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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,033 Edited at https://subtitletools.com 2 00:00:52,511 --> 00:00:54,843 MIGUEL! 3 00:00:55,681 --> 00:00:57,637 [ECHOING] 4 00:01:02,521 --> 00:01:04,432 MIGUEL! 5 00:01:04,648 --> 00:01:06,184 [ECHOING] 6 00:01:25,085 --> 00:01:27,201 [HORSE NEIGHING] 7 00:01:33,093 --> 00:01:34,549 [NEIGHING] 8 00:01:44,563 --> 00:01:46,224 MIGUEL. 9 00:01:50,402 --> 00:01:51,562 MIGUEL. 10 00:01:54,906 --> 00:01:57,488 GWANGI. 11 00:02:08,086 --> 00:02:09,792 NO, NO. 12 00:02:10,005 --> 00:02:11,245 LEAVE IT. 13 00:02:11,465 --> 00:02:14,298 HE WHO TAKES FROM GWANGI, THE EVIL ONE, IS CURSED. 14 00:02:14,509 --> 00:02:16,295 ONLY BY AN OLD WOMAN'S TONGUE. 15 00:02:16,511 --> 00:02:19,753 IF HE DOES NOT GO BACK TO THE FORBIDDEN VALLEY, 16 00:02:19,973 --> 00:02:21,759 WE SHALL ALL SUFFER! 17 00:02:21,975 --> 00:02:25,217 MY EYES ARE BLIND, BUT I SEE THE SIGNS! 18 00:02:25,437 --> 00:02:29,271 KEEP YOUR SUPERSTITIONS TO YOURSELF! 19 00:02:30,984 --> 00:02:32,394 FOOL! 20 00:02:32,611 --> 00:02:33,976 HAH! 21 00:02:34,196 --> 00:02:37,654 ONE DAY HE WILL LEARN TO OBEY THE LAW OF GWANGI, 22 00:02:37,866 --> 00:02:40,733 OR, LIKE HIS BROTHER, HE WILL PERISH! 23 00:04:52,083 --> 00:04:54,745 [BAND PLAYING] 24 00:05:57,941 --> 00:05:59,806 HOWDY, MA'AM. 25 00:06:00,944 --> 00:06:03,151 PASA, SENORITA. 26 00:06:03,363 --> 00:06:05,149 CARRY YOUR CASE, SENOR? 27 00:06:05,365 --> 00:06:07,151 EH, DON'T BOTHER ME, BOY. 28 00:06:07,367 --> 00:06:09,153 DON'T YOU NEED A GUIDE? 29 00:06:09,369 --> 00:06:11,155 NO, I DON'T NEED A GUIDE. 30 00:06:11,371 --> 00:06:12,611 AN INTERPRETER? NO. 31 00:06:12,831 --> 00:06:14,617 YOU NEED A HORSE, SENOR. 32 00:06:14,833 --> 00:06:18,997 I DON'T NEED ANYTHING. NOW GET LOST, COMPRENDE? 33 00:06:19,212 --> 00:06:21,123 THERE IS NO MONEY IN THAT, SENOR. 34 00:06:25,468 --> 00:06:27,459 YOU WANT TO DO SOMETHING? 35 00:06:27,679 --> 00:06:29,670 IF THERE'S MONEY. 36 00:06:29,890 --> 00:06:31,676 TELL ME WHERE THE ARENA IS. 37 00:06:31,892 --> 00:06:33,348 2 MILES AWAY. 38 00:06:33,560 --> 00:06:34,800 2 MILES? 39 00:06:35,020 --> 00:06:38,979 YOU NEED THAT HORSE AND A GUIDE. 40 00:06:39,190 --> 00:06:40,976 YOU'RE A REAL HUSTLER, CHICO. 41 00:06:41,192 --> 00:06:42,978 I'LL BET PAPPY SENDS YOU OUT 42 00:06:43,194 --> 00:06:44,980 WHILE HE TAKES A SIESTA. 43 00:06:45,196 --> 00:06:46,982 NO, SENOR. MY PAPA IS DEAD. 44 00:06:47,198 --> 00:06:49,063 I RUN MY OWN BUSINESS. 45 00:06:49,284 --> 00:06:51,070 MY NAME IS LOPE. 46 00:06:51,286 --> 00:06:53,072 OK, LOPE, YOU AND ME 47 00:06:53,288 --> 00:06:55,199 WILL DO SOME BUSINESS TOGETHER. 48 00:06:55,415 --> 00:06:57,201 NOW, HOW ABOUT THAT HORSE? 49 00:06:57,417 --> 00:06:58,702 1O PESOS, SENOR. 50 00:07:01,546 --> 00:07:04,458 AND FIVE MORE FOR THE SADDLE. 51 00:07:06,092 --> 00:07:07,423 THE FIRST MILLION 52 00:07:07,636 --> 00:07:09,467 IS ALWAYS THE TOUGHEST, LOPE. 53 00:07:18,271 --> 00:07:20,102 WOO! WOO! 54 00:07:20,315 --> 00:07:22,476 EEYAH! 55 00:07:25,111 --> 00:07:26,396 AAH! 56 00:07:45,924 --> 00:07:48,415 YAH! 57 00:08:24,504 --> 00:08:28,122 LADIES AND GENTLEMEN, 58 00:08:28,341 --> 00:08:32,084 | NOW HAVE THE HONOR TO PRESENT 59 00:08:32,303 --> 00:08:37,343 THE LOVELY AND TALENTED STAR OF OUR SHOW, 60 00:08:37,559 --> 00:08:40,972 RIDING WONDER HORSE OMAR, 61 00:08:41,187 --> 00:08:44,930 MISS T.J. BRECKENRIDGE. 62 00:08:54,200 --> 00:08:56,407 WELL, I'LL BE. HEY, TUCK! 63 00:08:56,619 --> 00:08:58,951 TUCK KIRBY! HI THERE. 64 00:09:06,129 --> 00:09:08,085 [CIRCUS MUSIC] 65 00:09:09,507 --> 00:09:11,338 WHAT IN THE NAME OF SAM HILL 66 00:09:11,551 --> 00:09:13,337 BRINGS YOU AROUND HERE? 67 00:09:13,553 --> 00:09:14,793 UP TO NO GOOD. 68 00:09:15,013 --> 00:09:16,844 YOU DON'T SEEM GLAD TO SEE ME, CHAMP. 69 00:09:17,057 --> 00:09:19,844 LIKE A DYING MULE SEEING AVULTURE. 70 00:09:20,060 --> 00:09:22,301 I'M NO VULTURE-- BIRD ON THE WING, MAYBE. 71 00:09:22,520 --> 00:09:24,636 FLYING TO THE NEXT QUICK BUCK. 72 00:09:24,856 --> 00:09:26,642 LOOKS LIKE YOU FINALLY MADE IT. 73 00:09:26,858 --> 00:09:28,644 YEAH, I'M MAKING OUT ALRIGHT. 74 00:09:28,860 --> 00:09:30,896 ALL YOU CARE ABOUT IS YOURSELF. 75 00:09:31,112 --> 00:09:33,228 I STILL CARE ABOUT T.J. 76 00:09:33,448 --> 00:09:36,030 YOU FUSS LIKE A MOTHER HEN. 77 00:09:36,242 --> 00:09:38,028 HER DADDY WAS MY FRIEND. 78 00:09:38,244 --> 00:09:40,405 SOMEBODY'S GOT TO PROTECT HER 79 00:09:40,622 --> 00:09:42,408 FROM GUYS RUNNING OUT LIKE YOU. 80 00:09:42,624 --> 00:09:44,410 YOU WEREN'T SORRY I LEFT. 81 00:09:44,626 --> 00:09:45,661 NOPE. 82 00:09:45,877 --> 00:09:47,742 BUT IT NEARLY BROKE T.J.‘s HEART. 83 00:09:47,962 --> 00:09:51,420 | HEAR YOU'RE NOT DOING SO GOOD BY HER, EITHER. 84 00:09:51,591 --> 00:09:53,582 HAVEN'T BEEN ENOUGH CUSTOMERS. 85 00:09:53,802 --> 00:09:56,088 WE DON'T NEED ANY BIG SHOT 86 00:09:56,304 --> 00:09:58,090 TELLING US ABOUT THE SHOW. 87 00:09:58,306 --> 00:10:00,092 WHY DON'T YOU JUST GO BACK-- 88 00:10:00,308 --> 00:10:01,593 WAIT A MINUTE. 89 00:10:01,810 --> 00:10:03,346 THAT'S HER TUNE. 90 00:10:03,561 --> 00:10:05,347 THAT'S THE GRAND FINALE, RIGHT? 91 00:10:05,563 --> 00:10:08,430 WELL, I'M SURPRISED YOU REMEMBERED. 92 00:10:08,650 --> 00:10:10,857 EXCUSE ME. I'VE GOT TO SEE THIS-- 93 00:10:11,069 --> 00:10:12,900 FOR OLD TIMES' SAKE, YOU UNDERSTAND? 94 00:11:15,508 --> 00:11:16,918 CARLOS. 95 00:11:56,716 --> 00:11:59,423 [DRUM ROLL] 96 00:12:27,830 --> 00:12:30,162 HURRY UP WITH THAT RAMP. 97 00:13:15,253 --> 00:13:16,493 HOWDY THERE, PARTNER. 98 00:13:16,713 --> 00:13:17,953 EX-PARTNER. 99 00:13:18,172 --> 00:13:20,629 TO WHAT DO WE OWE THIS UNPLEASANT SURPRISE? 100 00:13:20,842 --> 00:13:22,628 I'M JUST LOOKING AROUND. 101 00:13:22,844 --> 00:13:24,630 TROUBLE COMES IN THREES. 102 00:13:24,846 --> 00:13:27,178 I WONDER WHAT THE NEXT TWO ARE. 103 00:13:29,600 --> 00:13:32,262 HEY, YOU CAN'T GO IN THERE. 104 00:13:32,478 --> 00:13:33,718 GET OUT! 105 00:13:33,938 --> 00:13:35,724 IT'S BEEN A LONG TIME, T.J. 106 00:13:35,940 --> 00:13:37,976 DO YOU WANT TO GET KILLED? 107 00:13:38,192 --> 00:13:40,308 YOU'RE THE ONE WHO'S ALWAYS TRYING IT OUT THERE. 108 00:13:40,528 --> 00:13:42,314 DON'T START THAT. 109 00:13:42,530 --> 00:13:44,987 WE ARE GOING TO HAVE A QUIET TALK, 110 00:13:45,158 --> 00:13:47,490 OR YOU'LL BE ACROSS MY KNEE. 111 00:13:47,702 --> 00:13:48,942 FAT CHANCE. 112 00:13:49,162 --> 00:13:50,948 THIS IS T.J., REMEMBER? 113 00:13:51,164 --> 00:13:53,746 SURE, I REMEMBER. 114 00:13:53,958 --> 00:13:56,290 IF YOU DON'T MIND, I'D LIKE TO CHANGE. 115 00:13:56,502 --> 00:13:58,868 WELL, GO ON. GO AHEAD! 116 00:14:02,175 --> 00:14:04,837 YOU HESITATED BEFORE THE JUMP. 117 00:14:05,053 --> 00:14:07,760 SEEING YOU WOULD UPSET YOUR OWN MOTHER. 