All language subtitles for BREAKOUT Kings - S02 E03 - Double Down (720p NF Web-DL)

Essex Country Correctional
Facility Newark, NJ

(indistinct chatter)

Hey, guys.

What's up?

Same deal as yesterday?

I can't eat anyway.

My guts are a wreck.

If you just keep these animals

off me, you can
have all my meals.

I'm just gonna take this butter.

Okay, can I have your butter?

Got to force something
down, right?

Sorry, kid.

No deal today.

What?

Hey, Jogo, no, no,
no, Jogo, wait.

Jogo, what's going on?

Oh, my God.

Oh, no.

No!

No, please, no! No!

Fire, fire, fire, fire, fire!

Fire, fire, fire,
fire, fire, fire,

fire, fire, fire, fire, fire!

Keep it moving, convict.

WARDEN: Travis, you've
lost a lot of weight.

Are you feeling okay?

One Week Later.

Yeah, fine. You know how it is,

Warden, when you're
recovering from an injury.

No real appetite.

Oh, no, wait, I was supposed
to mail this, wasn't I?

- Is it important?
- (sighs)

Yeah, it's a state
funding request.

What?

Go! Oh.

Hey.

I've got to get this in the
mailbox before the last pickup.

Yeah, the warden already
called it down.

Go ahead.

♪ ♪

(groaning)

Son of a bitch.

Security breach.
(security alarm sounds)

Lockdown, lockdown.

South perimeter–
security breach.

Lockdown.

Brooklyn, New York

Lloyd, I could teach you

a hundred different
fighting moves,

but if you start
something on the inside,

- you're gonna catch a beat down.
- Yeah, that's what I'm saying.

I don't want to be starting
something on the inside.

I want to be able
to defend myself

out here when we're
working cases;

I don't need to remind
you we are a gun short.

Not everyone is
Damien Fontleroy.

It's not just the runners, Shea.

Okay? The danger
lurks everywhere.

- It wasn't a runner that tased me last time.
- Are you still whining.

- About that?
- I'm suffering from PTSD.

Whining's part of the
healing process.

Okay, I got a move for you.
Come here.

- Okay. Yeah, let's do it, let's do it.
- Come here.

All right, ready?
What about a goocher?

I don't know what a goo...
Aah... llelujah!

That stings me.

That's a goocher. ERICA:
Who are we after today?

Travis Muncey, eh?

No rap sheet?

JULIANNE: He was arrested

six weeks ago for possession
of a stolen handgun.

Escaped while still
awaiting trial.

Wow, okay,

check this out, uh, he tucked
the handgun into his pants

and shot himself in the butt.

Slick.

Call that a Plaxico right there.

Superficial wounds,

but the genius went
to the emergency room

to get some Bactine
and a Band-Aid.

He didn't know that they
would have to report

a gunshot wound to the police.

Why are we going after this guy?

It's kind of insulting.
Hey, don't

look a gift horse in the mouth.

We get one month per fugitive.

Degrees of difficulty got
nothing to do with it.

Okay, don't, don't
jinx us, Shea.

Oh, please, this is the
easiest month ever.

Shea, you don't enter a casino
through the main entrance,

you don't bet with a $50 bill,
and as Kenny Rogers made

abundantly clear, you
don't count your money

while you're sitting at the
table; Stop jinxing us.

See you got the
Travis Muncey file.

More like postcard.

Well, there's a few
details missing.

Prior to his arrest,
Travis Muncey

had no criminal record,
no known connection

to any criminal enterprise.

A total nobody and yet...

JULIANNE: When Travis
broke out yesterday

and his mug shot hit the wires;

Facial recognition software
flagged him in this intel photo,

taken three months ago in Rio.

Travis Muncey, a total nobody,

riding dirty with Bob Dixon,
one of the most powerful

and violent arms
traffickers in the world.

Shea, you jinx.

Dixon is real scum,

an English hooligan
who runs guns

to every war zone on the planet.

Usually supplies both sides.

Specialty is compact weapons,

light enough for child soldiers.

- Nice.
- We had the bastard once, until he killed two marshals.

And fled the country.

This earned him a top spot

on our top 15 most
wanted hit parade

eight years running.

