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1
00:00:16,417 --> 00:00:18,650
WE CHOOSE TO GO TO THE MOON.
2
00:00:18,652 --> 00:00:20,986
WE CHOOSE TO GO TO THE MOON.
3
00:00:27,128 --> 00:00:29,962
WE CHOOSE TO GO TO THE MOON
IN THIS DECADE
4
00:00:29,964 --> 00:00:31,463
AND DO THE OTHER THINGS,
5
00:00:31,465 --> 00:00:35,834
NOT BECAUSE THEY ARE EASY,
BUT BECAUSE THEY ARE HARD.
6
00:00:35,836 --> 00:00:37,870
WE SET SAIL ON THIS NEW SEA
7
00:00:37,872 --> 00:00:41,607
BECAUSE THERE IS NEW KNOWLEDGE
TO BE GAINED
8
00:00:41,609 --> 00:00:43,909
AND NEW RIGHTS TO BE WON,
9
00:00:43,911 --> 00:00:46,712
AND THEY MUST BE WON AND USED
10
00:00:46,714 --> 00:00:49,481
FOR THE PROGRESS
OF ALL MANKIND.
11
00:00:50,384 --> 00:00:52,785
WE SHALL SEND TO THE MOON,
12
00:00:52,787 --> 00:00:58,590
240,000 MILES AWAY FROM
THE CONTROL STATION IN HOUSTON,
13
00:00:58,592 --> 00:01:03,262
A GIANT ROCKET
MORE THAN 300 FEET TALL,
14
00:01:03,264 --> 00:01:05,397
MADE OF NEW METAL ALLOYS,
15
00:01:05,399 --> 00:01:08,100
SOME OF WHICH
HAVE NOT YET BEEN INVENTED,
16
00:01:08,102 --> 00:01:11,203
CAPABLE OF STANDING HEAT
AND STRESSES
17
00:01:11,205 --> 00:01:13,038
SEVERAL TIMES MORE
18
00:01:13,040 --> 00:01:14,573
THAN HAVE EVER
BEEN EXPERIENCED,
19
00:01:14,575 --> 00:01:15,974
FITTED TOGETHER
20
00:01:15,976 --> 00:01:19,011
WITH A PRECISION BETTER
THAN THE FINEST WATCH,
21
00:01:19,013 --> 00:01:20,946
CARRYING ALL THE EQUIPMENT
22
00:01:20,948 --> 00:01:23,882
NEEDED FOR PROPULSION, GUIDANCE,
CONTROL,
23
00:01:23,884 --> 00:01:26,852
COMMUNICATIONS, FOOD,
AND SURVIVAL,
24
00:01:26,854 --> 00:01:32,291
ON AN UNTRIED MISSION
TO AN UNKNOWN CELESTIAL BODY,
25
00:01:32,293 --> 00:01:36,962
AND, THEREFORE, AS WE SET SAIL,
WE ASK GOD'S BLESSING
26
00:01:36,964 --> 00:01:39,598
ON THE MOST HAZARDOUS
AND DANGEROUS
27
00:01:39,600 --> 00:01:42,968
AND GREATEST ADVENTURE
ON WHICH MAN HAS EVER EMBARKED.
28
00:01:42,970 --> 00:01:44,169
THANK YOU.
29
00:01:59,253 --> 00:02:02,521
JUST LIKE A PERSON WAITING
IN THE WINGS TO GO ON STAGE,
30
00:02:02,523 --> 00:02:04,957
THEY PROBABLY HAVE LESS TIME
TO DAYDREAM
31
00:02:04,959 --> 00:02:08,393
BECAUSE THEY'RE TRYING TO
REMEMBER WHAT THEY'VE GOT TO DO.
32
00:02:08,395 --> 00:02:11,830
YOU KNOW, I HAD THE FEELING THAT
I REALLY OUGHT TO CONCENTRATE
33
00:02:11,832 --> 00:02:14,266
ON REMEMBERING THE THINGS
THAT I HAD TO DO AT THE MOON
34
00:02:14,268 --> 00:02:16,101
AND ALL THAT.
35
00:02:45,399 --> 00:02:49,334
Duke: GOSH, HERE WE ARE,
AND WE'RE GETTING DOWN CLOSE.
36
00:02:51,805 --> 00:02:54,206
I HOPE THE SUIT CHECKS OUT OKAY.
37
00:03:02,950 --> 00:03:07,152
YOU GET SWEATY PALMS,
AND YOUR HEART STARTS POUNDING.
38
00:03:07,154 --> 00:03:10,222
IT WAS LIKE THE BIG GAME
ABOUT TO START.
39
00:03:22,603 --> 00:03:25,504
YOU'RE IN YOUR WORK
CLOTHES, READY TO GO TO WORK,
40
00:03:25,506 --> 00:03:26,838
BUT YOU STILL HAVE
TO STAY THERE.
41
00:03:26,840 --> 00:03:28,173
YOU HAVE TO SCHEDULE IT
IN CONJUNCTION
42
00:03:28,175 --> 00:03:31,009
WITH THE BOOSTER SCHEDULE
ITSELF.
43
00:03:31,011 --> 00:03:34,880
YOU'RE PLUGGED INTO A CONSOLE
THAT'S SUPPLYING 100% OXYGEN.
44
00:03:34,882 --> 00:03:36,381
IT'S KIND OF A CATCH-UP TIME
45
00:03:36,383 --> 00:03:38,617
IF THERE'S A PROBLEM
WITH THE BOOSTER OR SOMETHING,
46
00:03:38,619 --> 00:03:40,452
WE'RE THERE,
AND NOT SITTING OUT AT THE PAD
47
00:03:40,454 --> 00:03:42,521
UNTIL THE COUNT GETS
TO A CERTAIN POINT,
48
00:03:42,523 --> 00:03:45,891
AND THEN WE'RE CALLED TO PROCEED
TO THE SPACECRAFT.
49
00:04:06,013 --> 00:04:08,213
Woman:
Y'ALL TAKE CARE, NOW.
50
00:04:35,042 --> 00:04:36,675
GODSPEED, MEN.
51
00:04:42,816 --> 00:04:43,682
RIGHT AT THE LAST MINUTE,
52
00:04:46,387 --> 00:04:50,155
THAT SAID, "DON'T -- DON'T
COUNT ON THIS SO HEAVILY.
53
00:04:50,157 --> 00:04:52,224
IT MIGHT NOT HAPPEN."
54
00:04:53,427 --> 00:04:55,027
THIS IS SUCH A BIG THING.
55
00:04:55,029 --> 00:04:57,696
I-I FRANKLY DON'T SEE
HOW YOU CAN DO IT.
56
00:04:57,698 --> 00:04:59,031
EVEN WHEN PARTICIPATING IN IT,
57
00:04:59,033 --> 00:05:01,667
I THINK IT'S AUDACIOUS
THAT YOU WOULD TRY.
58
00:05:01,669 --> 00:05:04,503
I CLEARLY COULD NEVER
UNDERSTAND, AS A CREWMAN,
59
00:05:04,505 --> 00:05:06,705
HOW TO -- HOW TO MAKE IT WORK.
60
00:05:06,707 --> 00:05:10,442
I COULD ONLY LEARN
HOW TO OPERATE MY SHARE OF IT.
61
00:05:32,032 --> 00:05:34,933
BEING COMMAND PILOT, I WAS
SITTING IN THE CENTER SEAT,
62
00:05:34,935 --> 00:05:37,202
SO THAT MEANT I CLIMBED IN LAST.
63
00:05:37,204 --> 00:05:40,539
I JUST STOOD AROUND AND WAITED
UNTIL THEY STRAPPED IN,
64
00:05:40,541 --> 00:05:44,710
AND HERE WAS
KIND OF A STRANGE QUIET.
65
00:05:47,147 --> 00:05:49,748
LOOK OUT AND YOU CAN SEE
A LARGE PART OF THE STATE
66
00:05:49,750 --> 00:05:53,051
AND THE OCEAN AND -- AND
THIS -- THIS THING OUT HERE.
67
00:05:53,053 --> 00:05:56,755
YOU HAVE THE FEELING
THAT IT'S ALIVE.
68
00:05:56,757 --> 00:06:00,158
THAT'S THE KIND OF THING THAT
SORT OF, FOR THE FIRST TIME,
69
00:06:00,160 --> 00:06:03,895
BEGINS TO BRING HOME THE FACT
THAT TODAY IS NOT THE GAME
70
00:06:03,897 --> 00:06:06,365
WE'VE BEEN PLAYING IN TRAINING
FOR YEARS.
71
00:06:08,035 --> 00:06:10,302
THIS IS REALITY.
72
00:06:37,531 --> 00:06:39,731
I HAD THE ONLY WINDOW
AT THIS POINT,
73
00:06:39,733 --> 00:06:41,266
AND I LOOKED OUT,
74
00:06:41,268 --> 00:06:44,703
AND DOGGONE IF THE MOON
WASN'T VISIBLE IN THE DAYLIGHT
75
00:06:44,705 --> 00:06:47,439
RIGHT STRAIGHT OUT THE TOP
OF THE WINDOW.
76
00:06:47,441 --> 00:06:49,241
I KNOW THEY'RE
DOING THEIR JOB RIGHT
77
00:06:49,243 --> 00:06:52,077
BECAUSE THE MOON IS RIGHT
STRAIGHT AHEAD, AND THAT'S
WHERE WE'RE POINTED.
78
00:06:52,079 --> 00:06:54,613
AND, YOU KNOW,
THEY'RE JUST GONNA LAUNCH US
RIGHT STRAIGHT TO THIS THING.
79
00:06:58,819 --> 00:07:00,485
THIS IS APOLLO SATURN LAUNCH CONTROL.
80
00:07:00,487 --> 00:07:03,388
ALL STILL GO ON THE APOLLO MISSION,
81
00:07:03,390 --> 00:07:07,225
THE FLIGHT TO LAND THE FIRST MEN ON THE MOON.
82
00:07:07,227 --> 00:07:10,162
THE SPACECRAFT, ALSO, NOW IS ON FULL INTERNAL POWER.
83
00:07:10,164 --> 00:07:11,329
UP TO THIS TIME,
84
00:07:11,331 --> 00:07:15,167
THE SPACECRAFT, ALSO, NOW IS ON FULL INTERNAL POWER.
85
00:07:15,169 --> 00:07:18,970
ONCE WE GET DOWN TO THE 3:10 MARK IN THE COUNTDOWN,
86
00:07:18,972 --> 00:07:20,739
WE'LL GO ON AN AUTOMATIC SEQUENCE.
87
00:07:20,741 --> 00:07:24,142
ALL ASPECTS FROM THERE ON DOWN WILL BE AUTOMATIC,
88
00:07:24,144 --> 00:07:26,478
RUN BY THE GROUND MASTER COMPUTER
89
00:07:26,480 --> 00:07:27,779
HERE IN THE FIRING ROOM.
90
00:07:27,781 --> 00:07:29,481
EXACTLY. WE DON'T HAVE
ANY PLACE TO COPY IT DOWN.
91
00:07:29,483 --> 00:07:30,715
Man:
HE'S NOT GIVING EXACT.
92
00:07:30,717 --> 00:07:32,083
HE'S JUST LOOKING
ACROSS THE FLIGHT PLAN
93
00:07:32,085 --> 00:07:33,485
TO FIND OUT
WHAT THE HELL THE TREND IS.
94
00:07:33,487 --> 00:07:36,288
WE HAVE SOME 7.6 MILLION POUNDS OF THRUST
95
00:07:36,290 --> 00:07:38,156
PUSHING THE VEHICLE UPWARD,
96
00:07:38,158 --> 00:07:42,861
A VEHICLE THAT WEIGHS CLOSE TO 6 1/2 MILLION POUNDS.
97
00:07:44,531 --> 00:07:47,165
WE ALL ARE IN THIS TOGETHER
AS A TEAM EFFORT.
98
00:07:47,167 --> 00:07:48,433
WE'RE GONNA MAKE IT WORK,
99
00:07:48,435 --> 00:07:50,335
AND I DON'T KNOW HOW
TO MAKE IT WORK.
100
00:07:50,337 --> 00:07:54,039
I DON'T KNOW HOW
TO DO MOST OF THIS MISSION,
101
00:07:54,041 --> 00:07:56,274
BUT I DO KNOW
THAT I CAN ASSURE YOU
102
00:07:56,276 --> 00:07:58,243
THAT MY PIECE OF IT
IS GONNA WORK,
103
00:07:58,245 --> 00:08:01,379
AND IT WON'T FAIL BECAUSE OF ME.
104
00:08:02,950 --> 00:08:05,517
THE MEMBERS OF THE LAUNCH TEAM, HERE IN THE CONTROL CENTER,
105
00:08:05,519 --> 00:08:08,954
MONITORING A NUMBER OF WHAT WE CALL RED-LINE VALUES.
106
00:08:08,956 --> 00:08:12,157
THESE ARE TOLERANCES WE DON'T WANT TO GO ABOVE AND BELOW
107
00:08:12,159 --> 00:08:13,792
IN TEMPERATURES AND PRESSURES.
108
00:08:13,794 --> 00:08:15,327
THEY ARE STANDING BY TO CALL OUT
109
00:08:15,329 --> 00:08:17,796
ANY DEVIATIONS FROM OUR PLANS.
110
00:08:17,798 --> 00:08:21,099
ALL INDICATIONS COMING INTO THE CONTROL CENTER
111
00:08:21,101 --> 00:08:22,634
AT THIS TIME INDICATE WE ARE AT GO.
112
00:08:22,636 --> 00:08:25,003
THE TEST SUPERVISOR NOW HAS INFORMED
113
00:08:25,005 --> 00:08:28,406
LAUNCH VEHICLE TESTING THAT YOU ARE GO FOR LAUNCH.
114
00:08:28,408 --> 00:08:31,977
3:25 AND COUNTING. WE'RE STILL GO AT THIS TIME.
115
00:08:33,680 --> 00:08:35,180
THERE'S A LONG PERIOD OF TIME
116
00:08:35,182 --> 00:08:37,382
WHERE YOU'VE DONE ALL THE THINGS
IN THE COCKPIT YOU CAN DO,
117
00:08:37,384 --> 00:08:38,984
AND THERE ARE VERY FEW THINGS
LEFT TO SAY.
118
00:08:38,986 --> 00:08:41,052
YOU DON'T KNOW
ANY NEW JOKES TO TELL.
119
00:08:41,054 --> 00:08:42,988
THERE'S JUST NOT MUCH
LEFT TO SAY
120
00:08:42,990 --> 00:08:44,155
EXCEPT JUST SIT THERE AND WAIT.
121
00:08:44,157 --> 00:08:45,724
IT FEELS GOOD.
122
00:08:45,726 --> 00:08:47,425
ASTRONAUTS REPORT "IT FEELS GOOD."
123
00:08:47,427 --> 00:08:50,328
1:25 AND COUNTING.
124
00:08:50,330 --> 00:08:51,463
OUR STATUS BOARD INDICATES
125
00:08:51,465 --> 00:08:52,931
THE THIRD STAGE COMPLETELY PRESSURIZED.
126
00:08:52,933 --> 00:08:56,434
GUIDANCE SYSTEM GOES ON INTERNAL AT 17 SECONDS,
127
00:08:56,436 --> 00:08:59,971
LEADING UP TO THE IGNITION SEQUENCE AT 8.9 SECONDS.
128
00:08:59,973 --> 00:09:01,973
POWER TRANSFER IS COMPLETE.
129
00:09:01,975 --> 00:09:05,477
[ SIREN WAILS ]
130
00:09:05,479 --> 00:09:07,913
FIRING COMMAND COMING IN NOW.
131
00:09:07,915 --> 00:09:10,715
WE ARE ON THE AUTOMATIC SEQUENCE.
132
00:09:10,717 --> 00:09:12,517
T-MINUS 60 SECONDS AND COUNTING.
133
00:09:12,519 --> 00:09:14,653
WE'RE ON INTERNAL POWER
134
00:09:14,655 --> 00:09:16,321
WITH THE LAUNCH VEHICLE AT THIS TIME.
135
00:09:16,323 --> 00:09:19,257
ALL THE SECOND-STAGE TANKS NOW PRESSURIZED.
136
00:09:19,259 --> 00:09:20,191
35 SECONDS AND COUNTING.
137
00:09:20,193 --> 00:09:21,192
Man: GO.
138
00:09:21,194 --> 00:09:24,195
IT WON'T FAIL BECAUSE OF ME.
139
00:09:24,197 --> 00:09:26,932
T-MINUS 20 SECONDS AND COUNTING.
140
00:09:26,934 --> 00:09:32,938
GUIDANCE INTERNAL. 15, 14, 13, 12, 11, 10, 9.
141
00:09:32,940 --> 00:09:39,244
ENGINES GO, 5, 4, 3, 2, LAUNCH COMMIT.
142
00:10:55,555 --> 00:10:56,721
[ BEEP ]
143
00:10:56,723 --> 00:10:57,856
Man:YAHOO!
144
00:10:57,858 --> 00:11:01,326
IT FEELS JUST LIKE IT SOUNDS.
145
00:11:03,897 --> 00:11:06,197
Man:I GOT A PITCH AND A ROLL PROGRAM,
146
00:11:06,199 --> 00:11:08,166
AND THIS BABY IS REALLY GOING.
147
00:11:08,168 --> 00:11:10,368
Man:ROGER THAT. STAND BY FOR MODE ONE BRAVO.
148
00:11:10,370 --> 00:11:13,738
MARK ONE BRAVO.
149
00:11:13,740 --> 00:11:17,409
THAT'S A LOVELY LIFTOFF. THAT'S NOT BAD AT ALL.
150
00:11:17,411 --> 00:11:19,911
Irwin: THE MOMENT THERE
JUST IS SUPREME ELATION,
151
00:11:19,913 --> 00:11:22,414
COMPLETE RELEASE OF TENSIONS,
152
00:11:22,416 --> 00:11:24,883
TO FEEL ALL THAT POWER
PRECISELY DIRECTED,
153
00:11:24,885 --> 00:11:26,618
TO KNOW THAT WE'RE ON COURSE,
154
00:11:26,620 --> 00:11:28,486
FIRST OF ALL FOR EARTH ORBIT,
155
00:11:28,488 --> 00:11:31,890
AND THEN PRECISELY INSERTED
ONTO THE RIGHT ORBIT,
156
00:11:31,892 --> 00:11:34,426
THE RIGHT TRAJECTORY,
FOR A RENDEZVOUS WITH THE MOON.
157
00:11:34,428 --> 00:11:35,727
Man:
APOLLO TO HOUSTON.
158
00:11:35,729 --> 00:11:37,662
YOU'RE RIGHT SMACK-DAB ON THE TRAJECTORY.
159
00:11:37,664 --> 00:11:40,165
YOUR I.U.'s DOING A BEAUTIFUL JOB.
160
00:11:40,167 --> 00:11:41,733
I GOT A YAW PROGRAM.
161
00:11:41,735 --> 00:11:44,169
Man:TRAJECTORY IS GOOD. THRUST IS GOOD.
