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These are the user uploaded subtitles that are being translated: 1 00:00:00,320 --> 00:00:01,680 hi this is justin colletti of sonic 2 00:00:01,680 --> 00:00:02,800 scoop thanks for joining me for this 3 00:00:02,800 --> 00:00:04,000 week's episode of the sonic scoop 4 00:00:04,000 --> 00:00:05,839 podcast and today i'm going to give you 5 00:00:05,839 --> 00:00:08,240 my three key takeaways from yet another 6 00:00:08,240 --> 00:00:10,480 mixcon presentation this time a workshop 7 00:00:10,480 --> 00:00:12,719 with a guy named tatro taitra just did a 8 00:00:12,719 --> 00:00:14,880 full length presentation where he walked 9 00:00:14,880 --> 00:00:16,480 us through the finishing touches on a 10 00:00:16,480 --> 00:00:19,119 mix using nothing but a totally free 11 00:00:19,119 --> 00:00:21,600 software program and a whole set of free 12 00:00:21,600 --> 00:00:23,680 plugins i want to get right into these 13 00:00:23,680 --> 00:00:25,199 takeaways this is going to be a super 14 00:00:25,199 --> 00:00:27,279 brief episode of the sonic screw podcast 15 00:00:27,279 --> 00:00:29,920 so we'll make the sponsor section super 16 00:00:29,920 --> 00:00:31,920 brief too and the first big thanks is to 17 00:00:31,920 --> 00:00:33,680 bandlab who sponsored this one that is 18 00:00:33,680 --> 00:00:35,840 the free program that teacher was using 19 00:00:35,840 --> 00:00:38,399 it is a daw that is totally free that 20 00:00:38,399 --> 00:00:40,640 you can open up in your browser or on 21 00:00:40,640 --> 00:00:42,079 your smartphone and go back and forth 22 00:00:42,079 --> 00:00:44,000 between the two also big thanks to 23 00:00:44,000 --> 00:00:45,440 soundtoys making some of my favorite 24 00:00:45,440 --> 00:00:47,120 creative mixing effects in the known 25 00:00:47,120 --> 00:00:48,960 universe and also focusrite for making 26 00:00:48,960 --> 00:00:50,399 some of the best bang for the buck 27 00:00:50,399 --> 00:00:52,239 interfaces out there from their entry 28 00:00:52,239 --> 00:00:54,160 level scarlett line all the way up to 29 00:00:54,160 --> 00:00:56,000 the high end redneck series and scarlett 30 00:00:56,000 --> 00:00:57,760 line is probably the best-selling series 31 00:00:57,760 --> 00:01:00,000 of interfaces i think ever made all 32 00:01:00,000 --> 00:01:01,600 right let's get right into it the first 33 00:01:01,600 --> 00:01:03,199 key takeaway from tedro's presentation 34 00:01:03,199 --> 00:01:04,320 is something that comes up again and 35 00:01:04,320 --> 00:01:06,159 again in little bits and pieces from so 36 00:01:06,159 --> 00:01:07,520 many of the great mixers who've done 37 00:01:07,520 --> 00:01:08,880 mixed gone presentations or have been 38 00:01:08,880 --> 00:01:10,799 interviewed on the sonic screen podcast 39 00:01:10,799 --> 00:01:13,119 and that is that you often do your best 40 00:01:13,119 --> 00:01:16,479 mixing when you're not mixing and in 41 00:01:16,479 --> 00:01:18,720 this actual workshop he did tatra didn't 42 00:01:18,720 --> 00:01:20,080 take us through the whole mix start to 43 00:01:20,080 --> 00:01:22,080 finish instead he took us through his 44 00:01:22,080 --> 00:01:24,240 final revision process that really 45 00:01:24,240 --> 00:01:26,320 emerges from a set of notes that comes 46 00:01:26,320 --> 00:01:28,799 from listening to this material when he 47 00:01:28,799 --> 00:01:31,840 is away from the mix this idea of 48 00:01:31,840 --> 00:01:34,479 getting away from the mix so that you 49 00:01:34,479 --> 00:01:36,799 can really hear it when you're not 50 00:01:36,799 --> 00:01:39,280 fiddling with a mix but you're really in 51 00:01:39,280 --> 00:01:41,119 listening note-taking mode that's where 52 00:01:41,119 --> 00:01:42,479 some of the most important mixed 53 00:01:42,479 --> 00:01:43,840 decisions come from and you can 54 00:01:43,840 --> 00:01:46,320 dramatically cut down your mixing time 55 00:01:46,320 --> 00:01:49,600 by stepping away from the mix more often 56 00:01:49,600 --> 00:01:51,040 that's something that came