118 00:14:07,972 --> 00:14:10,008 YOU'RE NOT PULLING MUCH OF A CROWD, ARE YOU? 119 00:14:10,224 --> 00:14:13,182 IN VILLAROSA, THINGS WILL BE BETTER. 120 00:14:13,394 --> 00:14:14,634 YOU SURE? 121 00:14:14,854 --> 00:14:15,969 SURE, I'M SURE. 122 00:14:16,189 --> 00:14:17,520 WHY IS THAT? 123 00:14:17,732 --> 00:14:20,348 WHAT DO YOU CARE? YOU'VE GOT YOUR BUSINESS. 124 00:14:20,568 --> 00:14:23,150 YEP, THAT'S RIGHT. ONE-MAN OPERATION. 125 00:14:23,363 --> 00:14:25,945 SITTING IN A PLUSHY OFFICE, BUYING AND SELLING ACTS 126 00:14:26,157 --> 00:14:28,443 INSTEAD OF GETTING KNOCKED OFF HORSES. 127 00:14:28,659 --> 00:14:30,490 IT'S LESS RISK AND MORE PAY. 128 00:14:30,703 --> 00:14:32,489 SO MIND YOUR OWN BUSINESS. 129 00:14:32,705 --> 00:14:34,491 I'M DOING JUST THAT. 130 00:14:34,707 --> 00:14:38,040 I'VE GOT A DEAL TO GET YOU OFF THE HOOK HERE. 131 00:14:38,252 --> 00:14:39,867 IF YOU'VE GOT A BRAIN, YOU'LL TAKE IT. 132 00:14:40,088 --> 00:14:41,328 THANKS. 133 00:14:41,547 --> 00:14:43,788 BUFFALO BILL WANTS TO BUY OMAR THE WONDER HORSE. 134 00:14:44,008 --> 00:14:45,794 HE'S OFFERING A GOOD PRICE. 135 00:14:46,010 --> 00:14:48,126 AND YOU GET 10%, RIGHT? 136 00:14:48,346 --> 00:14:49,677 20. 137 00:14:49,889 --> 00:14:53,222 YOU'RE NOT GETTING ONE THIN DIME OUT OF ME. 138 00:14:53,434 --> 00:14:56,050 AND BUFFALO BILL IS NOT GETTING OMAR. 139 00:14:56,270 --> 00:14:58,727 AND YOU CAN'T COME BUSTING IN HERE 140 00:14:58,940 --> 00:15:00,726 LIKE SOME HICK-TOWN HORSE DEALER 141 00:15:00,942 --> 00:15:02,648 TRYING TO RUIN MY SHOW. 142 00:15:02,860 --> 00:15:05,727 PEOPLE DEPEND ON ME-- CHAMP, CARLOS, ROWDY. 143 00:15:05,947 --> 00:15:07,812 BUT THEN YOU WOULDN'T KNOW ANYTHING ABOUT LOYALTY, 144 00:15:08,032 --> 00:15:08,987 WOULD YOU? 145 00:15:09,200 --> 00:15:10,736 THIS IS BUSINESS. 146 00:15:10,952 --> 00:15:13,318 YOU PLAY CON TRICKS, AND I'LL STICK TO HORSE TRICKS. 147 00:15:13,538 --> 00:15:14,823 NOW, BEAT IT! 148 00:15:18,501 --> 00:15:21,459 MY, MY, YOU ALWAYS DID LOOK SWEET IN A TEMPER. 149 00:15:21,671 --> 00:15:23,582 GET OUT I SAID! 150 00:15:23,798 --> 00:15:25,834 I'VE GOT HOTTER IRONS IN THE FIRE, HONEY. 151 00:15:26,050 --> 00:15:28,507 JUST KEEP STRUGGLING ALONG LEAPING OFF PLATFORMS. 152 00:15:28,719 --> 00:15:30,755 GO AHEAD BREAK YOUR NECK IF YOU WANT TO. 153 00:15:30,972 --> 00:15:32,758 MAKES NO DIFFERENCE TO ME. 154 00:15:32,974 --> 00:15:34,089 GOOD. 155 00:15:34,308 --> 00:15:36,094 JUST WORRIED ABOUT THAT HORSE. 156 00:15:36,310 --> 00:15:38,096 WOULDN'T WANT HIM HURT. 157 00:15:38,312 --> 00:15:39,848 OOH! 158 00:15:42,900 --> 00:15:44,686 EXCUSE ME. 159 00:15:49,073 --> 00:15:50,779 GOOD FOR YOU. 160 00:15:50,992 --> 00:15:54,985 YOU SHOULD HAVE THROWN HIM OUT A LONG TIME AGO. 161 00:16:05,465 --> 00:16:09,299 I SAY! HELLO THERE! 162 00:16:09,510 --> 00:16:11,296 OVER HERE, SIR. 163 00:16:11,512 --> 00:16:12,797 SOMEONE YOU KNOW? 164 00:16:13,014 --> 00:16:14,800 A CLIENT OF MINE. PROFESSOR BROMLEY. 165 00:16:15,016 --> 00:16:16,802 WHAT'S HE DOING OUT THERE? 166 00:16:16,976 --> 00:16:18,807 HE DIGS FOR OLD BONES AND THINGS. 167 00:16:19,020 --> 00:16:20,385 HELLO! 168 00:16:20,605 --> 00:16:24,018 SOUNDS LIKE HE'S IN TROUBLE. 169 00:16:27,737 --> 00:16:30,695 I SAY, THANK HEAVENS YOU CAME ALONG. 170 00:16:30,907 --> 00:16:32,738 WHAT HAS HAPPENED, PROFESSOR? 171 00:16:32,950 --> 00:16:34,156 WHAT HAS HAPPENED? 172 00:16:34,368 --> 00:16:36,154 YOU KNOW VERY WELL WHAT HAS HAPPENED. 173 00:16:36,370 --> 00:16:37,485 ROSITA? 174 00:16:37,705 --> 00:16:39,991 ROSITA, MY MULE, REFUSED TO BUDGE. 175 00:16:40,208 --> 00:16:41,994 THEN SHE KICKED ME. 176 00:16:42,210 --> 00:16:43,996 I DON'T KNOW WHERE SHE'S GONE NOW. 177 00:16:44,212 --> 00:16:46,168 ARE YOU HURT? 178 00:16:46,380 --> 00:16:48,166 WELL, THERE ARE NO BONES BROKEN, 179 00:16:48,382 --> 00:16:50,498 BUT IT'S FRIGHTFULLY PAINFUL. 180 00:16:50,718 --> 00:16:52,583 BY THE WAY, I DON'T BELIEVE WE'VE MET. 181 00:16:52,803 --> 00:16:54,134 MY NAME'S BROMLEY. 182 00:16:54,347 --> 00:16:56,178 HI. NAME'S TUCK KIRBY. 183 00:16:56,390 --> 00:16:59,257 HOP ON. WE'LL GIVE YOU A RIDE BACK. 184 00:16:59,477 --> 00:17:02,014 PERHAPS LOPE'S MOUNT MIGHT BE 185 00:17:02,230 --> 00:17:04,095 A LITTLE MORE PRACTICAL. 186 00:17:04,315 --> 00:17:05,145 WAIT! 187 00:17:05,358 --> 00:17:06,188 WHOA. 188 00:17:06,400 --> 00:17:07,856 MY BOY. 189 00:17:08,069 --> 00:17:10,435 [MULE BRAYING] 190 00:17:11,989 --> 00:17:13,274 COME ON! 191 00:17:13,491 --> 00:17:15,277 YOU OUGHT TO KNOW BETTER 192 00:17:15,493 --> 00:17:17,324 THAN TO GET BEHIND A STUBBORN MULE, PROFESSOR. 193 00:17:17,537 --> 00:17:20,995 YOUR ADVICE COMES A LITTLE LATE, KIRBY. 194 00:17:27,338 --> 00:17:30,296 LOOK, PROFESSOR. ROSITA HAS FOUND HER WAY HOME! 195 00:17:30,508 --> 00:17:31,793 VICIOUS BEAST. 196 00:17:34,136 --> 00:17:37,469 GIVE ME YOUR SHOULDER, LOPE. 197 00:17:48,234 --> 00:17:50,691 I'D SAY YOU COULD USE A GOOD STIFF DRINK. 198 00:17:50,903 --> 00:17:53,986 YOU'RE RIGHT. IT'S IN THE TRUNK. 199 00:17:58,661 --> 00:18:00,526 LOPE TELLS ME YOU'RE ONE OF THESE, UH, 200 00:18:00,746 --> 00:18:02,407 ONE OF THESE ARCHAEOLOGIST FELLOWS. 201 00:18:02,623 --> 00:18:04,534 HE'S PRETTY NEAR THE MARK. 202 00:18:04,750 --> 00:18:07,082 ACTUALLY, I'M A PALEONTOLOGIST. 203 00:18:07,295 --> 00:18:09,081 OH. WE DIG DEEPER. 204 00:18:09,297 --> 00:18:12,255 IT ISN'T GOOD TO DIG UP THE PAST. 205 00:18:12,466 --> 00:18:15,173 LET SLEEPING DOGS LIE, EH? 206 00:18:15,386 --> 00:18:17,502 WE WON'T GET VERY FAR THAT WAY. 207 00:18:17,722 --> 00:18:19,587 DEPENDS ON WHERE YOU WANT TO GET TO. 208 00:18:19,807 --> 00:18:21,889 TO THE BOTTOM OF THINGS. 209 00:18:22,101 --> 00:18:24,558 WHAT DARWIN DID WITH HIS THEORY OF EVOLUTION, 210 00:18:24,770 --> 00:18:27,227 I INTEND TO DO WITH MY THEORY OF HUMANOIDS. 211 00:18:27,440 --> 00:18:28,429 HUMANOIDS? 212 00:18:28,649 --> 00:18:30,105 IT MEANS MANLIKE. 213 00:18:30,318 --> 00:18:32,229 PALEONTOLOGISTS GENERALLY BELIEVE 214 00:18:32,445 --> 00:18:35,061 THAT MAN FIRST EVOLVED ABOUT A MILLION YEARS AGO. 215 00:18:35,281 --> 00:18:38,899 I'LL PROVE IT WAS MANY EONS BEFORE THAT. 216 00:18:39,118 --> 00:18:40,949 IF YOU'D LIKE TO LOOK IN THAT TRUNK, 217 00:18:41,162 --> 00:18:43,073 YOU'LL FIND A PIECE OF ROCK. 218 00:18:43,289 --> 00:18:45,075 WILL YOU GET IT? 219 00:18:54,550 --> 00:18:56,541 THAT'S IT? 220 00:18:57,970 --> 00:18:59,835 NOW LOOK AT THE FOSSIL, 221 00:19:00,056 --> 00:19:01,796 THE IMPRESSION LEFT IN THE ROCK. 222 00:19:02,016 --> 00:19:03,802 LOOKS LIKE A FOOTPRINT. 223 00:19:04,018 --> 00:19:05,633 PRECISELY. IT'S AN EOHIPPUS! 224 00:19:05,853 --> 00:19:06,888 50-- 225 00:19:07,104 --> 00:19:10,221 EOHIPPUS. THE SO-CALLED DAWN HORSE-- 226 00:19:10,441 --> 00:19:12,727 THE ANCESTOR OF OUR PRESENT DAY HORSES. 227 00:19:12,943 --> 00:19:14,729 I NEVER SAW A HORSE SMALL ENOUGH 228 00:19:14,945 --> 00:19:16,731 TO LEAVE A PRINT LIKE THAT. 229 00:19:16,947 --> 00:19:18,733 YOU NOTICE IT HAD THREE TOES? 230 00:19:18,949 --> 00:19:21,782 THROUGH EVOLUTION, HORSES HAVE GROWN LARGER. 