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Welcome back to the studio for the intermediate and Advanced Techniques of enamel
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I'm going to be using these on glaze Citrus enamel paints once again
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And I want to show you a little bit more detail about how different mediums can affect
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The color of
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Particularly fugitive colors
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And they tend to be the Reds and purples
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So I'm going to take say turquoise and purple red
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And show you the effect on a tile of using different mediums
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Now with turquoise this absolutely no problem
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I've got different media labeled along here
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And you can see that there's no change in color at all
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Turquoise is very stable along with most of these colors in the sunshine and sourdough range
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But when it comes to the purple read this one
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Which is used in portrait painting and is a lovely color to use in any sort of painting
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You can see this quite a dramatic change in many of the media that I've used
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And what I'm looking for is a really steady pink like for paraffin for example
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Rosemary oil
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And it's something you probably need to do yourself if you get a different medium don't expect
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Behave in the way the previous medium has has behaved
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You need to do a test
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So for this I would take
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Just a little test tile like this
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And anchor it with some
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Blu Tack
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And then try something like
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Sewing machine medium for example this is something that
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The Russian painters use all the time
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It looks yellow it's very very runny
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But it's amazing how much paint it holds when you add
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Paint by grinding so just going to take a little bit of the
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Purple red
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Put it on a tile
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Like that just a tiny bit that's all it needs for a test
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I just need some paper towel to wipe the pallet knife keep it clean
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My spatula
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Is it going to have some sewing machine oil
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Just next to it as before
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I don't need to use all of it having put that out just put water to one side
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I'm just blend enough and you can see
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Just a little bit
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And you've grown the paint
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Which is fine already at 3:25
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Mash
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When I pick it up like that it will form a little bit of a lump like toothpaste
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Which is ideal for painting from because if you make it runny like that it's just going to be
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Hopeless
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The color will be really diffuse
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And what you need is intensity of color in the mix that you've got
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So I'm going to wipe this
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Section away
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And work from the sewing machine medium
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So I'm going to take a Miniatures brush now
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This is a number one
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Bizarre
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And here's a number two so in that order the two
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Is the largest one I got these tubes on which could be straws as well
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And then you can see the brushes
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Do people think that we paint with one hair of the brush know if you did that you just
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Couldn't hold enough paint on the brush
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So it's conical the shape
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And that means that it's bit like a pen
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But the paint is driven down the brush
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To the fine tip and it could be just one hair at the very tip that you're working
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But that's what makes it such a beautiful brush that holds the tip
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If you're testing brushes it's really important to make sure that that tip is a point and hasn't split
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Say synthetic brushes are fine as long as they make that tip at the end
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So you're going to be using the same
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Medium hair
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To wash the brush
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Just put that to one side
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And first of all I'm going to put some into the medium on the brush is already clean so that's fine
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And then I'm going to roll the brush in the paint that I've mixed up
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On transfer across to the test piece
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And it's just going to be
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A little test like that like the line that I did before
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Just to show
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How to paint flows and you can see that
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The brush up and down
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It's as if there's like veins on the leaves I'm leaving behind and that's because this paint
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In the medium the medium is an open oil which means it takes a long time
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To evaporate
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And therefore that's excellent for working pieces like portraits where you need to do many many hours on
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The piece before you fire it you want it to stay open to accept more paint takes a long long time to dry
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And you can also because it's saying machine
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It means that you can lay down
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Play Dance little dots of color
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And they will stay there
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Unlike some medium other mediums that I'll show you so this is just one example
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You can do some pointillism which is very rough here but just to give you an idea that would have to be so fine that
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You get the idea
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How the sewing machine
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Medium works really well for that
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Say just wipe off the brush
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And then you said it
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For the solvent so this is something you've got in your pack
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And I'm just wiped the brush on the tissue and then into the zest
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Now you could make yourself a chart
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Do test scientifically really isn't it looking at the different media
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Down the side here and then how they behave along the top
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And how you like them yourself
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So if you've got something like the two water-based media you'll know that unimed
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Add rice very quickly
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And glycerol which I'm going to be using today
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That takes much longer to dry it's more open as a medium
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Takes longer less evaporation goes on and therefore you've got longer time to work it
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And it takes longer to drive off the glycerol at the Kiln the pros and cons
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Confusing oil and water-based media are that if you use water-based generally it's
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Is it going to be quick work
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Literal will take a little bit longer
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But with oil
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Genuine oil it's going to take longer to dry and therefore they're open media
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And they'll accept more oil and the paint will stay wetter for longer
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Which is an advantage
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Against it would be that putting sewing machine oil into a kiln
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When it's drying it's not very nice smelling those Vapors
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So you've got to be careful of your health
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Some other oils like Lily oil and Spike lavender oil they
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Oh really nice
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My studio smells more of pine oil because that's the one that I trained with and I like
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Thank you very much and it just harmonizes with my speed of working
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So it would dry within a day and my pants are mixed for that day
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So try another medium here which will be that
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Pine oil which is called painting medium from Vikram Signum in UK
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And it has got that distinctive smell of pine in it
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The purple read The Fugitive purple red which is used for testing
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And this time
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Put some pine oil beside it now you can see
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Holds that s*** like a blob
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And that's because the oil is much thicker