162
00:11:44,171 --> 00:11:46,104
Man:WE'RE ON OUR WAY, HOUSTON.
163
00:11:46,106 --> 00:11:50,008
AT LAST, I'M LEAVING THE EARTH,
AND I'M DESTINED FOR THE MOON.
164
00:11:50,010 --> 00:11:52,744
Man:WHAT A RIDE. WHAT A RIDE.
165
00:11:52,746 --> 00:11:54,279
Man:ROGER. WE COPY, PETE.
166
00:11:56,049 --> 00:11:57,849
Man:ROGER. LOOKS GOOD UP HERE, TOO.
167
00:11:57,851 --> 00:11:59,951
ROLL'S COMPLETE.
168
00:12:01,621 --> 00:12:04,789
THIS IS REALLY A ROCKIN' AND ROLLIN' RIDE.
169
00:12:04,791 --> 00:12:09,661
Roosa: YOU CAN FEEL IT SHAKE.
THERE'S A REAL STRONG VIBRATION.
170
00:12:09,663 --> 00:12:12,130
OF COURSE, YOU'RE UP AT THE END
OF THIS BEAUTY.
171
00:12:13,767 --> 00:12:16,668
HERE YOU ARE, GOING ALONG
WITH THE "G" ON YOU.
172
00:12:16,670 --> 00:12:18,336
IT'S UP TO ABOUT 4 G's,
173
00:12:18,338 --> 00:12:20,839
BUT YOU'RE PSYCHED UP,
GOOD SHAPE, AND ALL THAT.
174
00:12:20,841 --> 00:12:24,843
EVEN LIFTING YOUR ARM
TO MOVE SWITCHES, NO PROBLEM.
175
00:12:24,845 --> 00:12:27,011
Man:APOLLO, YOU ARE GO FOR STAGING.
176
00:12:28,648 --> 00:12:30,415
HERE YOU ARE,
COMING UP ON STAGING,
177
00:12:30,417 --> 00:12:32,817
AND WHEN STAGING HAPPENS,
IT'S, LIKE, MAN!
178
00:12:43,597 --> 00:12:46,097
WE GOT SKIRT STEP.
179
00:12:50,337 --> 00:12:52,437
Man:AND THERE'S FULL IGNITION, HOUSTON.
180
00:12:52,439 --> 00:12:54,873
Man:EMISSION CONFIRMED. THRUST IS GO.
181
00:12:54,875 --> 00:12:56,107
ROGER.
182
00:12:56,109 --> 00:12:59,010
TRAJECTORY, GUIDANCE, CMC ARE ALL GO.
183
00:12:59,012 --> 00:13:00,478
THANK YOU, JOE.
184
00:13:02,082 --> 00:13:03,982
Man:HOUSTON, YOU'RE LOOKING GOOD HERE --
185
00:13:03,984 --> 00:13:05,150
RIGHT DOWN THE CENTER LINE.
186
00:13:19,199 --> 00:13:22,634
Man:THAT WAS SHUTDOWN RIGHT ON THE MONEY.
187
00:13:22,636 --> 00:13:26,504
17, HOUSTON, YOU ARE GO
FOR ORBIT -- GO FOR ORBIT.
188
00:13:26,506 --> 00:13:29,207
AND WE'RE -- WE'RE OUT OVER THE CANARIES.
189
00:13:38,118 --> 00:13:40,218
Man:APOLLO, HOUSTON. THROUGH THE CANARIES.
190
00:13:40,220 --> 00:13:41,786
HOW DO YOU READ?
191
00:13:41,788 --> 00:13:45,857
Man:YOU'RE LOUD AND CLEAR, HOUSTON, OVER THE CANARIES.
192
00:13:45,859 --> 00:13:47,625
BOY, IT'S JUST BEAUTIFUL UP HERE,
193
00:13:47,627 --> 00:13:48,827
LOOKING OUT THE WINDOW.
194
00:13:48,829 --> 00:13:51,429
IT'S JUST REALLY FANTASTIC.
195
00:13:52,632 --> 00:13:54,199
ROGER.
196
00:13:54,201 --> 00:13:56,835
Man:LET ME TELL YOU A LITTLE BIT ABOUT THE RIDE.
197
00:13:58,104 --> 00:13:59,604
UH, JOHN, THIS IS HOUSTON.
198
00:13:59,606 --> 00:14:02,307
IF THERE'S NOTHING STARTLING TO REPORT ABOUT THE RIDE,
199
00:14:02,309 --> 00:14:03,942
WE'D RATHER HOLD OFF.
200
00:14:07,013 --> 00:14:10,748
NO, THERE'S NOTHING REALLY SPECTACULARLY DIFFERENT
201
00:14:10,750 --> 00:14:12,383
TO REPORT ON THE RIDE.
202
00:14:12,385 --> 00:14:13,885
WE'LL HOLD OFF ON THAT.
203
00:14:17,424 --> 00:14:20,325
Man:THE SUNSET IS JUST AS BEAUTIFUL AS ALWAYS
204
00:14:20,327 --> 00:14:22,994
IN THIS SPACE BUSINESS.
205
00:14:22,996 --> 00:14:27,365
Mattingly:
IN AFRICA, THERE ARE A LOT
OF NOMADS OUT IN THE DESERT.
206
00:14:27,367 --> 00:14:28,533
CLEAR DESERT NIGHTS,
207
00:14:28,535 --> 00:14:30,368
YOU SEE THE FIRES
FROM ALL OF THESE,
208
00:14:30,370 --> 00:14:33,671
THESE LITTLE YELLOW DOTS
THAT REPRESENT FIRES
209
00:14:33,673 --> 00:14:35,940
FROM ALL THESE NOMADS
CAMPING OUT,
210
00:14:35,942 --> 00:14:39,577
AND YOU REALIZE THE BROAD AREA
THAT YOU'RE LOOKING AT,
211
00:14:39,579 --> 00:14:42,347
AND EACH OF THOSE LITTLE DOTS
REPRESENTED PEOPLE,
212
00:14:42,349 --> 00:14:43,848
OTHER HUMANS THAT ARE OUT THERE
213
00:14:43,850 --> 00:14:46,251
IN AN ENVIRONMENT WHICH I WOULD
CONSIDER MORE STRANGE
214
00:14:46,253 --> 00:14:49,621
THAN THE ENVIRONMENT
THEY MIGHT THINK ABOUT ME.
215
00:14:58,932 --> 00:15:01,633
Duke: WHEN YOU GET THERE
IN ORBIT, THE ENGINES SHUT DOWN,
216
00:15:01,635 --> 00:15:04,168
AND THINGS SORT OF
FEEL SORT OF FUNNY.
217
00:15:04,170 --> 00:15:06,738
AND YOU SORT OF
UNBUCKLE YOUR SEAT BELT
218
00:15:06,740 --> 00:15:09,507
AND WIGGLE AROUND
IN YOUR SEAT OR TAP YOUR TOES,
219
00:15:09,509 --> 00:15:10,675
AND ALL OF A SUDDEN
YOU'RE JUST --
220
00:15:10,677 --> 00:15:12,110
BODY IS EVERYWHERE IN THE ROOM,
221
00:15:12,112 --> 00:15:14,779
AND YOU'RE JUST DOING FLIPS
AND CARTWHEELS AND SPINS.
222
00:15:18,685 --> 00:15:22,153
Cernan: YOUR FIRST FEELINGS OF
WEIGHTLESSNESS AS IT HITS YOU
223
00:15:22,155 --> 00:15:23,254
IS LIKE GOING
DOWN A COUNTRY ROAD
224
00:15:23,256 --> 00:15:24,355
ABOUT 60 MILES AN HOUR,
225
00:15:24,357 --> 00:15:25,857
AND A CAR GOES OVER THE BUMP,
226
00:15:25,859 --> 00:15:27,492
AND YOUR STOMACH GOES UP
INTO YOUR THROAT,
227
00:15:27,494 --> 00:15:28,860
AND THEN YOU GET OVER THE BUMP,
228
00:15:28,862 --> 00:15:31,029
AND YOU GET
THAT GOOD-SENSATION FEELING,
229
00:15:31,031 --> 00:15:33,097
AND THEN -- BOOM --
YOU'RE BACK DOWN AGAIN...
230
00:15:33,099 --> 00:15:35,400
ONLY WHEN YOU'RE IN SPACE
AND YOU GO INTO WEIGHTLESSNESS,
231
00:15:35,402 --> 00:15:37,468
YOU GO OVER THAT BUMP
AND YOU NEVER COME DOWN.
232
00:15:53,086 --> 00:15:57,255
Man:
12, HOUSTON, YOUR PROGRAM ALARM WAS AN INTEGRATION PROBLEM.
233
00:15:57,257 --> 00:16:00,892
CAN YOU GIVE US A VERB 96 ENTER TO STOP YOUR INTEGRATION?
234
00:16:00,894 --> 00:16:04,162
AND WE'D LIKE YOU TO DO AN E-MOD DUMP.
235
00:16:04,164 --> 00:16:08,366
GIVE US A 3-2-1-MARK WHEN YOU DO YOUR VERB 74,
236
00:16:08,368 --> 00:16:09,968
AND IF WE GET IT DONE NOW,
237
00:16:09,970 --> 00:16:12,537
WE SHOULD HAVE AN ANSWER FOR YOU ON YOUR ERASABLE MEMORY
238
00:16:12,539 --> 00:16:15,039
BY THE TIME YOU GET TO GUAYMAS.
239
00:16:15,041 --> 00:16:17,175
DO A VERB 96 FIRST.
240
00:16:19,112 --> 00:16:21,980
Mattingly: WE HAD A GREAT DEAL
OF DIFFICULTY PAYING ATTENTION
241
00:16:21,982 --> 00:16:24,115
TO WHAT OUR JOB WAS.
242
00:16:27,354 --> 00:16:28,920
ALREADY
I WAS GETTING THE IMPRESSION
243
00:16:28,922 --> 00:16:32,056
THAT THIS IS
SUCH AN AMAZING THING
244
00:16:32,058 --> 00:16:34,125
THAT I'M GONNA
FORGET THESE THINGS.
245
00:16:35,795 --> 00:16:37,996
"I KNOW I'M GOING TO LOSE
THIS IMAGE.
246
00:16:37,998 --> 00:16:39,764
IT'S GONNA BE REPLACED
WITH ANOTHER."
247
00:16:41,735 --> 00:16:44,369
EACH IMAGE CAME UP,
WAS THERE FOR A FLASH
248
00:16:44,371 --> 00:16:48,272
TO BE APPRECIATED AND SAVORED,
AND THEN RELUCTANTLY LET GO
249
00:16:48,274 --> 00:16:52,410
BECAUSE YOU KNOW THAT IT'S GONNA
BE SUPERPOSED WITH OTHERS.
250
00:16:52,412 --> 00:16:54,379
Man:AND, HOUSTON, WE'RE BEGINNING TO SEE
251
00:16:54,381 --> 00:16:56,114
A BEAUTIFUL SUNRISE HERE.
252
00:16:58,585 --> 00:17:00,118
Man:OKAY.
253
00:17:00,120 --> 00:17:02,920
WE'RE GIVING YOU A GO FOR YOUR E.V.A. AT THIS TIME.
254
00:17:04,858 --> 00:17:05,923
OKAY.
255
00:17:05,925 --> 00:17:08,092
THE HATCH IS OPEN. NO SWEAT.
256
00:17:08,094 --> 00:17:10,661
OH, IT STAYED JUST WHERE I WANT IT.
257
00:17:32,285 --> 00:17:34,585
Man:DAVE, COME ON OUT, WHEREVER YOU ARE.
258
00:17:44,597 --> 00:17:47,532
Schweickart: WHEN YOU'RE OUTSIDE
IN ONE OF THOSE SPACE SUITS,
259
00:17:47,534 --> 00:17:49,333
YOU'RE REALLY IN SPACE.
260
00:17:49,335 --> 00:17:52,970
THERE ARE NO BOUNDARIES
TO WHAT YOU'RE SEEING.
261
00:17:52,972 --> 00:17:55,606
IT'S LIKE HAVING A GOLDFISH BOWL
OVER YOUR HEAD
262
00:17:55,608 --> 00:17:59,043
WHICH GIVES YOU
UNLIMITED VISIBILITY,
263
00:17:59,045 --> 00:18:01,045
AND THEN THE PORTABLE
LIFE-SUPPORT SYSTEM
264
00:18:01,047 --> 00:18:02,947
IS JUST VERY, VERY QUIET.
265
00:18:02,949 --> 00:18:05,450
YOU KNOW, THERE'S A WATER PUMP
IN IT THAT'S CIRCULATING WATER
266
00:18:05,452 --> 00:18:08,386
THROUGH YOUR UNDERWEAR --
YOU KNOW, COOLING WATER --
267
00:18:08,388 --> 00:18:11,722
AND THERE'S A FAN THAT'S
PUMPING THE OXYGEN THROUGH,
268
00:18:11,724 --> 00:18:13,324
BUT THEY'RE VERY QUIET.
269
00:18:13,326 --> 00:18:14,725
YOU CAN'T HEAR THEM AT ALL.
270
00:18:19,165 --> 00:18:23,134
IT'S AS IF YOU'RE OUT THERE
WITHOUT ANYTHING ON...
271
00:18:26,439 --> 00:18:28,239
HALLELUJAH.
272
00:18:28,241 --> 00:18:30,575
HALLELUJAH, HOUSTON.
273
00:18:30,577 --> 00:18:34,278
...SORT OF TOTAL COMPLETE
SILENCE AND THAT BEAUTIFUL VIEW
274
00:18:34,280 --> 00:18:36,180
AND THE REALIZATION, OF COURSE,
275
00:18:36,182 --> 00:18:38,416
THAT YOU'RE GOING
25,000 MILES AN HOUR.
276
00:18:58,371 --> 00:18:59,871
YOU RECOGNIZE
THAT YOU'RE NOT THERE
277
00:18:59,873 --> 00:19:02,106
BECAUSE YOU DESERVE TO BE THERE,
278
00:19:02,108 --> 00:19:03,908
THAT YOU WERE JUST LUCKY.
279
00:19:03,910 --> 00:19:06,677
YOU'RE THE REPRESENTATIVE
OF HUMANITY
280
00:19:06,679 --> 00:19:08,946
AT THAT POINT IN HISTORY,
281
00:19:08,948 --> 00:19:10,581
HAVING THAT EXPERIENCE,
282
00:19:10,583 --> 00:19:14,385
IN A SENSE,
FOR THE REST OF MANKIND.
283
00:19:18,424 --> 00:19:21,225
Man:THE FLIGHT DIRECTOR SAYS GET BACK IN.
284
00:19:26,933 --> 00:19:29,033
Man:
APOLLO CONTROL, HOUSTON.
285
00:19:29,035 --> 00:19:31,102
2 HOURS, 25 MINUTES GROUND ELAPSED TIME.
286
00:19:33,373 --> 00:19:34,772
IT WILL BE DURING THIS PASS
287
00:19:34,774 --> 00:19:38,442
THAT WE WILL HAVE THE TRANSLUNAR INJECTION BURN.
288
00:19:38,444 --> 00:19:40,811
Man:CAPCOM, WE'RE GO FOR T.L.I.
289
00:19:40,813 --> 00:19:41,946
ROGER.
290
00:19:41,948 --> 00:19:43,614
GUYS, I'VE GOT THE WORD
YOU WANTED TO HEAR.
291
00:19:43,616 --> 00:19:46,684
YOU ARE GO FOR T.L.I.
YOU'RE GO FOR THE MOON.
292
00:19:48,154 --> 00:19:50,922
IF THERE'S ANYTHING TO BE
A LITTLE BIT REMORSEFUL ABOUT
293
00:19:50,924 --> 00:19:52,023
ON GOING TO THE MOON,
294
00:19:52,025 --> 00:19:53,558
IT WAS THAT YOU DIDN'T
GET A CHANCE
295
00:19:53,560 --> 00:19:56,127
TO SPEND AS MUCH TIME
AROUND THE EARTH AS YOU'D LIKE,
296
00:19:56,129 --> 00:19:59,730
BECAUSE THERE'S AN AWFUL LOT OF
VERY INTERESTING THINGS TO SEE.
297
00:19:59,732 --> 00:20:04,168
Man:
3, 2, 1 -- IGNITION.
298
00:20:05,605 --> 00:20:08,839
Man:WE CONFIRM IGNITION, AND THE THRUST IS GO.
299
00:20:08,841 --> 00:20:11,609
Man:YOU GUYS ARE REALLY HAULING THE MAIL OUT OF THERE.
300
00:20:11,611 --> 00:20:13,110
Man:
OH, YOU'D BETTER BELIEVE IT.
301
00:20:13,112 --> 00:20:14,879
IT'S LIKE WE'RE CLIMBING STRAIGHT UP, JOE.
302
00:20:14,881 --> 00:20:16,013
IT'S A FANTASTIC SIGHT,
303
00:20:16,015 --> 00:20:18,416
JUST LIKE WE WERE SHOT STRAIGHT UP.
304
00:20:18,418 --> 00:20:20,851
YOU'RE GOING ABOUT 6,000 FEET A SECOND.
305
00:20:32,966 --> 00:20:37,535
Man:THEIR PRESENT ALTITUDE IS NOW ABOUT 3,000 MILES,
306
00:20:37,537 --> 00:20:41,872
THE SPACECRAFT MOVING AT NEARLY 35,000 FEET PER SECOND.
307
00:20:41,874 --> 00:20:43,608
THESE THREE CREW MEMBERS
308
00:20:43,610 --> 00:20:48,379
ARE TRAVELING FASTER THAN MAN HAS EVER FLOWN BEFORE.
309
00:20:48,381 --> 00:20:50,748
Lovell:
THERE'S NOT MUCH SENSATION
OF WHAT'S REALLY HAPPENING
310
00:20:50,750 --> 00:20:52,583
EXCEPT THAT WE'RE LOOKING
AT THE COMPUTER,
311
00:20:52,585 --> 00:20:54,652
AND THE COMPUTER
IS ADDING UP THE VELOCITY,
312
00:20:54,654 --> 00:20:58,489
AND SUDDENLY WE REALLY KNEW
THAT WE WERE REALLY TRAVELING...
313
00:20:58,491 --> 00:21:01,292
AND, SHOOT,
WHEN THAT ENGINE LIT OFF,
314
00:21:01,294 --> 00:21:03,394
IT WAS ON FOR A LONG TIME...
315
00:21:03,396 --> 00:21:05,029
Man:SHUTDOWN.
316
00:21:05,031 --> 00:21:07,832
...BUT IT REALLY HIT US
WHEN IT STOPPED,
317
00:21:07,834 --> 00:21:10,067
AND WE TURNED AROUND
AND LOOKED AT THE EARTH.
318
00:21:10,069 --> 00:21:12,570
SUDDENLY THE EARTH
HAD STARTED TO SHRINK.
319
00:21:28,321 --> 00:21:31,656
Man:
HELLO, HOUSTON. YOU'D HAVE TO SEE THIS PLANET TO BELIEVE IT.
