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1
00:00:42,240 --> 00:00:45,200
-PICTURE THE SCENE.
2
00:00:45,200 --> 00:00:47,320
IT IS 3 O'CLOCK IN
THE MORNING.
3
00:00:47,320 --> 00:00:51,140
AND THERE YOU LIE IN THE
IMAGINED SAFETY OF YOUR OWN
4
00:00:51,140 --> 00:00:58,510
BED, LISTENING IS THAT A
MOVEMENT YOU HEAR DOWNSTAIRS?
5
00:00:58,510 --> 00:01:02,090
A SERVANT, PERHAPS, WHOSE DUTY
DRIVES HIM TO CHECK THE
6
00:01:02,090 --> 00:01:05,380
SILVER, EVEN AT THIS
LATE HOUR.
7
00:01:05,380 --> 00:01:06,680
NO.
8
00:01:06,680 --> 00:01:10,020
IT IS SOMETHING FAR
MORE SINISTER.
9
00:01:10,020 --> 00:01:15,500
SO YOU RISE FROM YOUR BED,
LOOKING AROUND YOURSELF.
10
00:01:15,500 --> 00:01:18,740
AND WHAT DO YOU SEE
IN THE MOONLIGHT?
11
00:01:18,740 --> 00:01:20,680
A POKER.
12
00:01:20,680 --> 00:01:25,960
YES, THE IRON POKER FROM
YOUR BEDROOM FIREPLACE.
13
00:01:25,960 --> 00:01:29,990
GRASPING IT FIRMLY IN YOUR
HAND, YOU PROCEED TO THE
14
00:01:29,990 --> 00:01:33,560
STAIRS AND DESCEND
TO THE HALL.
15
00:01:33,560 --> 00:01:35,650
THERE YOU STOP.
16
00:01:35,650 --> 00:01:38,370
YOU LOOK AROUND.
17
00:01:38,370 --> 00:01:41,410
ALL IS SILENCE.
18
00:01:41,410 --> 00:01:42,880
AND THEN--
19
00:01:42,880 --> 00:01:43,370
[BANG]
20
00:01:43,370 --> 00:01:49,230
[GASPING]
21
00:01:49,230 --> 00:01:50,480
-(ANGRILY) MISS BOXER.
22
00:01:57,910 --> 00:01:59,790
-PICTURE THE SCENE.
23
00:01:59,790 --> 00:02:01,370
-UH, LUNCH, I THINK.
24
00:02:01,370 --> 00:02:05,250
THANK YOU, MR. JARDINE.
25
00:02:05,250 --> 00:02:06,830
-CUT IT OUT, QUATERMASS.
26
00:02:06,830 --> 00:02:07,990
-WHAT'S THE HURRY?
27
00:02:07,990 --> 00:02:10,220
-WARWICK JARDINE'S ON HIS WAY
OUT, AND I GOT ON THE WRONG
28
00:02:10,220 --> 00:02:11,950
SIDE OF HIM WHEN I SPRAYED
HIS DAIMLER.
29
00:02:11,950 --> 00:02:13,690
-OH, WELL, HE'LL NEVER
GET FUNGAL ROT.
30
00:02:13,690 --> 00:02:15,220
-OR A SHINE ON HIS PAINT WORK.
31
00:02:15,220 --> 00:02:16,690
COME ON.
32
00:02:16,690 --> 00:02:18,980
-MRS. THYME.
33
00:02:18,980 --> 00:02:21,550
MISS BOXER.
34
00:02:21,550 --> 00:02:24,640
-I'M SORRY ABOUT THE,
UM-- YOU KNOW.
35
00:02:24,640 --> 00:02:27,450
-HOW MUCH MORE OF YOUR
PROFESSIONAL ATTENTION MAY WE
36
00:02:27,450 --> 00:02:29,160
LOOK FORWARD TO?
37
00:02:29,160 --> 00:02:30,820
-THE BLIGHT'S ALL BUT GONE.
38
00:02:30,820 --> 00:02:32,650
-ARE YOU?
39
00:02:32,650 --> 00:02:33,900
GOOD.
40
00:02:38,720 --> 00:02:41,120
-HERE'S A TRICK THE
REST OF US USE.
41
00:02:41,120 --> 00:02:42,770
IMAGINE HIM IN WOMEN'S
UNDERWEAR.
42
00:02:42,770 --> 00:02:43,820
-DOES IT WORK FOR YOU?
43
00:02:43,820 --> 00:02:45,070
-A BIT TOO WELL.
44
00:02:45,070 --> 00:02:47,320
I'VE HAD TO STOP.
45
00:02:47,320 --> 00:02:48,830
YOU NEARLY DONE HERE?
46
00:02:48,830 --> 00:02:51,170
-WE'VE THINNED OUT THE INFECTED
LEAVES, SPRAYED TO
47
00:02:51,170 --> 00:02:52,240
PROTECT THE REST OF THEM.
48
00:02:52,240 --> 00:02:54,080
THERE'S NOT A LOT
MORE WE CAN DO.
49
00:02:54,080 --> 00:02:56,430
-I'VE GOT A PROPOSAL I'D
LIKE TO RUN BY YOU.
50
00:02:56,430 --> 00:02:57,740
TEA SHOP IN HALF AN HOUR?
51
00:02:57,740 --> 00:02:59,160
MAN (OFFSCREEN): FRAZER!
52
00:02:59,160 --> 00:03:00,410
-THE BUNS ARE ON ME.
53
00:03:06,280 --> 00:03:08,540
-IT'S JUST A LITTLE OLD PLACE
OUT IN THE COUNTRY.
54
00:03:08,540 --> 00:03:11,060
IT'S BEEN IN THE FAMILY SINCE
GOD WAS IN SHORT TROUSERS.
55
00:03:11,060 --> 00:03:12,140
-HOW BIG'S THE GARDEN?
56
00:03:12,140 --> 00:03:13,450
-TINY, TINY.
57
00:03:13,450 --> 00:03:17,350
AND IT'S BARELY WORTH FIVE
MINUTES OF YOUR ATTENTION.
58
00:03:17,350 --> 00:03:19,540
ACTUALLY, I'M LYING.
59
00:03:19,540 --> 00:03:21,220
IT'S QUITE HUGE.
60
00:03:21,220 --> 00:03:22,650
OH, I DON'T KNOW.
61
00:03:22,650 --> 00:03:24,610
WHICH GETS YOU MORE
INTERESTED?
62
00:03:24,610 --> 00:03:27,580
DO YOU KNOW HOW HARD IT IS TO
NAIL DOWN A LANDSCAPER?
63
00:03:27,580 --> 00:03:32,590
-MARTIN, JUST DESCRIBE
THE PROBLEM.
64
00:03:32,590 --> 00:03:36,710
-I WANT TO PUT THE ELIZABETHAN
GARDEN BACK THE WAY IT WAS.
65
00:03:36,710 --> 00:03:38,600
BUT IT'S GONE TO POT.
66
00:03:38,600 --> 00:03:39,880
COULD YOU TAKE A LOOK AT IT?
67
00:03:39,880 --> 00:03:40,620
-YEAH--
68
00:03:40,620 --> 00:03:45,200
-WE'LL, UH, CHECK OUR DIARY,
AND LET YOU KNOW.
69
00:03:45,200 --> 00:03:47,450
-I'VE BEEN ASKING ABOUT YOU.
70
00:03:47,450 --> 00:03:49,430
YOU KNOW YOUR STUFF.
71
00:03:49,430 --> 00:03:51,420
AND YOU DON'T PAD
YOUR OVERHEADS.
72
00:03:51,420 --> 00:03:52,880
HERE'S MY NUMBER.
73
00:03:52,880 --> 00:03:56,360
I'LL BE HOME ANYTIME FROM
9:00 ON FRIDAY.
74
00:03:56,360 --> 00:03:59,350
-WHY CHECK THE DIARY WHEN
THERE'S NOTHING IN IT?
75
00:03:59,350 --> 00:04:01,210
-IT'S BAD BUSINESS TO
SEEM TOO EAGER.
76
00:04:01,210 --> 00:04:04,210
ANYWAY, HE'S ALREADY DROPPING
HINTS ABOUT OUR LOW OVERHEADS.
77
00:04:04,210 --> 00:04:06,750
-OH, I CAN'T IMAGINE WHAT
GAVE HIM THAT IDEA.
78
00:04:06,750 --> 00:04:08,930
-HA HA HA.
79
00:04:08,930 --> 00:04:10,810
I'VE ALWAYS FANCIED GETTING
MY HANDS ON
80
00:04:10,810 --> 00:04:12,020
AN ELIZABETHAN GARDEN.
81
00:04:12,020 --> 00:04:14,620
LAURA (OFFSCREEN): YES, AND,
UH, SPEAKING OF OVERHEADS,
82
00:04:14,620 --> 00:04:17,470
I'VE HAD AN IDEA THAT
COULD SAVE US A TON
83
00:04:17,470 --> 00:04:18,980
OF MONEY THIS SUMMER.
84
00:04:18,980 --> 00:04:20,940
ROSEMARY (OFFSCREEN):
WHAT IS IT?
85
00:04:20,940 --> 00:04:21,430
OH, DEAR.
86
00:04:21,430 --> 00:04:23,380
LAURA (OFFSCREEN): UH, IF I JUST
COME OUT AND TELL YOU,
87
00:04:23,380 --> 00:04:24,850
YOU'LL ONLY SAY NO.
88
00:04:32,670 --> 00:04:35,520
-SEE, YOU'VE GOT YOUR TWO
SLEEPING COMPARTMENTS ON
89
00:04:35,520 --> 00:04:38,380
OPPOSITE SIDES WHILE THE MIDDLE
OPENS RIGHT OUT IN GOOD
90
00:04:38,380 --> 00:04:38,460
WEATHER.
91
00:04:38,460 --> 00:04:39,860
-OH, I LIKE THIS ONE.
92
00:04:39,860 --> 00:04:41,160
-HAVE YOU BEEN CAMPING BEFORE?
93
00:04:41,160 --> 00:04:41,930
-OH, YES.
94
00:04:41,930 --> 00:04:44,660
IN THE BROWNIES.
95
00:04:44,660 --> 00:04:45,570
MARTIN (OFFSCREEN):
THAT'S GREAT NEWS.
96
00:04:45,570 --> 00:04:47,000
-WELL, JUST ONE MORE THING.
97
00:04:47,000 --> 00:04:47,760
MARTIN (OFFSCREEN):
WHAT'S THAT?
98
00:04:47,760 --> 00:04:50,640
-IS THERE ANYWHERE DECENT
WE CAN STAY?
99
00:04:50,640 --> 00:04:53,550
MARTIN (OFFSCREEN): (LAUGHING)
WELL, THAT DEPENDS ON WHAT YOU
100
00:04:53,550 --> 00:04:55,250
CLASS AS DECENT.
101
00:04:55,250 --> 00:04:55,950
-WALLS AND A ROOF.
102
00:04:55,950 --> 00:04:59,720
MARTIN (OFFSCREEN): (LAUGHING)
WE'VE GOT BAGS OF ROOM.
103
00:04:59,720 --> 00:05:00,700
-OH, GREAT.
104
00:05:00,700 --> 00:05:01,080
RIGHT.
105
00:05:01,080 --> 00:05:02,350
WELL, YOU'RE ON.
106
00:05:02,350 --> 00:05:03,920
AH, WE'LL SEE YOU ON SUNDAY.
107
00:05:03,920 --> 00:05:05,050
-LOOK FORWARD TO IT.
108
00:05:05,050 --> 00:05:06,300
-BYE.
109
00:05:09,410 --> 00:05:18,030
-SLIDE POLES INTO POLE SLEEVES
ON OUTSIDE OF FLY SHEET.
110
00:05:18,030 --> 00:05:25,650
BRACE POLE, AND LOCATE POLE
PINS ON POLE END.
111
00:05:25,650 --> 00:05:27,780
-WHY DON'T YOU USE THE
ENGLISH TRANSLATION?
112
00:05:27,780 --> 00:05:31,400
-I'M SURE IT WILL BE PERFECTLY
CLEAR WHEN IT'S LAID OUT ON
113
00:05:31,400 --> 00:05:32,000
THE GROUND.