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Pine oil
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Painting medium next to the paint the purple red
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And you can see that it's holding its shaped like a little Mound where the sewing machine oil
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Which is even more open and very runny just spread everywhere
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So I'm going to wipe away the sewing machine
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This time blend the purple red
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With a painting medium just a bit at a time and to me the lovely smell
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Old Pine oil is coming off here I don't know what you think I'll schedule you like that or not oh it's a lovely smell fresh
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100 percent of us here like the smell of pine oil
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It's really gorgeously glossy
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It's a bit like
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Silk screen printing ink I think
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The look of
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I've mixed way too much but at least you can see what that doll that looks like and
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And then roll the brush into the paint mix
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Dipped into the solvent
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Phoenix invested
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And bring over
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Put the brush in there and wipe it so that it's a damp brush before
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Play roll it into here now you've never put zested
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Into the paint mix
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It will spoil the color
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Only use the medium that's in there already
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Say painting medium next
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You'll see that the silkiness going down here and that's why I like it so much because
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I think I can get a smoother wash like this by just gently
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Pulling the paint down
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Well we're saying machine as you saw it shows every little every little stroke
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Have fun the brush brushing
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Say that silkair could spend more time on that
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As I said before
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When you've got your first layer down it's like the icing on the cake and then you can add more
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Well that's your intensify it
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Say that that color is darker at the top
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And then you're walking down towards the half tone
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So that's Blended beautifully
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So I would say to me painting medium
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The race of evaporation is good
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The viscosity is good the runny nose and it's not too runny
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And I like the way
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You can use brush Strokes on it
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And when it flies up it will give a lovely pinky color
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Heritage in the bottom
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Right hand corner of the chart that I made
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When you study the chart in my book you'll see
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But I've got
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The same machine medium up here
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Sing she medium paraffin oil
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Pine oil
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Instead of paraffin oil you could actually use Johnson's baby oil
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Because that's paraffin based you can get
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Paraffin oil from the pharmacy
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To bring the
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Painting medium
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And show you how paraffin oil
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Play once again
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A little touch of the
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What's the paint
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Transfer to that
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And then some paraffin oil just placed alongside
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Because I'm here noticing that it is
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What's slightly more runny so it's
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It's less viscous than
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Pine oil but it's more so it's stickier
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Turn the song Chino
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When it comes to Johnson's baby oil I think it is runnier so whatever else they've put in it
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Button top set the paint
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Put that down there hold it shake quite well because I didn't flood it with
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Medium
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Possible to work off one little tile like this
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I'm going to wash the brush incest it but make sure I dried it so no zest it
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Listen to the paraffin oil
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And then roller brush in the paraffin oil
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And lay down the paint like this
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To me it's behaving between these two
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It's showing some streakiness left by the brush Strokes
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But it's also making quite a good wash
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Say this is one that I recommend and when I was teaching in the states we use this
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I thought it was safe because we were firing the pieces outside
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And say please make sure if you're using sewing machine oil or paraffin oil
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Or any of these really that you've got good ventilation in the room
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We'll have an extractor fan or something
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The final medium here that I'm going to try is glycerol which you have in your kit
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So instead of having disaster
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It's just going to be water from here I meant to mention that other solvents could be white spirit
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Incredibly Fierce smell nobody really likes that
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Or you could use
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Surgical Spirit from the pharmacy and that's used for cleaning
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In UK
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It has a 15 lb tariff on
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Buy it on the continent
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It was just a couple of quid
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And it's now 70 but it used to be 97 it just shows how things have changed
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Turn on the Pand
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So I don't know what the charge would be but you could bring back this pure alcohol in bottles
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How about 2 L was the maximum and it was sold so cheaply because and I think it is as well in the States because
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Does it use for preserving fruit
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It's no smell at all
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So here I'm now going to add
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Some purple
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And then blend
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See the way those balls of powder scatter they just got to be gathered in
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Smashdown
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And as you work the paint
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It becomes
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Because
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The act of grinding makes it runnier
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Turn off for a while
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Like toothpaste
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Say this one being the final one
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Just wash the brush
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In the water solvent
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Turn into the glycerol
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Roll the paint
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Into the glycerol paint mix and then
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Just apply this
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And that's behaving really nicely it's a very smooth
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Silky
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I like that very much and that's why I recommended it to you
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And it's super saturated you wouldn't want it any thicker than that otherwise it won't fire properly
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Say very good to just work it down like this going to the halftime show at the bottom
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And then wash the brush
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And that's the sample test that's all you need to do really
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Rather than a chart
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Who's the test pie
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I'm sitting on the titanium mesh for a quick firing
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00:18:37,695 --> 00:18:43,839
I'm going to lay down there I've got the blue glasses on just to Shield my eyes from the
257
00:18:47,679 --> 00:18:49,983
I'm going to open the Kiln door
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00:18:56,639 --> 00:19:00,223
Actually evaporating the oil isn't it
259
00:19:00,735 --> 00:19:04,063
So you went to steam Rising you've got the oil
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00:19:06,879 --> 00:19:09,695
Just about
261
00:19:21,983 --> 00:19:23,007
Who's the heaviest oil
262
00:19:52,959 --> 00:19:55,775
Spatula to lay it down there gently
263
00:20:01,919 --> 00:20:03,455
Just like everything else
264
00:20:05,247 --> 00:20:06,271
1382
265
00:20:18,047 --> 00:20:24,191
Call tile back here at the bench and it's really interesting what's happened here
266
00:20:24,447 --> 00:20:26,751
Yeah I'm going to quickly label up
267
00:20:27,007 --> 00:20:31,871
How I painted down the medium so this one first one was sewing machine oil
268
00:20:32,127 --> 00:20:33,919
Then it was painting medium
269
00:20:34,175 --> 00:20:37,503
Then it was paraffin oil and finally glycerol
270
00:20:38,015 --> 00:20:44,159