320
00:21:35,428 --> 00:21:38,362
Man:THIS IS JUST SO THAT YOU GUYS DON'T GET TOO EXCITED
321
00:21:38,364 --> 00:21:40,531
AND FORGET WHAT YOUR JOB IS DOWN THERE.
322
00:21:40,533 --> 00:21:42,600
Man:WE'RE READY FOR WHAT WE'RE ABOUT TO RECEIVE.
323
00:21:42,602 --> 00:21:43,934
♪FLY ME TO THE MOON♪
324
00:21:43,936 --> 00:21:48,205
♪LET ME PLAY AMONG THE STARS♪
325
00:21:48,207 --> 00:21:52,043
♪LET ME SEE WHAT SPRING IS LIKE♪
326
00:21:52,045 --> 00:21:55,179
♪ON JUPITER AND MARS♪
327
00:21:55,181 --> 00:21:58,115
♪ IN OTHER WORDS
328
00:21:58,117 --> 00:22:01,485
♪ PLEASE BE TRUE
329
00:22:03,523 --> 00:22:06,490
♪ IN OTHER WORDS
330
00:22:06,492 --> 00:22:08,259
♪ I LOVE YOU
331
00:22:08,261 --> 00:22:10,394
Roosa: WE HAD A LITTLE
TAPE RECORDER ON BOARD,
332
00:22:10,396 --> 00:22:13,397
WHICH YOU COULD LISTEN TO MUSIC.
333
00:22:13,399 --> 00:22:16,067
WE WERE ALLOWED TO CARRY
A PERSONAL CASSETTE ON THERE,
334
00:22:16,069 --> 00:22:17,668
SO YOU COULD PLAY THE MUSIC.
335
00:22:17,670 --> 00:22:20,104
MINE WAS COUNTRY MUSIC.
336
00:22:20,106 --> 00:22:22,006
[ THE BUCKAROOS'
"ACT NATURALLY" PLAYS ]
337
00:22:22,008 --> 00:22:25,209
Owens: HI, THIS IS BUCK OWENS
FROM THE BUCKAROOS.
338
00:22:25,211 --> 00:22:26,610
WE CAME DOWN TO THE STUDIO,
339
00:22:26,612 --> 00:22:28,713
AND WE THOUGHT THAT WE'D PUT
TOGETHER A LITTLE THING
340
00:22:28,715 --> 00:22:31,449
THAT YOU COULD TAKE ALONG
WITH YOU ON YOUR TRIP.
341
00:22:31,451 --> 00:22:33,351
NOW, YOU KNOW,
WHEN YOU GET BACK,
342
00:22:33,353 --> 00:22:35,519
THEY'RE PROBABLY GONNA
PUT YOU IN THE MOVIES,
343
00:22:35,521 --> 00:22:37,321
SO THE FIRST THING
WE'RE GONNA DO FOR YOU
344
00:22:37,323 --> 00:22:40,825
IS TO PLAY A LITTLE SONG
CALLED "ACT NATURALLY."
345
00:22:40,827 --> 00:22:42,960
GOES LIKE THIS.
346
00:22:42,962 --> 00:22:45,763
♪ THEY'RE GONNA PUT ME
IN THE MOVIES ♪
347
00:22:47,066 --> 00:22:49,900
♪ THEY'RE GONNA MAKE
A BIG STAR OUT OF ME ♪
348
00:22:49,902 --> 00:22:54,071
♪ WELL, WE'LL MAKE A SCENE ABOUT
A MAN THAT'S SAD AND LONELY ♪
349
00:22:54,073 --> 00:22:59,310
♪ AND ALL I GOT TO DO
IS ACT NATURALLY ♪
350
00:22:59,312 --> 00:23:03,514
♪ WELL, I'LL BET YOU
I'M A-GONNA BE A BIG STAR ♪
351
00:23:03,516 --> 00:23:07,685
♪ YOU MIGHT WIN AN OSCAR,
YOU CAN'T NEVER TELL ♪
352
00:23:07,687 --> 00:23:11,555
♪ THE MOVIES ARE GONNA MAKE ME
A BIG STAR ♪
353
00:23:11,557 --> 00:23:16,660
♪ 'CAUSE I CAN PLAY
THE PART SO WELL ♪
354
00:23:16,662 --> 00:23:18,929
♪ WELL, I HOPE YOU'LL COME
TO SEE ME IN THE MOVIE ♪
355
00:23:20,733 --> 00:23:23,734
♪ AND I KNOW THAT
YOU'RE GONNA PLAINLY SEE ♪
356
00:23:23,736 --> 00:23:28,572
♪ HMM, THE BIGGEST FOOL
THAT'S EVER HIT THE BIG TIME ♪
357
00:23:28,574 --> 00:23:32,076
♪ AND ALL I GOT TO DO
IS ACT NATURALLY ♪
358
00:23:32,078 --> 00:23:33,677
BY THE WAY, GANG, YOU KNOW,
359
00:23:33,679 --> 00:23:35,813
WE'RE MAKING THIS TAPE,
AND THEY'RE GOING TO THE MOON.
360
00:23:35,815 --> 00:23:37,481
THEY'RE ON THEIR WAY
TO THE MOON RIGHT NOW.
361
00:23:37,483 --> 00:23:38,416
Man: OH.
362
00:23:38,418 --> 00:23:41,051
Man:
ANYBODY UP THERE READ ME?
363
00:23:41,053 --> 00:23:42,720
THIS IS HOUSTON.
364
00:23:42,722 --> 00:23:46,724
Roosa: YOU DON'T THINK OF IT
AS TEXAS OR THE UNITED STATES.
365
00:23:46,726 --> 00:23:48,392
YOU REALLY THINK OF IT AS EARTH.
366
00:23:48,394 --> 00:23:52,163
THE THREE THINGS
THAT I ASSOCIATED WITH EARTH
367
00:23:52,165 --> 00:23:56,801
WERE PEOPLE AND GREEN TREES
AND FRESH WATER.
368
00:24:00,473 --> 00:24:02,306
Haggard: THIS IS SOMETHING
A LITTLE DIFFERENT FOR ME.
369
00:24:02,308 --> 00:24:03,841
MY NAME IS MERLE HAGGARD,
370
00:24:03,843 --> 00:24:05,509
AND THIS IS MY BAND,
THE STRANGERS,
371
00:24:05,511 --> 00:24:08,245
AND I HOPE THAT WE WILL BE ABLE
TO DO SOMETHING
372
00:24:08,247 --> 00:24:10,214
YOU'LL ENJOY HEARING
ON YOUR WAY TO THE MOON,
373
00:24:10,216 --> 00:24:12,149
AND, OF COURSE,
WE HOPE THAT YOU COME BACK,
374
00:24:12,151 --> 00:24:15,419
BUT WE WANT YOU
TO LEAVE THIS TAPE THERE, OKAY?
375
00:24:15,421 --> 00:24:17,288
WE WANT THIS TAPE TO BE
OUT OF SIGHT. [ CHUCKLES ]
376
00:24:28,634 --> 00:24:34,472
♪ SOMEDAY
WHEN OUR DREAM WORLD FINDS US ♪
377
00:24:34,474 --> 00:24:37,308
♪ AND THESE HARD TIMES
ARE GONE ♪
378
00:24:37,310 --> 00:24:41,178
♪ WE'LL LAUGH
AND COUNT OUR BLESSINGS ♪
379
00:24:42,215 --> 00:24:45,916
♪ IN A MANSION ALL OUR OWN
380
00:24:47,320 --> 00:24:50,855
♪ IF WE BOTH PULL TOGETHER
381
00:24:52,124 --> 00:24:55,426
♪ TOMORROW'S SURE TO COME
382
00:24:56,562 --> 00:25:01,932
♪ AND SOMEDAY
WE'LL LOOK BACK AND SAY ♪
383
00:25:01,934 --> 00:25:04,635
♪ IT WAS FUN
384
00:25:04,637 --> 00:25:06,971
Roosa: WHEN YOU GET READY TO
EAT, IT'LL SAY RIGHT ON THERE,
385
00:25:06,973 --> 00:25:10,574
"COMMAND MODULE PILOT,
DAY 3, MEAL 2,"
386
00:25:10,576 --> 00:25:14,044
AND SO YOU --
YOU TAKE THAT PACKET OUT,
387
00:25:14,046 --> 00:25:16,347
AND YOU MAY HAVE TWO DRINKS
388
00:25:16,349 --> 00:25:19,783
AND THREE OR FOUR DIFFERENT
TYPES OF FOOD IN THERE.
389
00:25:19,785 --> 00:25:22,353
SO, YOU'VE GOT TO FIND
A SPOT TO STICK THESE
390
00:25:22,355 --> 00:25:24,054
OR THEY'RE GONNA FLOAT OFF,
391
00:25:24,056 --> 00:25:26,156
AND THEN YOU'VE GOT TO GET
THE WATER GUN,
392
00:25:26,158 --> 00:25:28,626
GOT TO MIX UP THE DRINKS
AND MIX UP THE FOOD
393
00:25:28,628 --> 00:25:30,461
AND KNEAD 'EM AROUND
394
00:25:30,463 --> 00:25:34,098
AND NOT LET EVERYTHING FLOAT OFF
IN THE INTERIM.
395
00:25:34,100 --> 00:25:39,036
♪ AND SOMEDAY WE'LL LOOK BACK
AND SAY ♪
396
00:25:39,038 --> 00:25:40,804
♪ IT WAS FUN
397
00:25:44,076 --> 00:25:48,679
♪ SOMEDAY
WHEN OUR DREAM WORLD FINDS US ♪
398
00:25:48,681 --> 00:25:51,348
♪ AND THESE HARD TIMES
ARE GONE ♪
399
00:25:51,350 --> 00:25:53,384
Duke: THE ONLY BAD PART
ABOUT ZERO GRAVITY IN APOLLO
400
00:25:53,386 --> 00:25:54,685
WAS GOING TO THE BATHROOM.
401
00:25:54,687 --> 00:25:57,187
WE HAD A VERY CRUDE SYSTEM.
402
00:25:57,189 --> 00:25:59,623
FOR YOUR FECES,
IT WAS A BAG,
403
00:25:59,625 --> 00:26:02,259
AND YOU'D PUT THIS BAG
IN THE RIGHT POSITION.
404
00:26:02,261 --> 00:26:04,662
SO, YOU GO,
BUT THE ONLY THING
405
00:26:04,664 --> 00:26:06,597
IS THAT NOTHING GOES
TO THE BOTTOM OF THE BAG
406
00:26:06,599 --> 00:26:08,365
IN ZERO GRAVITY.
407
00:26:08,367 --> 00:26:09,767
EVERYTHING FLOATS.
408
00:26:09,769 --> 00:26:11,168
SO YOU'VE GOT
THIS BAG,
409
00:26:11,170 --> 00:26:13,837
AND THEN THE PROBLEM
IS GETTING IT OFF
410
00:26:13,839 --> 00:26:15,873
AND CLOSING UP
THE BAG,
411
00:26:15,875 --> 00:26:18,342
MAKING SURE EVERYTHING
IS STILL IN THE BAG.
412
00:26:21,314 --> 00:26:25,149
♪ SOMEDAY WE'LL LOOK BACK
AND SAY ♪
413
00:26:25,151 --> 00:26:28,852
♪ "WE HAD A GOOD TIME ON THE WAY
TO THE MOON, DIDN'T WE?" ♪
414
00:26:33,759 --> 00:26:35,225
Man:HOUSTON, ARE YOU STILL PLANNING
415
00:26:35,227 --> 00:26:36,827
TO HAVE TV AT THE SCHEDULED TIME?
416
00:26:36,829 --> 00:26:37,995
Man:RIGHT.
417
00:26:37,997 --> 00:26:39,463
YOU CAN GO AHEAD WITH THE TV NOW.
418
00:26:39,465 --> 00:26:40,898
WE'RE STANDING BY.
419
00:26:40,900 --> 00:26:42,232
Man:HELLO, HOUSTON,
420
00:26:42,234 --> 00:26:44,868
WE'VE GOT A BEAUTIFUL VIEW OF THE EARTH HERE
421
00:26:44,870 --> 00:26:47,404
THAT IS ABSOLUTELY FANTASTIC.
422
00:26:47,406 --> 00:26:49,239
Man:WE'RE STANDING BY AT THIS TIME
423
00:26:49,241 --> 00:26:52,676
TO RECEIVE THE FIRST TELEVISION TRANSMISSION
424
00:26:52,678 --> 00:26:53,711
FROM THE SPACECRAFT.
425
00:26:55,948 --> 00:26:59,283
Man:HOUSTON, WE'RE NOW SHOWING YOU A VIEW OF THE EARTH
426
00:26:59,285 --> 00:27:01,518
THROUGH THE TELEPHOTO LENS.
427
00:27:01,520 --> 00:27:04,088
THIS TRANSMISSION IS COMING TO YOU
428
00:27:04,090 --> 00:27:07,358
APPROXIMATELY HALFWAY BETWEEN THE MOON AND THE EARTH.
429
00:27:07,360 --> 00:27:08,892
IT MAKES YOU REALIZE
430
00:27:08,894 --> 00:27:12,229
JUST WHAT YOU HAVE BACK THERE ON EARTH.
431
00:27:12,231 --> 00:27:13,530
THE EARTH, FROM HERE,
432
00:27:13,532 --> 00:27:17,134
IS A GRAND OASIS IN THE BIG VASTNESS OF SPACE.
433
00:27:21,707 --> 00:27:23,874
WHAT I KEEP IMAGINING IS,
434
00:27:23,876 --> 00:27:26,777
IF I'M SOME LONELY TRAVELER FROM ANOTHER PLANET,
435
00:27:26,779 --> 00:27:30,180
WOULD I LAND ON THE BLUE OR THE BROWN PART OF THE EARTH?
436
00:27:34,286 --> 00:27:36,320
OKAY, WORLD, HOLD ONTO YOUR HAT.
437
00:27:36,322 --> 00:27:38,188
I'M GONNA TURN YOU UPSIDE DOWN.
438
00:27:41,894 --> 00:27:44,261
Man:THE SPACECRAFT AT THE PRESENT TIME
439
00:27:44,263 --> 00:27:45,462
IS IN A SLOW ROLL
440
00:27:45,464 --> 00:27:47,865
AS PART OF THE PASSIVE THERMAL CONTROL PROGRAM
441
00:27:47,867 --> 00:27:49,500
TO MAINTAIN TEMPERATURES.
442
00:27:54,774 --> 00:27:56,507
Cernan: YOU HAVE TO
LITERALLY JUST PINCH YOURSELF
443
00:27:56,509 --> 00:27:58,709
AND ASK YOURSELF
THE QUESTION SILENTLY,
444
00:27:58,711 --> 00:28:00,144
DO YOU REALLY KNOW
WHERE YOU ARE
445
00:28:00,146 --> 00:28:02,680
AT THIS POINT IN TIME AND SPACE
446
00:28:02,682 --> 00:28:05,482
AND IN REALITY
AND IN EXISTENCE?
447
00:28:05,484 --> 00:28:07,484
WHEN YOU LOOK OUT THE WINDOW
AND YOU'RE LOOKING BACK
448
00:28:07,486 --> 00:28:09,319
AT THE MOST BEAUTIFUL STAR
IN THE HEAVENS --
449
00:28:09,321 --> 00:28:11,422
THE MOST BEAUTIFUL BECAUSE
IT'S THE ONE WE UNDERSTAND,
450
00:28:11,424 --> 00:28:13,057
AND WE KNOW IT --
IT'S HOME, IT'S HUMANITY,
451
00:28:13,059 --> 00:28:14,925
IT'S PEOPLE, FAMILY, LOVE, LIFE,
452
00:28:14,927 --> 00:28:17,027
AND BESIDES THAT,
IT IS BEAUTIFUL.
453
00:28:17,029 --> 00:28:18,462
WE CAN SEE FROM POLE TO POLE
454
00:28:18,464 --> 00:28:20,097
AND ACROSS OCEANS
AND CONTINENTS,
455
00:28:20,099 --> 00:28:21,165
AND YOU CAN WATCH IT TURN,
456
00:28:21,167 --> 00:28:23,000
AND THERE'S NO STRINGS
HOLDING IT UP,
457
00:28:23,002 --> 00:28:24,535
AND IT'S MOVING IN A BLACKNESS
458
00:28:24,537 --> 00:28:27,705
THAT IS
ALMOST BEYOND CONCEPTION.
459
00:28:31,077 --> 00:28:33,243
Man:ROG, HOW'S THAT TAPE RECORDER?
460
00:28:33,245 --> 00:28:35,512
IS THE RPM UP TO NOMINAL?
461
00:28:36,882 --> 00:28:39,416
Man:YEAH, IT WORKS PRETTY GOOD HERE IN ZERO-G.
462
00:28:39,418 --> 00:28:41,852
IT WORKS BETTER THAN IT DOES DOWN THERE ON THE GROUND.
463
00:28:48,728 --> 00:28:51,095
Man:WE'RE READY FOR THE NEWS NOW.
464
00:28:51,097 --> 00:28:52,763
OKAY. LET'S SEE.
465
00:28:52,765 --> 00:28:53,997
THE BEATLES HAVE ANNOUNCED
466
00:28:53,999 --> 00:28:56,166
THEY WILL NO LONGER PERFORM AS A GROUP.
467
00:28:56,168 --> 00:28:57,568
THE QUARTET IS REPORTED
468
00:28:57,570 --> 00:28:59,903
TO HAVE MADE IN EXCESS OF A HALF-BILLION DOLLARS
469
00:28:59,905 --> 00:29:02,039
DURING THEIR SHORT MUSICAL CAREER.
470
00:29:02,041 --> 00:29:04,608
HOWEVER, RUMORS THAT THEY WILL USE THIS MONEY
471
00:29:04,610 --> 00:29:07,544
TO START THEIR OWN SPACE PROGRAM ARE FALSE.
472
00:29:09,281 --> 00:29:11,615
Man:THAT'S ABOUT IT FOR NEWS.
473
00:29:11,617 --> 00:29:14,752
A RECAP OF HOW THE TOP 10 TEAMS DID YESTERDAY --
474
00:29:14,754 --> 00:29:18,055
OHIO STATE BEAT PURDUE, 42 TO 14.
475
00:29:18,057 --> 00:29:21,825
TEXAS BEAT TCU, 69 TO 7.
476
00:29:21,827 --> 00:29:24,461
TENNESSEE LOST TO MISSISSIPPI.
477
00:29:24,463 --> 00:29:27,564
FINAL SCORE ON THAT ONE WAS 38 TO NOTHING.
478
00:29:27,566 --> 00:29:31,502
NOTRE DAME WON OVER GEORGIA TECH LAST NIGHT, 38 TO 20,
479
00:29:31,504 --> 00:29:35,672
AND, OF COURSE, PURDUE LOST TO OHIO STATE.
480
00:29:43,149 --> 00:29:47,384
WHEN THE SUNLIGHT SHINES
THROUGH THE BLACKNESS OF SPACE,
481
00:29:47,386 --> 00:29:50,387
IT'S BLACK,
BUT I WAS IN SUNLIGHT,
482
00:29:50,389 --> 00:29:52,689
AND I WAS ABLE TO LOOK
AT THIS BLACKNESS.