114
00:05:32,000 --> 00:05:35,440
-AH, HERE WE ARE.
115
00:05:35,440 --> 00:05:39,190
MARTIN SAID WE GO LEFT WHEN
WE SEE A POST BOX.
116
00:05:39,190 --> 00:05:40,670
AND THERE IT IS.
117
00:05:59,400 --> 00:06:01,860
[CHILDREN TALKING]
118
00:06:01,860 --> 00:06:04,330
[DOG BARKING]
119
00:06:04,330 --> 00:06:05,320
CHILD (OFFSCREEN):
IT'S MY TURN!
120
00:06:05,320 --> 00:06:06,350
[CHILDREN SHOUTING]
121
00:06:06,350 --> 00:06:08,510
-DOESN'T IT GET LONELY WITH
MARTIN NOT AROUND DURING THE
122
00:06:08,510 --> 00:06:09,260
WEEK, SUZANNE?
123
00:06:09,260 --> 00:06:11,000
-NOT WITH A CLASS
OF 20 TO TEACH.
124
00:06:11,000 --> 00:06:11,160
-WHAT?
125
00:06:11,160 --> 00:06:12,480
YOU WORK, AS WELL?
126
00:06:12,480 --> 00:06:13,160
-PART TIME.
127
00:06:13,160 --> 00:06:14,380
IT'S THE ONLY WAY TO
KEEP IT ALL GOING.
128
00:06:14,380 --> 00:06:15,060
-HUH.
129
00:06:15,060 --> 00:06:16,960
-WE HAVEN'T HAD A HOLIDAY
IN FIVE YEARS.
130
00:06:16,960 --> 00:06:19,610
AND THE KIDS GOT SECOND-HAND
BIKES FOR CHRISTMAS.
131
00:06:19,610 --> 00:06:20,950
-ISN'T THERE AN INCOME
FROM THE ESTATE?
132
00:06:20,950 --> 00:06:21,570
-HUH.
133
00:06:21,570 --> 00:06:23,020
NOWHERE NEAR ENOUGH.
134
00:06:23,020 --> 00:06:25,020
OI, TOBY!
135
00:06:25,020 --> 00:06:26,000
PLAY NICELY.
136
00:06:26,000 --> 00:06:27,250
CHILD (OFFSCREEN): YEAH, BUT
IT'S MY TURN TO HAVE THE--
137
00:06:27,250 --> 00:06:29,230
-I'VE HAD THIS ALL WEEK.
138
00:06:29,230 --> 00:06:29,680
-GO ON.
139
00:06:29,680 --> 00:06:32,270
WE'LL FIND OUR OWN WAY
TO THE GARDEN.
140
00:06:32,270 --> 00:06:32,820
-COME ON, NOW.
141
00:06:32,820 --> 00:06:34,610
WHY CAN'T YOU LEARN TO SHARE?
142
00:06:34,610 --> 00:06:35,860
-(LAUGHING) OH, DEAR.
143
00:06:39,180 --> 00:06:40,250
-I OUGHT TO WARN YOU.
144
00:06:40,250 --> 00:06:42,600
I'VE PUT MARTIN ON LUNCH DUTY.
145
00:06:42,600 --> 00:06:43,800
-WHY IS THAT WORTH A WARNING?
146
00:06:43,800 --> 00:06:46,810
-WELL, IT DEPENDS ON WHETHER
YOU'RE OK WITH CAVEMAN FOOD.
147
00:06:46,810 --> 00:06:49,230
IF HE CAN'T BURN IT, YOU'D
BETTER LIKE IT RAW.
148
00:06:56,900 --> 00:06:58,150
LAURA (OFFSCREEN): OH, LORD.
149
00:07:04,370 --> 00:07:07,170
-THIS OLD PRINT SHOWS WHAT
IT USED TO BE LIKE.
150
00:07:07,170 --> 00:07:09,660
EVERY GENERATION LEAVES
ITS MARK ON THE PLACE.
151
00:07:09,660 --> 00:07:12,420
MARTIN WANTS THIS TO BE HIS.
152
00:07:12,420 --> 00:07:14,570
-WHY DON'T YOU LEAVE
US ALONE FOR A BIT?
153
00:07:14,570 --> 00:07:17,900
-YEAH, WE'LL JUST HAVE A POKE
AROUND, AND SEE WHAT'S WHAT.
154
00:07:17,900 --> 00:07:19,830
-OK, WELL, COME AND JOIN
US WHEN YOU'RE DONE.
155
00:07:25,950 --> 00:07:27,360
LAURA (OFFSCREEN): IT'S GOING
TO TAKE A BIT MORE THAN A
156
00:07:27,360 --> 00:07:28,510
PRUNE AND A TIDY.
157
00:07:28,510 --> 00:07:30,950
-NO, IT'S NOT QUITE AS
BAD AS IT LOOKS.
158
00:07:30,950 --> 00:07:32,480
THE BASIC LAYOUT'S STILL HERE.
159
00:07:32,480 --> 00:07:34,870
-OOH, YOU ARE THE BIGGEST
OPTIMIST I'VE EVER KNOWN.
160
00:07:34,870 --> 00:07:36,470
WHAT ARE YOU LOOKING FOR?
161
00:07:36,470 --> 00:07:37,820
ROSEMARY (OFFSCREEN): I
RATHER FEAR THAT OLD
162
00:07:37,820 --> 00:07:39,530
SUN DIAL'S LONG GONE.
163
00:07:39,530 --> 00:07:42,050
OH, BUT LOOK AT THIS.
164
00:07:42,050 --> 00:07:45,930
WON'T IT BE SOMETHING?
165
00:07:45,930 --> 00:07:47,650
LAURA (OFFSCREEN): THERE'S
BEEN A BUILDING HERE.
166
00:07:47,650 --> 00:07:50,300
YOU CAN SEE THE OLD
FOUNDATIONS.
167
00:07:50,300 --> 00:07:51,740
-IT WILL TAKE MORE THAN
THE TWO OF US TO
168
00:07:51,740 --> 00:07:52,920
GET THOSE DUG OUT.
169
00:07:52,920 --> 00:07:53,090
-HMM.
170
00:07:53,090 --> 00:07:54,760
WE'LL HAVE TO GET IN
SOME EXTRA LABOR.
171
00:07:54,760 --> 00:07:56,600
-HMM.
172
00:07:56,600 --> 00:07:59,140
BIG HUNKY BLOKES WITH
PICKS AND SHOVELS.
173
00:07:59,140 --> 00:08:00,410
-AND A COUPLE OF DECK CHAIRS.
174
00:08:00,410 --> 00:08:01,260
-DECK CHAIRS?
175
00:08:01,260 --> 00:08:02,580
-SO WE CAN SIT AND WATCH.
176
00:08:02,580 --> 00:08:03,830
-HAH.
177
00:08:10,300 --> 00:08:12,350
-PARDON ME.
178
00:08:12,350 --> 00:08:14,020
-WERE YOU SENT TO FETCH US?
179
00:08:14,020 --> 00:08:15,810
SORRY WE'RE TAKING SO LONG.
180
00:08:15,810 --> 00:08:19,390
-I DON'T EVEN KNOW
WHO YOU ARE.
181
00:08:19,390 --> 00:08:21,990
I'M JIM.
182
00:08:21,990 --> 00:08:22,800
-LAURA THYME.
183
00:08:22,800 --> 00:08:24,300
-ROSEMARY BOXER.
184
00:08:24,300 --> 00:08:27,130
-I WOULD COUNT IT A GREAT FAVOR
IF YOU DIDN'T MENTION
185
00:08:27,130 --> 00:08:28,460
THAT YOU'D SEEN ME.
186
00:08:28,460 --> 00:08:29,710
-WHAT?
187
00:08:31,600 --> 00:08:35,030
-I'M NOT REALLY SUPPOSED
TO BE HERE.
188
00:08:35,030 --> 00:08:37,820
I'VE BEEN BANNED FROM
THE PROPERTY.
189
00:08:37,820 --> 00:08:39,360
-OH, WELL, I'M SORRY
TO HEAR THAT.
190
00:08:39,360 --> 00:08:41,210
BUT YOU CAN'T ASK US
TO COVER FOR YOU.
191
00:08:41,210 --> 00:08:42,460
-WE'RE GUESTS HERE.
192
00:08:53,450 --> 00:08:54,700
-I'LL JUST GO THEN.
193
00:09:00,140 --> 00:09:02,460
-ME BRING MEAT FROM
MIGHTY AGA.
194
00:09:02,460 --> 00:09:06,830
[CLAPPING AND CHEERING]
195
00:09:06,830 --> 00:09:08,080
[INTERPOSING VOICES]
196
00:09:21,240 --> 00:09:21,740
[DOG BARKING]
197
00:09:21,740 --> 00:09:22,850
SUZANNE (OFFSCREEN): THERE'S
FREE ICE CREAM FOR ANYONE WHO
198
00:09:22,850 --> 00:09:27,700
CAN TAKE THESE SCROUNGY DOGS
AWAY FROM THE TABLE.
199
00:09:27,700 --> 00:09:31,680
[DOGS BARKING]
200
00:09:31,680 --> 00:09:37,640
[CHILDREN'S VOICES]
201
00:09:37,640 --> 00:09:39,130
-A PLANT PATHOLOGIST?
202
00:09:39,130 --> 00:09:40,740
-THAT'S RIGHT.
203
00:09:40,740 --> 00:09:43,880
-LIKE QUINCY OF THE GREENWOOD?
204
00:09:43,880 --> 00:09:45,580
-IF YOU LIKE.
205
00:09:45,580 --> 00:09:46,640
-DON'T LET HIM WIND YOU UP.
206
00:09:46,640 --> 00:09:47,350
-NO, NO, NO.
207
00:09:47,350 --> 00:09:47,940
I'M INTRIGUED.
208
00:09:47,940 --> 00:09:52,050
I'D LIKE TO KNOW HOW YOU DO
A POST-MORTEM ON A TREE.
209
00:09:52,050 --> 00:09:53,300
-WITH A CHAIN SAW.
210
00:09:55,290 --> 00:09:56,570
-ARE YOU BEING SERIOUS?
211
00:09:56,570 --> 00:09:57,670
-YOU STARTED IT.
212
00:09:57,670 --> 00:09:59,590
[LAUGHING]
213
00:09:59,590 --> 00:10:00,710
-HAVE YOU LIVED HERE
ALL YOUR LIFE?
214
00:10:00,710 --> 00:10:02,090
-BORN HERE.
215
00:10:02,090 --> 00:10:04,780
WENT AWAY, CAME BACK.
216
00:10:04,780 --> 00:10:06,610
NOW I'M IN CHARGE OF
THE LYVEDON TRUST.
217
00:10:06,610 --> 00:10:09,640
-AND THE FIRST GIRL
I EVER KISSED.
218
00:10:09,640 --> 00:10:10,180
-OOH.
219
00:10:10,180 --> 00:10:13,120
-BUT DON'T YOU DARE TELL
THE MRS. THAT.
220
00:10:13,120 --> 00:10:14,720
KATIE, ARE YOU ALL RIGHT?
221
00:10:14,720 --> 00:10:15,740
-THANKS, I'M ON CALL.
222
00:10:15,740 --> 00:10:16,710
-ARE YOU A DOCTOR?
223
00:10:16,710 --> 00:10:18,300
-ANESTHETICS.
224
00:10:18,300 --> 00:10:21,230
AND I'VE HEARD ALL THE
JOKES, THANK YOU.
225
00:10:21,230 --> 00:10:23,190
-AND WHAT DO YOU DO?
226
00:10:23,190 --> 00:10:24,780
-BOOK JACKETS.
227
00:10:24,780 --> 00:10:26,640
I'M AN ILLUSTRATOR.
228
00:10:26,640 --> 00:10:27,140
-REALLY?
229
00:10:27,140 --> 00:10:28,780
WOULD I HAVE SEEN ANY?
230
00:10:28,780 --> 00:10:29,420
- I DON'T KNOW.
231
00:10:29,420 --> 00:10:30,510
CAN YOU READ?
