 00:44:53,124 --> 00:44:55,369 SHE MAKES OUT WITH MY EX. 1037 00:44:55,393 --> 00:44:56,704 I MEAN, 1038 00:44:56,728 --> 00:44:58,171 IF I WAS GOING TO DRAW YOU A PICTURE OF THIS, 1039 00:44:58,195 --> 00:45:02,409 ALICE TO DANA, DANA TO LARA, 1040 00:45:02,433 --> 00:45:03,476 LARA TO GABBY... 1041 00:45:03,500 --> 00:45:04,912 HI. GROSS. 1042 00:45:04,936 --> 00:45:06,313 GABBY TO ALICE. 1043 00:45:06,337 --> 00:45:07,447 I'M JUST... 1044 00:45:07,471 --> 00:45:09,616 TOTALLY FREAKED OUT ABOUT IT. 1045 00:45:09,640 --> 00:45:10,617 I'M SORRY. 1046 00:45:10,641 --> 00:45:13,721 IT'S LIKE, "AH!" 1047 00:45:13,745 --> 00:45:14,721 I DON'T KNOW, IT'S BECAUSE... 1048 00:45:14,745 --> 00:45:15,823 WELL, I HAVE THIS CHART, 1049 00:45:15,847 --> 00:45:17,858 AND IT, YOU KNOW, 1050 00:45:17,882 --> 00:45:19,126 IT STARTED ON THE BACK OF A NAPKIN, 1051 00:45:19,150 --> 00:45:20,260 BUT NOW IT TAKES UP 1052 00:45:20,284 --> 00:45:22,562 AN ENTIRE WALL IN MY LIVING ROOM, 1053 00:45:22,586 --> 00:45:25,699 BUT IT'S ABOUT THESE ENTANGLEMENTS, YOU KNOW? 1054 00:45:25,723 --> 00:45:29,236 IT'S, LIKE, GOT RELATIONSHIPS ON IT, 1055 00:45:29,260 --> 00:45:31,171 ONE-NIGHT STANDS. 1056 00:45:31,195 --> 00:45:33,540 IT PRETTY MUCH HAS ANYBODY WHO'S SLEPT WITH ANYBODY ELSE... 1057 00:45:33,564 --> 00:45:36,143 THAT, THEREFORE, CONNECTS ME TO TINA, 1058 00:45:36,167 --> 00:45:39,179 WHICH CONNECTS ME TO HELENA, 1059 00:45:39,203 --> 00:45:40,381 WHO TINA'S CURRENTLY SEEING... 1060 00:45:40,405 --> 00:45:41,982 ONCE YOU GET HER ON THE CHART, YOU KNOW, 1061 00:45:42,006 --> 00:45:43,617 YOU HAVE WARREN BEATTY. 1062 00:45:43,641 --> 00:45:44,918 ONCE YOU HAVE HIM ON THE CHART, 1063 00:45:44,942 --> 00:45:46,020 YOU HAVE PRETTY MUCH... 1064 00:45:46,044 --> 00:45:47,254 PRESIDENTS, PRESIDENTIAL INTERNS. 1065 00:45:47,278 --> 00:45:49,756 I MEAN, I AM CONNECTED TO MONICA LEWINSKY. 1066 00:45:49,780 --> 00:45:50,757 IT'S RANDOM. 1067 00:45:50,781 --> 00:45:52,626 IT'S... I DON'T KNOW. 1068 00:45:52,650 --> 00:45:53,894 I'M SORRY, 1069 00:45:53,918 --> 00:45:55,495 I'M TOTALLY RAMBLING, AND I'M... 1070 00:45:55,519 --> 00:45:56,497 BECAUSE I HAVE... 1071 00:45:56,521 --> 00:45:57,497 IT'S OKAY, ALICE. 1072 00:45:57,521 --> 00:45:58,499 I'M SORRY. 1073 00:45:58,523 --> 00:45:59,700 I THINK WE'VE GOT WHAT WE NEED. 1074 00:45:59,724 --> 00:46:01,301 I DON'T UNDERSTAND. 