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These are the user uploaded subtitles that are being translated: 1 00:00:01,201 --> 00:00:02,478 PREVIOUSLY ON THE L WORD... 2 00:00:02,502 --> 00:00:03,780 IT'S A MARRIAGE THAT I DON'T WANT TO HAVE END. 3 00:00:03,804 --> 00:00:05,148 IT'S A LITTLE LATE FOR THAT. 4 00:00:05,172 --> 00:00:06,382 WE'RE HERE TO TALK FINAL SEPARATION. 5 00:00:06,406 --> 00:00:07,451 WHAT? 6 00:00:07,475 --> 00:00:08,451 BETTE'S SMOKING 7 00:00:08,475 --> 00:00:09,519 AND DRINKING HERSELF TO DEATH, 8 00:00:09,543 --> 00:00:11,520 AND YOU'RE EATING YOUR PAIN. 9 00:00:11,544 --> 00:00:12,622 I DON'T HAVE A PLACE TO LIVE. 10 00:00:12,646 --> 00:00:13,790 MY GUESTHOUSE IS EMPTY, 11 00:00:13,814 --> 00:00:15,025 AND YOU'RE GOING TO MOVE INTO IT 12 00:00:15,049 --> 00:00:16,860 UNTIL WE GET THE DEAL WE WANT. 13 00:00:16,884 --> 00:00:18,084 YOUR SKIN LOOKS REALLY GOOD. 14 00:00:19,086 --> 00:00:21,431 PEGGY PEABODY IS STEPPING DOWN. 15 00:00:21,455 --> 00:00:23,433 BAD NEWS IS, WE DON'T KNOW WHAT HELENA PEABODY HAS IN MIND. 16 00:00:23,457 --> 00:00:25,569 FRANKLIN, IF YOU WANT ME TO GO TO NEW YORK 17 00:00:25,593 --> 00:00:27,036 AND MAKE NICE, I WILL. 18 00:00:27,060 --> 00:00:27,871 THEY GOT ME A JOB. 19 00:00:27,895 --> 00:00:28,638 WHO'S THE CLIENT? 20 00:00:28,662 --> 00:00:29,372 ARIANNA SOMEONE. 21 00:00:29,396 --> 00:00:30,540 ARIANNA HUFFINGTON? 22 00:00:30,564 --> 00:00:31,807 YEAH. IT'S GREAT. 23 00:00:31,831 --> 00:00:34,544 MAYBE YOU CAN GET SOME FILM CLIENTS. 24 00:00:34,568 --> 00:00:35,745 IT'S THE REOPENING OF THE PLANET. 25 00:00:35,769 --> 00:00:36,980 I NEED TO FINISH 26 00:00:37,004 --> 00:00:38,248 THIS GRANT PROPOSAL 27 00:00:38,272 --> 00:00:39,715 AND TURN IT IN BY TONIGHT. 28 00:00:39,739 --> 00:00:40,917 I'VE ALWAYS WANTED TO HAVE A PLACE 29 00:00:40,941 --> 00:00:43,753 WHERE MUSICIANS COULD COME AND JAM. 30 00:00:43,777 --> 00:00:46,590 I JUST PUT THIS AD IN CRAIGSLIST 31 00:00:46,614 --> 00:00:47,724 LOOKING FOR A ROOMMATE. 32 00:00:47,748 --> 00:00:49,258 WE SHOULD TALK. 33 00:00:49,282 --> 00:00:50,227 WHY NOT, RIGHT? 34 00:00:50,251 --> 00:00:51,561 I'M CARMEN. 35 00:00:51,585 --> 00:00:52,396 I'M JENNY. 36 00:00:52,420 --> 00:00:53,196 I KNOW. 37 00:00:53,220 --> 00:00:54,397 HEY, BETTE. HI, BETTE. 38 00:00:54,421 --> 00:00:55,465 I THOUGHT I WOULD INVITE MYSELF 39 00:00:55,489 --> 00:00:56,599 SINCE NO ONE BOTHERS TO ANYMORE. 40 00:00:56,623 --> 00:00:57,733 NOBODY LIKES CHOOSING SIDES. 41 00:00:57,757 --> 00:01:00,258 BUT YOU DO IT SO WELL. 42 00:01:07,968 --> 00:01:10,180 THIS IS DR. de OBALDIA RETURNING HIS CALL. 43 00:01:10,204 --> 00:01:12,215 I'M IN SESSION FOR THE NEXT 45 MINUTES. 44 00:01:17,077 --> 00:01:18,754 WE NEED TO TALK. 45 00:01:18,778 --> 00:01:21,580 ISN'T THAT WHY I'M HERE? 46 00:01:26,253 --> 00:01:27,852 PLEASE DON'T DO THAT. 47 00:01:30,190 --> 00:01:31,634 WHAT AM I DOING, ISABEL? 48 00:01:31,658 --> 00:01:34,726 YOU KNOW EXACTLY WHAT YOU'RE DOING. 49 00:01:38,399 --> 00:01:40,943 ARE YOU ASHAMED OF WHAT HAPPENED? 50 00:01:40,967 --> 00:01:42,578 IT WAS PROFOUNDLY WRONG. 51 00:01:42,602 --> 00:01:45,114 I-I COULD LOSE MY LICENSE. 52 00:01:45,138 --> 00:01:46,415 I WOULD NEVER DO THAT. 53 00:01:46,439 --> 00:01:49,185 I HAVE A RESPONSIBILITY TO YOU, 54 00:01:49,209 --> 00:01:51,677 AND I ABUSED THAT RESPONSIBILITY. 55 00:01:54,615 --> 00:01:56,492 I'M SORRY. 56 00:01:56,516 --> 00:01:58,183 I'M NOT. 57 00:02:00,287 --> 00:02:01,898 HOW IS IT WRONG... 58 00:02:01,922 --> 00:02:03,266 IT'S ABSOLUTELY WRONG. 59 00:02:03,290 --> 00:02:04,868 TO ACT ON DESIRE, 60 00:02:04,892 --> 00:02:10,207 WHEN WE BOTH ARE SUFFOCATING FROM IT... 61 00:02:10,231 --> 00:02:12,642 WHEN IT HARMS NO ONE... 62 00:02:12,666 --> 00:02:15,345 WHEN IT'S SO... 63 00:02:15,369 --> 00:02:21,239 FUCKING EXCRUCIATING. 64 00:02:30,518 --> 00:02:33,930 BUT I HAVE DONE YOU A GREAT DISSERVICE. 65 00:02:33,954 --> 00:02:36,266 PLEASE. 66 00:02:36,290 --> 00:02:39,891 I AM ASKING YOU TO SIT BACK DOWN. 67 00:04:14,054 --> 00:04:15,765 HEY, GUYS. 68 00:04:15,789 --> 00:04:17,099 HELLO. 69 00:04:17,123 --> 00:04:18,201 ALL RIGHT. 70 00:04:18,225 --> 00:04:19,869 A FAIRY GODMOTHER COMES TO VISIT. 71 00:04:19,893 --> 00:04:22,205 SHE TELLS YOU SHE'S GOING TO GIVE YOU A PENIS, 72 00:04:22,229 --> 00:04:24,074 BUT YOU ONLY GET IT FOR 24 HOURS, 73 00:04:24,098 --> 00:04:26,208 AND THEN IT DISAPPEARS. 74 00:04:26,232 --> 00:04:28,352 WHAT DO YOU DO WITH THAT PENIS FOR 24 HOURS? 75 00:04:30,437 --> 00:04:33,104 I WOULD PEE STANDING UP ON EVERY BUSH I COULD FIND. 76 00:04:34,274 --> 00:04:35,251 THAT'S ALL YOU WOULD DO? 77 00:04:35,275 --> 00:04:36,753 YOU'D JUST... JUST PEE? 78 00:04:36,777 --> 00:04:38,388 YEP. 79 00:04:38,412 --> 00:04:39,622 YOU REALLY WOULDN'T TRY 80 00:04:39,646 --> 00:04:41,591 TO FUCK A LOT OF GIRLS? 81 00:04:41,615 --> 00:04:43,025 I DON'T NEED A DICK TO DO THAT. 82 00:04:45,819 --> 00:04:48,865 OKAY, HOW BIG IS MY PENIS? 83 00:04:48,889 --> 00:04:50,266 HMM. OKAY. 84 00:04:50,290 --> 00:04:52,702 LEAN. 85 00:04:52,726 --> 00:04:54,236 OKAY, I SEE A REALLY BIG COCK 86 00:04:54,260 --> 00:04:55,871 DOWN THERE. 87 00:04:55,895 --> 00:04:57,040 IT'S LONG. IT'S NOT TOO THICK. 88 00:04:57,064 --> 00:04:58,040 IT'S NOT TOO VEINY. 89 00:04:58,064 --> 00:04:59,242 GROSS. 90 00:04:59,266 --> 00:05:01,444 I, ON THE OTHER HAND, HAVE A GIANT SAUSAGE. 91 00:05:04,505 --> 00:05:06,616 I THINK THAT I PROBABLY HAVE A REALLY SMALL PENIS. 92 00:05:06,640 --> 00:05:09,385 GIRL, YOU NEED TO WORK ON YOUR SELF-ESTEEM. 93 00:05:09,409 --> 00:05:10,653 OH, WE'RE TRYING, KIT. 94 00:05:10,677 --> 00:05:12,222 NO, NO, NO. 95 00:05:12,246 --> 00:05:13,222 I KIND OF LIKE MEN WITH SMALL DICKS, 96 00:05:13,246 --> 00:05:14,891 BECAUSE THEN THEY WORK REALLY HARD 97 00:05:14,915 --> 00:05:16,993 TO TRY TO PLEASE YOU, YOU KNOW? 98 00:05:17,017 --> 00:05:18,494 RIGHT? 99 00:05:18,518 --> 00:05:19,796 JENNY... 100 00:05:19,820 --> 00:05:22,231 I AM BEGINNING TO THINK YOU ARE DEFINITELY A LESBIAN. 101 00:05:22,255 --> 00:05:23,899 CARMEN'S CERTAINLY HOPING SO. 102 00:05:23,923 --> 00:05:25,435 CARMEN? WHAT? 103 00:05:25,459 --> 00:05:26,669 WHAT? 104 00:05:26,693 --> 00:05:27,670 WAIT. THERE'S SOMETHING GOING ON 105 00:05:27,694 --> 00:05:29,405 BETWEEN YOU AND CARMEN? 106 00:05:29,429 --> 00:05:30,473 NO, NO, NO, THERE'S NOTHING. 107 00:05:30,497 --> 00:05:31,674 CARMEN IS ALL THAT. 108 00:05:31,698 --> 00:05:33,977 KIT. 109 00:05:34,001 --> 00:05:35,678 OH, ALICE, BEFORE I FORGET, 110 00:05:35,702 --> 00:05:37,780 THANK YOU SO MUCH FOR THE GIFT CERTIFICATE. 111 00:05:37,804 --> 00:05:39,282 YOU'RE WELCOME. 112 00:05:39,306 --> 00:05:40,283 DID YOU USE THEM, OR... 113 00:05:40,307 --> 00:05:41,484 NO, NOT YET. 114 00:05:41,508 --> 00:05:42,718 I WAS WAITING FOR BETTE TO COME BACK 115 00:05:42,742 --> 00:05:44,286 SO WE COULD HAVE OUR MASSAGES TOGETHER. 116 00:05:44,310 --> 00:05:45,622 WHERE'S BETTE? 117 00:05:45,646 --> 00:05:48,291 SHE WENT TO NEW YORK. 118 00:05:48,315 --> 00:05:50,226 SHE'S BACK ON FRIDAY. 119 00:05:50,250 --> 00:05:51,227 I THOUGHT MAYBE WE WOULD 120 00:05:51,251 --> 00:05:53,129 TREAT OURSELVES ON THE WEEKEND. 121 00:05:53,153 --> 00:05:54,886 SHE WHAT? 122 00:05:58,258 --> 00:06:00,403 SHE CAN'T FUCKING CANCEL ON ME 123 00:06:00,427 --> 00:06:02,972 WHEN I FLEW ALL THE WAY OUT HERE JUST TO... 124 00:06:02,996 --> 00:06:05,575 IT'S IN THE BACK. 125 00:06:05,599 --> 00:06:06,575 ALL RIGHT. 126 00:06:06,599 --> 00:06:09,779 WHAT TIME TOMORROW? 127 00:06:09,803 --> 00:06:10,980 OKAY, WELL, IN THE MEANTIME, 128 00:06:11,004 --> 00:06:12,949 CAN YOU GET ME A PRIVATE TOUR OF THE FRICK? 129 00:06:12,973 --> 00:06:14,283 OH, AND JAMES, WILL YOU MAKE SURE 130 00:06:14,307 --> 00:06:15,751 THAT HELENA PEABODY TAKES THE TIME 131 00:06:15,775 --> 00:06:16,953 TO READ OUR PROPOSAL 132 00:06:16,977 --> 00:06:19,289 BEFORE I WALK IN THERE TOMORROW MORNING? 133 00:06:19,313 --> 00:06:20,323 OKAY, I'M GOING TO GET OFF. 134 00:06:20,347 --> 00:06:21,390 I'M LOSING YOU. 135 00:06:21,414 --> 00:06:22,614 ALL RIGHT. BYE. 136 00:06:25,719 --> 00:06:28,064 LINDA'S MY REAL NAME, BUT I DECIDED TO GO WITH FEEF. 137 00:06:28,088 --> 00:06:29,098 I THINK IT'S MORE MEMORABLE. 138 00:06:29,122 --> 00:06:30,122 DON'T YOU? 139 00:06:32,892 --> 00:06:35,838 UH... FEEF. 140 00:06:35,862 --> 00:06:37,974 WHEN YOU'RE NOT BEING AN EXTRA IN MOVIES? 