232
00:10:30,510 --> 00:10:30,750
-CHRIS!
233
00:10:30,750 --> 00:10:32,880
-WHAT?
234
00:10:32,880 --> 00:10:34,030
-FERN, THAT'S A LOVELY NAME.
235
00:10:34,030 --> 00:10:35,250
WHERE'D IT COME FROM?
236
00:10:35,250 --> 00:10:36,310
-MUM'S AN OLD HIPPIE.
237
00:10:36,310 --> 00:10:38,560
YOU WOULDN'T KNOW IT
TO LOOK AT HER NOW.
238
00:10:38,560 --> 00:10:40,070
-I DON'T KNOW HOW
TO TAKE THAT.
239
00:10:40,070 --> 00:10:41,550
-I THINK YOU'RE VERY LUCKY.
240
00:10:41,550 --> 00:10:42,480
-I KNOW.
241
00:10:42,480 --> 00:10:44,400
IF I'D BEEN A BOY, IT
WOULD'VE BEEN BAMBI.
242
00:10:44,400 --> 00:10:47,060
[LAUGHING]
243
00:10:50,860 --> 00:10:52,550
-SEE THERE'S ANOTHER
JOB HALF FINISHED.
244
00:10:52,550 --> 00:10:54,820
LOOKS LIKE YOU'LL BE LEFT
WITH A BUILDER'S YARD.
245
00:10:54,820 --> 00:10:56,680
-IT BELONGS TO THE
ODD-JOB MAN.
246
00:10:56,680 --> 00:11:00,340
AND HE ONLY COMES BACK BECAUSE
WE HIDE HIS TOOLS.
247
00:11:00,340 --> 00:11:03,260
I THINK MARTIN FELL FOR YOU TWO
BECAUSE YOU'LL LIVE ON THE
248
00:11:03,260 --> 00:11:06,180
JOB TILL IT'S DONE.
249
00:11:06,180 --> 00:11:10,320
-OH, DID YOU TELL MARTIN
ABOUT THE MAN WE SAW?
250
00:11:10,320 --> 00:11:11,310
-NO, UH--
251
00:11:11,310 --> 00:11:12,200
-WHERE WAS THIS?
252
00:11:12,200 --> 00:11:14,370
-AT THE DOOR IN THE
WALLED GARDEN.
253
00:11:14,370 --> 00:11:17,010
-SEE, HE SEEMED A BIT ODD.
254
00:11:17,010 --> 00:11:20,790
HE ASKED US NOT TO SAY
THAT WE'D SEEN HIM.
255
00:11:20,790 --> 00:11:23,970
HE SAID HIS NAME WAS JIM.
256
00:11:23,970 --> 00:11:25,670
-COUSIN JIM.
257
00:11:25,670 --> 00:11:26,670
-WHAT DID HE WANT?
258
00:11:26,670 --> 00:11:27,460
-I DON'T KNOW.
259
00:11:27,460 --> 00:11:29,420
HE DIDN'T MAKE A LOT OF SENSE.
260
00:11:29,420 --> 00:11:32,510
-I THOUGHT HE'D BEEN
TOLD TO STAY AWAY.
261
00:11:32,510 --> 00:11:34,450
-IS THERE SOMETHING WE
SHOULD KNOW ABOUT?
262
00:11:34,450 --> 00:11:34,870
-NO.
263
00:11:34,870 --> 00:11:36,180
HE'S PERFECTLY HARMLESS.
264
00:11:36,180 --> 00:11:38,130
BUT HE'S TROUBLED.
265
00:11:38,130 --> 00:11:41,120
NOTHING YOU SHOULD LOSE
ANY SLEEP OVER.
266
00:11:41,120 --> 00:11:45,620
SPEAKING OF WHICH, LAURA HERE
ABSOLUTELY INSISTS ON SPURNING
267
00:11:45,620 --> 00:11:48,140
OUR HOSPITALITY FOR A NIGHT
UNDER THE STARS.
268
00:11:48,140 --> 00:11:50,370
WHERE'S THE BEST SPOT
TO PITCH THE TENT?
269
00:11:50,370 --> 00:11:51,890
-OH, DEFINITELY THE DINGLE.
270
00:11:51,890 --> 00:11:53,870
DOWN BY THE RIVER.
271
00:11:53,870 --> 00:11:54,810
-WELL DONE, GIRLS.
272
00:11:54,810 --> 00:11:57,390
YOU'VE JUST SPARED MY POOR, LONG
SUFFERING A WHOLE HEAP OF
273
00:11:57,390 --> 00:11:58,310
EXTRA LAUNDRY.
274
00:11:58,310 --> 00:11:59,790
[LAUGHING]
275
00:11:59,790 --> 00:12:00,290
-CHEERS.
276
00:12:00,290 --> 00:12:01,540
-CHEERS TO THAT.
277
00:12:08,690 --> 00:12:11,660
-DID YOU NOTICE HOW EVERYONE
REACTED WHEN COUSIN
278
00:12:11,660 --> 00:12:13,640
JIM'S NAME CAME UP?
279
00:12:13,640 --> 00:12:17,590
-I AM SO HAPPY TO BE INSIDE A
THIN LAYER OF NYLON WHILE
280
00:12:17,590 --> 00:12:20,410
HEATHCLIFF'S OUT THERE, STALKING
THE COUNTRYSIDE.
281
00:12:20,410 --> 00:12:22,390
-MARTIN SAYS HE'S HARMLESS.
282
00:12:22,390 --> 00:12:25,860
-MARTIN'S IN A HOUSE.
283
00:12:25,860 --> 00:12:33,020
[LEAVES RUSTLING]
284
00:12:33,020 --> 00:12:36,190
-YOU SEEM TO BE GETTING
ON WELL WITH CHRIS.
285
00:12:36,190 --> 00:12:37,430
IS HE THE ARTIST?
286
00:12:37,430 --> 00:12:38,680
-HMM.
287
00:12:38,680 --> 00:12:43,240
HE SAYS HE'S ALWAYS ON THE
LOOKOUT FOR LIFE MODELS.
288
00:12:43,240 --> 00:12:44,650
-OOH, I'D WATCH HIM.
289
00:12:44,650 --> 00:12:44,920
-NO, NO.
290
00:12:44,920 --> 00:12:47,010
I DON'T THINK THAT WAS
WHAT WAS ON HIS MIND.
291
00:12:47,010 --> 00:12:48,180
NOT WITH HIS WIFE SITTING
RIGHT THERE.
292
00:12:48,180 --> 00:12:49,320
LAURA (OFFSCREEN): OOH,
I DON'T KNOW.
293
00:12:49,320 --> 00:12:50,750
THESE ARTISTIC TYPES.
294
00:12:53,920 --> 00:12:59,040
"WHILE TITIAN WAS MIXING
ROSE MADDER, HIS MODEL
295
00:12:59,040 --> 00:13:02,170
RECLINED ON A LADDER.
296
00:13:02,170 --> 00:13:07,080
HER POSITION TO TITIAN SUGGESTED
COITION, SO HE RAN
297
00:13:07,080 --> 00:13:07,750
UP THE LADDER
298
00:13:07,750 --> 00:13:17,550
AND AT HER." [LAUGHTER]
299
00:13:20,880 --> 00:13:22,460
-ANYWAY, IT'S WHO HE
WANTS TO PAINT.
300
00:13:48,380 --> 00:13:49,430
-LAURA, YOU AWAKE?
301
00:13:49,430 --> 00:13:50,360
LAURA (OFFSCREEN): (MUMBLING)
302
00:13:50,360 --> 00:13:51,610
-I'M GOING FOR WATER.
303
00:14:00,940 --> 00:14:01,940
-OOH.
304
00:14:01,940 --> 00:14:10,400
[WATER RUNNING]
305
00:14:10,400 --> 00:14:10,900
-AAAH.
306
00:14:10,900 --> 00:14:26,340
[WATER RUNNING]
307
00:14:26,340 --> 00:14:27,590
-JIM?
308
00:14:48,250 --> 00:14:49,500
JIM!
309
00:15:26,920 --> 00:15:28,170
OFFICER (OFFSCREEN):
START DOWN THERE.
310
00:15:31,280 --> 00:15:34,090
THE LAST PERSON THAT FELL IN
THIS RIVER TURNED UP THREE
311
00:15:34,090 --> 00:15:37,030
DAYS LATER AND A MILE
DOWNSTREAM.
312
00:15:37,030 --> 00:15:38,900
-DEAD?
313
00:15:38,900 --> 00:15:40,120
-UPSETTING FOR YOU, I KNOW.
314
00:15:40,120 --> 00:15:41,710
BUT I CAN TELL YOU THIS.
315
00:15:41,710 --> 00:15:44,500
ONE WAY, OR ANOTHER, THIS WAS
A TRAGEDY WAITING TO HAPPEN.
316
00:15:44,500 --> 00:15:46,830
IF JIM FRAZER HADN'T TOPPED
HIMSELF, SOMEONE AROUND HERE
317
00:15:46,830 --> 00:15:49,600
WOULD HAVE MURDERED HIM.
318
00:15:49,600 --> 00:15:51,550
-WHY ON EARTH WOULD
YOU SAY THAT?
319
00:15:51,550 --> 00:15:54,160
-HE WAS A LONER.
320
00:15:54,160 --> 00:15:56,900
HE WAS A BIT STRANGE.
321
00:15:56,900 --> 00:15:59,320
AND HE MADE IT HIS LIFE'S
MISSION TO RUB PEOPLE
322
00:15:59,320 --> 00:16:00,950
UP THE WRONG WAY.
323
00:16:00,950 --> 00:16:03,040
YOU ASK GEORGE HAMILTON TEED.
324
00:16:03,040 --> 00:16:03,920
-GEORGE WHO?
325
00:16:03,920 --> 00:16:05,740
-HAMILTON TEED.
326
00:16:05,740 --> 00:16:07,700
EDITOR OF THE "LYVEDON
OBSERVER." HE CAN FILL HIS
327
00:16:07,700 --> 00:16:10,150
LEDGERS PAGE 10 TIMES OVER WITH
THE STUFF HE GOT FROM OUR
328
00:16:10,150 --> 00:16:10,370
JIM.
329
00:16:10,370 --> 00:16:11,640
-IF IT WASN'T FOR THE
LAW OF LIBEL.
330
00:16:15,110 --> 00:16:17,840
LOOK, I KNOW IT'S A BIT OF A
BAD TIME, BUT CAN I HAVE A
331
00:16:17,840 --> 00:16:19,090
QUICK WORD?
332
00:16:33,370 --> 00:16:34,680
-I WAS AT A BREAKFAST
MEETING IN CHAMBERS.
333
00:16:34,680 --> 00:16:36,160
HAVE THEY FOUND ANY
SIGN OF HIM YET?
334
00:16:36,160 --> 00:16:39,320
-THEY SAY HE COULD FETCH
UP ANYWHERE DOWN RIVER.
335
00:16:39,320 --> 00:16:41,470
I'LL GET AWAY AS
SOON AS I CAN.
336
00:16:41,470 --> 00:16:43,150
YOU KNOW WARWICK JARDINE.
337
00:16:43,150 --> 00:16:44,670
MENTION COMPASSIONATE LENIENCE,
HE'LL REACH FOR A
338
00:16:44,670 --> 00:16:46,020
DICTIONARY.
339
00:16:46,020 --> 00:16:49,070
-WELL, THERE'S NOTHING YOU
CAN DO FOR JIM ANYWAY.
340
00:16:49,070 --> 00:16:49,920
-MARTIN.
341
00:16:49,920 --> 00:16:51,000
-I'VE GOT TO GO.
342
00:16:51,000 --> 00:16:52,280
I'LL CALL YOU TONIGHT.
343
00:16:52,280 --> 00:16:53,530
-BYE, LOVE.
344
00:17:00,840 --> 00:17:03,680
-ARE YOU GOING TO TAKE
THE DAY OFF?
345
00:17:03,680 --> 00:17:04,930
-SCHOOL'S CLOSED
FOR HALF-TERM.
346
00:17:09,000 --> 00:17:10,250
-HERE.