I'm using the marker pen you'll notice or with a sharpie that it burnt out in the Kiln like
271
00:20:44,415 --> 00:20:47,231
Don't be really useful because you can mark up your tile
272
00:20:47,487 --> 00:20:52,863
And then you can paint within those lines knowing that the lines are going to disappear
273
00:20:53,631 --> 00:20:59,519
So you can see that the successful things are up this end saying machine oil
274
00:20:59,775 --> 00:21:02,335
Painting medium very successful
275
00:21:02,591 --> 00:21:05,407
Paraffin oil and glycerol not so good
276
00:21:05,663 --> 00:21:07,967
Now another Factor
277
00:21:08,223 --> 00:21:13,343
In this fugitive red is the actual base that you're using
278
00:21:13,599 --> 00:21:19,744
And the basis that you have those who bought the kit it's from AJ wells in UK
279
00:21:20,000 --> 00:21:23,328
Play and you can see that all of these are beautifully pink
280
00:21:23,584 --> 00:21:29,728
His glycerol compared with the test base not successful it's gone Brown
281
00:21:29,984 --> 00:21:32,544
And here's the liquid paraffin oil
282
00:21:33,056 --> 00:21:38,432
And here it is brown so you can see quite dramatically what it changed that makes
283
00:21:38,688 --> 00:21:44,832
And it may not matter if you're not using these fugitive colors but if you are it's really well worth getting
284
00:21:45,088 --> 00:21:46,368
Bring the right place on the
285
00:21:46,624 --> 00:21:47,904
It says in my book
286
00:21:48,160 --> 00:21:50,976
The basis that I recommend are
287
00:21:51,232 --> 00:21:53,280
Dw1 dial White
288
00:21:53,792 --> 00:21:55,840
And a medium White
289
00:21:56,864 --> 00:22:03,008
And a couple of medium whites T6 is a good one and you'll find your own as well
290
00:22:06,336 --> 00:22:08,896
I've done lots of tests over the years
291
00:22:09,152 --> 00:22:11,456
And I kept them from
292
00:22:14,272 --> 00:22:17,344
And it's really good to refer back to them from time to time
293
00:22:17,600 --> 00:22:22,976
This was using Festival making a Swatch of colors
294
00:22:23,488 --> 00:22:24,256
With a pallet
295
00:22:24,512 --> 00:22:25,792
The colors
296
00:22:26,048 --> 00:22:27,584
I'll just mixed colors
297
00:22:28,096 --> 00:22:31,936
And then of course there's the very detailed one that I've made
298
00:22:32,448 --> 00:22:36,544
Off my palate using sunshine and sourdough
299
00:22:36,800 --> 00:22:41,664
Circle two colors up the side here and I've got them repeated along the bottom
300
00:22:43,968 --> 00:22:48,064
So his number 17 which is this black
301
00:22:48,320 --> 00:22:53,952
Is the strong black is the half turn black and then mixing it with white
302
00:22:54,208 --> 00:22:56,512
You can read the grid as you go up
303
00:22:56,768 --> 00:22:59,584
Analog say whatever color you choose
304
00:23:01,888 --> 00:23:06,752
Then mixed with something like orange you're coming along here
305
00:23:07,008 --> 00:23:10,592
And you'll find the mix
306
00:23:11,360 --> 00:23:14,688
Which is a lovely Smoky sort of khaki color
307
00:23:15,456 --> 00:23:21,600
So just get familiar with your paints and what they can do and then the brush Strokes
308
00:23:21,856 --> 00:23:26,720
Who was an exercise for actually stippling out so that you've got
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00:23:26,976 --> 00:23:33,120
The pale stipulate one end on the intense color at the other end and it's been
310
00:23:33,376 --> 00:23:39,520
The brush into some medium and dry it so using a dump brush
311
00:23:39,776 --> 00:23:41,568
And just go down the side like that
312
00:23:41,824 --> 00:23:43,616
And then you've got a fabulous
313
00:23:44,128 --> 00:23:50,272
Band of color which everybody would think well how did you do that but you can
314
00:23:54,112 --> 00:23:57,440
So here are more tests and
315
00:23:57,696 --> 00:23:59,232
More color
316
00:23:59,488 --> 00:24:00,000
We
317
00:24:00,512 --> 00:24:06,656
When we were learning and going into the Payless sort of colors there just to see how it hold
318
00:24:06,912 --> 00:24:13,056
What's the color in the Kiln firing because that's the other Factor you got the medium the base and
319
00:24:13,312 --> 00:24:14,592
Turn on the firing temperature
320
00:24:14,848 --> 00:24:17,408
And that's why I recommend 7:50
321
00:24:19,200 --> 00:24:23,296
1382 Fahrenheit but
322
00:24:23,808 --> 00:24:29,952
You need to know that some pieces far more quickly obviously if it's
323
00:24:30,208 --> 00:24:33,024
Millimeter
324
00:24:33,536 --> 00:24:38,400
Piece of Steel that it's going to fire much more slowly than a piece that just has
325
00:24:38,656 --> 00:24:44,544
Half a millimeter there that's going to be a very quick firing and if you left it in too long
326
00:24:44,800 --> 00:24:47,104
Then it would begin to
327
00:24:47,360 --> 00:24:52,224
And it will begin to burn out and go Lacey
328
00:24:53,248 --> 00:24:55,296
This needs watching more closely
329
00:24:56,320 --> 00:24:59,136
It May Fire quicker than 750
330
00:24:59,392 --> 00:25:00,416
How's this one did
331
00:25:00,928 --> 00:25:07,072
Spike lavender oil on the end which came from held of Harrogate that are now
332
00:25:07,328 --> 00:25:07,840
Book of Holland
333
00:25:08,352 --> 00:25:14,496
And it's the spike lavender that is the beautiful oil that is collected from the
334
00:25:14,752 --> 00:25:16,544
Leaves at the beginning of Spring
335
00:25:16,800 --> 00:25:20,384
And that's got the most oil in it
336
00:25:20,896 --> 00:25:27,040
And that was used very traditionally in the 18th century and Lily oil was
337
00:25:27,296 --> 00:25:28,064
List
338
00:25:28,320 --> 00:25:34,464
Is used today in Switzerland in the clock watch industry industry and they use it for
339
00:25:34,720 --> 00:25:38,816
For that paintings to do watch Styles and it has got the most wonderful smell
340
00:25:39,072 --> 00:25:42,656
Add a pot like this costs about 50 lb
341
00:25:42,912 --> 00:25:46,496
I think go for something
342
00:25:47,520 --> 00:25:48,544
When you're learning
343
00:25:48,800 --> 00:25:50,592
On glycerol should work well
344
00:25:51,616 --> 00:25:55,968
This AJ Wells said that you're safe as well using water as a base
345
00:26:05,696 --> 00:26:11,840
So now I'm going to show you some flower painting where there are different approaches you're already familiar
346
00:26:12,096 --> 00:26:14,656
Play with using an outline Penn line
347
00:26:14,912 --> 00:26:15,680
And then
348
00:26:15,936 --> 00:26:17,216
Filling in with a wash
349
00:26:17,728 --> 00:26:23,872
So this sequence shows the Penn line just on its own and
350
00:26:24,128 --> 00:26:26,688
Using different colors appropriate to what
351
00:26:26,944 --> 00:26:27,968
Painting later
352
00:26:28,224 --> 00:26:34,368
And then adding the wash and then finally using lacquer resist to
353
00:26:34,624 --> 00:26:40,768
Text the flowers and sponging over in the sequence and then another thicker layer of this
354
00:26:41,024 --> 00:26:41,536
Background color
355
00:26:41,792 --> 00:26:46,656
I'm using square feet total and lack of resist to reveal the layer below
356
00:26:47,168 --> 00:26:49,728
To get more three dimensions to the design
357
00:26:50,496 --> 00:26:53,056
So that's fairly easy to follow
358
00:26:53,312 --> 00:26:57,408
This one is where you just do some free painting
359
00:26:57,664 --> 00:27:00,992
As washes using brush Strokes
360
00:27:01,248 --> 00:27:06,880
You can actually build up these lines by using a wet in wet
361
00:27:07,136 --> 00:27:13,280
And then you introduce more paint which
362
00:27:14,304 --> 00:27:20,448
Does another which is more risky method of wet on dry so you've allowed the base to
363
00:27:20,704 --> 00:27:21,472
Play some
364
00:27:21,728 --> 00:27:27,872
And then you add little flicks of color but if that goes wrong you have to wipe the whole off a whole lot off and start again
365
00:27:28,128 --> 00:27:34,272
But if you get it just right and the bottom layer is damp and you introduce more color can look really intense
366
00:27:34,528 --> 00:27:35,040
Some good
367
00:27:35,296 --> 00:27:41,440
Where there's a layer been fired on below which is the
368
00:27:41,696 --> 00:27:42,976
Play Old Town of this leaf
369
00:27:43,488 --> 00:27:47,072
And then apply more darker green
370
00:27:47,328 --> 00:27:53,472
The Richer color on top and then scratch back and you can see the little vein lines
371
00:27:55,008 --> 00:27:59,104
I'm here again that's had two firings to achieve that effect
372
00:27:59,360 --> 00:28:01,152
I hope you can see that now in detail
373
00:28:03,968 --> 00:28:09,856
So it's interesting with the pencil outline that I showed you here's a strong pencil outline
374
00:28:10,112 --> 00:28:12,160
Which is on a piece of copper
375
00:28:12,416 --> 00:28:15,744
And I had hoped to keep the copper flat
376
00:28:16,000 --> 00:28:17,792
Because it's quite thick
377
00:28:18,048 --> 00:28:19,328
Just like the steel
378
00:28:19,584 --> 00:28:25,728
But inevitably it's gone salsa shaped which you can see when it's lying flat like that
379
00:28:25,984 --> 00:28:30,592
It doesn't lie flat like the steel tile so this is a much better
380
00:28:31,104 --> 00:28:35,200
Flock to use and here's the outline in pencil
381
00:28:35,456 --> 00:28:38,016
For a sequence that I'm about to show you
382
00:28:39,040 --> 00:28:43,136
I'm very very fine pencil just scribed over
383
00:28:43,904 --> 00:28:47,232
To transfer the pencil line and fire at first
384
00:28:47,488 --> 00:28:52,608
So that's been completely fixed and if I was going to then paint it up
385
00:28:52,864 --> 00:28:57,728
Just to wipe over
386
00:28:57,984 --> 00:28:59,520
And then it's ready to go
387
00:28:59,776 --> 00:29:05,920
I'm trying not to touch anything with your fingers because no matter how clean they are they still got a bit of grease on that
388
00:29:06,176 --> 00:29:06,944
How do you spoil a painting
389
00:29:08,224 --> 00:29:10,272
Play this sequence goes like this
390
00:29:11,296 --> 00:29:12,576
It was a design
391
00:29:12,832 --> 00:29:14,880
Which was V
392
00:29:15,392 --> 00:29:17,696
And then I transferred
393
00:29:17,952 --> 00:29:18,976
The line
394
00:29:19,232 --> 00:29:21,024
To the enamel on farted
395
00:29:22,816 --> 00:29:26,400
And it was just a pale guide it didn't show through
396
00:29:26,912 --> 00:29:29,216
On the first wash of color
397
00:29:29,728 --> 00:29:32,544
Where I was just adding paint freely with a brush
398
00:29:35,104 --> 00:29:38,688
And here's the next firing of paint color
399
00:29:43,040 --> 00:29:44,832
And the next one
400
00:29:45,856 --> 00:29:51,488
Say that's the final one where it's looking richer and the colors of gone darker so just like a watercolor sequence
401
00:29:51,744 --> 00:29:55,584
That's how you would build up the color but you fire in between the layers
402
00:29:55,840 --> 00:30:01,984
Can you don't add one color or another at the end like The Fugitive Reds it's possible with
403
00:30:02,240 --> 00:30:07,360
Is sunshine surdel range to mix them and use them all at the same time
404
00:30:07,616 --> 00:30:12,480
But that little bit of intensity Works quite well in the final firing
405
00:30:13,760 --> 00:30:17,600
Say if I just do a little demonstration to show you
406
00:30:17,856 --> 00:30:22,464
How to do say this piece here I'll move these up a bit
407
00:30:22,976 --> 00:30:25,280
And then show you the paints now
408
00:30:26,560 --> 00:30:32,704
Here's the color wheel is a reference and I keep my Paints in just a plastic food box
409
00:30:34,752 --> 00:30:39,616
Glycerol as I've recommended for this course
410
00:30:40,128 --> 00:30:41,408
And on top
411
00:30:42,176 --> 00:30:42,944
I've got
412
00:30:43,200 --> 00:30:46,016
Play mixed colors for portrait painting
413
00:30:47,040 --> 00:30:49,856
And I'll introduce those in a minute but
414
00:30:51,136 --> 00:30:53,184
Is the whole Warehouse of colors
415
00:30:54,208 --> 00:30:55,488
Just like these
416
00:30:56,512 --> 00:30:57,536
But it's
417
00:30:57,792 --> 00:30:59,328
A couple of mixes as well
418
00:31:00,096 --> 00:31:06,240
You've got the great black that I've spoken about before and you've got the rich dark brown
419
00:31:07,264 --> 00:31:10,592
Favorite dark brown is the purple
420
00:31:14,432 --> 00:31:19,040
And the rich Chestnut so those three colors make that one
421
00:31:19,552 --> 00:31:21,856
And if you just change this
422
00:31:22,368 --> 00:31:24,160
Chestnut for Reed green
423
00:31:24,672 --> 00:31:25,952
That's your purple black
424
00:31:26,464 --> 00:31:28,256
Say two mixes
425
00:31:28,512 --> 00:31:29,792
Two dark colors
426
00:31:30,048 --> 00:31:34,912
And for portraits later it's going to be this cream color as well
427
00:31:35,424 --> 00:31:41,312
But don't need to talk about that quite yet these ones down and then
428
00:31:41,568 --> 00:31:43,360
I need to bring in
429
00:31:43,872 --> 00:31:44,896
Medium
430
00:31:46,432 --> 00:31:48,736
On the solvent so I put the paint