231 00:19:21,994 --> 00:19:24,736 THAT CENTER TOE HAS BECOME THE HOOF. 232 00:19:24,955 --> 00:19:26,115 iINCREIBLE! 233 00:19:26,332 --> 00:19:28,163 SI, INCREIBLE. 234 00:19:28,376 --> 00:19:30,742 WHAT IS MORE INCREDIBLE IS THE FOSSIL BESIDE IT. 235 00:19:30,961 --> 00:19:33,577 I'M CONVINCED THAT IS THE TIBIA OF SOME HUMANOID 236 00:19:33,798 --> 00:19:36,335 THAT EXISTED AT THE SAME TIME AS THE EOHIPPUS, 237 00:19:36,550 --> 00:19:40,634 POSSIBLY MORE THAN 50 MILLION YEARS AGO. 238 00:19:42,264 --> 00:19:44,095 YOU FOUND THIS THING AROUND HERE? 239 00:19:44,308 --> 00:19:45,798 IN THE FOOTHILLS. 240 00:19:46,018 --> 00:19:48,634 THIS IS MY WHOLE LIFE, MR. KIRBY, 241 00:19:48,854 --> 00:19:50,845 BUT I NEED TIME AND MONEY. 242 00:19:51,065 --> 00:19:55,274 MY RESOURCES, BOTH FINANCIAL AND PHYSICAL, 243 00:19:55,486 --> 00:19:57,772 ARE RUNNING PRECARIOUSLY LOW. 244 00:19:57,988 --> 00:19:59,194 WELL, PROFESSOR, 245 00:19:59,407 --> 00:20:01,193 WHAT YOU NEED IS A GOOD REST. 246 00:20:01,409 --> 00:20:03,195 YES, MR. KIRBY. 247 00:20:03,411 --> 00:20:05,447 THANK YOU FOR YOUR KINDNESS. 248 00:20:05,663 --> 00:20:07,619 LOPE. 249 00:20:21,178 --> 00:20:23,009 I'LL BET YOU DIDN'T KNOW 250 00:20:23,222 --> 00:20:25,008 THAT WAS YOUR MIDDLE TOE, DID YOU? 251 00:20:37,903 --> 00:20:38,813 T.J. 252 00:20:39,029 --> 00:20:39,859 YEAH? 253 00:20:40,072 --> 00:20:41,858 CAN I SPEAK TO YOU A MOMENT? 254 00:20:42,074 --> 00:20:43,985 OF COURSE. IN PRIVATE. 255 00:20:46,912 --> 00:20:48,368 I KNOW. 256 00:20:48,581 --> 00:20:50,663 YOU WANT THAT MONEY I OWE YOU. DON'T WORRY. 257 00:20:50,875 --> 00:20:52,740 WE'LL PACK THEM IN WITH OUR NEW ATTRACTION. 258 00:20:52,960 --> 00:20:54,996 EL DIABLO WILL BE SUCCESSFUL. 259 00:20:55,212 --> 00:20:56,577 SHH. QUIET. 260 00:20:56,797 --> 00:20:58,583 IT'S NOT ONLY MONEY. 261 00:20:58,799 --> 00:21:00,039 WHAT ELSE? 262 00:21:00,259 --> 00:21:02,591 US TOGETHER. YOU AND ME AND DIABLO-- 263 00:21:02,803 --> 00:21:04,885 LET'S SEE HOW IT GOES. 264 00:21:08,434 --> 00:21:09,344 HIYAH! 265 00:21:09,560 --> 00:21:10,390 iTORO! 266 00:21:10,603 --> 00:21:13,686 HA HA HA! 267 00:21:15,441 --> 00:21:17,397 HIYAH! iTORO! 268 00:21:26,744 --> 00:21:29,326 HI THERE, HON! 269 00:21:29,538 --> 00:21:32,075 I THOUGHT I TOLD YOU TO GO. 270 00:21:32,291 --> 00:21:33,451 ABOUT THAT DEAL. 271 00:21:33,667 --> 00:21:35,123 SO GO! 272 00:21:35,336 --> 00:21:37,122 I GUESS YOU'VE BEEN THINKING ABOUT IT. 273 00:21:37,296 --> 00:21:39,878 NOTHING IS FURTHER FROM MY MIND, EXCEPT YOU. 274 00:21:53,312 --> 00:21:55,223 HEY, TORO! 275 00:21:55,439 --> 00:21:56,724 HEY, TORO! 276 00:21:56,941 --> 00:21:59,148 HEY, TORO! 277 00:21:59,360 --> 00:22:00,270 LOPE! 278 00:22:00,486 --> 00:22:02,442 HEY, TORO! 279 00:22:03,322 --> 00:22:06,439 HEY, HEY, TORO! 280 00:22:38,190 --> 00:22:40,476 TUCK! 281 00:22:42,778 --> 00:22:46,396 DARLING, ARE YOU ALRIGHT? 282 00:22:51,537 --> 00:22:53,402 CUT IT OUT, TUCK, 283 00:22:53,622 --> 00:22:55,362 IF YOU WANT TO GET REPAIRED. 284 00:22:55,583 --> 00:22:57,494 IT'S NOT EASY TO KEEP STILL 285 00:22:57,710 --> 00:23:00,167 WITH YOU HANGING AROUND ME LIKE THAT. 286 00:23:02,047 --> 00:23:03,958 WHO WAS THAT FELLOW WHO JUMPED THE BULL? 287 00:23:04,174 --> 00:23:05,380 OH, CARLOS. 288 00:23:05,593 --> 00:23:07,379 I'M GLAD HE WAS THERE. 289 00:23:07,595 --> 00:23:11,338 HE SAVED YOUR LIFE. 290 00:23:12,558 --> 00:23:14,469 WHY DID YOU WALK OUT ON ME, TUCK? 291 00:23:14,685 --> 00:23:16,471 I WAS READY TO SELL OUT, 292 00:23:16,687 --> 00:23:17,972 TO MARRY YOU. 293 00:23:18,188 --> 00:23:20,474 THAT'S ALL I EVER WANTED. 294 00:23:22,192 --> 00:23:25,275 I DON'T KNOW. 295 00:23:25,487 --> 00:23:27,569 I DIDN'T WANT TO. 296 00:23:27,781 --> 00:23:29,567 GETTING MARRIED IS LIKE BEING A HORSE 297 00:23:29,783 --> 00:23:31,569 TIED UP IN A CORRAL. 298 00:23:31,785 --> 00:23:34,322 I NEVER COULD TAKE BEING ALL ROPED UP. 299 00:23:36,874 --> 00:23:39,240 T.J., YOU KNOW WHAT? 300 00:23:39,460 --> 00:23:42,418 I JUST KNOW YOU'RE GOING TO SELL ME OMAR. 301 00:23:42,630 --> 00:23:44,211 HMM? 302 00:23:44,423 --> 00:23:46,209 THAT'S RIGHT. 303 00:23:46,425 --> 00:23:48,211 YOU'VE GOT A DEAL. 304 00:23:48,427 --> 00:23:50,588 WAIT A MINUTE. WHAT'S GOING ON? 305 00:23:50,804 --> 00:23:53,341 NOTHING. ANYTHING FOR YOU, BABY. 306 00:23:53,557 --> 00:23:56,674 DON'T GIVE ME THAT BABY STUFF. 307 00:23:56,894 --> 00:23:58,725 CARLOS BROUGHT ME A NEW ACT. 308 00:23:58,938 --> 00:24:00,428 WHAT KIND? 309 00:24:00,648 --> 00:24:02,354 COME TO THE OPENING AT VILLAROSA. 310 00:24:02,566 --> 00:24:05,524 NO, NO, I MEAN NOW. 311 00:24:07,071 --> 00:24:09,813 ALRIGHT. I'LL SHOW YOU TONIGHT. 312 00:24:10,032 --> 00:24:11,772 BUT FIRST, THE PATIENT MUST REST, 313 00:24:11,992 --> 00:24:13,778 OR HE MIGHT HAVE A RELAPSE, 314 00:24:13,994 --> 00:24:15,780 AND RELAPSES CAN BE FATAL. 315 00:24:15,996 --> 00:24:16,860 T.J., I-- 316 00:24:17,081 --> 00:24:19,447 NOW LIE STILL. 317 00:24:19,667 --> 00:24:22,875 DOESN'T IT HURT TO MOVE? 318 00:24:23,796 --> 00:24:24,831 TERRIBLE. 319 00:24:32,388 --> 00:24:34,379 [MUSIC BOX PLAYING] 320 00:24:36,392 --> 00:24:38,223 MEET EL DIABLO. 321 00:24:38,435 --> 00:24:39,675 [HORSE WHINNIES] 322 00:24:56,412 --> 00:24:58,573 WELL, IF THAT DON'T BEAT ALL. 323 00:25:03,168 --> 00:25:06,831 YOU WANT A LITTLE SUGAR, DON'T YOU? 324 00:25:07,047 --> 00:25:07,911 [WHINNY] 325 00:25:11,343 --> 00:25:13,379 WHERE'D YOU EVER GET THIS CRITTER? 326 00:25:13,595 --> 00:25:15,176 CARLOS FOUND HIM. 327 00:25:15,389 --> 00:25:18,847 HE MUST HAVE BEEN IN A GOLD MINE. 328 00:25:19,059 --> 00:25:20,845 IT TOOK A WHILE TO TRAIN HIM, 329 00:25:21,061 --> 00:25:22,847 BUT HE'S READY TO DEBUT. 330 00:25:23,063 --> 00:25:25,896 WHAT'S THE ACT? 331 00:25:30,696 --> 00:25:32,687 WE STRAP A PLATFORM ONTO OMAR'S BACK. 332 00:25:32,906 --> 00:25:35,192 EL DIABLO WALTZES ON TOP. 333 00:25:35,409 --> 00:25:38,196 A HORSE DANCING ON HORSEBACK. 334 00:25:38,412 --> 00:25:40,494 THAT'S GOT TO BE A HUMDINGER. 335 00:25:49,048 --> 00:25:50,913 I CAN SEE IT ALL NOW. 336 00:25:51,133 --> 00:25:52,373 PRESENTING EL DIABLO, 337 00:25:52,551 --> 00:25:55,293 THE WORLD'S ONE AND ONLY MINIATURE HORSE. 338 00:25:55,512 --> 00:25:57,503 WE ARE ON OUR WAY TO A FORTUNE. 339 00:26:01,477 --> 00:26:02,887 AMAZING. 340 00:26:03,103 --> 00:26:06,721 IT'S ABSOLUTELY ASTOUNDING. 341 00:26:06,940 --> 00:26:09,932 IT WAS THOSE THREE TOES THAT STARTED ME THINKING. 342 00:26:12,696 --> 00:26:14,652 AND FOUR ON ITS HIND FEET. 343 00:26:16,658 --> 00:26:18,489 GREAT SCOTT, IT COULD BE-- 344 00:26:18,702 --> 00:26:20,488 AN EO--WHAT'S IT? 345 00:26:20,704 --> 00:26:21,568 HIPPUS. 