483
00:29:52,691 --> 00:29:54,591
I MEAN, WHAT ARE YOU LOOKING AT?
484
00:29:54,593 --> 00:29:55,926
CALL IT THE UNIVERSE,
485
00:29:55,928 --> 00:29:58,562
BUT IT'S THE INFINITY OF SPACE
AND THE INFINITY OF TIME.
486
00:29:58,564 --> 00:30:00,798
I'M LOOKING
AT SOMETHING CALLED SPACE
487
00:30:00,800 --> 00:30:02,099
THAT HAD NO END
488
00:30:02,101 --> 00:30:06,069
AND AT TIME THAT HAS NO MEANING.
489
00:30:06,071 --> 00:30:07,905
YOU CAN REALLY FOCUS ON IT
490
00:30:07,907 --> 00:30:10,007
BECAUSE YOU'VE GOT
THIS PLANET OUT THERE,
491
00:30:10,009 --> 00:30:11,341
THIS STAR CALLED EARTH,
492
00:30:11,343 --> 00:30:13,210
WHICH ITSELF
IS IN THIS BLACKNESS,
493
00:30:13,212 --> 00:30:14,378
BUT IT IS LIT UP
494
00:30:14,380 --> 00:30:16,280
BECAUSE THE SUNLIGHT
STRIKES ON AN OBJECT,
495
00:30:16,282 --> 00:30:18,515
STRIKES ON SOMETHING
CALLED EARTH,
496
00:30:18,517 --> 00:30:20,717
AND IT'S NOT
A HOSTILE BLACKNESS.
497
00:30:20,719 --> 00:30:22,252
MAYBE IT'S NOT HOSTILE
498
00:30:22,254 --> 00:30:24,388
BECAUSE OF THE BEAUTY
OF THE EARTH
499
00:30:24,390 --> 00:30:25,923
THAT SORT OF GIVES IT LIFE.
500
00:30:35,067 --> 00:30:36,099
Mattingly:
THROUGHOUT THE FLIGHT,
501
00:30:36,101 --> 00:30:38,068
THE TIMES
WHEN ONE COULD SIT BACK
502
00:30:38,070 --> 00:30:39,169
AND REALLY APPRECIATE
503
00:30:39,171 --> 00:30:41,338
WHAT AN AMAZING ADVENTURE
THIS WAS
504
00:30:41,340 --> 00:30:44,675
WAS ONLY DURING THOSE
LITTLE PERIODS OF TIME
505
00:30:44,677 --> 00:30:46,043
WHEN YOU HAD A CHANCE
TO STOP
506
00:30:46,045 --> 00:30:48,445
AND DO THE THINGS WHICH
YOU WEREN'T PROGRAMMED TO DO.
507
00:30:48,447 --> 00:30:51,481
A LOT OF TIMES, WHEN THERE WAS
NOTHING ELSE TO DO
508
00:30:51,483 --> 00:30:54,685
OR AFTER EVERYBODY HAD GONE
TO SLEEP AND I -- I COULDN'T,
509
00:30:54,687 --> 00:30:58,288
I'D OPEN UP THE WINDOW
AND LOOK AROUND.
510
00:30:58,290 --> 00:31:01,825
ONE THING EVERY SPACECRAFT
OUGHT TO HAVE IS A HUGE WINDOW.
511
00:31:01,827 --> 00:31:04,061
LOOKING BACK
AT THE EARTH
512
00:31:04,063 --> 00:31:07,264
WAS A PASTIME THAT
I NEVER REALLY GOT TIRED OF.
513
00:31:07,266 --> 00:31:09,266
Man:WHO HAVE YOU GOT UP NOW?
514
00:31:09,268 --> 00:31:11,668
Man:THE OTHER TWO GUYS ARE PRETTY SLEEPY.
515
00:31:11,670 --> 00:31:12,970
THEY SACKED OUT AGAIN,
516
00:31:12,972 --> 00:31:15,339
SO I'M HOLDING THE FORT DOWN FOR A WHILE.
517
00:31:15,341 --> 00:31:18,575
Man:BIOMEDICAL DATA RECENTLY WAS MONITORED,
518
00:31:18,577 --> 00:31:22,646
AND THE CMP WAS SOUNDLY ASLEEP
519
00:31:22,648 --> 00:31:25,349
WHILE THE COMMANDER WAS RESTING,
520
00:31:25,351 --> 00:31:28,085
BUT PERHAPS NOT SOUNDLY ASLEEP.
521
00:31:28,087 --> 00:31:30,721
Man:WE GOT THE BLACK WATCH WATCHING YOU TONIGHT.
522
00:31:30,723 --> 00:31:33,523
Man:YOU PICKED THE MIDNIGHT SHIFT, I SEE.
523
00:31:33,525 --> 00:31:36,126
Man:YEAH, IT'S TURNING OUT TO BE KIND OF QUIET, TOO.
524
00:31:36,128 --> 00:31:38,128
WE LIKE IT THAT WAY.
525
00:31:40,566 --> 00:31:42,633
Bean: WHEN YOU'RE OUT THERE
IN THIS LITTLE COMMAND MODULE,
526
00:31:42,635 --> 00:31:45,702
YOU SEE THE RISK YOU'RE TAKING
BECAUSE YOU REALIZE
527
00:31:45,704 --> 00:31:49,473
THAT IF THE GLASS BREAKS
OR IF THE COMPUTERS QUIT WORKING
528
00:31:49,475 --> 00:31:52,142
OR THE ELECTRICAL SYSTEM
QUITS WORKING,
529
00:31:52,144 --> 00:31:53,977
YOU'RE NOT GONNA GET BACK,
530
00:31:53,979 --> 00:31:56,780
AND YOU HAVE TIME
TO CONTEMPLATE THIS.
531
00:31:56,782 --> 00:31:58,215
YOU HAVE TIME TO THINK ABOUT IT,
532
00:31:58,217 --> 00:32:00,450
AND YOU HAVE TIME
TO RUN IT THROUGH YOUR MIND
533
00:32:00,452 --> 00:32:03,086
A LOT OF DIFFERENT TIMES.
534
00:32:03,088 --> 00:32:06,657
Man:HOW FAR AWAY FROM EARTH NOW, JIM, ABOUT?
535
00:32:06,659 --> 00:32:10,894
Man:IT LOOKS LIKE YOU'RE APPROACHING 150,000 MILES.
536
00:32:12,031 --> 00:32:13,196
FRANK, WE HAD A LITTLE EGGNOG
537
00:32:13,198 --> 00:32:14,865
OVER AT CHARLIE DUKE'S TONIGHT.
538
00:32:14,867 --> 00:32:17,601
VAL ANDERS DROPPED BY. SHE'S LOOKING FINE.
539
00:32:17,603 --> 00:32:19,636
TELL BILL SHE'S DOING REAL WELL.
540
00:32:19,638 --> 00:32:22,372
ROG. THANK YOU.
541
00:32:24,043 --> 00:32:26,176
Swigert:
EVERYTHING THAT I KNOW --
542
00:32:26,178 --> 00:32:31,748
MY FAMILY AND MY POSSESSIONS,
MY FRIENDS, MY COUNTRY --
543
00:32:31,750 --> 00:32:34,217
IT'S ALL DOWN THERE
ON THAT LITTLE THING,
544
00:32:34,219 --> 00:32:37,087
AND IT'S SO INSIGNIFICANT
545
00:32:37,089 --> 00:32:40,390
IN THIS GREAT BIG VASTNESS
OF SPACE.
546
00:32:48,267 --> 00:32:49,599
Man:
HERE IN MISSION CONTROL,
547
00:32:49,601 --> 00:32:53,570
THE COFFEE CUP HAS BECOME AN APPLIANCE
548
00:32:53,572 --> 00:32:58,608
SECOND ONLY TO THE HEADSET IN USEFULNESS HERE.
549
00:33:02,014 --> 00:33:05,916
Man:LET'S, UH, CYCLE THROUGH SOME OF OUR CONSUMABLES
550
00:33:05,918 --> 00:33:08,151
AND OTHER ITEMS THIS MORNING,
551
00:33:08,153 --> 00:33:10,988
AND I'LL TELL YOU WHAT WE SEE...
552
00:33:10,990 --> 00:33:13,090
AND ALL THIS LOOKS QUITE NORMAL.
553
00:33:14,026 --> 00:33:16,793
Man:
LIGHTS, CAMERA, ACTION.
554
00:33:16,795 --> 00:33:18,362
WE'LL SHOW YOU SOME OF THE TYPE MEALS
555
00:33:18,364 --> 00:33:20,197
THAT WE HAVE ON EARTH.
556
00:33:20,199 --> 00:33:21,732
MATTER OF FACT, ON THIS FLIGHT,
557
00:33:21,734 --> 00:33:24,968
WE'VE CARRIED ALONG PIECES OF BREAD,
558
00:33:24,970 --> 00:33:31,041
AND ALONG WITH THE BREAD, WE HAVE A HAM SPREAD.
559
00:33:31,043 --> 00:33:32,843
AND I'LL SHOW YOU, I HOPE,
560
00:33:32,845 --> 00:33:37,848
HOW EASY IT IS TO SPREAD SOME HAM...
561
00:33:41,920 --> 00:33:44,154
...IN THE ENVIRONMENT OF ZERO-G.
562
00:34:13,318 --> 00:34:17,788
I THINK WE'VE DISCOVERED THAT IT IS QUITE EASY TO DO.
563
00:34:17,790 --> 00:34:19,923
Man:FRANK, YOU ALL OUGHT TO SET THIS TO MUSIC.
564
00:34:19,925 --> 00:34:21,792
OH, YOU WANT MUSIC?
565
00:34:25,064 --> 00:34:27,397
THIS LITTLE TAPE RECORDER HAS BEEN A BIG BENEFIT TO US
566
00:34:27,399 --> 00:34:29,466
IN -- IN PASSING SOME OF THE TIME AWAY
567
00:34:29,468 --> 00:34:32,135
IN OUR TRANSIT OUT TO THE MOON,
568
00:34:32,137 --> 00:34:34,304
AND IT'S RATHER ODD TO SEE IT
569
00:34:34,306 --> 00:34:37,174
FLOATING LIKE THIS IN -- INODYSSEY
570
00:34:37,176 --> 00:34:41,711
WHILE IT'S PLAYING THE THEME FROM "2001."
571
00:35:09,808 --> 00:35:12,142
Man:WE'VE -- WE'VE LOST OUR PICTURE HERE.
WHAT THE --
572
00:35:12,144 --> 00:35:14,277
Man:OKAY, HOUSTON, WE'VE HAD A PROBLEM HERE.
573
00:35:14,279 --> 00:35:17,180
I GOT THREE FUEL CELL LIGHTS, AN A.C. BUS LIGHT,
574
00:35:17,182 --> 00:35:20,383
A FUEL CELL DISCONNECT, A.C. BUS OVERLOAD, ONE AND TWO,
575
00:35:20,385 --> 00:35:22,252
MAIN BUS "A" AND "B," OUT.
576
00:35:22,254 --> 00:35:23,720
THIS IS HOUSTON. SAY AGAIN, PLEASE.
577
00:35:23,722 --> 00:35:25,622
GANG, I DON'T KNOW WHAT HAPPENED HERE.
578
00:35:25,624 --> 00:35:27,958
WE HAD EVERYTHING IN THE WORLD DROP OUT.
579
00:35:32,598 --> 00:35:35,732
Man:
WE ARE VENTING SOMETHING.
580
00:35:35,734 --> 00:35:39,169
I DON'T THINK THIS IS GONNA BE A SIMPLE PROBLEM.
581
00:35:39,171 --> 00:35:43,039
Man:WE HAVE AN APPARENT SERIOUS PROBLEM WITH A LEAK
582
00:35:43,041 --> 00:35:45,342
IN THE CRYOGENIC OXYGEN IN THE SERVICE MODULE,
583
00:35:45,344 --> 00:35:48,512
WHICH PROVIDES BREATHING OXYGEN FOR THE CREW.
584
00:35:48,514 --> 00:35:52,949
Man:APOLLO, HOUSTON. TRY SCE TO AUXILIARY, OVER.
585
00:35:52,951 --> 00:35:55,018
Man:NCE TO AUXILIARY.
586
00:35:55,020 --> 00:35:58,321
SCE -- SCE TO AUXILIARY.
587
00:36:00,325 --> 00:36:02,759
Man:OKAY, LET'S MAKE SURE THAT WE DON'T DO ANYTHING
588
00:36:02,761 --> 00:36:06,096
THAT'S GOING TO BLOW OUR CSM ELECTRICAL POWER
589
00:36:06,098 --> 00:36:07,464
WITH THE BATTERIES
590
00:36:07,466 --> 00:36:11,101
OR THAT WILL CAUSE US TO LOSE FUEL CELL NUMBER TWO.
591
00:36:12,804 --> 00:36:14,304
Man:ON PANEL 276
592
00:36:14,306 --> 00:36:16,573
UNDER INSTRUMENTATION AND POWER CONTROL,
593
00:36:16,575 --> 00:36:19,209
OPEN C.B. NUMBER THREE AND NUMBER FOUR.
594
00:36:19,211 --> 00:36:22,345
Man:CLOSE ASCENT FEED ONE AND TWO CIRCUIT BREAKERS.
595
00:36:22,347 --> 00:36:23,747
CYCLE THE PARKER VALVES,
596
00:36:23,749 --> 00:36:27,117
AND THEN OPEN THE SMC CIRCUIT BREAKERS ON PANEL 11.
597
00:36:34,393 --> 00:36:37,661
Man:HEY, IT'S OFF. IT'S OFF.
598
00:36:37,663 --> 00:36:39,462
Man:THAT SOUNDS BEAUTIFUL, TROOPS.
599
00:36:39,464 --> 00:36:42,732
THAT'S EXACTLY WHAT WE WANTED TO SEE.
600
00:36:42,734 --> 00:36:46,036
Man:CHARLIE, MY HAT'S OFF TO THE GUYS IN THE TRENCH.
601
00:36:46,038 --> 00:36:48,572
I LOVE 'EM.
602
00:36:48,574 --> 00:36:51,041
Man:AND, BY THE WAY, WELCOME TO THE MOON'S SPHERE.
603
00:36:51,043 --> 00:36:52,742
YOU'RE IN THE INFLUX.
604
00:36:58,617 --> 00:37:00,884
Bean: ONE OF THE THINGS
DIFFERENT ABOUT A LUNAR TRIP
605
00:37:00,886 --> 00:37:04,354
IS YOU DON'T PASS ANYPLACE
ON THE WAY.
606
00:37:05,591 --> 00:37:06,890
GOING TO THE MOON,
607
00:37:06,892 --> 00:37:10,093
YOU LEAVE THE LAUNCH PAD,
THEN YOU LEAVE EARTH ORBIT,
608
00:37:10,095 --> 00:37:12,762
AND THEN A COUPLE OF DAYS LATER,
AFTER PASSING NOTHING,
609
00:37:12,764 --> 00:37:15,599
ALL OF A SUDDEN,
YOU'RE AT THE MOON.
610
00:37:15,601 --> 00:37:19,202
AND THAT LACK
OF WAY POINTS, TO ME,
611
00:37:19,204 --> 00:37:21,771
HAD AN EFFECT OF MAKING IT SEEM
A LITTLE MAGICAL OR MYSTICAL
612
00:37:21,773 --> 00:37:23,440
GETTING THERE.
613
00:37:25,277 --> 00:37:27,944
Man:THIS IS REALLY A RUGGED PLANET.
614
00:37:27,946 --> 00:37:30,146
Man:WE'RE DRAWING CLOSER TO THE MOON
615
00:37:30,148 --> 00:37:32,015
WITH THE APOLLO SPACECRAFT.
616
00:37:32,017 --> 00:37:35,552
OUR L.O.S. CLOCK, OUR LOSS OF SIGNAL CLOCK,
617
00:37:35,554 --> 00:37:38,021
CONTINUES TO COUNT DOWN UNTIL THAT TIME
618
00:37:38,023 --> 00:37:41,124
THAT THE SPACECRAFT WILL PASS OUT OF COMMUNICATIONS RANGE
619
00:37:41,126 --> 00:37:43,159
OVER THE BACK SIDE OF THE MOON.
620
00:37:43,161 --> 00:37:46,596
ON APPROACH, THE SPACECRAFT JUST SORT OF DIVES
621
00:37:46,598 --> 00:37:49,299
TOWARDS AND BEHIND THE MOON.
622
00:37:52,371 --> 00:37:53,937
Collins:
IT WAS A TOTALLY DIFFERENT MOON
623
00:37:53,939 --> 00:37:56,740
THAN ANY MOON
I HAD EVER SEEN BEFORE.
624
00:37:56,742 --> 00:37:59,509
IT WAS IN THIS EERIE SHADOW.
625
00:37:59,511 --> 00:38:02,512
NO MOTION -- UTTERLY SILENT.
626
00:38:02,514 --> 00:38:05,248
IT SORT OF GAVE ONE
A FEELING OF FOREBODING.
627
00:38:05,250 --> 00:38:09,052
IT DIDN'T SEEM LIKE A VERY
FRIENDLY OR WELCOMING PLACE.
628
00:38:14,059 --> 00:38:17,193
Man:APOLLO, THIS IS HOUSTON. WE ARE GO FOR L.O.I.
629
00:38:17,195 --> 00:38:19,362
Man:GO AHEAD, HOUSTON.
630
00:38:19,364 --> 00:38:22,799
JIM, YOU ARE GO FOR THE BURN. GO FOR THE BURN.
631
00:38:24,603 --> 00:38:26,636
OKAY, APOLLO IS GO.
632
00:38:26,638 --> 00:38:29,806
Roosa: YOU'RE GOING TOO FAST
TO ORBIT THE MOON.
633
00:38:29,808 --> 00:38:31,541
YOU'RE ROCKING ON READY.
634
00:38:31,543 --> 00:38:33,777
Man:OKAY, TWO MINUTES, BABE. GIVE IT A FINAL TRIM.
635
00:38:33,779 --> 00:38:37,314
BURN TIME IS 15 SECONDS, SO IT'S GONNA GO IN A HURRY.
636
00:38:37,316 --> 00:38:41,084
YOU'RE IN THE BURN POSITION.
YOU'RE READY TO GO.
637
00:38:41,086 --> 00:38:42,986
BABY, LET'S MAKE THIS ONE.
638
00:38:42,988 --> 00:38:45,088
AND THEN YOU LOOK,
AND THERE IT IS.
639
00:38:45,090 --> 00:38:46,756
35 SECONDS.
640
00:38:46,758 --> 00:38:49,225
IT'S "2001" TYPE STUFF.
641
00:38:49,227 --> 00:38:53,897
THAT OLD MOON IS JUST GROWING
MAGNIFICENTLY FAST,
642
00:38:53,899 --> 00:38:57,300
AND IT'S JUST FILLING UP
THAT HATCH WINDOW,
643
00:38:57,302 --> 00:38:59,703
AND YOU'RE DRIFTING
INTO THE SHADOW.