431
00:31:48,992 --> 00:31:50,272
Closest to me
432
00:31:51,808 --> 00:31:52,320
And then
433
00:31:52,576 --> 00:31:55,136
I'll put some tissue down here
434
00:31:57,184 --> 00:31:59,488
And I put the solvent first
435
00:31:59,744 --> 00:32:04,608
And then I put the medium so that I'm washing the brush first that makes sense
436
00:32:05,120 --> 00:32:06,912
I'm going to take
437
00:32:09,728 --> 00:32:11,008
Number one brush
438
00:32:11,264 --> 00:32:14,080
And these are kolinsky miniaturist
439
00:32:14,336 --> 00:32:18,176
And actually the labels worn off on this one I've used it so much but
440
00:32:18,688 --> 00:32:20,992
Here we are here is the remains of it
441
00:32:21,248 --> 00:32:26,624
What's the kulinski series 7 miniature finest Sable by Winsor & Newton
442
00:32:26,880 --> 00:32:27,648
England
443
00:32:28,160 --> 00:32:34,304
If you can find some equivalent that works that's absolutely fine but as I said just make sure it reach
444
00:32:34,560 --> 00:32:37,376
She's not very fine point or you'll be frustrated
445
00:32:38,912 --> 00:32:41,216
Put down the number two brush
446
00:32:43,264 --> 00:32:45,824
Whack it into the solvent
447
00:32:46,336 --> 00:32:48,384
And just get a little bit of glycerol
448
00:32:48,640 --> 00:32:50,944
Julie's Pizza mixed in already
449
00:32:54,016 --> 00:32:55,296
Am I going to put
450
00:32:55,552 --> 00:32:59,392
A slightly darker green over the top of this base
451
00:33:03,488 --> 00:33:05,536
And some of the Reed green
452
00:33:05,792 --> 00:33:07,840
Which is a very dominant color
453
00:33:11,168 --> 00:33:13,472
I'm just for the purposes of this demo
454
00:33:14,496 --> 00:33:18,336
Will see the effect of putting one layer over
455
00:33:18,592 --> 00:33:22,176
The original foreign okay so coming around here
456
00:33:22,432 --> 00:33:22,944
I'm
457
00:33:23,200 --> 00:33:26,016
Gently stroking the paint into place like this
458
00:33:27,552 --> 00:33:30,112
And then I can do a bit of tidying later
459
00:33:32,928 --> 00:33:34,208
Roll the brush
460
00:33:36,000 --> 00:33:37,280
More of the paint
461
00:33:42,400 --> 00:33:45,472
And you're virtually pulling the paint over the surface
462
00:33:47,264 --> 00:33:48,288
To get that effect
463
00:33:53,664 --> 00:33:54,432
Clean
464
00:33:54,688 --> 00:33:55,456
And then
465
00:33:55,712 --> 00:33:56,992
Using the dump brush
466
00:33:58,016 --> 00:34:01,344
Wipe down here to make that point finer
467
00:34:03,392 --> 00:34:04,672
And go round
468
00:34:06,208 --> 00:34:09,024
And then take out the middle
469
00:34:09,280 --> 00:34:10,560
To reveal
470
00:34:15,424 --> 00:34:16,704
The lab hello
471
00:34:22,336 --> 00:34:25,664
Bright light in my eyes but I hate that you can see
472
00:34:26,176 --> 00:34:27,200
How it's looking
473
00:34:29,504 --> 00:34:32,576
And just turn the painting around
474
00:34:36,416 --> 00:34:37,952
Pool paint towards you
475
00:34:38,720 --> 00:34:44,864
Say don't go across like that it's very difficult to make a horizon that way but if you turn it through
476
00:34:45,120 --> 00:34:48,448
Horizon is much easier
477
00:34:49,472 --> 00:34:54,336
Say that just gives you the basic idea there and once you've got
478
00:34:54,592 --> 00:34:58,176
Something fired on then you can build up the detail
479
00:34:58,432 --> 00:35:03,040
And just put in these little touches if you put it straight into the yellow
480
00:35:03,552 --> 00:35:08,928
It would blend too much so just plan the layers and the firings
481
00:35:13,792 --> 00:35:19,680
Lines like that I can show how I would then tidy these up to get refined lines
482
00:35:26,848 --> 00:35:31,968
So it looks clumsy at first but with the paintbrush you can tidy and make it look
483
00:35:36,320 --> 00:35:38,624
So this is really wash
484
00:35:39,392 --> 00:35:43,488
Colors like like watercolor the same demonstrating
485
00:35:43,744 --> 00:35:46,560
Not miniaturist techniques quite
486
00:35:47,840 --> 00:35:49,632
And then you would find
487
00:35:55,008 --> 00:35:56,032
It would look like that
488
00:35:56,288 --> 00:35:58,336
And then your dad the next layer on top
489
00:35:59,872 --> 00:36:03,200
So I hit that gives you a good idea for flower painting
490
00:36:05,760 --> 00:36:11,392
Exercise I'm just going to first of all show you the paint palette for portrait painting
491
00:36:11,648 --> 00:36:17,792
This is set out in quite a different sort of way as you can see with the mixed color
492
00:36:18,048 --> 00:36:20,352
Close being bad for the flesh tones
493
00:36:20,608 --> 00:36:25,216
But your Warehouse of colors is exactly the same as I've shown you before
494
00:36:25,472 --> 00:36:31,616
And I've circulated all these sheets to allow you to chop up your own
495
00:36:31,872 --> 00:36:33,408
Size of
496
00:36:33,664 --> 00:36:38,272
Charles said that you can cover it with a film to protect it from getting grubby
497
00:36:38,528 --> 00:36:44,672
And then just lay it under the paint palette if you're using glass so here's the
498
00:36:44,928 --> 00:36:46,208
Play Flesh tones
499
00:36:48,000 --> 00:36:49,536
Matching beautifully
500
00:36:49,792 --> 00:36:52,096
And here's what I call the war
501
00:36:52,352 --> 00:36:52,864
What color
502
00:36:54,144 --> 00:36:55,936
Just below
503
00:36:57,216 --> 00:36:59,264
Almost matching
504
00:37:00,800 --> 00:37:01,824
Great black
505
00:37:06,432 --> 00:37:09,504
In the end you won't need these charts but it's just
506
00:37:09,760 --> 00:37:12,320
Initially to just see what the mixes are
507
00:37:12,576 --> 00:37:18,720
And that's to slow down the rate of evaporation
508
00:37:20,000 --> 00:37:26,144
I recommend putting the paints into the fridge to slow down the evaporation even more between
509
00:37:26,400 --> 00:37:27,936
Painting sessions
510
00:37:28,192 --> 00:37:33,312
An inside I've got these two little pieces I've made from copper
511
00:37:33,568 --> 00:37:36,640
Which helps you to make the double decker
512
00:37:37,408 --> 00:37:40,480
Paint colors now if you go to Russia
513
00:37:40,736 --> 00:37:46,880
Far far better organized they've got mini chest of drawers and they just slide these plates in
514
00:37:47,392 --> 00:37:50,464
And they're completely dust free
515
00:37:50,720 --> 00:37:56,864
And because they're using sewing machine oil they're just not going to gather any dust and they're going to stay wet and
516
00:37:57,120 --> 00:38:02,752
I can just bring out the pallet mixed palette for that particular subject that they might be repeating
517
00:38:03,264 --> 00:38:08,896
But here this was the method that I was taught in Barcelona and it works for me so I've still got the original
518
00:38:11,456 --> 00:38:12,480
My teacher
519
00:38:12,736 --> 00:38:14,016
Chopped up for me
520
00:38:19,392 --> 00:38:20,672
Play Just
521
00:38:20,928 --> 00:38:25,280
Show you that if you bring out your pallet
522
00:38:25,536 --> 00:38:27,840
From working say the previous day
523
00:38:28,096 --> 00:38:28,864
You must
524
00:38:30,144 --> 00:38:36,032
Because they tend to get a little bit dry around the edge if you view something like
525
00:38:36,288 --> 00:38:39,872
Pine oil and particularly if you've used
526
00:38:40,384 --> 00:38:44,992
If you're working quickly anyway you will need to grind them properly every half
527
00:38:45,760 --> 00:38:51,904
Day like every two and a half hours depending on the ambient temperature of the room that you're working in because
528
00:38:52,160 --> 00:38:54,208
Is that will influence evaporation
529
00:38:54,720 --> 00:38:59,072
With the glycerol they do stay wet for a while
530
00:39:01,120 --> 00:39:03,424
And there's no need to freshen them up
531
00:39:03,680 --> 00:39:09,312
But I'll just show you what I do anyway as a matter of course every day that I'm painting
532
00:39:09,568 --> 00:39:11,104
I would
533
00:39:11,360 --> 00:39:13,664
The first color the white
534
00:39:13,920 --> 00:39:16,480
Then the yellow then I would mix up
535
00:39:16,736 --> 00:39:17,504
Stop
536
00:39:17,760 --> 00:39:23,904
What color which is the waxy color cream color which is the the basis for the flesh t
537
00:39:24,160 --> 00:39:28,000
Is that I'm going to introduce for the portrait painting or any Flash
538
00:39:29,280 --> 00:39:31,840
Make sure that that's all well ground
539
00:39:32,608 --> 00:39:36,960
And anything that's dried around the edge it's ready to then put back
540
00:39:37,216 --> 00:39:38,240
So I would
541
00:39:38,496 --> 00:39:39,776
Use
542
00:39:40,032 --> 00:39:43,104
Cotton or linen cloth this time rather than
543
00:39:43,360 --> 00:39:49,504
Now that this is Advanced Techniques and I don't want any dust or little hair
544
00:39:54,880 --> 00:39:57,184
So I'm going to put that back
545
00:39:57,696 --> 00:40:00,256
Where is nice and clean now
546
00:40:04,352 --> 00:40:07,424
And show you how I actually mix that color
547
00:40:08,448 --> 00:40:11,264
So having mixed up the white polar White
548
00:40:14,592 --> 00:40:17,152
Play cloth over here
549
00:40:17,408 --> 00:40:20,736
You can just be a handkerchief this is an old napkin
550
00:40:22,016 --> 00:40:25,600
Tiny little bit of the yellow cuz it's quite a dominant color
551
00:40:30,720 --> 00:40:33,536
Depending on the complexion
552
00:40:33,792 --> 00:40:34,816
Base color
553
00:40:35,072 --> 00:40:36,608
Has to match the
554
00:40:37,120 --> 00:40:42,496
Put the lightest tone of the complexion of the person that you're painting
555
00:40:43,264 --> 00:40:48,896
So you need to look at your color chart to see where that would come in this area here
556
00:40:49,408 --> 00:40:54,784
Somewhere in in this area and just practice by
557
00:40:55,040 --> 00:40:57,088
Mixing two colors together
558
00:40:57,344 --> 00:41:03,488
But in different proportions just as I showed you with the yellow tiniest bit of yellow it may need a third
559
00:41:03,744 --> 00:41:05,280
What color as well to make the base
560
00:41:06,560 --> 00:41:08,608
But I'm just adding in
561
00:41:09,632 --> 00:41:15,776
I think it's quite important that you see how the flesh tones are mixed so I'm going to
562
00:41:16,032 --> 00:41:20,384
You've seen them as a reference
563
00:41:21,920 --> 00:41:23,968
And just use the cotton
564
00:41:26,784 --> 00:41:28,832
And of course it's water that I'm using
565
00:41:31,904 --> 00:41:34,464
Elsa my solvent
566
00:41:34,720 --> 00:41:36,768
What I'm going to do is
567
00:41:37,024 --> 00:41:40,608
Look here you've got rooster this one
568
00:41:42,656 --> 00:41:43,424
Thanks Oscar
569
00:41:43,680 --> 00:41:48,800
And then you've got a touch of purple red so I'll mix this up to show
570
00:41:49,056 --> 00:41:50,592
How that's done
571
00:41:52,128 --> 00:41:53,663
Some Christopher
572
00:41:53,919 --> 00:41:55,711
I would say about that much
573
00:41:56,479 --> 00:41:58,527
I then tend to put a little bit more
574
00:41:58,783 --> 00:42:00,063
Of the Oka
575
00:42:03,903 --> 00:42:04,927
And then it's
576
00:42:05,183 --> 00:42:11,327
Calm the little bit by a touch of the purple red here just a little touch of it
577
00:42:14,399 --> 00:42:16,959
But I know scoop that up
578
00:42:17,471 --> 00:42:19,263
Put it in place
579
00:42:19,519 --> 00:42:21,311
Say that's the color mixed
580
00:42:23,359 --> 00:42:29,503
And that's really what they would call in the past traditionally the coronation color or the
581
00:42:30,783 --> 00:42:35,391
Now the shadow of the flesh color is chestnut and purple so
582
00:42:37,951 --> 00:42:39,231
This one first
583
00:42:42,559 --> 00:42:44,607
And then public self
584
00:42:47,679 --> 00:42:49,471
It's about Eco quantities here
585
00:42:49,727 --> 00:42:51,263
A little bit more purple
586
00:42:52,799 --> 00:42:54,591
And place that here
587
00:42:57,663 --> 00:43:01,247
So that will be into the Shadow the crease of the eyelid
588
00:43:01,759 --> 00:43:03,551
Things like that
589
00:43:03,807 --> 00:43:05,599
Then you've got this
590
00:43:05,855 --> 00:43:10,975
Color hair blue color with some of the chrome green so little bit
591
00:43:12,255 --> 00:43:13,535
Little bit more
592
00:43:14,815 --> 00:43:18,911
Because this is this tends to be a male flesh tone
593
00:43:19,167 --> 00:43:23,263
It's going to give her
594
00:43:23,519 --> 00:43:24,799
5:00 shadow
595
00:43:25,311 --> 00:43:28,639
Does the town of it little bit more blue
596
00:43:28,895 --> 00:43:31,711
And then there's the cream green going in
597
00:43:37,599 --> 00:43:41,951
On the final one here is the blue Claire again
598
00:43:49,119 --> 00:43:51,423
Touch of purple and this is more
599
00:43:51,679 --> 00:43:54,751
A female softer shadowing color
600
00:43:55,519 --> 00:43:56,543
Elizabeth Mall
601
00:43:58,335 --> 00:43:59,871
This is for the Flash
602
00:44:00,895 --> 00:44:07,039
Four basic colors there which you'll be using all the time and for all my
603
00:44:07,295 --> 00:44:09,599
That's pretty well all I've used
604
00:44:14,975 --> 00:44:16,767
Although I have done
605