346 00:26:21,789 --> 00:26:24,030 EOHIPPUS, YES. 347 00:26:24,249 --> 00:26:26,331 EOHIPPUS, IF YOU ARE ONE... 348 00:26:28,045 --> 00:26:30,787 WHAT ARE YOU DOING HERE OVER 50 MILLION YEARS 349 00:26:31,006 --> 00:26:34,544 AFTER YOU SHOULD BE EXTINCT? 350 00:26:36,178 --> 00:26:39,341 IT COULD BE A FREAK OF NATURE. 351 00:26:39,556 --> 00:26:41,387 IS THERE ANY WAY TO TELL? 352 00:26:42,518 --> 00:26:45,055 BY CHECKING ITS ORIGIN. 353 00:26:45,270 --> 00:26:47,852 IF I COULD PROVE THIS IS THE GENUINE ARTICLE, 354 00:26:48,065 --> 00:26:49,851 I SHALL RECEIVE A KNIGHTHOOD 355 00:26:50,067 --> 00:26:53,400 FOR THE GREATEST SCIENTIFIC DISCOVERY OF THE AGE. 356 00:26:56,115 --> 00:26:59,528 THE GREATEST SCIENTIFIC DISCOVERY OF THE AGE? 357 00:27:00,953 --> 00:27:03,035 T.J. DOESN'T KNOW WHAT SHE'S GOT. 358 00:27:03,247 --> 00:27:04,783 SIR HORACE BROMLEY. 359 00:27:04,998 --> 00:27:07,364 IT'LL LOOK GREAT IN LIGHTS. 360 00:27:07,584 --> 00:27:09,449 BUFFALO BILL, BARNUM & BAILEY. 361 00:27:09,670 --> 00:27:12,286 GALILEO, NEWTON, AND BROMLEY... 362 00:27:12,506 --> 00:27:14,918 OR THE RINGLING BROTHERS-- 363 00:27:15,134 --> 00:27:16,920 WE'LL PLAY ONE OFF AGAINST THE OTHER, 364 00:27:17,136 --> 00:27:18,967 SELL TO THE HIGHEST BIDDER. 365 00:27:19,179 --> 00:27:20,965 POSSIBLY LORD BROMLEY. 366 00:27:21,181 --> 00:27:24,639 WE'D MAKE A KILLING. 367 00:27:24,852 --> 00:27:27,969 WE MUST FIND OUT WHERE THIS LITTLE HORSE CAME FROM. 368 00:27:28,188 --> 00:27:30,600 LET'S FIND THIS GUY CARLOS. 369 00:27:35,946 --> 00:27:37,356 IMPOSSIBLE. 370 00:27:37,573 --> 00:27:39,814 MY DEAR FELLOW, I HAVE NO 371 00:27:40,033 --> 00:27:41,819 COMMERCIAL INTEREST IN EL DIABLO. 372 00:27:42,035 --> 00:27:43,275 I'M A SCIENTIST. 373 00:27:43,495 --> 00:27:45,281 I DON'T CARE WHAT YOU ARE. 374 00:27:45,497 --> 00:27:47,613 T.J. HAS GIVEN AWAY OUR SECRET, 375 00:27:47,833 --> 00:27:50,119 DESTROYING ALL MY DREAMS. 376 00:27:50,335 --> 00:27:51,825 BE REASONABLE. 377 00:27:52,045 --> 00:27:53,831 MY PEOPLE DO NOT UNDERSTAND REASON. 378 00:27:54,047 --> 00:27:56,584 THAT WITCH TIA ZORINA SPEAKS NONSENSE 379 00:27:56,800 --> 00:27:58,586 ABOUT EL DIABLO. THEY BELIEVE IT. 380 00:27:58,802 --> 00:28:00,588 YOU COULD SHOW US THE CAMP. 381 00:28:00,804 --> 00:28:04,717 YOU'VE CAUSED ENOUGH TROUBLE ALREADY. 382 00:28:09,688 --> 00:28:12,020 WELL, THANKS FOR YOUR HELP, CARLOS. 383 00:28:12,232 --> 00:28:15,019 WHAT HELP? TIA ZORINA. CAMP. 384 00:28:15,235 --> 00:28:17,351 WE CAN SURE FIND THAT CAMP. 385 00:28:17,571 --> 00:28:19,436 HOW? WHY, LOPE. 386 00:28:19,656 --> 00:28:20,486 LOPE? 387 00:28:20,699 --> 00:28:22,485 SURE. THAT KID COULD FIND 388 00:28:22,701 --> 00:28:24,487 A NEEDLE IN A HAYSTACK 389 00:28:24,703 --> 00:28:26,785 AND SELL IT FOR A PROFIT. 390 00:28:42,888 --> 00:28:45,004 iOLE! 391 00:28:47,184 --> 00:28:49,300 iOLE! iOLE! 392 00:29:19,591 --> 00:29:23,083 MADAM, I AM PREPARED TO PAY A GUIDE HANDSOMELY. 393 00:29:23,303 --> 00:29:26,170 TO LEAD YOU TO THE FORBIDDEN VALLEY? NO! 394 00:29:26,390 --> 00:29:28,506 NOT FOR ALL THE GOLD IN THE WORLD. 395 00:29:28,725 --> 00:29:30,511 WHAT FORBIDDEN VALLEY? 396 00:29:30,727 --> 00:29:32,558 FROM THERE CAME THE LITTLE HORSE. 397 00:29:32,771 --> 00:29:34,557 AND UNTIL HE IS RETURNED, 398 00:29:34,773 --> 00:29:36,559 A GREAT EVIL WILL FALL UPON US. 399 00:29:36,775 --> 00:29:38,390 RUBBISH! 400 00:29:38,610 --> 00:29:40,601 UNLESS THE HORSE IS RETURNED, 401 00:29:40,821 --> 00:29:44,188 WE SHALL ALL SUFFER THE CURSE OF HELL. 402 00:29:44,408 --> 00:29:46,194 SUPERSTITIOUS CLAPTRAP. 403 00:29:46,410 --> 00:29:48,617 THERE'S NOTHING HOCUS-POCUS ABOUT THAT LITTLE HORSE. 404 00:29:48,829 --> 00:29:50,615 DON'T YOU REALIZE WE'VE DISCOVERED 405 00:29:50,831 --> 00:29:53,868 A LIVING SPECIMEN OF THE EOHIPPUS? 406 00:29:54,084 --> 00:29:55,915 YOU MEAN THAT THING REALLY IS AN EOHIPPUS? 407 00:29:56,128 --> 00:29:57,789 OF COURSE. 408 00:29:58,005 --> 00:30:00,212 WELL, NATURALLY WE SHALL HAVE TO PROVE IT 409 00:30:00,424 --> 00:30:03,541 BY SCIENTIFIC RESEARCH. 410 00:30:03,760 --> 00:30:05,546 WELL, WE AREN'T GETTING 411 00:30:05,762 --> 00:30:07,548 ANY SCIENTIFIC RESEARCH DONE HERE, 412 00:30:07,764 --> 00:30:09,174 ARE WE, PROFESSOR? 413 00:30:21,069 --> 00:30:24,357 UH, IF YOU CAN'T HELP ME, 414 00:30:24,573 --> 00:30:27,906 PERHAPS I CAN HELP YOU. 415 00:30:28,118 --> 00:30:30,985 IF YOU KNEW WHERE THE LITTLE HORSE WAS HIDDEN, 416 00:30:31,163 --> 00:30:32,994 WHAT WOULD YOU DO? 417 00:30:33,206 --> 00:30:36,198 RETURN IT TO THE FORBIDDEN VALLEY. 418 00:30:40,172 --> 00:30:41,537 WELL... 419 00:30:45,177 --> 00:30:48,214 A CENTAVO FOR YOUR THOUGHTS, SENOR. 420 00:30:48,430 --> 00:30:51,012 OH, HIYA, LOPE. 421 00:30:51,183 --> 00:30:52,593 LIMONADA, POR FAVOR. 422 00:30:52,809 --> 00:30:54,674 YOU LOOK UNHAPPY, SENOR. 423 00:30:54,895 --> 00:30:56,681 I'VE GOT A PROBLEM, LOPE. 424 00:30:56,897 --> 00:30:58,933 I'VE BEEN WRESTLING WITH IT FOR HOURS. 425 00:30:59,149 --> 00:31:03,017 SOMETIMES IT HELPS TO TELL AN AMIGO. 426 00:31:03,236 --> 00:31:05,147 WELL, IT'S LIKE THIS, AMIGO. 427 00:31:05,364 --> 00:31:07,275 I MADE A BIG DISCOVERY LAST NIGHT, 428 00:31:07,491 --> 00:31:09,356 AND IF I TELL THIS FRIEND ABOUT IT, 429 00:31:09,576 --> 00:31:11,942 SHE COULD MAKE A FORTUNE. 430 00:31:12,162 --> 00:31:13,948 BUT IF SHE MAKES A FORTUNE, 431 00:31:14,164 --> 00:31:16,530 IT MIGHT NOT HELP ME. 432 00:31:16,750 --> 00:31:17,990 I CAN'T FIGURE 433 00:31:18,210 --> 00:31:20,542 WHY I'M HELPING HER MAKE A FORTUNE 434 00:31:20,754 --> 00:31:23,040 WHEN I COULD JUST BE QUIET 435 00:31:23,256 --> 00:31:25,838 AND MAKE A FORTUNE MYSELF. SAVVY? 436 00:31:26,051 --> 00:31:27,837 I SAVVY VERY WELL. 437 00:31:28,053 --> 00:31:29,839 I CAN'T UNDERSTAND IT. 438 00:31:30,055 --> 00:31:31,636 LOVE. 439 00:31:31,848 --> 00:31:33,054 LOVE'S FOR LATINS. 440 00:31:33,266 --> 00:31:35,222 MY MAMA USED TO TELL ME, 441 00:31:35,435 --> 00:31:38,177 "WHEN YOU HELP SOMEONE YOU LOVE, 442 00:31:38,397 --> 00:31:40,638 YOU HELP YOU RSELF." 443 00:31:40,857 --> 00:31:43,189 HERE. LIMONADA. FOR FREE ADVICE. 444 00:31:44,945 --> 00:31:46,230 DE NADA. 445 00:31:46,446 --> 00:31:49,233 YOU SURE KNOW HOW TO HELP YOURSELF, LOPE. 446 00:31:49,449 --> 00:31:51,405 WHAT'S THE BIG DISCOVERY, SENOR? 447 00:31:51,618 --> 00:31:53,574 NO, NO. YOU'LL WANT A CUT. 448 00:31:53,787 --> 00:31:55,743 WHY? I'M DOING FINE ALONE. 449 00:31:55,956 --> 00:31:57,742 I SEE. WIDENING YOUR HORIZONS. 450 00:31:57,958 --> 00:31:59,494 SORRY, SENOR? 451 00:31:59,709 --> 00:32:01,495 YOU'RE GOING ON A JOURNEY. 452 00:32:01,711 --> 00:32:03,042 WITH THE PROFESSOR. 453 00:32:03,255 --> 00:32:04,586 WITH THE PROFESSOR? 454 00:32:04,798 --> 00:32:06,584 I MUST MEET HIM TONIGHT, 455 00:32:06,800 --> 00:32:10,668 WITH THE MULE, OUTSIDE THE ARENA. 456 00:32:10,887 --> 00:32:13,720 WELL, THAT'S IT, AMIGO. NO MORE FIGURING. 