644
00:38:59,705 --> 00:39:00,937
OKAY, BABY.
645
00:39:00,939 --> 00:39:06,676
8, 7, 6, 5 -- 3, 2, 1.
646
00:39:06,678 --> 00:39:07,844
BURN.
647
00:39:07,846 --> 00:39:08,978
BURN.
648
00:39:08,980 --> 00:39:11,147
Man:YOU'RE BURNING. YOU'RE BURNING.
649
00:39:11,149 --> 00:39:12,315
200 TO GO.
650
00:39:12,317 --> 00:39:14,851
OKAY. 78 TO GO.
651
00:39:14,853 --> 00:39:16,286
50 TO GO.
652
00:39:16,288 --> 00:39:19,122
20 TO GO. STANDBY, TOM.
653
00:39:19,124 --> 00:39:20,056
Man:SHUTDOWN.
654
00:39:20,058 --> 00:39:22,092
OH, BEAUTIFUL, BEAUTIFUL.
655
00:39:22,094 --> 00:39:23,626
APOLLO, HOUSTON. YOU GOT THE BURN OFF.
656
00:39:23,628 --> 00:39:25,195
WE'RE IN GOOD SHAPE.
657
00:39:25,197 --> 00:39:27,063
BOY, I TELL YOU, WE IS DOWN AMONG THEM.
658
00:39:27,065 --> 00:39:29,366
WE IS GOING BACKWARDS. YOU KNOW THAT?
659
00:39:29,368 --> 00:39:31,634
YOU'VE WORKED SO LONG
AND SO HARD,
660
00:39:31,636 --> 00:39:34,838
AND FINALLY YOU'RE HERE.
661
00:39:34,840 --> 00:39:37,707
THE BURN HAS GONE WELL.
YOU KNOW YOU'RE IN LUNAR ORBIT.
662
00:39:37,709 --> 00:39:38,942
YOU KNOW
THE ORBIT IS GOOD.
663
00:39:38,944 --> 00:39:40,744
YOU'RE RIGHT WHERE
YOU WANTED TO BE.
664
00:39:40,746 --> 00:39:42,645
I MEAN,
IT JUST LOOKED
665
00:39:42,647 --> 00:39:44,848
LIKE YOU COULD REACH OUT
AND TOUCH IT.
666
00:39:44,850 --> 00:39:48,385
Man:APOLLO NOW TRAVELING OVER THE BACK SIDE OF THE MOON.
667
00:39:48,387 --> 00:39:50,687
THE CREW SHOULD BE SEEING THE FEATURES,
668
00:39:50,689 --> 00:39:51,988
THE RUGGED FEATURES,
669
00:39:51,990 --> 00:39:55,859
MOVING BELOW THEM AT A HIGH RATE OF SPEED.
670
00:39:57,295 --> 00:39:59,662
Man:OH, CHARLIE, WE JUST SAW EARTH RISE,
671
00:39:59,664 --> 00:40:02,499
AND IT'S GOT TO BE MAGNIFICENT.
672
00:40:02,501 --> 00:40:04,000
Man:CHARLIE, IT MIGHT SOUND CORNY,
673
00:40:04,002 --> 00:40:06,770
BUT THE VIEW IS REALLY OUT-OF-THIS-WORLD.
674
00:40:14,346 --> 00:40:16,746
Man:
OKAY, DAVE, YOU OUGHT TO START GETTING YOUR HATCH CLOSED.
675
00:40:16,748 --> 00:40:17,981
SAY AGAIN?
676
00:40:17,983 --> 00:40:19,449
BETTER START GETTING YOUR HATCH CLOSED
677
00:40:19,451 --> 00:40:21,251
IF YOU'RE NOT ALREADY DOING IT.
678
00:40:21,253 --> 00:40:22,986
Gordon:
I WAS DISAPPOINTED.
679
00:40:22,988 --> 00:40:25,422
I WANTED TO GO WITH THEM SO BAD,
I COULD TASTE IT.
680
00:40:25,424 --> 00:40:27,190
AS FAR
AS I WAS CONCERNED,
681
00:40:27,192 --> 00:40:28,858
THAT WAS WHAT
IT WAS ALL ABOUT --
682
00:40:28,860 --> 00:40:30,493
NOT ONLY GOING
TO THE MOON,
683
00:40:30,495 --> 00:40:32,929
BUT GOING DOWN
TO THE SURFACE AND WALKING.
684
00:40:32,931 --> 00:40:35,398
Man:WE'RE NOW LESS THAN TWO MINUTES AWAY
685
00:40:35,400 --> 00:40:37,200
FROM THE SEPARATION BURN,
686
00:40:37,202 --> 00:40:40,069
WHICH WILL BE PERFORMED BY THE COMMAND MODULE.
687
00:40:40,071 --> 00:40:41,304
WHEN NEXT WE HEAR FROM THEM,
688
00:40:41,306 --> 00:40:43,473
THE LUNAR MODULE SHOULD BE UNDOCKED
689
00:40:43,475 --> 00:40:45,909
FROM THE COMMAND AND SERVICE MODULE.
690
00:40:53,051 --> 00:40:54,617
Man:YOU'LL NEVER KNOW HOW BIG THIS THING GETS
691
00:40:54,619 --> 00:40:56,986
WHEN THERE AIN'T NOBODY IN HERE BUT ONE GUY.
692
00:41:01,793 --> 00:41:04,527
Man:YEAH, DON'T GET LONESOME OUT THERE, JOHN.
693
00:41:04,529 --> 00:41:07,163
I WISH I COULD GO DOWN THERE
WITH 'EM.
694
00:41:07,165 --> 00:41:09,299
YOU MAY NOT TALK
ABOUT IT VERY MUCH,
695
00:41:09,301 --> 00:41:12,469
BUT PART OF YOUR TRAINING
IS COMING BACK BY YOURSELF.
696
00:41:19,144 --> 00:41:21,110
Man:SEE YOU LATER.
697
00:41:22,714 --> 00:41:25,515
I WISH THE DAMN THING
WOULD HOLD THREE PEOPLE.
698
00:43:26,271 --> 00:43:29,072
Man:IT'S GROWN QUITE QUIET HERE IN MISSION CONTROL.
699
00:43:29,074 --> 00:43:31,174
A FEW MOMENTS AGO, FLIGHT DIRECTOR GENE KRANZ
700
00:43:31,176 --> 00:43:34,711
REQUESTED THAT EVERYONE SIT DOWN,
701
00:43:34,713 --> 00:43:36,412
GET PREPARED FOR EVENTS THAT ARE COMING,
702
00:43:36,414 --> 00:43:40,316
AND HE CLOSED WITH, "GOOD LUCK TO ALL OF YOU."
703
00:43:40,318 --> 00:43:42,952
Man:IT'S GO, AND WE IS DOWN AMONG 'EM, CHARLIE!
704
00:43:42,954 --> 00:43:44,220
Man:ROGER.
705
00:43:44,222 --> 00:43:46,122
I HEAR YOU WEAVING YOUR WAY UP THE FREEWAY.
706
00:43:48,259 --> 00:43:50,426
Man:YOU'RE GOING RIGHT DOWN U.S. 1, MIKE.
707
00:43:51,963 --> 00:43:53,863
Man:ROG. COPY. LOOKS GREAT.
708
00:43:53,865 --> 00:43:56,566
Man:
OKAY, ALL FLIGHT CONTROLLERS, GO/NO GO FOR LANDING -- RETRO?
709
00:43:56,568 --> 00:43:57,400
Man:GO.
710
00:43:57,402 --> 00:43:58,234
ECON?
Man:GO.
711
00:43:58,236 --> 00:43:59,068
SURGEON?
Man:GO.
712
00:43:59,070 --> 00:43:59,969
FIDO?
Man:GO.
713
00:43:59,971 --> 00:44:00,803
GUIDANCE?
Man:GO.
714
00:44:00,805 --> 00:44:01,638
CONTROL?
Man:GO.
715
00:44:01,640 --> 00:44:02,505
TELCOM?
Man:GO.
716
00:44:02,507 --> 00:44:03,606
GNC?
Man:GO.
717
00:44:03,608 --> 00:44:05,074
CAPCOM, WE'RE GO FOR LANDING.
718
00:44:05,076 --> 00:44:07,210
Man:EAGLE, HOUSTON. YOU ARE GO FOR LANDING, OVER.
719
00:44:07,212 --> 00:44:09,278
Man:OKAY, HOUSTON, WE'LL GIVE YOU A COUNTDOWN.
720
00:44:09,280 --> 00:44:12,849
4, 3, 2, 1 -- FIRE. PITCH OVER.
721
00:44:12,851 --> 00:44:15,518
Man:THERE IT IS.
Man:OH, BABY.
722
00:44:17,322 --> 00:44:19,455
Man:WE ARE SURE COMING DOWN TO THAT DROP.
723
00:44:19,457 --> 00:44:21,424
LOOK AT THAT RILLE. THAT'S GOT TO BE --
724
00:44:21,426 --> 00:44:23,993
THAT'S GOT TO BE PROBABLY DIAMONDBACK RIGHT THERE.
725
00:44:23,995 --> 00:44:26,696
Conrad: WHEN IT PITCHES OVER
AND YOU GET YOUR FIRST LOOK,
726
00:44:26,698 --> 00:44:27,897
YOU KNOW,
THERE WAS NOTHING
727
00:44:27,899 --> 00:44:29,465
BUT NINE MILLION CRATERS
OUT THERE.
728
00:44:29,467 --> 00:44:31,000
IT WAS A TERRIBLE
SINKING FEELING.
729
00:44:31,002 --> 00:44:33,169
I OBVIOUSLY DIDN'T
RECOGNIZE A THING
730
00:44:33,171 --> 00:44:34,771
AFTER STUDYING
ALL THESE PHOTOGRAPHS.
731
00:44:34,773 --> 00:44:35,872
NOTHING LOOKED RIGHT.
732
00:44:38,009 --> 00:44:39,876
Man:
HOW YOU DOING, CONTROL?
733
00:44:39,878 --> 00:44:41,344
Man:WE LOOK GOOD HERE -- FINE.
734
00:44:41,346 --> 00:44:42,812
ALL RIGHT. HOW ABOUT YOU, TELCOM?
Man:GO.
735
00:44:42,814 --> 00:44:43,880
GUIDANCE, YOU HAPPY?
Man:GO.
736
00:44:43,882 --> 00:44:45,348
FIDO?
Man:GO.
737
00:44:45,350 --> 00:44:48,484
YOU'RE A GO. YOU'RE GO TO CONTINUE POWER DESCENT.
738
00:44:48,486 --> 00:44:50,119
YOU'RE A GO TO CONTINUE POWER DESCENT.
739
00:44:50,121 --> 00:44:51,554
Man:ROGER.
740
00:44:52,724 --> 00:44:54,190
Irwin: ALL DURING
THIS POWER DESCENT,
741
00:44:54,192 --> 00:44:56,392
I KEPT TELLING MYSELF,
"JIM, THIS IS NOT FOR REAL.
742
00:44:56,394 --> 00:44:59,062
YOU'RE BACK IN THE SIMULATOR.
JUST REMEMBER THAT."
743
00:44:59,064 --> 00:45:00,630
EAGLE, HOUSTON.
744
00:45:00,632 --> 00:45:03,199
IT'S DESCENT TWO FUEL TO MONITOR. OVER.
745
00:45:07,138 --> 00:45:08,337
Man:
EAGLE, HOUSTON.
746
00:45:08,339 --> 00:45:10,473
EVERYTHING'S LOOKING GOOD HERE. OVER.
747
00:45:19,184 --> 00:45:20,983
Man:HOUSTON, I'M GETTING A LITTLE FLUCTUATION
748
00:45:20,985 --> 00:45:23,386
IN THE A.C. VOLTAGE NOW.
749
00:45:24,489 --> 00:45:26,289
ROGER. STAND BY.
750
00:45:31,329 --> 00:45:34,564
LOOKING GOOD TO US. YOU'RE STILL LOOKING GOOD.
751
00:45:34,566 --> 00:45:37,400
Man:HOUSTON, YOU'RE LOOKING AT OUR DELTA "H."
752
00:45:37,402 --> 00:45:39,001
THAT'S AFFIRMATIVE.
753
00:45:39,003 --> 00:45:41,237
IT'S LOOKING GOOD TO US. OVER.
754
00:45:47,312 --> 00:45:50,279
EAGLE, HOUSTON. WE'LL MONITOR YOUR DELTA "H."
755
00:45:54,452 --> 00:45:58,688
SIX PLUS 2-5 THROTTLE DOWN. SIX PLUS 2-5 THROTTLE DOWN.
756
00:45:58,690 --> 00:46:01,424
ROGER. COPY. SIX PLUS 2-5.
757
00:46:01,426 --> 00:46:04,594
LET ME TRY AUTO AGAIN NOW, SEE WHAT HAPPENS.
758
00:46:04,596 --> 00:46:06,662
[ALARM BLARES]
759
00:46:06,664 --> 00:46:08,264
WE GOT DATA DROPOUT. ROGER.
760
00:46:08,266 --> 00:46:09,165
STAND BY.
761
00:46:09,167 --> 00:46:10,466
Man:
WE'RE GO ON THAT ALARM?
762
00:46:10,468 --> 00:46:11,901
Man:IF IT DOESN'T REOCCUR, WE'LL BE GO.
763
00:46:11,903 --> 00:46:13,469
WE'RE GO ON THAT ALARM.
764
00:46:13,471 --> 00:46:15,605
Man:ROGER. I UNDERSTAND. GO FOR LANDING.
765
00:46:15,607 --> 00:46:17,940
ROGER. WE GOT GOOD DATA.
766
00:46:17,942 --> 00:46:20,209
Man:ALTITUDE, VELOCITY LIGHTS?
767
00:46:20,211 --> 00:46:22,779
EAGLE, WE GOT YOU NOW. IT'S LOOKING GOOD. OVER.
768
00:46:24,182 --> 00:46:26,582
FOUR FORWARD, DRIFTING TO THE RIGHT A LITTLE.
769
00:46:26,584 --> 00:46:29,619
COMING DOWN AT 23, 21 DOWN. 33 DEGREES.
770
00:46:29,621 --> 00:46:32,722
WE'RE GO. SAME TYPE. WE'RE GO.
771
00:46:32,724 --> 00:46:34,323
PICKING UP SOME DUST.
772
00:46:34,325 --> 00:46:35,758
Man:AND A COUPLE OF BIG BOULDERS.
773
00:46:35,760 --> 00:46:36,959
COMING RIGHT. GOT A GOOD SPOT.
774
00:46:36,961 --> 00:46:39,128
NOT TOO BAD.
775
00:46:39,130 --> 00:46:40,830
HERE COMES THE SHADOW.
776
00:46:40,832 --> 00:46:42,165
OH, ARE WE COMING IN.
777
00:46:46,704 --> 00:46:49,038
Armstrong:STAND BY FOR TOUCHDOWN. STAND BY.
778
00:46:54,045 --> 00:46:54,877
MAN!
779
00:46:59,350 --> 00:47:03,619
HOUSTON, TRANQUILITY BASE HERE.
780
00:47:03,621 --> 00:47:04,887
THE EAGLE HAS LANDED.
781
00:47:04,889 --> 00:47:06,022
[ CHEERS AND APPLAUSE ]
782
00:47:08,793 --> 00:47:10,827
Man:
THERE'S A CHEER IN THIS ROOM.
783
00:47:18,102 --> 00:47:19,368
WHAT WE'RE WITNESSING NOW
784
00:47:19,370 --> 00:47:21,370
IS MAN'S VERY FIRST TRIP INTO SPACE
785
00:47:21,372 --> 00:47:23,306
WITH A STATION STOP ALONG THE ROUTE.
786
00:47:26,077 --> 00:47:28,110
WE GONNA STAY, HOUSTON?
787
00:47:30,014 --> 00:47:32,315
Man:EAGLE, YOU ARE STAY FOR T-1.
788
00:47:37,355 --> 00:47:39,789
Bean: THIS THING CAME
TO A STOP ON THE MOON.
789
00:47:39,791 --> 00:47:41,724
THERE WAS KIND OF A LETDOWN
SAYING,
790
00:47:41,726 --> 00:47:44,894
YOU KNOW, WE'RE GONNA HAVE
TO GET IT GOING FAST AGAIN
791
00:47:44,896 --> 00:47:46,596
TO GET BACK HOME.
792
00:47:53,338 --> 00:47:54,704
Man:
NEIL, THIS IS HOUSTON.
793
00:47:54,706 --> 00:47:56,639
WHAT'S YOUR STATUS ON HATCH OPENING?
794
00:47:57,876 --> 00:47:59,675
Armstrong:OKAY, HOUSTON, I'M ON THE PORCH.
795
00:48:00,979 --> 00:48:03,446
NEIL, THIS IS HOUSTON. LOUD AND CLEAR.
796
00:48:03,448 --> 00:48:07,383
RADIO CHECK AND VERIFY TV CIRCUIT BREAKER IN.
797
00:48:07,385 --> 00:48:09,685
Aldrin:ROGER. TV CIRCUIT BREAKERS IN.
798
00:48:09,687 --> 00:48:11,454
HOUSTON, ROGER.
799
00:48:11,456 --> 00:48:14,390
WE COPY, AND WE'RE STANDING BY FOR YOUR T.E.D.
800
00:48:14,392 --> 00:48:16,592
I'M GONNA PULL IT NOW.
801
00:48:18,763 --> 00:48:21,297
HOUSTON, THE MESA CAME DOWN. ALL RIGHT.
802
00:48:21,299 --> 00:48:23,266
McCandless:AND WE'RE GETTING A PICTURE ON THE TV.
803
00:48:23,268 --> 00:48:24,834
GOT A GOOD PICTURE, HUH?
804
00:48:24,836 --> 00:48:27,503
OKAY, NEIL, WE CAN SEE YOU COMING DOWN THE LADDER NOW.
805
00:48:31,242 --> 00:48:36,112
THE SURFACE APPEARS TO BE VERY, VERY FINE-GRAINED
806
00:48:36,114 --> 00:48:38,014
AS YOU GET CLOSE TO IT.
807
00:48:40,184 --> 00:48:42,251
I'M AT THE FOOT OF THE LADDER.
808
00:48:46,224 --> 00:48:48,724
I'M GONNA STEP OFF THE L.M. NOW.
809
00:48:51,396 --> 00:48:54,063
THAT'S ONE SMALL STEP FOR MAN,
810
00:48:54,065 --> 00:48:58,100
ONE GIANT LEAP FOR MANKIND.
811
00:49:01,973 --> 00:49:05,641
Conrad: I HAD A BET
WITH SOMEBODY WHO DIDN'T --
812
00:49:05,643 --> 00:49:08,544
REALLY FELT THAT NEIL
SPENT A GREAT DEAL OF TIME
813
00:49:08,546 --> 00:49:11,147
BEFORE HE WENT,
FIGURING OUT HIS FAMOUS WORDS,
814
00:49:11,149 --> 00:49:13,149
AND THEY WERE NOT
EXTEMPORANEOUS,
815
00:49:13,151 --> 00:49:15,418
ON-THE-SPOT HISTORICAL WORDS.