1075 00:46:01,325 --> 00:46:02,669 THAT'S OKAY. 1076 00:46:02,693 --> 00:46:04,537 IT WAS GREAT. I PROMISE YOU. 1077 00:46:04,561 --> 00:46:05,673 BUT... 1078 00:46:09,200 --> 00:46:10,644 SINCE THIS ISN'T A REGULAR MEETING, 1079 00:46:10,668 --> 00:46:11,645 I WON'T REGALE YOU 1080 00:46:11,669 --> 00:46:13,814 WITH DETAILS OF BUDGET OR SCHEDULE. 1081 00:46:13,838 --> 00:46:16,783 I'LL JUST WELCOME HELENA PEABODY 1082 00:46:16,807 --> 00:46:19,053 AND TURN IT OVER TO LEO. 1083 00:46:19,077 --> 00:46:21,188 I THINK HELENA 1084 00:46:21,212 --> 00:46:22,990 DESERVES A LITTLE MORE FANFARE THAN THAT. 1085 00:46:23,014 --> 00:46:24,258 HELENA, 1086 00:46:24,282 --> 00:46:25,525 THE CALIFORNIA ART CENTER IS PRIVILEGED 1087 00:46:25,549 --> 00:46:26,660 AND HIGHLY HONORED 1088 00:46:26,684 --> 00:46:29,451 TO WELCOME YOU TO OUR BOARD OF DIRECTORS. 1089 00:46:35,827 --> 00:46:37,438 AND HELENA HAS A VERY SPECIAL GUEST 1090 00:46:37,462 --> 00:46:38,572 WITH HER TONIGHT. 1091 00:46:38,596 --> 00:46:39,573 HELENA, 1092 00:46:39,597 --> 00:46:42,509 PLEASE INTRODUCE ALLYN BARNES. 1093 00:46:42,533 --> 00:46:46,947 I REALLY DON'T THINK ALLYN NEEDS ANY INTRODUCTION. 1094 00:46:46,971 --> 00:46:48,515 SHE'S QUITE SIMPLY 1095 00:46:48,539 --> 00:46:50,851 ONE OF THE MOST IMPORTANT LIVING ARTISTS OF OUR TIME. 1096 00:46:50,875 --> 00:46:52,352 NONSENSE. 1097 00:46:52,376 --> 00:46:53,387 STOP IT. 1098 00:46:53,411 --> 00:46:54,721 NOBODY OUTSIDE OF THE ART WORLD 1099 00:46:54,745 --> 00:46:57,190 EVEN KNOWS MY WORK. 1100 00:46:57,214 --> 00:46:58,292 THAT'S AN UNDERSTATEMENT. 1101 00:46:58,316 --> 00:46:59,126 HARDLY ANYONE IN THE ART WORLD 1102 00:46:59,150 --> 00:47:00,060 KNOWS YOUR WORK. 1103 00:47:00,084 --> 00:47:01,428 OF COURSE WE DO. 1104 00:47:01,452 --> 00:47:02,729 EVERYBODY REMEMBERS 1105 00:47:02,753 --> 00:47:04,064 ALLYN BARNES'S TET OFFENSIVE. 1106 00:47:04,088 --> 00:47:05,966 WELL, THAT WAS 1972. 1107 00:47:05,990 --> 00:47:07,234 I MEAN, ALLYN, HOW DO YOU PROPOSE 1108 00:47:07,258 --> 00:47:08,502 TO SHOW THE WORK THAT YOU'VE DONE 1109 00:47:08,526 --> 00:47:09,903 SINCE YOU STOPPED SHOWING IN GALLERIES? 1110 00:47:09,927 --> 00:47:12,272 BECAUSE THAT'S 30 YEARS OF WORK 1111 00:47:12,296 --> 00:47:13,406 THAT'S NEVER BEEN EXHIBITED. 1112 00:47:13,430 --> 00:47:16,410 WELL, I'M NOT SURE I PROPOSE TO SHOW IT AT ALL. 1113 00:47:16,434 --> 00:47:17,911 ALLYN DOESN'T HAVE TO WORRY ABOUT THAT. 1114 00:47:17,935 --> 00:47:20,914 WE'LL DEVOTE THE ENTIRE MUSEUM, ALL FIVE GALLERIES. 