CIA and a few foreign
intelligence agencies

have gotten close to him in
Eastern Europe and Asia,

but he slipped away every time. So,
what's the connection between these two?

ZANCANELLI: No idea;
According to Muncey's

tax returns, he mostly
works as a waiter.

What'd you learn about
his travel history?

Passport never been used
until a few months ago

when he suddenly took a six-city
tour through South America.

All right, this guy really
came out of nowhere.

No telling what he is to Dixon.

Trigger man, money launderer,
muscle for hire...

How about none of the above?

I mean, come on, we're
talking about a guy

who shot himself in the ass.

You have any better suggestions?

No.

Then shut up.

Start taking this
serious, people.

Because ATF and Customs
believe Bob Dixon

is on U.S. soil right now moving
a massive shipment of guns.

ERICA: That can't
be a coincidence.

Could Dixon have
helped Travis escape?

SHEA: No, he used the butter

from the chow hall; He
busted himself out.

Whether he had
Dixon's help or not,

he is a credible link

to an extremely
dangerous fugitive.

ATF, FBI, CIA,

they're all waiting for us
to catch Travis Muncey.

And here's the thing:

When we get him, we're
not gonna turn him in.

We're gonna use him
to catch Dixon.

We do that, no one will ever

question our legitimacy again.

Mine or yours.

Let's get to work.

(clears throat)

Hi, Lloyd.

Hello.

Listen, you seem a little,
little distracted today.

Are you... are you all right?

- I'm fine.
- Good, just wanted to make sure.

That recent events
haven't caused

some sort of relapse
or something.

I'm fine. I'm just
working the case.

Finding a lead, in fact.

Good.

Ray?

ZANCANELLI: Yeah.

A Laundromat in
Jersey City reported

a skinny, naked man
stealing clothes

out of one of their
machines last night.

ZANCANELLI: He was moving
east from the prison.

- Jersey City, possibly Manhattan.
- Still has.

- An apartment on the Lower East Side.
- Well, does he have,

Uh, a girlfriend or a roommate?

Let's find out.

Lower East Side, Manhattan.

You won't know if you can fly
unless you actually jump.

Oh, that's rich, but it's
a move I'm developing,

and it's called...
(hisses) the double punch.

No.

Why? One punch is good.

Two punches is doubly good.

It's twice the power. Hyah.

Twice the pain. Hyah!

Oh, is it time for round two?

I'm not having this anymore.

I'll call the cops.

U.S. Marshals.

I'm sorry, I thought you
were Aaron's friends.

Who's Aaron?

He sublets the place.

The real tenant went to jail.

- Is Aaron home?
- I don't know.

He didn't find the
note I left him.

(chuckles) Probably
sleeping it off.

He had a whole rowdy
bunch over here

for some kind of party.

Lots of yelling and carrying on.

Sir,

go inside, lock the door.

You don't have to tell me twice.

Clear.

(Shea groans)

Boy, Aaron knows how to party.

I guess we're not the first ones
who came asking for Travis.

Could be a terribly botched attempt
at autoerotic asphyxiation.

SHEA: No, this is some
sadistic shit here.

You choke a guy with a garret

till he agrees to answer
all your questions

like, "Where's Travis?"

Then you slit his throat,

so he doesn't talk
to anybody else.

A garret? You choke them

with a small attic room?
I believe

the word you're looking
for is "garrote."

Travis Muncey was
no arms dealer,

he was a freaking actor,
and not a very good one.

Community theater,
student films.

This guy couldn't
book a commercial

for herpes medication.

What can a guy like this

possibly offer someone
like Bob Dixon?

Travis had family in Youngstown, right?
Parents, two sisters?

ZANCANELLI: We got the
marshals watching them.

He hasn't made contact yet.

And he probably won't.

There aren't any pictures
of them anywhere.

You know, perhaps these
Midwestern Munceys,

like the parents of
a lot of thespians,

weren't very supportive of
Travis's artistic endeavors.

You know,

Maslow's hierarchy
of needs tells us

that in order for Travis to
access his own creativity,

he must first have a
sense of belonging,

and if his family's
not giving him that,

he would be driven to seek out
a surrogate family, you know?

Who are the Massapequa Players?

JULIANNE: They are a
very off-Broadway

acting company based
out of Long Island.

