All language subtitles for W1A - 03x06 - Episode 6.WEBRip.English.orig.Addic7ed.com

Stand by, two.

Mix through. Cue on two.

The BBC has announced
the appointment of ex-head

of Olympic deliverance Ian Fletcher,
as its new head of values.

Time now for
the shipping forecast...

Superimpose.

The fact is, Claudia Winkleman
is an almost perfect example

of something we currently do well.
Sure. Brilliant.

The fact is we should
be looking at better ways

of doing more of her, not fewer.

Right. OK. Like, duh.

Thursday morning at
the BBC's New Broadcasting House.

Another day, another
damage limitation meeting

and this morning it's
a one-item agenda.

What I don't understand is how this
can possibly have happened. I know.

Yes, exactly. How did we get to this
point? I know, tell me about it.

So, just to be clear, what you're
telling us is that Amanda Holden

has already signed an agreement
in principle? Yes, I know, yes.

Right, OK.
Can I just say, guys?

I never thought we'd end up
in this situation. Brilliant.

Never thought it. No, clearly.

Despite the offer of an exclusive
contract worth BLEEP million pounds

from rival broadcaster BLEEP,

the BBC were close to persuading
Claudia Winkleman to stay

and develop On Your Bike
as a way of being taken seriously,

until they discovered that they've
also been developing an almost

identical show with
Amanda Holden as presenter.

It feels to me like what needs
to happen is someone needs to

phone Amanda up and basically
explain to her... Sure. Fabulous.

Yes, exactly. Right.
It's a no-brainer.

I've got to say I agree, Ian.

So, sorry,
when you say explain to her...

I don't know, just be honest with
her. Right, yes. Tell her the truth.

Brilliant. The truth. Exactly.

You never know, it might work.
Yes, exactly, yes.

Everyone knows, with Claudia
having promised BLEEP a decision

by the end of the week, the future
of Strictly Come Dancing and

therefore of the BBC itself could
well be hanging in the balance.

When you say the truth, Ian, what
exactly are you going to say to her?

Yes, interesting. I'm sorry,
I'm not doing this. Oh, OK.

I don't mind who does, obviously.
No, of course.

Can I just say, guys?
Me neither. I'm easy.

There'll be a form of words here,
surely. Yes. Yes, exactly.

A form of words, yes.
Yes, no, very clear.

Meanwhile, elsewhere in the building

it's also a big morning
for Izzy Gould.

Hi. Hi. How are you feeling?
Yeah, good.

With the BBC facing a demand for
a £1.5 million donation to charity

following its use of
the film star Hugh Grant's

image to promote a BBC product
without his consent, she's been

summoned to the director-general's
office to explain.

So, do you know who
else is going to be there? No.

Apparently the more he smiles,
the bigger the trouble you're in.

Really? Apparently. OK.
That was a joke, right? Oh, OK.

I just came to say good luck.
Yes, thanks.

It'll be fine, OK?
Yes. It's simple.

They issue a formal,
grovelling apology,

we're really sorry,
a fuck-up by a junior employee,

in this case also an idiot, who
has since been removed from post.

Right. That's what happens now, OK?

And promise me you're not
going to do something stupid

because really this has
gone far enough.

Sorry, guys, but when you say words,
Ian... Look, I'm really sorry.

For Christ's sake. So I'm bored
of this now. Yeah, me too.

Back in Mary Berry, the search
is still on for the best

form of words to explain to
Amanda Holden that there's only

one BBC bike and that she's
not going to be riding it.

OK, here's the thing with this.
All right, here we go.

It is not brain science.
Brain science? What?

As of now, Amanda has signed an
agreement in principled. Whatever.

Yes. An agreement in principle.

Exactly, so what you do is offer her
a ridiculously small fee. Right.

Brilliant. Presumably we've
done that all ready.

Yes, we have, Neil, yes.

No, I get that but I mean
like crazy small, like zippence.

OK. So, how much are you
offering her now? How much?

Sure, how much? I just said that.

Well, I think we were talking
about something like BLEEP thousand.

BLEEP thousand? I think so, yes.
Christ.

So, you offer her like BLEEP.

BLEEP? Sure. What? Per episode.

No, for the whole thing, whatever.
Really?

BLEEP thousand? Well, she's getting
like BLEEP for Britain's Got Talent.

Right, do you think? Exactly.

BLEEP thousand.

At least BLEEP. Jesus.