141 00:06:37,998 --> 00:06:40,343 I SIGNED UP FOR A BERRY GANNON SITCOM TECHNIQUE WORKSHOP. 142 00:06:40,367 --> 00:06:42,078 I REALLY WANT TO BE A TV STAR. 143 00:06:42,102 --> 00:06:43,146 I JUST DID A LITTLE HORROR MOVIE, 144 00:06:43,170 --> 00:06:45,248 AND THE DIRECTOR TOTALLY NOTICED ME. 145 00:06:45,272 --> 00:06:46,616 I MEAN, AT LEAST I THINK IT WAS THE DIRECTOR. 146 00:06:46,640 --> 00:06:49,418 HE WAS WEARING A BASEBALL CAP... 147 00:06:49,442 --> 00:06:50,420 DO YOU HAVE ANY OTHER JOBS? 148 00:06:50,444 --> 00:06:51,420 I'M SIGNED UP 149 00:06:51,444 --> 00:06:52,589 WITH THREE DIFFERENT TEMP AGENCIES 150 00:06:52,613 --> 00:06:53,589 THAT CATER TO THE ENTERTAINMENT BUSINESS. 151 00:06:53,613 --> 00:06:55,291 I JUST THINK 152 00:06:55,315 --> 00:06:57,059 I'M THE PERFECT CANDIDATE TO GET DISCOVERED. 153 00:06:57,083 --> 00:06:58,861 I MEAN, JUST LOOK AT ANYONE WHO'S ON TV RIGHT NOW. 154 00:06:58,885 --> 00:07:00,896 MOST OF THEM STARTED OUT TEMPING. 155 00:07:00,920 --> 00:07:04,167 I JUST READ A WHOLE ARTICLE ABOUT IT IN STAR. 156 00:07:04,191 --> 00:07:06,235 OKAY. 157 00:07:06,259 --> 00:07:07,437 YEP. 158 00:07:07,461 --> 00:07:08,671 WELL, I THINK WE'LL GET BACK TO YOU. 159 00:07:08,695 --> 00:07:10,606 I-I AGREE. 160 00:07:10,630 --> 00:07:11,907 THANK YOU, FEEF... 161 00:07:11,931 --> 00:07:13,009 THANKS. 162 00:07:13,033 --> 00:07:17,479 FOR... FOR COMING BY. 163 00:07:17,503 --> 00:07:19,081 BYE. 164 00:07:19,105 --> 00:07:20,082 ALL RIGHT. 165 00:07:20,106 --> 00:07:21,083 SHIT. 166 00:07:21,107 --> 00:07:22,118 WE'VE GOT TO CUT THESE SHORT. 167 00:07:22,142 --> 00:07:23,185 I MEAN, RIGHT BEFORE IT GETS UGLY. 168 00:07:23,209 --> 00:07:25,254 MM-HMM. LIKE, IN ONE SECOND. 169 00:07:25,278 --> 00:07:26,388 WE NEED TO THINK OF A SIGNAL. 170 00:07:26,412 --> 00:07:27,890 WHY DON'T I 171 00:07:27,914 --> 00:07:30,093 PULL MY EAR LIKE THAT... 172 00:07:30,117 --> 00:07:31,360 COOL, IF THE PERSON'S NOT FOR YOU, 173 00:07:31,384 --> 00:07:33,463 YOU PULL YOUR EAR, AND THAT MEANS, "OUTTA THERE," 174 00:07:33,487 --> 00:07:35,231 AND I'LL DO THIS... 175 00:07:35,255 --> 00:07:36,399 OKAY. 176 00:07:36,423 --> 00:07:38,000 YEAH? YEAH. 177 00:07:38,024 --> 00:07:39,035 CHRIST. 178 00:07:41,160 --> 00:07:42,305 I DIDN'T KNOW SHE WAS GONE. 179 00:07:42,329 --> 00:07:45,641 KIT SAYS SHE'S BACK ON FRIDAY. 180 00:07:45,665 --> 00:07:47,710 WELL, I'LL BET YOU ANYTHING 181 00:07:47,734 --> 00:07:50,113 GRUBER TOLD HER NOT TO TELL YOU. 182 00:07:50,137 --> 00:07:51,414 THE LAST THING THEY WANT 183 00:07:51,438 --> 00:07:52,414 IS FOR US TO HAVE THE OPPORTUNITY 184 00:07:52,438 --> 00:07:55,418 TO WALK THROUGH HERE AND TAKE INVENTORY, 185 00:07:55,442 --> 00:07:56,619 AND HOLY SHIT, 186 00:07:56,643 --> 00:07:58,888 I CAN SEE WHY. 187 00:07:58,912 --> 00:08:00,957 WELL, WE MIGHT AS WELL START IN HERE. 188 00:08:00,981 --> 00:08:02,325 TINA, WHY DON'T YOU TALK ME THROUGH THIS? 189 00:08:02,349 --> 00:08:05,795 I IMAGINE YOU KNOW WHAT MOST OF THIS WORTH. 190 00:08:06,920 --> 00:08:09,932 WELL, I DON'T KNOW EXACT VALUES. 191 00:08:09,956 --> 00:08:11,767 I KNOW BALLPARK. 192 00:08:11,791 --> 00:08:14,337 I KNOW WHO'S BEEN HEAVILY COLLECTED, 193 00:08:14,361 --> 00:08:18,574 AND WHO'S BEEN SHOWN IN MAJOR MUSEUM SHOWS. 194 00:08:18,598 --> 00:08:20,109 JESUS. 195 00:08:20,133 --> 00:08:22,178 YOU LIVED WITH THAT? 196 00:08:22,202 --> 00:08:24,146 YEAH. 197 00:08:24,170 --> 00:08:25,881 IT'S LISA YUSKAVAGE. 198 00:08:25,905 --> 00:08:27,750 SHE WAS ONE OF BETTE'S FAVORITE PAINTERS. 199 00:08:27,774 --> 00:08:30,419 WHAT'S A THING LIKE THAT WORTH? 200 00:08:30,443 --> 00:08:32,421 A LOT, I GUESS, 201 00:08:32,445 --> 00:08:33,422 BUT BETTE BOUGHT IT 202 00:08:33,446 --> 00:08:34,524 BEFORE SHE GOT FAMOUS. 203 00:08:34,548 --> 00:08:36,025 THAT DOESN'T MATTER. 204 00:08:36,049 --> 00:08:39,183 WE STILL CLAIM IT AS COMMUNITY PROPERTY. 205 00:08:42,189 --> 00:08:45,657 TINA, TINA, TINA, TINA, TINA... 206 00:08:47,360 --> 00:08:51,007 QUITE A BIT OF CAPITAL INVESTED HERE, DARLING. 207 00:08:51,031 --> 00:08:53,409 WE HAD THE PALM TREES FLOWN IN. 208 00:08:53,433 --> 00:08:58,981 IT WAS CRAZY EXPENSIVE, BUT BETTE REALLY LOVES THEM. 209 00:08:59,005 --> 00:09:01,717 SO DO I. 210 00:09:01,741 --> 00:09:04,953 HELLO, MY FRIEND. 211 00:09:04,977 --> 00:09:06,856 WE GOT THAT IN NEPAL. 212 00:09:06,880 --> 00:09:08,424 WE HAD IT SHIPPED. 213 00:09:08,448 --> 00:09:09,625 IT TOOK, LIKE, SEVEN MONTHS 214 00:09:09,649 --> 00:09:10,826 FOR IT TO GET HERE. 215 00:09:10,850 --> 00:09:11,850 MM. 216 00:09:13,587 --> 00:09:15,698 IT'S GIVING ME PEACE. 217 00:09:15,722 --> 00:09:17,800 IT'S GIVING ME PROSPERITY. 218 00:09:17,824 --> 00:09:20,792 IT'S GIVING ME CHILD SUPPORT. 219 00:09:23,263 --> 00:09:24,540 IT'S A CONSORTIUM OF DOCTORS. 220 00:09:24,564 --> 00:09:26,576 I SET UP THE QUICKBOOKS SYSTEM FOR THEM, 221 00:09:26,600 --> 00:09:27,943 AND I RUN THEIR BILLING FOR THEM. 222 00:09:27,967 --> 00:09:29,178 AND IS THAT PRETTY MUCH 9:00 TO 5:00? 223 00:09:29,202 --> 00:09:30,513 MORE LIKE 7:00 TO 11:00. 224 00:09:30,537 --> 00:09:32,682 IT'S PRETTY INTENSE BECAUSE, WELL, 225 00:09:32,706 --> 00:09:34,050 PATIENTS DON'T WANT TO PAY THEIR DOCTOR'S BILLS. 226 00:09:34,074 --> 00:09:35,818 OH, YEAH. 227 00:09:35,842 --> 00:09:37,219 YEAH. 228 00:09:37,243 --> 00:09:38,854 SO, EWAN, IF IT'S NOT TOO PERSONAL, 229 00:09:38,878 --> 00:09:40,656 DO YOU HAVE A GIRLFRIEND, 230 00:09:40,680 --> 00:09:41,791 A BOYFRIEND? 231 00:09:41,815 --> 00:09:42,858 WELL, I HAD A BOYFRIEND, 232 00:09:42,882 --> 00:09:45,328 BUT WE BROKE UP NINE MONTHS AGO. 233 00:09:45,352 --> 00:09:46,562 IT WAS PRETTY MUTUAL, 234 00:09:46,586 --> 00:09:49,565 BUT IT WAS STILL KIND OF A ROUGH TIME. 235 00:09:49,589 --> 00:09:52,502 SORRY. 236 00:09:52,526 --> 00:09:55,237 I AM STARTING TO DATE AGAIN. 237 00:09:55,261 --> 00:09:57,695 YAY. 238 00:10:00,033 --> 00:10:04,046 WHAT KIND OF MUSIC DO YOU LIKE? 239 00:10:04,070 --> 00:10:07,183 WELL, MOSTLY I LISTEN TO R AND B AND FUNK... 240 00:10:07,207 --> 00:10:09,519 SLY STONE, CHAKA KHAN, PRINCE... 241 00:10:09,543 --> 00:10:10,586 BUT I'VE GOT NO PROBLEM WEARING HEADPHONES 242 00:10:10,610 --> 00:10:11,854 IF YOU'RE NOT INTO IT. 243 00:10:11,878 --> 00:10:13,323 NO, NO, PRINCE IS EXCELLENT. 244 00:10:13,347 --> 00:10:15,224 ESPECIALLY WITH THE REVOLUTION. 245 00:10:15,248 --> 00:10:16,392 YEAH, WITH WENDY AND LISA. 246 00:10:16,416 --> 00:10:17,392 YES. 247 00:10:17,416 --> 00:10:18,861 I LOVE WENDY AND LISA. 248 00:10:18,885 --> 00:10:20,830 THAT'S HIS BEST SHIT, HANDS DOWN. 249 00:10:20,854 --> 00:10:22,565 FUCK IT. LET'S JUST SHOW EWAN THE STUDIO. 250 00:10:22,589 --> 00:10:23,532 YEAH, FUCK IT. 251 00:10:23,556 --> 00:10:24,834 THERE'S JUST ONE THING 252 00:10:24,858 --> 00:10:25,868 I WANT TO MAKE SURE YOU'RE OKAY WITH. 253 00:10:25,892 --> 00:10:27,536 IT'S NOT REALLY A BIG DEAL. 254 00:10:27,560 --> 00:10:29,638 LAY IT ON US, EWAN. 255 00:10:29,662 --> 00:10:31,796 THAT SOMETIMES I'M GOING TO BE NAKED. 256 00:10:33,566 --> 00:10:35,311 UH, YEAH. YEAH. 257 00:10:35,335 --> 00:10:37,380 I MEAN, WHEN YOU'RE HAVING A SHOWER, 258 00:10:37,404 --> 00:10:39,948 OR, LIKE, WHAT? 259 00:10:39,972 --> 00:10:41,451 GETTING CHANGED. 260 00:10:41,475 --> 00:10:42,718 YEAH, L.A. IN THE SUMMER IS A KILLER. 261 00:10:42,742 --> 00:10:44,286 EVERYONE SLEEPS NAKED. YEAH. YEAH, TOTALLY. 262 00:10:44,310 --> 00:10:45,721 AND SOMETIMES, LIKE, YOU KNOW, 263 00:10:45,745 --> 00:10:48,157 LIKE, HANGING AROUND THE HOUSE TOO. 264 00:10:48,181 --> 00:10:50,193 WHAT DO YOU MEAN? 265 00:10:50,217 --> 00:10:51,560 WELL, YOU KNOW, LIKE, DOING DAY-TO-DAY THINGS, 266 00:10:51,584 --> 00:10:54,930 LIKE DUSTING, GARDENING, READING THE PAPER, 267 00:10:54,954 --> 00:10:56,932 COOKING BREAKFAST. 268 00:10:56,956 --> 00:10:58,067 BASICALLY, I'M A NUDIST. 269 00:10:58,091 --> 00:11:00,569 IT'S A LIFESTYLE THING, 270 00:11:00,593 --> 00:11:02,104 AFTER A WHILE, YOU'LL GET USED TO IT. 271 00:11:02,128 --> 00:11:04,106 DO YOU REALLY THINK THAT, EWAN? 272 00:11:04,130 --> 00:11:05,107 OH, YEAH, SURE. 273 00:11:05,131 --> 00:11:06,141 WHAT'S THE BIG DEAL? 274 00:11:06,165 --> 00:11:07,310 IF I TOOK MY SHOES OFF, AND MY SHIRT, 275 00:11:07,334 --> 00:11:09,478 IT'S WOULDN'T BE A BIG DEAL, RIGHT? 276 00:11:09,502 --> 00:11:10,913 SO, WHAT IF I TAKE IT 277 00:11:10,937 --> 00:11:12,581 ONE MORE STEP FURTHER? 