ZANCANELLI: All right, well,

let's see if Travis's friends

know what he did for Dixon,

and Jules, let's make sure

these investigators
process these prints.

Maybe we'll luck
out, we'll find out

who's doing Dixon's dirty work.

An international player like him

probably hires out muscle
from the local underworld.

Whoever his New York people are,

they know what they're doing with a...
garrote.

Right, Jules, we need a solid

from the gang unit, okay?

See if they know of any
local crime organizations

whose M.O. includes the garrote.

I'm on it.

The fatso in the apartment

said he didn't know
where Muncey was.

I didn't believe him
at first, but...

Look, it was hard to
get to Muncey in jail.

You got to rely on
thieves, rapists–

not the most dependable–
but now he's out,

we do the job ourselves.

We just got to find him.

Then bloody well find him!

Come on. Let's go.

Far Rockaway, Queens.

All right, thanks, Corbell.

You think of anything
else, you let me know.

All right, that's three
detectives now saying, uh,

the Malko brothers have a thing

for choking out their victims.

They're always on the move, so the gang unit
can't a bead on their base of operations.

Right, they control

everything from Brighton
Beach to Fire Island.

Pick any random business owner,

they'll know the Malkos.

Good luck getting 'em to talk.

(indistinct chatter)

Watch the master.

Hey, is anyone home?

Knock, knock, knock,
knock, knock, knock.

- This thing isn't... there we go.
- You break it,

You bought it.

Can I help you?

My bad.

You the owner?

What precinct you guys with?

Oh, we just met and you want
to insult me like that?

I'm no cop.

He thinks I'm Five-O.

Well, then what are youse
two– nice interracial couple

who just moved into
the neighborhood?

We're your new best friends.

Hey, cut that out.

Now, let's say someone's
giving you a hard time,

- you know, you know, bounces a check.
- Watch it.

- Take it easy.
- Or even worse, steals some of this overpriced crap.

No.

Relax.

You just give us a call...

and we'll take care
of everything.

Please.

I'm already paying
someone for that.

Yeah, who?

The Malko brothers.

The Malko brothers?

Give 'em a call,
get 'em down here.

We want to have a
conversation with 'em.

18 Minutes Later.

Check out this clown.

Who, the Beastie Boy?

ZANCANELLI: Is this the guy
they sent to grease us?

These Malko brothers aren't
impressing me a whole lot.

Unless they sent him
'cause their heavy hitters

are tied up on more
pressing business.

All right, stay here.

I'll be by the car.

Yo, Stevie!

Yo!

Yo.

You hear me calling you?

What's a nice kid like you
doing with the Malkos?

Sorry, Detective, I don't
who you're talking about.

I'm a U.S. Marshal, actually.

They sent you here unarmed?

Who's they?

I'm on my way to the library.

Hey, buddy, calm down now.

Those aren't mine.

What is this, some
gangster internship?

You got your whole life
ahead of you, kid.

Don't be stupid.

My name is Zancanelli.

You ever get in trouble,

this is your get-out-
of-jail-free card.

All you got to do is tell me
where I can find the Malkos

or, better yet, a
limey named Dixon.

What the hell's going on here?
Hey, hey,

calm down, calm down, relax.

You said you weren't a cop.

- Chill out.
- I'm a U.S. Marshal.

Get out of here.

You hear me, bozo?

Yo, Ray, that kid
jacked you up, man.

Get in the car.

I'm just...

Yoink.

LLOYD: Now, I understand your
desire to protect Travis.

Massapequa, New York.

Did you know that the
dynamic of a theater troupe

can actually mirror that
of a gang– outcasts

with very few social
prospects– no offense–

joining together
in mutual support

- of an idea...
- You have excellent diction.

- Where did you train?
- Train?

No, I didn't– well, not
formally at least.

Some school plays, Harold
Hill in The Music Man.

ERICA: Here we go, De Niro.

Travis's size, all
covered in butter.

Oh.

How's it going, Travis?

Once more, what'd you tell him?

Nothing.

- What'd you tell him?!
- Nothing, I swear!

He already knew about Dixon!

Let me see that.

Let him go.

One down, one to go.

Let's hope the second's
as easy as the first.

Stop jinxing us, please.