up in cohen 57 00:01:51,040 --> 00:01:53,200 helden's master class just this year 58 00:01:53,200 --> 00:01:54,799 it's something that bob power brought up 59 00:01:54,799 --> 00:01:57,520 in his super popular mixcon master class 60 00:01:57,520 --> 00:02:00,079 as well all right on to key takeaway 61 00:02:00,079 --> 00:02:02,880 number two and that is that it doesn't 62 00:02:02,880 --> 00:02:04,960 have to be perfect 63 00:02:04,960 --> 00:02:07,040 taitro is working in kind of lo-fi 64 00:02:07,040 --> 00:02:08,399 hip-hop genre 65 00:02:08,399 --> 00:02:10,879 and in particular things don't need to 66 00:02:10,879 --> 00:02:12,160 be perfect there right things are 67 00:02:12,160 --> 00:02:14,000 supposed to sound a little bit low-fi 68 00:02:14,000 --> 00:02:16,400 that's part of the whole idea but he 69 00:02:16,400 --> 00:02:17,520 went as far as doing things like 70 00:02:17,520 --> 00:02:20,400 creating samples for his sample library 71 00:02:20,400 --> 00:02:22,160 just using the built-in mic on his 72 00:02:22,160 --> 00:02:24,640 smartphone and getting professional 73 00:02:24,640 --> 00:02:26,879 sounding quality results just by 74 00:02:26,879 --> 00:02:27,920 creating 75 00:02:27,920 --> 00:02:30,080 finger snaps into his cell phone 76 00:02:30,080 --> 00:02:32,080 recording things with his cell phone 77 00:02:32,080 --> 00:02:33,920 kind of as a field recorder and 78 00:02:33,920 --> 00:02:35,599 integrating those into a larger 79 00:02:35,599 --> 00:02:37,920 production and really the biggest thing 80 00:02:37,920 --> 00:02:38,640 is 81 00:02:38,640 --> 00:02:41,040 vibe whether things sound cool whether 82 00:02:41,040 --> 00:02:43,280 they feel good not whether they record 83 00:02:43,280 --> 00:02:44,879 in the perfect way and not whether 84 00:02:44,879 --> 00:02:47,440 everything is technically correct 85 00:02:47,440 --> 00:02:50,080 and that idea of not over refining 86 00:02:50,080 --> 00:02:51,920 things and not getting too precious 87 00:02:51,920 --> 00:02:53,920 about your audio or too obsessed with 88 00:02:53,920 --> 00:02:55,840 doing everything correctly as long as 89 00:02:55,840 --> 00:02:57,360 you're moving in the right direction for 90 00:02:57,360 --> 00:02:59,519 feel is a big one and something that 91 00:02:59,519 --> 00:03:01,200 when people really get into production 92 00:03:01,200 --> 00:03:03,599 and engineering lose sight of and let go 93 00:03:03,599 --> 00:03:05,120 of and sometimes you have to go back and 94 00:03:05,120 --> 00:03:06,640 listen to some of your earliest stuff 95 00:03:06,640 --> 00:03:08,959 where it's like man there was some vibe 96 00:03:08,959 --> 00:03:10,239 there even though i was doing things 97 00:03:10,239 --> 00:03:13,200 wrong how did i lose that and tatro is 98 00:03:13,200 --> 00:03:15,680 trying to find ways to keep that kind of 99 00:03:15,680 --> 00:03:17,599 freshness and spontaneity in his work 100 00:03:17,599 --> 00:03:19,360 which sometimes is more important than 101 00:03:19,360 --> 00:03:21,200 being technically correct 102 00:03:21,200 --> 00:03:23,760 all right number three is that the 103 00:03:23,760 --> 00:03:25,920 biggest thing that's going to 104 00:03:25,920 --> 00:03:27,840 enhance your mix in the end brought this 105 00:03:27,840 --> 00:03:29,920 up before it comes up a lot in mixcon is 106 00:03:29,920 --> 00:03:32,480 automation it is the secret step that so 107 00:03:32,480 --> 00:03:34,000 many people who are beginning or 108 00:03:34,000 --> 00:03:36,799 intermediate leave off or underutilized 109 00:03:36,799 --> 00:03:39,120 and in his final revisions of his mix 110 00:03:39,120 --> 00:03:42,319 here tatro does mostly automation and 111 00:03:42,319 --> 00:03:45,040 he's automating not only level hey in 112 00:03:45,040 --> 00:03:47,280 this section this item will come down or 113 00:03:47,280 --> 00:03:48,720 come up this instrument doesn't have to 114 00:03:48,720 --> 00:03:50,640 be as loud or can be pushed more in 115 00:03:50,640 --> 00:03:53,519 addition to that he's also automating eq 116 00:03:53,519 --> 