278 00:11:12,605 --> 00:11:13,916 THAT'S NO BIG DEAL, RIGHT? 279 00:11:13,940 --> 00:11:14,917 OH, MY GOD! 280 00:11:14,941 --> 00:11:16,285 NO, EWAN. 281 00:11:16,309 --> 00:11:17,786 I RECOMMEND WE SET UP A SCHEDULE 282 00:11:17,810 --> 00:11:19,955 FOR BATHING, COOKING, CLEANING... 283 00:11:19,979 --> 00:11:21,790 AND I THINK IT WOULD BE REALLY, REALLY BONDING 284 00:11:21,814 --> 00:11:22,925 IF, ONCE A WEEK, 285 00:11:22,949 --> 00:11:24,160 WE EACH MADE A MEAL FOR THE OTHER TWO. 286 00:11:24,184 --> 00:11:25,261 MY SPECIALTIES 287 00:11:25,285 --> 00:11:26,929 ARE STRING BEAN TUNA FISH CASSEROLE, 288 00:11:26,953 --> 00:11:30,721 AND A SLOPPY JOE LASAGNA. 289 00:11:36,997 --> 00:11:40,376 HI. I'M KIT PORTER. 290 00:11:40,400 --> 00:11:41,377 THERE YOU ARE. 291 00:11:41,401 --> 00:11:42,879 KIT PORTER. 292 00:11:42,903 --> 00:11:44,614 HAVE YOU EVER DONE T.O.E. BEFORE, KIT? 293 00:11:44,638 --> 00:11:45,981 NO. 294 00:11:46,005 --> 00:11:47,550 WELCOME TO THE THEORY OF EVERYTHING, 295 00:11:47,574 --> 00:11:48,550 BENJAMIN BRADSHAW'S 296 00:11:48,574 --> 00:11:51,186 PATENTED TECHNOLOGY 297 00:11:51,210 --> 00:11:52,487 FOR ACHIEVING PERSONAL TRANSFORMATION. 298 00:11:52,511 --> 00:11:55,224 BENJAMIN AND T.O.E. ARE GOING TO CHANGE YOUR LIFE. 299 00:11:55,248 --> 00:11:56,559 I JUST WANT TO TURN A PROFIT. 300 00:11:56,583 --> 00:11:57,593 WELL, YOU'RE GOING TO GET A LOT MORE 301 00:11:57,617 --> 00:11:58,928 THAN YOU BARGAINED FOR, KIT. 302 00:11:58,952 --> 00:12:00,685 THANK YOU. 303 00:12:11,531 --> 00:12:13,375 COME IN. 304 00:12:13,399 --> 00:12:15,043 HI. I KNOW TODAY WAS ROUGH FOR YOU, DARLING. 305 00:12:15,067 --> 00:12:18,480 I JUST WANTED TO MAKE SURE YOU'RE OKAY. 306 00:12:18,504 --> 00:12:20,182 SUSHI? 307 00:12:20,206 --> 00:12:21,751 NO, THANKS. 308 00:12:21,775 --> 00:12:23,553 MERCURY POISONING. 309 00:12:23,577 --> 00:12:24,820 WELL, I DON'T BUY IT, 310 00:12:24,844 --> 00:12:28,524 BUT IT'S FINE TO BE CAUTIOUS. 311 00:12:28,548 --> 00:12:30,393 SO HOW ARE YOU HOLDING UP? 312 00:12:30,417 --> 00:12:33,362 I'M OKAY. 313 00:12:33,386 --> 00:12:34,997 I'M TRYING NOT TO THINK ABOUT IT. 314 00:12:35,021 --> 00:12:35,998 I'M JUST THROWING MYSELF 315 00:12:36,022 --> 00:12:37,065 INTO MY WORK. 316 00:12:37,089 --> 00:12:38,267 YEAH? 317 00:12:38,291 --> 00:12:39,768 WHAT ARE YOU WORKING ON THERE? 318 00:12:39,792 --> 00:12:43,472 I AM WRITING A GRANT PROPOSAL FOR A PROJECT 319 00:12:43,496 --> 00:12:45,641 CALLED THE CAMPAIGN FOR QUALITY EDUCATION. 320 00:12:45,665 --> 00:12:48,811 IT'S OUR MAIN FOCUS RIGHT NOW. 321 00:12:48,835 --> 00:12:50,913 WOW. TELL ME A LITTLE ABOUT IT. 322 00:12:50,937 --> 00:12:52,281 WE'RE BRINGING K THROUGH SIX KIDS 323 00:12:52,305 --> 00:12:54,216 FROM ALL DIFFERENT SOCIOECONOMIC SITUATIONS 324 00:12:54,240 --> 00:12:55,284 AND PUTTING THEM 325 00:12:55,308 --> 00:12:56,953 INTO A COMMUNITY OUTREACH PROGRAM 326 00:12:56,977 --> 00:12:59,922 TO TEACH LITERACY AND CRITICAL THINKING SKILLS. 327 00:12:59,946 --> 00:13:03,025 WOW, WELL, THAT SOUNDS AMBITIOUS. 328 00:13:03,049 --> 00:13:04,682 YEAH. 329 00:13:06,886 --> 00:13:09,866 YOU KNOW SOMETHING, TINA? 330 00:13:09,890 --> 00:13:11,934 YOU ARE AN EXCEPTIONAL WOMAN, 331 00:13:11,958 --> 00:13:14,469 AND YOU DESERVE TO BE FULLY APPRECIATED, 332 00:13:14,493 --> 00:13:16,872 AND THE WAY BETTE TREATED YOU 333 00:13:16,896 --> 00:13:18,696 WAS BULLSHIT. 334 00:13:20,300 --> 00:13:22,533 GOOD NIGHT. 335 00:13:24,971 --> 00:13:25,981 JOYCE. 336 00:13:26,005 --> 00:13:27,116 YEP? 337 00:13:27,140 --> 00:13:29,451 THANK YOU. 338 00:13:29,475 --> 00:13:31,987 THANK YOU FOR EVERYTHING THAT YOU'VE DONE FOR ME. 339 00:13:32,011 --> 00:13:34,379 WELL, THAT'S WHAT I'M HERE FOR, SWEET CHEEKS. 340 00:13:44,357 --> 00:13:51,239 THERE IS NO NEGATIVE WITHOUT A POSITIVE. 341 00:13:51,263 --> 00:13:57,246 THIS MAN SAYS THAT THE ANIMAL HE MOST RESEMBLES IS A FERRET. 342 00:13:57,270 --> 00:13:59,047 WHY? 343 00:13:59,071 --> 00:14:03,285 HE THINKS OF HIMSELF AS A THIEVING RODENT, 344 00:14:03,309 --> 00:14:07,990 BUT, MY FERRET FRIEND, PICTURE THIS. 345 00:14:08,014 --> 00:14:10,492 PICTURE YOURSELF AS A FERRET. 346 00:14:10,516 --> 00:14:12,461 CLOSE YOUR EYES. 347 00:14:12,485 --> 00:14:14,363 VISUALIZE. 348 00:14:14,387 --> 00:14:17,833 LET ME TELL YOU ABOUT FERRETS. 349 00:14:17,857 --> 00:14:20,436 FERRETS ARE STRONG. 350 00:14:20,460 --> 00:14:24,639 THEY CAN CARRY OBJECTS MORE THAN TWICE THEIR SIZE. 351 00:14:24,663 --> 00:14:30,212 DID YOU KNOW THAT FERRETS ARE ALSO UNUSUALLY INTELLIGENT? 352 00:14:30,236 --> 00:14:34,683 THEY ARE PROBLEM-SOLVING ANIMALS. 353 00:14:34,707 --> 00:14:36,952 LOOK AT YOU. 354 00:14:36,976 --> 00:14:40,711 WHAT A MARVELOUS CREATURE YOU ARE. 355 00:14:42,582 --> 00:14:45,494 WHAT'S YOUR NAME, FRIEND? 356 00:14:45,518 --> 00:14:46,662 GAVIN. 357 00:14:46,686 --> 00:14:48,331 WHAT ANIMAL DO YOU RESEMBLE, GAVIN? 358 00:14:48,355 --> 00:14:49,932 OH, THAT'S EASY. 359 00:14:49,956 --> 00:14:51,767 AN OSTRICH. 360 00:14:51,791 --> 00:14:57,106 GAVIN THINKS OF HIMSELF AS COWARDLY, 361 00:14:57,130 --> 00:15:00,843 WITH HIS HEAD IN THE SAND. 362 00:15:00,867 --> 00:15:06,649 GAVIN, DID YOU KNOW THAT MALE OSTRICHES 363 00:15:06,673 --> 00:15:09,484 ARE FAST AND POWERFUL 364 00:15:09,508 --> 00:15:14,579 AND MAJESTICALLY SELF-SUFFICIENT? 365 00:15:17,517 --> 00:15:19,261 LADY WITH THE FLASHING EYES. 366 00:15:19,285 --> 00:15:21,897 SO SKITTISH. 367 00:15:21,921 --> 00:15:26,223 I'LL BET I KNOW WHAT ANIMAL YOU IDENTIFY WITH. 368 00:15:29,262 --> 00:15:33,376 AN ALLEY CAT, I GUESS. 369 00:15:33,400 --> 00:15:37,346 NOT JUST A CAT, AN ALLEY CAT. 370 00:15:37,370 --> 00:15:45,370 SYBARITIC, FERAL, SELF-INDULGENT, IRRESPONSIBLE. 371 00:15:45,812 --> 00:15:50,214 IS THAT YOU, LADY ALLEY CAT? 372 00:16:01,227 --> 00:16:03,139 THEY'RE HARD TO SHOOT. 373 00:16:03,163 --> 00:16:04,206 COME ON. 374 00:16:04,230 --> 00:16:05,574 I'M TRYING. 375 00:16:05,598 --> 00:16:06,575 I CAN'T. 376 00:16:06,599 --> 00:16:08,410 GO FOR IT AGAIN. 377 00:16:08,434 --> 00:16:10,212 I CAN'T. 378 00:16:10,236 --> 00:16:11,714 COME ON. 379 00:16:11,738 --> 00:16:12,714 GET HER. GET HER. 380 00:16:12,738 --> 00:16:14,018 I'M TRYING! 381 00:16:20,246 --> 00:16:22,658 THERE. 382 00:16:22,682 --> 00:16:24,415 I GOT HER! 383 00:16:45,371 --> 00:16:46,348 SHANE. 384 00:16:46,372 --> 00:16:47,849 I'M SORRY. 385 00:16:47,873 --> 00:16:49,833 I DIDN'T MEAN TO INTERRUPT YOUR FLOW. 386 00:16:53,012 --> 00:16:55,179 I'M SO BROKE. 387 00:16:57,117 --> 00:16:58,527 IF WE DON'T FIND A THIRD PERSON, 388 00:16:58,551 --> 00:16:59,828 THERE IS NO WAY I'LL BE ABLE 389 00:16:59,852 --> 00:17:01,463 TO COME UP WITH HALF THE RENT. 390 00:17:01,487 --> 00:17:02,465 ME TOO. 391 00:17:02,489 --> 00:17:03,565 GOOD. 392 00:17:08,761 --> 00:17:10,594 GOOD NIGHT. 393 00:17:15,001 --> 00:17:15,977 SHANE. 394 00:17:16,001 --> 00:17:17,179 YEP. 395 00:17:17,203 --> 00:17:18,714 ARE YOU OKAY WITH THAT THING THAT HAPPENED 396 00:17:18,738 --> 00:17:20,115 BETWEEN CARMEN AND ME? 397 00:17:20,139 --> 00:17:22,084 I MEAN, IF WE WERE TO... 398 00:17:22,108 --> 00:17:23,185 ARE YOU? 399 00:17:23,209 --> 00:17:24,186 I DON'T KNOW. 400 00:17:24,210 --> 00:17:27,756 I MEAN, WE JUST KISSED. 401 00:17:27,780 --> 00:17:30,114 SHE HASN'T CALLED OR ANYTHING. 402 00:17:32,185 --> 00:17:34,463 YOU COULD CALL HER. 403 00:17:34,487 --> 00:17:36,965 I CAN'T DO THAT. 404 00:17:36,989 --> 00:17:40,224 WELL, UH, DO YOU WANT ME TO INVITE HER OVER? 405 00:17:42,295 --> 00:17:43,327 YOU WOULD DO THAT? 406 00:17:45,531 --> 00:17:49,044 ARE YOU SURE THAT YOU'RE OKAY WITH THAT? 407 00:17:49,068 --> 00:17:51,435 CONSIDER IT DONE. 408 00:17:53,773 --> 00:17:56,918 GOOD NIGHT. 409 00:17:56,942 --> 00:17:59,944 GOOD NIGHT, SHANE. 410 00:18:01,381 --> 00:18:03,147 THANK YOU. 411 00:18:06,552 --> 00:18:08,297 SO... 412 00:18:08,321 --> 00:18:09,365 THE BLACK ALLEY CAT'S NAME 413 00:18:09,389 --> 00:18:12,735 IS KIT. 414 00:18:12,759 --> 00:18:14,269 WITH ALL THESE PEOPLE UP IN HERE, 415 00:18:14,293 --> 00:18:16,373 I'M SURPRISED YOU COULD REMEMBER MY ANIMAL. 416 00:18:17,797 --> 00:18:19,575 KIT PORTER. 417 00:18:19,599 --> 00:18:21,532 KIT PORTER. 418 00:18:36,415 --> 00:18:38,460 "TO ALLEY KIT, 419 00:18:38,484 --> 00:18:42,197 "WITH SHARP CLAWS AND FLASHING EYES. 420 00:18:42,221 --> 00:18:44,999 "SUCCESS, VISION, CLARITY, TRANSFORMATION... 