457 00:32:13,932 --> 00:32:17,390 I THINK MY FRIEND NEEDS HELP RIGHT NOW. 458 00:32:55,265 --> 00:32:57,927 HA HA HA! 459 00:33:00,312 --> 00:33:02,348 [NEIGHING] 460 00:33:27,255 --> 00:33:28,119 [NEIGH] 461 00:33:28,340 --> 00:33:30,331 AH. SI, SI, SI. 462 00:33:30,550 --> 00:33:31,756 iVAMOS! 463 00:33:48,151 --> 00:33:49,482 COME ON, COME ON. 464 00:33:49,694 --> 00:33:50,524 AIE. 465 00:33:50,737 --> 00:33:51,977 HEY, TUCK! 466 00:33:52,197 --> 00:33:53,983 TUCK, WHAT'S THE HURRY? 467 00:33:55,200 --> 00:33:57,282 LOPE, COME HERE. 468 00:34:04,876 --> 00:34:07,993 WE ARE IN LUCK, CHICO. THEY'VE GOT IT. 469 00:34:11,174 --> 00:34:13,005 KIRBY, LET THEM GO! 470 00:34:13,218 --> 00:34:15,004 DON'T BE A FOOL, MAN! 471 00:34:15,220 --> 00:34:17,427 COME ON. WE MUSTN'T LOSE THEM. 472 00:34:19,307 --> 00:34:20,797 WHAT HAPPENED? 473 00:34:21,017 --> 00:34:22,302 HE HIT ME. 474 00:34:22,519 --> 00:34:23,725 WHO? 475 00:34:23,937 --> 00:34:25,177 YOUR FRIEND KIRBY. 476 00:34:25,397 --> 00:34:26,512 WHAT? 477 00:34:26,731 --> 00:34:29,393 I CAUGHT HIM AND OTHERS STEALING EL DIABLO. 478 00:34:29,609 --> 00:34:31,850 STEALING? WHY, THE DIRTY... 479 00:34:32,070 --> 00:34:34,311 NO, NOT TUCK. 480 00:34:34,531 --> 00:34:36,522 WE JUST SAW HIM WITH OUR OWN EYES. 481 00:34:36,741 --> 00:34:38,697 HE'S NO GOOD, T.J. 482 00:34:39,911 --> 00:34:41,993 CHAMP, GET BEAN AND ROWDY. 483 00:34:42,205 --> 00:34:43,695 YOU BET. 484 00:35:26,916 --> 00:35:28,201 WHOA! 485 00:36:13,171 --> 00:36:14,832 LOOK HERE. 486 00:36:15,048 --> 00:36:17,130 TUCK'S GOT COMPANY. 487 00:36:17,342 --> 00:36:19,253 WE'RE HEADED IN THE RIGHT DIRECTION. 488 00:36:19,469 --> 00:36:21,255 HE'S WORKING WITH THE PROFESSOR. 489 00:36:21,471 --> 00:36:24,508 HE WAS SPEAKING OF SCIENTIFIC INTERESTS. 490 00:36:24,724 --> 00:36:26,510 TUCK WANTS EL DIABLO FOR BUFFALO BILL. 491 00:36:26,726 --> 00:36:28,512 YOU SHOULD HAVE LISTENED TO ME. 492 00:36:28,728 --> 00:36:30,309 HE'S RIGHT, T.J. 493 00:36:30,522 --> 00:36:32,058 THAT TUCK IS THE LOWEST. 494 00:36:32,273 --> 00:36:33,433 ALL RIGHT, ALL RIGHT. 495 00:36:33,650 --> 00:36:35,311 HE WAS RIGHT. I WAS WRONG. 496 00:36:35,527 --> 00:36:37,438 IF WE STAND HERE, WE'LL NEVER CATCH HIM. 497 00:36:37,654 --> 00:36:39,519 I KNOW WHERE THEY'RE HEADING. 498 00:36:39,739 --> 00:36:42,902 THERE'S A SHORTCUT TO FORBIDDEN VALLEY. 499 00:36:51,876 --> 00:36:53,491 [MULE BRAYING] 500 00:37:28,747 --> 00:37:29,862 [MULE BRAYING] 501 00:37:38,256 --> 00:37:39,541 HELP! 502 00:37:39,758 --> 00:37:42,090 PROFESSOR, WHERE IS THAT LITTLE HORSE? 503 00:37:42,302 --> 00:37:43,587 I DON'T KNOW. 504 00:37:43,803 --> 00:37:45,543 YOU DON'T KNOW? 505 00:37:45,764 --> 00:37:48,255 ALRIGHT, SIR HORACE, WHEN YOUR KING FINDS OUT 506 00:37:48,475 --> 00:37:50,761 YOU'RE A HORSE THIEF, HE'LL SURE GIVE YOU 507 00:37:50,977 --> 00:37:55,016 A TOUCH OF THE SWORD... THERE! 508 00:37:55,231 --> 00:37:57,096 TELL ME WHERE EL DIABLO IS. 509 00:37:57,317 --> 00:38:00,229 YOU CAN MAKE IT EASY OR HARD ON YOURSELF. 510 00:38:00,445 --> 00:38:02,276 THE GYPSIES TOOK HIM. 511 00:38:02,489 --> 00:38:04,901 YOU PUT THEM UP TO IT! 512 00:38:05,116 --> 00:38:08,608 YES, IN A WAY, BUT IT WILL BENEFIT US ALL. 513 00:38:08,828 --> 00:38:10,443 NOW, IS THAT A FACT? 514 00:38:10,663 --> 00:38:11,618 EL DIABLO-- 515 00:38:11,831 --> 00:38:14,288 IS THE PROPERTY OF T.J. BRECKENRIDGE! 516 00:38:14,501 --> 00:38:16,537 I'M PROTECTING HER INTERESTS. 517 00:38:16,753 --> 00:38:19,961 WELL, SO AM I. DON'T YOU SEE? 518 00:38:20,173 --> 00:38:21,959 WE MUST FOLLOW THE GYPSY TRAIL 519 00:38:22,175 --> 00:38:23,961 TO THE FORBIDDEN VALLEY 520 00:38:24,177 --> 00:38:25,963 BECAUSE WHERE THERE'S ONE EOHIPPUS, 521 00:38:26,179 --> 00:38:27,965 THERE MUST BE OTHERS. 522 00:38:28,181 --> 00:38:31,548 AT LEAST TWO, THE SIRE AND THE MARE, 523 00:38:31,768 --> 00:38:34,305 POSSIBLY MORE. 524 00:38:34,521 --> 00:38:37,388 JUST THINK WHAT YOU AND MISS BRECKENRIDGE 525 00:38:37,607 --> 00:38:41,441 COULD DO WITH A DOZEN EOHIPPI. 526 00:38:44,113 --> 00:38:46,650 FROM NOW ON, WE'RE PARTNERS? 527 00:38:46,866 --> 00:38:48,151 OH, NO, PROFESSOR. 528 00:38:48,326 --> 00:38:49,611 AS A RULE, 529 00:38:49,828 --> 00:38:51,819 I NEVER SHAKE HANDS WITH AN ANXIOUS MAN. 530 00:38:52,038 --> 00:38:53,994 I'LL JOIN YOU, BUT NO DEALS. 531 00:38:54,207 --> 00:38:55,492 SENOR KIRBY! 532 00:38:55,708 --> 00:38:58,996 HEY. HI THERE, LOPE. 533 00:38:59,212 --> 00:39:01,419 SAY, WHAT'S THE PRICE OF WATER AROUND HERE? 534 00:39:01,631 --> 00:39:02,916 ONE PESO. 535 00:39:03,132 --> 00:39:04,338 TO YOU, HALF. 536 00:39:04,551 --> 00:39:06,132 O KAY. 537 00:39:24,654 --> 00:39:25,769 [WHINNIES] 538 00:39:25,989 --> 00:39:30,153 FLY, LITTLE ONE. FLY HOME TO YOUR MASTER. 539 00:39:30,368 --> 00:39:31,733 [WHINNIES] 540 00:39:37,208 --> 00:39:38,994 [WHINNIES] 541 00:39:45,550 --> 00:39:47,506 THIS CIRCLE OF MOUNTAINS, 542 00:39:47,719 --> 00:39:50,552 JAGGED PEAKS, STEEP CLIFFS... 543 00:39:50,763 --> 00:39:52,549 COULD BE THE PERFECT BARRIER 544 00:39:52,765 --> 00:39:55,131 AGAINST MAN AND THE ELEMENTS. 545 00:39:55,351 --> 00:39:57,808 NO WONDER THEY CALL IT THE FORBIDDEN VALLEY. 546 00:39:58,021 --> 00:40:02,014 YES. MIGHT BE THE ANSWER TO MANY THINGS. 547 00:40:02,233 --> 00:40:04,064 LIKE WHAT? 548 00:40:04,277 --> 00:40:07,235 WE SHALL SOON SEE, MR. KIRBY. 549 00:40:07,447 --> 00:40:08,687 WE'LL CAMP HERE 550 00:40:08,907 --> 00:40:11,569 AND START OUT FIRST THING IN THE MORNING. 551 00:40:11,743 --> 00:40:12,732 [SCREECHING] 552 00:40:12,952 --> 00:40:14,237 WHAT'S THAT? 553 00:40:14,454 --> 00:40:15,739 [SCREECHING] 554 00:40:15,955 --> 00:40:17,491 QUICK! THE HORSES! 555 00:40:22,045 --> 00:40:23,455 WHERE'S ROSITA? 556 00:40:23,671 --> 00:40:25,161 SENOR KIRBY. PROFESSOR. 557 00:40:25,381 --> 00:40:26,712 LOOK. 558 00:40:38,686 --> 00:40:40,722 THERE'S BLOOD ALL AROUND. 559 00:40:50,073 --> 00:40:52,064 WHOA! WHOA. 560 00:41:00,458 --> 00:41:02,289 YEAH, THE GYPSIES STOPPED HERE, 561 00:41:02,502 --> 00:41:04,458 AND EL DIABLO RAN OFF THAT WAY. 562 00:41:04,671 --> 00:41:07,504 SENOR KIRBY! PROFESSOR! 563 00:41:18,101 --> 00:41:19,762 [MUSIC BOX PLAYING] 564 00:41:22,313 --> 00:41:24,144 NOW, HOW'D THEY GET HERE? 565 00:41:24,357 --> 00:41:26,564 I WAS AFRAID OF SOMETHING LIKE THIS. 566 00:41:26,776 --> 00:41:27,731 HEY! 567 00:41:27,944 --> 00:41:30,310 CHAMP, I CAUGHT MYSELF A HORSE THIEF. 568 00:41:30,530 --> 00:41:34,739 YOU DON'T THINK I HAD ANYTHING TO DO WITH THAT? 569 00:41:34,951 --> 00:41:37,112 LOOK! THE EOHIPPUS! 570 00:41:42,166 --> 00:41:43,781 EASY, EASY. STAY. 571 00:41:45,503 --> 00:41:47,368 [MUSIC BOX PLAYING] 572 00:41:56,139 --> 00:41:57,424 THAT'S NO GOOD. 573 00:41:57,640 --> 00:41:59,426 LET'S CHASE HIM ON HORSEBACK. 