347
00:17:12,990 --> 00:17:16,900
-DO YOU WANT US TO CARRY
ON WITH THE GARDEN?
348
00:17:16,900 --> 00:17:17,410
-OH, LORDY.
349
00:17:17,410 --> 00:17:19,670
YES, NOTHING CHANGES THERE.
350
00:17:19,670 --> 00:17:23,240
YOU'LL HAVE SOME HELP
WITH THE HEAVY WORK.
351
00:17:23,240 --> 00:17:25,670
-APPARENTLY JIM WROTE TO THE
LOCAL NEWSPAPER, COMPLAINING
352
00:17:25,670 --> 00:17:27,840
ABOUT EVERYONE AND EVERYTHING.
353
00:17:27,840 --> 00:17:29,190
AND ALL OF IT UNPRINTABLE.
354
00:17:29,190 --> 00:17:30,640
-WELL, EVERYONE NEEDS A HOBBY.
355
00:17:30,640 --> 00:17:32,430
-WELL, THIS WAS LIKE
AN OBSESSION.
356
00:17:32,430 --> 00:17:35,580
I THINK HE SAW HIMSELF AS THE
CONSCIENCE OF THE VILLAGE.
357
00:17:35,580 --> 00:17:36,720
-YOU AREN'T LETTING
THIS GET TO YOU?
358
00:17:36,720 --> 00:17:38,230
-WELL, WHAT DO YOU EXPECT?
359
00:17:38,230 --> 00:17:40,450
YOU DIDN'T SEE THE
LOOK HE GAVE ME.
360
00:17:40,450 --> 00:17:42,870
OH, AND THE POLICEMAN SAID
THAT IF JIM HADN'T THROWN
361
00:17:42,870 --> 00:17:45,130
HIMSELF IN THE RIVER
WHEN HE DID, HE--
362
00:17:48,910 --> 00:17:50,160
-LADIES.
363
00:17:51,770 --> 00:17:53,410
-OH.
364
00:17:53,410 --> 00:17:56,620
-I THINK IT'S OUR LABOR FORCE.
365
00:17:56,620 --> 00:17:58,570
-COOL HAND LUKE AND THE GANG.
366
00:18:08,830 --> 00:18:09,380
-NOT GOING TO EAT YOU.
367
00:18:09,380 --> 00:18:11,940
NOT HERE IN BROAD DAYLIGHT,
ANYWAY.
368
00:18:11,940 --> 00:18:14,240
-IT'S ALL VERY WELL
FOR AN EX-COPPER.
369
00:18:14,240 --> 00:18:16,740
YOU HAVE EXPERIENCE
WITH LAW BREAKERS.
370
00:18:16,740 --> 00:18:18,880
WHAT IF ONE OF THEM TRIED
TO MAKE A RUN FOR IT?
371
00:18:18,880 --> 00:18:20,220
-THERE'S NO WOODEN HORSE.
372
00:18:20,220 --> 00:18:21,810
AND STEVE MCQUEEN HIMSELF
COULDN'T GET A
373
00:18:21,810 --> 00:18:23,190
MOTORBIKE OVER THAT WALL.
374
00:18:23,190 --> 00:18:25,140
-WELL, HE'S NOT GOING TO
BE MUCH OF AN OBSTACLE.
375
00:18:25,140 --> 00:18:28,420
-DON'T BE MISLEAD BY
OUR MR. COUTTS.
376
00:18:28,420 --> 00:18:30,980
HE'S LIKE A COILED SPRING.
377
00:18:30,980 --> 00:18:32,170
-HELLO.
378
00:18:32,170 --> 00:18:36,270
-WOULD YOU LIKE ME TO
INTRODUCE THE BOYS?
379
00:18:36,270 --> 00:18:40,040
-HUXTON RYMER, MP.
380
00:18:40,040 --> 00:18:42,170
RING ANY BELLS?
381
00:18:42,170 --> 00:18:43,840
-OOOH.
382
00:18:43,840 --> 00:18:46,330
-GEORGE MARSDEN PLUMMER.
383
00:18:46,330 --> 00:18:48,200
AN EXAMPLE TO US ALL.
384
00:18:48,200 --> 00:18:51,110
IF YOU'RE GOING TO BURN DOWN A
BUILDING, AND CLAIM FROM FIVE
385
00:18:51,110 --> 00:18:54,690
DIFFERENT INSURANCE COMPANIES,
MAKE SURE YOU PUT THE CLAIM
386
00:18:54,690 --> 00:18:58,440
FORMS IN THE RIGHT ENVELOPES.
387
00:18:58,440 --> 00:18:59,910
-YOU LOOK FAMILIAR.
388
00:18:59,910 --> 00:19:01,160
-I'M RUPERT WALDO.
389
00:19:03,630 --> 00:19:05,230
CELEBRITY CHEF.
390
00:19:05,230 --> 00:19:07,920
YOU MAY HAVE SEEN MY SHOW ON THE
HOME AND KITCHEN CHANNEL.
391
00:19:07,920 --> 00:19:10,430
-YOU DIDN'T POISON SOMEONE
ON AIR, DID YOU?
392
00:19:10,430 --> 00:19:12,490
-FRAUD, I'M AFRAID.
393
00:19:12,490 --> 00:19:15,510
THOSE, UH, RECIPE BOOKS
WITH MY NAME ON THEM.
394
00:19:15,510 --> 00:19:16,960
DIDN'T WRITE A SINGLE
ONE OF THEM.
395
00:19:16,960 --> 00:19:18,580
-THEY PUT YOU IN
JAIL FOR THAT?
396
00:19:18,580 --> 00:19:22,510
-WELL, PLUS A SMALL MATTER OF
MISSTATED PROFITS AND THE
397
00:19:22,510 --> 00:19:24,460
INLAND REVENUE.
398
00:19:24,460 --> 00:19:27,660
-SO WHAT ARE YOU
ALL DOING HERE?
399
00:19:27,660 --> 00:19:33,040
-WE ARE ON LOAN TO MR. FRAZER
FROM BLEAKMOOR GRANGE.
400
00:19:33,040 --> 00:19:35,680
HE'S DONE A DEAL WITH
THE GOVERNOR.
401
00:19:35,680 --> 00:19:38,910
HE HAS AN EYE FOR A BARGAIN,
MR. FRAZER.
402
00:19:38,910 --> 00:19:42,220
I BET HE GOT YOU CHEAP.
403
00:19:42,220 --> 00:19:44,360
-UM, ANY CHANCE OF
A LOOK AT A PLAN?
404
00:19:47,620 --> 00:19:50,540
-THERE'S BEEN A-- A BUILDING
HERE THAT DOESN'T APPEAR ON
405
00:19:50,540 --> 00:19:51,870
THE ORIGINAL PLAN.
406
00:19:51,870 --> 00:19:52,300
-NO.
407
00:19:52,300 --> 00:19:54,700
UM, NOW THIS WAS THE
VICTORIAN CHAPEL.
408
00:19:54,700 --> 00:19:56,940
AS UGLY A PIECE OF
JERRY-BUILDING AS EVER SPOILED
409
00:19:56,940 --> 00:19:57,700
A GARDEN.
410
00:19:57,700 --> 00:19:59,160
-IT HAD BEEN A RUIN FOR YEARS.
411
00:19:59,160 --> 00:20:01,910
WE SPENT THE LAST THREE WEEKS
LOADING UP STONES FOR CARTING
412
00:20:01,910 --> 00:20:02,340
AWAY.
413
00:20:02,340 --> 00:20:05,740
-WELL, WE'LL HAVE TO, UM, DIG
OUT THE FOUNDATIONS AND MAKE
414
00:20:05,740 --> 00:20:07,570
THE GROUND GOOD BEFORE
WE CAN RECREATE
415
00:20:07,570 --> 00:20:09,490
THE ELIZABETHAN DESIGN.
416
00:20:09,490 --> 00:20:13,320
-WHEN THE JUDGE SAID 10 YEARS,
HE NEVER MENTIONED HARD LABOR.
417
00:20:13,320 --> 00:20:16,440
-IS THIS A PROBLEM?
418
00:20:16,440 --> 00:20:17,540
-I AM KIDDING.
419
00:20:17,540 --> 00:20:19,310
WE'RE ALL VOLUNTEERS.
420
00:20:19,310 --> 00:20:20,800
YOU'RE NOT THE ONLY ONES THAT
WANT TO SEE THIS GARDEN
421
00:20:20,800 --> 00:20:22,210
RESTORED, YOU KNOW.
422
00:20:22,210 --> 00:20:24,100
-HAVE YOU DONE THIS SORT
OF THING BEFORE?
423
00:20:24,100 --> 00:20:26,130
-BEST WINDOW BOX DISPLAY
KETTLE HAMPTON
424
00:20:26,130 --> 00:20:28,080
FLOWER SHOW LAST YEAR.
425
00:20:28,080 --> 00:20:30,050
-(PROUDLY) RUNNERS-UP BEST
GARDEN (SLIGHTLY CHAGRINED) IN
426
00:20:30,050 --> 00:20:32,830
A SMALL, ENCLOSED YARD.
427
00:20:32,830 --> 00:20:35,550
-THEY'D HAVE GIVEN US
BEST HANGING BASKET.
428
00:20:35,550 --> 00:20:37,020
BUT THEY WOULDN'T LET
US HAVE A LADDER.
429
00:20:37,020 --> 00:20:39,990
[LAUGHTER]
430
00:20:46,410 --> 00:20:48,180
-OH, ROSEMARY?
431
00:20:48,180 --> 00:20:49,430
-WHAT?
432
00:20:53,630 --> 00:20:56,080
-WHAT DO YOU MAKE
OF THESE HOLES?
433
00:20:56,080 --> 00:20:58,740
-WE'VE BEEN SEEING
THEM ALL OVER.
434
00:20:58,740 --> 00:21:04,530
-OH, I DIDN'T KNOW MOLES BROUGHT
THEIR OWN SPADES.
435
00:21:04,530 --> 00:21:06,750
-HMM.
436
00:21:06,750 --> 00:21:10,900
-MAYBE THAT'S WHY JIM WAS
SNEAKING INTO THE GARDEN.
437
00:21:10,900 --> 00:21:14,140
-DIGGING IN THE CHAPEL RUINS
FOR SOME ANCIENT FAMILY
438
00:21:14,140 --> 00:21:14,610
TREASURE?
439
00:21:14,610 --> 00:21:16,480
-HMM.
440
00:21:16,480 --> 00:21:17,970
HAVE THEY FOUND JIM?
441
00:21:17,970 --> 00:21:19,900
-NOBODY FOUND ANYTHING.
442
00:21:19,900 --> 00:21:23,120
LOOK, I KNOW YOU'RE VERY
COMFORTABLE HERE.
443
00:21:23,120 --> 00:21:24,900
BUT, WOULD YOU MIND AWFULLY
STAYING WITH ME
444
00:21:24,900 --> 00:21:25,730
IN THE HOUSE TONIGHT?
445
00:21:25,730 --> 00:21:27,320
MARTIN CAN'T GET BACK
UNTIL MORNING.
446
00:21:27,320 --> 00:21:28,320
-WELL, IF YOU INSIST.
447
00:21:28,320 --> 00:21:29,140
COME ON, ROSEMARY.
448
00:21:29,140 --> 00:21:31,110
WE CAN'T LET SUZANNE DOWN.
449
00:21:36,030 --> 00:21:38,490
-AHH.
450
00:21:38,490 --> 00:21:39,470
AH HAH HAH.
451
00:21:39,470 --> 00:21:40,370
-ENJOY IT WHILE YOU CAN.
452
00:21:40,370 --> 00:21:40,960
-OH, I WILL.
453
00:21:40,960 --> 00:21:44,220
I WILL.
454
00:21:44,220 --> 00:21:45,690
[CHILDREN'S VOICES]
455
00:21:45,690 --> 00:21:47,210
-TOBY.
456
00:21:47,210 --> 00:21:48,490
TIM.
457
00:21:48,490 --> 00:21:50,860
BACK INTO BED RIGHT NOW,
AND STAY THERE.