421 00:18:45,023 --> 00:18:48,137 ALL IN GOOD TIME. BENJAMIN BRADSHAW." 422 00:18:48,161 --> 00:18:50,472 "ALL IN GOOD TIME." 423 00:18:50,496 --> 00:18:51,907 HOW LONG WILL THAT BE? 424 00:18:51,931 --> 00:18:53,542 IT DEPENDS, 425 00:18:53,566 --> 00:18:57,045 BUT IT'LL TAKE MORE THAN ONE THREE-HOUR SEMINAR. 426 00:18:57,069 --> 00:19:01,016 WHAT SORT OF BUSINESS DO YOU HAVE, KIT? 427 00:19:01,040 --> 00:19:02,885 OH, IT'S CALLED THE PLANET. 428 00:19:02,909 --> 00:19:04,787 IT'S ALWAYS BEEN A CAFE, 429 00:19:04,811 --> 00:19:05,887 BUT I WANT TO TURN IT 430 00:19:05,911 --> 00:19:08,390 INTO A PERFORMANCE CLUB, 431 00:19:08,414 --> 00:19:09,424 YOU KNOW, AT NIGHT. 432 00:19:09,448 --> 00:19:11,059 OH, LET'S START WITH THE CAFE. 433 00:19:11,083 --> 00:19:12,561 WHAT DO YOU SERVE THERE? 434 00:19:12,585 --> 00:19:14,763 COFFEE, DESSERTS, SALADS... 435 00:19:14,787 --> 00:19:16,131 OKAY, HERE'S WHAT I WANT YOU TO DO. 436 00:19:16,155 --> 00:19:21,002 WHAT'S THE MOST POPULAR DESSERT YOU HAVE ON YOUR MENU? 437 00:19:21,026 --> 00:19:24,973 DEFINITELY THE PEAR POLENTA TART. 438 00:19:24,997 --> 00:19:26,341 I MEAN, WE'RE FAMOUS FOR IT. 439 00:19:26,365 --> 00:19:27,909 STARTING TOMORROW MORNING, 440 00:19:27,933 --> 00:19:31,080 I WANT YOU TO ADD $5.00 441 00:19:31,104 --> 00:19:32,648 TO THE PRICE OF THE PEAR POLENTA TART. 442 00:19:32,672 --> 00:19:34,783 $5.00? 443 00:19:34,807 --> 00:19:38,454 IF PEOPLE ASK YOU WHY, JUST SAY, "IT'S WORTH IT." 444 00:19:38,478 --> 00:19:39,654 IF THEY GET ANGRY, 445 00:19:39,678 --> 00:19:41,256 YOU JUST SAY, "IT'S WORTH IT." 446 00:19:41,280 --> 00:19:42,657 NO MATTER WHAT ANYBODY SAYS, 447 00:19:42,681 --> 00:19:45,995 YOUR ANSWER IS, "IT'S WORTH IT." 448 00:19:46,019 --> 00:19:48,563 MY CUSTOMERS ARE GOING TO SCREAM. 449 00:19:48,587 --> 00:19:50,732 I'M NOT GOING TO BE ABLE TO SELL ONE SINGLE TART. 450 00:19:50,756 --> 00:19:51,800 I'LL GUARANTEE YOU RIGHT NOW, 451 00:19:51,824 --> 00:19:55,537 THE EXTRA $5.00 A TART 452 00:19:55,561 --> 00:19:58,974 WILL COVER THE COST OF THE ADVANCED SEMINAR 453 00:19:58,998 --> 00:20:01,209 I'M LEADING WEEKEND AFTER NEXT. 454 00:20:01,233 --> 00:20:04,980 I DIDN'T SIGN UP FOR YOUR ADVANCED SEMINAR. 455 00:20:05,004 --> 00:20:06,215 OKAY, I'LL TELL YOU WHAT. 456 00:20:06,239 --> 00:20:07,716 DON'T SIGN UP FOR IT 457 00:20:07,740 --> 00:20:13,188 UNTIL YOU'VE MADE THE $250 EXTRA ON THE PEAR POLENTA TART. 458 00:20:14,213 --> 00:20:16,714 I'LL SAVE A SPACE FOR YOU. 459 00:20:19,018 --> 00:20:20,584 OKAY. THANKS. 460 00:20:27,359 --> 00:20:28,470 WHY AREN'T WE SHOOTING? 461 00:20:28,494 --> 00:20:30,606 WHAT THE FUCK IS GOING ON? 462 00:20:30,630 --> 00:20:32,241 WELL, ALYSSA HATES HER HAIR, 463 00:20:32,265 --> 00:20:33,441 AND SHE INSULTED JAMIE, 464 00:20:33,465 --> 00:20:36,178 AND JAMIE STORMED OFF THE SET, 465 00:20:36,202 --> 00:20:37,513 AND NOW ALYSSA IS HAVING A TOTAL BREAKDOWN. 466 00:20:37,537 --> 00:20:39,047 SHE WON'T LET ANYONE COME NEAR HER. 467 00:20:39,071 --> 00:20:40,649 WHERE IS GORDO? 468 00:20:40,673 --> 00:20:42,350 HE'S BACK AT THE PRODUCTION OFFICE. 469 00:20:42,374 --> 00:20:44,820 HE AND ALYSSA HAD A FIGHT YESTERDAY, 470 00:20:44,844 --> 00:20:47,655 AND SHE BANNED HIM FROM THE SET. 471 00:20:47,679 --> 00:20:49,858 THE FUCKING ACTRESS BANNED THE FUCKING PRODUCER 472 00:20:49,882 --> 00:20:51,160 FROM HIS OWN MOVIE SET? 473 00:20:51,184 --> 00:20:52,227 YEAH. 474 00:20:52,251 --> 00:20:53,795 FIND JAMIE. 475 00:20:53,819 --> 00:20:54,929 TELL HIM TO GET HIS ASS BACK HERE 476 00:20:54,953 --> 00:20:56,465 AND FIX HER HAIR. 477 00:20:56,489 --> 00:20:58,267 I CAN'T AFFORD TO LOSE ANOTHER HALF A DAY. 478 00:20:58,291 --> 00:20:59,434 NOW, VERONICA, 479 00:20:59,458 --> 00:21:00,202 IF YOU HEARD WHAT SHE SAID TO HIM... 480 00:21:00,226 --> 00:21:01,202 I DON'T GIVE A FUCK 481 00:21:01,226 --> 00:21:03,205 WHAT THAT LITTLE CUNT SAID TO HIM. 482 00:21:03,229 --> 00:21:04,340 YOU TELL HER THAT IF SHE'S NOT BACK 483 00:21:04,364 --> 00:21:05,507 ON THAT SET IN 10 MINUTES 484 00:21:05,531 --> 00:21:06,641 WITH HER HAIR PERFECT, 485 00:21:06,665 --> 00:21:08,376 I WILL FIRE HER SORRY ASS 486 00:21:08,400 --> 00:21:09,411 AND REPLACE IT 487 00:21:09,435 --> 00:21:11,313 WITH KATE WINSLET'S SPOTLESS MIND. 488 00:21:11,337 --> 00:21:13,848 JAMIE JUST QUIT. 489 00:21:13,872 --> 00:21:15,551 THAT'S GREAT. 490 00:21:15,575 --> 00:21:16,685 THAT'S FUCKING GREAT. 491 00:21:16,709 --> 00:21:19,588 THIS BITCH IS COSTING ME $50,000 A MINUTE. 492 00:21:19,612 --> 00:21:21,389 I'LL RIP HER FUCKING HAIR OUT. 493 00:21:21,413 --> 00:21:23,533 JUST FIND ME SOMEBODY WHO CAN DEAL WITH HER. 494 00:21:24,384 --> 00:21:26,128 HI... 495 00:21:26,152 --> 00:21:27,562 HOW ARE YOU DOING? 496 00:21:27,586 --> 00:21:30,665 REALLY FUCKING SHITTY. 497 00:21:30,689 --> 00:21:32,367 OKAY. 498 00:21:32,391 --> 00:21:33,869 WHO IS THAT? 499 00:21:33,893 --> 00:21:36,038 I DON'T KNOW. 500 00:21:36,062 --> 00:21:37,972 OH, I THINK IT'S ONE OF THE HAIRDRESSERS 501 00:21:37,996 --> 00:21:41,243 THAT CAME IN TO HELP WITH THE DAY PLAYERS. 502 00:21:41,267 --> 00:21:42,310 YOU'RE BEAUTIFUL, 503 00:21:42,334 --> 00:21:45,780 AND YOU HARDLY NEED ANYTHING AT ALL. 504 00:21:45,804 --> 00:21:47,738 WHAT ARE THEY SAYING? 505 00:21:49,174 --> 00:21:51,152 IT'S JUST ONE CRAZY BITCH. 506 00:21:51,176 --> 00:21:53,110 IT DOESN'T MATTER. 507 00:21:57,616 --> 00:22:00,083 WHO ARE YOU CALLING A CRAZY BITCH? 508 00:22:02,588 --> 00:22:04,266 WHEN WE GET BACK TO SHOOTING 509 00:22:04,290 --> 00:22:06,101 AND THAT LITTLE BITCH COMES BACK TO WORK, 510 00:22:06,125 --> 00:22:08,492 HAVE THAT PERSON COME AND SEE ME. 511 00:22:11,396 --> 00:22:12,808 THE HAIRDRESSER? 512 00:22:12,832 --> 00:22:15,243 I'LL BE IN MY TRAILER. 513 00:22:15,267 --> 00:22:17,078 JOHN, GO TO TWO. 514 00:22:17,102 --> 00:22:18,313 ALL RIGHT, PEOPLE, LET'S GET BACK TO WORK. 515 00:22:18,337 --> 00:22:19,337 LET'S GO. 516 00:23:00,680 --> 00:23:01,656 MORNING. PEABODY FOUNDATION. 517 00:23:01,680 --> 00:23:02,958 HOW CAN I HELP? 518 00:23:02,982 --> 00:23:05,148 IT'S BETTE PORTER FOR HELENA PEABODY. 519 00:23:24,002 --> 00:23:24,980 BETTE PORTER. 520 00:23:25,004 --> 00:23:27,216 NICE TO MEET YOU. 521 00:23:27,240 --> 00:23:29,120 THANK YOU SO MUCH FOR SEEING ME. 522 00:23:30,710 --> 00:23:31,686 REMIND ME AGAIN. 523 00:23:31,710 --> 00:23:33,488 YOU'RE WITH? 524 00:23:33,512 --> 00:23:36,124 THE CALIFORNIA ART CENTER. 525 00:23:36,148 --> 00:23:38,226 OUR MUSEUM HAS A LONG-STANDING RELATIONSHIP 526 00:23:38,250 --> 00:23:39,661 WITH THE PEABODY FOUNDATION. 527 00:23:39,685 --> 00:23:42,463 WE ALWAYS FUNDED THE ARTS VERY GENEROUSLY. 528 00:23:42,487 --> 00:23:43,565 I'M GLAD YOU BENEFITED. 529 00:23:43,589 --> 00:23:45,801 WE DID, IMMENSELY, 530 00:23:45,825 --> 00:23:48,065 BUT I HOPE YOU'RE NOT SPEAKING IN THE PAST TENSE. 531 00:23:51,631 --> 00:23:53,542 YOU KNOW, YOUR MOTHER WAS A GREAT SUPPORTER OF OURS. 532 00:23:53,566 --> 00:23:56,278 SHE HELPED TO FUND THREE TO FIVE PROJECTS A YEAR. 533 00:23:56,302 --> 00:23:57,913 MY MOTHER'S RETIRED. 534 00:23:57,937 --> 00:23:59,714 I'M AWARE OF THAT. 535 00:23:59,738 --> 00:24:01,249 THAT'S WHY I'M HERE, OBVIOUSLY. 536 00:24:01,273 --> 00:24:04,108 OBVIOUSLY. 537 00:24:06,979 --> 00:24:09,891 WELL, I'M SURE YOU'VE RECEIVED OUR PROPOSAL. 538 00:24:09,915 --> 00:24:12,493 I KNOW IT ARRIVED. 539 00:24:12,517 --> 00:24:13,729 TO BE HONEST, 540 00:24:13,753 --> 00:24:16,431 I HAVEN'T GOTTEN AROUND TO THE ARTS PROJECTS. 541 00:24:16,455 --> 00:24:17,766 YOU HAVEN'T READ IT. 542 00:24:17,790 --> 00:24:20,290 I'VE BEEN FOCUSING ON THE SOCIAL JUSTICE PROGRAMS. 543 00:24:22,862 --> 00:24:25,107 LOOK AT THIS, BETTE. 544 00:24:25,131 --> 00:24:26,508 THAT'S A GROUP IN BOSTON, 545 00:24:26,532 --> 00:24:28,076 WANTS TO CONVERT AN OLD RESIDENTIAL HOTEL 546 00:24:28,100 --> 00:24:31,379 INTO A SHELTER FOR HOMELESS WOMEN AND CHILDREN. 547 00:24:31,403 --> 00:24:33,248 THESE WOMEN ARE WORKING TWO, THREE JOBS, 548 00:24:33,272 --> 00:24:35,751 BREAKING THEIR BACKS TRYING TO SUPPORT THEIR CHILDREN 549 00:24:35,775 --> 00:24:37,218 WHO THEY HARDLY EVER GET TO SEE 550 00:24:37,242 --> 00:24:39,688 BECAUSE THEY'RE WORKING SO HARD TO FEED AND CLOTHE THEM. 551 00:24:39,712 --> 00:24:41,378 IT'S FUCKING HEARTBREAKING. 