816
00:49:15,420 --> 00:49:17,753
HE ACTUALLY FELT
THAT THESE WORDS
817
00:49:17,755 --> 00:49:20,356
MIGHT HAVE EVEN BEEN WRITTEN
FOR NEIL BY SOMEBODY ELSE,
818
00:49:20,358 --> 00:49:23,426
AND I SAID,
"WELL, I'LL BET YOU 500 BUCKS
819
00:49:23,428 --> 00:49:26,162
"THAT WHEN I GET TO THE BOTTOM
OF THE LADDER --
820
00:49:26,164 --> 00:49:27,530
"AND NOBODY EVER REMEMBERS
821
00:49:27,532 --> 00:49:29,999
"WHAT THE SECOND PERSON
TO DO SOMETHING DOES ANYHOW --
822
00:49:30,001 --> 00:49:32,969
"I'M GONNA SAY, 'IT MAY HAVE
BEEN A SMALL STEP FOR NEIL,
823
00:49:32,971 --> 00:49:35,404
BUT IT'S A BIG STEP
FOR A LITTLE FELLA LIKE ME.'"
824
00:49:35,406 --> 00:49:37,073
Aldrin:ARE YOU READY FOR ME TO COME OUT?
825
00:49:37,075 --> 00:49:38,874
OKAY.
826
00:49:38,876 --> 00:49:42,912
I WANT TO BACK UP AND PARTIALLY CLOSE THE HATCH,
827
00:49:42,914 --> 00:49:46,582
MAKING SURE NOT TO LOCK IT ON MY WAY OUT.
828
00:49:49,087 --> 00:49:52,021
SO, THIS PERSON SAID, "AH,
NO WAY YOU'RE GONNA DO THAT.
829
00:49:52,023 --> 00:49:53,456
THEY'RE GONNA TELL YOU
WHAT TO SAY."
830
00:49:53,458 --> 00:49:55,257
OKAY.
I SAID, "OKAY, A BET'S A BET."
831
00:49:55,259 --> 00:49:57,026
SO, I BET THIS PERSON $500,
832
00:49:57,028 --> 00:50:00,629
AND WHEN I GOT TO THE BOTTOM
OF THE LADDER, I SAID...
833
00:50:00,631 --> 00:50:03,299
MAN, THAT MAY HAVE BEEN A SMALL ONE FOR NEIL,
834
00:50:03,301 --> 00:50:04,567
BUT THAT'S A LONG ONE FOR ME.
835
00:50:08,172 --> 00:50:12,141
Carr:12 HOUSTON, WE HAVE YOU IN BLUSHING BLACK AND WHITE.
836
00:50:12,143 --> 00:50:14,343
Gordon:WHAT HAPPENED TO THE COLOR?
837
00:50:14,345 --> 00:50:16,078
Man:MAYBE THE COLOR WHEEL WILL COME UP.
838
00:50:16,080 --> 00:50:19,615
Bean:I CAN FEEL THE WHEELS RUNNING
839
00:50:19,617 --> 00:50:21,484
BECAUSE I CAN FEEL SOMETHING IN MOTION INSIDE.
840
00:50:21,486 --> 00:50:24,754
Man:WHY DON'T YOU GO PUT YOUR GLOVE IN FRONT OF THE LENS?
841
00:50:24,756 --> 00:50:26,689
ALL RIGHT. WILL DO.
842
00:50:26,691 --> 00:50:29,091
THAT'S COMING IN THERE NOW, AL.
843
00:50:29,093 --> 00:50:30,726
GOT THE OLD CAMERA RUNNING.
844
00:50:30,728 --> 00:50:32,495
OKAY. WHAT CHANGE DID YOU MAKE?
845
00:50:32,497 --> 00:50:34,563
I HIT IT ON THE TOP WITH MY HAMMER.
846
00:50:35,967 --> 00:50:38,267
I FIGURED WE DIDN'T HAVE A THING TO LOSE.
847
00:50:39,170 --> 00:50:40,703
I CAN'T BELIEVE IT.
848
00:50:40,705 --> 00:50:42,371
Irwin:
OH, WOW. WATCH THIS.
849
00:50:44,942 --> 00:50:48,411
I DON'T KNOW IF THIS WILL WORK OR NOT, CHARLIE.
850
00:50:48,413 --> 00:50:51,013
WELL, IN MY LEFT HAND, I HAVE A -- A FEATHER,
851
00:50:51,015 --> 00:50:53,349
IN MY RIGHT HAND, A HAMMER,
852
00:50:53,351 --> 00:50:56,352
AND I GUESS ONE OF THE REASONS WE GOT HERE TODAY
853
00:50:56,354 --> 00:50:58,954
WAS BECAUSE OF A GENTLEMAN NAMED GALILEO A LONG TIME AGO,
854
00:50:58,956 --> 00:51:01,390
WHO MADE A RATHER SIGNIFICANT DISCOVERY
855
00:51:01,392 --> 00:51:04,193
ABOUT FALLING OBJECTS IN GRAVITY FIELDS,
856
00:51:04,195 --> 00:51:05,995
AND WE THOUGHT THAT,
857
00:51:05,997 --> 00:51:09,765
WHERE WOULD BE A BETTER PLACE TO CONFIRM HIS FINDINGS
858
00:51:09,767 --> 00:51:11,333
THAN ON THE MOON?
859
00:51:11,335 --> 00:51:15,304
AND SO WE THOUGHT WE'D TRY IT HERE FOR YOU.
860
00:51:15,306 --> 00:51:17,239
THE FEATHER HAPPENS TO BE, APPROPRIATELY,
861
00:51:17,241 --> 00:51:20,176
A FALCON FEATHER, FOR OUR FALCON,
862
00:51:20,178 --> 00:51:22,745
AND I'LL DROP THE TWO OF THEM HERE,
863
00:51:22,747 --> 00:51:25,514
AND HOPEFULLY THEY'LL HIT THE GROUND AT THE SAME TIME.
864
00:51:25,516 --> 00:51:27,516
HOW ABOUT THAT?
865
00:51:27,518 --> 00:51:30,753
THAT PROVES THAT MR. GALILEO WAS CORRECT IN HIS FINDINGS.
866
00:51:32,590 --> 00:51:35,057
Man:
WE'VE GOT A BEAUTIFUL PICTURE OF YOU GUYS UP DOWN HERE.
867
00:51:35,059 --> 00:51:36,592
LET ME TELL YOU, BOB,
868
00:51:36,594 --> 00:51:38,260
THIS FLAG IS A BEAUTIFUL PICTURE.
869
00:51:40,298 --> 00:51:41,831
Man:HEY, JOHN, THIS IS PERFECT,
870
00:51:41,833 --> 00:51:44,467
WITH THE L.M., YOU, AND -- AND THE OLD FLAG.
871
00:51:44,469 --> 00:51:47,169
WE REALLY SHOULD SET THE FLAG UP ON A HILL, CHARLIE,
872
00:51:47,171 --> 00:51:49,038
BUT THERE JUST AIN'T ONE.
873
00:51:49,040 --> 00:51:50,873
I KNOW, JOHN.
874
00:51:50,875 --> 00:51:52,975
I'LL PUT IT RIGHT HERE --
875
00:51:52,977 --> 00:51:54,810
BIG ROCK.
876
00:51:54,812 --> 00:51:58,180
Duke:
I WAS PROUD FOR OUR COUNTRY
MORE THAN I WAS PROUD FOR ME.
877
00:51:58,182 --> 00:52:00,583
AND IT WAS NOTHING THAT I DID.
878
00:52:00,585 --> 00:52:03,619
I JUST HAPPENED TO HAVE
GOTTEN THERE AT THE RIGHT TIME.
879
00:52:03,621 --> 00:52:06,088
MY BACKGROUND
CARRIED ME THROUGH.
880
00:52:06,090 --> 00:52:09,758
BUT THERE WERE A LOT OF OTHER
QUALIFIED PEOPLE THAT DIDN'T GO.
881
00:52:09,760 --> 00:52:11,961
WHY MY NAME CAME OUT,
I DON'T KNOW.
882
00:52:19,837 --> 00:52:22,071
AND WE VERY PROUDLY DEPLOY IT ON THE MOON
883
00:52:22,073 --> 00:52:24,773
TO STAY FOR AS LONG AS IT CAN,
884
00:52:24,775 --> 00:52:26,308
IN HONOR OF ALL THOSE PEOPLE
885
00:52:26,310 --> 00:52:27,910
WHO HAVE WORKED SO HARD TO PUT US HERE
886
00:52:27,912 --> 00:52:29,945
AND TO MAKE THE COUNTRY AND MANKIND
887
00:52:29,947 --> 00:52:33,048
SOMETHING DIFFERENT THAN IT WAS.
888
00:52:33,050 --> 00:52:35,918
IT WAS LIKE SITTING
IN THE LAST ROW OF THE BALCONY,
889
00:52:35,920 --> 00:52:38,854
LOOKING DOWN
ON THAT PLAY GOING ON.
890
00:52:38,856 --> 00:52:40,489
WHILE I WAS IN THE PLAY,
891
00:52:40,491 --> 00:52:43,526
IT WAS MORE LIKE
I WAS A SPECTATOR.
892
00:52:45,863 --> 00:52:47,429
Man:TRANQUILITY, THIS IS HOUSTON.
893
00:52:47,431 --> 00:52:51,634
WE'D LIKE TO SAY, FROM ALL OF US DOWN HERE IN HOUSTON,
894
00:52:51,636 --> 00:52:54,236
AND, REALLY, FROM ALL OF US
895
00:52:54,238 --> 00:52:56,739
IN ALL THE COUNTRIES IN -- IN THE ENTIRE WORLD,
896
00:52:56,741 --> 00:52:58,974
WE THINK THAT YOU'VE DONE A MAGNIFICENT JOB
897
00:52:58,976 --> 00:53:00,743
UP THERE TODAY -- OVER.
898
00:53:00,745 --> 00:53:01,911
THANK YOU VERY MUCH.
899
00:53:01,913 --> 00:53:04,180
HAVE YOU HAD ENOUGH TV FOR TODAY?
900
00:53:04,182 --> 00:53:05,481
YES, INDEED.
901
00:53:05,483 --> 00:53:07,816
IT'S BEEN A MIGHTY FINE PRESENTATION THERE.
902
00:53:07,818 --> 00:53:09,084
THANK YOU.
903
00:53:09,086 --> 00:53:10,853
COULDN'T HAVE ENJOYED IT AS MUCH AS WE DID.
904
00:53:10,855 --> 00:53:14,390
GET SOME REST THERE AND HAVE AT IT TOMORROW.
905
00:53:14,392 --> 00:53:17,193
OKAY. SIGNING OFF. SEE YOU AGAIN TOMORROW.
906
00:53:17,195 --> 00:53:20,029
Man:
ALL SYSTEMS ON THE LUNAR MODULE ARE IN GOOD ORDER.
907
00:53:20,031 --> 00:53:22,264
WE HAVE NOT HEARD FROM TRANQUILITY BASE
908
00:53:22,266 --> 00:53:24,066
SINCE SAYING GOOD NIGHT.
909
00:53:27,605 --> 00:53:30,306
Duke: MY MIND IS ONE
THAT JUST GOES CONSTANTLY,
910
00:53:30,308 --> 00:53:36,545
SO I TOOK A SLEEPING PILL,
SLEPT LIKE A BABY.
911
00:53:36,547 --> 00:53:39,081
I HAD ONE DREAM THAT --
THAT WAS VERY VIVID.
912
00:53:42,186 --> 00:53:45,721
IN MY DREAM, WE WERE DRIVING
THE ROVER UP TO THE NORTH...
913
00:53:48,326 --> 00:53:50,859
...AND YOU DIDN'T REALLY FEEL
LIKE YOU WERE OUT THERE.
914
00:53:51,829 --> 00:53:54,496
I-IT WAS UNTOUCHED.
915
00:53:54,498 --> 00:53:56,832
THE SERENITY OF IT
916
00:53:56,834 --> 00:54:00,736
HAD A PRISTINE PURITY ABOUT IT.
917
00:54:03,474 --> 00:54:05,574
WE CROSSED A HILL.
918
00:54:05,576 --> 00:54:07,676
I FELT, "GOSH,
I'VE BEEN HERE BEFORE,"
919
00:54:07,678 --> 00:54:11,614
AND THERE WAS A SET OF TRACKS
OUT IN FRONT OF US,
920
00:54:11,616 --> 00:54:15,084
AND SO WE ASKED HOUSTON
IF WE COULD FOLLOW THE TRACKS,
921
00:54:15,086 --> 00:54:18,954
AND THEY SAID YES, AND WE TURNED
AND FOLLOWED THE TRACKS.
922
00:54:22,260 --> 00:54:24,927
WITHIN AN HOUR OR SO,
WE FOUND THIS VEHICLE --
923
00:54:24,929 --> 00:54:28,564
IT LOOKED JUST LIKE THE ROVER --
WITH TWO PEOPLE IN IT.
924
00:54:28,566 --> 00:54:30,899
AND THEY LOOKED LIKE ME
AND JOHN,
925
00:54:30,901 --> 00:54:33,669
HAD BEEN THERE
FOR THOUSANDS OF YEARS.
926
00:54:55,693 --> 00:54:57,860
IT WAS NOT
A NIGHTMARE-TYPE SITUATION,
927
00:54:57,862 --> 00:54:59,728
NOTHING LIKE THAT.
928
00:54:59,730 --> 00:55:02,731
PROBABLY ONE OF THE MOST
REAL EXPERIENCES IN MY LIFE.
929
00:55:19,917 --> 00:55:21,717
Mattingly: I'D HAVE TRADED
ON THE DROP OF A HAT
930
00:55:21,719 --> 00:55:23,585
TO GO LAND ON THE MOON.
931
00:55:32,496 --> 00:55:33,862
I'M ONE OF THESE NUTS.
932
00:55:33,864 --> 00:55:36,398
I LIKE CLASSICAL MUSIC,
933
00:55:36,400 --> 00:55:39,601
AND I ALMOST LEARNED
TO LIKE COUNTRY AND WESTERN.
934
00:55:48,779 --> 00:55:50,713
ONE OF THE THINGS I TOOK
935
00:55:50,715 --> 00:55:53,182
WAS BERLIOZ'S
"SYMPHONIE FANTASTIQUE,"
936
00:55:53,184 --> 00:55:56,318
WHICH SEEMED LIKE
THAT WAS AN APPROPRIATE THING
937
00:55:56,320 --> 00:55:57,953
TO BE TAKING TO THE MOON.
938
00:56:42,967 --> 00:56:48,303
AND I WAS FLOATING ALONG, JUST
LAYING BACK AND ENJOYING LIFE.
939
00:56:48,305 --> 00:56:51,140
I HAD JUST CROSSED
THE FACE OF THE MOON,
940
00:56:51,142 --> 00:56:52,941
GOING TOWARDS THE DARKNESS.
941
00:57:08,392 --> 00:57:12,461
THEN HERE'S THIS STRANGE SCENE,
THIS MUSIC.
942
00:57:12,463 --> 00:57:15,764
AND IT JUST SEEMED TO PUT IT ALL
TOGETHER IN ONE MOMENT
943
00:57:15,766 --> 00:57:20,302
THAT YOU COULD COMPLETELY FORGET
THAT THIS IS A REAL SITUATION.
944
00:57:23,441 --> 00:57:25,107
Man:THIS IS APOLLO CONTROL HOUSTON
945
00:57:25,109 --> 00:57:28,143
AT 104 HOURS, 31 MINUTES, NOW,
946
00:57:28,145 --> 00:57:30,646
INTO THIS HISTORIC MISSION.
947
00:57:30,648 --> 00:57:32,381
Man:THE LUNAR SURFACE TEMPERATURE IN THE SUN
948
00:57:32,383 --> 00:57:34,850
SHOULD BE AROUND 135 DEGREES TODAY.
949
00:57:34,852 --> 00:57:36,185
IN THE SHADE,
950
00:57:36,187 --> 00:57:38,687
THE TEMPERATURE WOULD, AGAIN, BE ABOUT MINUS-100
951
00:57:38,689 --> 00:57:40,622
TO MINUS-150 DEGREES FAHRENHEIT.
952
00:57:40,624 --> 00:57:43,158
THAT WOULD BE IN THE SHADOW OF THE LUNAR MODULE.
953
00:57:43,160 --> 00:57:44,993
Man:AH, LOOK AT THAT!
954
00:57:44,995 --> 00:57:48,197
AH, IT'S A PANORAMIC SCENE OF BEAUTY!
955
00:57:51,735 --> 00:57:54,336
AL, CAN YOU FIND THE EARTH?
956
00:57:56,540 --> 00:57:58,407
OH, THERE IT IS. I SEE IT.
957
00:57:58,409 --> 00:58:00,776
Conrad:LOOKING AT THE EARTH DOWN THERE, HOUSTON.
958
00:58:00,778 --> 00:58:02,444
IT LOOKS LIKE YOU'RE LITTLER
959
00:58:02,446 --> 00:58:04,546
THAN A GOLF BALL AT ARM'S LENGTH NOW.
960
00:58:04,548 --> 00:58:06,715
IT SURE LOOKS PRETTY, THOUGH.
961
00:58:06,717 --> 00:58:10,152
IT REALLY LOOKS SPECTACULAR.
962
00:58:10,154 --> 00:58:14,022
Bean: IT SEEMED VERY UNREAL
TO ME TO BE THERE,
963
00:58:14,024 --> 00:58:16,258
LOOKING BACK
AT THE EARTH,
964
00:58:16,260 --> 00:58:19,528
AND THINKING
HOW FAR, FAR AWAY IT WAS.
965
00:58:19,530 --> 00:58:23,999
THIS IS THE MOON.
THAT IS THE EARTH.
966
00:58:24,001 --> 00:58:26,235
I'M REALLY HERE.
967
00:58:26,237 --> 00:58:28,303
Man:WE'RE ALLOWING ABOUT FIVE MINUTES
968
00:58:28,305 --> 00:58:29,905
FOR THE DRIVE TO STATION THREE.
969
00:58:29,907 --> 00:58:31,974
Man:OKAY. SAFETY BELTS ON.
970
00:58:31,976 --> 00:58:34,676
Man:
AND HERE WE GO.
971
00:58:34,678 --> 00:58:36,845
HOW'S THE DRIVING, JOHN -- PRETTY EASY?
972
00:58:36,847 --> 00:58:38,280
DRIVING GOOD.
973
00:58:38,282 --> 00:58:39,481
MAN, I'LL TELL YOU,
974
00:58:39,483 --> 00:58:40,883
INDY'S NEVER SEEN A DRIVER LIKE THIS --
975
00:58:40,885 --> 00:58:42,518
BARNEY OLDFIELD.
976
00:58:42,520 --> 00:58:44,353
CHARLIE, WHAT SHOULD WE BE HEADING FOR?
977
00:58:44,355 --> 00:58:45,888
THOSE CRATERS UP THERE.
978
00:58:45,890 --> 00:58:47,155
OH, DON'T TELL ME THEM.