00:03:55,920 automating reverb sends particularly the 117 00:03:55,920 --> 00:03:58,000 tales of sounds and the tales of loops 118 00:03:58,000 --> 00:03:59,760 that feel a little cut off when they 119 00:03:59,760 --> 00:04:01,280 drop out of the track and just making 120 00:04:01,280 --> 00:04:03,200 them kind of hover over into the next 121 00:04:03,200 --> 00:04:05,760 section a little bit so automating but 122 00:04:05,760 --> 00:04:08,400 automating not only level but also 123 00:04:08,400 --> 00:04:09,599 eq 124 00:04:09,599 --> 00:04:12,959 reverb things like that in addition to 125 00:04:12,959 --> 00:04:14,959 level really thinking about automating 126 00:04:14,959 --> 00:04:16,320 all of your effects and that really 127 00:04:16,320 --> 00:04:18,000 being possibly the most essential part 128 00:04:18,000 --> 00:04:19,680 of the finalization that you're going to 129 00:04:19,680 --> 00:04:21,840 do to any mix 130 00:04:21,840 --> 00:04:23,440 well i want to keep this one super brief 131 00:04:23,440 --> 00:04:24,960 for you i hope these were three useful 132 00:04:24,960 --> 00:04:27,040 takeaways check out tatro's presentation 133 00:04:27,040 --> 00:04:28,400 in its entirety right here on the 134 00:04:28,400 --> 00:04:29,919 sonic's cube youtube channel and check 135 00:04:29,919 --> 00:04:31,919 tatro out on his own youtube channel as 136 00:04:31,919 --> 00:04:34,000 well some great stuff there big thanks 137 00:04:34,000 --> 00:04:35,360 to bandlab for sponsoring that 138 00:04:35,360 --> 00:04:37,040 presentation thanks to soundtoys for 139 00:04:37,040 --> 00:04:38,240 sponsoring this podcast from the 140 00:04:38,240 --> 00:04:39,759 beginning try out anything they make for 141 00:04:39,759 --> 00:04:41,919 free for 30 days over at soundtoys.com 142 00:04:41,919 --> 00:04:43,280 making some of my favorite creative 143 00:04:43,280 --> 00:04:45,360 effects in the known universe and also 144 00:04:45,360 --> 00:04:46,800 focusrite making some of the best 145 00:04:46,800 --> 00:04:48,479 interfaces out there from the entry 146 00:04:48,479 --> 00:04:50,160 level all the way up to the high end 147 00:04:50,160 --> 00:04:51,840 really great bang for the buck stuff and 148 00:04:51,840 --> 00:04:53,040 if you're at the entry level that 149 00:04:53,040 --> 00:04:54,479 scarlett series is one of the 150 00:04:54,479 --> 00:04:56,479 best-selling sets of interfaces in the 151 00:04:56,479 --> 00:04:58,160 history of the world for good reason you 152 00:04:58,160 --> 00:05:00,000 really can't do much better than that 153 00:05:00,000 --> 00:05:02,639 stuff as far as quality to price ratio 154 00:05:02,639 --> 00:05:04,720 goes if you want to go even deeper i do 155 00:05:04,720 --> 00:05:07,039 have some full length workshops like the 156 00:05:07,039 --> 00:05:08,800 five habits of every great mixer where 157 00:05:08,800 --> 00:05:10,400 we tied together the common threads that 158 00:05:10,400 --> 00:05:11,520 you're going to find in pretty much all 159 00:05:11,520 --> 00:05:13,759 from mixcon presentations check that out 160 00:05:13,759 --> 00:05:15,759 sonicsgoop.com mixhabits that's 161 00:05:15,759 --> 00:05:18,320 sonicgroup.com mix habits or if you 162 00:05:18,320 --> 00:05:19,840 prefer primer on mastering you can get 163 00:05:19,840 --> 00:05:21,759 that over at sonicsgroup.com 164 00:05:21,759 --> 00:05:24,479 mastering101 that's sonicscoop.com 165 00:05:24,479 --> 00:05:26,240 mastering 101. of course we got the 166 00:05:26,240 --> 00:05:27,520 full-length courses like mixing 167 00:05:27,520 --> 00:05:29,199 breakthroughs and mastering demystified 168 00:05:29,199 --> 00:05:30,720 with yours truly i think you're going to 169 00:05:30,720 --> 00:05:32,720 love them money-back guarantee on them 170 00:05:32,720 --> 00:05:34,080 thanks for hanging out with me for this 171 00:05:34,080 --> 00:05:35,680 super brief episode of the sonic scoop 172 00:05:35,680 --> 00:05:38,479 podcast 173 00:05:38,479 --> 00:05:41,960 see you next time12273

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