552 00:24:44,283 --> 00:24:45,793 HELENA, I HOPE YOU'RE GOING TO CONTINUE 553 00:24:45,817 --> 00:24:46,895 TO SUPPORT THE ARTS 554 00:24:46,919 --> 00:24:48,263 AS GENEROUSLY AS YOUR MOTHER DID. 555 00:24:48,287 --> 00:24:49,797 I DON'T THINK SO. 556 00:24:49,821 --> 00:24:51,233 HELENA, 557 00:24:51,257 --> 00:24:54,403 THE ARTS ARE THE VITALITY OF LOS ANGELES. 558 00:24:54,427 --> 00:24:56,004 WE ARE SETTING THE CULTURAL AGENDA 559 00:24:56,028 --> 00:24:57,339 FOR THE REST OF THE COUNTRY. 560 00:24:57,363 --> 00:24:59,407 THE FEDERAL GOVERNMENT HAS COMPLETELY ABDICATED. 561 00:24:59,431 --> 00:25:01,877 WE DEPEND ON PRIVATE SUPPORT, 562 00:25:01,901 --> 00:25:02,978 AND THE PEABODY FOUNDATION 563 00:25:03,002 --> 00:25:04,779 IS LIKE A BEACON. 564 00:25:04,803 --> 00:25:07,949 HELENA, CIVILIZATIONS WITHER AND DIE WITHOUT THE ARTS. 565 00:25:07,973 --> 00:25:11,253 VERY DRAMATIC. 566 00:25:11,277 --> 00:25:13,788 I'M NOT RULING OUT THE ARTS, BETTE. 567 00:25:13,812 --> 00:25:15,356 I'M JUST SAYING 568 00:25:15,380 --> 00:25:16,758 THE FOUNDATION IS LOOKING AT DIFFERENT PRIORITIES. 569 00:25:16,782 --> 00:25:18,260 WELL, ONCE YOU READ OUR PROPOSAL, 570 00:25:18,284 --> 00:25:19,293 YOU'LL SEE ONE OF THE PROJECTS, 571 00:25:19,317 --> 00:25:20,762 "OUR CLOTHES, OUR CITY," 572 00:25:20,786 --> 00:25:22,130 IS BY SEVEN YOUNG WOMEN, 573 00:25:22,154 --> 00:25:24,732 ASYLUM SEEKERS FROM RWANDA, KENYA, AND KOSOVO. 574 00:25:24,756 --> 00:25:26,076 WHAT THEY'RE DOING IS EXPLORING... 575 00:25:26,959 --> 00:25:28,269 MOMMY, MOMMY, MOMMY... 576 00:25:28,293 --> 00:25:30,105 OH, MY GOD, I MISSED YOU. 577 00:25:30,129 --> 00:25:33,275 WHAT DID YOU DO YESTERDAY AND THE DAY BEFORE? 578 00:25:33,299 --> 00:25:34,275 IN FACT, TELL ME, 579 00:25:34,299 --> 00:25:36,611 WHAT HAVE YOU BEEN UP TO ALL THIS TIME? 580 00:25:36,635 --> 00:25:38,113 HEY... WHAT HAVE YOU BEEN DOING? 581 00:25:38,137 --> 00:25:38,914 COME HERE. 582 00:25:38,938 --> 00:25:40,215 COME HERE, YOU. 583 00:25:40,239 --> 00:25:43,218 YOU KNOW, IT SOUNDS LIKE A WORTHY PROJECT, 584 00:25:43,242 --> 00:25:44,820 BUT JUST IMAGINE HOW MANY CHILDREN 585 00:25:44,844 --> 00:25:47,155 I COULD FEED WITH THAT $35,000. 586 00:25:47,179 --> 00:25:49,457 I DIDN'T KNOW YOU HAD CHILDREN. 587 00:25:49,481 --> 00:25:51,626 THIS IS WILSON, AND THIS IS JUN YING, 588 00:25:51,650 --> 00:25:53,094 AND I HAVEN'T SEEN THEM FOR TWO WHOLE DAYS. 589 00:25:53,118 --> 00:25:54,495 HAVE I? 590 00:25:54,519 --> 00:25:56,397 MY PARTNER AND I ARE TRYING TO START A FAMILY. 591 00:25:56,421 --> 00:25:57,432 YOU'RE OUTGROWING EVERYTHING. 592 00:25:57,456 --> 00:25:58,433 WE'RE GOING TO HAVE TO TAKE YOU 593 00:25:58,457 --> 00:25:59,501 ON A SHOPPING TRIP. 594 00:25:59,525 --> 00:26:00,368 LET'S GO SHOPPING. 595 00:26:00,392 --> 00:26:01,436 WE'LL GO SHOPPING? 596 00:26:01,460 --> 00:26:02,437 I RECOMMEND IT. 597 00:26:02,461 --> 00:26:03,971 CHILDREN COMPLETE YOUR LIFE. 598 00:26:03,995 --> 00:26:04,973 NOW, TELL ME 599 00:26:04,997 --> 00:26:06,608 ABOUT YOUR HORSEBACK-RIDING LESSON. 600 00:26:06,632 --> 00:26:07,942 WAS IT FUN? 601 00:26:07,966 --> 00:26:09,011 THE PONY'S NAME IS MOON WALKER, 602 00:26:09,035 --> 00:26:10,579 AND I TROTTED HIM! 603 00:26:10,603 --> 00:26:11,713 YOU TROTTED IT? 604 00:26:11,737 --> 00:26:13,414 I HAD A HORSE, TOO. 605 00:26:13,438 --> 00:26:14,416 YOU DID? 606 00:26:14,440 --> 00:26:16,318 THAT'S FANTASTIC. 607 00:26:16,342 --> 00:26:17,953 BETTE, I KNOW YOU'RE ANXIOUS TO HEAR FROM US. 608 00:26:17,977 --> 00:26:19,654 REST ASSURED, I WILL READ YOUR PROPOSAL 609 00:26:19,678 --> 00:26:21,089 AND GIVE IT A FAST AND FAIR HEARING. 610 00:26:21,113 --> 00:26:24,358 NOW, WHO WANTS TO STOP 611 00:26:24,382 --> 00:26:28,329 AT THE ENCHANTED FOREST ON THE WAY HOME, HEY? 612 00:26:28,353 --> 00:26:30,732 BECAUSE I SAW THE BIGGEST STUFFED GIRAFFE 613 00:26:30,756 --> 00:26:31,732 IN THE WINDOW, 614 00:26:31,756 --> 00:26:33,367 AND I THINK IT TOLD ME 615 00:26:33,391 --> 00:26:35,826 THAT IT WANTED TO COME AND LIVE WITH US. 616 00:27:04,423 --> 00:27:06,501 IF WE WRAP BY 9:00, IT'LL BE A FUCKING MIRACLE. 617 00:27:06,525 --> 00:27:07,969 I'LL SEE YOU THEN. 618 00:27:07,993 --> 00:27:10,338 SO YOUR LUNCH IS SET FOR 12:30 AT A.O.C. 619 00:27:10,362 --> 00:27:12,807 OUR DAILIES ARE AT 3:00 TODAY, 620 00:27:12,831 --> 00:27:13,808 OR I CAN JUST DOWNLOAD THEM FOR YOU 621 00:27:13,832 --> 00:27:14,776 FROM THE VPO, 622 00:27:14,800 --> 00:27:16,244 AND SHANE McCUTCHEON IS HERE. 623 00:27:16,268 --> 00:27:17,245 WHO? 624 00:27:17,269 --> 00:27:19,615 THE HAIRDRESSER. 625 00:27:19,639 --> 00:27:22,317 WHO SENT THE BASKET? 626 00:27:22,341 --> 00:27:24,552 YEAH, I DON'T LIKE TO READ IF I DON'T HAVE TO. 627 00:27:24,576 --> 00:27:25,920 IT'S FROM WARNER'S PUBLICITY. 628 00:27:25,944 --> 00:27:26,922 GET IT OUT OF HERE. 629 00:27:26,946 --> 00:27:28,490 THOSE FUCKING ASS-LICKS. 630 00:27:28,514 --> 00:27:30,058 I HAVE ENOUGH FUCKING PEANUT BRITTLE 631 00:27:30,082 --> 00:27:33,017 TO FEED ALL THE MONKEYS IN CHINA. 632 00:27:41,293 --> 00:27:42,904 DO YOU MAKE A HABIT OF REFERRING TO YOUR EMPLOYER 633 00:27:42,928 --> 00:27:43,905 AS A CRAZY BITCH? 634 00:27:43,929 --> 00:27:48,243 UH, SHIT, UM. 635 00:27:48,267 --> 00:27:49,511 NO. 636 00:27:49,535 --> 00:27:50,745 I GUESS I FUCKED UP. 637 00:27:50,769 --> 00:27:53,882 I GUESS YOU DIDN'T KNOW WHO I WAS. 638 00:27:53,906 --> 00:27:55,683 NO, I DIDN'T. 639 00:27:55,707 --> 00:27:58,353 HMM. 640 00:27:58,377 --> 00:28:00,555 HOW COULD THAT BE, REALLY? 641 00:28:00,579 --> 00:28:01,589 ARE YOU ILLITERATE? 642 00:28:01,613 --> 00:28:03,925 ARE YOU FROM MARS? 643 00:28:03,949 --> 00:28:06,269 HAVE YOU NOT READ A NEWSPAPER IN THE LAST SEVEN YEARS? 644 00:28:09,088 --> 00:28:11,833 I'M DONE FOR THE DAY, SO I'M GOING TO GO. 645 00:28:11,857 --> 00:28:12,867 WHAT ARE YOU DRESSED LIKE? 646 00:28:12,891 --> 00:28:14,168 ARE YOU THE POSTER CHILD 647 00:28:14,192 --> 00:28:16,312 FOR THE UNDERNOURISHED AND GENDER-CONFUSED? 648 00:28:19,131 --> 00:28:21,709 YEAH, IF YOU SAY SO. 649 00:28:21,733 --> 00:28:22,210 HEY! 650 00:28:22,234 --> 00:28:23,711 WHAT? 651 00:28:23,735 --> 00:28:25,580 LET ME GIVE YOU A LITTLE PIECE OF ADVICE. 652 00:28:25,604 --> 00:28:27,282 THE STUDIO HEAD IS MUCH MORE VITAL 653 00:28:27,306 --> 00:28:29,451 TO YOUR CONTINUED EMPLOYMENT 654 00:28:29,475 --> 00:28:32,720 THAN THE MORONIC ACTRESS WHO'S STARRING IN MY MOVIE. 655 00:28:32,744 --> 00:28:35,123 LOOK, I WAS TRYING TO CALM HER DOWN. 656 00:28:35,147 --> 00:28:36,491 I'M SORRY IF IT OFFENDED YOU. 657 00:28:36,515 --> 00:28:38,359 OH, I WASN'T OFFENDED. 658 00:28:38,383 --> 00:28:40,027 THAT WAS FUCKING IMPRESSIVE, 659 00:28:40,051 --> 00:28:44,098 AND, FRANKLY, UNPRECEDENTED. 660 00:28:44,122 --> 00:28:46,056 HOW'S THAT? 661 00:28:47,159 --> 00:28:48,136 ALYSSA NERO 662 00:28:48,160 --> 00:28:49,604 IS NOTORIOUS 663 00:28:49,628 --> 00:28:51,806 FOR HOLDING UP PRODUCTION FOR HOURS ON END. 664 00:28:51,830 --> 00:28:54,142 YOU WERE ABLE TO CALM HER DOWN IN FIVE MINUTES. 665 00:28:54,166 --> 00:28:56,099 IT REALLY WASN'T THAT HARD. 666 00:28:57,770 --> 00:28:58,746 YOU WENT ON INSTINCT, RIGHT? 667 00:28:58,770 --> 00:29:00,348 YEAH, I GUESS I DID. 668 00:29:00,372 --> 00:29:02,532 HAVE YOU EVER THOUGHT OF DOING IT FOR A LIVING? 669 00:29:03,776 --> 00:29:05,454 I DON'T KNOW WHAT YOU MEAN. I DO HAIR. 670 00:29:05,478 --> 00:29:06,755 YOU KNOW HOW TO TALK TO PEOPLE. 671 00:29:06,779 --> 00:29:10,158 IT'S A VERY RARE AND SPECIAL SKILL. 672 00:29:10,182 --> 00:29:12,761 I AM ALWAYS INTERESTED IN PEOPLE WITH SPECIAL SKILLS. 673 00:29:12,785 --> 00:29:14,963 THANKS, BUT LIKE I SAID... 674 00:29:14,987 --> 00:29:16,197 YOU'D BE MY NEW ASSISTANT. 675 00:29:16,221 --> 00:29:18,500 YOU'D COME WITH ME ON MEETINGS, 676 00:29:18,524 --> 00:29:20,435 MAYBE TWICE, THREE TIMES A WEEK, 677 00:29:20,459 --> 00:29:22,403 IF I THOUGHT YOUR SPECIAL SKILL 678 00:29:22,427 --> 00:29:23,638 COULD COME IN HANDY. 679 00:29:23,662 --> 00:29:25,273 I STILL DON'T KNOW WHAT YOU WANT ME TO DO. 680 00:29:25,297 --> 00:29:28,242 DON'T WORRY. 681 00:29:28,266 --> 00:29:29,733 I'LL TELL YOU. 682 00:29:36,675 --> 00:29:39,387 DO YOU KNOW HOW MANY PEOPLE IN THIS TOWN 683 00:29:39,411 --> 00:29:43,479 WOULD PIERCE THEIR LEFT NIPPLE TO GET THIS JOB? 684 00:29:45,617 --> 00:29:47,829 HI. IT'S BETTE PORTER FOR HELENA PEABODY. 