458
00:21:50,860 --> 00:21:52,700
MOMMY'S GOT FRIENDS ROUND.
459
00:21:52,700 --> 00:21:54,660
[CHILDREN'S VOICES INDISTINCTLY
FROM UPSTAIRS]
460
00:22:00,060 --> 00:22:03,520
-AS LONG AS THEY STAY UPSTAIRS
AFTER 8 O'CLOCK, THAT'S ALL
461
00:22:03,520 --> 00:22:06,100
THE VICTORY I ASK FOR.
462
00:22:06,100 --> 00:22:08,030
-AH, WHO'S JOINING US?
463
00:22:08,030 --> 00:22:08,980
-GWYNNE.
464
00:22:08,980 --> 00:22:10,690
YOU MET HER YESTERDAY.
465
00:22:10,690 --> 00:22:12,790
SHE'S MY BEST FRIEND
IN THE VILLAGE.
466
00:22:12,790 --> 00:22:17,380
AND SHE WAS MARTIN'S FIRST
GIRLFRIEND, I KNOW.
467
00:22:17,380 --> 00:22:18,850
HE TELLS EVERYONE.
468
00:22:18,850 --> 00:22:20,810
AND THEN HE TELLS THEM NOT
TO MENTION IT TO ME.
469
00:22:20,810 --> 00:22:23,560
-(LAUGHING) BLESS HIM.
470
00:22:23,560 --> 00:22:26,260
-CHEERS.
471
00:22:26,260 --> 00:22:31,660
[PHONE RINGING]
472
00:22:31,660 --> 00:22:34,600
-WHOEVER IT IS, I'VE HAD
ENOUGH FOR ONE DAY.
473
00:22:34,600 --> 00:22:38,320
-THEY MIGHT HAVE FOUND HIM.
474
00:22:38,320 --> 00:22:40,820
-WELL, THAT'S THE LAST THING
I WANT TO THINK ABOUT.
475
00:22:40,820 --> 00:22:42,350
MARTIN (ON ANSWERING MACHINE):
HELLO, LOVE.
476
00:22:42,350 --> 00:22:45,590
OLD HAUSERSTOKES SAYS I CAN TAKE
THE REST OF THE WEEK OFF
477
00:22:45,590 --> 00:22:46,980
ONCE I'VE COVERED THE
CUSTODY HEARING.
478
00:22:46,980 --> 00:22:50,830
SO I'LL DEFINITELY BE HOME
BY TOMORROW, I PROMISE.
479
00:22:50,830 --> 00:22:52,730
I'LL TRY AND BE BACK BY NIGHT.
480
00:22:52,730 --> 00:22:53,980
[DISHES CLANKING]
481
00:22:57,020 --> 00:22:59,660
-BY THE WAY, I STOPPED BY AND
FED JIM'S CHICKENS ON THE WAY
482
00:22:59,660 --> 00:22:59,780
OVER.
483
00:22:59,780 --> 00:23:00,500
-OH, THANKS.
484
00:23:00,500 --> 00:23:02,820
-OK.
485
00:23:02,820 --> 00:23:06,820
-HAS ANYBODY ANY IDEA
WHAT MADE HIM DO IT?
486
00:23:06,820 --> 00:23:08,390
-NOBODY WAS THAT CLOSE TO HIM.
487
00:23:08,390 --> 00:23:10,480
NOBODY WANTED TO BE.
488
00:23:10,480 --> 00:23:12,540
-OH, THERE'LL BE
SO MUCH TO DO.
489
00:23:12,540 --> 00:23:14,800
THERE'S THE WHOLE
HOUSE TO CLEAR.
490
00:23:14,800 --> 00:23:17,500
-WE DON'T EVEN KNOW THAT
HE'S DEAD YET.
491
00:23:17,500 --> 00:23:19,980
-BLESS YOU FOR HELPING, BUT
YOU DON'T INTERRUPT RAPIDS
492
00:23:19,980 --> 00:23:21,640
DOWNSTREAM.
493
00:23:21,640 --> 00:23:23,760
-HE DIDN'T GET OUT
BEFORE THAT?
494
00:23:23,760 --> 00:23:25,010
-HE DIDN'T GET OUT.
495
00:23:31,450 --> 00:23:34,700
-WHY DID MARTIN HAVE
TO WARN HIM OFF?
496
00:23:34,700 --> 00:23:37,190
-JIM COULD NEVER APPRECIATE THE
FINE LINE BETWEEN BEING A
497
00:23:37,190 --> 00:23:39,540
WELCOMED GUEST AND
A TRESPASSER.
498
00:23:39,540 --> 00:23:40,400
-(ADMONISHINGLY) GWYNNE.
499
00:23:40,400 --> 00:23:42,270
GWYNNE (OFFSCREEN): WELL, LOOK
AT THE NUMBER OF TIMES MARTIN
500
00:23:42,270 --> 00:23:44,160
CAUGHT HIM ON THE PROPERTY.
501
00:23:44,160 --> 00:23:45,980
YOU SAW FOR YOURSELVES.
502
00:23:45,980 --> 00:23:47,200
NEVER MIND SHE'S HERE
ON HER OWN WITH THE
503
00:23:47,200 --> 00:23:48,380
CHILDREN ALL WEEK.
504
00:23:48,380 --> 00:23:49,810
[KNOCKING ON DOOR]
505
00:23:49,810 --> 00:23:52,200
[DOOR OPENS]
506
00:23:52,200 --> 00:23:55,560
-OH, THAT'LL BE FERN.
507
00:23:55,560 --> 00:23:58,230
I TOLD HER TO CALL BY AFTER WORK
IF SHE NEEDS A LIFT HOME.
508
00:24:05,270 --> 00:24:06,970
YOU'RE EARLY, DARLING.
509
00:24:06,970 --> 00:24:08,460
-ONLY THREE TABLES, AND
THE TIPS WERE LOUSY.
510
00:24:11,410 --> 00:24:12,630
-DO YOU WANT ANYTHING TO EAT?
511
00:24:12,630 --> 00:24:15,850
-OH, CHEF MADE ME SOME CHIPS.
512
00:24:15,850 --> 00:24:17,580
WHAT WERE YOU TALKING ABOUT?
513
00:24:17,580 --> 00:24:20,390
-I'LL GIVE YOU ONE GUESS.
514
00:24:20,390 --> 00:24:23,020
-WELL, I SAW JIM HANGING OUT
HERE ON FRIDAY NIGHT.
515
00:24:23,020 --> 00:24:24,360
-WHEN?
516
00:24:24,360 --> 00:24:25,790
-WHEN I WAS WALKING TO WORK.
517
00:24:25,790 --> 00:24:27,790
HE WAS OUT THERE ON THE LANE,
OUTSIDE THE GATES.
518
00:24:27,790 --> 00:24:29,070
I RECKON HE DIDN'T WANT
ME TO SEE HIM
519
00:24:29,070 --> 00:24:31,170
POSTING ONE OF HIS LETTERS.
520
00:24:31,170 --> 00:24:33,530
-YOU MEAN ONE OF THE LETTERS
HE SENT TO THE LOCAL PAPER?
521
00:24:33,530 --> 00:24:34,990
-JIM WAS HARMLESS.
522
00:24:34,990 --> 00:24:36,590
-HE COULD HAVE A NASTY
MIND WHEN IT
523
00:24:36,590 --> 00:24:37,690
CAME TO CERTAIN PEOPLE.
524
00:24:37,690 --> 00:24:38,330
-GWYNNE!
525
00:24:38,330 --> 00:24:39,580
PLEASE.
526
00:24:59,800 --> 00:25:02,250
-WHAT ABOUT SOME ACIDIC
FERTILIZER?
527
00:25:02,250 --> 00:25:03,740
-SEE WHAT I'VE GOT IN.
528
00:25:15,220 --> 00:25:16,470
-JIM?
529
00:25:39,670 --> 00:25:40,170
SORRY.
530
00:25:40,170 --> 00:25:41,420
SORRY.
531
00:25:53,640 --> 00:25:56,140
[CAR HONKING]
532
00:26:49,730 --> 00:26:51,570
-THEY FOUND JIM'S BODY
IN THE RIVER.
533
00:26:51,570 --> 00:26:53,280
MARTIN'S JUST BEEN
TO IDENTIFY HIM.
534
00:27:10,570 --> 00:27:15,020
-JUST STAND UP, SAY WHAT
YOU SAW, AND SIT DOWN.
535
00:27:15,020 --> 00:27:16,800
THAT'S ALL THERE IS TO IT.
536
00:27:16,800 --> 00:27:17,250
-MORNING.
537
00:27:17,250 --> 00:27:17,810
-GOOD MORNING.
538
00:27:17,810 --> 00:27:18,210
-MORNING.
539
00:27:18,210 --> 00:27:20,730
-ROSEMARY, I THINK OUGHT
TO WARN YOU.
540
00:27:20,730 --> 00:27:23,960
DO YOU KNOW WHO THE CORONER FOR
THE LYVEDON BOROUGH IS?
541
00:27:23,960 --> 00:27:24,620
-NO.
542
00:27:24,620 --> 00:27:27,730
-WELL, TECHNICALLY, IT'S
SUPPOSED TO BE ME.
543
00:27:27,730 --> 00:27:30,800
BUT WHEN THERE'S A CLASH OF
INTEREST, WHAT HAPPENS IS--
544
00:27:30,800 --> 00:27:33,230
-SURELY MARTIN CAN'T BE EXPECTED
TO PRESENT OVER HIS
545
00:27:33,230 --> 00:27:34,630
OWN COUSIN'S INQUEST.
546
00:27:34,630 --> 00:27:35,760
-NO, OF COURSE NOT.
547
00:27:35,760 --> 00:27:37,700
WHEN SOMETHING LIKE THIS
HAPPENS, THEY SWAP DUTIES WITH
548
00:27:37,700 --> 00:27:39,430
THE PART-TIMER FROM
THE NEXT BOROUGH.
549
00:27:39,430 --> 00:27:41,420
-WELL, WHY WOULD THAT BE
A PROBLEM FOR ROSEMARY?
550
00:27:41,420 --> 00:27:42,690
-WARWICK JARDINE?
551
00:27:42,690 --> 00:27:43,940
YOU'RE JOKING.
552
00:27:46,640 --> 00:27:49,510
-THE BODY WAS WASHED DOWN RIVER,
AND WAS RETRIEVED FROM
553
00:27:49,510 --> 00:27:54,170
THE WEIR AT 11 O'CLOCK
ON TUESDAY MORNING.
554
00:27:54,170 --> 00:27:55,540
IT WAS IN A VERY
POOR CONDITION.
555
00:27:55,540 --> 00:27:58,560
BUT MR. MARTIN FRAZER WAS
ABLE TO IDENTIFY HIS
556
00:27:58,560 --> 00:28:00,100
COUSIN AT THE SCENE.
557
00:28:00,100 --> 00:28:04,660
-AND THE REASON FOR THAT
POOR CONDITION BEING--
558
00:28:04,660 --> 00:28:06,360
-ALL THE ROCKS AND STONES.
559
00:28:06,360 --> 00:28:08,510
IT'S A VERY FAST-MOVING RIVER.
560
00:28:08,510 --> 00:28:12,290
OUR PATHOLOGIST SAID IT WAS THE
BATTERING THAT KILLED HIM.
561
00:28:12,290 --> 00:28:15,600
-THANK YOU, CONSTABLE STUART.
562
00:28:15,600 --> 00:28:20,940
AND NOW I'D LIKE TO HEAR FROM
MISS ROSEMARY BOXER.
563
00:28:28,660 --> 00:28:33,290
-I SAW JAMES FRAZER OUT ON
THE STEPPING STONES.
564
00:28:33,290 --> 00:28:37,690
HE SEEMED TO BE WAITING
FOR SOMETHING.
565
00:28:37,690 --> 00:28:41,630
AND HE LOOKED STRAIGHT
AT ME FOR A MOMENT.
566
00:28:41,630 --> 00:28:45,860
AND THEN HE JUST LET HIMSELF
FALL INTO THE WATER.
567
00:28:45,860 --> 00:28:49,470
-DID HE STRUGGLE OR CRY OUT?