Aah, hey, not so rough.

You want to see rough?

Shit, shit.

LLOYD: Uh-oh, Captain
Hairdo's coming.

Looking sharp.

Thank you.

Let's go, dickhead.

Hey.

(car alarm chirps)

That's not what happened.

I don't know. That's
just what I heard.

I didn't get my
ass handed to me.

You didn't get your ass handed
to you by Ralph Macchio?

No, I did not. SHEA: He
come up to you like...

(karate yell) Yeah,
with a one-kick move,

and I want you to teach me it.

Cheap shot. Get away from me.

It was right... it was right in the ear.
All right.

Jules, reach out to the
juvie cops in Far Rockaway,

see if they know that punk
kid with the pawnshop bling.

He runs with the Malkos.

- Pawnshop bling?
- Yeah, he wants to look like a player,

So he wears old
high school rings,

that cheap gold-plated shit.

Oh.

I know I'm in real trouble here,

but, honest, I'm a guy who
tries to play by the rules.

Not me– I'm supposed
to turn you over

to the FBI, but you're
not leaving my sight

until you help me get Bob Dixon.

Yeah, uh, Bob. (Chuckles)

Bob found me

through my commercial agent.

- What the hell for?
- He wanted me to go to Rio

with him and pose as a shipping
executive named John Herlihy.

He hired you

- to impersonate someone?
- Well, no, not impersonate.

Inhabit.

It was an acting job.

Bob referred to me

as his "face."

I went with him to meet some men

he was trying to
do business with.

My job was to pretend that
I was gonna help Bob ship

some furniture into Colombia

without any hassle from U.S.
Customs.

That's not acting. That's fraud.

Wait, did you say he
called you his face?

That's a concept
from Asian culture.

The face is actually
the reputation,

and if your rep's been damaged,

like Dixon's has with all
the heat he's garnered,

you can borrow or
even rent a new face.

It's an interesting bit
of psychology, actually.

You know, the Chinese–
they hire Caucasians

to pose...

What about the furniture?

You expect me to believe

that that was
legitimate business?

Well, I thought, I
thought that possibly

that the furniture was made

out of illegal rain forest wood.

You thought they were
smuggling rain forest wood

into South America?

Furniture was a code
word, bonehead.

Dixon is trying to smuggle
American-made guns

to a Colombian
paramilitary group.

Whoa,

look, I did not know anything
about that, I swear.

You mean, you didn't want

to know.

Hey, the guy flew me

first class to Rio

with champagne and those seats
that lay all the way flat.

Those are nice.

It was a five-star
hotel we stayed in.

There was fine food,

foxy females...

so if things didn't always
seem quite on the up-and-up...

Why get off the
gravy train, right?

But something made
you buy a gun.

One night in Rio,

some guys shot at our car.

Luckily, the windows
were bulletproof,

but then I realized,

uh, who the hell drives
a bulletproof car?

I knew I had to back
out of that gig.

I went to Bob, I said,
"Find an understudy."

Bob took a knife, he put it right
to my testicles, and he said...

(attempting Cockney accent): "Do
your job, count your money",

and keep your mouth shut."

So you kept your mouth shut.
He only needed me

for one more meeting
right here in New York.

All I had to do was just sit
tight and wait for his call.

(sighs)

But I was scared.

I mean, what the hell happens

when this guy doesn't
need me anymore?

So you went to Newark, you
bought an illegal handgun,

shot yourself in the tuchas–

well done– and landed in jail.

Yeah,

but I had to escape.

There was a price on my head

that half the guys in County
were trying to collect.

Clearly Bob was unhappy
I messed up his deal.

You're just a loose end he needs

to clean up, so you
don't roll over on him.

If I could roll over on him,

don't you think I
would have by now?

ERICA: He's full of shit.

Please, guys,

I haven't eaten in weeks.

I told you, you already know

way more about Dixon than I do.

All right, I don't
know his phone number.

I don't even know what
country he lives in.

He didn't fly out of
Newark; He met us in Rio.

Who's us?

Uh, me and his lady friend–
we were on the same flight.

So she knew it was a scam

and she knew you were
really an actor?

Yeah.

See, you do know
something useful.

What's her name?

Kizzy. (Laughs)

That's all you got– Kizzy?