685 00:29:47,853 --> 00:29:50,598 WE MET THIS MORNING, AND I... 686 00:29:50,622 --> 00:29:53,368 WELL, I WOULD PREFER TO SPEAK TO HER DIRECTLY. 687 00:29:53,392 --> 00:29:59,474 WELL, WHY DON'T YOU LET ME KNOW WHEN SHE IS AVAILABLE? 688 00:29:59,498 --> 00:30:01,209 FINE. I WILL CALL HER THEN. 689 00:30:01,233 --> 00:30:02,277 YEAH, I'VE BEEN WITH THE COMPANY 690 00:30:02,301 --> 00:30:04,646 FOR ABOUT FOUR YEARS. 691 00:30:04,670 --> 00:30:06,181 SO I DON'T SEE MYSELF GOING ANYWHERE. 692 00:30:06,205 --> 00:30:08,438 GOOD. G... 693 00:30:10,442 --> 00:30:13,555 WOULD YOU BE HAPPY IN THE STUDIO BACK THERE? 694 00:30:13,579 --> 00:30:15,757 BECAUSE SHANE, MY ROOMMATE, 695 00:30:15,781 --> 00:30:19,060 SAID THAT SHE WOULD BE WILLING TO SLEEP IN THE MAIN HOUSE. 696 00:30:19,084 --> 00:30:22,430 OH, NO, I DON'T EVEN MIND THE EXTRA BIT OF LITTLE PRIVACY. 697 00:30:23,622 --> 00:30:25,533 SORRY. 698 00:30:25,557 --> 00:30:26,868 HEY. 699 00:30:26,892 --> 00:30:28,369 HI. 700 00:30:28,393 --> 00:30:32,507 SHANE, THIS IS SALLY... 701 00:30:32,531 --> 00:30:33,508 HEY, SALLY. 702 00:30:33,532 --> 00:30:34,542 HI. 703 00:30:34,566 --> 00:30:36,978 AND SALLY SAID THAT SHE WOULD BE WILLING 704 00:30:37,002 --> 00:30:37,712 TO SLEEP IN THE STUDIO. 705 00:30:37,736 --> 00:30:39,447 EXCELLENT. 706 00:30:39,471 --> 00:30:40,448 I'M SORRY I'M LATE. 707 00:30:40,472 --> 00:30:43,317 SO... YOU'RE INTO THE STUDIO. 708 00:30:43,341 --> 00:30:44,252 DOES THAT MEAN YOU DISCUSSED 709 00:30:44,276 --> 00:30:45,253 THE KITCHEN 710 00:30:45,277 --> 00:30:46,521 AND THE BATHROOM SITUATION? 711 00:30:46,545 --> 00:30:48,089 YES, I HAVE. 712 00:30:48,113 --> 00:30:49,190 AND WHAT ABOUT RENT? 713 00:30:49,214 --> 00:30:50,257 UH, NO. 714 00:30:50,281 --> 00:30:52,660 I-I NEED TO ASK A QUESTION. 715 00:30:52,684 --> 00:30:54,161 MM-HMM. YEAH. 716 00:30:54,185 --> 00:30:58,466 YOU TWO AREN'T, UM... 717 00:30:58,490 --> 00:30:59,667 OH. 718 00:30:59,691 --> 00:31:00,635 OH, NO. 719 00:31:00,659 --> 00:31:01,636 NO. NO. 720 00:31:01,660 --> 00:31:03,571 NO, WE'RE FRIENDS. 721 00:31:03,595 --> 00:31:04,595 WE'RE ROOMMATES. 722 00:31:06,465 --> 00:31:07,442 JUST FRIENDS? 723 00:31:07,466 --> 00:31:08,443 YEAH. 724 00:31:08,467 --> 00:31:09,747 YEAH. 725 00:31:11,270 --> 00:31:14,649 IS THERE A PROBLEM? 726 00:31:14,673 --> 00:31:16,250 MY CHURCH... 727 00:31:16,274 --> 00:31:18,853 WE HAVE A GROUP CALLED EXODUS MINISTRY. 728 00:31:18,877 --> 00:31:19,987 EXODUS MINISTRY. 729 00:31:20,011 --> 00:31:21,189 WE CAN HELP GET YOU OUT 730 00:31:21,213 --> 00:31:22,090 OF THE HOMOSEXUAL LIFESTYLE. 731 00:31:22,114 --> 00:31:24,726 JESUS LOVES US ALL. 732 00:31:24,750 --> 00:31:26,728 HE HATES THE SIN, 733 00:31:26,752 --> 00:31:28,496 BUT HE LOVES THE SINNER. 734 00:31:28,520 --> 00:31:31,053 THANKS FOR COMING BY, SALLY. 735 00:31:32,991 --> 00:31:33,968 BYE, SALLY. 736 00:31:33,992 --> 00:31:36,104 IT'S THAT WAY. 737 00:31:36,128 --> 00:31:37,928 I'LL SHOW IT TO YOU. 738 00:31:48,974 --> 00:31:51,786 WAIT, I'M GOING TO TALK TO HER. 739 00:31:51,810 --> 00:31:52,810 OKAY. 740 00:31:56,548 --> 00:31:58,726 AFTERNOON, LADIES. 741 00:31:58,750 --> 00:31:59,727 I'M MARK. 742 00:31:59,751 --> 00:32:00,995 I CALLED EARLIER. 743 00:32:01,019 --> 00:32:02,563 WHO DID I TALK TO ON THE PHONE? 744 00:32:02,587 --> 00:32:04,398 THAT WOULD BE... ME. 745 00:32:04,422 --> 00:32:05,533 JENNY. 746 00:32:05,557 --> 00:32:06,534 THAT'S YOUR NAME, RIGHT? 747 00:32:06,558 --> 00:32:08,603 MARK. 748 00:32:08,627 --> 00:32:10,260 HI, MARK. NICE TO MEET YOU. 749 00:32:12,931 --> 00:32:14,909 WOW. AMAZING EYES. 750 00:32:14,933 --> 00:32:16,210 THANK YOU. 751 00:32:16,234 --> 00:32:18,212 I'M MARK. 752 00:32:18,236 --> 00:32:19,347 YEAH, YOU SAID THAT. 753 00:32:19,371 --> 00:32:20,348 I'M SHANE. 754 00:32:20,372 --> 00:32:21,816 DO YOU MIND, PLEASE? 755 00:32:21,840 --> 00:32:22,817 I'M SORRY. 756 00:32:22,841 --> 00:32:24,018 I KNOW, THIS THING IS INTRUSIVE, 757 00:32:24,042 --> 00:32:26,954 BUT IT'S SORT OF MY LIFE'S WORK. 758 00:32:26,978 --> 00:32:27,689 I'M CHRONICLING. 759 00:32:27,713 --> 00:32:28,722 BEAR WITH ME, GUYS. 760 00:32:28,746 --> 00:32:29,724 CHECK THIS. 761 00:32:29,748 --> 00:32:31,793 TWO DARK-HAIRED BEAUTIES WITH BLUE EYES. 762 00:32:31,817 --> 00:32:33,261 WHAT ARE THE ODDS OF THAT? 763 00:32:33,285 --> 00:32:37,098 SO IS THAT, LIKE, HOW YOU GUYS DECIDED TO BE ROOMMATES? 764 00:32:37,122 --> 00:32:39,668 NO, I'M SORRY, MARK, 765 00:32:39,692 --> 00:32:42,125 WHAT IS IT THAT YOU'RE LOOKING FOR? 766 00:32:43,795 --> 00:32:46,374 THAT IS AN EXCELLENT QUESTION. 767 00:32:46,398 --> 00:32:47,374 HOW DO YOU MEAN? 768 00:32:47,398 --> 00:32:48,376 SPIRITUALLY, PHILOSOPHICALLY? 769 00:32:48,400 --> 00:32:50,111 NO, AS IN A PLACE TO LIVE. 770 00:32:50,135 --> 00:32:52,980 OH, PHEW. 771 00:32:53,004 --> 00:32:54,938 I CAN ANSWER THAT QUESTION. 772 00:32:57,476 --> 00:32:58,886 WOULD YOU MIND 773 00:32:58,910 --> 00:33:01,389 JUST HOLDING THE CAMERA WHILE I... 774 00:33:01,413 --> 00:33:03,591 MARK... 775 00:33:03,615 --> 00:33:05,727 OH, SORRY. 776 00:33:05,751 --> 00:33:08,963 MARK WAYLAND HERE TALKING TO JENNY AND SHANE, 777 00:33:08,987 --> 00:33:10,298 ANSWERING THE QUESTION, 778 00:33:10,322 --> 00:33:11,632 "WHAT ARE YOU LOOKING FOR 779 00:33:11,656 --> 00:33:14,302 IN A PLACE TO LIVE?" 780 00:33:14,326 --> 00:33:16,104 AND HOPING THAT MY COMPLETELY OBNOXIOUS 781 00:33:16,128 --> 00:33:18,139 IN-YOUR-FACE VIDEO CAMERA ENTRANCE 782 00:33:18,163 --> 00:33:19,574 DOESN'T TOTALLY PREJUDICE THEM 783 00:33:19,598 --> 00:33:21,275 AGAINST CONSIDERING ME AS THEIR ROOMMATE. 784 00:33:21,299 --> 00:33:23,645 MM. 785 00:33:23,669 --> 00:33:24,912 DIRECT-TO-VIDEOS, HUH? 786 00:33:24,936 --> 00:33:25,747 YEAH. 787 00:33:25,771 --> 00:33:27,749 WHAT DO YOU DO ON THESE VIDEOS? 788 00:33:27,773 --> 00:33:30,151 I WRITE THEM, I SHOOT THEM, AND I CUT THEM. 789 00:33:30,175 --> 00:33:31,653 WHEN I FIRST TOOK THE GIG, 790 00:33:31,677 --> 00:33:33,088 I THOUGHT IT'D ONLY BE PART-TIME 791 00:33:33,112 --> 00:33:34,155 UNTIL I GET MY SHIT TOGETHER, 792 00:33:34,179 --> 00:33:35,089 GO BACK TO FILM SCHOOL, 793 00:33:35,113 --> 00:33:39,627 BUT IT DIDN'T REALLY WORK OUT. 794 00:33:39,651 --> 00:33:41,095 OF THE VIDEOS THAT YOU'VE MADE, MARK? 795 00:33:41,119 --> 00:33:42,597 BARE-KNUCKLE BACKYARD WRESTLING, 796 00:33:42,621 --> 00:33:44,566 BLOODY BAR BRAWLS, 797 00:33:44,590 --> 00:33:45,466 ASS-KICKIN' SISTAHS, 798 00:33:45,490 --> 00:33:47,468 AND MY FIRST WAS CALLED 799 00:33:47,492 --> 00:33:49,971 WORLD'S CRAZIEST BACHELOR PARTIES. 800 00:33:49,995 --> 00:33:51,272 THAT WAS A PRETTY BIG SELLER, 801 00:33:51,296 --> 00:33:54,608 BUT NOT ANYWHERE NEAR AS BIG 802 00:33:54,632 --> 00:33:56,644 AS WILD-ASS CATHOLIC SCHOOL GIRLS. 803 00:33:56,668 --> 00:33:58,646 DID YOU CATCH THAT ONE? 804 00:33:59,671 --> 00:34:02,650 THAT'S TWISTED, MARK. 805 00:34:02,674 --> 00:34:05,120 UM, YOU KNOW, JENNY AND I, WE'LL GET BACK TO YOU. 806 00:34:05,144 --> 00:34:06,144 MM-HMM. 807 00:34:08,046 --> 00:34:10,124 OKAY. 808 00:34:10,148 --> 00:34:14,028 LOOK, I'M GUESSING BOTH OF YOU KNOW WHAT IT'S LIKE 809 00:34:14,052 --> 00:34:15,630 TO TRY TO FIGURE OUT HOW TO BE AN ARTIST. 810 00:34:15,654 --> 00:34:17,899 IS THAT THE STUDIO? 811 00:34:17,923 --> 00:34:18,899 YEAH. 812 00:34:18,923 --> 00:34:20,067 YEAH. 813 00:34:20,091 --> 00:34:21,135 BECAUSE THAT IS AMAZING. 814 00:34:21,159 --> 00:34:22,369 I COULD BRING IN MY EQUIPMENT 815 00:34:22,393 --> 00:34:24,138 AND POST ALL MY SHOWS RIGHT OUT OF THERE. 816 00:34:24,162 --> 00:34:27,108 LOOK, I DON'T WANT TO DO THIS. 817 00:34:27,132 --> 00:34:28,643 IT'S ALL I'VE EVER WANTED TO DO. 818 00:34:28,667 --> 00:34:31,646 THERE'S NOT A LOT OF CALL FOR THAT, IS THERE? 819 00:34:31,670 --> 00:34:32,847 NO, BUT I MEAN, 820 00:34:32,871 --> 00:34:34,948 GOD, A TRULY GREAT DOCUMENTARY FILM... 821 00:34:34,972 --> 00:34:36,684 THERE'S NOTH... IT'S... 822 00:34:36,708 --> 00:34:38,752 HAVE YOU EVER SEEN THIS MOVIE CALLED GREY GARDENS? 823 00:34:38,776 --> 00:34:41,122 OH, MY GOD. THAT'S, UM... WHAT IS IT? 824 00:34:41,146 --> 00:34:43,992 IT'S ABOUT THOSE... THE TWO INSANE WOMEN. 825 00:34:44,016 --> 00:34:44,992 THEY'RE, LIKE, 826 00:34:45,016 --> 00:34:45,760 THE MOTHER AND THE DAUGHTER, RIGHT? 827 00:34:45,784 --> 00:34:47,028 YEAH, YEAH, YEAH. 828 00:34:47,052 --> 00:34:48,829 THAT'S PROBABLY THE MOST CRAZY, 829 00:34:48,853 --> 00:34:49,831 AMAZING FILM... 830 00:34:49,855 --> 00:34:51,399 BEST DOCUMENTARY... 