568
00:28:49,470 --> 00:28:52,910
-NO, HE WAS CARRIED AWAY
IN A MATTER OF SECONDS.
569
00:28:52,910 --> 00:28:55,610
-SO, IN EFFECT, YOU WERE THE
LAST PERSON TO SEE HIM ALIVE.
570
00:29:09,560 --> 00:29:11,470
MISS BOXER?
571
00:29:11,470 --> 00:29:15,190
-I THOUGHT I SAW HIM AGAIN
AT THE TUESDAY MARKET.
572
00:29:15,190 --> 00:29:18,020
IT WAS ONLY FOR A SECOND, AND
I--I COULDN'T BE SURE.
573
00:29:18,020 --> 00:29:22,260
BUT IT ISN'T A FACE THAT
I'D QUICKLY FORGET.
574
00:29:22,260 --> 00:29:26,870
-MISS BOXER, I WANT YOU TO THINK
VERY CAREFULLY ABOUT
575
00:29:26,870 --> 00:29:29,580
WHAT YOU'RE TELLING US.
576
00:29:29,580 --> 00:29:33,140
-I THOUGHT I SAW HIM, BUT
I COULDN'T SWEAR TO IT.
577
00:29:33,140 --> 00:29:35,620
-MISS BOXER, THIS IS
A CORONER'S COURT.
578
00:29:35,620 --> 00:29:37,350
YOU ARE SWEARING TO IT.
579
00:29:41,450 --> 00:29:43,670
-IN THAT CASE, I WOULD
HAVE TO SAY THAT I
580
00:29:43,670 --> 00:29:45,260
WAS PROBABLY MISTAKEN.
581
00:29:48,330 --> 00:29:50,700
-THANK YOU.
582
00:29:50,700 --> 00:29:51,490
-YOU CAN FORGET IT NOW.
583
00:29:51,490 --> 00:29:52,420
IT'S OVER.
584
00:29:52,420 --> 00:29:56,670
-ANYTHING TO SAY ABOUT THE
SUICIDE VERDICT, MISS BOXER?
585
00:29:56,670 --> 00:29:57,920
THANK YOU.
586
00:30:00,690 --> 00:30:02,330
-WELL, HE MIGHT HAVE WAITED
FOR AN ANSWER.
587
00:30:02,330 --> 00:30:02,940
-HE'S A JOURNALIST.
588
00:30:02,940 --> 00:30:05,190
HE CAN MAKE UP HIS OWN--
589
00:30:05,190 --> 00:30:05,520
-YOU POOR THING.
590
00:30:05,520 --> 00:30:06,660
ARE YOU ALL RIGHT?
591
00:30:06,660 --> 00:30:07,810
-OH, I'M FINE.
592
00:30:07,810 --> 00:30:09,650
-YOU MUSTN'T TAKE ANY OF THAT
AWFUL SUMMING UP PERSONALLY.
593
00:30:09,650 --> 00:30:12,110
-YEAH, ANYONE CAN HAVE A WILD
AND IRRATIONAL FLIGHT OF
594
00:30:12,110 --> 00:30:13,170
FANTASY AT ANY TIME.
595
00:30:13,170 --> 00:30:14,750
I KNOW I CAN.
596
00:30:14,750 --> 00:30:16,490
-THANK YOU.
597
00:30:16,490 --> 00:30:17,150
-I, UH--
598
00:30:17,150 --> 00:30:21,450
I WONDERED IF YOU HAD A CHANCE
TO MENTION YOU-KNOW-WHAT TO
599
00:30:21,450 --> 00:30:23,840
YOU-KNOW-WHO?
600
00:30:23,840 --> 00:30:25,270
-WHAT?
601
00:30:25,270 --> 00:30:26,700
-ABOUT POSING.
602
00:30:26,700 --> 00:30:29,570
-NO, I DIDN'T SEE THE
ACTUAL EVENT.
603
00:30:29,570 --> 00:30:31,690
-NO, I DON'T THINK
SHE'S INTERESTED.
604
00:30:31,690 --> 00:30:32,940
-OH.
605
00:30:38,990 --> 00:30:41,060
-YEAH, I'M SORRY, MARTIN.
606
00:30:41,060 --> 00:30:43,640
BUT IF WARWICK JARDINE HADN'T
PUT ME ON THE SPOT, I WOULDN'T
607
00:30:43,640 --> 00:30:44,900
EVEN HAVE MENTIONED IT.
608
00:30:44,900 --> 00:30:47,390
-YOU COULD SEE WHAT I'M GETTING
AT, THOUGH, CAN'T YOU?
609
00:30:47,390 --> 00:30:49,680
THE LAST THING I WANT IS SUZANNE
AND THE KIDS BEING
610
00:30:49,680 --> 00:30:50,770
SPOOKED WHEN I'M NOT HERE.
611
00:30:50,770 --> 00:30:53,740
-I'M NOT SAYING THAT THEY'RE
GOING TO MEET THEIR DEAD UNCLE
612
00:30:53,740 --> 00:30:55,910
JIM ON THE DOORSTEP
IN THE MOONLIGHT.
613
00:30:55,910 --> 00:30:57,030
-I SAW HIM DEAD.
614
00:30:57,030 --> 00:30:58,040
YOU SAW HIM DIE.
615
00:30:58,040 --> 00:30:59,470
WHAT ARE YOU SUGGESTING,
ROSEMARY?
616
00:30:59,470 --> 00:31:00,850
SOME KIND OF FUNNY BUSINESS?
617
00:31:00,850 --> 00:31:03,080
-SHE WAS UNDER OATH, MARTIN.
618
00:31:03,080 --> 00:31:05,850
SHE HAD TO SAY WHAT SHE
BELIEVED SHE SAW.
619
00:31:05,850 --> 00:31:07,610
-I'LL TELL YOU WHAT.
620
00:31:07,610 --> 00:31:09,250
DO THIS, AND YOU'LL
BE DOING ME A BIG
621
00:31:09,250 --> 00:31:11,880
FAVOR AT THE SAME TIME.
622
00:31:11,880 --> 00:31:13,350
GO TO JIM'S COTTAGE.
623
00:31:13,350 --> 00:31:16,590
SORT OUT HIS BLOODY
ANIMALS FOR ME.
624
00:31:16,590 --> 00:31:19,960
YOU HAVE MY PERMISSION TO SNOOP,
SNEAK, AND CRAWL ALL
625
00:31:19,960 --> 00:31:20,530
OVER THAT PLACE.
626
00:31:20,530 --> 00:31:23,130
AND IF YOU FIND ANYTHING THAT
SMACKS OF DODGY BUSINESS, TELL
627
00:31:23,130 --> 00:31:24,020
CONSTABLE STUART.
628
00:31:24,020 --> 00:31:24,730
TELL THE WORLD.
629
00:31:24,730 --> 00:31:25,950
BUT MOST OF ALL, TELL ME.
630
00:31:25,950 --> 00:31:28,220
BECAUSE I WANT TO BE
THE FIRST TO KNOW.
631
00:31:28,220 --> 00:31:28,540
-SHH.
632
00:31:28,540 --> 00:31:30,300
-AS IF THIS ISN'T EMBARRASSING
ENOUGH.
633
00:31:30,300 --> 00:31:30,590
-I--
634
00:31:30,590 --> 00:31:33,090
I'M SERIOUS.
635
00:31:33,090 --> 00:31:35,270
JIM WAS MY COUSIN, BUT WE
GREW UP LIKE BROTHERS.
636
00:31:35,270 --> 00:31:38,250
HE WAS THE BEST FRIEND
A BOY COULD ASK FOR.
637
00:31:38,250 --> 00:31:41,290
IT BROKE MY HEART TO SEE HOW
HE WENT AS HE GOT OLDER.
638
00:31:41,290 --> 00:31:43,100
HOW DO YOU THINK IT FELT TO
WATCH HIM TURN INTO THE
639
00:31:43,100 --> 00:31:44,430
VILLAGE NUTTER?
640
00:31:44,430 --> 00:31:45,240
-MARTIN.
641
00:31:45,240 --> 00:31:46,690
-WELL, THAT'S WHAT HE WAS.
642
00:31:46,690 --> 00:31:49,390
THAT WAS NOT THE JIM
THAT I KNEW.
643
00:31:49,390 --> 00:31:52,510
THE JIM THAT I KNEW WAS HERE.
644
00:31:52,510 --> 00:31:56,720
THE MAN THAT YOU SAW WAS
A STRANGER TO ME.
645
00:31:56,720 --> 00:31:58,640
I DON'T KNOW WHAT PUSHED
HIM OVER THE EDGE.
646
00:31:58,640 --> 00:32:02,020
BUT IT ONLY PUT HIM
IN A KINDER PLACE.
647
00:32:02,020 --> 00:32:04,740
-PERHAPS WE SHOULD DISCUSS THIS
AGAIN WHEN WE'RE ALL A
648
00:32:04,740 --> 00:32:06,240
LITTLE BIT LESS WORKED UP.
649
00:32:12,560 --> 00:32:13,810
(SHOCKED) ROSEMARY.
650
00:32:18,620 --> 00:32:21,540
LAURA (OFFSCREEN): I
DON'T BELIEVE YOU.
651
00:32:21,540 --> 00:32:23,690
ROSEMARY (OFFSCREEN): WELL,
YOU CAN'T EXPECT MARTIN TO
652
00:32:23,690 --> 00:32:25,510
MOVE CHICKENS AND A GOAT
IN THE FAMILY PEUGEOT.
653
00:32:25,510 --> 00:32:26,760
-YOU KNOW WHAT I'M
TALKING ABOUT.
654
00:32:29,010 --> 00:32:31,510
-CONSTABLE STUART SAID THAT IF
JIM FRAZER HADN'T TOPPED
655
00:32:31,510 --> 00:32:34,700
HIMSELF, SOMEBODY AROUND HERE
WOULD HAVE MURDERED HIM.
656
00:32:34,700 --> 00:32:37,140
WELL, WHAT IF SOMEBODY HAS?
657
00:32:37,140 --> 00:32:40,050
-HE STILL WOULDN'T BE ALIVE, AND
WALKING AROUND THE MARKET.
658
00:32:40,050 --> 00:32:43,530
-UNLESS THE JIM WE SAW IN THE
GARDEN WASN'T MARTIN'S COUSIN,
659
00:32:43,530 --> 00:32:46,150
BUT SOMEONE PRETENDING
TO BE HIM.
660
00:32:46,150 --> 00:32:46,640
-WHY?
661
00:32:46,640 --> 00:32:49,140
-BECAUSE THE REAL COUSIN
JIM'S ALREADY
662
00:32:49,140 --> 00:32:50,520
DEAD, AND IN THE RIVER.
663
00:32:57,370 --> 00:32:59,880
-WHAT ARE YOUR EXPERIENCE
WITH GOATS?
664
00:32:59,880 --> 00:33:01,130
-NONE.
665
00:33:04,920 --> 00:33:05,060
-CHICKENS?
666
00:33:05,060 --> 00:33:07,610
-ONLY IN SOUP OR
SANDWICH FORM.
667
00:33:10,280 --> 00:33:13,570
-GWYNNE SAID SHE'S BEEN POPPING
AROUND TO FEED THEM.
668
00:33:13,570 --> 00:33:15,940
POOR THINGS.
669
00:33:15,940 --> 00:33:17,190
LOST YOUR DADDY?
670
00:33:19,430 --> 00:33:20,680
WHAT?
671
00:33:29,740 --> 00:33:30,370
GO ON.
672
00:33:30,370 --> 00:33:31,870
NO ONE'S GOING TO
JUMP OUT AT YOU.
673
00:33:31,870 --> 00:33:34,680
-I WOULDN'T BE SO SURE.
674
00:33:34,680 --> 00:33:36,080
-(WHISPERED DISAPPROVINGLY)
ROSEMARY.
675
00:33:36,080 --> 00:33:38,490
(NORMAL VOLUME) WHY WOULD ANYONE
MURDER JIM, AND THEN
676
00:33:38,490 --> 00:33:41,030
PRETEND TO BE HIM JUST TO CHUCK
HIMSELF IN THE RIVER?