I don't know her last name,

but the airline should have it.

- What else you know about her?
- Uh...

She's a cocktail waitress
in Atlantic City.

So.

And Bob says that she can suck

a golf ball through a
garden hose, so...

You come across any Kizzy in AC?

LLOYD: Oh, no, cocktail
waitresses are temptresses

placed there to ply
you with libations

and then distract you
from your cards.

I make a practice
of ignoring them.

Before they can ignore you?

- Mm-hmm.
- Maybe you could get on the phone.

With some of your degenerate gambling
buddies, see if anyone knows her.

Oh, come on, Raymond, I
try not to ask for favors

from people to whom I owe
large sums of money.

That's too bad because if we find
out what casino she works at,

we might have to
take a field trip.

Well, then, I'll make
a phone call for you.

Thank you.

Travis, I really hope you're
being straight with us,

because if it turns out

you're just a very smart actor

pretending to be a
very dumb actor...

No, I am not pretending.

I mean, I am being
straight with you.

(sighs)

Hey, hold still.

What do I do if it
starts to itch?

Any luck with transpo?

Yep, they've got a twin-prop
waiting for you at Teterboro.

TRAVIS: Whoa, I didn't
know you guys had

your own wardrobe department.

Seized assets– gear
from drug dealers

- and other scumbags.
- Oh, my God, is this Armani?

What size is this?

Not yours.

You're gonna go as yourself–

escaped convict
down on his luck.

Think you can handle that?

TRAVIS: Yeah.

(sighs)

Will this do?

Hello. LLOYD: Is
somebody screwing

with the thermostat?

Because... the heat is on.

SHEA: Wow.

White folks.

Ouch, oh.

Hello.

Hello.

Oh, hell, no.

He is not coming
anywhere near me

in that shirt. Ray,
is this the bankroll?

Five grand signed
out in my name.

Every penny comes back.

I found Kizzy.

- Travis?
- Yeah?

I wrote down some stuff for you to say
when you see Kizzy. Basically want you

to pretend that you know more about
Dixon's operation than you do.

You have to scare her
into calling Dixon.

It's all right, I'll
just ad-lib something.

No, you're gonna stick
to the script, stupid.

Photo op. Shea, take a pic...

Come on, Erica. I'm
killing in this shirt.

You're killing me.

Take it off, or I will
burn it for real.

♪ ♪

Atlantic City, New Jersey

♪ ♪

(slot machines ding,
people chatter)

All right, guys, try not to let

too many people get
between you and Travis.

Okay, okay, okay,

now, gambling is not
a spectator sport.

If we're gonna fit in, we
need to play a little bit.

So I will take, like,
500 bucks to start.

I think you left
off a few zeros.

Follow me.

Come on.

All right, you sweet
wheel of destiny.

17.

You finished? Okay, excuse me.

(clears throat)

DEALER: No more bets.

- 17.
- Boom!

- The winner's 17.
- And it begins.

Erica, you can't
stop what's coming.

Let's go again. Let's
make this happen.

Hi.

That's Kizzy.

- Right there.
- All right, guys,

She's coming your way.

Give Travis the signal.

LLOYD: All right, dealer,

we need to keep this
train moving because.

Papa is hungry.

Kizzy!

Oh, my gosh.

It's me, Travis.

What are you doing here?

I need to get a message to Bob.

I need his help.

I think one of his
competitors in the, uh...

furniture business

is trying to kill me.

Come on, Kizzy.
I'm not an idiot.

All right, I know the
guys that we met in Rio

are Colombian paramilitary
and Bob isn't exactly

selling them Adirondack chairs.

Why are you hitting 15 when
the dealer's showing 16?

Oh, it's a seven?
Enjoy your card.

Bump it. Yes!

I don't know when I'm gonna
see Bob again, if ever.

I mean...

If you do...

just have him call me

at this number, okay?

Okay.

I got to get back to work.

All right, put a tail on her and try to
speed up that warrant on the phone tap.

Erica, Lloyd, time to cash out.

I was just about to
let the dogs out.

- Come on.
- Here, Grace, for you.

Let's go.

Good luck, son.

Oh, no.

No, no, no, no,

Lloyd, you degenerate.

Wait, wait, wait, wait, wait!