574 00:41:59,642 --> 00:42:00,927 GO GET HIM. 575 00:42:27,211 --> 00:42:29,076 HEY, YOU NEED ANY HELP? 576 00:42:29,297 --> 00:42:30,582 NOT FROM YOU. 577 00:42:32,550 --> 00:42:33,505 OH! 578 00:42:41,392 --> 00:42:42,723 I'VE GOT IT! 579 00:42:42,935 --> 00:42:44,721 TAKE YOUR THIEVING HANDS OFF HIM. 580 00:42:44,937 --> 00:42:46,177 HE'S MINE. 581 00:42:46,397 --> 00:42:48,809 WHATEVER YOU SAY, T.J. 582 00:42:51,986 --> 00:42:54,819 TUCK KIRBY, I COULD SHOOT YOU. 583 00:42:59,869 --> 00:43:02,201 KEEP AFTER HIM, CHAMP! 584 00:43:19,347 --> 00:43:21,383 HEY, WE'VE GOT HIM CORNERED. 585 00:43:21,599 --> 00:43:24,056 THE DEVIL WE HAVE. 586 00:43:30,942 --> 00:43:32,773 I CAN SEE DAYLIGHT IN THERE. 587 00:43:32,985 --> 00:43:34,771 HE MUST HAVE GONE CLEAR THROUGH. 588 00:43:34,987 --> 00:43:36,773 THAT'S THAT, BECAUSE WE'RE NOT. 589 00:43:36,948 --> 00:43:40,566 LOOKS LIKE THE END OF THE ROAD. 590 00:44:13,818 --> 00:44:16,230 OPENS INTO ANOTHER WHOLE VALLEY THROUGH THERE. 591 00:44:16,445 --> 00:44:18,310 WIDE ENOUGH FOR THE HORSES. 592 00:44:18,531 --> 00:44:20,567 [NEIGHING] 593 00:44:20,783 --> 00:44:23,399 TAKE UP THE SLACK EASY. 594 00:44:23,619 --> 00:44:25,951 YEAH, YEAH. WHOA. 595 00:44:30,751 --> 00:44:32,582 TAKE HER AWAY. 596 00:44:32,795 --> 00:44:34,285 HYAH! HYAH! 597 00:44:39,802 --> 00:44:41,633 OK. THAT DID IT. 598 00:44:52,315 --> 00:44:53,930 COME ON, BOYS. 599 00:45:52,416 --> 00:45:54,748 NOW, AIN'T THAT SOMETHING? 600 00:45:54,961 --> 00:45:57,452 MAN, OH, MAN. 601 00:46:38,254 --> 00:46:39,539 HELLO! 602 00:46:39,755 --> 00:46:41,086 [ECHOING] 603 00:46:50,224 --> 00:46:51,930 [SCREECHING] 604 00:47:14,332 --> 00:47:15,868 OH! 605 00:47:16,083 --> 00:47:18,290 HELP! 606 00:47:31,182 --> 00:47:34,049 GIDDUP! 607 00:49:15,411 --> 00:49:16,321 WHOA! 608 00:49:16,537 --> 00:49:19,074 HERE, WHAT'S THIS? 609 00:49:21,792 --> 00:49:23,623 I NEVER SAW TRACKS LIKE THAT. 610 00:49:23,836 --> 00:49:27,954 HEY, CHAMP. DO YOU SEE WHAT I SEE? 611 00:49:28,174 --> 00:49:29,630 HOLY-- 612 00:49:29,842 --> 00:49:31,457 WHAT'S THAT? 613 00:49:31,677 --> 00:49:34,419 IT LOOKS LIKE A PLUCKED OSTRICH. 614 00:49:37,391 --> 00:49:38,301 [RRUHu 615 00:49:38,517 --> 00:49:40,348 LET'S GET HIM FOR THE SHOW. 616 00:49:44,982 --> 00:49:47,348 [AAK! AAK! AAK!] 617 00:50:05,336 --> 00:50:07,292 [RRR!] 618 00:50:07,505 --> 00:50:09,291 [EEK!] 619 00:50:26,482 --> 00:50:29,144 [GUNSHOT] 620 00:50:30,986 --> 00:50:31,850 [GUNSHOT] 621 00:50:32,071 --> 00:50:33,436 WHAT THE-- 622 00:50:39,954 --> 00:50:41,819 I'M GOING TO TRY AND FIND THE OTHERS. 623 00:50:42,039 --> 00:50:44,121 RIGHT. 624 00:50:44,333 --> 00:50:46,949 IT'S HIDEOUS. IT'S BEAUTIFUL. 625 00:50:47,169 --> 00:50:48,955 WHAT KIND OF BIRD IS IT? 626 00:50:49,171 --> 00:50:51,503 NO BIRD. A GIANT PTERODACTYL, 627 00:50:51,715 --> 00:50:52,955 A FLYING REPTILE. 628 00:50:53,175 --> 00:50:56,383 IT'S BEEN EXTINCT FOR OVER 50 MILLION YEARS. 629 00:50:56,595 --> 00:50:59,007 THEN WHAT'S IT DOING HERE? 630 00:50:59,223 --> 00:51:01,384 PRECISELY. 631 00:51:01,600 --> 00:51:03,511 WHAT IS IT DOING HERE? 632 00:51:06,689 --> 00:51:08,520 WHERE ARE THE OTHERS? 633 00:51:08,732 --> 00:51:09,972 BACK THERE. 634 00:51:10,192 --> 00:51:12,148 LET'S GET OUT OF HERE! 635 00:51:13,070 --> 00:51:14,935 GWANGI! 636 00:51:16,991 --> 00:51:18,447 TAKE OFF, T.J. 637 00:51:18,659 --> 00:51:20,399 LOPE IS HURT. 638 00:51:20,619 --> 00:51:23,235 CAN YOU RIDE? SI, SENIOR. 639 00:51:23,455 --> 00:51:24,865 COME ON, PROFESSOR. 640 00:51:25,082 --> 00:51:26,868 I CAN'T GO NOW. 641 00:51:27,084 --> 00:51:28,870 A BIG LIZARD'S HEADING THIS WAY. 642 00:51:29,086 --> 00:51:30,417 NOW GET ABOARD! 643 00:51:30,629 --> 00:51:33,587 LEAVE ME ALONE, MR. KIRBY. I'M NOT LEAVING NOW. 644 00:51:33,799 --> 00:51:36,040 COME ON, TUCK! 645 00:51:36,260 --> 00:51:38,876 OK, PROFESSOR. IT'S YOUR FUNERAL. 646 00:51:44,602 --> 00:51:45,887 [GRR!] 647 00:51:47,688 --> 00:51:49,644 GREAT SCOTT. 648 00:51:51,191 --> 00:51:56,402 I SEE WHAT YOU MEAN, MR. KIRBY. 649 00:51:57,364 --> 00:51:59,480 [GROWLING] 650 00:53:00,177 --> 00:53:03,214 OH, BY GEORGE. 651 00:53:03,430 --> 00:53:05,796 A STYRACOSAURUS. 652 00:54:07,077 --> 00:54:08,692 WHOA! 653 00:54:11,832 --> 00:54:13,823 ALRIGHT, CHAMP. TAKE A LOOK. 654 00:54:14,042 --> 00:54:15,873 HYAH. 655 00:54:25,262 --> 00:54:26,502 HEY. 656 00:54:34,354 --> 00:54:35,639 OKAY UP HERE. 657 00:54:35,856 --> 00:54:37,596 ROOM FOR THE HORSES AND EVERYTHING. 658 00:54:37,816 --> 00:54:39,602 LET'S GET UP THERE. 659 00:54:39,818 --> 00:54:41,604 WHAT ABOUT THE PROFESSOR? 660 00:54:41,820 --> 00:54:43,981 NOTHING WE CAN DO. JUST HOPE HE'S ALIVE. 661 00:55:02,883 --> 00:55:05,295 ROWDY, YOU MUST BE PLUMB LOCO. 662 00:55:05,511 --> 00:55:07,877 NOW WHAT DID I DO? COME HERE. 663 00:55:08,096 --> 00:55:11,588 THESE CARTRIDGES ARE THE BLANKS WE USE IN THE SHOW. 664 00:55:11,809 --> 00:55:14,425 NO WONDER THE RIFLES DIDN'T DO ANY GOOD. 665 00:55:14,645 --> 00:55:17,887 HOW WAS I TO KNOW? 666 00:55:18,106 --> 00:55:19,892 HEY, FORGET IT. 667 00:55:20,108 --> 00:55:21,894 HERE. MAYBE WE CAN USE THESE. 668 00:55:22,110 --> 00:55:24,146 CAN YOU CUT THAT INTO A SPEAR? 669 00:55:24,321 --> 00:55:26,277 I DON'T TAKE ORDERS FROM NO HORSE THIEF. 670 00:55:30,911 --> 00:55:32,367 NOW TELL ME. 671 00:55:32,579 --> 00:55:34,911 JUST WHAT DO YOU MEAN, "HORSE THIEF"? 672 00:55:35,123 --> 00:55:37,330 BREAK IT UP! THAT'S ENOUGH. 673 00:55:37,543 --> 00:55:39,329 WE'LL SETTLE THIS LATER. 674 00:55:39,545 --> 00:55:41,331 NO. WE'LL SETTLE IT NOW. LOPE. 675 00:55:41,547 --> 00:55:45,790 IT WAS THE PROFESSOR AND THE GYPSIES. 676 00:55:46,009 --> 00:55:48,125 CARLOS SAID YOU DID IT. 677 00:55:49,930 --> 00:55:52,387 CARLOS. 678 00:55:52,599 --> 00:55:54,931 YOU NEVER DID BRING ANYTHING BUT TROUBLE TO T.J. 679 00:55:55,143 --> 00:55:56,508 ALRIGHT. 680 00:55:56,728 --> 00:56:00,971 STOP IT. WHERE DO YOU THINK YOU ARE? CIVILIZATION? 681 00:56:01,191 --> 00:56:05,810 WE'VE GOT TO STICK TOGETHER UNTIL WE GET OUT OF THIS. 682 00:56:06,029 --> 00:56:07,860 IN ALL MY TRAVELS, I NEVER SAW NOTHING 683 00:56:08,073 --> 00:56:09,859 LIKE THAT 2-TON LIZARD. 684 00:56:10,075 --> 00:56:11,861 IF WE COULD JUST GET HIM BACK ALIVE. 685 00:56:12,077 --> 00:56:16,116 THE ONLY THING I'M GETTING BACK ALIVE IS ME. 686 00:56:16,331 --> 00:56:18,617 THAT DOES IT. 687 00:56:22,546 --> 00:56:24,787 WHY AREN'T YOU IN THE CAVE? 688 00:56:25,007 --> 00:56:27,373 YOU WANT TO GET YOURSELF KILLED? 689 00:56:27,593 --> 00:56:29,379 NOT ANYMORE. 690 00:56:29,595 --> 00:56:31,381 WHAT'S THAT FOR? 691 00:56:31,597 --> 00:56:33,633 THAT'S A TRAP... 692 00:56:33,849 --> 00:56:35,635 IN CASE ONE OF THOSE LITTLE LIZARDS 693 00:56:35,851 --> 00:56:38,308 DECIDES TO MOSEY UP THIS WAY. 694 00:56:38,520 --> 00:56:40,306 A HOLE IN THE GROUND 695 00:56:40,522 --> 00:56:42,308 COULD SWALLOW ME UP, TOO. 696 00:56:42,524 --> 00:56:44,310 CAN'T TELL A FRIEND FROM AN ENEMY. 697 00:56:44,526 --> 00:56:46,642 COCKEYED FEMALE. 698 00:56:48,864 --> 00:56:50,604 [ROARu 699 00:56:50,824 --> 00:56:52,815 DON'T THEY SLEEP NIGHTS? 