1115 00:47:20,938 --> 00:47:22,978 THE CAC WILL BE THE ALLYN BARNES MUSEUM. 1116 00:47:24,342 --> 00:47:25,853 OH, ALLYN. 1117 00:47:25,877 --> 00:47:27,187 PLEASE DON'T WORRY. 1118 00:47:27,211 --> 00:47:28,121 YOU'RE IN VERY GOOD HANDS WITH LEO. 1119 00:47:28,145 --> 00:47:30,257 WHAT ABOUT THE EARTH WORKS 1120 00:47:30,281 --> 00:47:31,825 IN HUMBOLDT COUNTY? 1121 00:47:31,849 --> 00:47:33,126 I MEAN, A SEASON IN HELL 1122 00:47:33,150 --> 00:47:34,928 IS ONE OF THE MOST MAGNIFICENT PIECES OF ART 1123 00:47:34,952 --> 00:47:36,162 MADE DURING THE LAST 20 YEARS, 1124 00:47:36,186 --> 00:47:38,465 AND IT WAS DESTROYED DUE TO CLEAR-CUTTING. 1125 00:47:38,489 --> 00:47:40,901 BETTE, I THINK YOU'RE A LITTLE OUT OF STEP HERE. 1126 00:47:40,925 --> 00:47:42,069 ALLYN AND I HAVE DISCUSSED THIS... 1127 00:47:42,093 --> 00:47:43,603 THAT WAS WHAT THE PIECE WAS ABOUT. 1128 00:47:43,627 --> 00:47:45,539 YES, BUT IN A RETROSPECTIVE, 1129 00:47:45,563 --> 00:47:47,107 IT WOULD BE A GLARING OMISSION. 1130 00:47:47,131 --> 00:47:49,476 THERE HAS TO BE SOME WAY 1131 00:47:49,500 --> 00:47:52,146 THAT WE REFERENCE THAT WORK. 1132 00:47:52,170 --> 00:47:53,947 I MEAN, I FEEL INCREDIBLY PRIVILEGED 1133 00:47:53,971 --> 00:47:54,948 TO HAVE SEEN IT. 1134 00:47:54,972 --> 00:47:56,950 YOU SAW A SEASON IN HELL? 1135 00:47:56,974 --> 00:47:59,620 I WROTE MY GRADUATE THESIS ON IT. 1136 00:47:59,644 --> 00:48:01,355 THAT WAS YOU? 1137 00:48:01,379 --> 00:48:02,356 THAT PIECE THAT WAS PUBLISHED 1138 00:48:02,380 --> 00:48:03,457 IN ART FORUM? 1139 00:48:03,481 --> 00:48:04,825 IT WAS CRUDE. 1140 00:48:04,849 --> 00:48:06,827 I THINK THAT I'M A BETTER CRITICAL WRITER NOW. 1141 00:48:06,851 --> 00:48:09,696 I WAS SO FURIOUS. 1142 00:48:09,720 --> 00:48:12,165 YOU WERE THE FIRST PERSON IN 18 YEARS 1143 00:48:12,189 --> 00:48:13,967 THAT HAD PENETRATED MY ANONYMITY. 1144 00:48:13,991 --> 00:48:15,836 WELL, I HAD TO SCALE THREE FENCES 1145 00:48:15,860 --> 00:48:17,137 JUST TO GET CLOSE TO IT. 1146 00:48:17,161 --> 00:48:17,905 I THOUGHT I WAS GOING TO GET SHOT AT. 1147 00:48:17,929 --> 00:48:20,406 YOU ALMOST WERE SHOT AT, 1148 00:48:20,430 --> 00:48:21,708 BUT IT WAS THE BEST ARTICLE 1149 00:48:21,732 --> 00:48:23,744 THAT'S EVER BEEN WRITTEN ABOUT MY WORK. 1150 00:48:23,768 --> 00:48:25,612 I MEAN, YOU REALLY, REALLY UNDERSTOOD 1151 00:48:25,636 --> 00:48:26,847 WHAT I WAS GOING AFTER. 