So Amanda is like,
"I really want to do this

"and I know these guys
don't have any money"

but she can't accept BLEEP.

Brilliant. Her agent won't let her.
Right, well. Oh, my God, Siobhan.

It is a slam dunk. Fabulous. That's
one way of doing it, I suppose.

Yeah. It totally is.
OK, Amanda, tick.

If that doesn't work,
you can always try the truth.

Yes. Yes, no brilliant. Goody good.
Yes, exactly. Yeah, great.

Meanwhile, Izzy has emerged from
her meeting with director-general

Tony Hall and his people
about the Hugh Grant affair.

So... How did it go? It was
fine. Cool. So, you told them?

You did the right thing.
I didn't need to. What do you mean?

It was fine,
it's all gone away. What?

At the southern end of the earth,

after four months of total darkness,

the sun once more
rises over Antarctica.

Astonishingly,
for both Izzy and for the BBC,

there's been some good news
overnight in the shape

of an intervention from
a completely unexpected quarter.

Will?

Oh, yeah, Izzy, yeah, hi.
I don't want to disturb you.

No worries, yeah, cool. But I came
from a meeting with Tony Hall.

Whoa, Tony Hall. Yes.
About the whole Hugh Grant thing.

Yeah, I know, crap.

It appears that no less a person
than Sir David Attenborough

himself has now become involved.

Apparently they know each other from
the whole worldwide wildlife thing.

That's like, no way.

Anyway, he phoned him
personally in LA,

he has his private number
and everything.

No way, that's like mental. That
is so random, like, I don't know.

Can I just ask you...? Yeah.

Because the first thing
I thought when they told me,

was this something to do with you?

Yeah, no, say again?

I know it's mad but were you
involved in this in some way?

I knew it. Yeah, no. I knew it
was you. He's such a cool guy.

Why didn't you tell me? Why didn't
you tell me? Yeah, I know, crap.

Will?

Oh, sorry. Yeah, no, crap.

Yeah, me too. Yeah, crap.

It's Friday and the end of another
week at New Broadcasting House,

but this isn't so much the end
of something

as the start of something new.

Tonight finally sees the launch
of the BBC's new online platform

BBC Me and with it
the dawn of a future in which BBC

content will be uploaded mainly by
the same people who then watch it.

Ah, Anna. Yes. Morning.
Yes, exactly, yes. How are you?

Yes, I've been trying
to catch you up.

With so much change in the air,

including the creation of a single
new post of Director Of Purpose

to replace the current posts of Head
Of Values and Director Of Better,

there's a lot to think about
for anyone with a folding bike.

The fact is I need to talk to you.
Yes, right. Yes.

Are you OK with that, by the way?
Yes, I'm fine. Maybe we should...

Oh, careful.

Now. Are you OK? Anna? Yes, no.

Let me have a look.
The fact is I'm fine.

Erm...

Right, OK.

Here we go, some plaster strip
here so that's good. Yes.

Some TCP.
Hang on, no, that's eyewash.

No, I don't want that.
Here's the TCP.

Fortunately for Anna, the BBC
has installed state-of-the-art

first aid facilities in
New Broadcasting House, especially

equipped with just this type
of folding bike injury in mind.

How are you doing? Yes.
It really stings, doesn't it?

You're doing really well.

It's certainly a different way
to start the morning.

The fact is
I need to talk to you. Yes.

I'm assuming if this is the whole
Director Of Purpose thing,

yes, let's have coffee
or something. Yes.

But do you want to hold your
hand out?

Maybe you want to just make sure
that's really dry. Exactly.

I don't know what to think about it.

There's so much happening
at the moment.

I haven't made a decision yet
if that's what you're asking.

Er...
That looks better, doesn't it? Yes.

So, no, but just to say whatever
happens we're both grown-ups.

Yes. OK? Yes.
So I don't think it needs...

The fact is I'm leaving. Right, OK.
Yes.

The fact is I need to talk to you.

Yes, right. OK.

Meanwhile, up on
the sixth floor, Will is

arriving for work as usual, another
busy day of assisting ahead of him.

Me. Me. Me. Me. Me. Me.

Yes, no, brilliant.

It's the same day but later and
BBC Head Of Brand Siobhan Sharpe

has come over to New Broadcasting
House from Fun Media to take the

renewal group through the itinerary
for tonight's seminal BBC Me launch.