00:44:17,023 --> 00:44:19,071
Portraits obviously of
606
00:44:19,839 --> 00:44:24,447
People have different complexions and I've matched that very carefully
607
00:44:24,959 --> 00:44:26,239
To get
608
00:44:26,495 --> 00:44:32,639
Brown tints more yellowy tints whatever it is more Oak cretins so just have
609
00:44:32,895 --> 00:44:36,735
The selection there that match the portrait that you're going to be
610
00:44:39,551 --> 00:44:41,599
I'm going to put these back in the Box again
611
00:44:42,623 --> 00:44:44,415
Because just leaving them in the open
612
00:44:45,183 --> 00:44:46,207
Isn't too good
613
00:44:46,463 --> 00:44:49,279
No the next thing I'm going to do
614
00:44:49,791 --> 00:44:52,863
Is to show you how to
615
00:44:53,631 --> 00:44:54,911
Blend colors
616
00:44:55,423 --> 00:44:59,775
To actually use these four colors here
617
00:45:00,031 --> 00:45:01,567
And then paint this sphere
618
00:45:02,079 --> 00:45:05,919
Actually shows the 3D look
619
00:45:06,175 --> 00:45:12,319
But you will need if you're able to paint that or an apple as they say or anything then you're thinking of the
620
00:45:13,087 --> 00:45:17,439
With all these flesh tones so this is just a little exercise to show that
621
00:45:17,695 --> 00:45:19,743
I'm going to Anchor this
622
00:45:19,999 --> 00:45:25,887
Tile which is a blank onto here with a bit of blue tap and onto a piece of cardboard
623
00:45:28,447 --> 00:45:31,519
This is a cake support and
624
00:45:31,775 --> 00:45:37,919
And that way you can
625
00:45:38,175 --> 00:45:39,711
Put on the subject around
626
00:45:39,967 --> 00:45:41,503
Without having to touch it
627
00:45:41,759 --> 00:45:42,527
Say this
628
00:45:44,063 --> 00:45:47,903
Little bit of Kit that's really useful if you're working Flats like this
629
00:45:49,183 --> 00:45:51,743
As I say I tend to work vertically
630
00:45:53,279 --> 00:45:56,351
For this exercise I need to bend over the work
631
00:45:57,119 --> 00:45:59,167
So I got everything lined up here
632
00:45:59,679 --> 00:46:02,239
And I'm going to use the glycerol
633
00:46:07,359 --> 00:46:08,895
And I put
634
00:46:09,407 --> 00:46:15,551
Open first and then I put the medium so be able to get it like that and then wipe the
635
00:46:16,319 --> 00:46:19,903
On your napkin or handkerchief whatever you have
636
00:46:20,927 --> 00:46:24,511
I'm going to use the number one brush again
637
00:46:27,327 --> 00:46:29,119
And take off the tube
638
00:46:29,631 --> 00:46:30,655
To protect
639
00:46:31,167 --> 00:46:37,311
And sometimes I get these brushes of hair wash with shampoo and it's just a very good way to keep them and finally
640
00:46:37,567 --> 00:46:40,639
Play I would just drove through to leave it as a point
641
00:46:40,895 --> 00:46:45,247
Don't leave it with medium minute definitely not with solvent in it
642
00:46:47,039 --> 00:46:49,087
Everything lined up now
643
00:46:52,415 --> 00:46:56,511
I'm going to be putting down this first Splashtown here
644
00:47:00,863 --> 00:47:04,447
Say stop quite intensely and then draw it out
645
00:47:08,031 --> 00:47:10,847
And then the shadow of that color here
646
00:47:15,199 --> 00:47:17,759
Say this was the purple in the chestnut
647
00:47:21,343 --> 00:47:23,391
Carrington is possible by
648
00:47:25,695 --> 00:47:28,511
Just becomes automatic to WIP
649
00:47:28,767 --> 00:47:30,047
Only Hank
650
00:47:30,303 --> 00:47:35,935
And then into the water to clean the brush and then finally get into the glycerol
651
00:47:36,191 --> 00:47:42,335
Which is the medium this time and if you turn it around like this then it's the easiest thing to
652
00:47:42,591 --> 00:47:43,871
The trolls the brush down
653
00:47:44,895 --> 00:47:46,943
Make a lovely tidy line like that
654
00:47:50,271 --> 00:47:53,599
And I'm going to pull it that way because it's easier
655
00:47:55,903 --> 00:47:59,743
Play that's the beauty of being able to swivel around a piece of cardboard
656
00:48:00,511 --> 00:48:02,047
Pull the cake stand
657
00:48:05,887 --> 00:48:08,191
Play tidy lions
658
00:48:11,519 --> 00:48:15,615
I'm not going to put these in until the end because they'll get in the way
659
00:48:15,871 --> 00:48:18,943
I'm just going to show you the The Secret of
660
00:48:19,199 --> 00:48:25,343
Building up a portrait is to put the bass down which I've mentioned before is like icing a
661
00:48:25,855 --> 00:48:27,647
And you have to have this
662
00:48:28,159 --> 00:48:33,791
Covering the whole portrait except for the actual eyes so anything that's Flash
663
00:48:35,327 --> 00:48:38,143
Just lay this color down this waxy color
664
00:48:42,239 --> 00:48:46,847
But it's the thing that is a key to receive the other paints
665
00:48:47,103 --> 00:48:48,383
So I'm putting in
666
00:48:49,663 --> 00:48:50,431
I think
667
00:48:50,943 --> 00:48:57,087
A little bit of a sphere it's a rough shape of a sphere can you see that Oscar is it looking any different
668
00:48:58,111 --> 00:49:02,463
The background
669
00:49:17,055 --> 00:49:19,359
This is how I started this one
670
00:49:20,127 --> 00:49:21,919
Just to match it
671
00:49:22,431 --> 00:49:25,759
The next thing I do is put in the Carnation tone
672
00:49:26,015 --> 00:49:29,087
And introduce that very very gently here
673
00:49:30,111 --> 00:49:31,647
Just working it in
674
00:49:34,463 --> 00:49:35,999
Coming around
675
00:49:36,767 --> 00:49:40,095
Just imagining I'm going round the highlight
676
00:49:41,631 --> 00:49:42,399
So you've
677
00:49:42,655 --> 00:49:48,799
The light on the cheek and then you've got it coming into the The Flash turn the Carnation town
678
00:49:49,055 --> 00:49:51,615
And then it will be going into the the Richer
679
00:49:52,127 --> 00:49:53,407
Chateau town
680
00:49:57,247 --> 00:50:03,391
If you need a bit more of the waxy color then you can add it in but don't make it so thick
681
00:50:05,439 --> 00:50:08,511
So you can just blend the color gently like that
682
00:50:09,535 --> 00:50:12,607
Just keep adding until you're satisfied
683
00:50:12,863 --> 00:50:17,215
Being in a bit of a hurry
684
00:50:17,983 --> 00:50:23,359
But you can refine this your heart's content because the glycerol stays wet quite a long time
685
00:50:23,615 --> 00:50:25,407
But when it begins to get tacky
686
00:50:25,663 --> 00:50:31,039
That's when you must stop painting because it doesn't you can't really wet the colors
687
00:50:31,551 --> 00:50:32,831
And rework
688
00:50:33,087 --> 00:50:39,231
And that applies to the paints as well if you've allowed them to dry out then you must wipe them all
689
00:50:39,487 --> 00:50:40,511
Often start again
690
00:50:40,767 --> 00:50:44,351
I I do that naturally between portrait Miniatures anyway
691
00:50:44,863 --> 00:50:49,215
I would start with a new palette just because you're looking at it all the fresh
692
00:50:49,727 --> 00:50:52,543
I'm considering what the flesh tone really is
693
00:50:54,079 --> 00:50:56,127
The real subject
694
00:50:56,383 --> 00:50:59,455
Then I come into this darker color here
695
00:50:59,711 --> 00:51:02,015
And just work this in
696
00:51:09,951 --> 00:51:12,255
So you can tell I spent a bit longer on this one but
697
00:51:12,511 --> 00:51:17,375
You'll get the idea and it's just quite a good exercise to try for yourself
698
00:51:25,823 --> 00:51:28,639
Can you come get a bit of an overlap but obviously
699
00:51:28,895 --> 00:51:31,199
Colors will go muddy if you're mixing
700
00:51:31,455 --> 00:51:33,247
Three colors plus two
701
00:51:41,695 --> 00:51:44,511
And then some Shadow tone here
702
00:51:45,023 --> 00:51:49,375
Say this is what I mentioned was a female tone it's quite a warm color
703
00:51:50,655 --> 00:51:56,799
You can use the male flesh tone in women but just
704
00:51:57,055 --> 00:51:58,079
Use it sparingly
705
00:52:04,735 --> 00:52:05,503
Masculine
706
00:52:06,015 --> 00:52:07,551
Okay
707
00:52:07,807 --> 00:52:09,343
Just now working
708
00:52:09,855 --> 00:52:12,671
Some of this underneath here
709
00:52:13,439 --> 00:52:18,047
I'm just playing with the four colors mixed just to see how they work
710
00:52:22,655 --> 00:52:25,471
It's really nothing in the morning and then blending them in
711
00:52:28,543 --> 00:52:29,311
Am I going to
712
00:52:29,567 --> 00:52:35,711
Around the edge so because I've got some color there already it takes it very
713
00:52:36,735 --> 00:52:38,015
And it's still wet
714
00:52:38,271 --> 00:52:43,391
If I were to leave it to dry I'd be working wet on dry which is a bit alarming
715
00:52:50,047 --> 00:52:56,191
And then you go around the easiest way possible if your right hand it is to have it like this and
716
00:52:56,447 --> 00:53:00,031
Call around with the brush and because it's a damp brush it's like
717
00:53:01,567 --> 00:53:05,919
And it's just soaking up the paint and you're getting a crisper outline
718
00:53:08,735 --> 00:53:10,527
Mexican mall all
719
00:53:11,807 --> 00:53:12,831
A little sphere
720
00:53:25,887 --> 00:53:31,007
Because it's still wet I can add some more flesh tone under here
721
00:53:37,151 --> 00:53:40,735
Just tiny little strokes called cross hatching
722
00:53:46,623 --> 00:53:48,927
I'm just blending into the blue butt
723
00:53:49,951 --> 00:53:51,487
I'm not wanting to make it
724
00:53:51,743 --> 00:53:53,279
Read my day
725
00:53:53,535 --> 00:53:55,071
Just stopping short of that
726
00:53:56,607 --> 00:53:59,935
And I'm going to roll it into some of this
727
00:54:00,447 --> 00:54:01,983
Just to pull that down
728
00:54:12,479 --> 00:54:14,015
And
729
00:54:16,831 --> 00:54:22,207
I'm actually mashing down with the brush say the time also doing pontillas and
730
00:54:22,463 --> 00:54:25,279
As you work into it
731
00:54:28,095 --> 00:54:30,911
Say this is just how I work a portrait
732
00:54:33,215 --> 00:54:36,031
On any particular detail of the the face
733
00:54:45,503 --> 00:54:48,831
Rolling a bit more of the the waxy color
734
00:54:49,599 --> 00:54:51,135
How long will talk to
735
00:54:54,463 --> 00:54:59,327
And if there's a really strong highlight you could add a little bit of the
736
00:54:59,839 --> 00:55:00,607
Polar White
737
00:55:02,399 --> 00:55:03,679
Justin
738
00:55:14,687 --> 00:55:16,479
Just blend
739
00:55:21,855 --> 00:55:26,463
That's quite strong and intense so I'll just blend it backwards here
740
00:55:29,535 --> 00:55:32,095
And you can just totally lose yourself in
741
00:55:33,887 --> 00:55:35,679
Just perfecting perfecting
742
00:55:38,239 --> 00:55:39,775
If you've got time
743
00:55:40,031 --> 00:55:40,799
On your own
744
00:55:41,567 --> 00:55:43,871
And you're just practicing and
745
00:55:44,127 --> 00:55:46,431
Sing how it looks and if you're not happy with it
746
00:55:46,943 --> 00:55:51,807
At any time you can just wipe it off and start again and that's the beauty of enamel
747
00:55:52,319 --> 00:55:55,391
Effectively any brush stroke is a spontaneous one
748
00:56:01,791 --> 00:56:05,887
I'm not particularly pleased with that but it does demonstrate
749
00:56:06,143 --> 00:56:07,423
What I'm trying to achieve
750
00:56:08,703 --> 00:56:10,239
With the painting of a sphere
751
00:56:10,495 --> 00:56:14,847
And I'm not going to put in the other two colors which are
752
00:56:15,359 --> 00:56:17,663
The female color which is the
753
00:56:20,735 --> 00:56:22,271
Mixed with purple
754
00:56:24,063 --> 00:56:25,855
Good morning thanks to this end
755
00:56:36,351 --> 00:56:37,631
When you're doing a portrait
756
00:56:38,143 --> 00:56:44,287
Starting a portrait one day and my husband would come into
757
00:56:44,543 --> 00:56:50,175
What have you been doing
758
00:56:50,431 --> 00:56:55,551
Very tentatively when I'm starting a portrait
759
00:56:55,807 --> 00:57:01,951
Because first of all you're putting in the physical features and you're really concentrating on the Conte
760
00:57:02,207 --> 00:57:02,975
Photos of the face
761
00:57:03,231 --> 00:57:06,815
And what is it that makes that expression
762
00:57:07,327 --> 00:57:10,655
And then later you have a dialogue
763
00:57:10,911 --> 00:57:12,191
With that person
764
00:57:12,447 --> 00:57:16,031
As you begin to see the features in place and
765
00:57:16,287 --> 00:57:19,103
Working on the flesh tones and modeling the face
766
00:57:19,615 --> 00:57:21,663
And the whole thing
767
00:57:23,455 --> 00:57:24,991
An old fashioned photograph
768
00:57:25,503 --> 00:57:26,527
In the fixative
769
00:57:33,439 --> 00:57:36,255
So I put the brush into a little bit of
770
00:57:36,511 --> 00:57:38,815
Glycerol the medium only
771
00:57:39,327 --> 00:57:42,655
Not water on the painting ever
772
00:57:43,679 --> 00:57:45,471
I'm just in that out a bit
773
00:57:45,727 --> 00:57:47,775
And then I'm going to turn it through
774
00:57:48,799 --> 00:57:52,639
90 degrees so that I can just draw the brush down there
775
00:57:53,407 --> 00:57:55,455
And get more of a fine line
776
00:57:58,527 --> 00:58:00,063
I'm the same on the other side
777
00:58:01,087 --> 00:58:04,927