831 00:34:51,423 --> 00:34:52,834 YES, YOU SHOULD SEE IT. 832 00:34:52,858 --> 00:34:53,968 YOU MUST SEE THIS MOVIE. 833 00:34:53,992 --> 00:34:55,669 THAT IS MY INSPIRATION. 834 00:34:55,693 --> 00:34:59,373 IMAGINE WHAT THAT WOULD BE LIKE TO MAKE SOMETHING LIKE THAT, 835 00:34:59,397 --> 00:35:02,677 THAT TRULY MOVED PEOPLE. 836 00:35:02,701 --> 00:35:04,778 DO YOU REALLY WANT TO MOVE PEOPLE? 837 00:35:04,802 --> 00:35:08,682 YES, I REALLY WANT TO MOVE PEOPLE. 838 00:35:08,706 --> 00:35:11,786 THAT'S UNDERSTANDABLE. 839 00:35:11,810 --> 00:35:13,454 PLEASE DON'T JUDGE ME BY WHAT I DO TO GET BY. 840 00:35:13,478 --> 00:35:17,625 I MEAN, I KNOW IT'S WEIRD, 841 00:35:17,649 --> 00:35:20,094 BUT MY DIRECT-TO-VIDEO GIG PAYS. 842 00:35:20,118 --> 00:35:21,829 I CAN GIVE YOU FIRST, LAST, SECURITY, 843 00:35:21,853 --> 00:35:24,187 AND SIX MONTHS' RENT UPFRONT, IN CASH. 844 00:36:03,061 --> 00:36:04,204 THANK YOU. 845 00:36:04,228 --> 00:36:05,473 YOU'RE WELCOME. 846 00:36:05,497 --> 00:36:07,275 IS MY FACE ON SIDEWAYS? 847 00:36:07,299 --> 00:36:11,645 NO, YOUR FACE LOOKS PERFECT. 848 00:36:11,669 --> 00:36:13,281 YOU KNOW, MY COMPANY RENTED THIS PLACE OUT 849 00:36:13,305 --> 00:36:15,049 LAST YEAR FOR OUR CLIENTS. 850 00:36:15,073 --> 00:36:15,950 IT'S AMAZING 851 00:36:15,974 --> 00:36:19,453 TO JUST TAKE OVER THE WHOLE PLACE. 852 00:36:20,946 --> 00:36:22,457 WHAT DO YOU DO, CHRIS? 853 00:36:22,481 --> 00:36:23,758 I'M A BUSINESS MANAGER. 854 00:36:23,782 --> 00:36:24,792 WE DEAL WITH MOSTLY 855 00:36:24,816 --> 00:36:26,694 ENTERTAINMENT INDUSTRY CLIENTS. 856 00:36:26,718 --> 00:36:28,029 COME ON. 857 00:36:28,053 --> 00:36:29,297 LET'S GO ON THE FERRIS WHEEL AGAIN. 858 00:36:29,321 --> 00:36:30,898 THIS TIME, WE'LL REALLY SPIN IT. 859 00:36:30,922 --> 00:36:32,233 I WAS ACTUALLY 860 00:36:32,257 --> 00:36:33,568 GOING TO USE THE RESTROOM, 861 00:36:33,592 --> 00:36:35,236 BUT I'LL MEET YOU GUYS BY THE FERRIS WHEEL. 862 00:36:35,260 --> 00:36:37,071 PHOOEY. OKAY, CHRIS? 863 00:36:37,095 --> 00:36:38,072 SURE, I'M GAME. 864 00:36:38,096 --> 00:36:39,073 YOU KNOW, 865 00:36:39,097 --> 00:36:40,341 I'M GOING TO STAY HERE, ACTUALLY. 866 00:36:40,365 --> 00:36:41,809 I'M GOING TO TAKE A BREAK, TOO. 867 00:36:41,833 --> 00:36:43,077 PARTY POOPER. 868 00:36:43,101 --> 00:36:46,013 I'M GOING TO KEEP ALICE COMPANY. 869 00:36:46,037 --> 00:36:47,014 OKAY. 870 00:36:47,038 --> 00:36:48,318 HAVE FUN. 871 00:36:49,908 --> 00:36:51,519 ALICE! 872 00:36:51,543 --> 00:36:54,388 ALICE, WAIT. ALICE. 873 00:36:54,412 --> 00:36:56,123 ALICE, WAIT UP. 874 00:36:56,147 --> 00:36:57,792 WHAT? 875 00:36:57,816 --> 00:36:59,494 DO YOU HAVE TO FLIRT WITH HIM LIKE THAT? 876 00:36:59,518 --> 00:37:00,561 YOUR GIRLFRIEND'S THE ONE 877 00:37:00,585 --> 00:37:02,630 WHO HOOKED ME UP WITH HIM. 878 00:37:02,654 --> 00:37:03,864 "OH, YOU'D REALLY LOVE MY FRIEND CHRIS." 879 00:37:03,888 --> 00:37:04,899 I MEAN, YOU COULD'VE TOLD ME 880 00:37:04,923 --> 00:37:06,267 HE WAS A GUY. 881 00:37:06,291 --> 00:37:07,434 WOULD IT HAVE MADE A DIFFERENCE? 882 00:37:07,458 --> 00:37:08,670 SO I GUESS GIRLS DON'T BRING OUT 883 00:37:08,694 --> 00:37:10,405 THE "HEY, WHAT DO YOU DO FOR A LIVING? 884 00:37:10,429 --> 00:37:11,405 "HOW DO I LOOK? 885 00:37:11,429 --> 00:37:12,406 DO YOU THINK I'M PRETTY?" 886 00:37:12,430 --> 00:37:13,930 I DIDN'T SAY THAT. 887 00:37:15,867 --> 00:37:16,844 I DON'T GET IT. 888 00:37:16,868 --> 00:37:17,979 WHAT DO YOU WANT FROM ME? 889 00:37:18,003 --> 00:37:19,669 WHAT YOU WANT? 890 00:37:50,869 --> 00:37:52,847 I HAVE GREAT RESPECT FOR HER CONVICTION. 891 00:37:52,871 --> 00:37:54,782 I JUST THINK THAT IT WOULD BE A TRAGIC MISTAKE 892 00:37:54,806 --> 00:37:56,083 AT THIS MOMENT IN TIME... 893 00:37:56,107 --> 00:37:58,920 HELENA IS VERY CAPABLE. 894 00:37:58,944 --> 00:38:01,889 I DOUBT SHE'LL BE MAKING ANY TRAGIC MISTAKES. 895 00:38:01,913 --> 00:38:05,860 I AM NOT QUESTIONING HER ABILITY, PEGGY... 896 00:38:05,884 --> 00:38:10,031 BUT IT'S YOUR LEGACY TO THE ARTS. 897 00:38:10,055 --> 00:38:11,615 IT'S THE COLLECTION YOU'VE LABORED OVER. 898 00:38:13,324 --> 00:38:15,603 DO YOU WANT TO KNOW WHAT I THINK ABOUT LEGACIES? 899 00:38:15,627 --> 00:38:19,374 NIKOLAS, NIKOLAS, DARLING, 900 00:38:19,398 --> 00:38:22,877 WHAT IS MY LEGACY GOING TO BE? 901 00:38:46,123 --> 00:38:48,235 A SANDY WHITE BEACH 902 00:38:48,259 --> 00:38:51,738 AND A COTTAGE IN THE GRENADINES, 903 00:38:51,762 --> 00:38:55,309 SEVERAL PITCHERS OF CHILLED MOJITOS, 904 00:38:55,333 --> 00:38:58,846 AND 24 GLORIOUS ORGASMS IN 24 GLORIOUS HOURS. 905 00:38:58,870 --> 00:39:01,649 I GOT THE GIST OF IT. 906 00:39:03,408 --> 00:39:04,785 HE DOESN'T SPEAK A WORD OF ENGLISH. 907 00:39:04,809 --> 00:39:06,353 SO I GATHERED. 908 00:39:06,377 --> 00:39:07,254 I'M LUCKY I FOUND VESNA. 909 00:39:07,278 --> 00:39:09,423 SHE'S A BRILLIANT TRANSLATOR, 910 00:39:09,447 --> 00:39:11,626 AND NOT TOO SHY TO COME WITH US 911 00:39:11,650 --> 00:39:13,994 INTO THE BEDROOM, ARE YOU? 912 00:39:14,018 --> 00:39:16,430 HE SAYS THE MOST DIVINE THINGS TO ME 913 00:39:16,454 --> 00:39:17,432 IN THE BEDROOM. 914 00:39:17,456 --> 00:39:19,667 HOW NICE FOR YOU. 915 00:39:19,691 --> 00:39:20,668 AND LUCKY ME, 916 00:39:20,692 --> 00:39:23,671 I GET TO EXPERIENCE THEM TWICE. 917 00:39:23,695 --> 00:39:28,643 ONCE VISCERALLY, AND ONCE LINGUISTICALLY. 918 00:39:28,667 --> 00:39:29,777 VESNA'S EVEN COMING WITH US TO THE GRENADINES. 919 00:39:29,801 --> 00:39:32,246 AREN'T YOU, MY LITTLE SQUIRREL? 920 00:39:32,270 --> 00:39:34,481 PEGGY, BEFORE YOU GO TO THE GRENADINES, 921 00:39:34,505 --> 00:39:37,084 WOULD YOU BE WILLING TO SPEAK TO HELENA ON OUR BEHALF? 922 00:39:37,108 --> 00:39:39,053 I JUST TRULY BELIEVE THAT THE C.A.C. WILL SUFFER 923 00:39:39,077 --> 00:39:42,022 WITHOUT OUR ANNUAL PEABODY FOUNDATION GRANT. 924 00:39:42,046 --> 00:39:43,291 HAS HELENA TURNED YOU DOWN? 925 00:39:43,315 --> 00:39:46,227 HAS SHE ACTUALLY MADE A DECISION YET? 926 00:39:46,251 --> 00:39:48,195 NO, NOT YET, BUT I'M JUST CONCERNED... 927 00:39:48,219 --> 00:39:49,219 HAVE FAITH, THEN. 928 00:39:52,390 --> 00:39:55,469 LOOK AT ME. 929 00:39:55,493 --> 00:39:58,694 IF THIS DOESN'T GIVE YOU FAITH... 930 00:40:13,277 --> 00:40:14,655 HELENA PEABODY, PLEASE. 931 00:40:14,679 --> 00:40:18,492 IT'S BETTE PORTER CALLING BACK. 932 00:40:18,516 --> 00:40:20,983 WELL, YOU SAID SHE WOULD BE FREE. 933 00:40:23,955 --> 00:40:25,533 YES, I WOULD LIKE TO LEAVE A MESSAGE. 934 00:40:25,557 --> 00:40:27,067 CAN YOU PLEASE JUST TELL HER 935 00:40:27,091 --> 00:40:28,769 THAT I WANTED TO INVITE HER FOR DRINKS THIS EVENING. 936 00:40:28,793 --> 00:40:30,893 WE DIDN'T REALLY GET TO FINISH OUR... 937 00:40:33,732 --> 00:40:37,044 ALL RIGHT, THANKS. 938 00:40:37,068 --> 00:40:38,801 FUCK. 939 00:40:40,572 --> 00:40:42,149 NO, IT'S A GUEST HOUSE RIGHT IN THE BACK, 940 00:40:42,173 --> 00:40:44,851 BUT THERE'S NO BATHROOOM OR KITCHEN OR ANYTHING, 941 00:40:44,875 --> 00:40:47,109 SO WE SHARE ALL THAT. 942 00:41:01,459 --> 00:41:03,192 THIS IS IT. 943 00:41:05,030 --> 00:41:07,130 HOME SWEET HOME. 944 00:41:22,613 --> 00:41:24,680 WELL? 945 00:41:26,718 --> 00:41:28,529 THIS IS IT? 946 00:41:28,553 --> 00:41:32,221 DUDE, SHUT UP. 947 00:41:34,359 --> 00:41:35,436 ALL RIGHT, COME ON. 948 00:41:35,460 --> 00:41:37,070 HELP ME GET SOME SHIT OUT OF THE CAR. 949 00:41:37,094 --> 00:41:38,595 ALL RIGHT, THEN. 950 00:42:19,003 --> 00:42:21,163 I'LL HAVE AN ABSOLUT MARTINI. 951 00:44:06,911 --> 00:44:08,811 DO YOU WANT TO DANCE? 952 00:45:00,131 --> 00:45:01,108 HI. 953 00:45:01,132 --> 00:45:02,109 HI. 954 00:45:02,133 --> 00:45:03,110 HOW ARE YOU? 955 00:45:03,134 --> 00:45:05,445 GOOD. HOW... 956 00:45:05,469 --> 00:45:06,647 HI. 957 00:45:06,671 --> 00:45:07,748 HI, EVERYONE. 958 00:45:07,772 --> 00:45:11,218 HI. 959 00:45:11,242 --> 00:45:12,385 HOW'S IT GOING? 960 00:45:12,409 --> 00:45:14,021 HI... HOW WAS THE... 961 00:45:14,045 --> 00:45:15,022 HOW WAS THE BLIND DATE? 962 00:45:15,046 --> 00:45:16,023 FUCKING TONYA SET ME UP 963 00:45:16,047 --> 00:45:17,057 WITH A GUY. 964 00:45:17,081 --> 00:45:18,392 OH, SHIT. 965 00:45:18,416 --> 00:45:19,794 WAS HE CUTE? 966 00:45:19,818 --> 00:45:20,961 YEAH. 967 00:45:20,985 --> 00:45:21,962 HE WAS TOTALLY CUTE. 968 00:45:21,986 --> 00:45:23,630 I-I DON'T KNOW. 969 00:45:23,654 --> 00:45:26,567 I ACTUALLY KIND OF LIKED HIM, BELIEVE IT OR NOT. 970 00:45:26,591 --> 00:45:28,469 UM... BEER, ANYONE? 