700 00:56:53,035 --> 00:56:54,491 [ROARu 701 00:56:54,703 --> 00:56:56,659 COME ON, COME ON! 702 00:57:05,589 --> 00:57:06,874 IT'S GONE. 703 00:57:07,090 --> 00:57:09,422 YEAH, TEMPORARILY. 704 00:57:09,635 --> 00:57:12,547 TUCK, I'VE DECIDED. I'M GOING TO SELL OUT. 705 00:57:12,763 --> 00:57:14,594 GREAT, IF WE EVER GET BACK TO OMAR. 706 00:57:14,806 --> 00:57:19,926 NOT JUST OMAR. THE WHOLE SHOW-- LOCK, STOCK, AND BARREL. 707 00:57:20,145 --> 00:57:23,012 THAT'S WHAT YOU WANTED, ISN'T IT? 708 00:57:23,231 --> 00:57:25,267 WELL, SURE. SURE. 709 00:57:25,484 --> 00:57:27,520 OH, SOUND HAPPIER. 710 00:57:27,736 --> 00:57:29,772 I DON'T KNOW, T.J. 711 00:57:29,988 --> 00:57:31,774 I'VE BEEN ON MY OWN SO LONG... 712 00:57:31,990 --> 00:57:34,527 I'VE BEEN ON MY OWN, TOO. 713 00:57:34,743 --> 00:57:37,530 BUT NOT LIKE ME. I MEAN REALLY ON MY OWN. 714 00:57:37,746 --> 00:57:43,116 I HAD TO CON MY WAY TO WHERE I AM. 715 00:57:43,335 --> 00:57:46,919 TUCK, I DON'T CARE. DON'T YOU UNDERSTAND? 716 00:57:49,132 --> 00:57:50,872 ALRIGHT. 717 00:57:51,093 --> 00:57:53,550 ALRIGHT, T.J. 718 00:57:53,762 --> 00:57:55,593 I'LL TELL YOU. 719 00:57:55,806 --> 00:57:58,218 I'VE BEEN LOOKING FOR SOMETHING ALL OF MY LIFE. 720 00:57:58,433 --> 00:57:59,593 YES. 721 00:57:59,810 --> 00:58:01,596 IT TOOK A LOT OF FINDING, 722 00:58:01,812 --> 00:58:03,928 BUT I'VE FINALLY FOUND IT. 723 00:58:04,147 --> 00:58:05,933 THE MOST BEAUTIFUL, 724 00:58:06,149 --> 00:58:08,140 GOLDARNEDEST RANCH YOU EVER SAW. 725 00:58:08,360 --> 00:58:09,224 RANCH? 726 00:58:09,444 --> 00:58:11,309 YEAH. IN WYOMING. 727 00:58:11,530 --> 00:58:13,145 DON'T YOU SEE? 728 00:58:13,365 --> 00:58:16,323 WE COULD BOTH SELL OUT, BUY THE PLACE, 729 00:58:16,535 --> 00:58:19,322 RAISE LOTS OF CATTLE AND HORSES. 730 00:58:19,496 --> 00:58:20,986 AND KIDS, MAYBE? 731 00:58:21,164 --> 00:58:24,452 YEAH. 732 00:58:24,668 --> 00:58:26,624 YOU...TALKING ABOUT SETTLING DOWN? 733 00:58:26,837 --> 00:58:29,499 SURE YOU CAN MAKE IT, TUCK? 734 00:58:29,715 --> 00:58:32,923 WELL, I WON'T KNOW TILL I GIVE IT A TRY, 735 00:58:33,135 --> 00:58:35,046 WILL I? 736 00:58:39,099 --> 00:58:40,760 [BRANCHES CRACKING] 737 00:58:44,354 --> 00:58:46,185 BEAN! ROWDY! BRING TORCHES! 738 00:58:46,398 --> 00:58:47,763 IT WORKED! 739 00:59:06,543 --> 00:59:09,831 I SAY UP THERE. WATCH YOUR STEP. 740 00:59:10,047 --> 00:59:13,790 THERE SEEMS TO BE A BIT OF A DROP HERE. 741 00:59:14,009 --> 00:59:15,124 [LAUGHTER] 742 00:59:29,816 --> 00:59:31,681 I NEED SOME WATER BEFORE WE SET OUT. 743 00:59:31,902 --> 00:59:33,517 BE RIGHT BACK. 744 00:59:43,580 --> 00:59:45,036 [WHISTLING] 745 01:00:07,104 --> 01:00:09,095 YOU SHOULDN'T HAVE LET HIM GO ALONE. 746 01:00:09,314 --> 01:00:10,645 HIS IDEA. 747 01:00:25,956 --> 01:00:26,866 [NEIGH] 748 01:00:27,082 --> 01:00:28,947 WHOA, WHOA. 749 01:00:29,167 --> 01:00:30,703 [NEIGH] 750 01:00:33,130 --> 01:00:34,040 [NEIGH] 751 01:00:34,256 --> 01:00:35,291 HO! 752 01:00:35,507 --> 01:00:37,088 [NEIGH] 753 01:00:47,978 --> 01:00:49,718 COME ON! 754 01:00:55,152 --> 01:00:57,108 HEY, ROWDY! 755 01:01:09,666 --> 01:01:13,124 THE SPEARS! GET THE SPEARS! 756 01:01:15,297 --> 01:01:16,753 HA! 757 01:01:16,965 --> 01:01:18,125 HA! 758 01:01:18,341 --> 01:01:19,751 HEEYA! 759 01:01:22,429 --> 01:01:25,136 YA! YA! 760 01:01:50,874 --> 01:01:52,205 GET THE HORSES. 761 01:01:52,417 --> 01:01:55,250 BEAN, ROWDY, SADDLE UP. 762 01:02:52,352 --> 01:02:53,683 COME ON, GIDDUP! 763 01:02:53,895 --> 01:02:55,726 HEEYA! 764 01:03:32,892 --> 01:03:34,348 GOT HIM! 765 01:03:35,228 --> 01:03:36,559 LOOK OUT! 766 01:03:39,274 --> 01:03:42,266 ROWDY, THE OTHER SIDE! 767 01:03:46,156 --> 01:03:48,863 PULL ON THE ROPE! COME ON! 768 01:03:55,457 --> 01:03:58,415 PULL IT! PULL THAT ROPE! 769 01:04:03,673 --> 01:04:06,289 GO ON! GET CLEAR! GET CLEAR! 770 01:04:33,328 --> 01:04:34,613 PULL THAT ROPE! 771 01:04:34,829 --> 01:04:37,320 GET CLEAR! 772 01:04:46,966 --> 01:04:49,958 PULL ON THAT ROPE! HOLD HIM! 773 01:04:52,347 --> 01:04:53,382 HOLD HIM! 774 01:04:53,598 --> 01:04:55,429 GET ANOTHER ROPE ON HIM! 775 01:05:07,070 --> 01:05:09,482 PULL ON THE ROPE! HOLD HIM! 776 01:05:18,415 --> 01:05:20,326 ANOTHER ROPE SHOULD DO IT! 777 01:05:22,001 --> 01:05:24,788 HOLD IT STEADY! 778 01:05:25,004 --> 01:05:26,244 HOLD HIM! 779 01:05:26,464 --> 01:05:28,375 HOLD HIM! 780 01:05:36,433 --> 01:05:40,142 THEY'VE GOT HIM, PROFESSOR! THEY'VE GOT HIM! 781 01:05:40,353 --> 01:05:41,388 [RRR!] 782 01:05:48,945 --> 01:05:50,401 HEEYA! 783 01:05:58,788 --> 01:06:00,699 STEADY NOW! STEADY! 784 01:06:03,710 --> 01:06:05,575 KEEP THE ROPES TIGHT! 785 01:06:05,795 --> 01:06:09,128 KEEP THEM TIGHT! 786 01:06:09,340 --> 01:06:12,082 COME ON, PROFESSOR! 787 01:06:26,483 --> 01:06:29,225 PULL THE ROPES! KEEP THEM TIGHT! 788 01:07:01,518 --> 01:07:03,759 ALRIGHT, CLEAR OUT! LET GO! 789 01:07:03,978 --> 01:07:06,469 ROWDY, COME ON! 790 01:07:17,867 --> 01:07:19,482 STEADY THOSE HORSES! 791 01:07:31,047 --> 01:07:32,912 WE CAN'T GET THROUGH! 792 01:07:53,403 --> 01:07:55,519 KEEP THOSE HORSES STEADY! 793 01:08:08,376 --> 01:08:09,707 CHAMP, CARLOS! 794 01:08:22,599 --> 01:08:25,056 WE CAN'T GET THROUGH HERE! 795 01:08:25,268 --> 01:08:27,133 GO BACK FOR THE PROFESSOR! 796 01:08:47,123 --> 01:08:48,954 THERE'S NO WAY THROUGH! 797 01:08:49,167 --> 01:08:50,953 THERE'S NO WAY THROUGH! 798 01:08:51,169 --> 01:08:53,160 WE'VE GOT TO GO BACK! 799 01:09:30,583 --> 01:09:31,948 AAH! 800 01:09:32,168 --> 01:09:33,624 AAH! 801 01:09:37,465 --> 01:09:38,955 AAH! 802 01:09:39,175 --> 01:09:40,881 AAH! 803 01:10:01,197 --> 01:10:02,812 AAH! 804 01:10:43,406 --> 01:10:45,112 WHOA. 805 01:11:10,600 --> 01:11:12,056 [RRRR] 806 01:11:36,292 --> 01:11:38,783 HA HA HA! 807 01:11:39,003 --> 01:11:41,710 WE'RE GOING TO LUG THIS CRITTER BACK ALIVE. 808 01:11:41,923 --> 01:11:43,709 T.J., HONEY, YOU'RE GOING TO HAVE 809 01:11:43,925 --> 01:11:46,758 THE GREATEST MAIN ATTRACTION THAT ANY CIRCUS-- 810 01:11:49,305 --> 01:11:51,341 WHAT'S THE MATTER? 811 01:11:54,894 --> 01:11:56,759 WHERE'S CARLOS? 812 01:13:21,898 --> 01:13:23,604 [NEIGH] 813 01:13:27,403 --> 01:13:28,518 CHAMP! 814 01:13:28,738 --> 01:13:30,148 HO! 815 01:13:44,045 --> 01:13:46,127 IT IS AS I FORETOLD. 816 01:13:46,339 --> 01:13:48,580 GWANGI HAS KILLED CARLOS, 817 01:13:48,758 --> 01:13:51,716 JUST AS HE KILLED HIS BROTHER MIGUEL. 818 01:13:51,928 --> 01:13:53,714 WELL, HOW DID YOU KNOW THAT? 819 01:13:53,930 --> 01:13:55,761 IN A DREAM, I SAW IT-- 820 01:13:55,973 --> 01:13:58,760 THE GREAT JAWS SNAPPING, THE RIDERLESS HORSE. 821 01:13:58,976 --> 01:14:00,682 HE WAS DOOMED. 822 01:14:00,895 --> 01:14:03,557 SO WILL YOU BE DOOMED, ALL OF YOU, 823 01:14:03,773 --> 01:14:06,059 UNLESS THE EVIL ONE IS SET FREE. 824 01:14:06,275 --> 01:14:08,106 BALDERDASH, MY GOOD WOMAN. 825 01:14:08,319 --> 01:14:09,604 BALDERDASH. 826 01:14:09,820 --> 01:14:12,027 HE'S NO MORE EVIL THAN AN ALLIGATOR. 