677
00:33:41,030 --> 00:33:44,320
-SO EVERYONE WOULD ASSUME IT WAS
SUICIDE WHEN JIM'S ACTUAL
678
00:33:44,320 --> 00:33:46,920
BODY TURNED UP DOWNSTREAM.
679
00:33:46,920 --> 00:33:48,970
-BEARING THE MARKS OF
A MURDER VICTIM?
680
00:33:48,970 --> 00:33:49,970
-NO, NOT NECESSARILY.
681
00:33:49,970 --> 00:33:52,930
YOU'D HAVE A HARD TIME SORTING
OUT THE INJURIES AFTER THE
682
00:33:52,930 --> 00:33:56,090
RIVER BED PINBALL.
683
00:33:56,090 --> 00:33:58,460
-WHY DIDN'T YOU TRY AND
FIND SOME PICTURE ID?
684
00:33:58,460 --> 00:34:00,470
SURELY THAT WOULD SETTLE THE
QUESTION ONCE AND FOR ALL.
685
00:34:03,700 --> 00:34:04,340
-HELP ME LOOK.
686
00:34:04,340 --> 00:34:06,840
-NO, I SHALL BE ESTABLISHING
A RAPPORT WITH A GOAT.
687
00:34:13,220 --> 00:34:14,620
-WHAT WILL THEY THINK OF NEXT?
688
00:34:50,760 --> 00:34:55,320
-IF YOU NEVER TRAVEL, YOU
DON'T NEED A PASSPORT.
689
00:34:55,320 --> 00:34:57,500
AND IF HE DIDN'T HAVE A CAR--
690
00:34:57,500 --> 00:34:59,000
-NOT ONE PICTURE
OF HIM, THOUGH.
691
00:34:59,000 --> 00:35:01,320
NOT ANYWHERE IN THE HOUSE.
692
00:35:01,320 --> 00:35:04,330
-PEOPLE KEEP PICTURES
OF OTHER PEOPLE.
693
00:35:04,330 --> 00:35:06,140
THAT DOESN'T HAVE TO
BE SIGNIFICANT.
694
00:35:06,140 --> 00:35:07,660
-UNLESS THAT MEANS THAT SOMEBODY
WENT THROUGH THE
695
00:35:07,660 --> 00:35:08,360
PLACE BEFORE US.
696
00:35:08,360 --> 00:35:09,610
I'D CALL THAT SIGNIFICANT.
697
00:35:09,610 --> 00:35:12,210
-YOU HEARD MARTIN.
698
00:35:12,210 --> 00:35:17,190
HIS LANDLORD'S KEY WAS
THE ONLY SPARE.
699
00:35:17,190 --> 00:35:18,720
-STRANGE.
700
00:35:18,720 --> 00:35:21,750
EVEN MARTIN DIDN'T
HAVE A PICTURE.
701
00:35:21,750 --> 00:35:25,730
AND SPEAKING OF MARTIN, HE SEEMS
TO BE THE ONLY PERSON
702
00:35:25,730 --> 00:35:28,230
AROUND HERE WHO DOESN'T
GET A MENTION IN JIM'S
703
00:35:28,230 --> 00:35:31,130
LETTERS TO THE PRESS.
704
00:35:31,130 --> 00:35:32,490
I WONDER IF THEY'RE ALL HERE.
705
00:35:37,230 --> 00:35:39,220
-WHAT HAVE YOU GOT THERE?
706
00:35:39,220 --> 00:35:40,730
-CARBON COPIES.
707
00:35:40,730 --> 00:35:43,720
-(APPALLED) YOU-- YOU NEVER TOOK
THEM FROM THE COTTAGE.
708
00:35:43,720 --> 00:35:46,720
-WELL, I'M ONLY DOING WHAT
MARTIN TOLD ME TO.
709
00:35:46,720 --> 00:35:49,980
[EXASPERATED SNORT]
710
00:35:49,980 --> 00:35:53,150
-OH, LISTEN TO THIS ONE.
711
00:35:53,150 --> 00:35:55,600
"SHE HAS ACCESS TO ALL THOSE
DRUGS AT THE HOSPITAL.
712
00:35:55,600 --> 00:36:01,110
BUT SOMEONE OUGHT TO ASK HER
WHAT SHE'S HOARDING IN THAT
713
00:36:01,110 --> 00:36:02,820
BRIDGE."
714
00:36:02,820 --> 00:36:03,630
-WHO?
715
00:36:03,630 --> 00:36:06,220
-KATIE STEVENS, THE
ANESTHETIST.
716
00:36:06,220 --> 00:36:08,100
DRUGS!
717
00:36:08,100 --> 00:36:10,820
MAYBE JIM SAW SOMETHING
THERE THAT COULD
718
00:36:10,820 --> 00:36:13,420
HAVE GOT HIM KILLED.
719
00:36:13,420 --> 00:36:14,360
-KATIE.
720
00:36:14,360 --> 00:36:17,220
-MMM.
721
00:36:17,220 --> 00:36:20,300
ONE OF US HAS A PERFECT EXCUSE
TO KNOW WHO'S AROUND THE
722
00:36:20,300 --> 00:36:23,270
STEVENS' HOUSE.
723
00:36:23,270 --> 00:36:24,970
-WHO WOULD THAT BE?
724
00:36:24,970 --> 00:36:27,000
-I'M NOT THE ONE HER HUSBAND
WANTS TO PAINT.
725
00:36:43,930 --> 00:36:46,420
-YOU SEE?
726
00:36:46,420 --> 00:36:48,350
-NOTHING MUCH GOT PAST
HIM, DID IT?
727
00:36:48,350 --> 00:36:52,770
"SHE'S GROWING UP A TERRIBLE
FLIRT, BUT THEN LOOK AT WHO
728
00:36:52,770 --> 00:36:53,900
HER FATHER WAS."
729
00:36:53,900 --> 00:36:55,460
-WHICH ONE'S THAT?
730
00:36:55,460 --> 00:36:57,920
LAURA (OFFSCREEN): THE ONE
ABOUT GWYNNE'S DAUGHTER.
731
00:36:57,920 --> 00:36:58,420
ROSEMARY (OFFSCREEN): FERN?
732
00:36:58,420 --> 00:36:59,890
LAURA (OFFSCREEN): MM.
733
00:36:59,890 --> 00:37:01,860
ROSEMARY (OFFSCREEN):
NOW, JUST REMEMBER.
734
00:37:01,860 --> 00:37:05,190
IF YOU SEE HIM START MIXING
ROSE MADDER--
735
00:37:05,190 --> 00:37:11,860
[LAUGHING]
736
00:37:11,860 --> 00:37:14,860
IS THAT THE FACE YOU'RE
GOING TO POSE WITH?
737
00:37:14,860 --> 00:37:16,610
-I DON'T CARE HOW
CHARMING HE IS.
738
00:37:16,610 --> 00:37:18,650
THE KIT STAYS ON.
739
00:37:29,080 --> 00:37:33,560
[DISTANT VOICES]
740
00:37:33,560 --> 00:37:34,810
-HELLO?
741
00:37:42,030 --> 00:37:43,750
[GROWLING]
742
00:37:43,750 --> 00:37:44,570
[LAURA YELLS]
743
00:37:44,570 --> 00:37:45,620
[SCREAMING]
744
00:37:45,620 --> 00:37:48,940
[CLICK OF CAMERA]
745
00:37:48,940 --> 00:37:51,370
-OH.
746
00:37:51,370 --> 00:37:54,120
HI, HER.
747
00:37:54,120 --> 00:37:56,660
-HELLO, MRS. THYME.
748
00:37:56,660 --> 00:37:58,380
-BE WITH YOU IN ABOUT
10 MINUTES.
749
00:37:58,380 --> 00:37:59,620
YOU WANT TO FIND THE KITCHEN?
750
00:37:59,620 --> 00:38:01,890
GRAB A COFFEE?
751
00:38:01,890 --> 00:38:04,090
THRUD THE BARBARIAN.
752
00:38:04,090 --> 00:38:06,910
REPRINTING THE WHOLE SERIES
WITH NEW COVERS.
753
00:38:06,910 --> 00:38:09,990
YOU KNOW, THEY'RE ALL WRITTEN
BY PSYCHIATRISTS.
754
00:38:09,990 --> 00:38:11,850
-I'LL, UH, LEAVE YOU
TO IT, THEN.
755
00:38:11,850 --> 00:38:13,050
-(TEASING) FULL MONTY.
756
00:38:13,050 --> 00:38:13,940
-DAH.
757
00:38:13,940 --> 00:38:15,520
HEY, IF MY SERGEANT SAW THAT.
758
00:38:15,520 --> 00:38:16,280
-ALL RIGHT, YOU TWO.
759
00:38:16,280 --> 00:38:16,610
SETTLE DOWN.
760
00:38:16,610 --> 00:38:16,710
COME ON.
761
00:38:16,710 --> 00:38:17,960
WORK TO DO.
762
00:38:27,300 --> 00:38:28,550
-MILK?
763
00:38:45,820 --> 00:38:48,300
-FEELING PEAKY?
764
00:38:48,300 --> 00:38:50,150
THAT COULD SOLVE ALL
YOUR PROBLEMS.
765
00:38:50,150 --> 00:38:52,210
-AH.
766
00:38:52,210 --> 00:38:55,440
-IT'S FOR THE CHILDREN'S
LITTLE AILMENTS.
767
00:38:55,440 --> 00:38:56,690
I MAKE IT UP MYSELF.
768
00:38:59,240 --> 00:39:01,680
DO YOU KNOW HOW HOMEOPATHY
WORKS?
769
00:39:01,680 --> 00:39:06,270
-YOU TAKE A HEAVILY DILUTED FORM
OF SOMETHING THAT WOULD
770
00:39:06,270 --> 00:39:08,650
CAUSE THE SAME SYMPTOMS
AS THE DISEASE.
771
00:39:08,650 --> 00:39:10,370
-AH, YOU'VE DONE STUDY.
772
00:39:10,370 --> 00:39:12,310
-JUST WHAT I'VE READ
IN MAGAZINES.
773
00:39:12,310 --> 00:39:14,920
-OF COURSE, WHEN THEY SET THE
DILUTION LEVELS, THEY FAILED
774
00:39:14,920 --> 00:39:17,520
TO REALIZE YOU NEED TO DRINK
8,000 GALLONS OF THIS STUFF TO
775
00:39:17,520 --> 00:39:20,410
GET ONE MOLECULE OF
THE ADDITIVE.
776
00:39:20,410 --> 00:39:22,960
SO THEN THEY CAME UP WITH
THE MEMORY OF WATER.
777
00:39:27,390 --> 00:39:29,940
-I WAS NEVER THAT
GOOD AT SCIENCE.
778
00:39:29,940 --> 00:39:32,670
-YOU SEE IT DOESN'T MATTER IF
THE ADDITIVE'S LONG VANISHED.
779
00:39:32,670 --> 00:39:35,070
THE WATER REMEMBERS IT.
780
00:39:35,070 --> 00:39:37,680
NOW, WHEN I MAKE UP MEDICINE FOR
THE CHILDREN, I JUST TAKE
781
00:39:37,680 --> 00:39:40,120
THAT ONE STAGE FURTHER.
782
00:39:40,120 --> 00:39:44,360
I SIMPLY SHOW THE ADDITIVE
TO THE WATER.
783
00:39:44,360 --> 00:39:46,000
AND THE WATER IMAGINES IT.
784
00:39:51,650 --> 00:39:55,300
-YOU DON'T BELIEVE ANY
OF THIS, DO YOU?
785
00:39:55,300 --> 00:39:58,680
-I DO BELIEVE IN THE
PLACEBO EFFECT.
786
00:39:58,680 --> 00:40:00,950
THE POWER OF SUGGESTION.
787
00:40:00,950 --> 00:40:06,200
AND I DON'T THINK PLAIN WATER
EVER DID ANYONE MUCH HARM.
788
00:40:06,200 --> 00:40:07,510
-UNLESS YOUR NAME
IS JIM FRAZER.
789
00:40:11,330 --> 00:40:16,490
COULD THE POWER OF SUGGESTION
MAKE SOMEONE KILL HIMSELF?