979
00:58:47,157 --> 00:58:48,757
BOY, THIS IS SO NEAT.
980
00:58:48,759 --> 00:58:51,126
YOU LOOK LIKE YOU'RE HEADED JUST ABOUT FOR OUR SPOT.
981
00:58:51,128 --> 00:58:53,161
SEE SURVEY RIDGE DOWN THERE? YEAH.
982
00:58:53,163 --> 00:58:56,064
THIS IS GONNA BE SPECTACULAR!
983
00:58:56,901 --> 00:58:58,734
NO, NOT THROUGH THIS CRATER.
984
00:58:58,736 --> 00:59:00,602
YOW! WHOO!
985
00:59:00,604 --> 00:59:02,538
TRYING TO SEE IF YOU'RE NERVOUS, CHARLIE.
986
00:59:02,540 --> 00:59:04,740
OLD BARNEY IS REALLY DRIVING THIS BEAUTY.
987
00:59:04,742 --> 00:59:06,909
ONLY WAY TO FLY, TONY.
988
00:59:06,911 --> 00:59:09,545
AND BOY, THIS IS GONNA BE SUCH A SPECTACULAR VIEW,
989
00:59:09,547 --> 00:59:10,812
YOU CAN'T BELIEVE IT.
990
00:59:10,814 --> 00:59:13,715
Man:
WELL, THAT'S GOOD NEWS.
991
00:59:13,717 --> 00:59:17,252
WE ARE HERE! YOU -- YOU DID IT!
992
00:59:17,254 --> 00:59:20,589
HEY, THAT WAS A GOOD STOP. THOSE WHEELS JUST LOCKED.
993
00:59:20,591 --> 00:59:23,258
MARK OFF! SUPER.
994
00:59:23,260 --> 00:59:26,862
Man:JOHN, DID YOU DUST THAT TV LENS?
995
00:59:26,864 --> 00:59:29,197
Man:GET SOME DIRT IN YOUR EYE, HOUSTON?
996
00:59:29,199 --> 00:59:33,135
HEY, THAT DOES A GOOD JOB ON THE LENS THERE.
997
00:59:33,137 --> 00:59:36,705
YOU WANT US TO GO UP AND TRAVEL ALONG THAT RIDGE?
998
00:59:36,707 --> 00:59:39,174
Man:YEAH, WHY DON'T YOU PRESS ON UP THERE?
999
00:59:43,847 --> 00:59:46,181
I THINK THAT THE BEST PLACE HERE
1000
00:59:46,183 --> 00:59:51,553
FOR THE ALSEP IS TO THE L.M.'s 11:00 POSITION.
1001
00:59:51,555 --> 00:59:52,921
Man:THAT SOUNDS GOOD, CHARLIE.
1002
00:59:52,923 --> 00:59:54,957
AND, JOHN, IT'S 2-6-6.
1003
00:59:59,897 --> 01:00:01,797
Cernan: I FELT
VERY WELCOME THERE.
1004
01:00:01,799 --> 01:00:03,765
YOU KNOW,
THE MOON HAS BEEN WAITING FOR US
1005
01:00:03,767 --> 01:00:05,767
FOR THOUSANDS OF YEARS --
1006
01:00:05,769 --> 01:00:07,803
MILLIONS OF YEARS,
MAYBE --
1007
01:00:07,805 --> 01:00:09,204
UNLESS SOMEONE ELSE HAS
ALREADY BEEN THERE
1008
01:00:09,206 --> 01:00:10,639
BEFORE US AT SOME TIME.
1009
01:00:10,641 --> 01:00:14,776
THAT'S POSSIBLE, ALTHOUGH WE
DIDN'T SEE ANY EVIDENCE OF THAT.
1010
01:00:15,946 --> 01:00:17,312
I FELT LIKE
I WAS THE ONLY ONE THERE,
1011
01:00:17,314 --> 01:00:18,714
BUT NOT AN ALIEN --
1012
01:00:18,716 --> 01:00:19,881
NOT AN ALIEN
1013
01:00:19,883 --> 01:00:24,319
IN TERMS OF INVADING
SOMEONE ELSE'S DOMAIN.
1014
01:00:24,321 --> 01:00:26,321
I DIDN'T FIND
THE MOON HOSTILE OR --
1015
01:00:26,323 --> 01:00:28,757
I FOUND IT
VERY MAJESTICALLY BEAUTIFUL --
1016
01:00:28,759 --> 01:00:32,127
BLAND IN COLOR,
BUT MAJESTICALLY BEAUTIFUL.
1017
01:00:32,129 --> 01:00:36,298
Man:
BUT LOOK AT THAT GLASS-COVERED ONE RIGHT THERE, JOHN.
1018
01:00:36,300 --> 01:00:38,767
Man:PRETTY GOOD SIZE, ISN'T IT? YEAH.
1019
01:00:38,769 --> 01:00:41,169
IT LOOKS LIKE IT'S ABOUT THREE DAYS OLD,
1020
01:00:41,171 --> 01:00:43,772
THOUGH IT MUST BE ON THE ORDER OF 4 BILLION.
1021
01:00:43,774 --> 01:00:46,875
LET'S FILL THIS ONE UP, AND THEN...
1022
01:00:46,877 --> 01:00:50,345
AH, RATS!
1023
01:00:50,347 --> 01:00:53,649
BET YOU THAT LOOKS LIKE A COMEDY OF ERRORS ON THE TUBE.
1024
01:00:53,651 --> 01:00:55,150
YEAH.
1025
01:00:56,754 --> 01:00:58,553
HOLD STILL.
1026
01:00:58,555 --> 01:01:01,857
THAT IS A CRYSTALLINE ROCK
1027
01:01:01,859 --> 01:01:03,892
IF I'VE EVER SEEN A CRYSTALLINE ROCK.
1028
01:01:03,894 --> 01:01:06,128
FIRST ONE TODAY. YEAH.
1029
01:01:06,130 --> 01:01:08,697
WE GOT TO GET OVER THIS RIDGE, JOHN.
1030
01:01:08,699 --> 01:01:10,766
DO YOU WANT TO TAKE OFF AND GO THAT WAY NOW?
1031
01:01:10,768 --> 01:01:13,001
YEAH.
1032
01:01:13,003 --> 01:01:15,737
HEY, JOHN, DID YOU MAKE THOSE LITTLE FOOTPRINTS HERE
1033
01:01:15,739 --> 01:01:16,805
AROUND THIS SIDE?
1034
01:01:16,807 --> 01:01:18,940
YEAH. I GUESS I DID.
1035
01:01:18,942 --> 01:01:23,412
AH, THE OLD FOOTPRINTS ON THE CRATER RIM.
1036
01:01:23,414 --> 01:01:28,984
THERE'S A GOOD ROCK RIGHT THERE.
1037
01:01:28,986 --> 01:01:31,887
LOOK AT THE SIZE OF THAT ROCK!
1038
01:01:33,590 --> 01:01:37,159
AND I THOUGHT THIS THING WAS JUST RIGHT NEXT DOOR TO US.
1039
01:01:39,463 --> 01:01:43,598
WELL, TONY, THAT'S YOUR HOUSE ROCK RIGHT THERE.
1040
01:01:47,237 --> 01:01:51,807
IT'S GOT BLACK STREAKS COMING OUT OF IT.
1041
01:02:00,918 --> 01:02:04,386
MAN, THIS IS TOUGH GOING HERE.
1042
01:02:04,388 --> 01:02:06,488
HERE. LET ME HAVE THE SHOVEL.
1043
01:02:06,490 --> 01:02:09,858
OH, I'LL GET IT, MAN. JUST A MINUTE.
1044
01:02:09,860 --> 01:02:13,028
GOOD DEAL, BOY!
1045
01:02:13,030 --> 01:02:15,897
THERE YOU GO.
1046
01:02:15,899 --> 01:02:18,166
I CAN'T GET GOING HERE.
1047
01:02:22,072 --> 01:02:23,672
Man:OKAY, AND YOU'VE GOT ABOUT 10 MINUTES LEFT
1048
01:02:23,674 --> 01:02:26,141
BEFORE WE'LL HAVE TO LEAVE.
1049
01:02:26,143 --> 01:02:29,010
IS THAT OKAY FOR YOU? YEP. SURE IS.
1050
01:02:30,013 --> 01:02:34,149
3-3-8 IS THE SOIL SAMPLE.
1051
01:02:34,151 --> 01:02:36,418
THAT IS THE BEST SAMPLE WE GOT.
1052
01:02:36,420 --> 01:02:38,320
I KNOW IT. I'LL TELL YOU.
1053
01:02:41,725 --> 01:02:44,493
YOU JUST HAD TO STEAL TIME
NOW AND THEN.
1054
01:02:44,495 --> 01:02:46,995
YOU JUST HAD TO STOP
CHIPPING AT A ROCK
1055
01:02:46,997 --> 01:02:49,931
AND FIGURE OUT THAT
BRINGING BACK A LITTLE BIT
1056
01:02:49,933 --> 01:02:52,200
OF SOME KIND OF THOUGHT
AND FEELING
1057
01:02:52,202 --> 01:02:55,704
WAS AS IMPORTANT AS BRINGING
ANOTHER CHUNK OF ROCK BACK.
1058
01:02:55,706 --> 01:02:58,940
AND NOT BEING A MACHINE,
BUT BEING A HUMAN BEING,
1059
01:02:58,942 --> 01:03:00,308
YOU HAVE TO STOP AND SAY,
1060
01:03:00,310 --> 01:03:03,211
"DO YOU KNOW WHERE YOU ARE
AND WHAT YOU'RE LOOKING AT?"
1061
01:03:03,213 --> 01:03:07,415
AND TRY AND TAKE IN, IN THOSE
FEW MOMENTS OF PRIVACY YOU HAVE,
1062
01:03:07,417 --> 01:03:10,318
EVERYTHING THERE IS TO TAKE IN,
IN THAT MOMENT...
1063
01:03:10,320 --> 01:03:12,554
Schmitt:AND YOU'VE GOT FIVE MINUTES HERE.
1064
01:03:14,591 --> 01:03:17,125
...AND ALL OF A SUDDEN,
YOU'VE GOT TO GET TO WORK.
1065
01:03:21,365 --> 01:03:23,732
Cernan:OKAY, HOUSTON, AS I STAND OUT HERE
1066
01:03:23,734 --> 01:03:26,268
IN THE WONDERS OF THE UNKNOWN AT HADLEY,
1067
01:03:26,270 --> 01:03:30,438
I REALIZE THERE'S A FUNDAMENTAL TRUTH TO OUR NATURE --
1068
01:03:30,440 --> 01:03:33,175
MAN MUST EXPLORE.
1069
01:03:38,615 --> 01:03:40,515
ONE OF THE THINGS
YOU GOT TO STOP AND DO,
1070
01:03:40,517 --> 01:03:43,919
MAKE SURE,
IS TO HAVE FUN, TOO,
1071
01:03:43,921 --> 01:03:46,388
BECAUSE YOU'RE ONLY PROBABLY
GONNA COME THIS WAY ONCE.
1072
01:03:46,390 --> 01:03:49,991
♪I WAS STROLLING ON THE MOON ONE DAY♪
1073
01:03:51,228 --> 01:03:53,395
Both: ♪IN THE MERRY, MERRY MONTH OF♪
1074
01:03:53,397 --> 01:03:54,429
♪DECEMBER♪
1075
01:03:54,431 --> 01:03:55,964
NO -- MAY.
♪MAY♪
1076
01:03:55,966 --> 01:03:58,934
♪WHEN MUCH TO MY SURPRISE♪
1077
01:03:58,936 --> 01:04:00,869
♪A PAIR OF FUNNY EYES♪
1078
01:04:00,871 --> 01:04:02,938
♪DOO-DOO DOO-DOO DOO-DOO♪
1079
01:04:02,940 --> 01:04:05,106
Young:BOY, IS THIS A NEAT WAY TO TRAVEL.
1080
01:04:05,108 --> 01:04:06,608
Duke:
ISN'T IT GREAT?
1081
01:04:10,714 --> 01:04:13,114
I LIKE TO SKIP ALONG...
1082
01:04:13,116 --> 01:04:15,450
NOT ME, BOY.
[SCOFFS]"SKIP."
1083
01:04:15,452 --> 01:04:17,219
...OR WHATEVER YOU CALL IT.
1084
01:04:17,221 --> 01:04:19,888
I CAN'T GET MY LEFT LEG IN FRONT OF ME.
1085
01:04:31,902 --> 01:04:34,603
Duke:
IT WAS ALMOST DANGEROUS.
1086
01:04:34,605 --> 01:04:37,439
YOU LOSE SIGHT OF THE FACT
THAT IT'S A VACUUM OUT THERE,
1087
01:04:37,441 --> 01:04:39,140
AND IF YOU SPRING A LEAK
IN THAT SUIT,
1088
01:04:39,142 --> 01:04:41,176
YOU'RE GONNA BE DEAD.
1089
01:04:41,178 --> 01:04:43,578
UH-OH.
1090
01:04:51,989 --> 01:04:54,589
Man:NICE, SOFT, NAVY LANDING.
1091
01:04:54,591 --> 01:04:56,491
YAHOO!
1092
01:05:01,231 --> 01:05:03,832
Conrad:BOY, DO I LIKE TO RUN UP HERE.
1093
01:05:08,639 --> 01:05:10,972
I FEEL LIKE BUGS BUNNY. THAT'S NEAT.
1094
01:05:10,974 --> 01:05:13,808
Man:AND HERE COME THE BOBBSEY TWINS.
1095
01:05:13,810 --> 01:05:16,912
Man:YOU'RE PRETTY AGILE THERE, TWINKLE TOES.
1096
01:05:16,914 --> 01:05:19,547
I'M GOING OUT FOR THE BALLET WHEN I GET BACK.
1097
01:05:19,549 --> 01:05:21,716
YOU LEARN ANOTHER LINE OF WORK UP HERE.
1098
01:05:21,718 --> 01:05:23,218
Man:WHILE YOU'RE BOUNCING AROUND THERE,
1099
01:05:23,220 --> 01:05:26,321
YOU MIGHT KEEP AN EYE OUT FOR A NEARBY CRATER.
1100
01:05:26,323 --> 01:05:28,456
[LAUGHTER]
1101
01:05:31,228 --> 01:05:32,694
Young:AH, RATS.
1102
01:05:32,696 --> 01:05:34,796
I'VE BEEN ON MY KNEES TWICE TO GET THINGS.
1103
01:05:38,402 --> 01:05:39,401
Duke:JOHN?
1104
01:05:39,403 --> 01:05:40,669
YES, SIR?
1105
01:05:40,671 --> 01:05:42,971
YOU ARE BLACK FROM THE KNEES DOWN.
1106
01:05:44,241 --> 01:05:45,707
NO WAY TO AVOID IT.
1107
01:05:45,709 --> 01:05:48,610
THAT'S WHY I'M GLAD THE PRESSURE SUIT BENDS.
1108
01:05:48,612 --> 01:05:50,912
JOHN, YOU ARE FILTHY.
1109
01:05:50,914 --> 01:05:53,515
Man:I TELL YOU, THERE'S THE POT
1110
01:05:53,517 --> 01:05:55,450
CALLING THE KETTLE BLACK.
1111
01:05:55,452 --> 01:05:58,620
Man:HEY, HERE'S A ROCK THEY'LL BE GLAD TO SEE IN HOUSTON.
1112
01:06:00,424 --> 01:06:03,258
Young:MAN, TONY, YOU DON'T KNOW HOW MUCH FUN THIS HAS BEEN.
1113
01:06:03,260 --> 01:06:06,194
Man:
AH, WE CONCUR, JOHN.
1114
01:06:10,567 --> 01:06:12,834
Schmitt: HAVING GOTTEN AWAY
FROM THE SPACECRAFT,
1115
01:06:12,836 --> 01:06:15,070
I WAS ABLE
TO REALLY REALIZE
1116
01:06:15,072 --> 01:06:18,239
WHAT THIS PLACE WAS LIKE
THAT WE HAD LANDED IN.
1117
01:06:20,544 --> 01:06:23,812
I HAD TRIED TO ANTICIPATE
WHAT IT WOULD BE LIKE
1118
01:06:23,814 --> 01:06:25,613
FOR MANY YEARS,
1119
01:06:25,615 --> 01:06:27,615
BUT IT WAS OBVIOUS
THAT THERE WAS NO WAY
1120
01:06:27,617 --> 01:06:30,518
ONE COULD HAVE ANTICIPATED
WHAT IT WOULD BE LIKE
1121
01:06:30,520 --> 01:06:33,154
TO STAND IN THE VALLEY
OF TAURUS LITTORAL,
1122
01:06:33,156 --> 01:06:34,990
A PLACE DEEPER
THAN THE GRAND CANYON
1123
01:06:34,992 --> 01:06:36,858
AND EQUALLY
AS SPECTACULAR,
1124
01:06:36,860 --> 01:06:39,861
AND SEE THIS BRILLIANTLY
ILLUMINATED LANDSCAPE
1125
01:06:39,863 --> 01:06:43,865
WITH A BRIGHTER SUN THAN ANYONE
HAD EVER STOOD IN BEFORE,
1126
01:06:43,867 --> 01:06:47,102
WITH A BLACKER-THAN-BLACK SKY,
1127
01:06:47,104 --> 01:06:49,104
AND THEN TO TOP
THE WHOLE SCENE OFF,
1128
01:06:49,106 --> 01:06:50,839
IN THIS
BLACKER-THAN-BLACK SKY
1129
01:06:50,841 --> 01:06:54,542
WAS A BEAUTIFUL, BRILLIANTLY
ILLUMINATED BLUE MARBLE
1130
01:06:54,544 --> 01:06:56,678
THAT WE CALL
THE EARTH.
1131
01:06:56,680 --> 01:07:00,749
THE PATH OF EVOLUTION IS NOW
IN SPACE AS MUCH AS ON EARTH.
1132
01:07:02,085 --> 01:07:05,653
MAN HAS SHOWN
THAT AS A SPECIES,
1133
01:07:05,655 --> 01:07:08,556
MANKIND WAS WILLING
TO COMMIT ITSELF
1134
01:07:08,558 --> 01:07:12,460
TO LIVING IN ENVIRONMENTS
THAT WERE COMPLETELY DIFFERENT
1135
01:07:12,462 --> 01:07:15,897
THAN THOSE IN WHICH
THE SPECIES EVOLVED --
1136
01:07:15,899 --> 01:07:18,700
PUT A SHIELD OF LIFE
AROUND OURSELVES
1137
01:07:18,702 --> 01:07:21,403
IN ORDER TO PROTECT
THE LIFE WITHIN,
1138
01:07:21,405 --> 01:07:23,872
BUT THE WILLINGNESS
TO GO OUT THERE IS THERE.
1139
01:07:23,874 --> 01:07:25,540
WE'VE SHOWN THAT.
1140
01:07:25,542 --> 01:07:29,010
THE CURVE OF HUMAN EVOLUTION
HAS BEEN BENT.
1141
01:07:29,012 --> 01:07:31,579
Man:OKAY, AND IT'S TIME TO LOAD UP RIGHT NOW.