827 01:14:12,239 --> 01:14:15,356 THE ONLY THING THAT'S EVIL ARE HIS JAWS. 828 01:14:15,576 --> 01:14:16,861 SPELL? 829 01:14:17,078 --> 01:14:19,785 HE CAN CAST NO SPELLS. 830 01:14:19,997 --> 01:14:21,908 COME ON. LET'S MOVE OUT. 831 01:14:27,880 --> 01:14:30,747 DEFY THE LAW AND PERISH! 832 01:14:30,967 --> 01:14:32,832 [RRR!] 833 01:15:18,973 --> 01:15:21,339 IN THE NAME OF SCIENCE, 834 01:15:21,559 --> 01:15:23,766 I BEG YOU TO THINK AGAIN. 835 01:15:23,978 --> 01:15:26,685 WE'VE GOT A SHOW TO DO. 836 01:15:26,897 --> 01:15:28,182 A SHOW? 837 01:15:28,399 --> 01:15:29,639 A SHOW? 838 01:15:29,859 --> 01:15:31,645 IT'S DISGRACEFUL TO THINK OF PUTTING 839 01:15:31,861 --> 01:15:33,647 THIS FABULOUS CREATURE ON DISPLAY 840 01:15:33,863 --> 01:15:35,649 IN A CHEAP CIRCUS. 841 01:15:35,865 --> 01:15:37,981 GWANGI IS OUR PROPERTY. 842 01:15:38,200 --> 01:15:40,361 HE BELONGS TO US ALL, TO SCIENTIFIC RESEARCH! 843 01:15:40,536 --> 01:15:42,367 EASY, PROFESSOR. 844 01:15:42,580 --> 01:15:43,865 DO YOUR RESEARCH 845 01:15:44,081 --> 01:15:47,039 WHILE YOU FOLLOW US ON OUR WORLD TOUR. 846 01:15:47,209 --> 01:15:50,952 YOU MUST BE MAD, RAVING MAD. 847 01:15:51,172 --> 01:15:53,629 WE'LL SEE WHAT THE ROYAL SOCIETY 848 01:15:53,841 --> 01:15:57,459 HAS TO SAY ABOUT THIS! 849 01:15:57,678 --> 01:15:59,464 WHAT'S ALL THIS ABOUT A WORLD TOUR? 850 01:15:59,680 --> 01:16:01,466 I'VE GOT IT ALL FIGURED OUT. 851 01:16:01,682 --> 01:16:03,718 WE PLAY LONDON, PARIS, MADRID, AND-- 852 01:16:03,934 --> 01:16:06,391 YOU'RE FORGETTING SOMETHING, AREN'T YOU? 853 01:16:06,604 --> 01:16:08,390 OH, YES. NEW YORK. 854 01:16:08,606 --> 01:16:10,562 NO. WYOMING. THAT RANCH. 855 01:16:10,775 --> 01:16:12,561 WE TALKED ABOUT IT, REMEMBER? 856 01:16:12,777 --> 01:16:14,563 YES, BUT THAT WAS BEFORE. 857 01:16:14,779 --> 01:16:17,395 T.J., THIS SHOW WAS GOING TO BE IT. 858 01:16:17,615 --> 01:16:21,733 I HELPED SO THAT ALL OF YOU COULD GET PAID OF 859 01:16:21,952 --> 01:16:23,817 FROM A SHOW THAT'S WORTH BUYING. 860 01:16:24,038 --> 01:16:26,996 BUT NOW IT'S WORTH SAVING. 861 01:16:27,208 --> 01:16:29,540 WE CAN DO THE TOUR, THEN BUY THE RANCH. 862 01:16:29,752 --> 01:16:32,334 WE CAN'T. NOT US. NOT NOW. 863 01:16:32,546 --> 01:16:34,252 SAME OLD TUCK. 864 01:16:34,465 --> 01:16:37,423 OH, NO. NOT THE SAME OLD TUCK, 865 01:16:37,635 --> 01:16:39,751 BUT A NEW KIND OF T.J., 866 01:16:39,970 --> 01:16:42,507 SUDDENLY ALL CAUGHT UP IN THE WORLD OF GLITTER. 867 01:16:42,723 --> 01:16:44,588 LEAVE ME OUT. THAT DREAMBOAT'S ON THE ROCKS. 868 01:16:44,809 --> 01:16:47,596 AS YOU LIKE. 869 01:16:47,812 --> 01:16:49,723 "AS YOU LIKE"? 870 01:16:50,898 --> 01:16:52,729 WELL, THAT'S IT. 871 01:16:52,942 --> 01:16:55,228 I GUESS IT IS. 872 01:16:57,780 --> 01:16:59,862 FIGURES. 873 01:17:00,074 --> 01:17:01,860 WELL, I'M SORRY FOR YOU, HON, 874 01:17:02,076 --> 01:17:04,909 BECAUSE YOU'RE HEADING FOR A PLACE I JUST LEFT. 875 01:17:05,121 --> 01:17:07,737 YOU WON'T LIKE IT MUCH. 876 01:17:11,794 --> 01:17:13,830 [DOOR OPENS AND CLOSES] 877 01:17:14,046 --> 01:17:16,628 SENORITA, YOU MUST GO AFTER MR. KIRBY. 878 01:17:16,841 --> 01:17:18,627 HE'S A VERY PROUD MAN, 879 01:17:18,843 --> 01:17:21,255 AND HE'LL NEVER COME BACK. 880 01:18:00,176 --> 01:18:01,791 [GUNSHOTS] 881 01:18:11,437 --> 01:18:13,473 TUCK! 882 01:18:56,857 --> 01:18:59,473 [AROO] 883 01:19:32,226 --> 01:19:34,592 [RRR!] 884 01:19:34,812 --> 01:19:36,348 [ARoou 885 01:19:37,856 --> 01:19:39,187 [ARoou 886 01:19:40,109 --> 01:19:41,394 BACK! BACK! 887 01:19:41,610 --> 01:19:43,396 QUIET HIM DOWN! QUIET HIM DOWN! 888 01:19:43,612 --> 01:19:45,398 I'M DOING THE BEST I CAN! 889 01:19:45,614 --> 01:19:48,856 BACK! BACK! 890 01:19:50,369 --> 01:19:52,985 PEDRO, READY WITH THAT FANFARE MUSIC. 891 01:19:53,205 --> 01:19:55,070 SI, SENIOR. 892 01:19:56,959 --> 01:19:58,244 STAN D BY, BOYS. 893 01:19:58,460 --> 01:20:00,246 WHEN THAT GOES UP, 894 01:20:00,462 --> 01:20:03,124 YOU'LL GET THE PICTURE OF YOUR LIVES. 895 01:20:03,340 --> 01:20:05,922 [FAN FARE PLAYS] 896 01:20:14,977 --> 01:20:18,435 LADIES AND GENTLEMEN! 897 01:20:20,274 --> 01:20:22,390 I HAVE THE HONOR 898 01:20:22,609 --> 01:20:26,477 TO MAKE THE MOST IMPORTANT ANNOUNCEMENT OF THIS-- 899 01:20:26,697 --> 01:20:27,482 [ARoou 900 01:20:27,698 --> 01:20:30,280 [ARoou 901 01:20:30,492 --> 01:20:32,983 TO MAKE THE MOST IMPORTANT ANNOUNCEMENT 902 01:20:33,203 --> 01:20:34,989 OF THE ERA! 903 01:20:35,205 --> 01:20:38,288 WHAT YOU ARE ABOUT TO SEE 904 01:20:38,500 --> 01:20:40,991 HAS NEVER BEEN SEEN BEFORE! I REPEAT! 905 01:20:41,211 --> 01:20:45,580 HAS NEVER BEEN SEEN BEFORE BY HUMAN EYES! 906 01:20:45,799 --> 01:20:51,840 CAPTURED AND BROUGHT BACK ALIVE BY MISS T.J. BRECKENRIDGE-- 907 01:20:52,056 --> 01:20:53,341 AAH! 908 01:20:53,557 --> 01:20:54,512 [RRR!] 909 01:20:54,725 --> 01:20:57,341 LET HER RIP, BOYS. 910 01:20:57,519 --> 01:20:58,975 [FAN FARE PLAYS] 911 01:21:00,856 --> 01:21:03,393 GWANGI THE GREAT, 912 01:21:03,609 --> 01:21:08,979 LIVING WONDER OF THE PREHISTORIC ERA! 913 01:21:13,702 --> 01:21:16,944 GET THAT CURTAIN DOWN! CAN YOU GET IT DOWN? 914 01:21:17,164 --> 01:21:18,279 [FAN FARE PLAYS] 915 01:21:54,576 --> 01:21:56,032 STOP HIM! 916 01:21:59,206 --> 01:22:01,037 [AROO] 917 01:22:04,837 --> 01:22:07,624 HEY, WHAT’S HAPPENING! NO, YOU’RE SUPPOSED TO PLAY! 918 01:22:08,424 --> 01:22:10,506 [RRR!] 919 01:22:41,039 --> 01:22:42,404 CHAMP, WHAT'S HAPPENED? 920 01:22:42,624 --> 01:22:43,955 GWANGI'S LOOSE! 921 01:22:44,168 --> 01:22:46,079 WELL, GET SOME RIFLES! 922 01:23:03,604 --> 01:23:05,344 AAH! 923 01:23:38,597 --> 01:23:41,304 [ARooou 924 01:23:53,195 --> 01:23:55,106 [ARooou 925 01:24:35,404 --> 01:24:36,689 AAH! 926 01:24:46,039 --> 01:24:47,700 [BELLS TOLLING] 927 01:26:00,322 --> 01:26:01,528 [GUNSHOT] 928 01:26:01,740 --> 01:26:03,446 [NEIGH] 929 01:26:32,020 --> 01:26:33,385 HEY! HEY! 930 01:26:42,114 --> 01:26:43,979 HEEYA! 931 01:26:47,786 --> 01:26:50,323 HEEYA! 932 01:26:52,541 --> 01:26:55,157 THE DOORS! THE DOORS! 933 01:27:10,517 --> 01:27:12,257 LOPE! 934 01:27:22,154 --> 01:27:24,361 GET IN THERE! 935 01:28:11,453 --> 01:28:13,284 QUICK! OUT THE BACK WAY! 936 01:28:13,497 --> 01:28:15,408 I'LL LOCK HIM IN! 937 01:29:21,273 --> 01:29:23,138 THIS DOOR'S BARRED FROM THE INSIDE! 938 01:29:23,358 --> 01:29:26,475 THE OTHER IS, TOO! 939 01:29:35,871 --> 01:29:37,486 [RRR!] 940 01:29:47,299 --> 01:29:48,288 YA! 941 01:29:48,508 --> 01:29:50,089 HIYAH! 942 01:30:11,239 --> 01:30:13,230 HEY! 943 01:30:13,450 --> 01:30:14,314 HA! 944 01:30:18,872 --> 01:30:20,203 HA! 945 01:30:40,769 --> 01:30:41,884 [ORGAN PLAYING] 946 01:30:48,443 --> 01:30:50,559 [RRR!] 947 01:30:56,868 --> 01:30:58,574 COME ON! 948 01:30:59,454 --> 01:31:01,570 MOVE! 949 01:31:22,560 --> 01:31:24,050 [RRRRu 950 01:35:17,712 --> 01:35:19,668 [RRR!] 60420

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