So one minute to midnight you've
a ton of cool people there,

you've got champagne. Champagne?
Sure. Brilliant.

Prosecco, whatever. Yes, please.

Sure. It may be the future but
this is still the BBC. Yeah, sure.

I'm good with that.

Siobhan is keen everyone understands
just how important a moment

this is in the history
of what was once the BBC.

So, one minute to midnight,
cue Me, Me, Me on the big screen.

BBC Me, it's you, whatever.

Then countdown to midnight like
countdown to the future. Brilliant.

Everybody is like, nine, eight,
seven, six, five, four.

Yes, I think we know how a countdown
works, Siobhan. Yes. Exactly.

Three, two, one. Yay! Yes, I mean...
No, no. I've got more. Great.

So this is the really cool part.
We've done Me, Me, Me.

We've done the countdown.
We've done yay, it's the future.

We've got everybody there,
what do we do now? Don't know.

No, so you say stuff
and I tell you the answer. Right.

No, I'm sorry, Siobhan. I give up.
Please, Miss, can we have a...?

We dance. Oh, brilliant.

We dance. Sure. OK. Right, that's
me out. Like it's a party, right?

So we have the world's biggest
silent disco. All right.

Silent disco. Fabulous.

And we live stream
the whole thing on BBC Me.

Right. No, honestly. How cool
is that? Right, is that it now?

No, sure. We're pretty much done
here. OK, thanks for that, Siobhan.

Quite a lot to process there.
Yes, exactly. Really? There so is.

Just to check, I am assuming Tony's
office is happy with all this?

Sure, totally. Right.

Tony who? Tony Hall, Siobhan.
No, sure. Director-general...

Yeah, no, got it. Good with that.
OK, here's to the future.

No, honestly. Bring it on.
I can't wait. Me neither.

Bagsy dance with you, Anna.
Yes, exactly.

No, I'm sorry. Fabulous.
Yeah, great.

Hi, Will. Yeah, hey, I don't know.
Are you off? What? Yeah, I'm off.

Me too. OK, cool.

So, another week.
Yeah, another week, yeah, cool.

Are you going to this launch
thing later? Yeah, I don't know.

You should. Yeah. Everyone
will be there, I think. Yeah.

What's this?

Oh, right. Sorry, Will. I'd better
just deal with this, I think.

OK, cool.

Hi. Oh, hi. Yes.

I was going to reply but then
thought it was probably

quicker just to... Yes, thanks.
Are you OK? Yes, no, I'm fine.

No, I don't want to keep you.
No, no.

Are you going to this thing
later on? Yes. Are you? Yes.

Right, apparently we've
all got to have fun. Yes.

Yes, no, it is not official and
I'm not supposed to tell anyone

but I've got some news.
Right.

Will. Hey, yeah. I was just
leaving, actually. Yeah, me too.

I'll come with you, shall I?
OK, cool.

Yes, so like another week.

Yes, another week, yes.
Are you going to...? Jack.

Hey, yeah. I don't know.
I'm not going to ask, OK? OK, cool.

I don't care. I was just
coming to find you. To find me?

It's On Your Bike.
What do you mean?

I just ran into David Wilkes.
Right.

It is like he's
foaming at the mouth.

That is great, Lucy.
That's fantastic.

They're not announcing anything
official until next week.

Head Of Empowerment.

I'm not going to believe it
until I actually get the e-mail.

Congratulations. Yes.

So, hi, guys. David.

I know you're busy and didn't want
to disturb you. No, we were just...

I wouldn't bother you at all

but I think something
really bad's happened.

Something bad? And what it is, I
didn't know who else to tell. Right.

Even though it's already been
a big week for everyone at the BBC,

for those who haven't managed
to get out of the building yet

it's just got even bigger.

So I tried to get hold of
Simon and Anna

but Simon's gone home to change
and Anna isn't answering. No.

Oh, thank God. I found her. Lovely
Izzi. Hey, yeah. I found him, too.

Yes, no, so what it was it I phoned
Amanda to leave her a message

but I got straight through to her
which I wasn't expecting.

In the course of a number
of conversations with both

Amanda Holden and her agent
during the course of the day

on the subject of a crazy low fee
for her BBC One Cycling Shorts

series, David seems to have
somehow succeeded in formally

attaching her to the show.

And she's like,
"David, this isn't about money,

"it is not about that. I've had
my fill of Simon's trousers

"and people juggling dogs,
I'm done with that."