1142
01:07:31,581 --> 01:07:34,382
Man:OKAY, WE'RE UNDERWAY AGAIN, TONY.
1143
01:07:34,384 --> 01:07:37,018
OKAY, WE'D LIKE YOU TO DRIVE GINGERLY
1144
01:07:37,020 --> 01:07:39,220
UP TO THE ALSEP AREA THERE.
1145
01:07:39,222 --> 01:07:41,456
OKAY. WE'LL GO ON UP.
1146
01:07:41,458 --> 01:07:42,791
Young:
WANT TO GO RIGHT OR LEFT?
1147
01:07:42,793 --> 01:07:45,026
WE WANT TO HEAD -- JUST KEEP GOING WEST.
1148
01:07:45,028 --> 01:07:47,195
OH, I'M SORRY, HOOK A LEFT.
1149
01:07:47,197 --> 01:07:50,398
GOT TO EXPECT TROUBLE FROM BACKSEAT DRIVERS.
1150
01:07:50,400 --> 01:07:51,766
YEAH, WE COPY THAT, JOHN.
1151
01:07:51,768 --> 01:07:52,967
LOOK AT THIS BABY.
1152
01:07:52,969 --> 01:07:55,203
I'M REALLY GETTING CONFIDENCE IN IT NOW.
1153
01:07:55,205 --> 01:07:57,072
Man:HIS BACK WHEEL IS OFF THE GROUND!
1154
01:07:57,074 --> 01:07:59,274
Man:CHARLIE, WHATEVER YOU DO, DON'T HIT THAT BRAKE.
1155
01:07:59,276 --> 01:08:01,843
Man:THE GRAND PRIX DRIVER'S AT IT AGAIN.
1156
01:08:01,845 --> 01:08:04,045
Young:THIS IS ABOUT THE NEATEST THING I EVER SAW.
1157
01:08:04,047 --> 01:08:06,114
Duke:IT'S BACK TO THE L.M., RIGHT, TONY?
1158
01:08:06,116 --> 01:08:07,849
Man:
YOU BET YOUR LIFE.
1159
01:08:07,851 --> 01:08:09,551
Man:AND YOU'RE WELL AHEAD ON THE TIMELINE.
1160
01:08:09,553 --> 01:08:11,319
YOU'VE BEEN MAKING GOOD TIME.
1161
01:08:11,321 --> 01:08:13,455
WE MUST'VE FORGOTTEN SOMETHING, SURELY.
1162
01:08:13,457 --> 01:08:15,924
THAT'S ALL I GOT TO SAY.
Duke:
NO, EVERYTHING IS RUNNING.
1163
01:08:15,926 --> 01:08:18,526
WE'RE JUST ABOUT TO START UPSLOPE HERE.
1164
01:08:18,528 --> 01:08:19,894
HAVE WE BEEN CLIMBING, JOHN?
1165
01:08:19,896 --> 01:08:22,430
LOOK AT THAT PITCH METER.
1166
01:08:22,432 --> 01:08:23,898
IT'S PEGGED OUT HIGH.
1167
01:08:23,900 --> 01:08:25,733
YEAH, WE HAVE BEEN CLIMBING.
1168
01:08:25,735 --> 01:08:27,569
TONY, WE'VE REALLY BEEN -- WE REALLY --
1169
01:08:27,571 --> 01:08:29,304
IT DOESN'T FEEL LIKE WE'RE CLIMBING,
1170
01:08:29,306 --> 01:08:32,073
BUT WE'VE BEEN CLIMBING FOR QUITE A WHILE HERE.
1171
01:08:32,075 --> 01:08:35,243
YEAH, WE'RE GOING UP A STEEP, STEEP SLOPE, JOHN,
1172
01:08:35,245 --> 01:08:36,811
I'LL TELL YOU.
1173
01:08:36,813 --> 01:08:38,746
LOOK AT THAT, CHARLIE.
1174
01:08:38,748 --> 01:08:40,448
I DON'T SEE. WHAT? WHAT? WHAT?
1175
01:08:40,450 --> 01:08:42,150
WELL, I'LL BE DOGGONE.
1176
01:08:42,152 --> 01:08:43,785
LOOK AT THAT!
1177
01:08:43,787 --> 01:08:46,254
CHARLIE, YOU SAID YOU WERE GONNA SEE SOME OTHER TRACKS
1178
01:08:46,256 --> 01:08:47,322
ON THE MOON.
1179
01:08:47,324 --> 01:08:49,324
I KNEW IT.
[LAUGHS]
1180
01:08:49,326 --> 01:08:52,760
OKAY. WE'RE GOING BACK DOWN OUR TRACKS, TONY.
1181
01:08:52,762 --> 01:08:55,497
Man:
OKAY, GOOD SHOW.
1182
01:08:55,499 --> 01:08:57,899
THERE SHE IS, JOHN.
1183
01:08:57,901 --> 01:09:00,368
SOMEBODY UP THERE LIKES US.
1184
01:09:00,370 --> 01:09:03,404
DON'T RUN INTO OUR HOME.
[CHUCKLES]
1185
01:09:07,711 --> 01:09:09,911
Irwin:
I FELT LIKE I WAS AN ALIEN
1186
01:09:09,913 --> 01:09:11,479
AS I TRAVELED THROUGH SPACE,
1187
01:09:11,481 --> 01:09:16,017
BUT WHEN I GOT ON THE MOON,
I DIDN'T FEEL THAT AT ALL.
1188
01:09:16,019 --> 01:09:17,552
I FELT AT HOME THERE,
1189
01:09:17,554 --> 01:09:20,588
EVEN THOUGH THE EARTH
WAS A LONG WAYS AWAY.
1190
01:09:20,590 --> 01:09:24,726
WE COULD SEE IT DIRECTLY ABOVE,
ABOUT THE SIZE OF A MARBLE,
1191
01:09:24,728 --> 01:09:29,464
AND REALIZED THAT WE WERE THERE
BUT BY THE GRACE OF GOD.
1192
01:09:30,934 --> 01:09:33,401
I FELT LIKE I WAS
AT THE END OF A THIN CORD
1193
01:09:33,403 --> 01:09:36,571
THAT -- THAT COULD BE CUT
AT ANY TIME.
1194
01:09:36,573 --> 01:09:40,275
IT WAS PRECARIOUS,
BUT YET I FELT COMFORTABLE.
1195
01:09:44,581 --> 01:09:49,317
I FELT SOMETHING OTHER THAN
JUST WHAT WE CAN VISUALLY SENSE.
1196
01:09:51,354 --> 01:09:53,922
A SPIRITUAL PRESENCE WAS THERE.
1197
01:09:56,993 --> 01:09:58,993
PERHAPS IT WAS BECAUSE
SO MANY PEOPLE ON THE EARTH
1198
01:09:58,995 --> 01:10:01,696
WERE FOCUSING THEIR ATTENTION.
1199
01:10:01,698 --> 01:10:04,866
THEY WERE MAYBE SENDING SIGNALS
TO US SOMEHOW.
1200
01:10:07,737 --> 01:10:09,938
I SENSED, I GUESS IN A WAY,
1201
01:10:09,940 --> 01:10:15,677
MUCH LIKE MAYBE THE FIRST MAN
ON THE EARTH WOULD HAVE SENSED,
1202
01:10:15,679 --> 01:10:18,613
LIKE ADAM OR PERHAPS EVE
1203
01:10:18,615 --> 01:10:20,248
AS THEY WERE STANDING
ON THE EARTH,
1204
01:10:20,250 --> 01:10:22,016
AND THEY REALIZED
THEY WERE ALL ALONE.
1205
01:10:22,018 --> 01:10:23,952
THERE WAS NO ONE ELSE
ON THE EARTH,
1206
01:10:23,954 --> 01:10:27,922
BUT YET THEY HAD
THAT SPECIAL COMMUNICATION,
1207
01:10:27,924 --> 01:10:30,625
AND I GUESS IT WAS SIMILAR
TO THE FEELING I HAD
1208
01:10:30,627 --> 01:10:32,860
WHEN I REALIZED
THAT DAVE SCOTT AND I
1209
01:10:32,862 --> 01:10:36,197
WERE THE ONLY TWO
ON THIS VAST PLANET,
1210
01:10:36,199 --> 01:10:37,799
ANOTHER WORLD.
1211
01:10:37,801 --> 01:10:39,200
WE WERE THE ONLY TWO THERE.
1212
01:10:40,337 --> 01:10:42,637
WE FELT AN UNSEEN LOVE.
1213
01:10:45,208 --> 01:10:47,141
WE WERE NOT ALONE.
1214
01:10:55,952 --> 01:10:57,485
Duke:HI, BIG GUY.
1215
01:10:57,487 --> 01:10:59,153
Man:
HI, THERE, CHARLIE.
1216
01:11:17,641 --> 01:11:20,341
Cernan:BOB, THIS IS GENE, AND I'M ON THE SURFACE,
1217
01:11:20,343 --> 01:11:23,444
AND AS I TAKE MAN'S LAST STEPS FROM THE SURFACE,
1218
01:11:23,446 --> 01:11:26,047
IN EVERLASTING COMMEMORATION
1219
01:11:26,049 --> 01:11:29,784
OF WHAT THE REAL MEANING OF APOLLO IS TO THE WORLD,
1220
01:11:29,786 --> 01:11:32,086
WE'D LIKE TO UNCOVER A PLAQUE
1221
01:11:32,088 --> 01:11:34,656
THAT HAS BEEN ON THE LEG OF OUR SPACECRAFT
1222
01:11:34,658 --> 01:11:37,859
THAT WE HAVE CLIMBED DOWN MANY TIMES
1223
01:11:37,861 --> 01:11:40,094
OVER THE LAST THREE DAYS.
1224
01:11:49,205 --> 01:11:52,273
THE WORDS ARE, "HERE MAN COMPLETED
1225
01:11:52,275 --> 01:11:55,376
"HIS FIRST EXPLORATION OF THE MOON.
1226
01:11:55,378 --> 01:11:59,247
"MAY THE SPIRIT OF PEACE IN WHICH WE CAME
1227
01:11:59,249 --> 01:12:05,820
BE REFLECTED IN THE LIVES OF ALL MANKIND."
1228
01:12:15,498 --> 01:12:20,635
Man:SOME 7:22 AWAY FROM IGNITION ON THE L.M. ASCENT
1229
01:12:20,637 --> 01:12:22,737
BACK INTO LUNAR ORBIT.
1230
01:12:22,739 --> 01:12:25,139
CAPCOM?
1231
01:12:25,141 --> 01:12:25,973
ECON?
1232
01:12:25,975 --> 01:12:28,242
SURGEON? GNC?
1233
01:12:28,244 --> 01:12:29,010
GUIDANCE, YOU HAPPY?
Man:GO.
1234
01:12:29,012 --> 01:12:29,777
FIDO?
Man:GO.
1235
01:12:29,779 --> 01:12:31,179
AFD?
1236
01:12:31,181 --> 01:12:32,413
OH, WE DON'T HAVE AN AFD.
1237
01:12:32,415 --> 01:12:33,648
FAO?
1238
01:12:33,650 --> 01:12:35,416
NETWORK?
1239
01:12:35,418 --> 01:12:36,684
RECOVERY?
1240
01:12:36,686 --> 01:12:38,786
CAPCOM,
WE'RE GO FOR LIFTOFF.
1241
01:12:38,788 --> 01:12:41,055
Man:TRANQUILITY BASE, HOUSTON.
1242
01:12:41,057 --> 01:12:42,857
YOU'RE CLEARED FOR TAKEOFF.
1243
01:12:42,859 --> 01:12:46,527
Man:ROGER. UNDERSTAND. WE'RE NUMBER ONE ON THE RUNWAY.
1244
01:12:48,231 --> 01:12:49,664
Irwin:
THE MOONISDIFFERENT.
1245
01:12:49,666 --> 01:12:53,101
IT'S BECOME MAN'S FIRST OUTPOST,
1246
01:12:53,103 --> 01:12:57,105
OUR FIRST FOOTSTEP IN SPACE...
1247
01:12:57,107 --> 01:12:58,940
WHERE MAN WAS ABLE
TO LOOK BACK AT THE EARTH
1248
01:12:58,942 --> 01:13:00,208
AND SEE THE EARTH
1249
01:13:00,210 --> 01:13:03,111
AND SEE HIMSELF
IN A DIFFERENT PERSPECTIVE.
1250
01:13:04,681 --> 01:13:07,582
6, 5, 4,
1251
01:13:07,584 --> 01:13:10,785
3, 2, 1...
1252
01:13:10,787 --> 01:13:11,786
IGNITION.
1253
01:13:21,264 --> 01:13:25,199
Cernan:
AS YOU LEAVE, YOU'RE LEAVING
THIS UNBELIEVABLY BEAUTIFUL,
1254
01:13:25,201 --> 01:13:29,637
NAKED, CHARCOAL BALL
OUT THERE IN SPACE,
1255
01:13:29,639 --> 01:13:31,939
AND YOU'VE BEEN
AROUND THE MOON.
1256
01:13:31,941 --> 01:13:33,207
YOU'VE BEEN ON IT.
1257
01:13:33,209 --> 01:13:34,542
YOU'RE SEEING SOMETHING
THAT'S FAMILIAR TO YOU.
1258
01:13:34,544 --> 01:13:35,877
THAT'S HOME.
THAT'S WHERE WE LIVED.
1259
01:13:35,879 --> 01:13:37,612
THERE'S WHERE WE LEFT
THE -- THE LUNAR ROVER,
1260
01:13:37,614 --> 01:13:38,679
AND THERE'S WHERE WE EXPLORED,
1261
01:13:38,681 --> 01:13:40,114
AND THERE'S THE MOUNTAINS
AND THE VALLEYS.
1262
01:13:40,116 --> 01:13:41,315
AND IT IS, IN A SENSE --
1263
01:13:41,317 --> 01:13:44,452
HAS BEEN A HOME,
A LIFE-SUSTAINING HOME FOR YOU,
1264
01:13:44,454 --> 01:13:46,654
AND WHEN YOU LEAVE IT
AND YOU SEE THOSE THINGS,
1265
01:13:46,656 --> 01:13:49,624
YOU LEAVE IT WITH THE SAME KIND
OF FEELING AND AWE
1266
01:13:49,626 --> 01:13:52,794
THAT YOU LEFT THE EARTH WITH
SEVERAL DAYS EARLIER.
1267
01:14:36,806 --> 01:14:38,906
Bean: WHEN WE WERE
ABOUT 30 MINUTES
1268
01:14:38,908 --> 01:14:40,842
FROM RENDEZVOUS
WITH THE COMMAND MODULE,
1269
01:14:40,844 --> 01:14:44,111
PETE SAID TO ME,
"YOU WANT TO FLY THIS THING?"
1270
01:14:44,113 --> 01:14:47,215
AND I SAID, "WELL, YEAH,
I'D LIKE TO FLY."
1271
01:14:47,217 --> 01:14:49,250
AS I TOOK THE CONTROLS,
I SAID, "WELL, WAIT A MINUTE.
1272
01:14:49,252 --> 01:14:51,419
"THE PEOPLE ON EARTH
IN MISSION CONTROL
1273
01:14:51,421 --> 01:14:52,954
AREN'T GONNA LIKE THIS,"
1274
01:14:52,956 --> 01:14:55,156
AND TO SHOW HOW HE THINKS
ABOUT THINGS,
1275
01:14:55,158 --> 01:14:57,124
HE SAID,
"DON'T WORRY ABOUT IT.
1276
01:14:57,126 --> 01:14:58,559
"WE'RE ON THE BACK SIDE
OF THE MOON.
1277
01:14:58,561 --> 01:15:00,027
THEY'LL NEVER KNOW."
1278
01:15:48,845 --> 01:15:51,112
Man:EAGLE, HOUSTON. YOU'RE LOOKING GOOD TO US.
1279
01:15:51,114 --> 01:15:52,413
Man:ROGER, HOUSTON.
1280
01:15:52,415 --> 01:15:55,216
WE ARE RETURNING TO THE EARTH. OVER.
1281
01:15:55,218 --> 01:15:57,285
GLAD TO HAVE YOU ON THE WAY BACK HOME.
1282
01:15:59,822 --> 01:16:01,756
Man:I THINK I MUST HAVE THE FEELING
1283
01:16:01,758 --> 01:16:04,358
THAT THE TRAVELLERS ON THE OLD SAILING SHIPS
1284
01:16:04,360 --> 01:16:05,860
USED TO HAVE.
1285
01:16:05,862 --> 01:16:08,029
WE'VE GONE ON A VERY LONG VOYAGE AWAY FROM HOME,
1286
01:16:08,031 --> 01:16:10,164
AND NOW WE'RE HEADED BACK.
1287
01:16:17,874 --> 01:16:21,676
I HAVE THAT FEELING OF BEING PROUD OF THE TRIP BUT STILL --
1288
01:16:21,678 --> 01:16:23,611
STILL HAPPY TO BE GOING BACK HOME
1289
01:16:23,613 --> 01:16:25,680
AND BACK TO OUR HOME PORT.
1290
01:16:49,272 --> 01:16:51,739
President Kennedy:
WE SET SAIL ON THIS NEW SEA
1291
01:16:51,741 --> 01:16:55,409
BECAUSE THERE IS NEW KNOWLEDGE
TO BE GAINED
1292
01:16:55,411 --> 01:16:57,845
AND NEW RIGHTS TO BE WON,
1293
01:16:57,847 --> 01:17:00,348
AND THEY MUST BE WON AND USED
1294
01:17:00,350 --> 01:17:03,451
FOR THE PROGRESS
OF ALL MANKIND.
1295
01:17:29,379 --> 01:17:31,712
Cernan: AS TIME GOES ON,
I TRULY DO BELIEVE
1296
01:17:31,714 --> 01:17:34,849
THAT YOU'RE ABLE TO PULL OUT
OF THE SUBCONSCIOUS
1297
01:17:34,851 --> 01:17:37,018
A GREAT MANY THINGS
THAT YOU ABSORBED
1298
01:17:37,020 --> 01:17:39,920
IN THOSE MOMENTS
WHILE YOU WERE THERE
1299
01:17:39,922 --> 01:17:41,389
LOOKING BACK AT THE EARTH,
1300
01:17:41,391 --> 01:17:43,991
AND I CAN ALMOST TRANSFORM
MY BODY, CERTAINLY MY MIND,
1301
01:17:43,993 --> 01:17:46,127
THROUGH TIME AND SPACE
INSTANTANEOUSLY
1302
01:17:46,129 --> 01:17:48,362
TO THAT SPOT ON THE MOON.
1303
01:17:48,364 --> 01:17:51,332
I KNOW WHERE I AM
WHEN I LOOK AT THE MOON.
1304
01:17:51,334 --> 01:17:54,835
IT'S NOT JUST SOME
ABSTRACT, ROMANTIC IDEA.
1305
01:17:54,837 --> 01:17:58,305
IT'S SOMETHING VERY REAL TO ME.
1306
01:17:58,307 --> 01:18:28,869
THE STARS ARE MY HOME.
117390
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