790
00:40:16,490 --> 00:40:19,770
-I DOUBT IT.
791
00:40:19,770 --> 00:40:24,240
UNLESS THE PERSON'S WEAK AND
VULNERABLE, AND DEEP IN HIS
792
00:40:24,240 --> 00:40:25,490
HEART REALLY NEEDED TO DIE.
793
00:40:30,500 --> 00:40:32,130
-CHRIS IS READY FOR YOU NOW.
794
00:40:32,130 --> 00:40:34,260
-BYE, FERN.
795
00:40:34,260 --> 00:40:36,820
DON'T FORGET YOUR COFFEE.
796
00:40:36,820 --> 00:40:38,070
-OH, THANKS.
797
00:40:46,430 --> 00:40:48,370
-OK, JUST WRAP IT
AROUND YOURSELF.
798
00:40:48,370 --> 00:40:50,030
FLING IT ACROSS.
799
00:40:50,030 --> 00:40:51,370
LIKE THIS.
800
00:40:51,370 --> 00:40:52,620
-OOH, VERY SCARLET PIMPERNEL.
801
00:40:58,190 --> 00:40:59,290
WHAT'S THE BOOK CALLED?
802
00:40:59,290 --> 00:41:00,020
-"THE KING'S
803
00:41:00,020 --> 00:41:01,970
LAST MISTRESS." -OH.
804
00:41:01,970 --> 00:41:02,870
SOUNDS RACY.
805
00:41:02,870 --> 00:41:03,910
HAVE YOU READ IT?
806
00:41:03,910 --> 00:41:05,160
-MMM.
807
00:41:05,160 --> 00:41:08,040
NOW, CAN YOU LOOK SURPRISED?
808
00:41:08,040 --> 00:41:09,470
REALLY SURPRISED?
809
00:41:09,470 --> 00:41:11,020
-WELL, I'M NOT USED TO THIS.
810
00:41:11,020 --> 00:41:12,450
-YOU HERE TO WORK, OR
JUST WASTE MY TIME?
811
00:41:12,450 --> 00:41:13,440
-I BEG YOUR PARDON.
812
00:41:13,440 --> 00:41:13,960
-GOOD.
813
00:41:13,960 --> 00:41:15,190
EXCELLENT.
814
00:41:15,190 --> 00:41:16,080
MORE OF THAT.
815
00:41:16,080 --> 00:41:16,860
COME ON, YOU TROLLUP.
816
00:41:16,860 --> 00:41:17,530
LET'S WORK.
817
00:41:17,530 --> 00:41:19,190
GOOD, GOOD, GOOD.
818
00:41:19,190 --> 00:41:20,530
MORE LIKE THAT, OR I'LL
THROW YOU OUT OF HERE.
819
00:41:20,530 --> 00:41:21,740
[OUTRAGED GASP]
820
00:41:21,740 --> 00:41:22,040
-SHOCK!
821
00:41:22,040 --> 00:41:22,530
HORROR!
822
00:41:22,530 --> 00:41:23,030
SHOCK!
823
00:41:23,030 --> 00:41:24,510
HORROR!
824
00:41:24,510 --> 00:41:26,980
-MR.TEED!
825
00:41:26,980 --> 00:41:28,230
MR. TEED.
826
00:41:31,440 --> 00:41:33,720
-I LOVE IT WHEN WOMEN
CHASE AFTER ME.
827
00:41:44,590 --> 00:41:46,790
TELL ME WHAT I CAN DO FOR YOU.
828
00:41:46,790 --> 00:41:50,880
-I WAS WONDERING IF YOU WERE
RUNNING A PICTURE OF JIM
829
00:41:50,880 --> 00:41:54,400
FRAZER ALONGSIDE THE
INQUEST REPORT.
830
00:41:54,400 --> 00:41:55,650
-OF COURSE.
831
00:41:57,980 --> 00:41:58,960
-AW.
832
00:41:58,960 --> 00:42:02,120
HE'S BARELY 10 YEARS
OLD IN THIS.
833
00:42:02,120 --> 00:42:05,200
IS THERE NOTHING A
BIT MORE RECENT?
834
00:42:05,200 --> 00:42:07,740
-ALAS, THAT'S ALL MARTIN
COULD GIVE ME.
835
00:42:07,740 --> 00:42:11,020
-IS THERE NOTHING ON FILE?
836
00:42:11,020 --> 00:42:12,270
-MISS BOXER.
837
00:42:14,780 --> 00:42:18,220
THIS NEWSPAPER STAYS AFLOAT
ON ONE SIMPLE PRINCIPLE.
838
00:42:18,220 --> 00:42:20,150
WHENEVER THERE'S AN EVENT IN ONE
OF THE VILLAGES, I TURN UP
839
00:42:20,150 --> 00:42:22,020
AND PHOTOGRAPH THE CROWD.
840
00:42:22,020 --> 00:42:24,830
IF THOSE PEOPLE BUY THE
NEWSPAPER, I BREAK EVEN.
841
00:42:24,830 --> 00:42:29,560
IF SOME OF THEM BUY A COPY OF
THE PICTURE, I'M IN PROFIT.
842
00:42:29,560 --> 00:42:33,580
JAMES FRAZER, I'M SORRY TO SAY,
WAS NEVER A WELCOME FACE
843
00:42:33,580 --> 00:42:35,130
IN ANY CROWD.
844
00:42:35,130 --> 00:42:37,850
-HE SENT YOU A LOT OF
LETTERS, THOUGH.
845
00:42:37,850 --> 00:42:39,110
-BIG PART OF HIS PROBLEM.
846
00:42:39,110 --> 00:42:42,220
-DID YOU PRINT ANY OF THEM?
847
00:42:42,220 --> 00:42:45,200
-I LIKE MY HOUSE TOO MUCH.
848
00:42:45,200 --> 00:42:48,820
-THEY DIDN'T LOOK PRETTY
CONTENTIOUS.
849
00:42:48,820 --> 00:42:50,900
-WELL, YOU COULDN'T SAY.
850
00:42:50,900 --> 00:42:53,640
I GOT TO THE POINT I DROPPED
THEM IN THE SHREDDER WITHOUT
851
00:42:53,640 --> 00:42:54,610
READING THEM.
852
00:42:54,610 --> 00:42:57,000
-SO YOU WOULDN'T EVEN KNOW IF
ANY OF THE GOSSIP CONCERNED
853
00:42:57,000 --> 00:42:58,430
HIS COUSIN, MARTIN?
854
00:42:58,430 --> 00:42:59,670
-HA HA HA.
855
00:42:59,670 --> 00:43:03,740
WELL, YOU KNOW, YOU'VE GOT TO
UNDERSTAND SOMETHING ABOUT THE
856
00:43:03,740 --> 00:43:05,210
SETUP IN LYVEDON.
857
00:43:05,210 --> 00:43:08,960
EVERYBODY IN THIS ENTIRE VALLEY
DEPENDS ON MARTIN
858
00:43:08,960 --> 00:43:12,730
FRAZER AND HIS FAMILY'S ESTATE
IN SOME WAY OR ANOTHER.
859
00:43:12,730 --> 00:43:14,320
THEY RENT FROM HIM,
SELL TO HIM.
860
00:43:14,320 --> 00:43:18,070
THEY WORK IN TRADES WOULD HAVE
VANISHED WITHOUT HIM.
861
00:43:18,070 --> 00:43:20,140
HE KEEPS THE SCHOOL
OPEN, THE--
862
00:43:20,140 --> 00:43:22,090
THE DEVELOPERS OUT.
863
00:43:22,090 --> 00:43:25,470
-SO WHAT YOU'RE TELLING ME IS
EVEN IF THERE WAS ANY SCANDAL,
864
00:43:25,470 --> 00:43:28,710
YOU'D ONLY LOSE READERS
IF YOU PRINTED IT.
865
00:43:28,710 --> 00:43:30,490
-WHAT I'M TELLING YOU IS
YOU'D GO A LONG WAY TO
866
00:43:30,490 --> 00:43:33,350
FIND A BETTER MAN.
867
00:43:33,350 --> 00:43:37,290
I DON'T SUPPOSE I COULD, UM,
PUT YOU DOWN TO, UH, BUY A
868
00:43:37,290 --> 00:43:39,240
PICTURE, HMM?
869
00:43:39,240 --> 00:43:43,280
THIS WEEK'S PAGE THREE.
870
00:43:43,280 --> 00:43:44,850
-YOU'RE REALLY GOOD.
871
00:43:44,850 --> 00:43:47,130
-WELL, SAY IT A BIT LOUDER
SO THE MRS. CAN HEAR.
872
00:43:47,130 --> 00:43:49,020
-I MEAN IT.
873
00:43:49,020 --> 00:43:49,980
YOU COULD BE IN GALLERIES.
874
00:43:49,980 --> 00:43:51,420
YOU COULD BE STINKING RICH.
875
00:43:51,420 --> 00:43:53,500
-I AM STINKING RICH.
876
00:43:53,500 --> 00:43:56,480
HAVE THE OVERDRAFT
TO PROVE IT.
877
00:43:56,480 --> 00:43:58,540
-I'VE READ SOME OF THESE.
878
00:43:58,540 --> 00:44:00,780
-WELL DONE.
879
00:44:00,780 --> 00:44:02,950
-DO YOU OFTEN USE PEOPLE
FROM THE VILLAGE?
880
00:44:02,950 --> 00:44:03,620
-ALWAYS.
881
00:44:03,620 --> 00:44:05,570
I LIKE TO USE REAL FACES.
882
00:44:05,570 --> 00:44:08,830
I'VE HAD JUST ABOUT EVERYONE
THROUGH HERE.
883
00:44:08,830 --> 00:44:12,190
-INCLUDING JIM FRAZER.
884
00:44:12,190 --> 00:44:14,050
-THERE IS A LIMIT.
885
00:44:14,050 --> 00:44:15,600
-WHAT YOU MEAN?
886
00:44:15,600 --> 00:44:17,440
-WELL, ALL DUE DEFERENCE TO
MARTIN, BUT I WOULDN'T HAVE
887
00:44:17,440 --> 00:44:20,300
THAT COUSIN OF HIS ANYWHERE
NEAR MY HOUSE.
888
00:44:20,300 --> 00:44:21,360
-WHY NOT?
889
00:44:21,360 --> 00:44:26,870
-HE TRIED TO MAKE TROUBLE
FOR ME AND MINE.
890
00:44:26,870 --> 00:44:28,120
GOD REST HIS SOUL.
891
00:44:30,750 --> 00:44:32,130
I SHALL SAY NO MORE.
892
00:44:35,710 --> 00:44:40,080
-UM, WHO WAS THE MODEL
FOR THAT ONE?
893
00:44:40,080 --> 00:44:41,330
-I CAN'T RECALL.
894
00:44:44,960 --> 00:44:46,930
-OH.
895
00:44:46,930 --> 00:44:48,180
THANK YOU.
896
00:45:08,550 --> 00:45:09,880
-YES, MARTIN.
897
00:45:09,880 --> 00:45:13,190
YES, SHE JUST LEFT WITHIN
THE LAST MINUTE.
898
00:45:13,190 --> 00:45:16,340
NOW, THE THING IS,
I TOLD HER THE
899
00:45:16,340 --> 00:45:17,920
LETTERS HAD BEEN DESTROYED.
900
00:45:17,920 --> 00:45:20,180
SO WHAT SHOULD I DO?
901
00:45:20,180 --> 00:45:23,240
DO YOU KNOW IF JIM KEPT COPIES
OF WHAT HE WROTE?
902
00:45:23,240 --> 00:45:25,340
THIS SOUNDS TO ME LIKE--
903
00:45:25,340 --> 00:45:28,800
LIKE SHE'S HAD HER
HANDS ON THEM.
904
00:45:28,800 --> 00:45:29,700
OK.
905
00:45:29,700 --> 00:45:30,720
NO PROBLEM.
906
00:45:30,720 --> 00:45:31,760
I'M DOING IT NOW.
907
00:45:31,760 --> 00:45:38,730
[WHIR OF SHREDDER]
63286
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