1152 00:48:26,871 --> 00:48:28,682 I ATTENDED YOUR LECTURE SERIES 1153 00:48:28,706 --> 00:48:30,150 THE SEMESTER YOU TAUGHT AT YALE. 1154 00:48:30,174 --> 00:48:32,653 SO YOU MUST HAVE STUDIED WITH SI STILLMAN. 1155 00:48:32,677 --> 00:48:35,522 OH, MY GOD, HE HATED ME. 1156 00:48:35,546 --> 00:48:36,523 DID SI GIVE YOU THAT EXERCISE 1157 00:48:36,547 --> 00:48:38,125 WHERE YOU HAD TO WRITE ABOUT A VASARELY 1158 00:48:38,149 --> 00:48:39,660 AFTER A STORY BY BORGES? 1159 00:48:39,684 --> 00:48:41,795 "TLON, UQBAR, ORBIS TERTIUS." 1160 00:48:41,819 --> 00:48:43,664 THAT WAS THE STORY I CHOSE. 1161 00:48:45,155 --> 00:48:46,933 REALITY AND PERCEPTION, 1162 00:48:46,957 --> 00:48:49,157 LABYRINTH OF TIME AND SPACE. 1163 00:48:50,294 --> 00:48:51,338 HEY. 1164 00:48:51,362 --> 00:48:52,861 HI. 1165 00:48:56,834 --> 00:49:00,180 OH, WAS IT THAT BAD? 1166 00:49:00,204 --> 00:49:02,883 I FUCKED IT UP MASSIVELY. 1167 00:49:02,907 --> 00:49:05,452 AND HOW DID YOU MANAGE THAT? 1168 00:49:05,476 --> 00:49:08,355 WELL, I THINK 1169 00:49:08,379 --> 00:49:10,424 THAT MR. CONNOR DOESN'T LIKE THE FACT 1170 00:49:10,448 --> 00:49:12,614 THAT I'M A LESBIAN. 1171 00:49:14,785 --> 00:49:16,262 YOU TOLD HIM THAT? 1172 00:49:16,286 --> 00:49:17,997 YEAH. 1173 00:49:18,021 --> 00:49:19,566 AND HOW DID THAT HAPPEN? 1174 00:49:19,590 --> 00:49:22,269 BECAUSE IT JUST SORT OF CAME OUT, 1175 00:49:22,293 --> 00:49:24,070 AND I WAS... 1176 00:49:24,094 --> 00:49:26,840 I WAS TALKING ABOUT YOU. 1177 00:49:26,864 --> 00:49:29,275 OH. 1178 00:49:29,299 --> 00:49:31,511 YOU OUTED ME TO BURR CONNOR. 1179 00:49:34,071 --> 00:49:36,616 HE'S A BIG, CREEPY HOMOPHOBE. 1180 00:49:36,640 --> 00:49:38,484 OH. WELL, DON'T WORRY ABOUT IT. 1181 00:49:38,508 --> 00:49:41,844 MOST MEN FROM THAT GENERATION ARE. 1182 00:49:52,657 --> 00:49:53,666 HEY. 1183 00:49:53,690 --> 00:49:55,735 HEY. 1184 00:49:55,759 --> 00:49:57,504 UM... 1185 00:49:57,528 --> 00:50:00,674 LOOK, A FEW OF US ARE GOING TO GO HANG OUT. 1186 00:50:00,698 --> 00:50:02,578 YOU THINK YOU MIGHT WANT TO COME? 1187 00:50:03,935 --> 00:50:06,579 I DON'T KNOW. I... 1188 00:50:06,603 --> 00:50:09,082 OKAY. 1189 00:50:09,106 --> 00:50:11,951 HOW ABOUT THIS? 1190 00:50:11,975 --> 00:50:13,987 AS MY SERVANT, 1191 00:50:14,011 --> 00:50:16,824 I'M INSTRUCTING YOU TO COME AND HANG OUT 1192 00:50:16,848 --> 00:50:18,688 BECAUSE I NEED THE PROTECTION. 