And her agent's like, what it is,

at this point in her career,
this is a perfect fit for Amanda,

and she'd, like, kill to be on the
BBC, she don't care who knows it.

Right. So, anyway, she wouldn't
have it.

And she ended up saying
that she was, like, signing

the actual contract today and
putting it in the post.

Right. End of. OK.
I know, nightmare.

With the clock ticking
towards a brick wall,

and Claudia Winkleman waiting
to hear back from the BBC

about On Your Bike, they need
to think of something fast,

and worse still, something good.

OK, so break the contract.
Oh, well. Whoa.

No, like, she's signed it now.

She has signed now, yes.

Yes, I know, that's what I'm saying.

Yes. It's fine, it's like, people
break contracts all the time.

Yes, but they're not the BBC.
OK, so... Well, we are.

Yeah, we are, yeah.

With other key players
having either gone home,

gone somewhere else,
or left the BBC entirely,

those who are left have no option

but to roll up whatever sleeves
they can find and try to sit down.

I mean, Will... Yeah, cool, yeah?

Don't feel you've got to hang
around for this, obviously. No.

Yeah, no worries, yeah.
I don't know. What?

So if you are going to be
hanging around... Yeah, cos...

Yeah, any chance of doing
a coffee run?

OK. Will... No, Jack.

I don't know about anyone else...

Don't talk to me about sugar levels,
do not get me started. OK, cool.

No, hang on, Will. Yeah?
You were going to say something.

Yeah, I don't know. No, go on.

Yeah, I don't know, it's like,
you could have, like,

loads of different programmes
about cycling. Right, yes. Great.

Yeah, cos, like, at school, we had,
like, a whole cycling week. Right.

It was pretty cool.
A cycling week?

Yeah, like, in the summer term.

So, like, in history, it was,
I don't know, like, Penny Farthing.

Like, in English, we had to write,
like, a story about a bike. Right.

Like, in maths, it was, like,
I don't know, like, wheels. Yes.

And, like, in geography, we did,
like, China.

Yes, I think we're
getting the picture, Will.

Yeah, I know, yeah, me too.
So, what, you mean...?

Suddenly, out of nowhere,
and without trying,

it's starting to look as if
Will Humphries may have finally

found himself in a situation for
which he is uniquely qualified.

So, like, a cycling season.

A cycling season. Yeah, cool.

Right. Cycling season, yeah, cool.

Or, like, a kind of
On Your Bike season,

but across the whole of the BBC.

Yeah, cool, yeah,
the whole of the BBC.

OK. Oh, my God.

His school cycling week was
no doubt intended to educate,

inform and entertain,
as well as to fill time

and, by some fluke of circumstance,
it turns out those were also

the original founding principles
of the BBC.

Cos you could have a public
awareness,

like, a health angle,
as well. Yes.

Like, you know, getting Britain
moving. Get Britain moving.

Britain on two wheels.
Britain on two wheels.

I suppose you could run
bicycle thieves somewhere.

Yeah, cool. Bicycle thieves.
Yeah, cool, yeah,

with, like, bicycle police
chasing them. Yes. What?

No, I was just thinking, in terms
of the whole distinctivity thing,

suddenly, this is starting
to sound very BBC.

Yeah, exactly.
No, in a good way, I mean.

OK, so how does this play with
Claudia Winkleman, then? Right, yes.

If we're promising her
an exclusive gig.

Yes. Yeah, I don't know,
yeah, good point.

OK, so I don't know, maybe
there's a version of this

where you make Claudia
the face of the whole thing. Yes.

Oh. You know, and you make
On Your Bike the flagship show.

Cool. Oh, my God, genius, Ian.
Well, no.

Can I just say, guys, is it just me

or have we basically just
saved the BBC? Well, cool.

I mean, let's not get too carried
away with this just yet.

Yeah, no, OK, crap.

Eventually, it's later,

and excitement is
building in the building

as the countdown to the future
for the BBC is inexorably underway.

The guest list amounts to a literal
who's who of the social media world,

together with some dignitaries
specially chosen to represent

the outgoing world order,
such as Fiona Craig

from the Department of Culture,
Media and also Sport.

To top it all, BBC Director-General
Tony Hall himself has arrived in

order to be there in person, as well
as to make some sort of big speech.

So, we put him in there, OK,

and we've got a guy with, like,
a smoke machine, whatever.