DEALER: No more bets.
No more bets.

LLOYD: Come on, come on.

26. MAN: Boom! Yeah!

(groans)

Oh,

now come the tears and
self-recriminations.

Please don't touch me.

Teterboro Airport Teterboro, NJ.

That five bucks comes out
of your hide, Lloyd.

Not my budget.

Oh, right, they must
really double-check

your accounting, huh, Ray?

(phone ringing) TRAVIS:
Oh, hey, that's mine.

That's the phone you gave me.

(plane flies overhead)

All right, the number's blocked.

Could be Dixon.

You're on, Travis.

(beep)

Hello?

Muncey, is that you?

Bob?

Kizzy said you were in trouble.

Uh, Bob, I need your help.

I think someone's
trying to kill me.

Where are you?

Back in the city.

Already?

Kizzy said you only left

the casino 40 minutes ago.

I'm heading back to the city.

I'm on a bus.

I'll be there in another hour.

Perfect.

I'll send a driver
to Port Authority.

A driver?

Uh, I don't know, Bob.

Um, how can I be
sure he's with you?

All right,

I'll come for you myself.

You just look for me.

Thanks, Bob.

And, Bob, I'm so sorry
I messed up your deal.

Yeah, yeah, yeah.

(clears throat) No worries, kid.

We'll get it all
straightened out.

Brooklyn, New York.

You'd think they could afford
nicer cards than this, huh?

(beep, ringing)

- DIXON: Hey, hey?
- Yeah, hey, it's me.

I was beginning to think

you'd lost my number.

I didn't return because I
have nothing to report.

We just located the
Marshals' warehouse.

We're waiting for
them to come out

so we can raid the place
and see what they know.

That's your big plan, is it?

Well, you better drop it and
get me to Port Authority.

(car doors closing) Because
a bus is rolling in soon,

and Muncey is on it.

Is that so?

Because I'm looking
at Muncey right now.

He's with the Marshals.

Were you able to get
Dixon's location?

Sorry, I'm still working on it.

He probably used a
black market chip.

It's all right. We'll take
him at the Port Authority.

Let's arrange for
a tactical team.

You two, back in your civvies.

Hey, look, if I'd have known
what a monster Bob is,

I'd have come forward.

All right, well, you're helping us now.
Judge will consider that.

(knocking)

It's open.

Hello.

You know, you guys upstairs
have an odd concept

- of casual Fridays.
- There's a lot of things that are odd about what we do.

We keep odd hours, for
instance, like you,

so if our schedules happen
to sync up now and then,

maybe I'll come by and say hi.

No strings, no questions.

No problem. Is this
one of those times?

Yeah, I have to give the
dress back in five minutes.

We are taking down an
international fugitive

in a half hour, and you morons

- put me on hold.
- Hey,

Jules, you are okay?

Just...

I'm fine.

Why? Are you still
on Julianne watch?

No, I'm, I'm, I'm concerned.

You do seem a little
bit off; Are you aware

that you're wearing two
different earrings?

Well, at least I'm
not running around

showing off some
double-fisted...

Oh, so you've heard
about the double punch?

You'd do a lot more damage with
two fingertips to the larynx.

Really? Kind of find
that hard to...

(choking)

And that was half speed.

Now, if you'll excuse me, I'm
gonna need some fancy coffee

to get this Port Authority
thing up and running.

Hi there.

(screaming)

(tires screeching)

Hey, where were you?

Uh, sorry.

- (phone ringing)
- It took a crowbar to get me out of that dress.

Yeah.

What's the status on that?

Hold on.

Jules, answer the phone.

- (ringing continues)
- She's not here.

Give me a second.

That's right. She
went for coffee.

She seem okay to you?

Uh, no, not really.

But that's kind of
her thing, right?

(ringing stops)

Well, Jules called. It
went to voice mail.

Ray, it's Julianne.

I've been kidnapped.

(beeping)

It's call-waiting. Click over.

(man speaking foreign language)

ZANCANELLI: What's up, Jules?

Ray, it's Jules. They've got me.

- I think it's the Malko brothers.
- That's enough.

Jules?

Gag her up.

The Malkos got Jules.

I want a beat on her
cell signal now!

Does anybody know how to
do that beside Julianne?