1193 00:50:20,952 --> 00:50:21,928 ALL RIGHT. 1194 00:50:21,952 --> 00:50:24,631 GOOD ANSWER. 1195 00:50:24,655 --> 00:50:26,800 SO IT'S ALL ABOUT THINGS THAT ARE CONNECTED. 1196 00:50:26,824 --> 00:50:27,834 IT CAN BE FUNNY, 1197 00:50:27,858 --> 00:50:29,636 IT CAN BE SERIOUS, 1198 00:50:29,660 --> 00:50:33,006 AS LONG AS IT FITS THE PREMISE. 1199 00:50:33,030 --> 00:50:35,308 I'M SO PROUD OF YOU. 1200 00:50:35,332 --> 00:50:36,309 THE CHART 1201 00:50:36,333 --> 00:50:37,311 WITH ALICE PIESZECKI, 1202 00:50:37,335 --> 00:50:38,845 FRIDAYS AT 3:00 ON KCRW. 1203 00:50:38,869 --> 00:50:39,913 OOH, GOOD VOICE. 1204 00:50:39,937 --> 00:50:41,081 YOU LIKE? YEAH. 1205 00:50:41,105 --> 00:50:42,182 ALICE, MAKE OUT WITH ME. 1206 00:50:47,111 --> 00:50:48,889 WHOA. 1207 00:50:48,913 --> 00:50:49,890 SO, WHAT MADE YOU PICK THE CHART? 1208 00:50:49,914 --> 00:50:51,725 YOU HAD SO MANY OTHER IDEAS. 1209 00:50:51,749 --> 00:50:54,361 UM, I DON'T KNOW. 1210 00:50:54,385 --> 00:50:57,764 ACTUALLY, I RAN INTO GABBY DEVEAUX. 1211 00:50:57,788 --> 00:50:59,366 EUGHH! 1212 00:50:59,390 --> 00:51:00,800 YOU DID? 1213 00:51:00,824 --> 00:51:04,504 YEAH, AND SHE WAS ALL, "LET'S BE FRIENDS." 1214 00:51:04,528 --> 00:51:05,406 YOU KNOW? 1215 00:51:05,430 --> 00:51:06,373 I DON'T UNDERSTAND WHAT THIS NEED 1216 00:51:06,397 --> 00:51:10,410 TO HAVE A DEEP YET SEXLESS RELATIONSHIP 1217 00:51:10,434 --> 00:51:11,945 WITH AN EX THAT TREATED YOU SHITTY 1218 00:51:11,969 --> 00:51:15,548 AND CHEATED ON YOU, BUT... HEY. 1219 00:51:15,572 --> 00:51:17,050 YEAH, YOU KNOW, 1220 00:51:17,074 --> 00:51:18,419 I DON'T NECESSARILY THINK WE SHOULD BE FRIENDS 1221 00:51:18,443 --> 00:51:19,723 WITH OUR EXES. 1222 00:51:21,011 --> 00:51:21,989 REALLY? 1223 00:51:22,013 --> 00:51:22,989 MM-HMM. 1224 00:51:23,013 --> 00:51:23,991 YOU AGREE, HUH? 1225 00:51:24,015 --> 00:51:24,991 YEAH, I DO. 1226 00:51:25,015 --> 00:51:25,993 HUH. 1227 00:51:26,017 --> 00:51:26,993 WELL, WHAT IF ONE OF YOUR EXES 1228 00:51:27,017 --> 00:51:29,762 JUST KIND OF SHOWED UP LIKE THAT? 1229 00:51:29,786 --> 00:51:32,833 WELL I'M NOT READY TO BE FRIENDS WITH TONYA, 1230 00:51:32,857 --> 00:51:33,933 IF THAT'S WHAT YOU MEAN. 1231 00:51:33,957 --> 00:51:35,724 RIGHT. 