Right. Cool.

Yeah, yeah. With, like, real smoke?
What?

We put who there, Siobhan?
Brilliant!

Tony? Sure. Yeah. So fun.

We're putting Tony Hall
in the TARDIS? Yes, very good.

As the minutes tick away,

Siobhan and her fun, creative team
are taking Tracey and Simon

through some of the fine detail
of what's going to happen.

Then it's like, nine, eight,
seven, six... OK.

..five, four... Yes.
..three, two, one.

Yay!

Yes, OK, thank you, Siobhan.

The door opens... Yeah!
Fabulous!

He comes out and he goes
to the podium, whatever...

Suddenly, he's arrived,
it's the future.

Then you've got a speech, right.

No, really, it's too much.

OK, so not being awkward
or anything, Siobhan,

but have you actually
asked Tony about this?

He's going to love this, right?
Yeah.

As someone who's worked with
Tony closely over the years,

and who I don't mind
saying I think he respects...

Yes, no, brilliant, Tracey.
..I am going to say this.

Tony likes to know what
he's doing, OK? Sure.

He doesn't like surprises.

OK, so he's doing this, right?

OK. Like, how cool is that? No.

It's not a question, right,
it's way cool. Fabulous.

Chief global content officer?
Yes, exactly. Right.

Meanwhile, Anna is in
the process of taking Ian

through some plans of her own.

And this is LA, is it?
LA, yes, exactly. Right, well.

The fact is, it's sunny there.
I've had enough of rain. Yes.

With one eye on which way
the wind is blowing

and another eye on the rain,

Anna has decided to leave
the BBC behind her altogether

and has already landed a senior role

with US media giant Amazon
in America.

Well, I mean, what can I say?
Congratulations, Anna. Yes, exactly.

That sounds amazing.
Yes, exactly, yes.

Given the responsibilities that
will come with her new role,

it's vital that she's done
as much preparation for life

in Los Angeles as possible
before she gets there.

That's the kitchen. Right.

The terrace is outside. Right. Yes.

She's got some photos of a house
in Santa Monica

which she's happy to share with him.

And this is the utility room. Yes.

There's another shower in there.
Is there? It's nice, isn't it?

Oh, I mean, no, it's really...
Yes, exactly, yes.

Oh, David. Hello, lovely Lucy.
Sorry, I didn't see you there.

Yes, I know.
Look at you, in your lovely dress.

What? Oh, no, yes, it's just...

Oh, congratulations, by the way.

Hear they're in order.
Oh, thank you.

With the future really
not that far away now,

Anna isn't the only one in
the room thinking about what it

could possibly hold for them.

Yes, no, cos I've got
a bit of news of me own,

but I promised myself
I wouldn't tell anybody. Right.

What I've said is, if you've

any sense, you keep it
to yourself, David.

Right, OK. Well, I mean, that's...

What it is, and this absolutely
to go no further... No.

..but I've taken the first step
on a very big journey today.

Right, have you?
Yes, I have, Lucy, yes.

The fact is, I need to talk to you.
Well, yes, so you keep...

I mean, actually, you are doing,
actually. Yes, exactly, yes.

The fact is, you could
come with me. Oh, yes.

You don't need to do this. Yes.
You don't need to be here. Well, no.

I mean, hang on, just checking,
you're not serious, are you?

The fact is, I'm not drunk. No.

They're really keen on you over
there. What? The fact is... Who is?

We talked about it at interview.
Talked about what?

Yes, exactly, yes.
The fact is, we make a good team.

The fact is, I'm not drunk. No.

Sometimes, I think you want to
start my life all over again. Right.

The fact is, I feel the same. Yes.

What it is, OK...

OK, this morning, right...

I filled in stage one

of the Director of Purpose
application form and I send it off.

What? I filled in...
No, I heard you. OK.

Director of Purpose?

And now, I know what
you're thinking, Lucy,

but do you know what I think it is,
though, what it is?

I'm passionate about the BBC.

Right, are you? Yes, I am, yes.
And do you know what?

We're living in an era of change.
Yes.

We are in a time where, like,
literally anything can happen. Mm.

And I'm like, if anything can
happen, then do you know what?

Might as well be happening to you.
Yes. You mean happening to you.

Happening to me, yes. Yes.
Yes, I know me, yes.