Or if you want to leave it freely and do and you could label this up
778
00:58:05,439 --> 00:58:07,999
Of course with your pen oil
779
00:58:08,255 --> 00:58:12,351
Which these flesh tones are
780
00:58:12,863 --> 00:58:14,655
Just for reference if you're not sure
781
00:58:15,423 --> 00:58:18,239
So it's a very good Aid to use
782
00:58:19,263 --> 00:58:22,591
And I'll find that so that you can see how it
783
00:58:22,847 --> 00:58:23,871
How it falls
784
00:58:24,383 --> 00:58:26,175
On how the colors are fixed
785
00:58:27,199 --> 00:58:29,759
On the side
786
00:58:30,271 --> 00:58:33,087
And I want to next show you
787
00:58:33,343 --> 00:58:35,135
A portrait sequence
788
00:58:35,903 --> 00:58:38,463
You've already had
789
00:58:40,767 --> 00:58:44,095
But I'll put the paints away because
790
00:58:44,607 --> 00:58:46,399
It's good to have them
791
00:58:46,655 --> 00:58:48,191
Books
792
00:58:49,727 --> 00:58:53,311
Before I start showing you an eye portrait
793
00:58:53,567 --> 00:58:56,639
Yes I'm going to demonstrate so that's the way
794
00:58:56,895 --> 00:58:58,943
And now we can talk about
795
00:59:01,759 --> 00:59:03,039
This chart
796
00:59:11,999 --> 00:59:16,607
Distance from a piece of copper all the way through to a finished portrait
797
00:59:16,863 --> 00:59:20,447
Although I haven't done the full face it just would have taken a long time
798
00:59:20,703 --> 00:59:26,847
It was an enamel painting friend who I trained up who helped me with this and it took 65
799
00:59:32,479 --> 00:59:37,087
Hey it's got many layers about seven layers altogether
800
00:59:38,111 --> 00:59:40,671
Starting with a piece of copper
801
00:59:40,927 --> 00:59:47,071
This is domed already and it's actually been punched out with hydraulics
802
00:59:47,327 --> 00:59:53,471
On the back
803
00:59:55,263 --> 01:00:01,407
Tension on both sides of the copper
804
01:00:01,663 --> 01:00:03,455
Making a sandwich of glass
805
01:00:03,967 --> 01:00:06,015
Copa glass on the other side
806
01:00:06,271 --> 01:00:12,415
You can also paint on steel as you've seen or
807
01:00:25,983 --> 01:00:28,031
Where is Silver and copper
808
01:00:33,919 --> 01:00:35,711
So you just have to plan accordingly
809
01:00:36,991 --> 01:00:38,271
So the
810
01:00:38,527 --> 01:00:41,343
Coach on the front side of the enamel
811
01:00:41,599 --> 01:00:47,743
Is actually a clear flux that I fired on and I started with diamond flux
812
01:00:47,999 --> 01:00:52,607
Which is a little bit more blue
813
01:00:53,119 --> 01:00:59,263
But the ghost locks is a lovely warm color and just enhances the portrait on
814
01:01:01,311 --> 01:01:02,847
Then I would add
815
01:01:03,103 --> 01:01:05,919
Opalescent
816
01:01:10,015 --> 01:01:11,807
And under here
817
01:01:12,063 --> 01:01:18,207
Firing at the same time it's quite good if you can put the country now on the other side of the
818
01:01:18,463 --> 01:01:21,279
Play flux on the country now on the other side of
819
01:01:21,535 --> 01:01:26,399
The opal used to be soja 101
820
01:01:26,655 --> 01:01:31,007
64 and that works very well
821
01:01:31,263 --> 01:01:35,103
And you may have other ideas and then share them with us please
822
01:01:35,615 --> 01:01:38,687
So there's a second coat of opal
823
01:01:38,943 --> 01:01:40,223
Wet laid
824
01:01:40,479 --> 01:01:46,623
Android and then fired and a third layer and as you can see it's going white whiter than
825
01:01:46,879 --> 01:01:47,903
Still has
826
01:01:50,975 --> 01:01:54,047
And finally that layer when
827
01:01:54,815 --> 01:01:58,399
Has been stoned back and then it's fired again
828
01:01:58,655 --> 01:02:00,703
And then it's absolutely smooth
829
01:02:01,215 --> 01:02:04,287
So if there's any roughness in these two
830
01:02:05,823 --> 01:02:11,199
LaRon Fox then you just stay back with direct to make it completely smooth
831
01:02:11,967 --> 01:02:16,575
So this side now shows the sequence of the portrait painting
832
01:02:16,831 --> 01:02:21,439
And you first got the pencil line that's been added to
833
01:02:21,695 --> 01:02:27,839
Modeling clay has been rolled over this piece and it's then acting as a key for the
834
01:02:28,095 --> 01:02:29,631
When's the line that's transfer
835
01:02:29,887 --> 01:02:31,679
Define scrib
836
01:02:38,591 --> 01:02:41,407
Is that you can manage just to see enough
837
01:02:41,663 --> 01:02:44,223
Chick-fil-A The Contours for the painting
838
01:02:44,735 --> 01:02:49,599
Each of those fine pencil lines with paint
839
01:02:50,111 --> 01:02:56,255
So if you're not confident which I'm not when I'm doing portrait I would fire the
840
01:02:56,511 --> 01:02:57,535
The line in place
841
01:02:57,791 --> 01:03:00,095
No higher than 750 °
842
01:03:06,751 --> 01:03:12,895
You can wipe it off
843
01:03:16,479 --> 01:03:22,623
So you fire on the painted line and then you start to model the portrait so this is the
844
01:03:22,879 --> 01:03:23,903
The first wash
845
01:03:31,071 --> 01:03:32,095
Play some tissue paper
846
01:03:41,055 --> 01:03:41,823
Developing
847
01:03:42,079 --> 01:03:44,127
Using this follow through
848
01:03:44,383 --> 01:03:46,431
Until you hear you've got
849
01:03:47,455 --> 01:03:49,503
And 5th and 6th
850
01:03:52,831 --> 01:03:55,647
And it's like adding seven layers of skin really
851
01:03:59,487 --> 01:04:01,023
Open painted
852
01:04:02,815 --> 01:04:07,423
Each time 7:50 1382 and you can't go wrong really
853
01:04:07,679 --> 01:04:13,823
So we're not going to move on to an actual portrait of a loving eye but first i'm going to
854
01:04:31,487 --> 01:04:36,863
I've got some family portraits of my own in my own collection that I've brought to show you
855
01:04:37,375 --> 01:04:39,423
And it shows over
856
01:04:41,471 --> 01:04:43,007
A sequence
857
01:04:43,519 --> 01:04:49,663
This was the first one and I put in a very tentative background around
858
01:04:50,687 --> 01:04:56,831
You can see the pink in the opal I rather likes it and I've just enhanced it a little bit
859
01:04:57,087 --> 01:05:02,207
Around the shoulders and the half and so on otherwise I've left it pretty well natural
860
01:05:05,279 --> 01:05:08,607
Lucy's outfit with the with the cat stripes
861
01:05:09,631 --> 01:05:11,679
The next one
862
01:05:13,983 --> 01:05:15,007
The background
863
01:05:15,519 --> 01:05:21,663
Was inspired by trip to Turkey and saw Turkish tilings and just thought
864
01:05:23,711 --> 01:05:27,295
So here's the background to this brother and sister
865
01:05:27,807 --> 01:05:29,343
Is my niece and nephew
866
01:05:29,599 --> 01:05:33,695
And I used White
867
01:05:33,951 --> 01:05:37,023
Transfer paper at that stage
868
01:05:37,535 --> 01:05:41,119
That was the method that I was taught and it's described in the book
869
01:05:42,655 --> 01:05:48,799
Very difficult to actually see the white line you have to remove the chalkiness it's the transfer
870
01:05:49,055 --> 01:05:50,591
Can you put that they use in dressmaking
871
01:05:51,103 --> 01:05:57,247
And then you remove the chalkiness and then you've just got a greasy line and that's what you put the paint line over
872
01:05:57,503 --> 01:05:58,527
Just stopped the sequence
873
01:05:58,783 --> 01:06:00,575
And in this one
874
01:06:01,087 --> 01:06:05,695
I've used pencil and this is the baby 14 years later
875
01:06:06,207 --> 01:06:11,839
And in this it's interesting to show how I was exploring
876
01:06:12,095 --> 01:06:15,423
Backgrounds made with underglaze painting
877
01:06:15,935 --> 01:06:18,239
Say when I finish the background painting it
878
01:06:19,775 --> 01:06:21,311
Using underglaze black
879
01:06:21,823 --> 01:06:24,895
Not the overglaze and I've got a test piece here
880
01:06:25,407 --> 01:06:30,527
Because I discovered that putting the third layer of opal over the top
881
01:06:30,783 --> 01:06:33,855
Made it go this gorgeous Inky blue
882
01:06:34,367 --> 01:06:40,511
So I rather enjoyed that background and inside then tinted it a little bit more with
883
01:06:40,767 --> 01:06:44,607
Some blue and lavender color paints just to enhance that
884
01:06:51,775 --> 01:06:57,919
I did the same with this one of my grandfather and he loved writing poetry so
885
01:06:58,175 --> 01:07:04,319
One of his poems in the background using underglaze and then put the opal layer over the top
886
01:07:04,575 --> 01:07:10,207
So I had a white silhouette and then I started the painting so all the background was done
887
01:07:10,463 --> 01:07:11,999
Before the painting
888
01:07:12,511 --> 01:07:14,559
Then I did this one
889
01:07:14,815 --> 01:07:15,839
Of my mother
890
01:07:16,351 --> 01:07:19,423
When I moved on to working with gold
891
01:07:19,679 --> 01:07:25,823
And I really wanted to put in a background that that would represent her love
892
01:07:26,079 --> 01:07:30,431
Of Shoals so I've Got The Paisley shawl in the background
893
01:07:30,943 --> 01:07:36,831
And all of that background was worked
894
01:07:37,087 --> 01:07:42,207
Again with a white silhouette and before I did any sort of painting
895
01:07:42,463 --> 01:07:48,607
IHOP's the old lady goes in place that's gold foil in the background and
896
01:07:49,631 --> 01:07:50,911
And painting it up
897
01:07:53,471 --> 01:07:55,775
The most recent one
898
01:07:57,823 --> 01:08:00,383
What is a loving well faithful I am going to call it
899
01:08:00,639 --> 01:08:04,991
Switch off my dog's spice and
900
01:08:05,759 --> 01:08:11,903
Thought it would be quite interesting to show my Silhouette in the pupil of her I I just noticed
901
01:08:12,159 --> 01:08:13,695
Play after I had taken
902
01:08:13,951 --> 01:08:14,975
The photos
903
01:08:19,327 --> 01:08:23,679
Say Nei is a great study if you have access
904
01:08:30,079 --> 01:08:32,895
Magnification
905
01:08:33,151 --> 01:08:39,295
I have changed over the years when I was taught my teacher had a handheld
906
01:08:39,551 --> 01:08:41,343
Pocket lens like this
907
01:08:41,599 --> 01:08:47,231
And she held that in her left hand and painted with her right so that she had everything in view
908
01:08:50,559 --> 01:08:51,583
Peace
909
01:08:52,607 --> 01:08:55,167
Which has a Halo light around it
910
01:08:55,423 --> 01:08:58,239
And it can be used for all sorts of craft work
911
01:09:00,287 --> 01:09:02,335
A magnifying lens in the middle
912
01:09:02,591 --> 01:09:08,735
And for using larger pieces this is really useful because the microscope that I'm going to show you is
913
01:09:08,991 --> 01:09:14,111
Quite confining in the pool of light and the site size that you're looking at
914
01:09:15,391 --> 01:09:17,439
So that's another option
915
01:09:17,695 --> 01:09:21,535
Another way is to get some magnifying specs
916
01:09:22,303 --> 01:09:23,583
Like these ones
917
01:09:24,863 --> 01:09:26,655
And you can also get
918
01:09:26,911 --> 01:09:29,727
Clip-on magnifiers like these
919
01:09:29,983 --> 01:09:34,079
So here's the clip
920
01:09:34,847 --> 01:09:39,455
And this is my preferred method when I'm sitting at the easel painting
921
01:09:41,247 --> 01:09:46,623
And make sure that they're absolutely vertical in line with the work
922
01:09:46,879 --> 01:09:48,927
And then a long hair
923
01:09:49,439 --> 01:09:51,999
We've got the actual magnifying
924
01:09:53,535 --> 01:09:57,119
Wizard of all which is a like a microscope
925
01:09:57,887 --> 01:10:00,703
And I was lucky enough to be able to
926
01:10:00,959 --> 01:10:06,847
Make a donation for this only rather than have to buy it because some people in our village
927
01:10:07,359 --> 01:10:13,503
Used microscopes to reclaim gold from computer parts
928
01:10:13,759 --> 01:10:18,879
Play all our workers were working under microscopes and getting the gold back
929
01:10:23,743 --> 01:10:26,559
I was very interested in this one and they
930
01:10:27,839 --> 01:10:33,983
LCD
931
01:10:34,239 --> 01:10:40,383
Lights in here which is bendable and wonderful to really focus in on what you're looking at here
932
01:10:40,895 --> 01:10:47,039
And you can adjust this up and down according to your height to be able to get this at the
933
01:10:53,695 --> 01:10:57,791
So I like working at the microscope at the beginning of a portrait
934
01:10:58,047 --> 01:11:04,191
When I'm making a fine lines and at the end for the final layer of painting that works
935
01:11:04,447 --> 01:11:07,775
Very well to be able to see the final detail that you're putting on
936
01:11:08,031 --> 01:11:14,175
Andrew though you can't necessarily see the detail when you're holding a piece and looking my eye
937
01:11:14,431 --> 01:11:15,711
It is
938
01:11:15,967 --> 01:11:18,783
Under the microscope and you know that
939
01:11:19,039 --> 01:11:24,415
Has to be able to be magnified to actual size
940
01:11:24,671 --> 01:11:30,815
Say to recap we've got various stilts to put into the Kiln and this is the one that I recommend which is ceram
941
01:11:31,071 --> 01:11:31,839
Inflatable
942
01:11:32,095 --> 01:11:35,167
And it's got killed and clay