1232 00:51:37,361 --> 00:51:41,274 WHAT ABOUT, I DON'T KNOW, LIKE, LARA? 1233 00:51:41,298 --> 00:51:43,944 ALICE, I HAVEN'T THOUGHT ABOUT LARA 1234 00:51:43,968 --> 00:51:45,011 IN A LONG TIME. 1235 00:51:45,035 --> 00:51:46,913 I DON'T KNOW. 1236 00:51:46,937 --> 00:51:49,416 I GUESS WE COULD BE FRIENDS. 1237 00:51:49,440 --> 00:51:51,240 UNLESS YOU DON'T WANT ME TO. 1238 00:51:55,812 --> 00:51:57,092 I'LL GO GET THAT. 1239 00:51:58,983 --> 00:52:00,348 HELLO? 1240 00:52:02,152 --> 00:52:03,130 HI, JENNY. 1241 00:52:03,154 --> 00:52:05,598 IT'S DANA. 1242 00:52:05,622 --> 00:52:07,500 HOLD ON. 1243 00:52:07,524 --> 00:52:09,536 JENNY AND CARMEN AREN'T GOING TO HELENA'S. 1244 00:52:09,560 --> 00:52:11,360 REALLY? WHERE ARE THEY GOING? 1245 00:52:12,829 --> 00:52:14,109 WHERE ARE YOU GOING? 1246 00:52:17,768 --> 00:52:19,580 IS THIS AN L.A. THING? 1247 00:52:19,604 --> 00:52:22,081 YOU INVITE PEOPLE OVER. 1248 00:52:22,105 --> 00:52:24,417 AND THEN THEY JUST DON'T SHOW UP? 1249 00:52:24,441 --> 00:52:26,520 IT IS. 1250 00:52:26,544 --> 00:52:29,789 I REMEMBER BEING SHOCKED BY IT WHEN I FIRST MOVED HERE. 1251 00:52:29,813 --> 00:52:31,391 NOW I'M JUST USED TO IT. 1252 00:52:31,415 --> 00:52:33,994 YEAH, WELL, IT'S NOT GOING TO FLY WITH ME. 1253 00:52:34,018 --> 00:52:39,165 WELL, WE'LL JUST HAVE TO SEND FORMAL INVITATIONS NEXT TIME. 1254 00:52:39,189 --> 00:52:43,036 I'M NOT SO SURE THERE'S GOING TO BE A NEXT TIME. 1255 00:52:43,060 --> 00:52:44,304 I'M NOT VERY FORGIVING 1256 00:52:44,328 --> 00:52:46,361 WHEN IT COMES TO SOCIAL TRANSGRESSIONS. 1257 00:52:48,966 --> 00:52:49,976 COME ON. 1258 00:52:50,000 --> 00:52:51,878 THIS IS NICE. 1259 00:52:51,902 --> 00:52:53,679 WE GET TO BE ALONE TOGETHER 1260 00:52:53,703 --> 00:52:55,082 IN YOUR NEW HOUSE 1261 00:52:55,106 --> 00:52:58,641 AND INITIATE IT ALL BY OURSELVES. 1262 00:53:03,814 --> 00:53:06,015 OR AM I NOT ENOUGH FOR YOU? 1263 00:53:09,720 --> 00:53:11,787 YOU'RE MORE THAN ENOUGH FOR ME. 1264 00:53:23,633 --> 00:53:26,212 OH, MY GOD. 1265 00:53:26,236 --> 00:53:27,280 HI. HI. 1266 00:53:27,304 --> 00:53:28,281 WHAT ARE YOU DOING? 1267 00:53:28,305 --> 00:53:29,883 WE THOUGHT WE'D INVITE OURSELVES OVER, 1268 00:53:29,907 --> 00:53:31,050 IF THAT'S OKAY. 1269 00:53:31,074 --> 00:53:32,285 WHAT ABOUT HELENA AND TINA'S? 1270 00:53:32,309 --> 00:53:33,854 OH, NO, IT'S TOO FAR. 1271 00:53:33,878 --> 00:53:35,522 MALIBU'S SUCH A DRIVE. HEY, YOU. 1272 00:53:35,546 --> 00:53:36,756 AH, THE CURSE OF THE WEST SIDE. 1273 00:53:36,780 --> 00:53:38,357 AND IT IS FAMILY NIGHT. 