Meanwhile, as Senior Communications
Officer Tracey Pritchard

is doing her best
to mitigate any surprises

that Director-General Tony Hall
might find himself

facing on the way to his big speech,
in another part of the room,

Will Humphries has got
other issues to think about.

Hi. Hi.

This is fun, isn't it? Yeah.

Yeah. That for me? No, I just
picked up two just in case.

Right, well, thanks.

Cheers. Cheers.

Here's to David Attenborough, then.

Yes. Mm, what a guy.

Yeah. If it wasn't for him,

you would've crashed
and burned by now. Well...

And all just to protect
Forrest Gump.

Christ. Oh, I'm sorry.
For God's sake. No, I'm sorry.

No, no, fine. Whatever.

Drink your own bloody prosecco.

Hi. Hi. Nice quiet corner.

Yes, it's... Yes.

Not long to go now. No. No.

Well, here's to you. To?
To empowerment. Oh, right, yes.

Congratulations.

And here's to purpose.

Right, yes. Cheers.

I hope you stay.

Yes, well...

I really do.

Meanwhile, as midnight approaches,

it's time to put BBC
Director-General Tony Hall

in the TARDIS.

OK, well, he's in. Right. Cool.

Great. Yes, no, great.

Can't see anything
going wrong with this.

Poor Tony looked a bit forlorn
in there on his own. Yes.

OK, all set here, guys,
we're locked and loaded?

I've got to say, I'm not surprised.

He asked me if I'd mind
leaving the door open a bit.

I bet he did. Not being funny but I
wouldn't go in there if you paid me.

Really rather sweet.

OK, shut up. And run, Me, Me, Me.

OK, we've got one minute, guys,
one minute. Right, here we go.

Me.

Me...

OK, can somebody
close that door, OK?

No. Ah, now... No, I'm sorry,
Siobhan, Tony wants that open.

Excuse me? It's dark in there.
Dark? Yes.

Well, let's not...
It's a door, right? Yes.

If it's a door,
he comes out of that, duh.

No, I'm sorry, he expressly
asked for it not to be shut.

Let's not... OK, we've got
50 seconds here. I don't care.

That door gets closed or that
guy's got nothing to come out of

and we just launched a train wreck.

I don't care, you are not shutting
Tony Hall in the TARDIS.

Me!

Me!

Right. Er, so...

Brilliant. Fuck's sake.

No, no, I'm sorry.
I can't watch this. Erm...

No, this absolutely cannot happen.

No, I mean, it's
an interesting one, isn't it?

Ten, nine, eight,

seven, six, five,

four, three,

two, one.

Come out of there. Are you OK?

Come out of there. Come out.

What the fuck?

Tony?

Are you actually in there?

So, yes, BBC Me is now live online
and broadcasting to the world.

Yes, we may be in the digital future
but we are still the BBC.

Now, we were thinking Tony Hall,
our Director-General,

might want to say something
to mark this moment

but currently, as some of you
might have already noticed,

and this is typical of him,
by the way,

it looks like he's overshot
and gone so far into the future

that he's left the rest
of us temporarily behind.

Yay!

We may well get him back at
some point but in the meantime,

my name is Ian Fletcher,
I'm currently Head of Values here

and I'll be your waiter tonight.

Yay!

I'm going to keep this really short.

I gather we've got
some sort of dancing to do.

Yay!

So this is indeed a big moment,
the start of an exciting new era.

But we're in this building.

"Nation shall speak unto nation"
is what it says above the door,

so everything changes
but nothing changes.

In fact, what it says is "Nation
shall speak peace unto nation."

Yay!

But let's not get
ahead of ourselves.

So, yes. So, BBC Me, It's You.

Of course we're in an age of
great change and as time passes,

as people come and go, the Me
will change and the You will change,

the technology will change but
the thing at the centre of it all,

the speaking unto each other,
that will remain,

and it will be more vibrant,
more far-reaching

and more important
than it's ever been.

Thank you. Yay!

George!

With the time for speaking now over,
it's time for something else.

For everyone, it's time to dance.

Power Of Love
by Huey Lewis And The News

At last, after everything
that's happened,

it looks as if a future
of some kind for the BBC

is finally underway,

and perhaps, for the moment,
that's all that matters.

Perhaps it's enough that
the night is still young.

For the moment, tomorrow
may seem a long way away.

But exactly who will be
in that tomorrow

and what it will hold for them
if they are, no-one knows.

Ain't No
Mountain High Enough by Diana Ross

Only time will tell.