943
01:11:39,775 --> 01:11:43,615
Titanium mesh we've been using because there's no chance of any
944
01:11:43,871 --> 01:11:46,431
Nasty Dusty oxide
945
01:11:46,687 --> 01:11:49,247
A bouncing off onto the work and spoiling it
946
01:11:49,759 --> 01:11:52,319
I'm just going to demonstration
947
01:11:52,575 --> 01:11:56,927
Opening a stack of stainless steel supports
948
01:11:57,183 --> 01:12:00,767
A various kinds onto the ceramic fiberboard
949
01:12:08,191 --> 01:12:10,239
Ceramic fiberboard
950
01:12:10,751 --> 01:12:12,799
Child High
951
01:12:13,567 --> 01:12:16,639
With other supports which I don't recommend using
952
01:12:17,407 --> 01:12:19,711
This is going to go into the kiln
953
01:12:20,223 --> 01:12:21,247
Sounds
954
01:12:21,503 --> 01:12:27,647
Ceramic fiberboard in there for firing the next piece
955
01:12:32,767 --> 01:12:35,327
I'm just leave it for a while
956
01:12:35,583 --> 01:12:40,959
The current temperature dropped to about 700 and it's just going to climb back up again
957
01:12:46,335 --> 01:12:47,871
Who is not rich
958
01:12:48,127 --> 01:12:49,407
The high temperature
959
01:12:49,663 --> 01:12:53,503
And everything's glowing in there so I'm just going to flip it all out
960
01:12:55,551 --> 01:12:57,855
Facebook download cool down
961
01:13:07,583 --> 01:13:10,399
Use a butter knife and a slide it across there
962
01:13:10,655 --> 01:13:16,799
I'm going to
963
01:13:17,055 --> 01:13:17,567
Take out
964
01:13:17,823 --> 01:13:21,919
Piece of ceramic fiberboard that's been sitting in the Kiln so it's nice and hot
965
01:13:22,175 --> 01:13:25,247
I know far more quickly because this piece
966
01:13:28,575 --> 01:13:31,391
Is quite a thick piece of stainless steel
967
01:13:38,047 --> 01:13:38,559
Steam
968
01:13:42,911 --> 01:13:44,447
But I can play
969
01:13:47,007 --> 01:13:53,151
Isn't it
970
01:13:53,407 --> 01:13:55,967
And it's in a very hot ambient temperature
971
01:13:59,039 --> 01:14:03,135
Push it to the back and wait for the pill to climb up
972
01:14:10,303 --> 01:14:12,351
And see what's happened underneath here
973
01:14:13,119 --> 01:14:14,655
Just remove the
974
01:14:18,239 --> 01:14:20,287
Yeah there's a few bits on the
975
01:14:27,199 --> 01:14:29,247
So do not use these
976
01:14:31,039 --> 01:14:32,063
It's just not worth it
977
01:14:32,831 --> 01:14:38,975
And sometimes if those need cleaning and they've just been used many many times it gets worse
978
01:14:39,487 --> 01:14:42,815
So it's just not worth even one spec
979
01:14:47,167 --> 01:14:49,983
There is a way of cleaning safe
980
01:14:50,239 --> 01:14:53,311
Phil tiles for the titanium mesh
981
01:14:53,567 --> 01:14:56,639
Enamel glass in there
982
01:14:56,895 --> 01:15:02,015
And that is to heat it up to a reasonable temperature and then quench it into water
983
01:15:04,319 --> 01:15:05,599
After about
984
01:15:05,855 --> 01:15:06,623
20
985
01:15:06,879 --> 01:15:08,671
And that will just crack off
986
01:15:08,927 --> 01:15:14,047
Any animal crossing return the metal mesh so that's quite a good idea
987
01:15:14,815 --> 01:15:18,911
I'm off to firing the sphere when it reaches 750
988
01:15:19,167 --> 01:15:21,471
And then go to show you how to make
989
01:15:21,727 --> 01:15:22,495
A loving eye
990
01:15:23,775 --> 01:15:29,663
Nothing easier is there then
991
01:15:30,175 --> 01:15:30,943
Look at yourself
992
01:15:31,199 --> 01:15:37,343
Take a photo take a selfie of your eye and then set about painting it in the sequence that I'll show you
993
01:15:37,599 --> 01:15:40,415
I'd be making
994
01:15:44,511 --> 01:15:47,839
And I printed out on Plain paper
995
01:15:48,351 --> 01:15:53,215
And then I would print a glossy version so that that's best quality
996
01:15:54,751 --> 01:15:56,799
And then I make a tracing
997
01:16:03,967 --> 01:16:05,247
345
998
01:16:11,391 --> 01:16:14,463
And we've got the light over just catching the light
999
01:16:14,719 --> 01:16:17,535
But interestingly it's not quite fired
1000
01:16:17,791 --> 01:16:20,351
So it goes back in the Kiln for a little bit longer
1001
01:16:24,703 --> 01:16:30,847
It's much easier to put something back in the Kiln but just to see if it's been in there
1002
01:16:31,103 --> 01:16:37,247
Nothing you can really do about that
1003
01:16:37,503 --> 01:16:39,807
So that's got to climb back up
1004
01:16:52,863 --> 01:16:55,423
Let's have a close look at that so we can get on camera
1005
01:16:59,519 --> 01:17:05,663
And it's perhaps because I've used more of the white which is slightly higher firing than any
1006
01:17:20,511 --> 01:17:22,559
Verizon temperature and then hold it
1007
01:17:26,399 --> 01:17:31,519
Okay so the temperature is climbing back up to 7:50 quite quickly now
1008
01:17:32,031 --> 01:17:35,615
And I shall take out the enamel at that point
1009
01:17:35,871 --> 01:17:40,991
And check that it's smoothly fired it's got to be glossy all over to work
1010
01:17:43,551 --> 01:17:44,575
This is
1011
01:17:45,343 --> 01:17:46,367
Near the point
1012
01:17:48,671 --> 01:17:51,487
You're so easily distracted at this point possibly
1013
01:17:57,887 --> 01:17:59,167
Say no leave it
1014
01:18:10,175 --> 01:18:12,223
Out she comes
1015
01:18:12,479 --> 01:18:15,807
Shut the film door quickly
1016
01:18:16,319 --> 01:18:17,855
And then look at that
1017
01:18:19,647 --> 01:18:20,927
The
1018
01:18:21,183 --> 01:18:24,767
You can just see it's gone glossy all over
1019
01:18:51,135 --> 01:18:51,903
Clay
1020
01:18:52,415 --> 01:18:54,207
Which is on the ceramic fiberboard
1021
01:18:54,463 --> 01:19:00,351
As the enamel contracts and cools it will just
1022
01:19:00,863 --> 01:19:03,423
So it's best to just leave it now
1023
01:19:03,935 --> 01:19:08,799
I'm not the painting desk now and I've got a vertical easel set up here
1024
01:19:09,055 --> 01:19:14,687
Which was an affordable painting easel to which I've added this block of wood
1025
01:19:14,943 --> 01:19:19,039
And then I stick the enamel on here using Bluetooth
1026
01:19:19,807 --> 01:19:25,951
On the painting desk I've got the box which these clip-on specs came out of and
1027
01:19:29,791 --> 01:19:33,887
They come in various magnifications and this one is about
1028
01:19:34,911 --> 01:19:36,191
And that's all I need
1029
01:19:36,447 --> 01:19:40,543
When I'm working here I would put these two prescriptions spec
1030
01:19:41,311 --> 01:19:43,359
What time are you using the
1031
01:19:47,455 --> 01:19:48,735
Magnifying glasses
1032
01:19:48,991 --> 01:19:55,135
And it just reminded me using the microscope but that's what I use to study
1033
01:19:55,391 --> 01:19:59,999
Play the 18th century Exquisite portraits to find out how they painted them
1034
01:20:00,255 --> 01:20:06,143
And you could see all sorts of little graffiti marks that they made in the hair to give it texture
1035
01:20:06,655 --> 01:20:10,751
The cross hatching
1036
01:20:11,007 --> 01:20:15,104
The layers of color on lace you could see where they had put
1037
01:20:15,360 --> 01:20:18,688
Then stock dots of color on to White
1038
01:20:19,200 --> 01:20:25,088
And it was just fascinating to learn from people who painted for centuries
1039
01:20:32,256 --> 01:20:34,304
I've got a sequence of
1040
01:20:34,560 --> 01:20:36,352
The painting of my eye
1041
01:20:36,864 --> 01:20:38,912
I'm starting at this end I've got
1042
01:20:40,704 --> 01:20:43,008
Which has the painted layer on it
1043
01:20:43,520 --> 01:20:45,824
And then I've got the first layer
1044
01:20:46,336 --> 01:20:51,200
A paint that's been fired on just all painting quite tentatively
1045
01:20:51,712 --> 01:20:54,272
And then the next layer has been built up
1046
01:20:54,528 --> 01:20:56,320
And you can see
1047
01:20:56,576 --> 01:20:59,648
3d effect beginning to take shape
1048
01:20:59,904 --> 01:21:02,208
Until the final layer
1049
01:21:02,464 --> 01:21:07,072
Shows it to be more realistic with all these Dent shadows and so
1050
01:21:07,840 --> 01:21:13,984
Depending on the age of the person is just how many little wrinkles you put in
1051
01:21:14,240 --> 01:21:19,616
How much the white of the eye has shading
1052
01:21:19,872 --> 01:21:26,016
It's in a baby it's just amazing to see a kind of porcelain white of the babies
1053
01:21:26,528 --> 01:21:27,808
And
1054
01:21:28,320 --> 01:21:33,696
Just see that it's really about observation and what you're seeing before your eyes
1055
01:21:33,952 --> 01:21:37,792
Is plus a little bit of editing and if you want to be kind to somebody
1056
01:21:38,048 --> 01:21:39,840
And make them look 10 years
1057
01:21:41,120 --> 01:21:44,960
Then it's very obvious how you just lift the eyelids a bit
1058
01:21:47,264 --> 01:21:53,152
Recognizable
1059
01:21:53,920 --> 01:22:00,064
So I'm going to go to this piece which has already had the paint line over the
1060
01:22:00,320 --> 01:22:06,464
The line and it's been fired and I'm going to demonstrate how to build up the first wash to make it
1061
01:22:06,720 --> 01:22:07,488
Hit like this
1062
01:22:08,000 --> 01:22:11,840
We've got the paints down here
1063
01:22:12,096 --> 01:22:16,448
Are they going to be talking through which paint colors I'm using all the time
1064
01:22:16,704 --> 01:22:19,264
So I've got little pot of water
1065
01:22:19,520 --> 01:22:24,896
And then I've got my glycerol there as solvent and medium that I'm using
1066
01:22:25,664 --> 01:22:31,808
So I did some dried and the first thing is to lay on this waxy
1067
01:22:32,576 --> 01:22:34,368
All over
1068
01:22:44,864 --> 01:22:51,008
And this has to be put on at the same sort of thickness so you don't want any ridges
1069
01:22:51,264 --> 01:22:52,800
Office waxy White
1070
01:22:53,312 --> 01:22:57,152
You just want enough to receive the flesh tones
1071
01:22:57,408 --> 01:22:58,176
On the top
1072
01:22:59,200 --> 01:23:03,296
Because when the whole thing flaws it's all got to be about the same level
1073
01:23:06,112 --> 01:23:12,256
I'm just working quickly with a number one brush I could have picked a number two that would have made it a bit faster
1074
01:23:14,560 --> 01:23:18,400
This glass paint is obviously very abrasive
1075
01:23:18,656 --> 01:23:23,776
And so it's wearing the Sable brush down much more quickly than you would wish
1076
01:23:24,032 --> 01:23:27,104
That's the point where the brush is perfect for you
1077
01:23:27,360 --> 01:23:29,152
And then just one more
1078
01:23:29,664 --> 01:23:35,808
Oh no it's not like it used to be and you have to
1079
01:23:36,064 --> 01:23:37,344
Set breaking a new brush
1080
01:23:38,112 --> 01:23:41,440
So I get through about a brush a month
1081
01:23:41,696 --> 01:23:42,464
I think
1082
01:23:44,256 --> 01:23:47,328
But you can increase the Life by
1083
01:23:51,168 --> 01:23:55,776
I'm looking after them while I'm not leaving them in the medium or
1084
01:23:56,032 --> 01:23:57,312
The solvent
1085
01:23:58,848 --> 01:24:01,152
You're just working around here
1086
01:24:11,392 --> 01:24:14,464
So you can everywhere
1087
01:24:14,720 --> 01:24:16,000
The eyeball itself
1088
01:24:21,376 --> 01:24:23,168
Anything that's flash basically
1089
01:24:33,152 --> 01:24:33,920
We can
1090
01:24:35,200 --> 01:24:36,736
Best with flesh tones
1091
01:24:41,344 --> 01:24:47,232
And I should really have the photograph alongside that's what I want to get back to you rather than
1092
01:24:47,744 --> 01:24:50,048
Copying this one but
1093
01:24:53,120 --> 01:24:54,400
That would be great
1094
01:25:03,360 --> 01:25:07,968
I like to edit the photos in order to work up the portrait
1095
01:25:08,480 --> 01:25:10,272
Bob Franks Oscar that's brilliant
1096
01:25:16,416 --> 01:25:22,560
The original reference rather than Chinese
1097
01:25:22,816 --> 01:25:28,960
Chinese West puzzle the way down here I'm looking back to this and just looking at where all these little
1098
01:25:29,216 --> 01:25:31,264
Wrinkles
1099
01:25:31,520 --> 01:25:33,056
Personality
1100
01:25:33,568 --> 01:25:36,640
So let's pull out in and
1101
01:25:36,896 --> 01:25:38,688
Carrying on with the flash color
1102
01:25:38,944 --> 01:25:41,248
I'm going to work alone here
1103
01:25:42,784 --> 01:25:45,856
I'm down and around here
1104
01:25:46,368 --> 01:25:48,928
Does keep charging up the brush with paint
1105
01:25:52,512 --> 01:25:55,072
And it's a case of dispersing the paint
1106
01:25:58,144 --> 01:26:00,704
Hands mixing it with this waxy layer
1107
01:26:03,008 --> 01:26:05,312
Soft pinky flesh tone coming in here
1108
01:26:40,128 --> 01:26:44,736
It's just incredible how a tiny little stroke can make a difference
1109
01:26:44,992 --> 01:26:46,016
With the liken
1110
01:26:46,784 --> 01:26:49,344
Set up my 8:00 my mother
1111
01:26:49,600 --> 01:26:50,880
Physical features
1112
01:26:51,136 --> 01:26:53,184
Dialogue with personality
1113
01:26:54,464 --> 01:26:57,024
Mainly getting Rhythm into the whole thing
1114
01:27:01,632 --> 01:27:07,776
Even listening to classical music you just want to switch it off and just empty your mind