1274 00:53:38,381 --> 00:53:39,359 FAMILY NIGHT. 1275 00:53:39,383 --> 00:53:40,526 HOW ARE YOU? HI. 1276 00:53:40,550 --> 00:53:41,528 GOOD TO SEE YOU. 1277 00:53:41,552 --> 00:53:42,629 GOOD TO SEE YOU. 1278 00:53:42,653 --> 00:53:43,697 HOUSE IS BEAUTIFUL. 1279 00:53:43,721 --> 00:53:44,698 THANKS. 1280 00:53:44,722 --> 00:53:46,633 I GUESS I'LL ORDER PIZZA. 1281 00:53:46,657 --> 00:53:47,734 OH, LET ME... 1282 00:53:47,758 --> 00:53:48,735 I FEEL SO PRIVILEGED 1283 00:53:48,759 --> 00:53:52,272 BEING INVITED TO YOUR FAMILY NIGHT. 1284 00:53:52,296 --> 00:53:53,273 UM... ANGELI? 1285 00:53:53,297 --> 00:53:54,608 SURE. 1286 00:54:00,904 --> 00:54:02,715 HEY, MARK. 1287 00:54:02,739 --> 00:54:04,918 CAN YOU GET ONE WITH, LIKE, 1288 00:54:04,942 --> 00:54:05,985 RICOTTA CHEESE OR SOMETHING. 1289 00:54:06,009 --> 00:54:07,788 I THINK THEY CALL IT, LIKE, 1290 00:54:07,812 --> 00:54:09,989 THE QUATTRO STAGIONE. 1291 00:54:10,013 --> 00:54:11,191 WHAT'S IT CALLED? 1292 00:54:11,215 --> 00:54:13,460 THE QUATTRO STAGIONE. 1293 00:54:13,484 --> 00:54:15,595 HERE, GRAB A GLASS. 1294 00:54:15,619 --> 00:54:18,264 HOW'D IT GO WITH BURR CONNOR? 1295 00:54:18,288 --> 00:54:19,565 THE BURR CONNOR? 1296 00:54:19,589 --> 00:54:21,835 YEAH, JENNY'S GHOSTWRITING HIS MEMOIRS. 1297 00:54:21,859 --> 00:54:23,436 NOT AFTER TODAY. 1298 00:54:23,460 --> 00:54:24,104 THAT ONE, 1299 00:54:24,128 --> 00:54:25,238 AND MY FRIEND ALICE 1300 00:54:25,262 --> 00:54:28,574 WANTED THE MEAT LOVER'S PIZZA. 1301 00:54:28,598 --> 00:54:30,944 BURR SUCKS. 1302 00:54:30,968 --> 00:54:32,746 I'M SORRY ABOUT THAT. 1303 00:54:37,241 --> 00:54:39,620 SO, EVERYBODY, EVERYBODY... 1304 00:54:39,644 --> 00:54:42,055 CONGRATULATE ALICE. 1305 00:54:42,079 --> 00:54:43,790 CONGRATULATIONS. 1306 00:54:43,814 --> 00:54:45,024 WILL YOU GUYS LISTEN? 1307 00:54:45,048 --> 00:54:46,025 TO WHAT? 1308 00:54:46,049 --> 00:54:47,193 TO HER SHOW! 1309 00:54:49,519 --> 00:54:50,330 CAN YOU DO THE RADIO VOICE? 1310 00:54:50,354 --> 00:54:51,498 NO. 1311 00:54:51,522 --> 00:54:52,732 COME ON. JUST DO IT. DO IT. 1312 00:54:52,756 --> 00:54:54,067 NO, I NEVER WANT TO HEAR 1313 00:54:54,091 --> 00:54:56,369 THE RADIO VOICE AGAIN, PLEASE! 1314 00:54:56,393 --> 00:54:57,926 DOESN'T EVERYONE HAVE ONE? 1315 00:55:01,365 --> 00:55:03,210 CHEERS. 1316 00:55:03,234 --> 00:55:04,411 DRINK, BETTE? 78717

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