971 00:45:28,493 --> 00:45:29,970 NO. NO, THANK YOU. 972 00:45:29,994 --> 00:45:30,971 YOU HAVE THE COMPLETE 973 00:45:30,995 --> 00:45:32,539 BRIGITTE BARDOT COLLECTION? 974 00:45:32,563 --> 00:45:34,041 UM... 975 00:45:34,065 --> 00:45:35,065 THIS IS EXCELLENT. 976 00:45:36,000 --> 00:45:37,280 THAT'S JENNY'S. 977 00:45:39,904 --> 00:45:41,482 I LOVE BRIGITTE BARDOT. 978 00:45:41,506 --> 00:45:44,406 ME TOO. 979 00:46:00,925 --> 00:46:01,902 COME IN. 980 00:46:01,926 --> 00:46:03,837 THANKS. 981 00:46:03,861 --> 00:46:08,209 I JUST WANTED TO SAY THANK YOU FOR THE BEAUTIFUL ORCHIDS. 982 00:46:08,233 --> 00:46:09,843 OH, GOD, NO. 983 00:46:09,867 --> 00:46:11,512 NO, THANK YOU. 984 00:46:11,536 --> 00:46:15,115 YOU KNOW, MY EX WAS AN ORCHID COLLECTOR, 985 00:46:15,139 --> 00:46:17,251 AND I KNOW A FINE ORCHID WHEN I SEE ONE. 986 00:46:17,275 --> 00:46:18,275 SO THANK YOU. 987 00:46:20,378 --> 00:46:22,756 I JUST... 988 00:46:22,780 --> 00:46:26,494 I WANTED YOU TO KNOW HOW MUCH I APPRECIATE 989 00:46:26,518 --> 00:46:30,230 EVERYTHING THAT YOU'VE DONE FOR ME. 990 00:46:30,254 --> 00:46:33,100 THIS HAS BEEN ONE OF THE HARDEST TIMES... 991 00:46:33,124 --> 00:46:34,101 YEAH. 992 00:46:34,125 --> 00:46:36,336 I JUST... 993 00:46:36,360 --> 00:46:39,874 YOU'VE BEEN SO GENEROUS. 994 00:46:39,898 --> 00:46:42,342 I JUST THINK THE WORLD... 995 00:46:42,366 --> 00:46:43,110 ALL RIGHT. 996 00:46:43,134 --> 00:46:44,511 GIVE US A HUG. 997 00:46:44,535 --> 00:46:45,535 COME ON. 998 00:46:47,205 --> 00:46:48,205 MM. 999 00:46:50,909 --> 00:46:51,885 THANK YOU. 1000 00:46:51,909 --> 00:46:55,010 YOU'RE AMAZING, REALLY. 1001 00:47:11,462 --> 00:47:12,806 I'M SORRY. 1002 00:47:12,830 --> 00:47:13,807 I CAN'T. 1003 00:47:13,831 --> 00:47:14,808 OF COURSE YOU CAN. 1004 00:47:14,832 --> 00:47:15,809 COME ON. 1005 00:47:15,833 --> 00:47:16,811 JUST RELAX. 1006 00:47:16,835 --> 00:47:17,811 JUST RELAX. 1007 00:47:17,835 --> 00:47:21,014 NO. 1008 00:47:21,038 --> 00:47:22,949 LOOK, DON'T WORRY. 1009 00:47:22,973 --> 00:47:24,351 I'LL BE CAREFUL. 1010 00:47:24,375 --> 00:47:27,988 I'VE MADE LOVE TO A PREGNANT WOMAN BEFORE. 1011 00:47:28,012 --> 00:47:30,323 NO! 1012 00:47:30,347 --> 00:47:31,781 JESUS, NO. 1013 00:47:33,984 --> 00:47:36,330 LIZ VAN ASSUM AND GABBY DEVEAUX 1014 00:47:36,354 --> 00:47:38,866 ARE, LIKE, TOTALLY DRESSED IN SM LEATHER, 1015 00:47:38,890 --> 00:47:42,569 AND GABBY HAS A HUGE CHAIN FROM HER CROTCH 1016 00:47:42,593 --> 00:47:44,037 THAT GOES THROUGH HER LEGS 1017 00:47:44,061 --> 00:47:46,139 AND IS PADLOCKED TO LIZ'S CROTCH. 1018 00:47:46,163 --> 00:47:48,641 GOD, GABBY DEVEAUX'S A FREAK. 1019 00:47:50,067 --> 00:47:53,046 I THINK GABBY FREAKED ALICE PRETTY BAD. 1020 00:47:53,070 --> 00:47:54,581 YEAH, I DON'T TOUCH THAT SHIT ANYMORE. 1021 00:47:54,605 --> 00:47:57,974 I'M THROUGH WITH MINDFUCKS. 1022 00:48:07,618 --> 00:48:11,164 I THINK THAT... THAT I'M GOING TO BE GOING NOW. 1023 00:48:11,188 --> 00:48:14,123 SO I'LL SEE YOU LATER. 1024 00:48:17,595 --> 00:48:18,994 BYE. 1025 00:49:12,349 --> 00:49:15,685 MAN... YOU SO FUCKING SCORED. 1026 00:49:18,889 --> 00:49:21,535 COME HERE AND HELP ME WIRE THESE AMPS, MAN. 1027 00:49:21,559 --> 00:49:22,736 SURE. 1028 00:49:22,760 --> 00:49:25,639 GOMEY, STOP STARING. 1029 00:49:25,663 --> 00:49:27,808 MAYBE THEY CAN HELP US WITH THE AMPS. 1030 00:49:27,832 --> 00:49:30,877 BETTE SAID THAT WE COULD SWIM HERE 1031 00:49:30,901 --> 00:49:33,001 WHENEVER WE WANTED, SO... 1032 00:49:35,606 --> 00:49:36,616 LET'S FUCKING DO IT. 1033 00:49:42,646 --> 00:49:44,090 COME ON. 1034 00:49:44,114 --> 00:49:45,092 COME ON. 1035 00:49:45,116 --> 00:49:46,760 ALL RIGHT, ALL RIGHT. 1036 00:50:12,743 --> 00:50:14,576 THIS IS A NICE HOTEL. 1037 00:50:16,614 --> 00:50:18,547 IT'LL DO. 1038 00:51:37,794 --> 00:51:39,739 HEY, JENNY. 1039 00:51:39,763 --> 00:51:41,274 HEY, MARK. 1040 00:51:41,298 --> 00:51:42,342 THIS IS MY BUDDY GOMEY. 1041 00:51:42,366 --> 00:51:43,343 HEY. 1042 00:51:43,367 --> 00:51:44,344 HI. 1043 00:51:44,368 --> 00:51:45,545 JENNY, NICE TO MEET YOU. 1044 00:51:45,569 --> 00:51:47,714 OOF. 1045 00:51:47,738 --> 00:51:49,015 THAT POOL LOOKS SO FINE, JENNY. 1046 00:51:49,039 --> 00:51:49,916 WOULD IT BE COOL IF WE JOINED YOU? 1047 00:51:49,940 --> 00:51:54,921 UM... YOU SHOULD PROBABLY ASK THEM. 1048 00:51:54,945 --> 00:51:56,778 HEY, MARK, COME JOIN US. 1049 00:52:05,522 --> 00:52:08,968 CAN I ASK YOU A QUESTION? 1050 00:52:08,992 --> 00:52:10,526 YEAH. 1051 00:52:16,800 --> 00:52:18,712 SMOKE? 1052 00:52:18,736 --> 00:52:20,914 YEAH. 1053 00:52:20,938 --> 00:52:24,017 THAT WASN'T THE QUESTION. 1054 00:52:24,041 --> 00:52:25,541 WHAT? 1055 00:52:27,744 --> 00:52:30,991 THOSE GIRLS... 1056 00:52:31,015 --> 00:52:33,059 THEY'RE ALL GAY, RIGHT? 1057 00:52:33,083 --> 00:52:34,894 YEAH. 1058 00:52:34,918 --> 00:52:36,519 THEY PRETTY MUCH ARE. 1059 00:52:38,456 --> 00:52:39,533 WHAT ABOUT YOU? 1060 00:52:39,557 --> 00:52:40,566 WHAT ABOUT ME? 1061 00:52:40,590 --> 00:52:42,402 ARE YOU GAY? 1062 00:52:42,426 --> 00:52:43,904 I DON'T KNOW. 1063 00:52:43,928 --> 00:52:44,938 I DON'T KNOW. 1064 00:52:44,962 --> 00:52:47,062 WHAT DO YOU THINK? 1065 00:52:50,367 --> 00:52:51,678 IF I SAW YOU AT A BAR, 1066 00:52:51,702 --> 00:52:53,013 I WOULD ASSUME YOU WERE STRAIGHT. 1067 00:52:53,037 --> 00:52:55,149 MM-HMM. 1068 00:52:55,173 --> 00:52:56,383 BUT THAT DOESN'T REALLY MEAN ANYTHING. 1069 00:52:56,407 --> 00:52:58,084 NO, IT DOESN'T. 1070 00:52:58,108 --> 00:52:59,552 YOU NEVER KNOW THESE DAYS, DO YOU? 1071 00:52:59,576 --> 00:53:00,654 NO, YOU DON'T. 1072 00:53:00,678 --> 00:53:05,225 EXCEPT YOU KNEW THEY WERE, RIGHT? 1073 00:53:05,249 --> 00:53:06,426 THAT'S TRUE. 1074 00:53:06,450 --> 00:53:09,029 SO, WHAT DO YOU THINK IT IS? 1075 00:53:09,053 --> 00:53:10,530 I DON'T KNOW. 1076 00:53:10,554 --> 00:53:11,331 I'D SAY IT HAS SOMETHING TO DO 1077 00:53:11,355 --> 00:53:12,665 WITH THEIR ATTITUDE. 1078 00:53:12,689 --> 00:53:15,669 IT'S NOT THAT THEY'RE MASCULINE OR ANYTHING, 1079 00:53:15,693 --> 00:53:16,970 BECAUSE, ACTUALLY, SOME OF THEM 1080 00:53:16,994 --> 00:53:19,973 ARE PRETTY FEMININE, YOU KNOW? 1081 00:53:19,997 --> 00:53:21,277 IT'S... 1082 00:53:22,900 --> 00:53:25,612 THEY HAVE THESE HAIRCUTS, 1083 00:53:25,636 --> 00:53:27,814 THESE VERY COOL HAIRCUTS... 1084 00:53:27,838 --> 00:53:29,015 OKAY, DON'T GET ME WRONG. 1085 00:53:29,039 --> 00:53:31,184 IT'S OBVIOUSLY MORE THAN A HAIRCUT, 1086 00:53:31,208 --> 00:53:33,019 BUT IT'S, NO, IT'S TRUE. 1087 00:53:33,043 --> 00:53:35,489 IT'S THIS... 1088 00:53:35,513 --> 00:53:37,633 IT'S SOMETHING THAT THEY EXUDE THAT'S... 1089 00:53:40,751 --> 00:53:43,452 I'M GOING TO TRY TO PUT MY FINGER ON IT. 1090 00:53:45,322 --> 00:53:46,722 GOOD. 1091 00:53:48,626 --> 00:53:50,325 TELL ME WHEN YOU DO, MARK. 1092 00:53:52,329 --> 00:53:54,508 I WILL. 1093 00:53:54,532 --> 00:53:56,892 I WILL TELL YOU WHEN I DO. 1094 00:54:00,371 --> 00:54:01,915 DON'T LOOK. 1095 00:54:01,939 --> 00:54:03,316 SORRY. 1096 00:54:03,340 --> 00:54:06,152 IT'S NAUGHTY. 1097 00:54:06,176 --> 00:54:07,888 GOOD NIGHT. 1098 00:54:07,912 --> 00:54:09,511 NIGHT. 1099 00:54:42,479 --> 00:54:45,580 WHAT ARE YOU DOING STILL AWAKE? 1100 00:54:49,687 --> 00:54:50,897 HUH? 1101 00:54:50,921 --> 00:54:54,600 WILL YOU CUT MY HAIR? 1102 00:54:54,624 --> 00:54:57,771 WHAT KIND A HAIRCUT DO YOU WANT? 1103 00:54:57,795 --> 00:55:01,541 SHORT. 1104 00:55:01,565 --> 00:55:02,964 OKAY. 1105 00:55:06,336 --> 00:55:07,780 DO YOU WANT ME TO DO IT RIGHT NOW? 1106 00:55:07,804 --> 00:55:09,616 YEAH. YEAH, I DO. 1107 00:55:09,640 --> 00:55:10,717 IF YOU'RE NOT TOO TIRED. 1108 00:55:10,741 --> 00:55:12,452 I'M NOT TOO TIRED. 1109 00:55:12,476 --> 00:55:13,453 OKAY. 1110 00:55:13,477 --> 00:55:14,287 ARE YOU SURE? 1111 00:55:14,311 --> 00:55:16,123 YEAH. 1112 00:55:16,147 --> 00:55:19,013 I JUST FEEL LIKE I NEED TO CHANGE. 1113 00:55:20,918 --> 00:55:22,184 OKAY. 1114 00:55:51,315 --> 00:55:52,358 OKAY. 1115 00:55:52,382 --> 00:55:54,126 ALL RIGHT. 1116 00:55:54,150 --> 00:55:55,162 YEAH. 1117 00:55:55,186 --> 00:55:56,229 OKAY. OKAY. 1118 00:55:56,253 --> 00:55:57,230 LET'S DO IT. 1119 00:55:57,254 --> 00:55:58,720 YEAH. 68313

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