Call ESU; They can patch
you into a trace.

Ow! Geez!

What the hell are you doing?

If I find out you had
anything to do with this,

I will kill you myself.

Aah, geez.

I didn't, man.

Lloyd, keep an eye on him.

ERICA: Okay, her signal's moving
fast; She's definitely in a car.

Uh, Ray, I need you to take a left here.
Go left, go left.

Let's go.

(muffled grunting)

You know, it would be nice
to have a gun right now.

ERICA: Okay.

Her signal just stopped. It just
stopped; Right, take a right.

- Right here?
- Take a right, yeah.

(beeping) Okay.

Now stop, stop, stop.

(beeping increases)

This it? Yeah.

Jules!

Hey.

Julianne?

Aw, man.

This is her phone.

They ditched it.

(muffled yelling, banging)

Get it.

We got you.

Oh, man.

Get her up. Get her up.

I got her. I got her.

- Hold her.
- Yeah.

You all right?

I'm... I'm okay.

Did they hurt you?

No.

They just let me go.

(groans)

Travis!

Can I help you gentlemen?

Um...

we're closed

right now, but if you'd like to
come back at a later time...

JULIANNE: Is he knocked out?

Lloyd, you okay?

They took Travis.

They took Travis.

They punched my face, and
they-they took Travis.

ZANCANELLI: You and Jules
are lucky to be alive.

The Malkos probably thought
you were Marshals.

They didn't want
that kind of heat.

Whoa, whoa, whoa,
whoa, whoa, whoa.

What are you doing?

You're calling this in?

No, I'm ordering pizza. What
do you think I'm doing?

I'm actually accountable
for my actions, Shea.

Ray, one of your
people got abducted,

which made you lose Travis,

which means you lost Dixon.

Which is exactly why I got to make the
phone call. We have a tail on Kizzy.

Okay, they put the screws to
her, she'll lead us to Dixon.

No. We don't have the time it will
take to sweat anything out of her.

If you call this in, Ray,

you can say good-bye
to the Breakout Kings.

I don't call this in, I
might as well get back

in the van to prison
with you clowns.

They'll string me up for
dereliction of duty.

And if you're going to say

Charlie wouldn't have let this
happen, save your breath.

No. I was going to say

you never would have let
Charlie make this phone call.

You would have told him
to keep it in the team.

We can handle this.

You know I'm right, Ray.

Please don't hurt me! Please.
I-I'll reprise my role.

- I'll help Bob close his deal!
- Move!

I'll do anything
he wants, just...

(grunting)

(coughing): Oh, God, oh, God.

We could go to the owner
of the antique shop,

get him to give us the number
of the Malko brothers.

Jules, any luck tracking down the
kid with the pawnshop bling?

Uh-uh. Well, maybe he works
at a local pawnshop.

SHEA: I think he may
work somewhere else.

That's not pawnshop bling.

He's even cheaper than that.

He steals the jewelry
off of dead bodies.

The kid works in a
funeral parlor.

He was carrying these...

wet daddies, herb
soaked in formaldehyde.

They make you see God.

Get some good money
for that in Maybelle?

Eh, if you say so.

I just thought they
were evidence.

Just haven't had a chance to
turn them in yet. Yeah, right.

Shea's theory might
be worth a shot.

ERICA: Okay. Well, how many

- funeral homes could there be in Far Rockaway?
- We're gonna find out.

LLOYD: I should probably stick around here with
Julianne 'cause of what she's been through.

I'll be okay.

Just find that Malko creep and
double-punch his face in.

Jules, you take that one.

Are you kidding me?

You're gonna give a
traumatized woman a firearm

without even teaching her

how to put the bullets
in the handle thing?

It's a Glock.

It's got a trigger safety.

Two marksman
citations at Glynco.

Good work.

Let's go.

You gonna be okay?

Hey, I'm just an actor, guys.
Lis...

(grunting in pain)

(panting): Bob?

Oh, Bob, please.

Oh, Bob, Bob, Bob, please.

I don't know anything.

I didn't tell them
anything, man.

Well, you knew about Kizzy.

And Kizzy says you knew
our Colombian friends

represent a paramilitary
organization.

(crying): Oh, no, Bob.

Come on, the Marshals
told me that.