1115
01:27:10,848 --> 01:27:16,992
And then other times I am able to listen to a radio play or something like that because it requires
1116
01:27:23,648 --> 01:27:24,672
The most critical
1117
01:27:26,208 --> 01:27:31,584
And once I had to do well several times I've had to do an addition of portraits like
1118
01:27:32,864 --> 01:27:35,168
Are Queens
1119
01:27:35,424 --> 01:27:37,216
Diamond Jubilee
1120
01:27:38,752 --> 01:27:42,336
Each one to me was just very slightly different
1121
01:27:44,896 --> 01:27:49,504
Alongside each other
1122
01:27:53,600 --> 01:27:57,952
For his six children
1123
01:27:58,208 --> 01:27:59,744
And he decided
1124
01:28:09,216 --> 01:28:15,104
But otherwise you try your best to make everything the same but we're not machines
1125
01:28:15,616 --> 01:28:18,688
This is how it comes out when it's hand-painted
1126
01:28:29,184 --> 01:28:35,328
And I go into this darker flesh tone now to just catch a little bit there
1127
01:28:38,656 --> 01:28:39,936
I'm into this
1128
01:28:49,664 --> 01:28:51,968
If you were to use what you see is
1129
01:28:52,224 --> 01:28:58,368
It would look like very heavy makeup so
1130
01:28:58,624 --> 01:29:00,928
Just use what you know is there
1131
01:29:01,440 --> 01:29:04,512
And that's where you're using these flash stones
1132
01:29:04,768 --> 01:29:08,864
On a piano
1133
01:29:28,576 --> 01:29:31,392
I'm just feeling my way with these little bits
1134
01:29:40,864 --> 01:29:47,008
Otherwise you become aware that your neck
1135
01:29:53,664 --> 01:29:55,200
What's the balance variable here
1136
01:29:55,712 --> 01:29:59,296
I'm feeling comfortable
1137
01:30:13,120 --> 01:30:18,240
Until the next morning when I just come in and I check the work and I think
1138
01:30:18,496 --> 01:30:23,104
I know that's not quite right and it's still wet to be able to
1139
01:30:23,616 --> 01:30:28,992
You're committed the only way is to scratch it
1140
01:30:29,760 --> 01:30:31,296
With some scruffy to
1141
01:30:32,064 --> 01:30:34,368
And then fire and then
1142
01:30:36,672 --> 01:30:41,024
A very good way but I just want to check before I fire it that morning
1143
01:30:44,352 --> 01:30:45,120
Play the
1144
01:30:45,888 --> 01:30:52,032
I'm putting this easel horizontal and just laying a cardboard box over
1145
01:30:52,288 --> 01:30:53,312
Hope for something like that
1146
01:31:04,320 --> 01:31:05,344
Public blue
1147
01:31:05,856 --> 01:31:10,464
Which is the soft female Shadow here just coming up there
1148
01:31:10,720 --> 01:31:12,256
Getting around
1149
01:31:17,120 --> 01:31:17,888
Nicely
1150
01:31:34,784 --> 01:31:40,928
Going to come back to here I'm going to load the paint with a little bit of a waxy white just to patch this
1151
01:31:47,840 --> 01:31:51,168
I'm going to put tiny bits of this shadow
1152
01:31:54,496 --> 01:31:56,288
Blue into here
1153
01:32:09,344 --> 01:32:11,136
And when your father's paint on
1154
01:32:11,392 --> 01:32:14,464
If you slightly on the fire so it looks glossy
1155
01:32:14,976 --> 01:32:18,816
But the paint will act as a key for the next layer
1156
01:32:19,840 --> 01:32:22,400
The brush will drag over it and
1157
01:32:24,448 --> 01:32:28,544
Just where you've left it and it will begin to paint itself
1158
01:32:28,800 --> 01:32:32,896
You've got some lines and it will just emphasize them even more
1159
01:32:38,272 --> 01:32:41,088
So because you've seen the video of my mother
1160
01:32:41,600 --> 01:32:42,624
Hot port
1161
01:32:43,136 --> 01:32:45,696
This one is a rough example
1162
01:32:45,952 --> 01:32:46,720
Next to it
1163
01:32:51,072 --> 01:32:53,888
Working live and to time schedule
1164
01:32:54,400 --> 01:32:59,008
But I hope it will give you confidence to make your own portraits
1165
01:32:59,264 --> 01:33:01,312
Of the I at least
1166
01:33:03,872 --> 01:33:10,016
And then post it on to the Facebook page that I've set up will be lovely to see what you do
1167
01:33:10,272 --> 01:33:12,320
And everyone can learn from everyone else
1168
01:33:12,832 --> 01:33:15,136
And I'll make a comment if you like
1169
01:33:18,208 --> 01:33:19,488
Positive
1170
01:33:31,008 --> 01:33:33,312
Write the eye color here
1171
01:33:34,080 --> 01:33:40,224
Is quite like the green and blue that I mixed already so I'm going to lay this down as the
1172
01:33:40,480 --> 01:33:41,248
Face coat
1173
01:33:44,576 --> 01:33:50,720
I'm putting that down and then I can lift anywhere where there's a highlight so I'm just putting it all over and
1174
01:33:50,976 --> 01:33:51,488
I'm trying to follow
1175
01:33:51,744 --> 01:33:54,816
The iris with the brush Strokes so it's got these
1176
01:33:55,328 --> 01:33:57,632
Paint lines radiating out like this
1177
01:34:01,984 --> 01:34:03,520
I'm just washing the brush
1178
01:34:04,032 --> 01:34:07,872
Dipping it into the glycerol and then just tidying here
1179
01:34:08,128 --> 01:34:09,408
By saying
1180
01:34:09,664 --> 01:34:15,552
Does the highlight coming around here so you may as well lift the paint off and definitely over the top
1181
01:34:16,320 --> 01:34:19,392
No ready it's just a little bit more life into it
1182
01:34:21,952 --> 01:34:23,488
And then strengthen up
1183
01:34:24,000 --> 01:34:26,304
Play color around the outside
1184
01:34:27,328 --> 01:34:28,352
Will it still
1185
01:34:52,672 --> 01:34:56,768
Just before he died
1186
01:34:57,024 --> 01:34:59,328
And I saw this little
1187
01:34:59,584 --> 01:35:00,864
Colored spec
1188
01:35:01,376 --> 01:35:07,008
On his eyes or in the eye which I didn't know whether to be that all the time
1189
01:35:16,736 --> 01:35:21,344
So you really begin to look at all the colors
1190
01:35:21,600 --> 01:35:24,928
In the eye itself if you just want to paint the iris
1191
01:35:25,184 --> 01:35:25,952
That's enough
1192
01:35:28,256 --> 01:35:29,024
It's okay
1193
01:35:32,352 --> 01:35:38,496
And I need to darken up so I added a little bit of the
1194
01:35:39,008 --> 01:35:41,312
Darkest blue the blurry
1195
01:35:41,824 --> 01:35:44,128
And then I've got the
1196
01:35:45,408 --> 01:35:48,224
Blue and the Green Mix
1197
01:35:48,480 --> 01:35:51,552
And I'm just making that more intense there
1198
01:35:53,344 --> 01:35:57,184
If you're not confident
1199
01:35:58,720 --> 01:36:01,024
And you can see the color mix is there
1200
01:36:02,304 --> 01:36:05,888
We could do a test piece before you file the whole thing
1201
01:36:15,104 --> 01:36:16,384
And then once again
1202
01:36:28,160 --> 01:36:31,488
And I'm not going to add some
1203
01:36:40,192 --> 01:36:41,216
Animal itself
1204
01:36:55,808 --> 01:36:57,600
So there is a
1205
01:37:09,376 --> 01:37:11,168
Say that's going to be
1206
01:37:11,680 --> 01:37:13,216
Little touch of this
1207
01:37:13,728 --> 01:37:15,008
Play purple
1208
01:37:20,640 --> 01:37:22,688
And on the other side as well
1209
01:37:41,632 --> 01:37:43,168
Play some
1210
01:37:43,424 --> 01:37:45,472
Flesh color along the top here
1211
01:37:55,712 --> 01:37:58,272
List of makeup
1212
01:38:16,448 --> 01:38:17,728
That is the
1213
01:38:19,264 --> 01:38:20,288
The mix
1214
01:38:28,736 --> 01:38:34,880
You could swing it around and destroy a brush
1215
01:38:35,136 --> 01:38:35,904
Drop down
1216
01:38:49,472 --> 01:38:53,568
And I'll just clean up the brush and then it's going to act as a
1217
01:39:15,072 --> 01:39:16,096
Because it's
1218
01:39:16,352 --> 01:39:17,632
Racing a
1219
01:39:18,144 --> 01:39:24,288
Put in the colors and then you
1220
01:39:25,056 --> 01:39:31,200
Possibilities of correcting it next time whereas if you leap to that stage straight away
1221
01:39:31,456 --> 01:39:33,248
There's no way that you
1222
01:39:39,392 --> 01:39:41,952
I'm thinking now have I got the likeness
1223
01:39:42,208 --> 01:39:44,256
And you're really sitting back
1224
01:39:55,776 --> 01:39:58,080
Of changing things as you go along
1225
01:39:59,872 --> 01:40:05,504
Tempted to get the lightness and get the anxiety out and to see
1226
01:40:12,672 --> 01:40:14,464
I'm just bringing the layers up
1227
01:40:14,720 --> 01:40:15,744
Each stage
1228
01:40:16,000 --> 01:40:17,536
Firing in between
1229
01:40:19,328 --> 01:40:22,400
So I'm going to come back up to
1230
01:40:22,912 --> 01:40:29,056
Eyebrows here and this will have dried a little touch so I can do some little
1231
01:40:29,312 --> 01:40:30,336
Netflix yeah
1232
01:40:32,896 --> 01:40:33,920
Play the pen work
1233
01:40:34,944 --> 01:40:36,736
Just put those in place
1234
01:40:39,808 --> 01:40:42,112
And you can refine those to your heart's content
1235
01:40:42,624 --> 01:40:48,768
Just going to go into the
1236
01:40:55,424 --> 01:40:55,936
Play Black
1237
01:40:59,520 --> 01:41:03,104
I'm just every chance of making it darker next time
1238
01:41:05,152 --> 01:41:07,200
I can see myself
1239
01:41:11,296 --> 01:41:12,576
Doing the selfie
1240
01:41:13,600 --> 01:41:16,672
And in the loving I of spice
1241
01:41:16,928 --> 01:41:19,744
I put myself in knots as well
1242
01:41:21,280 --> 01:41:22,816
Very very tiny
1243
01:41:32,032 --> 01:41:34,336
So that's about as far as I go
1244
01:41:41,760 --> 01:41:47,392
Play soft and gentle work and just consideration for what you're doing
1245
01:41:57,120 --> 01:41:59,424
And I can refine the lines better
1246
01:41:59,936 --> 01:42:05,568
By moving the paint around that I just dumped down and then just refining it
1247
01:42:08,640 --> 01:42:11,456
I'm pulling that down so there's more color there
1248
01:42:21,952 --> 01:42:24,768
I'm bringing these tiny lines down and
1249
01:42:25,024 --> 01:42:28,096
At the next stage you'll be looking more carefully at the color
1250
01:42:28,608 --> 01:42:29,632
And refining it
1251
01:42:31,680 --> 01:42:33,472
But hopefully
1252
01:42:38,336 --> 01:42:44,480
And then the second layer is the most difficult that takes the longest time because
1253
01:42:44,736 --> 01:42:47,808
Play Backstreet is a commitment because when your father
1254
01:42:58,048 --> 01:43:01,120
As long as it's still wet
1255
01:43:01,376 --> 01:43:07,520
And if you take a break just cover it and then come back to it and look at it
1256
01:43:07,776 --> 01:43:08,288
Fresh
1257
01:43:11,872 --> 01:43:18,016
So it's always wise to think well how does the I work you've got this lid folded back here
1258
01:43:18,272 --> 01:43:18,784
Play Aaron
1259
01:43:25,440 --> 01:43:26,976
Play the shading here
1260
01:43:30,560 --> 01:43:31,328
Fold away
1261
01:43:33,120 --> 01:43:34,656
I'm coming down here
1262
01:43:49,248 --> 01:43:50,528
What you're aiming for
1263
01:43:50,784 --> 01:43:54,624
And I'm not going to take it off here and fire it in the kiln
1264
01:43:57,184 --> 01:44:03,072
All right so here's the first layer of paint that I was doing at the easel and remember to take the
1265
01:44:04,352 --> 01:44:10,240
I'm going to use the titanium mash for Speed because that's a good conductor of heat
1266
01:44:14,592 --> 01:44:16,384
Ready to go
1267
01:44:26,368 --> 01:44:27,904
The water in the glycerol
1268
01:44:29,696 --> 01:44:31,488
Does steam Rising
1269
01:44:36,608 --> 01:44:42,752
Philly rise and try to stop the temperature now and the painting is
1270
01:44:44,032 --> 01:44:47,360
And it's ready to offer up into the kiln
1271
01:44:47,616 --> 01:44:49,152
Play opening the door
1272
01:44:49,408 --> 01:44:52,480
No big shock putting it in straight away
1273
01:45:07,072 --> 01:45:13,216
So now the piece is ready to remove from the Kiln and I can already see just looking down on it glimpse
1274
01:45:15,776 --> 01:45:20,896
So here it is just put it underneath the light which you need to check
1275
01:45:21,408 --> 01:45:27,552
Which means that the enamel paint has just sunk by a hair
1276
01:45:27,808 --> 01:45:28,576
Add things to the bass
1277
01:45:38,048 --> 01:45:39,840
All the way around
1278
01:45:41,120 --> 01:45:41,888
Yep that's it
1279
01:45:54,176 --> 01:46:00,064
And off it comes and I can put it on the steel block just to hurry the cooling down
1280
01:46:00,320 --> 01:46:03,904
And you'll see significant color change very quickly
1281
01:46:20,544 --> 01:46:24,384
Search the Kiln off and I always switched off at the wall as well
1282
01:46:25,664 --> 01:46:28,224
Add red Burning Down The Darlington estate
1283
01:46:37,440 --> 01:46:41,792
It's pretty well come back to the original colors
1284
01:46:46,144 --> 01:46:51,008
I always dread marble cracking or something so I put it on the steel first
1285
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So usually I put that into cold water
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To cool
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And then I would put it back on there to help cool and then finally onto the marble
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But to try a section
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For the Advanced Techniques now
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