It was all just a bluff,

so that Kizzy would
help us find you.

Yeah?

Well, you found me.

You found me.

All right, hop to it, Lloyd.

What? No.

I checked out the last two corpse
houses– send Shea this time.

If the kid's in there,
he'll recognize me.

ZANCANELLI: Get in there now.

(garbled radio transmission)

(buzzing)

MAN (over intercom): Hello?

I know it's late, but
my mother has, uh...

just... passed.

Please come in.

(door buzzes)

(recorded): It's Julianne.
I've been kidnapped.

It's call-waiting. Click over.

(man speaking foreign language)

(replaying man speaking
foreign language)

(beeping)

(replaying man speaking
foreign language)

(gasps) Oh, my
goodness gracious.

Sincere condolences on
your mother's passing.

Thank you. It has
been rough, sir.

Um... so, how does this work?

Because I don't want to
spend a lot of money

because satin pillows will
not bring my mother back.

Do you have anything more
in the pine box variation?

(loud grunting nearby)

DIRECTOR: Well, uh,

we have... excuse me.

Please, w-why don't you
take a seat over here,

and let me get the catalog?

(replaying man speaking
foreign language)

(line rings)

Ray. What's up, Jules?

Ray, the place you're looking
for is called Barsky's.

Well, good news: We're here now.

But it's not just

where the kid works– I
think it's a Malko front.

I think it's where
Dixon is holed up.

(quiet, mellow music plays)

- Uh, hey, sir.
- These are all way too fancy, sir.

I'm looking for pine!

(choking)

Hey, there, Slim Shady.

Do you work here?

Oh... Shea, you jinx.

These are loaded.

Try not to shoot yourself.

And better yet, don't shoot me.

Let's try around back.

Don't put me in there!

Put a bullet in his head,

then you dump him in the river.
No!

Don't put me in there!

MALKO: Why'd you have
to come looking?

- We let you live once, Marshal.
- I am not a Marshal!

I'm a criminal like you guys!

Please, don't do this!

U.S. Marshal!

You have got to be joking.

(gun cocks)

(coughs)

(engine starts, tires squeal)

Drop the gun! Don't move!

Get on the ground!
Don't even move!

- Put your hands up!
- Get down.

Don't you even think about it.

We clear? Are we clear?

- Clear.
- We're clear.

(applause)

- (smacks lips)
- Let's go.

Put us in separate cells, right?

You know, I had my
doubts, but it's no act.

You really are dumb, aren't you?

Yeah, apparently,
that's a crime.

Look, you helped
us put away a guy

who's wanted in a
dozen countries.

I'm gonna see to it the
judge sends you home.

Jules, I totally
finger-blasted that guy.

With the...

Oh. SHEA: You might not want

- to tell it that way when we get back to prison.
- Why?

SHEA: Just trust me on this one.

How are you?

You okay?

Fine.

I'm, uh... perfectly fine.

Oh. Sounds awesome.

That's good. Okay.

Um, who's... who's
Gary Margolis?

I was just... you know,

I was looking for
the number for ESU,

and you had, like,
four windows open

to, uh... articles on a child
murderer, Gary Margolis.

You feel like telling
me about it or...?

Okay.

Don't want to talk– I get it.

You've been through a lot, so...

What matters is
that you're okay.

Right.

(sighs)

You're not perfectly
fine, are you?

And it's not just about tonight.

I am going to pieces, Lloyd.

Okay.

Okay, I'll... I'll talk to Ray.

I'll get you a good therapist.

Therapy is hogwash.

You told me that the
first day I met you.

Okay, but you weren't
going to pieces then.

You... you need
somebody to talk to.

I can't go through the Marshals.

I'm an outside contractor,

and they already drummed
me out once, so...

Well, I'll... I'll
find you somebody.

You know, I'll, um...

I'll do it.

What about that, Jules?

I think I could help you.

I mean, you might need

to open up just a little bit.

Where?

Here?

In front of my coworkers?

Or... or at Maybelle,

with a bunch of criminals
standing around?

I don't know what to tell you

about that, Jules, but...

you really need help.

I know.

ZANCANELLI: Lowery,
transpo's here.

The foregoing story was fictional and did
not depict any actual person or event.

(barks)